#Like you know he doesn't like being put in a father role right

[agent371]

Me watching the batfamily fans completely mischaracterise my favourites on the rare occasion they remembered that other characters existed: 😞

[ofstarsandvibranium]

Stitched Together

Fandom: Marvel (Mob Boss AU)

Pairing: Bucky Barnes x F!Reader

Summary: You and Bucky used to be so in love and so... ignorant of the roles you had to play, which lead to you breaking up. But that didn't seem to keep you away from each other since you now act as Bucky's nurse whenever he gets hurt.

A/N: Based off my mini fic here.

Bucky Barnes Masterlist

You were used to it by now. In the morning, you'd go into work at the hospital. The pediatrics unit was filled with light and color. You made sure to bring as much joy and light into the lives of the children you helped every day. Then when you came home, you'd do work for the darker side of life.

Bucky Barnes was born for this life. Being the first born son of George Barnes, the position of head of the Barnes Family was immediately his.

But growing up he didn't act like that life was for him. You would know since you two knew each other since you were thirteen. You grew up in the same neighborhood. It wasn't until you turned sixteen that you started dating. You knew who his father was, your own dad knew who his family was. As a detective, he told you time and time again that you needed to stay away from him. Being a hormonal and rebellious teenager, you never listened. You should've.

At eighteen years old was when Bucky killed for the first time. Because he was now a man, his father put him up in a cage fight with another man. It was kill or be killed.

He wasn't the same after. He began to push you away, keep things from you, act like a complete asshole.

Then enough was enough. You broke up with him and even though he hurt you, you never told your father the things Bucky told you. Especially after your father became the chief of police.

You two were ignorant with the roles you had to play in your youth, but reality hit you right when you became adults. You became the dutiful daughter of the chief of police, went to university to become a nurse. You stopped keeping track of Bucky's life, but would hear updates along the grapevine every once in a while.

You were there when George Barnes passed. Well, not necessarily in the room, but you were at the hospital when he passed. You were coming up from your break when you saw Bucky at the elevators. He looked upset.

"Bucky?"

He turned at the sound of his name, "Sw-Y/N. Hey."

"Is everything okay?"

"Uh, my dad. He-He had a heart attack. I'm-He-" you could see how distressed he was, so you pulled him in for a hug.

"Whatever happens, you'll be okay," you whispered in his ear.

He fell limp in your arms. You didn't know it then, but Bucky missed you like crazy and being in your arms again that night saved him from spiraling.

It's later that night that George Barnes dies. After everything he's done and been through, a heart attack was what killed him.

Karma, is what your dad said.

Despite the position George Barnes held, he was well-loved around the city due to him caring for the community. The streets were filled during the procession, your dad and his men keeping an eye out in case anything happened. You were also there for the funeral. You caught glimpse of Bucky and you couldn't breathe for a moment. He was clearly tired and you couldn't blame him, considering how things have been going for him lately.

Despite your father warning you to not make contact with him, you felt like you should.

"I'm sorry, again for your loss, Buck."

He gives you a tired smile, "Thank you again for showing up, Y/N. I-I know your dad probably didn't want you to come."

"He doesn't control every aspect of my life."

"Still. I really appreciate you being here."

"Of course. It's always hard when you lose someone you love." You would know since you lost your mother when you were young.

"Bucky," Sam, Bucky's right hand, calls his name and urges him to follow him.

"I gotta-"

"It's okay. Hope things aren't too stressful for you."

"Thank you. I'll see you around," he says as he departs. You didn't know just how soon you'd end up seeing him.

Three days later, to be exact.

It was late at night when there was a knock at your door. You hold your knife close as you peer through the peep hole of your door. Your eyes widen when you immediately pull the door open.

"Holy shit!" you whisper loudly as Sam drags a bleeding Bucky into your home.

"He didn't want to go to the hospital since we don't know whose people might be working there. So he told me to bring him here."

You guide Sam to your couch where Bucky slumps onto it, "Sorry, Y/N. I didn't know who else to trust right now." You turn on all the nights in your apartment and get a look at him. There's a stab wound in his shoulder. It looks like the bleeding slowed though.

You help Bucky out of his jacket and shirt. You apologize profusely for the pain he's going through.

He dryly chuckles, "You know, when I dreamt about you stripping me, I didn't think it'd be in this context."

You pause and look at him, "You dream about me?"

"You haunt my mind, Y/N." He must be delusional due to the blood loss. Before his father's passing, you hadn't seen nor spoke to him in years. There's no way he'd still be thinking about you after all this time, right?

"I'll be back. I need to grab my first aid kit." You rush to your bathroom and grab the small duffle of all your first aid necessities.

You also grab a bottle of vodka and hand it to Bucky, "Drink up, buttercup."

He frowns and looks at the bottle, "Thought you hated vodka."

"It's not my bottle. America left it from a party I held here," you mumble as you pull on some gloves and begin to clean around his wound. You work in silence as Bucky takes swigs from the bottle. Sam watches from the corner of the room, staying out of your way.

While you work, Bucky takes in your apartment. He takes in the pictures, the decor, the trinkets you have around. This is exactly how he'd imagine your place to be.

"Hey, still with me?" you ask as you begin to thread your needle.

"Yup."

"Okay. This might hurt-"

"Probably not as much as getting stabbed."

You can't help but snort a laugh as you get ready to start stitching Bucky's wound. He grins at the sound of your laughter and you see the sliver the Bucky you once knew.

For the most part, Bucky didn't make much of a sound while you worked. He just kept his eyes on you, taking in every furrowed brow, every twitch of your lip. After all these years, you are still just as beautiful as before.

His heart lurches at what's become of you two. You're practically strangers again after spending so many years apart. His own doing really.

Scared of what could happen to you as he fell deeper into the family business. That's why he behaved the way that he did all those years ago. He was protecting you.

Because after all this time, Bucky Barnes still loves you.

"Alright. We're done. How are you feeling?"

"Sleepy," he mumbles as he tries to sit up, but you keep him down.

"Then sleep. You and your bodyguard can stay here for the night."

The man in the corner snorts, "My name's Sam and I am not his bodyguard."

"Sorry, Sam, you and Bucky are free to sleep here for the night." Sam simply nods.

"You don't have to do this. If your dad finds out-"

"He won't. I won't tell him. And you're hurt, Bucky. Doesn't matter what you do or who you are, I can't, in good conscience, let you leave without knowing you'll be okay after this. Just-Just take this as me wanting to observe my patient for the night."

He settles further onto your couch with defeat, "Alright...you know you should've been a doctor."

"Didn't have the time or money to get my doctorate."

"I can help with the money-"

You shake your head, "It's fine, Buck. I'm happy with my job."

"Just..if you need anything, I'm here to help. That's what my dad for the people of this city and that's what I want to continue to do."

"I know. Thanks."

You stand, collecting your things, "I have some spare blankets, pillows, and toiletries. Lemme grab them."

"Okay," he says and watches as you walk to your bedroom.

Sam moves closer, "So that's her."

"Yeah."

"She's nice."

"Yup."

"And beautiful."

Bucky whips his head to Sam, glaring at him, "Watch it."

Sam holds his hands up, "I can appreciate a beautiful face, man. Besides, she's not yours anymore."

"You know how I feel about her."

"Yeah, yeah, I hear you." Sam says as he plops onto your sofa chair.

You come back with pillows and blankets in arms, "The couch is a pull out, soooo you two will have to share."

"Absolutely not."

"I'm sleeping on the floor."

You snicker, "Okaaay, uh, I have a couch in my room that one of you can take too."

Sam and Bucky look at each other and Sam immediately goes, "I call this bed!" he points to the couch that Bucky's laying on.

Bucky rolls his eyes and you chuckle, "Actually, I think I'd rather have you near me, Bucky, just in case you pull a stitch or start feeling pain again."

"If you're okay with that," he says with a shrug.

"It'll be fine," you respond as you help him sit up and then help him to his feet. He follows you to your bedroom where you show him the couch. You point to the adjoining bathroom, you can take a shower there. I already set out stuff for you and Sam."

"Thanks, Y/N. I really do appreciate it."

"Just doing my civic duty, Buck," you say with a small smile.

He clears his throat, "Yeah. Right. Of course."

"Oh!" you grab a pile of clothes and hold them out, "Here. They're my dad's for some of the nights he stays over."

Bucky can't help but snicker, "If your dad knew-"

"I know," you say with a playful roll of his eyes, "But he's not here and he won't ever know I'm helping you. So go, shower, be careful around your stiches. Call me if you need anything," you turn to set up Bucky's sleeping arrangement, but he grabs you by the wrist.

"Y/N?"

"Yeah?" you ask when you face him again.

He looks at you with soft blue eyes as he murmurs, "Thank you."

"You're welcome," you lean in and press a kiss to his cheek, "Go. Wash all that blood off you."

"Alright," he says and grabs the clothes, going into your bathroom. When the door shuts, you fall onto your bed to give yourself a moment.

A few days ago, you went years without seeing or hearing from Bucky. Now you've seen him twice in less than a week and it's throwing your mind in for a loop.

Hopefully, this will only be a one time thing and you two can go back to being strangers again.

[twistedwonderlandimaginesblog]

Ooo, I like that ask you answered about the MC wanting a large family one day! Could I please request that scenario, but with Deuce, Azul, Jack, Ruggie, and Idia?

Azul Ashengrotto:

Azul would feel less stressed trapped in a room covered in mayo while a hungry Jade and Floyd cornered him after not eating for a week. One kid was already more than enough in his opinion but you’d want a metric ton of them?! He’d have to think of the pros and cons of it all, especially when he knew it’d effect his business and personal life. He likely wouldn’t be a fan of a huge family but two wasn’t too bad, right?

