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nitrateglow · 3 months ago

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Spooky Season 2024: 12-22

Phantom of the Mall: Eric's Revenge (dir. Richard Friedman, 1989)

The opening of the new mall is hampered by one thing: a Phantom hiding in the air vents, and committing robbery and murder. It turns out this Phantom is really a teenager named Eric (Derek Rydall) disfigured in a fire set by the mall's developers to clear out any remaining houses impeding their dreams of commercial development. Now, Eric plans on having his revenge and watching over his girlfriend Melody (Kari Whitman), now an employee of the mall. But what will he make of her burgeoning romance with a journalist?

Talk about pure '80s cheese. This film feels like it was made to capitalize on the slasher cycle and the popularity of the Andrew Lloyd Weber Phantom of the Opera megamusical. It's not a particularly good movie, but it is dumb fun. I love how this Phantom makes free use of the goods available in the stores and how he spams his spin kick attack like he's in a video game.

Also, Pauly Shore is in this. He has a great scene talking about subliminal messaging in department stores, but is otherwise the usual Pauly Shore.

Hangover Square (dir. John Brahm, 1945)

Musician George Harvey Bone (Laird Cregar) is disturbed by long sessions in which he blacks out. He fears he may be committing murder, but is reassured by the police when he goes to them that isn't likely. Detective Dr. Allen Middleton (George Saunders) advises the overworked George take a break from composing. George does so by going to a pub where he meets the lovely Netta Longdon (Linda Darnell), a music hall entertainer who dreams of fame. George and Netta enter into a toxic relationship in which she uses him to advance her career while seeing other men on the side. When George discovers her treachery, his blackouts return-- this time in a far more violent form.

I'm starting to become fascinated by John Brahm, a director best remembered for his moody, macabre dramas in the 1940s. Hangover Square was his second and final collaboration with the talented but doomed Laird Cregar, who died two months before the film was released. It's as much a noir as a horror picture, drenched in that chiaroscuro lighting and urban dread so common to the classic cycle.

Cregar is astonishing in the lead role. Though handsome, he was a bigger man, so Hollywood refused to allow him to transition into leading man parts. He is marvelous here, passionate and sensitive, yet also sinister once his jealous rage takes over. I've seen Cregar in multiple films and he was truly fantastic, able to be comic as well as dramatic. Hollywood didn't deserve him.

Lastly, Linda Darnell's character sings this really catchy song when Cregar first sees her. I saw this film weeks ago but it is STILL STUCK IN MY HEAD.

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The Sealed Room (dir. DW Griffith, 1909)

In some nondescript time period (everyone's dressed like it's either the early 18th century or the middle ages), a king (Arthur V. Johnson) learns his mistress (Marion Leonard) is smooching with a musician (Henry B. Walthall). Jealous to the point of rage, he has the couple sealed in a small room where they suffocate to death.

The Sealed Room is a gem from the nickelodeon era, though I admit my liking for it comes from how extra all the performances are, even by the standards of the early silent period.

It also has one of my favorite instances of what I like to call "silent film logic"-- that is, scenes featuring action that would be very loud in real life, but in a silent film, you may not think about it as much. Here, the king has the lovers walled up alive in a small room, where they lounge unaware. And yet, there's workers slapping up a brick wall not ten feet away from them! It's very amusing.

Frankenhooker (dir. Frank Henenlotter, 1990)

When his girlfriend Elizabeth (Patty Mullen) gets hacked to death by an automatic lawnmower he built, medical student Jeffrey (James Lorinz) decides to resurrect her by killing sex workers for their shapely body parts then sewing Elizabeth's severed head on top. He does this by having his victims smoke explosive crack.

No, I'm not making this up.

I first heard about Frankenhooker from James Rolfe of Angry Video Game Nerd fame. It sounded so insane that I knew I had to watch it. It's-- well, it's definitely a bizarre movie with lots of crude humor and pitch black jokes.

