#Like 30° days now here

[i-may-be-an-emu]

I hate this weather

[kimmkitsuragi]

oh my fucking god i don't have any clothesssss

[arsenicflame]

Bonus round! Do you use a queue tag?

[ricky-mortis]

Hatchetfield @femslashfortnight Day 1: Make It Sapphic AU

[norriszn]

max's twitch stream: qatar sprint quali - nov '24

quick context: max sometimes plays background videos for chat to watch with him while he eats. during this particular stream max mentioned that he hadn't eaten for hours (just a tiny lunch) after doing a big run but dw cuz pietra saved him with some food which you can see in his camera view.

max: hello? ricky? *lando guessing if oscar is telling the truth or a lie - 1st box of lies* *chat making sure max knows his camera is blocking lando* max: 'you're in front of bob' for fuck sake. alright. i'll move. *oscar guessing if lando is telling the truth or a lie - 2nd box of lies* max: what the fuck is that? they're pickled onions or something? *oscar still guessing if lando is telling the truth or a lie - 2nd box of lies* max: i don't think he (lando) knows they're pickled onions. *production guy handing oscar the 3rd box of lies* max: chat, this is so fucking good, man. i'm not even watching the video, really, fuck. (😭😭) *lando guessing if oscar is telling the truth or a lie - 3rd box of lies* max: i don't know what- do they have to guess if they're lying or not? what? *oscar guessing if lando is telling the truth or a lie - 4th box of lies* max: peppa pig's (lunchbox). (the nooticer) *chat kinda roasting max for the way he’s eating* max: 'max really was starving' i know… *landoscar landoscaring* max: i don't get it. is he even lying? *oscar still guessing if lando is telling the truth or a lie - 4th box of lies* max: *pointing at the screen* mmm, (it's) actually peppa pig's (lunchbox). (the nooticer😭😭 ) *oscar confirming that, yes, it's actually his mom in the locket necklace - 4th box of lies* max: what? *box of lies 5 minutes video ending* max: is that it? IS THAT IT?!

[myokk]

💘

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[al-luviec]

I got so insanely mad while drawing this

+ closeup and normalness

[ganondoodle]

(Original art) Xaror, any pronouns, species (?), age (?)

short summary about them; they act as both an antagonist and an ally since they are only really interested in what they want or whats fun to them, they are immortal and call themselves 'death itself' since they have a special connection to souls (being the only one able to communicate with them) and the ability to seperate souls from their bodies in such a way that nothing can harm the soul afterwards their main goal is to .. bother and disturb the 'celestials'*, which they hate, as much as they can, breaking into their palace, freeing prisoners, destroying research, destroying the place, and most importantly, making as many souls unusable to them as possible-

they dont want to destroy the celestials though, they cant fight them anyway and this game of doing 'good' only with the goal of annoying them is their most treasured activity, so Xaror doesnt intend to stop them from killing or hurting anyone, only from harvesting what they are actually after (though Xaror doesnt actually care as little as they think they do about people, and has a soft spot for demons)

most of their appearance is later into the story; Zaphira (the empress) had been in coma and the medical facility she was treated in was destroyed by Shargon (orange eyed demon who acts as her bodyguard for the first part) in an attempt to save her from her estranged relatives taking over her country after they heard of her decline in health, she is believed dead but washes up on the shore of the mountain Xaror resides at years later (it has a reason, too much to write here) and they slowly nurse her back to health, the reason they give for it is that they found their first encounter very fun, thats all (is it?)

(more lore under the cut bc this is already so long .. im trying to keep it short q-q ......... this is stuff i have been working on since i was a kid so uh, some things might be cheesy but i cant change them anymore ..)

just to get some basics out of the way; theres three worlds, the celestials palace, human world and demon world, each are their own planet connected via different gateways

*celestials (possibly not final name, loosely based on angels) are the last remaining "survivors" of their planets demise, when their world died the most powerful among them cannibalized the weaker to sustain themselves until there were only less than 10 left, who each turned into different beings from it and dont resemble their own people much anymore, they built a palace from what was left on their world that protects them from space as its atmosphere collapsed shortly after- however they still needed something to live off; they discover the human world and are delighted to find rather short lived people with powerful souls, the best kind of sustenance for them (now), they aim to herd them like cattle, but a problem arose when it turned out another world has long been in contact with the human world; demons

demons are semi immortal creatures that act as protectors for their world, protection they extended, more or less secretely, to the human world ensuring them a long and secure life- the celestials need them to die at their whim though (demons are few in numbers, hard to kill and rarely have offspring, not an ideal target); as they worked out a plan on how to get rid of demons one of the celestials, Xanthriel (time) grew somewhat fond of people as they spent alot of time in the human world to observe and research them; in the end turning on their own completely, but losing the fight against Uriel (knowledge)