Deuce Spade:

It would be something Deuce needed to think about. He had a complex, worried about not being a good father as he never had a good example, but he slowly realized his mom was the perfect example of a parent. She had supported him, played every role, and after all the difficulties she had gone through, it was clear she still loved being a parent. He wanted to experience that, and while it would be much different as you’d be by his side, he wondered what challenges might present themselves when having multiple children.  

Idia Shroud:

You’re going to send Idia into cardiac arrest. He could hardly imagine himself having to take care of one baby, but you wanted MORE than one? A metric ton?! Video games only ever let him have two and even THAT was low maintenance, he rarely had to even glance at them as the game had them automatically taken care of. He can't bring himself to want a large family but he doesn't think he'd regret having one child, nervous about how you might feel when he tells you that a large family simply wasn't something he could imagine himself with.

Jack Howl:

The way it’s brought up makes him feel incredibly embarrassed, and Jack can’t put a number on it, but he did enjoy the idea of having a big family. Everyone in his family was highly energetic so having a pack of children running around wouldn’t make any of them blink an eye, and he wasn’t really intimidated by the idea. He’d have to learn as he went but he thought he had good role models for his transition into parenthood, and he was a little excited to know you wanted to have a family like this with him as well.

Ruggie Bucchi:

Ruggie’s a little wary of having a ton of kids. Maybe one, but having a ton of little mouths to feed was stressful. He knew he could probably do it as back home everyone supported each other, and he’d have a tight-knit community looking out for all of you. But he was still wary about putting them through a hard life if he couldn’t earn enough money as, while he valued his experiences, he didn’t know if he wanted that trend to continue with his own kids.

[oh-lordy-lord-save-me]

Leo and Raph intros!

Leonardo Hamato

As the oldest of the four, Leo was assigned leader by their father. He is responsible for his brother's safety, but can be overbearing when unchecked. He is a bit hotheaded and can get angry fairly easily, but he keeps it to himself as he feels like he already causes enough issues.

A read eared slider with a love for solitude; he is hesitant when it comes to doing things he truly enjoys. Even though he presents himself as a rather crabby person, he loves his family and friends with all his heart-and would do just about anything for them.

Arguing with Raph has become a habit. It is necessary though, as the plans usually include Leo going in alone and "making sure the coast is clear." He knows its for his own good, and that his brother cares for him, but why won't he just let him do his job? To protect them?

Leo is the only brother who seems to somewhat understand Don's inventions. He finds everything Don says pretty important when it comes to making plans.

Loves hanging out with Mikey. He likes getting movie/ series recommendations from him. They're both the most obsessed with the TV series, Cosmic Chronicles.

Raphael Hamato

Being the second oldest, Raph has given himself the role of co-leader. Despite his loud and boisterous personality, he is often the one that takes control of the room when things go haywire. Once you get to know him, he is very amicable and will always offer a helping hand.

Contrary to what he tells people (and himself) he is not an alligator snapping turtle. He is actually a common snapping turtle. His dna was mixed with some other reptiles that gave him his spiky appearance.

Being co-leader gets him into many arguments with Leo over how to lead the team. These arguments are small enough to where Donnie can stop them by hitting them in the head with his bo staff.

Raph respects Leo enough to correct him when he's wrong and likes hanging out with him when he's free.

Him and Don are joined to the hip and influence eachother in the worst of ways (doing pranks) He still has his limits though.

Raph has earned the right to listen to Mikey's rants. He doesn't take notes but he puts in the effort to remember some of it.

[sugar-grigri]

Nayuta wasn't killed by Barem, she's his ally 

Poor fandom, you're disorientated just when your compasses should be working properly. 

Let's learn how to eat sushi properly, step by step. Or rather, how about reading Chainsaw Man in the right order? By calmly superimposing everything we know in the right order 

So let's not panic, let's get on with it. Dry your tears, clean your snot and let's get back to the introductions. 

First layer of sushi: Denji and Pochita are made for each other 

Who is Chainsaw Man? It's a question we've been asking ourselves a lot, but how about a simple answer - we're not here to mess around. Chainsaw Man is the combined result of Pochita + Denji. Do we agree? Why have they become so close? Because they look alike, don't they? Alone, hungry, in need of a little warmth and a little love. 

Second layer of sushi: birthday, despair, amnesia...

If we take the stories in outline, Denji meets Makima and then bonds with his siblings. A sibling who eventually dies, and whose final breaking point is his sister, cut in two. On top of that, it's his birthday, isn't it? Makima invites Denji to open the door that confined his traumas, including the death of Denji’s father? 

You see, I've already missed it, I went too fast. Let's resume calmly, birthday... Denji had forgotten it was his birthday, hadn't he? His birthday is the day you're born, it's one of the few pieces of information we don't really question, but Denji forgot it. But haven't you ever really wondered...

If Denji had celebrated his birthday? And why, how, he wanted to eat a cake? His father was violent and his mother died when he was very young, so is it really safe to say that Denji celebrated his birthday? 

I had another question, why does Fujimoto always seem to accentuate the cakes so much?

I really think that cake is one of the keys, because it's a tunnel of memories that resurfaces in Denji, the cake, his birthday, then Power's death, then his father's death. It's a sushi within a sushi (we're slowly taking things back in order), I think it's about layers that need to be taken back in chronological order, yes chronological 1) the death of Denji's father 2) the death of Power 3) Denji's birthday 4) the cake. Which brings us to this scene.

Was this scene shown not just metaphorical or symbolic, but actually happened? Denji having contracted with the control demon whose power is to control memory, in order to reshape him perfectly so as not to be happy and to do whatever she asks of him later. Why couldn't Denji open that door? Why does Aki's death sound so abruptly like Denji's absence, with a mini ellipsis that doesn't show us in concrete terms how Chainsaw Man killed him? I'm going too fast again, let's start again...

Makima hasn't made Denji unhappy, she's created a being made for unhappiness.

This scene refers to an anniversary, amnesia and despair, all ingredients that enabled Pochita to take complete possession of Denji and show us the most complete version of Chainsaw Man.

Which means Barem isn't lying, is he? Same here, I'm going too fast!

Third layer of sushi: the closer Denji gets to happiness, the more he doubts...

Denji manages to become himself again and succeeds in killing Makima, by devouring her. In a very simple and concrete way, Makima was devoured and this put an end to her existence. Keep this in mind. Nayuta is reborn, becoming Denji's little sister, lots of dogs surround them, Chainsaw Man becomes extremely popular and it's in this part 2 that Denji will feel the least like himself, the least like Chainsaw Man. Strangely enough, it's when he approaches a semblance of happiness that Denji pulls away from himself.

Barem really doesn't seem to be lying, does he? But once again, I'm going too fast, let's get on with it!

Fourth layer of sushi: Barem never lies 

This is something I quickly came up with, and it's so precise, I think his character is thought of that way, and it's his narrative role. Even though he's deceitful, manipulative and devious, the bro does NOT LIE. He didn't lie about the weapons attack, he didn't lie that he looked like a Chainsaw Man fan, and he doesn't lie in the last chapter. But same, I'm going too fast. 

Fifth layer of sushi: Nayuta betrayed by Chainsaw Man 

When Denji made the choice to become Chainsaw Man, the house, his source of happiness, was falling to ashes, his dogs, his cat were dying. Denji went through with his dream and abandoned the little sister who made him happy. Barem didn't impose misfortune on Denji; it was Denji who chose misfortune, despite Nayuta's fears. The happier he was with her, the more he lost himself. He left her in Barem's hands and provoked an existential crisis in her. Which made her reconnect with her old self. 

Sixth layer of sushi: an unblocked memory. 

The aftertaste that sticks to your palate is a piece of information I mentioned earlier. Makima has been devoured. What defines the Knights of the Apocalypse from the rest of the demons? Their memory. What if Nayuta had now understood how Chainsaw Man's power worked? 

Seventh layer of sushi: chapter 170. 

This explains Nayuta's severed head, a macabre mise-en-scène to make her brother lose his mind a little more. As for Barem, he doesn't lie to us and gives us instructions on how to read Chainsaw Man. He knows how to read Chainsaw Man, since he knows the two conditions for him to regain his full power because Nayuta gave them to him. For all this is nothing more than their death. 

Layer zero of sushi: the unknown. 

Now I'm entering the quintessential madness of my analysis. Makima contracted with Denji at a very young age, and gave him several orders: survive at all costs, remain miserable, and one day kill Power and Aki. Above all, she ordered him to contract with Pochita, hence Denji's reflex to hand his open wound directly to the demon. This misfortune, this amnesia due to the contract with Makima, this survival on his own, finally allowed a weakened Chainsaw Man to find a kindred spirit, a loved one. Believing in happiness, then destroying it, kept Chainsaw Man's power in check, those vain dreams only a human could imagine. Denji was a kind of Russian doll, holding back Pochita and his over-power. That's why these two conditions exist. 

To be unhappy, or to break this Russian doll. 

To be feared by all, or to be alone. 

Or kill Denji. 

To save Pochita. 

Layer - 100000 of sushi: did you think I'd finished losing my head? I don't think so. What if everything I've been telling you all along, taking things in order, were to be done in reverse? Take them out of order. I'll ask the questions so you can understand. Why is Makima so obsessed with Chainsaw Man? Why did the Knights of the Apocalypse fight Chainsaw Man in the underworld? How did they manage to retain their memories? Why start the story with a parricide? Why was Denji finely polished by Makima to welcome Pochita when Makima never saw Denji, the reason for her own death? How could she enter into a contract with someone she has never seen? 