Would you believe me if I said it was kind of an unsung feminist work? I definitely did not expect THAT angle coming in, but that messaging is definitely there. Jeffrey is a villain-protagonist through and through, even before he starts committing murder. We learn he was already demanding Elizabeth modify her appearance to suit his tastes before she got killed. He views women as more a collection of body parts than proper people. However, his misogyny does catch up with him in the end and his fate at the resurrected Elizabeth's hands is the very definition of irony. I don't want to spoil it.

It's definitely not for everyone, but if you have a sick sense of humor and some friends that share that humor, you'll have a good time.

Friday the 13th: Part 2 (dir. Steve Miner, 1981)

A summer camp close to the infamous Camp Crystal Lake is about to open. Little do the young, horny counselors know, Jason (Warrington Gillette and Steve Daskewicz)-- the boy that allegedly drowned long ago-- is still alive and he's mad his mama got decapitated in the previous film. Lots of people die.

I confess I have a hard time getting into these Friday the 13th films. I've read it took a few entries for the series to find its footing as gloriously dumb schlock, but the first one and this sequel were mostly boring for me. About all I liked was the last twenty minutes, when the heroine's background in child psychology comes into play. Otherwise, this gets a big meh from me. Not horrible, but nothing I can imagine I'll ever rewatch.

Corridor of Mirrors (dir. Terence Young, 1948)

A party girl (Edana Romney) becomes involved with a Renaissance era-obessed artist (Eric Portman). Their fetishistic relationship leads to heartbreak and murder.

Already discussed this one is great detail at my Wordpress blog. It's a great romantic thriller in the vein of Vertigo and Rebecca.

The Old Dark House (dir. James Whale, 1932)

During a thunderstorm, a group of unwary British travelers are marooned at the crumbling mansion of the Femm family, a collection of eccentrics who may be insane. Everything goes wrong: the hulking butler gets drunk and preys on the women visitors, the area may flood, the lights go out, and there may be a homicidal maniac imprisoned in one of the rooms upstairs. Will anyone survive the night?

I have raved about this film for a long time now. It's truly a favorite of mine in general, not just for the Halloween season. Both witty and chilling, it's an atmospheric masterpiece. The damp and mold are palpable.

What fascinates me most is the Femm family itself and the gaps in their backstory. This is one movie where I feel like there's a Tolstoyan novel's worth of drama with the Femms. It's hinted that the 102-year-old patriarch of the house (played in drag by actress Elspeth Dudgeon) used to host orgies there. The death of the seductive sister Rebecca at the age of 21 may or may not have been due to inter-family foul play. Morgan the butler has a close, even weirdly tender relationship with the homicidally insane brother Saul, suggesting a myriad of possible connections between them. It's very interesting-- I like that the movie doesn't fill in all the blanks.

A Game of Death (dir. Robert Wise, 1945)

Don Rainsford (John Loder), big game hunter extraordinaire, finds himself shipwrecked on a mysterious island. The owner is Erich Kriegler (Edgar Barrier), an urbane German who also enjoys hunting, though with a slight difference-- he likes hunting humans. Teaming up with other shipwreck survivors Ellen (Audrey Long) and Robert (Russell Wade), Don tries finding a way to escape before they become Kriegler's next wall trophies.

This movie is a pallid, watered down, shot-for-shot remake of The Most Dangerous Game, one of the crown jewels of 1930s horror, so of course, I am not fond of it. And yet, I rewatch it every few years, so it must have something going for it. So instead of tearing into it as I normally do, I'll list a few things I think are actually good about it:

I like that the main character initially tries tricking Kriegler into thinking he will hunt people with him. Very pro-active.

I think Kriegler is a good villain. Not as memorably deranged and campy as Leslie Banks' Zaroff in the original film, but chilling in a more low-key way. His "the strong deserve to prey upon the weak" philosophy fits in nicely with Nazi ideologies-- no doubt what this wartime horror flick intended.

Um... I think Audrey Long is really pretty. I like her flow-y outfits.

... Yeah, that's it.

The Most Dangerous Game (dir. Ernest B. Schoedsack and Irving Pichel, 1932)

All-American big game hunter Bob Rainsford (Joel McCrea) is shipwrecked on the unlisted island of Count Zaroff (Leslie Banks), a Russian aristocrat and master sportsman who claims he now hunts "the most dangerous game" of all. Being a himbo, it takes Bob a while before he realizes that game is human beings. Unwilling to hunt alongside Zaroff when given the offer, Rainsford and fellow prisoner Eve Trowbridge (Fay Wray) wage a game with Zaroff: let loose into the island's thick jungle, if they survive the night without Zaroff or the terrain killing them, they'll go free. If not, Rainsford dies and Eve will become a rather different kind of quarry for the evil count.

Now, here's my favorite "hunter hunts people" movie! While "The Most Dangerous Game" has been adapted and ripped off multiple times for a century, the original is still hard to beat. The castle set drips with gothic grandeur. The jungle soundstage is thick and suffocating, and once the chase intensifies, it becomes like something out of a nightmare.

I actually think the climactic hunt is among the greatest sequences in all cinema. The editing is so dynamic and the images are brilliant. And when you consider this is still an early talkie, when films were still trying to rediscover their footing after silent cinema came to an end, it becomes even more remarkable.

Going on Letterboxd, I was shocked to find a lot of people on there have mixed to negative opinions about this movie, largely because they think it's too over the top and that it's messaging is too on the nose.

I mean-- yes, these things are true, but I don't see them as flaws. It probably helps that I love camp and melodrama, and am not ashamed to admit it. And regardless of the fervent camp on display, I still think the trophy room scene is creepy and the chase is super intense. I have probably seen this movie close to a hundred times and yet, the chase still has me shouting at the TV, willing the characters to run faster. That's damn fine filmmaking.

The Haunting (dir. Robert Wise, 1963)

A researcher of the paranormal brings a motley crew of ordinary people into the allegedly haunted Hill House. Both potential ghosts and the neuroses of the visitors bring on sinister events and ultimately tragedy.

I love this movie more and more. I already wrote a bit about my reaction this time around, though since then, I started rereading the source novel, Shirley Jackson's The Haunting of Hill House. Obviously, the book delves more deeply into Eleanor's psyche, but the film does a fantastic job of this as well. Given film is a visual medium, it can be a challenge to depict a character's interior state without delving into expressionism and this film does that well.

The Phantom of the Opera (dir. Terence Fisher, 1962)

Aspiring songstress Christine Charles (Heather Sears) and producer Harry Hunter (Edward de Souza) are drawn into a mystery at the London Opera House. A phantom is sabotaging any attempt to produce Joan of Arc: A Tragedy, a show allegedly written by the cold, snobby, rapey Lord Ambrose (Michael Gough). After some investigating, it turns out the Phantom (Herbert Lom) was once the meek-mannered Professor Petrie, whose music was stolen by Ambrose. Now, he wants only to see his opera done justice and only Christine's voice can make that happen.

I am very fond of this version of The Phantom of the Opera even though I think it has a myriad of dramatic flaws. Let's get the flaws out the way first. I think the film is a bit repetitive in retelling us Petrie's story over and over, at first through onscreen description and then through filmed depiction. I also think the ending is anti-climactic, like the writers didn't want to go the usual route of making the Phantom a homicidal maniac but they weren't sure how to make a properly dramatic finish without that characterization.

That out the way, this is a unique, even refreshing retelling in many ways. The Phantom/Christine relationship is no longer one of unrequited love-- in fact, Petrie seems wholly uninterested in romance or sex at all. He views Christine and himself as victims of the truly despicable Lord Ambrose: Petrie had his music stolen and Christine was sexually harrassed. Therefore, it is up to the two of them to wrest the opera back from Amrbose's influence and make it the production Petrie wanted. Petrie is one hard taskmaster. He is relentless in training Christine and at one point throws filthy sewer-water in her face when she faints.