Because someone is controlling the control demon itself. Just as it controls the way the story is presented to us. How can we trust an antagonist who controls memory? And an amnesiac protagonist? 

Why did Pochita do what he did in the underworld? Why this sudden fury? Why do demons hear chainsaws at the moment of their death? 

Because we've come full circle. More precisely, what you're reading is not part 2 but part 1, or to be more (MORE) precise, the end of Chainsaw Man will lead to its beginning. The desire to create a better world, to kill death, will lead to a temporal loop in the world that will never cross the apocalypse, blocked just ahead. 

Makima herself is controlled by her future self, which allows her to make references to the future and know the recipes for unleashing Chainsaw Man's power without understanding why, her future self knows Chainsaw Man, she loved him. So Makima also loves Chainsaw Man without really understanding why, amnesiac like Denji.

Denji doesn't kill his father, it's his old self who is killed. 

But another Denji tries to put an end to this... 

Spiral. 

Stuck between two worlds, two temporalities, morning (Asa), night (Yoru), someone is trying to put an end to this endless world, before dawn.

[steddiealltheway]

Steve can see it in Max. That same loneliness and ache that he finds in himself. For him, it’s result of his parents leaving with no intent to return to him unless absolutely necessary.

He knows he was an accident. Or rather a mistake as his father used to call him when he was particularly angry. But it made sense to him. Steve's the reason his father had to marry his mother. He left him "trapped." And maybe no one says it out loud, but he can tell his mother feels the same way too.

But they must keep up appearances, right?

Which is what Max has been trying to do since Billy died, El moved away, and it's been just her and her mom. But she's been going about it through a different route - pushing people away all while pretending things are fine. But Steve sees the way she picks up the broken pieces of her mom and tries to put them back together - Steve's had to do the same thing before.

So, he starts sticking around a little longer. Offering her more rides to the arcade and around town to pick up groceries when she needs to. Sometimes he'll tell her about a new recipe he's been trying for a casserole and pick up the ingredients, pretending like the milk and butter he bought will spoil by the time he drives home from her trailer.

Of course, they both know it's a lie, but Max humors him and plays along. She'll let him cook dinner while she picks up the bottles her mom left on the floor, dumps out the overflowing ashtray, and feeds the dog. Usually, Steve will ask her what she's learning in school and linger a little longer than usual in hopes that she'll say more than the usual, "I don't know. A bunch of boring stuff."

But lingering has gotten a lot of things out of Max such as her love for Kate Bush, a story about El and how much she misses her, and short quips about Lucas before she gets a sad smile on her face. Steve doesn't really know what to say most of the time, but he hopes that just being there will help.

Unfortunately, lingering and just being there has led him to his current predicament of none other than Eddie "The Freak" Munson sitting on the hood of his car glaring at him as he walks out of Max's place. Steve jumps a little, startled by the figure on his car and becoming more hostile as he sees the expression on his face. He shoves his hands in his pockets and slows his pace. "Is there a problem?"

Eddie snorts humorlessly. "Christ. You're really going to pretend like there's nothing wrong with what's happening?"

Steve's brows furrow, entirely missing whatever point he's trying to make.

Eddie stands up and stalks toward him. "I see you, you know. Always lurking around when her mom isn't home. Coming out of her trailer late at night."

Steve laughs, finally understanding the absurd conclusion he's come to. "Jesus, man. You're delusional."

Steve doesn't expect it, but Eddie sharply shoves his chest and grits, "I don't fucking lie to me, Harrington."

Steve holds his hands up. "I'm not," he firmly states. "Nothing like that is happening here. I'm glad you're looking out for her, but it isn't like that."

"Do you expect me to believe that? Maybe this is why you're always hanging around Henderson and the other kids."

Steve crosses his arms and his jaw tenses. "I'm not a fucking pervert or a pedophile if that's what you're trying to say. I'm just looking after them."

"Why?" Eddie asks, dramatically opening his arms, "Why would King Steve adopt a group of misfits to take under his wing? See, the math isn't adding up."

Usually, Steve would just brush it off and tell the person to fuck off and mind their own business. But his parents have just left town again without leaving a note and Max had snapped when Steve tried to help her clean the place because it looked worse than usual, and he was just generally feeling like shit and angry at his parents and Max's parents for not being there. So he broke, "Because I don't want Max to end up like me! I don't want any of those kids to grow up without a role model. And god forbid if any of those other kids' parents fuck up, and they’re left with only me. I need them to know that I'm there for them! Because sometimes it feels like whenever the world goes to shit, I'm the only one who is there, and I plan to stay there, okay?!"

He finishes his rant breathing a little heavier than usual and noticing that a few of the lights in the trailers have turned on around them. He looks around and awkwardly nods to the people glaring out their windows. God, he needs to get a grip.

When he turns back to Eddie, he notices the conflicted expression, jaw dropped, eyebrows knitted together, eyes searching him as if he's still wondering if he's lying.

A door creaks open behind them and Steve curses under his breath as he hears Max say, "Eddie, leave him alone. Do you really think I would hook up with my damn babysitter? Jeez."

"Language," Steve quietly lectures as the door swings shut. He runs his hands over his face and takes a deep breath. It's been a long fucking day.

A hand lands on his arm and tugs him away from Max's trailer. Steve glances up at Eddie, leading him across the way. "Where are we going?"

"My place," Eddie says.

"Why?"

"So we can talk."

God, the last thing he wants to do is talk to Eddie of all people, the guy he's been actively avoiding since Dustin started worshipping the ground - or rather tables - he walks on. But he lets himself be pulled away in the trailer and practically deposited on the couch in the living room.

He glances up and comments, "That's a lot of mugs."

"My uncle's, but that's not what I wanted to... Christ," Eddie says, pacing in front of Steve and tugging his hair in front of his face. The anxious display makes Steve feel even more tired, but he lets him pace. God, what is he even doing here?

"I'm sorry," Eddie blurts out. "I'm just..." he trails off and rushes over to grab a stool a few feet away before dragging it in front of the couch. He sits on it but his leg still holds that nervous energy as it rapidly bounces up and down. "I jumped to conclusions, and it was really shitty of me, man. I just... didn't believe what Henderson was saying about you and thought 'Oh, this makes way more sense than Steve Harrington being a good dude.' And I'm sorry to accuse you of that. And I... I didn't know about your... parents and stuff. Like I knew they were away a lot because of your parties but... I just never connected the dots. And I'm sorry. No one deserves that shit, man."

Steve doesn't know what to do this whole interaction, especially with it coming from Eddie Munson who he doesn't think he's ever talked to before this moment, but... he needs to hear it. God, he needs to hear it.

Of course, he can't let him know this, so he does what he's best at and brushes it off. "It's fine. You were just looking out for the kids. And really just ignore what I said back there, it isn't that big of a deal."

Eddie worries his bottom lip before he blurts out, "I know what it's like." He pauses and takes a deep breath. "I mean, I know what it's like to have... absent parents. But in my case, eventually, my uncle Wayne took me in, and I can only imagine if he didn't." He gives him a pointed look and lowers his voice, "Do you have someone like that?"

A big part of Steve wants to leave right now, and he knows there's nothing stopping him. But a bigger part of him needs to stay. Needs to talk about the emptiness in his house that he can never truly escape at the end of the day that he can’t talk to anyone about. Because he's not supposed to be weak. He's supposed to take care of the others. So he admits, "No, I don't have... anyone like that. Except Robin but..."

"That's different," Eddie finishes the thought for him.

Steve nods. He loves Robin, but he loves her as a platonic soulmate and not as a parent figure in his life. "You know, I once had this basketball coach in middle school - Mr. Weston. And I remember looking up to him so much. I wanted to be just like him, and I would go to his office during lunch and ask him for advice or talk about dumb shit that my father would never talk about. But he never shamed me for my questions. And sometimes he even packed an extra dessert for me." Steve smiles at the memories and runs a hand through his hair, remembering the day he got the news. "But one time, when I went to his office, he had this look on his face. And I just knew it was bad news. And really, it wasn't bad news to him because his wife was pregnant. But she wanted to move a few states away to raise the kid closer to her family. And it wasn't his fault, you know? It wasn't like he purposely chose to move away from me, but I felt like I was abandoned again."

Steve wipes a tear from his eye and puts his head in his hands. "God, I don't know why I'm even telling you this story. Sorry."

"Don't apologize," Eddie says quickly. He pauses and shifts on the stool, his gaze being far away. "I remember him. He was one of the only gym teachers that defended me against all the shitty middle school bullies. He was a good person.”

Steve nods. God, he was a good person.

Eddie continues, “I'm sorry that he left. And I bet he still regrets leaving you behind."

Steve leans back against the couch and looks away, shaking his head. "I bet he forgot about me."

"You're kind of hard to forget."

Steve looks at Eddie and sees a slight blush on his cheeks as he shakes his head and waves his hands as if trying to make the comment go away. "What I mean is that there's no way he's forgotten about you. Someone who you used to have lunch with all the time to the point of giving you free food... Nah, man. He remembers you. I think you may have been as important to him as he was to you."

The thought breaks away at a wall Steve had built up long ago. "Thanks," he practically whispers.

Eddie just smiles at him, small dimples appearing on his cheeks.

"You didn't deserve it either, you know," Steve says. "The absent parent stuff. Even with Wayne, they should've been here too."

Eddie's smile falters a bit as he swallows and looks at the ground. "Thanks," he mumbles. He looks up at Steve and comments, "Getting sappy with Steve Harrington. Who knew."

"Yeah, getting sappy with Eddie Munson," Steve echoes back at him.