But the Phantom is hardly an out and out villain here. He doesn't even kill people-- he has a convenient hunchbacked assistant to do that. No, the real baddie is Ambrose, among the nastiest villains in the Hammer canon. Ambrose never even kills anyone, yet he makes the blood boil with his wanton cruelty. Michael Gough (who I always remember best as Alfred in the Tim Burton Batman movies, as well as Batman Forever and Batman and Robin) is so good at being bad.

This version of POTO also has my favorite version of the Phantom's compositions. Usually, he writes a "burning" piece called Don Juan Triumphant, fitting his romantic obsession with Christine. Here, Petrie writes an opera about Joan of Arc, a virginal saint persecuted by powerful men-- a fitting subject for Petrie given his own persecution by an aristocrat. Joan's aria "I Hear Your Voice" is gorgeous and always brings me to tears, it's that beautiful.

Not a perfect film, but still a very good one.

#spooky season 2024 #thoughts #phantom of the mall #hangover square #frankenhooker #the old dark house #the most dangerous game #a game of death #the phantom of the opera 1962 #corridor of mirrors #friday the 13th part 2 #the haunting #the sealed room #horror #thriller #Youtube

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kmomof4 · 16 days ago

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Self-Promo Sunday

In honor of Pearl Harbor Remembrance Day yesterday, I thought I’d promote my WWII fic, In the Viper’s Den, for this week’s Self-Promo Sunday. Originally written for the @cshistfic event back in ‘21, it was inspired by the ‘92 movie Shining Through, starring Melanie Griffith, Michael Douglas, and Liam Neeson. I can’t promote the fic without also promo-ing @spartanguard for her manips of Emma, Killian, and Walsh I used in the artwork above and @suwya for her manip of Emma and Killian into the original 1992 movie poster below!! I am STILL - all these years later - so IN AWE of their work!!! Thank you so much, ladies!!! If you haven’t read the fic before, I hope you do and let me know what you think of one of my personal favorites, and if you have, maybe it’s time for a reread!

Summary: Emma Nolan, age 22, goes to work for attorney Killian Jones in the fall of 1940. Over the next year, she comes to believe her boss is a spy, only to have her suspicions confirmed when the Japanese bomb Pearl Harbor. When a German spy working for Killian turns up dead, Emma kisses her lover goodbye and attempts to continue his work of finding and stopping the development of a flying bomb that could spell disaster for the Allied forces.

Words: 23,5k

Rating: M for smut

On ao3 here.

Tagging the usuals. Please let me know if you'd like to be added or removed.

@jrob64 @winterbaby89 @hollyethecurious @the-darkdragonfly @jennjenn615

@donteattheappleshook @undercaffinatednightmare @pirateherokillian @cocohook38 @qualitycoffeethings

@booksteaandtoomuchtv @superchocovian @motherkatereloyshipper @snowbellewells @djlbg

@lfh1226-linda @xarandomdreamx @tiganasummertree @bluewildcatfanatic @anmylica

@laianely @resident-of-storybrooke @exhaustedpirate @gingerchangeling @caught-in-the-filter

@ultraluckycatnd @stahlop @darkshadow7 @fleurdepetite @captainswan-kellie

@soniccat @beckettj @teamhook @whimsicallyenchantedrose @jonesfandomfanatic

@elfiola @zaharadessert @ilovemesomekillianjones @mie779 @kymbersmith-90

@suwya @veryverynotgoodwrites @myfearless-love

#self promo sunday #in the vipers den #krystal writes #cs ff

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celebrateeachnewday · 5 months ago

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Artist Linda Hill Griffith

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samuraiko · 6 months ago

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The full CR art intro/outro list

So I'd posted this on Reddit a while back, but figured I may as well share it here, too. Just in case you were wondering exactly WHAT all those scenes in the intro/outro depict!

Okay, art in order (using Episode 92 as the reference) -- this took MUCH longer than anticipated because I had to double-check the wiki for a lot of it!