Eddie laughs, "I'm surprised you even know my name."

"You're kind of hard to forget," Steve says easily.

That same blush comes back to Eddie who shifts in his chair a bit as if he needs to process the information with his whole body.

They sit in the moment for a bit before Eddie gets a somewhat serious look on his face and offers, "You know, I'm definitely not a parent figure or anything, but I'm always here and around to talk about that whole thing if you need to."

Steve's heart beats a little faster at the sheer genuineness. "Same here," he can't help but offer in return. He glances down at his watch and sighs, "It's getting late, so I better..."

"Right," Eddie says, standing up and leading him to the door. "Do you need water for the road or anything?"

Steve smiles and pats him on the back without thinking too hard about it. "I'm good, man. But thank you. For everything really."

"Sorry for being an asshole," Eddie apologizes again.

"Usually that's my line," Steve accidentally voices before cringing a bit, wondering further why Eddie's been so kind to him.

But as he opens the door, Eddie comments, "I don't know. It seems like Dustin was right about the whole reformed jock thing. Maybe your crown really has fallen - which is a good thing by the way."

Steve slightly smiles at him before he turns to leave. But he can't help but say, "I wonder what the neighbors will think about me leaving your trailer so late."

Eddie groans then laughs. "Sorry to ruin your image."

"I wouldn't mind," Steve replies, honestly unsure what he means by that. "Goodnight, Eddie."

"Goodnight, Steve," Eddie says, that same blush on his cheeks, only this time Steve isn't sure if it's something he said or a result of the cold night air.

In bed that night, Steve feels a slight weight lifted from him and can't help but feel like he’s a little less alone.

[starlight-bread-blog]

Why Stolas is a Terrible Person/Character

Oh this will be long. In this post I will cover why Stolas is a character that fundamentally fails at everything it tries to accomplish. I probably have to say that you can love Stolas. That's just why I hate him.

Trigger warnings for: Racism, casteism, power dynamics, sexual assault, sa apologism, abuse, and neglectful parenting. A lot, I know, but that's Stolas.

His Actions in S1

Despite the title, there will be two examples from season 2.

Racism/Casteist

Stolas is from the upper caste, a royal. He seem to often fetishize imps, or the fact that he's sleeping with someone who's less than him. I even saw fans pointing this out. He have empathized Blitzø being an imp in a sexual context.

(Notice the use of words: "little", "plaything", to me this is blatant racism and fetishism).

He also showed a certain lack of empathy for his imp butler.

Stolas isn't particularly violent, he doesn't choke people left and right. He's just angry, at Stella, so he decides to.. choke the imp.

Stolas has been dehumanizimg imps. Fetishizing an imp for being an imp, calling him an "impish little plaything", and he has been willing to choke an imp just because he was angry at something unrelated. He's racist and casteist.

Treatment of Blitzø

"Treatment" is putting it lightly. In the first episode, Stolas does something inexcusable that will taint their dynamic for all of season 1. First, he sees Blitzø in a vulnerable position, where he cannot think or negotiate. Thus, stripping him of what little choice he has on what he's about to offer.

What Stolas is saying is, "Fuck me or I'll shut down your business". This deal he makes is just a threat with extra steps. Which, is a real life abuse tactic called Quid Pro Quo:

"Quid pro quo harassment occurs when someone in a position of authority over another directly or indirectly demands sexual favors in exchange for some benefit, or to avoid some detriment in the workplace".

One element I haven't brought up yet, is the political power imbalance. Stolas is royalty, one with a lot of power, influence, credibility, etc. Blitzø has non of that. Other characters have commented on that the fact that Blitzø even has a business is a miracle.

There are so many layers of imbalance and how Blitzø has no choice or agency. A royal is """offering""" the powerless a Quid Pro Quo while he's in a life threatening situation.

And their dynamic looks exactly like you'd imagen. Stolas is consistently sexualizing him against his consent. (As it's been established, Stolas's racism feeds into this). And refuses to do the surface level courtesy, not even calling him his real name (x).

Stolas treats Blitzø as a lesser being, violates his boundries, forces himself on him, and strips him of all autonomy.

Faliure as a Father

Stolas's role as a father is directly tackled in Loo Loo Land and Seeing Stars. At the beginning, both episodes show Stolas being a good father to Octavia, but does this still hold true in the currect day? Well, no.

In Loo Loo Land, Stolas wants to take Octavia to a theme park. Octavia is 17, and Stolas ignores her when she says she doesn't want to go. (In retrospect, Stolas coud be oblivious because he's projecting onto Via his experience meeting Blitzø).

But that's just the start. Stolas then invites Blitzø to the trip and harasses with him all throughout. Essentially, Stolas is forcing his daughter to watch as he harasses "the homewrecker", all the while he's supposed to be with her, on a trip she didn't even want to go to.

After a whole day of this, as expected, Octavia runs away. Stolas chases her. (And of course, he's still thinking of Blitzø on his way to find Via). There's an apology scene that looks deep, but when you dissect it, it's rather empty.

Stolas never actually provided an explanation as to why he just did what he did, nor of the "drama" with Stella. There is nothing here. Octavia only makes up with him because he said he isn't gonna leave her. Which is bare minimum.

After he realizes that his affair hurts his daughter to the point where she feared he's gonna leave her, what does he do? What practical actions does he take to improve? Divorce Stella? Cut off his deal with Blitzø? Explained the situation?

Nothing. And now we see he's willing to stand up on a stage and let people know.

In Seeing Stars, Stolas bashes Via's mother to her. Which, does she know about their situation? Does she not? She isn't shown to hate or.. anything Stella. Is he hiding the situation (which I'll cover), while also trashing her mother? That's impulsive and negligent.

But that's nothing. She later runs away, Stolas is stressed as he should be, but the second they arravie on earth he's all calm and everything's normal.

When his daughter is missing. When he is shown to be stressed, it's for the sake of plot. But he's willing to just chill, watching Blitzø's show.

Stolas is, dare I say it, neglectful. He might care about his daughter, but he's proven that she's not enough of a priority to focus on her when it matters.

Cheating

Yes, I know what ended up being revealed, I'll cover that. In season 1, the relationship is presented to not be perfect before Stolas cheated.

But there were instances that showed that what Stolas did changed their relationship for the worse. (Some additional rebuttals).

It could have been a loveless marrige, they could hae fallen out of love, they could have been arranged. But their relationship was manageable. Love or no love, it's a committed relationship. and Stella didn't deserve to get cheated on.

Who was Stolas?

Stolas's behavior is common among royals. Stella has no problem throwing said butler at Stolas (S1 E2), and the Goetias are shown to be casteist. They're untouchable privileged assholes.

Stolas was born that wealth, never having to suffer the consequences of his actions. Always putting himself first, hurting others. He doesn't mean to, he wants for everyone to be happy, he does care.

However, when it actually matters, he acts on his worst tendecises with no self control. He never had to learn self control. That is, until Ozzie's.

Before Ozzie, Blitzø and Stolas are at obligation. Stolas's actions had tainted them. There was one redeemable moment: He saved Blitzø's life. Stolas did something for him. But this one act of goodness doesn't magically fix anything.

Stolas's family life have been escalating. Stella hated Stolas for cheating and his daughter just had to take it. In Loo Loo Land, he learns the full weight of the damage he caused. And in the next episode we see him, he proceeds to take no steps to improve the situation. In the end of that same episode, we learn that Stella hired an assasin after him. Because he did nothing.

The season 1 finale, Ozzie's, is aware of all of this and absolutly delivers.

The episode starts with seeing Stolas alone, in his big house, miserable. It appears that Stella finally left the house. (Also he later says "Octavia is with her mother this weekend"). He's eating a bowl of cereal, pitying himself, wallowing in his despair. You feel bad for him, he looks so torn down.

And then Blitzø calls. The one he loves, asks him on a serious date. It's hope, it's honest, and it's exactly what he wanted. It's almost as if the universe handed him is fairytale scenario.

Almost. Reality smacks him right in the face on that date. Asmodeus calls him out on losing everything he had. He had a family, a happy daughter, but gave it all up for an affair.

Blitzø calls him out on treating him like a pet, not earning any of that emotional connection he wants or even communicating it, just violating him, they have nothing.

The show held him accountable and called him out. While it's not perfect, Stolas is a morally grey character. Now, a character arc was set up where he learns to treat people better. Stolas is exactly the character I want to see from a show like Helluva Boss. He's a horrible person, but nuanced, who does care.

Season 2

Yeah... all of that is thrown out the window. Because apparently, Stolas is just imperfect. He simply made a lot of mistakes. He misread a lot of situations, really it's all just an accident. He's an oblivious victim. So, let's get into the woobification of Stolas.

Surrounded by Evil

In The Circus we're given Stolas's ✨️backstory✨️. And we find out he had such a terrible life.

Stella is, and always was, an abusive evil bitch. From the day she was born. Pure evil.

So you see, Stolas did nothing wrong. Let me be clear, you are not obligated to stay loyal to your abuser. We can erase "cheater" off the list. But that's the only reason why it's done. So we can erase that off the list, and that we could feel oh-so-sad for him.

Because Stella isn't written to be an abuser. She's a cartoonishly evil. We see a picture of her as a kid where she's the same person. Spongebob villians have more depth than her, you know, the abuser in the adult show.

Helluva Boss reversed an established dynamic where Stella is the victim and Stolas is at fault, except without any of the depth or nuance.

But that's not all. Stolas's dad (Paimon) is also neglectful. By "neglectful" I mean, of course, a Saturday-morning cartoon villain.

He doesn't remember his name. This is such bullshit. I can buy Stolas having a horrible father. It's also not bad to show Stolas's trauma. What is bad is that the subject matter is handled with less seriousness as the fish fight in Spring Broken. And Helluva Boss did write Crimson as a serious abuser, the episode did have comedy, but not Paimon.

The reason why all of this is happening, is so we could feel bad for Stolas. They do zero of the work to earn a good story about abuse, but still go "Do you see how sad he is? Look at how they're treating this poor baby!!"

"Recontextualization"

In said ✨️backstory✨️, we also learn that Stolas and Blitzø are childhood friends. But also not really, they just hung out for one day. Where did this come from? How does that enrich the characters? I would tell you, but I don't know. However, what I'm sure of, is that it's done to make Stolas look less problematic.

DO YOU SEE HOW CUT THIS IS? He isn't just horny for that imp, he is special, it's absoultly pure! Don't worry, totally safe.

Later in the flashback, we see how Blitzø and Stolas reconnected after over 20 years. Apparently... Blitzø was the one who sexually manipulated Stolas, selling him that he wants him.

All Stolas did was just buying into Blitzø's narrative he was imposed on. It's a role he leaned into, because he thought Blitzø liked it. I.. WHAT???

If this horseshit is true, why did he make this weird r*pe deal with Blitzø? If Blitzø was the one who acted like he's interested at first, and he was sexually exploiting him, why did he lash out at Stolas in Ozzie's? Did it just hold no weight for Stolas? It went from "Don't pretend to have something when you've been harassing me this whole time" to "You misunderstood".

The Stolitz backstory makes no sense, it's cheap, and fixes nothing. No matter what the story is trying to sell, in season 1 Stolas knew what's happening enough to try to force it. And maybe Stolas wanted Blitzø because of a connection, he still harassed, dehumanized and violated him.

Note: Stolas realizing "he imagened the relationship" is completely ignored one episode later in Seeing Stars. This is a huge deal, didn't he learn? Just further evidence that he's willing to violate the guy. (x)

Before this backstory, we had a story of a selfish man hurting the person he loves while explointing the broken system and the power that he has over him for his own selfish desires that he's forcing on him. Now, we have the same thing, but with fanfic tropes – and the story refuses to confront that.

Casteism is Brushed Off

Helluva Boss pretends that Stolas isn't racist, because he didn't want Blitzø for being an imp, but for being his fanfic trope childhood friend. Which fails to adress the disgusting fetishism of Blitzø for being an imp, and he also continued to dehumanize his imp butler in Seeing Stars. He's still racist.

Imperfect Father

In The Circus, Stolas devivers this line: "The only reason I have endured your constant insults and cruelty, was for that girl to have a normal life".

Sounds impressive, he stayed all these years just for his daughter. But that's the thing – it sounds impressive. Every time their relationship is the focus, Stolas is being the scum of the earth. What I see here, is a person. A person who despite being willing to stay passive, acts on his his selfish wants, forgetting to look around him. Mind you, this fact is also being revealed one episode after Ozzie's.

But no, one episode later, in Seeing Stars – that was covered as a prime example of everything I just descriped – Loona says this:

Yeah. He's just a good father "trying" his "best" and makes some.. "mistakes". The Circus did present Stolas as this, but Seeing Stars really solidified how his parenting will be handled moving forward. And I think it's comlete and utter dogshit.

Damsel in Distress

The title is a bit misleading. This section is mainly about Stolas's power being toned down. Both magical and in presentation.

In season 1, he was energetic and enthusiastic, while being able to set his foot down and intimidate when needed. He's still all of those things, but in some instances his characterization made my raise an eyebrow.

In Seeing Stars, he's being weirdly gentle with people kidnapping Blitzø and are later beatting him.

In Oops, he's excited to start negotiating with literal kidnappers. I have no idea why he's so nice.

(He did harass Blitzø again in Seeing Stars and bashed Striker, all of which isn't soft, but it's also the two moments where he should have shut up).

Further more, both of these conflict rely on Stolas not using his powers for some reason or another. Why didn't he just do whatever he did in Truth Seekers to track Fizz/Via?

About Via, I'm gonna have to call bullshit on the "My powers are limited on earth" nonsense because, for starters, kid Stolas is shown to remember the contents of his books and now he's been studying them for years. And two,

There is no excuse for Stolas to not use his powers and whenever the show says otherwise it's bullshitting its way out of it.

Even in Western Energy, before Stolas gets captured he was just aimlessly going in and out of his demon form. Why didn't he turn him into stone like he did in Loo Loo Land?

Stolas has been presented as weaker than he is. He's made to look more vulnerable, less "above it all". He was untouchable, and when he wasn't, it had a harder impact and made sense. Now, I almost forgot he's a powerful demon.

And his characterization is at the core of this issue. At times he's just so kind and gentle with people who should get smacked in their heads.

What about Ozzie's

The big clash, the one that called Stolas out on everything, the one that set him on a genuine path to grow, what about it? How is it adressed while the show tries to pretend he's a good person?

No, not the message Stolas is looking at, the ones in the background he just scrolled through.

I'm not breaking this down. I refuse. The only reason I put it here is to show how fast it goes. I'm not touching that.

Who is Stolas

Stolas is a moral scapegoat – "a character that is bad, but the book/movie/show portrays them as good". It's characterized by the story twisting itself to make one character look good.

Stolas didn't start out as one, but became one over one season premire and it just kept escalating from there.

Helluva Boss takes place in Hell. A horrible place filled with horrible people, the root of all evil. Stolas fits right in there. He was already problematic, awful, fed into Helll's broken system. Why trying to cover up his faults? It's Hell, and it was great. But now, we're supposed to pretend he's just flawed.

With the show actively ignoring everything he did, what's left for him? What does he have to learn? How will he grow as a person? How will he improve? What's his character arc? It's nothing. Because everything that happens to him isn't his fault, and at times could just be solved with one conversation.

[dark-konohagakure2]

kakuzu x with clingy daughter reader, who always wants to be close to him and share a bed.

tw: incest, parent/child, dub/noncon, age difference, unhealthy relationship

All characters depicted are 18+

Kakuzu isn't affectionate at all, even as a father he's still a grumpy old man. He also finds clingy people annoying, especially his own daughter, he only lets her cling to him because he has to, not because he's soft on her or anything...

Despite his daughter being an adult, she's a complete daddy's girl, clinging to him all the time and even sleeping in the same bed as him. Kakuzu won't admit it, but he enjoys sleeping in the same bed as her, and not just because it saves money.

She's always so clingy to him even when they're sleeping, giving Kakuzu nearly unlimited access to her beautiful body, and he takes full advantage of that fact, since his own daughter is his only source of release.

Even if she were to reject his advances, Kakuzu uses his role as her father to his advantage, telling her to behave herself and do as he says, even using her own clinginess against her and making her feel solely responsible for his own desires for her.

"Don't be such a brat, you little idiot. You're always clinging to daddy, so be a good girl and do as he says..."

Kakuzu doesn't like women his age, considering that he's over 90 years old, he likes the cute younger women that are his daughter's age, just barely legal, and Kakuzu just can't get enough of his clingy daughter's barely legal cunt.

He's a big man, so his cock is big too, so it'll be hard for him to force his member into her tight little snatch, but once he does, it takes all of his self control to not cum right away.

He's rough with her, pounding into her snug cunt with enough force to make his headboard loudly bang against the wall. He's glad the girl's mother isn't in the picture, otherwise she would have definitely heard the noises of the father and daughter engaging in rough, almost animalistic sex.

Once he's done he'll be affectionate to her in his own grumpy way, letting her cuddle up to him as close as she wants and even praising her a bit, even if said praise is hidden under layers of degradation.

"Fuck that felt good... maybe keeping you around wasn't such a bad idea after all... even if you are an expensive little bitch..."

Kakuzu isn't the best father, not by a long shot, but he knows what his babygirl wants and how to give it to her, even if it means putting up with her clinginess all the time.

[ryin-silverfish]

Heart and Mind: An Analysis of Tripitaka

I've been wanting to write this since…since I came across some good ol' Tripitaka discourse in the LMK fandom ages ago. Couldn't remember the specifics, but as y'all probably know, it falls under the "Is him an abusive master" and people's strongly worded retort to that question.

On one hand, I dislike the "abusive" take because so often, it is an excuse to reduce a character to an 2D caricature for cheap angst purposes, and both JTTW and its historical context deserve more nuances than that.

On the other hand, I don't agree with some of the defenses either——that Tripitaka is Kind and Wise and The Virtuous Monk, Actually, and people who said otherwise just had their views colored by adaptations, or were ignorant westerners misreading the book.

Because trust me, Chinese readers absolutely have gripes with Tripitaka too, and sass him mercilessly.

We may have a better idea of the historical context, namely, the common usage and acceptance of corporal punishments, but quite a few of us don't think he's a good Buddhist either.

Instead, I'd like to focus on his allegorical role, and how it ultimately forms the basis for my interpretation of his character.

It is commonly acknowledged that each pilgrim represent an aspect of the enlightenment seeker: Monkey is the Mind, Dragon Horse the Will, Pigsy the Desire, Sandy the Determination/Ideation.

Tripitaka is either the enlightenment seeker as a human, or the Heart, the Compassion.

But how can someone represent Compassion when his behaviors don't look all that compassionate, when he seems to care more about what a good Buddhist looks like on paper than in spirit?

How can a compassionate man punish his disciple with a migraine spell and disown him twice, be okay with some violence but not others?

Well, to answer that question, I feel like you have to look at Tripitaka in conjunction with SWK, and what the monkey represents. He is literally the Mind Monkey, the boundless potential of human intellect, and that, by itself, is neutral.