Storm over Kreviris on Ruidus (Clara Daly aka EldritchBlep)

Ludinus activating the Malleus Key at the Tishtan Excavation Site in Marquet (Wesley Griffith aka Justwesley)

Vox Machina and the Mighty Nein, with (presumably) Matt in the center leading the charge, staring out over the Barbed Fields in Xhorhas (Adrian Ibarra Lugo aka Ailustrar)

Tiered fields in a mountain valley (Cyarna Trim aka Cyarna)

The Turst Fields northesast of Westruun in Tal'Dorei (Caio Santos aka Black Salandar)

The Ashari settlement of Terrah (Kent Davis aka IDrawBagman)

Planerider Ryn lounging in her hideout in the Plane of Fire (Nikki Dawes aka nikkidawesdraws)

New class character art from either Tal'Dorei Reborn or Explorer's Guide to Wildemount book (Linda Lithen aka LindaLithen)

The holy warriors known as Judicators in Vasselheim in Issylra (Jessica Nguyen aka Jessketchin)

A view of Syngorn at night (while still on Tal'Dorei, presumably) (Bryan Syme aka SymeBryan)

Team Wildemount leading the Guardian Spirit up and out of Uthodurn in Wildemount (Clary Daly aka EldritchBlep)

The holy city of Vasselheim in Issylra (Kent Davis aka IDrawBagman)

The Feywild (Caio Santos aka BlackSalander)

Ichabarr, headless stallion lord of the Herd of the Damned of the Parchwood Timberlands of Tal'Dorei (John Anthony Di Giovanni aka ja_dig)

The Barbed Fields of Xhorhas, with Rosohna visible in the distance (Clary Daly aka EldritchBlep)

Depiction of the creation of Ruidus being ripped from Exandria (Wesley Griffith aka justwesley)

A mortal first discovering the continent of Gwessar (Adrian Ibarra Lugo aka Ailustrar)

Catha and Ruidus in the night sky (Clara Daly aka EldritchBlep)

Imogen and Fearne sundering the shadow version of the Sun Tree while rescuing Laudna (Jessica Nguyen aka Jessketchin)

Chained flying cities (Cyarna Trim aka Cyarna)

The Westruun Observatory (Kent Davis aka IDrawBagman)

The Oderan Wilds of Marquet (Clara Daly aka EldritchBlep)

The Battle of the Umbra Hills between Zan Tal'Dorei and King Trist Drassig (Jeleynai aka Jeleynai)

Zephrah (Caio Santos aka BlackSalander)

Exandria surrounded by the various gods/energies of the planes (Cyarna Trim aka Cyarna)

Exandria with Catha and Ruidus amidst the cosmos (Cyarna Trim aka Cyarna)

Emon in Tal'Dorei (Kent Davis aka IDrawBagman)

Yios, the City of Flowing Light, in Marquet (Clara Daly aka EldritchBlep)

Eiselcross in the far reaches of Wildemount (Jonah Baumann aka GalacticJonah)

Camellia the blighted druid marked by a spectre from the Tal'Dorei Reborn sourcebook (Adrian Ibarra Lugo aka Ailustrar)

The spires of Jrusar in Marquet (Clara Daly aka EldritchBlep)

Whitestone Castle in Tal'Dorei (Kent Davis aka IDrawBagman)

Shaun Gilmore and his husband Darius at Gilmore's Glorious Goods (presumably Emon branch!) (Isabel Gibney aka greyopals)

Nana Morri (aka Morrigan the Fatesticher), Fearne's 'grandmother' (Adrian Ibarra Lugo)

The Foramere Basin of central Tal'Dorei (John Anthony Di Giovanni aka ja_dig)

Ioun sealing away Tharizdun, the Chained Oblivion (Wesley Griffith aka justwesley)

The entrance to the Emerald Citadel in Syngorn (Kent Davis aka IDrawBagman)

Melora the Wildmother and Erathis the Law-Giver, each overseeing her domain (Zuzanna Wuzyk, aka Zuzartii)