In the word of one of the best poems in JTTW:

"He could be good; he could be bad; present good and evil he could do at will. He'd be an immortal, a Buddha, if he's good; wickedness would cloak him with hair and horn."

To put it simply, SWK is one's wits, one's problem-solving skills, the ability to discern good and evil on a cognitive level.

Whenever Tripitaka, the Compassion, is deceived, it falls to the Mind to see the opponents as they are, and take action to protect the human from harm.

But just as blind compassion without judgement can be exploited by evil, the reverse is true for a mind without compassion, driven solely by their own ambition and whims and practical knowledge.

The Mind knows that robbery is a crime, so these robbers deserve death, but has no idea how disturbing it is for a regular guy to witness six people being brutally murdered in front of him.

The Mind knows that abandoning your wife and family to become a bandit is shameful and unfilial, but cannot comprehend why the bandit's father may not want his son killed for these offenses.

The Mind knows right and wrong, but has trouble seeing the human behind those acts, and why one should care in the first place.

And to see what the Mind looks like without any of Compassion's restraint, one needs to look no further than SWK's "Second Mind", the Six-eared Macaque.

Just like how "Heart" sounds like a lame power for a character, Compassion isn't flashy, nor as useful in a strictly ultilitarian sense. In fact, having compassion makes you vulnerable. It hurts. And unscrupulous people will absolutely use it against you.

So why hold onto your weakness and wallow in it? The world doesn't need another sanctimonious wuss, it needs strong, clever people making hard sacrifices, ruthless, logical decisions! Tough up! Stop caring, and you'll never be hurt again!

Much like a certain crowd who think basic human decency is somehow political propaganda, perhaps, when SEM struck Tripitaka, he was trying to do the same thing.

Kill the embodiment of compassion, the sniveling, useless, fragile human that keeps holding SWK back. Replace him as the true Mind, the one strong enough to break all bonds and seize glory with his own two hands.

But without compassion, without humanity, one is no longer a whole person, and cannot reach enlightenment. In fact, just like how Buddha would only give the True Scripture to Tripitaka, if you are not brave enough to make yourself vulnerable, to suffer and feel other's suffering, you will never transcend it.

At best, you can have some pale imitations of the parts you have willingly shut out from yourself.

And that's what SEM does. He thought he could do it on his own, singlehandedly replace SWK and reap the benefits of enlightenment, but he is no Monkey Awakened to Emptiness.

He is just empty; cut off desires because it is base, cut off determined ideation because it is foolish, cut off compassion because it is weak, cut off the altruism and curiosity and creativity from the mind, and you are left with a grand total of NOTHING.

A shadow of a self, desperately clinging onto external validation and stolen stories, reading the pilgrim's travel paperwork out loud as if that would actually make the journey his.

Tripitaka needs to trust SWK and learn from him, because compassion, much like good intention, doesn't solve problems on its own, and mercy is not the same as enabling harm.

SWK needs his master's guidance, because even at his most selfish and impulsive, he cares, and only by extending that care to others and accepting the vulnerability that comes with it can he truly mature and become awakened to the ultimate truth.

Thank you for coming to my TED Talk.

One last bit of ramble: I feel like there is something to be said about Tripitaka's tendency to trust Pigsy, and how the pursuit of enlightenment is often derailed by worldly desires.

Unlike the demons they encountered, however, Pigsy is not the personification of mental obstacles that must be destroyed, because you cannot destroy bodily needs, nor the very human tendencies to slack off and avoid trouble.

You should stop listening to its advice, sure. Poke fun at it, absolutely. But what Pigsy represents is part of the human condition, just like every other pilgrim, and also something one must make peace with.

[wellofdean]

I wanted to make a separate pose to big up these excellent tags on this post about how a show can be about misogyny when it's about men from @deangirlism101 :

#by virtue of watching the show long after it stopped airing and after years of exposure to the fandom#I've experienced a very interesting phenomenon wherein i went in expecting a very straightforward male fantasy#specifically in regards to dean#and was continuously surprised by how dean was around women who were actual characters and not caricatures#with caricatures of women dean also becomes a caricature of a womanizer#but with woman characters? with victims and friends?#dean is constantly paternal/brotherly#endlessly protective and respectful#in fact dean's utter lack of sexualization of the complex women around him in the first few seasons#kind of had me thinking he might just be straightforward gay#additionally it's interesting to point out that dean is the only one of the three winchesters who does not have a#''symbolic woman'' that drives his narrative#i.e. of the three winchesters he is the one who engages with the women around him as people and not someTHING to give him ''purpose''#which ties pretty well into his own role in his family being a typically femenine one#john endlessly relies on dean to serve the role of his mother yet he resents him when he does it so naturally#which from a queer lense is pretty much spelling out ''john can't put his finger on it but something (queerness) about dean bothers him''#anyways it just surprises me how#the fandom has perpetuated this image of the characters#and how#ironically#that image is the exact caricature dean so obviously puts on and we so obviously are supposed to KNOW he puts on

Some really nice points here, and bang on target:

Dean is not called to his adventure/journey because a symbolic woman dies like John and Sam are; he is put upon it by his father and his own sense of responsibility and love before he has the agency to choose. He wants his father's approval, his brother's love, and he wants not to be alone in a world of monsters...and...is HE a monster? A killer? Is everything his fault?

John resents Dean because what he needs from Dean (obedience, domestic work, emotional labour) is feminine. It's what women are for. Dean internalizes that resentment. Sam defies John and is driven by his own losses, and John can respect that, but Dean becomes the family repository of what they've lost. Dean is the eldest daughter who can never do enough.

John has chosen to abandon normal life and live on the fringes to pursue his revenge quest, and Sam is fighting to get back to the center -- left his family, hot girlfriend, Stanford Law, credit in the straight world, friends. But Dean? He has accepted that he will never be normal. He has accepted that he will always be a lonely, liminal weirdo who knows something terrible about the world that most people are spared from knowing.

Like:

If you leave Supernatural season 1 without realising that everything Dean pretends to be is pretty much the opposite of what he is, then you are not watching it right, full stop. The Dean Winchester he pretends to be is a character invented by a terrified, homeless, wounded little boy who doesn't know how else to protect himself.

Second, if you can't see how totally fucking queer all that is, I CAN'T HELP YOU. And,

you cannot hit that many nails on the head without knowing where you're swinging your hammer, and in conclusion, Dean was always deeply queered, and that was in the DNA of his character.

The truth is, that Dean is a very cohesive character. He is written and performed beautifully, and with intention. He is not an accident, he is an artistic creation, and he is excellently drawn. I am not "giving the writers too much credit", I am taking an Occam's Razor-type view of it, and coming up with the simplest explanation for what I see on the screen.

That said, if by some insane magic trick they managed to make Dean this queer by accident? It doesn't matter what they intended, because THE TEXT IS WHAT IT IS. I don't need the permission of the authors to see a church by daylight, and Dean is THAT OBVIOUS.

[ellecdc]

Dude, I don't know why I am asking this. But do you think poly moonwater will choose to be child free? I do think so. I mean, regulus past story and remus fury problem, I don't think they'll want kids at all

But if reader accidentally gets pregnant. Do you think they gonna keep their distance an arm lenght? I mean, I remember in the book remus trying to leave nymphadora who's pregnant at that moment (or is it after she gave birth? Can't really remember) by trying to help Harry looking for the idk the name of it, voldemort collections?

oooouuuu this is a fun question! thanks for asking; and I think that happened before teddy lupin was born and they were searching for Voldemort's horcruxes! - also, in regards to canon, I think the reason remus felt willing to take off was because he truly was sort of all alone: no parents, no siblings, no family, no friends. Plus society constantly shitting on him, plus there being a war etc etc, he felt very desperate and didn't feel like he could handle being responsible for nymphadora and a child

But of course since WE DON'T LIVE IN A WOLD WITH VOLDEMORT OVER HERE 🙃🙃🙃🙃 I think this is a valid question

(my answer is going to be SFW until the page break below - I will put warnings ahead of time for minors)

My answer would be yes, I agree that Regulus and Remus would perhaps wish to be childfree. Like you said, Remus feels like society views him as a stain and he wouldn't want to pass that legacy onto a child (biologically his or not), and he also wouldn't want to put a child through the pain of seeing their father suffer through every lunar cycle. Regulus had a horrific childhood and would be very scared to be anything like his mother or father, and I kind of see him as this guy who really doesn't know what to do with kids...he never had a childhood really, and never was around other kids until he was at Hogwarts, and by then he was right traumatized soooo yes I agree, he would be worried about having children.

As for our darling reader finding out she was pregnant? I have some thoughts on that.

I think Regulus has a deep rooted sense of duty and loyalty to his people, and ultimately, Remus and reader would be his people. Even if he hated the idea of reader being pregnant/having his child, I think he would shove that down so deep and just completely take on this role he never really wanted but hey, he's here now and he's going to do what he has to do. It was why he ended up in Slytherin (duty/loyalty to his family), and it was why he took the dark mark (duty/loyalty to his family). He took the mark because he believed that to be his role, his job in life - and if reader ended up pregnant, well, that was his duty then.

I think Remus would be a wild card. Remus never had a proper childhood either; he had to grow up really fast as he was bitten at only 4 years old. This means for as long as he can remember, he's been a werewolf. He didn't get to attend school (due to injuries/pains, scars, unexplained absences etc), he never had siblings, and he couldn't play with the village kids. So not only does he not necessarily know what to do with kids, I think he'd still have some of those "the kid would be better off without me, I can't curse another life to me and my lycanthropy) BUT I think he'd have been around Harry and loved that kid so damn much, and he'd have his friends and loved ones to help him come to terms with it.

This could be a cute fic request.

now.....as for the NSFW stuff (18+, minors don't look down here)

I have this headcanon that pureblood's have a breeding kink....they were literally bred, born, and raised to carry on the bloodline and produce heirs - so I don't think Regulus was fucking innocent in that conception LOL he would have been very excited thinking about spilling inside of reader and getting her knocked up.

in a similar vein, I also believe that there is a primal side of Remus with his lycanthropy which would ALSO support a breeding kink - truly fucks like an animal tbh and gets so turned on at the thought of filling reader up

okay sorry for being a dirty horn dog thanks byeeeee

[flowersforchoso]

Bi-han as a father.

it takes a while for him to adjust to the concept of fatherhood as a result of the strained relationship he had with his father.

but once he gets the hang of it, he'll be the perfect mix of stern and loving. capable of striking fear in his children's hearts if you threaten to report them, "i'll tell your father" works like a charm to make them act right, but he's welcoming and will never turn his children away or refuse to engage them.

realistically, he would've like 2-3 kids max.

he's a disciplinarian through and through. won't tolerate misbehavior or disrespect, especially if its towards you. he doesn't take kindly to that.

sometimes you feel he's being excessive with it and intervene

"mommy!" your child cries, running to you for protection from their father—a refuge—to which you'd complain that he's being needlessly harsh

"you coddle them too much, that's the problem." he scolds. "no child of mine will be errant"

of course, you get upset at his hard-headedness that barely makes him see from your perspective

and he can tell, because you're no longer receptive to his advances in protest against his behaviour

so he tones down the discipline and tries to be lenient with them. keyword: tries.

nevertheless, he's nurturing and very hands-on. attentive as well. if something is wrong, he notices right away.

will cook for his children because he believes he's the better cook, but they think otherwise, since he just puts lots of vegetables in the food. he wants them to grow healthy and strong

he teaches his children from a tender age to be self-sufficient and trains them to be able to protect themselves and you, if the situation calls for it.

dad time is essential. will take them to exciting places and partake in outdoor activities like gardening, hiking, fishing or simply errands to the marketplace etc. he loves to spend time with them and would crack dad jokes here and there to entertain them. they'll pretend to find it funny.

he's overprotective and strives to be a good role model to his kids.

now if he's a girl dad, there's a slight twist.

his parenting style is much more relaxed due to his mother being the only female presence he had growing up so its a mix of cluelessness and traditional ideals shining through and will mostly take cues from you

training is not mandatory but if they're interested, he would be happy. its not as rigorous and they have the choice to opt out anytime.

he dotes excessively on them that'll make you wonder if this was the same person you married. but it's mainly because he sees them as mini versions of you

at this point, its no surprise he's the preferred parent because of how affectionate he is towards them. and big, strong dad gives the best piggyback rides.

infact, you would have to complain that he's spoiling them too much to which he'd respond

"what's it to you? don't question my parenting" and you leave it at that.

treats them delicately. his paternal instincts go into overdrive everytime and he gets easily worried when it comes to them

when they reach a certain age, he doesn't shy away from topics relating to womanhood. but that doesn't mean he initiates the conversation. he takes on the passive role of listener and further educates himself by asking you questions in private which you tease him for being eager to learn

doesn't joke with his daughters. he's a nightmare of a father nobody would want to deal with because he would raise hell if anyone dares hurt them in any capacity

he's changed so much since having them; has become softened, and is grateful to you for this wonderful gift.

but if he only has sons, its a different story entirely

he's twice as stern and this is because he grew up with brothers so he knows how unruly boys can be

training is mandatory for them, they do not get the luxury to choose. he wants them to be able to protect themselves and you, so he doesn't ever present the opportunity for slacking

in short, he rules with an iron fist. you'd have to remind him that they're his children, not his underlings

struggles with voicing his affection. you'd have to reassure your sons that their father, infact, loves them

and it's only natural they gravitate towards you.

but that doesn't mean he doesn't care for them. because he does. its all about tough love and instilling strong values in them, leaving no room for weakness.

and they constantly want to impress their father. on rare occasions when they do, or bi han is feeling particularly soft, he looks at them with adoration and ruffles their hair or simply utters a "well done" that means the world to them

they look up to their father and are always around him seeking validation

[shmowder]

In P1, it always felt like Artemy glossed over his father's death, like he didn't give much of a reaction nor act like someone would in a state of grief. You get more lines to address it in P2, more opportunities to reminisce about the past and Artemy's childhood. It feels like you go through the stages of grief with him. You watch him miss the dad he had whilst accepting his death. He kneels at the pit of mass graves with the thread in his pocket, witnessing the dead speak and his only question was if his dad can hear him one last time. A stark contrast to how cold-hearted he seemed to onlookers in P1.

It made me question if he even cared that his father had died, if it even mattered to Artemy. Sure he always has shown concern to who killed his father and diligence to fullfill his role as menkhu, but nothing beyond that. Nothing personal, as if he was using revenge as a distraction from facing his emotions.

Sometimes, in P1, you get lines like these.

And it's sudden, abrupt, and completely takes you off guard from how out of tone it feels. How just the mention of his father has him suddenly getting agitated, ignoring the facts. Each time any character mentions Isidor and talks about him freely, Artemy gets the option to tell them to shut up and that they don't know what they're talking about, that they can't possibly understand. It can lock you out of quests.

In one conversation, you get that option 3 times in a row, and you have to avoid choosing it each time so you don't end the quest. Artemy actively has to stop himself from snapping at people left and right so he doesn't throw away all of the progress he has made.

A literal explosion of emotions after days of silence and going as business usual, pretending that nothing is out of the ordinary.

Mind you, that dialogue line above happens in the same conversation as this one below. So by that point, Artemy snapped at someone he considered a friend.

Artemy is grieving, Artemy is distraught, and he doesn't know how to deal with these emotions in P1. So he supresses them, doesn't acknowledge the lines Isidor writes about wishing his son was by his side in his dairy, doesn't accept any condolences nor pity.

He puts a facade of composure since he stepped foot off of that train, a mask of apathy so he doesn't appear weak to anyone in this town. He can't be Artemy the son, he needs to be Burakh the wise menkhu, the warden of kin, the healer his father diligently raised him to be.

He has no time to think about it, he needs to invent a cure, he needs to protect the children, he...needs his dad but that dad is gone.

In P2, he hasn't seen his father in 5 years, but in P1? 10. A decade came and went. How lonely it must have felt, how long the ride on the train back home must have been. How suffocating that anxiety of facing your family after a decade without contact, wondering if his farher would be proud of who he has become. That feeling that you're in trouble when a parent addresses you by your full name and urges you to come see them, it's like he was 10 years again. How could he have known that in the same night he'll come back home to being the last remaining Burakh in town.

[certifieddilfenjoyer]

Astral Prism, Orpheus & Raphael Theory

So you know how most people in Baldur's Gate 3 fandom make the Raphael joke?

I'm here to tell you that it's extremely hurtful, because his character has a lot more depth than some of you are willing to see.

Behold, my Baldur's Gate 3 theory:

Right before we enter Act 3, we are jumped by githyanki who want to retrieve our Astral Prism. We are summoned to the Dream Visitor - The Emperor, to help him in the fight.

We find out then that our supposed ally is an illithid but there is one more guy, The Gith, the Orpheus, The Prince of the Comet.

You can ask the Emperor what the heck is a githyanki doing there and he will tell you the brief story about the War of The Comet*.

He is going to mention, that he is bound by INFERNAL chains. Hold on? How come?

After we are done with the Royal Guard, we can go to the upper left side from Orpheus's prison and find an ancient Githyanki disc. It will tell us, that Vlaakith had some infernal business conducted with a devil with wry charm. Of course Raphael isn't the only devil capable of being charming, but it feels natural for it to be him when he is already a very important character in game.

Baldur's Gate 3 Wiki says that it is indeed Vlaakith and Raphael.

OK, but why would they exchange the Astral Prism and is it Vlaakith getting it or Raphael receiving the relic?

He is giving it to Vlaakith. But how would he be in possession of such an artifact?

My theory: He is the one who had it created for that trade. (Commissioned from someone else)

Explanation:

If you look at Hope's and Orpheus's prison, you will notice a striking resemblance at the crystals that can be only shattered by the Orphic Hammer. A Hammer, that Raphael is in possession of! How convenient!

(Even Hope's and Orpheus' eyes are glowing in the same way when they are enslaved.**)

The runes and the design of both Astral Prism and Orpheus' shackles are also strikingly similar. It does not look like anything of Githyanki creation, it screams infernal.

But that still doesn't really add up, does it? Who would possibly create such a powerful object which plays such a major role in the plot?

Here, we have to familiarise ourselves with the wonderful post by Bearhugsandshrugs

Em explains above who the people visiting House of Hope are***.

One of them is a crazy, extremely knowledgeable wizard who specialises in creating copies of himself which prevents him from dying in battle.

When we kill Raphael, we kill him in HoH, in his own domain. He should be gone, for good! But yet, upon interacting with the Orb of Infernal Envisioning, we see that he is soon to be devoured by his father. Hells do not split into separate planes - so either Mephisto snatched his soul somehow (which seems impossible because his body is still there and devil's souls are their bodies) or Raphael respawned and his father took one of his clones or something like that. (He's just so cool I had to put it in here, but let me return to my theory now)

Another name on the list points out to Raphael's interest in different planes (even the ones which don't seem to be reachable) but also, magical puzzle boxes capable of holding items inside. As you can see, the name on the list is under the uninvited visitors section, which most likely means that they either fuel his soul pillars or have been turned into a soul coin. So it didn't have to be that particular person helping Raphael with the creation of the Astral Prism, but it points out to his interest in that topic.