Stairs leading nowhere in a forest (Caio Santos aka BlackSalander)

The Rifenmist Jungle on Tal'Dorei (Clara Daly aka EldritchBlep)

Thordak the Cinder King in the Plane of Fire (Kent Davis aka IDrawBagman)

Catha and Ruidus, with Ruidus' barrier shown around it (Clara Daly aka EldritchBlep)

Zan Tal'Dorei, first Sovereign of Tal'Dorei (Nikki Dawes aka nikkidawesdraws)

Lorkathar defending Flamereach Outpost outside Emon (Bryan Syme aka SymeBryan)

Sorrowlord Zathuda astride Gloamglut doing aerial battle with a transformed Nana Morri in the Feywild (Sam Rusk aka samurai_rusk)

Vox Machina being badasses (Kent Davis aka IDrawBagman)

Ligament Manor, the Feywild demesne of Nana Morri (Adrian Ibarra Lugo aka Ailustrar)

Gloomstalkers flying over Ghor Dranas in Xhorhas (Clara Daly aka EldritchBlep)

The harbor of Nicodranas with the Wildmother's lighthouse atop the cliff (Caio Santos aka BlackSalander)

Vox Machina camping under the stars (Kent Davis aka IDrawBagman)

Marquesian oasis village (Ameera Sheikh aka Mikandii)

The Traveller's Gate (Clara Daly aka EldritchBlep)

The Matron of Ravens (Jessica Nguyen aka Jessketchin)

The dwarven/elven subterranean city of Uthodurn in Wildemount (Clara Daly aka EldritchBlep)

A mage opening a portal to the Iron City (Linda Lithen aka LindaLithen)

Repeat of storm over Kreviris

Jrusar marketplace at night (Clara Daly aka EldritchBlep)

Ruin within the Rifenmist Jungle of Tal'Dorei (Kent Davis aka IDrawBagman)

One of Zephrah's skyriders patrolling the canyons (Claudia Ianniciello aka claudia_ianniciello_artworks)

The small fishing town of Byroden (Caio Santos aka BlackSalander)

The Sun Tree of Whitestone in Tal'Dorei (Kent Davis aka IDrawBagman)

Captain Xandis aboard the Silver Sun skyship (Nikki Dawes aka nikkidawesdraws)

The creation of the dragon race during the first age of Exandria (Ameera Sheikh aka mikandii)

Marketplace being destroyed from the Tal'Dorei sourcebook (Andrey Vasilchenko aka drawborn)

The cursed blade Graz'tchar in the Grey Valley of Tal'Dorei (Cyarna Trim aka Cyarna)

The Observer, patron deity of Niirdal-Poc (Clara Daly aka EldritchBlep)

Keyleth and her mother Vilya looking out over Zephrah (Kent Davis aka IDrawBagman)

An adranach rebuilding Emon under the command of the League of Miracles (Wesley Griffith aka justwesley)

The elven city-state of Lyrengorn in the Cliffkeep Mountains of Tal'Dorei (Kent Davis aka IDrawBagman)

Ank'harel in Maruqet (Clara Daly aka EldritchBlep)

Repeat of Ludinus at the Malleus Key

Repeat of Matt, Vox Machina, and the Mighty Nein

Repeat of tiered fields

Repeat of Turst Fields

Repeat of Terrah

Repeat of Planerider Ryn

Repeat of spellcasters

Repeat of the Judicators

Repeat of Syngorn at night

Repeat of Team Wildemount leading the Spirit

Repeat of Issylra

Repeat of Feywild weirdness

Repeat of the Herd of the Damned

Repeat of the Barbed Fields

Repeat of the creation of Ruidus

Repeat of mortal discovering Gwessar

Repeat of Catha and Ruidus over mountains

Repeat of Imogen and Fearne with the Shadow Sun Tree

Repeat of Ank'harel

#critical role #campaign 3 #critical role fanart

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therecordchanger62279 · 6 months ago