Now, when would that even happen?

Karsus Folly took place in -339 DR, BG3 takes place in 1492 DR, around 2000 years later.

The enslavement of Orpheus - so also the Vlaakith trade - happened at around -4000 DR.

It is not impossible that Raphael was already around and scheming at that time. Why? Because Mephistopheles gifted Haarlep to Raphael most likely when Raphael was about to get the Crown before his father snatched it. Comparing their visual age, it seems that Raphael was already a young adult cambion at around the War of The Comet age.

Another thing is the fact that, Kith'rak Voss, the badass Githyanki Red Dragon rider, the sword of Vlaakith, found out about Raphael and contacted him and told us to get our ass inside Sharess Caress. Raphael doesn't mention him having an 'office' there, it's Voss who does it. Only upon entering the place, we can interact with Korrilla who's like, hey girl go upstairs Raphael rented a room hoping you'd drop by. HE KNOWS WE SPOKE TO VOSS, he has to! And also, Voss was around when Orpheus got enslaved! According to Wiki he was inside the Astral Plane when that happened. And Raphael has absolutely 0 interest in trading with Voss, yet the githyanki managed to reach him somehow. In my opinion, when he finally realised the lies of Vlaakith, he was looking for a specific devil, for Raphael, because he might remember him from back then.

(* Justice to my poor Githyanki, the most based and cool race in BG3. Imagine how painful it has to be to realize over centuries of time that you helped the self-proclaimed queen establish her tyranny over your own people because you've been brainwashed to believe that Orpheus is a traitor and Vlaakith the rightful heir of the throne)

(** The eyes, the chains, the crystals. The top of the Orphic Hammer is literally partially built from that same gem/crystal and on top of that, if you use Examine on it, it clearly states that it has been built in Infernal forges.)

(*** headcanon warning: The Amulet of Vigor that is present in the Archive is actually proven to have some... Other invigorating capabilities ☠️☠️☠️ and the old, ancient, crazy wizard has the boudoir privileges. Coincidence? ☠️☠️)

Anyways, to sum up:

• Githyanki disc shows us a deal between Vlaakith and Raphael where the devil gives her the Astral Prism.

• Raphael orders creation of the Orphic Hammer (the name itself, come on, it's such a mockery just like House of Hope) to make sure that he has the means to free him if it will benefit him in any way.

• In exchange for the Hammer, he receives some kind of knowledge of ascension to godhood. (Lae'Zel tells us during the game that ascension is the githyanki's greatest honour but it turns out it is nothing else but ensuring that Vlaakith remains alive and a god, because she just consumes the life force of her greatest warriors)

• Hope's and Orpheus's chains are strikingly similar and the part of the Orphic Hammer is built from the same gem/crystal that seems to be enslaving both of them.

So yea, my humble request is that you start fully appreciating the incredible writing of the game, instead of just focusing on the shallow 'haha bottom' jokes. I could make another post about that itself, but it's pointless. I hope you enjoyed!

[tizeline]

What is Draxum's relationships with each of his kids?

I'd assume he's closest to Mikey due to their shared interest in the mystic arts, as well as Mikey's emotional attachment to anyone he considers family 🥰

I find it funny how similar Donnie and Draxum are in cannon and I wonder how that will play out in this AU

The same thing with Leo and Splinter were very similar to each other despite being on opposing sides.

Yeah, I'd say Draxum and Mikey are the closest with each other. Draxum loves all his sons, but he really has a soft spot for Mikey. Mikey in turn is very devoted to Draxum, I've mentioned it before but Mikey's strong desire to do the right thing paired up with a lifetime of his father convincing him that destroying humanity is the right thing has led to Mikey being very determined to fulfill Draxum's plan. Also him being a prodigy with mystic powers leads to him spending a lot of time training his abilites with Draxum.

Raph is basically Draxum's second in command, as the oldest of his brothers he of course is the leader of the team when Draxum isn't the one issuing out orders. Draxum puts a lot of responsibility on Raph, responsibility that Raph very much takes seriously so Draxum as a result also has a lot of trust in him.

Poor Leo is still very much dealing with some intense Middle Child Syndrome here lol. To be clear, Draxum still loves Leo, and vice versa, but Draxum's role as a parent has a tendency to clash with his role as a... what, a military commander? Something along those lines. Listen, he's preparing to lead the yokai into war against the humans, and with his sons on the frontlines he needs to quickly figure out their individual strengths so that can help them evolve their specific skillsets. Mikey has his mystic abilities, Raph has his physical power and Leo.... Well, we know that Leo's expertise lies in his strategic thinking, except neither he nor Draxum has figured that out yet lol. Draxum is the leader, he comes up with the plans, and Raph's in charge otherwise. He doesn't notice Leo's leadership capabilities because he doesn't even think to look for them.

Leo's situation is kinda similar in this AU to what is in canon, where his self-esteem issues caused by him not feeling like he's bringing enough to the team paired up with him being a total Daddy's Boy and craving parental validation that he doesn't feel like he's getting because Draxum is more focused on Leo's brothers so he acts out to get attention and again Draxum's parental duties clashes with his WAR LORD duties or whatever because dammit son I love you but you need to quit goofing off you're a soldier and uh.... yeah...... Leo feeling a bit like the black sheep of his family (hah, sheep, cuz Draxum's a... hah) is another contributing factor to him being the first to turn sides.

And yeah, you make a good point, Donnie being so similar to Draxum vs Leo being so similar to Splinter is.... ooooooo, that's fun, there's so much potential there. Draxum's definitely dissapointed that Donnie's so gifted when it comes to the sciences only for him to be all like "Alchemy??🤨🤨🤨 Mystic science??🤨🤨🤨 That's not scientifically accurate!🤨🤨🤨" and just rejecting almost anything yokai-related.

Actually, Leo reminding Draxum of Splinter has a lot of fun possibilites too. Draxum being all like "Ah, he's just like Lou Jitsu!🤩" while simultaniously being all like "Ugh, he's just like Lou Jitsu...😒"

[deadbeat-motel]

ᕼᑌᔕK ᗩᑎᗪ ᑎIᖴᖴTY ᖇEᗪEᔕIGᑎ

Deadbeat father with his baby-leashed daughter.

I believe these are the last of the designs that will try to follow the original design as best as it can because looking at my sketches right now, Alastor, Cherri Bomb, and Pentious (and Crymini) goes a different direction than their counterparts.

You know how this works, thoughts below:

My issues with their Original designs:

Niffty:

Man, I only have two things to critique about this one since she's also a solid design:

What is the purpose of the scarf? It comes out of nowhere for the design, what is the connection/purpose of having it? Genuinely asking since it does bother me a bit.

She barely is a bug, there is no feature in the design that gives us any idea that she might be a bug (Or even an alien since apparently Cyclops are just a normal sinner type in this hell). Looking at the Wiki, I think the only reason for the alien aspect is that it came from a song? Either way, she doesn't showcase any of either in her design.

Husk:

GOD THE WINGS. DEAR GOD THE WINGS. IT'S SO UGLY AND CLUTTERED AND THE PATTERNS BARELY MAKE ANY SENSE. It's so awful ewwww. Every scene that didn't have them closed looked extremely rushed and ugly. It could've benefitted from just copying how actual feathered wing patterns naturally are.

His eyebrows are not a problem for me (It's my favourite part of him) but the unnecessary two black stripes are.

He's probably supposed to be a tuxedo cat, but he legitamately looks like the cat in the hat with his entire face being white.

The thought process for these two:

Niffty:

Personally was not into the whole Cyclops thing, especially when there are no hellborns (that I can recall at least) in Helluva Boss that posess a singular eye. She's got 2 eyes now because.... reasons.

The mismatched eyes was my solution to removing the Cyclops sinners of this world. Plus it's a neat little character detail that her insecurity of some kind of eye defect manifests as this odd eye shape.

Her hair is a bit neater because as much as I enjoyed how her original hair looks, It's kind of silly to think a person who's obsessed with cleanliness would have such an unkempt haircut? (Specifically talking about that scene kid-esque bangs she has.)

While I kept the maid aspect with her clothes, I made it a lot more flowery so that it reads more like a child's outfit mimicing a maid's.

I gave her one fucked up antennae since in the rewrite ill be doing, she's very easily lost and thus became homeless, drifting to any place that would allow her to stay for a little while long until they kick her out.

Bug wings and the spurs on her arms and legs are just to sell the bug aspect a bit more.

Hopefully, it was clear enough. But her arms are made of two arms conjoined together to create a singular arm.

Admittedly, I did not choose a specific bug for Niffty. Insects are not something I'm interested in and I got lazy with this aspect.

Husk:

MADE HIM A LOT FATTER AHAHAHAHHA. Husk feels like he could've ended up as a bara if Vivzie's twinkif-y ray didn't hit him.

Specific fluff areas as well as a red mustache make him look older and do more to make you understand he's much more aged than the rest of the cast.

Genuinely enjoyed the hair that they gave Husk in his flashback, it looked handsome on him. Why Vivzie didn't put that in his actual redesign is beyond me, but here it is on him now

Since his wings barely play any role in the story, I shrunk it and de-cluttered the poor thing.

The red suspenders are there to simply put a pop of color on his already muted colors.

Despite the running joke that Vivzie's characters all have a bowtie, kept it on Husk since I think it would be cute that he probably keeps it on because Niffty made it herself for him.

This is just personal, but I wanted to give him an actual cat's pattern because I saw Husk from the headcanon voices video and thought that he was a sloth for some reason.