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THE BEST WRITTEN SONGS OF ALL-TIME

Because I have zero innate musical ability, the idea that someone can sit down with a musical instrument, and create an original song out of thin air is magic to me. Songwriting is a craft, but it’s inspiration that makes a good song into a great one. There are songwriters who seem able to turn out high quality songs in perpetuity. There are others who write maybe one or two great songs, and are never heard from again. So, I made a list of what I think are the 50 best written songs I’ve ever heard. These are in no particular order. I’ve listed the title followed by the songwriter or songwriters, and in parentheses is the performer I most enjoy hearing do the song – although most of these songs have been recorded countless times by a variety of artists. You can probably find all of these on YouTube or any of the streaming services. Most have lyrics, but some do not. But, it’s hard for me to imagine any of these songs being recorded by anyone with talent, and not retaining the brilliance with which the song was written.

Claire de Lune by Claude Debussy (Eugene Ormandy & The Philadelphia Orchestra)

Rhapsody in Blue by George Gershwin (Zubin Mehta & The New York Philharmonic, Gary Graffman, piano)

A Change Is Gonna Come by Sam Cooke (Sam Cooke)

Coal Miner’s Daughter by Loretta Lynn (Loretta Lynn)

Hello Walls by Willie Nelson (Faron Young)

I Left My Heart In San Francisco by George Cory and Douglass Cross (Tony Bennett)

God Bless The Child by Arthur Herzog, Jr. and Billie Holiday (Billie Holiday)

Eleanor Rigby by Paul McCartney and John Lennon (The Beatles)

Blind Willie McTell by Bob Dylan (Bob Dylan)

A Remark You Made by Wayne Shorter (Weather Report)

She’s Always a Woman by Billy Joel (Billy Joel)

Roll Me Away by Bob Seger (Bob Seger)

Margie’s At the Lincoln Park Inn by Tom T. Hall (Bobby Bare)

Angel From Montgomery by John Prine (Bonnie Raitt and John Prine)

Rainy Night in Georgia by Tony Joe White (Brook Benton)

You Never Can Tell by Chuck Berry (Chuck Berry)

Where or When by Richard Rodgers and Lorenz Hart (Dion and The Belmonts)

American Pie by Don McLean (Don McLean)

It Was a Very Good Year by Ervin Drake (Frank Sinatra)

Gentle On My Mind by John Hartford (Glen Campbell)

Early Morning Rain by Gordon Lightfoot (Gordon Lightfoot)

Book of Rules by Harry Johnson and Barry Llewellyn (The Heptones)

Highwayman by Jimmy Webb (The Highwaymen)

American Music by Ian Hunter (Ian Hunter & Mick Ronson)

That’s Entertainment by Paul Weller (The Jam)

Song of Bernadette by Leonard Cohen (Jennifer Warnes)

Jazzman by Carole King and David Palmer (Carole King)

Talking Back to The Night by Steve Winwood and Will Jennings (Steve Winwood)

My Favorite Things by Richard Rodgers and Oscar Hammerstein II (John Coltrane)

Don’t It Make You Want to Go Home by Joe South (Joe South)

Sunday Mornin’ Comin’ Down by Kris Kristofferson (Kris Kristofferson)

Heart Like a Wheel by Anna McGarrigle (Linda Ronstadt)

I Am a Town by Mary-Chapin Carpenter (Mary-Chapin Carpenter)

Footprints by Wayne Shorter (Miles Davis Quintet)

Pleasant Valley Sunday by Gerry Goffin and Carole King (The Monkees)

This Old Town by Jon Vezner and Janis Ian (Nanci Griffith)

Brooklyn Roads by Neil Diamond (Neil Diamond)

Thrasher by Neil Young (Neil Young & Crazy Horse)

Box of Rain by Robert Hunter and Phil Lesh (Grateful Dead)

Is That All There Is? By Jerry Leiber and Mike Stoller (Peggy Lee)

Louisiana 1927 by Randy Newman (Randy Newman)

King of the Road by Roger Miller (Roger Miller)

America by Paul Simon (Simon & Garfunkel)

The Sound of Silence by Paul Simon (Simon & Garfunkel)

Children’s Crusade by Sting (Sting)

My Girl by Smokey Robinson and Ronald White (The Temptations)

Green, Green Grass of Home by Claude “Curly” Putnam, Jr. (Tom Jones)

Downtown Train by Tom Waits (Tom Waits)

The Whole of The Moon by Mike Scott (The Waterboys)

My Heroes Have Always Been Cowboys by Sharon Vaughn (Willie Nelson)

#songwriting

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the-secret-garden1 · 8 months ago

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PALESTINE UPDATES 🇵🇸

I've seen lot's of videos and articles highlighting which politicians are supporting Israel. So I'd like to highlight some of the politicians in Australia that are on the right side of history. So when you get in your booth you can look for those that share your values, and that actually represent you. The one's that aren't for supporting a genocide.

Here's a list of the 49 members of Parliament who signed the latest petition:

Dr Anne Aly MP, Federal Member for Cowan

Mr Adam Bandt MP, Federal Member for Melbourne

Hon Linda Burney MP, Federal Member for Barton

Hon Mark Butler MP, Federal Member for Port Adelaide

Ms Terri Butler MP, Federal Member for Griffith

Senator the Hon Doug Cameron, Senator for New South Wales

Ms Lisa Chesters MP, Federal Member for Bendigo

Ms Sharon Claydon MP, Federal Member for Newcastle

Senator Sam Dastyari, Senator for New South Wales

Senator Richard Di Natale, Senator for Victoria

Senator Patrick Dodson, Senator for Western Australia

Mr Steve Georganas MP, Federal Member for Hindmarsh

Mr Andrew Giles MP, Federal Member for Scullin

Senator Sarah Hanson-Young, Senator for South Australia

Mr Ross Hart MP, Federal Member for Bass

Mr Chris Hayes MP, Federal Member for Fowler

Mr Julian Hill MP, Federal Member for Bruce

Mr Stephen Jones MP, Federal Member for Whitlam

Senator Skye Kakoschke-Moore Senator for South Australia

Ms Justine Keay MP, Federal Member for Braddon

Ms Susan Lamb MP, Federal Member for Longman

Dr Andrew Leigh MP, Federal Member for Fenner

Senator Sue Lines, Senator for Western Australia

Senator Gavin Marshall, Senator for Victoria

Senator Nick McKim, Senator for Tasmania

Mr Brian Mitchell MP, Federal Member for Lyons

Senator Claire Moore, Senator for Queensland

Ms Cathy O’Toole MP, Federal Member for Herbert

Mr Graham Perrett MP, Federal Member for Moreton

Senator Louise Pratt, Senator for Western Australia

Senator Lee Rhiannon, Senator for New South Wales

Senator Janet Rice, Senator for Victoria

Ms Michelle Rowland MP, Federal Member Greenway

Ms Rebekah Sharkie MP, Federal Member for Mayo

Senator Rachel Siewert, Senator for Western Australia

Senator Lisa Singh, Senator for Tasmania

Hon Warren Snowdon MP, Federal Member for Lingiari

Ms Anne Stanley MP, Federal Member for Werriwa

Ms Susan Templeman MP, Federal Member for Macquarie

Hon Matthew Thistlethwaite MP, Federal Member for Smith

Senator Anne Urquhart, Senator for Tasmania

Ms Maria Vamvakinou MP, Federal Member for Calwell

Senator Larissa Waters, Senator for Queensland

Senator Murray Watt, Senator for Queensland

Senator Peter Whish-Wilson, Senator for Tasmania

Mr Andrew Wilkie MP, Federal Member for Denison

Mr Josh Wilson MP, Federal Member for Fremantle

Senator Nick Xenophon, Senator for South Australia

Mr Tony Zappia MP, Federal Member for Makin

For more information check out:

newmatilda.com

5 notes · View notes