Xanthriel was supposed to be executed for their betrayal, but it doesnt work, instead they are splintered into many parts after a lot of struggle, most body, memory and most strength is one part (ending up as motionless forever bleeding corpse kept locked up in the palace), the rest is some time later gathered together and reforms as a seperate, weak mockery of them, they embody Xanthriels emotion- Xaror, without memory, strangely cut to pieces (hence all the missing limbs and broken halo) but driven by an unstoppable desire to disturb the celestials (they live seperate long enough to each become their own person, at some point Xaror discovers Xanthriels body after all and they merge back together, though as they are now two, Xanthriel only takes over once directly after merging, stays silent for a long time and lets Xaror be themselves, only later revealing that they are there at all .. hiding perhaps- i rarely have specific ideas for voices, but Xanthriels is like, like coarse rocks being violently rubbed against each other, less voice more noise)

(also, the celestials use Xanthriels blood from the day of their execution to create a plague that nearly wipes out all demons, only the youngest of them survived, effectively robbing them of everything, culture, history, knowledge etc- as demons rarely have children, like a complete restart of their society, they disappeared from the human world, and over time being largely forgotten as actually existing- the celestials wanted them all gone however, so they kept kidnapping them to try and find somethign that would work similarly against the young ones too (and then in general, bc the only usable blood of Xanthriel was from the day of their fall, and that has long since been used up) one of the young ones was Shargon, he was the only one still alive from his group

(also, the celestials use Xanthriels blood from the day of their execution to create a plague that nearly wipes out all demons, only the youngest of them survived, effectively robbing them of everything, culture, history, knowledge etc- as demons rarely have children, like a complete restart of their society, they disappeared from the human world, and over time being largely forgotten as actually existing- the celestials wanted them all gone however, so they kept kidnapping them to try and find somethign that would work similarly against the young ones too (and then in general, bc the only usable blood of Xanthriel was from the day of their fall, and that has long since been used up) one of the young ones was Shargon, he was the only one still alive from his group (he wasnt the strongest or special, he was jsut the last in the row and always got the lowest dosage) when Xaror found them in yet another break in into the palace and got him back to the demon world .. where he was promptly blamed for the others that were taken and treated like a pretender/fake/spy bc what he got put through changed his eye color (something that demons cannot change in any form) to one that does not exist among 'real' demons (orange ... notice the inner color of Xarors broken halo? :) ), some even suggesting killing him, but none of them were brave enough to do it (they were all kids still) .. except Eadrya (the big blue-ish one, largely regarded as the strongest demon alive) but Shargon managed to escape, and since then lived largely in isolation- this is part of why he is so hated, and why he starts to spend so much time in the human world after rediscovering the pathway there)

[spaciebabie]

at first getting diagnosed with cptsd was like, "yay my trauma has been validated (it always was valid)!" and i really thought that was going to be it, but then i started to do research as i do whenever i realize i have something and learned that!! the way i experience socialization is!! quite horrid actually!!

[pushing500]

One last hug for good luck, and then...

(Patch was a refugee, I don't know who tf Stanley was. Also in memory of Vance, who isn't dead, but was cool while he lasted. Less in memory of Curly, that guy sucked.)

The end.

I hope you enjoyed this as much as I did. Thanks for sticking with the gang until the end! May Ecthuctu smile upon you ❤️

Not pictured here - Toddler Gangster and Baby Butternut

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The Animist Alliance

A Mechanitor's Message

[dizzybizz]

Hmm could you draw Gallagher? :D

(I don't have my Lynx or Natasha built and no Bailu, Luocha, or Huohuo so this disgruntled bartender holds a special place in my heart rn)

oh i how i wish for him to show up on my future-boothill-haver acc....

[3-aem]

MY BRAINS NOT WORKING AND THE CUTE BOY I WORK WITH KEEPS CORRECTING MY GRAMMAR THIS IS SO AHAIWIAKSDHDGRRRRHRNE

[moonchild-in-blue]

Not forgiving yall for making me believe Price was a proper Tired Old Man™. What do you MEAN he is canonically 38/39 💀

and what do you mean Soap is like? 27? sir you are but wee boy. where are your parents.

[boasamishipper]

i think the biggest problem of season 3 (of which there are Several) is the shift away from football being the crux of the story, which has undoubtedly resulted in the aimless, overstuffed, unfocused narrative we've been seeing for the last eight episodes. season one was as excellent as it was because whether richmond won or lost a match actually mattered; if they lost too many matches, they'd be relegated, and relegation was always treated as a distinct, tangible threat. there were stakes. and while season two had its issues with pacing and unnecessary subplots, no one would call it aimless. the characters had a goal (pun intended): to get promoted back to the premier league. if they lost too many matches, they would stay in the championship league. we as the audience were invested in whether or not richmond won or lost, and the narrative was all the stronger and more coherent for it.

season one asked us, can afc richmond avoid relegation? and we were invested in the answer. season two asked us, can afc richmond be promoted? and we were invested in the answer. now we're eight episodes into season three, and the overarching goal of the season, the question it is asking its audience to remain invested in, is...what? what are we building towards? is afc richmond's goal to win the whole damn thing? to beat west ham? to beat man city? to do just enough to avoid relegation again?

and because we can't answer this question, the narrative has suffered greatly. how are we supposed to believe beard when he says man city is the team's white whale if we haven't even seen them play each other yet this season? if ted's total football epiphany was so life-changing for richmond, why did we speed past all the matches this episode where the team won using that strategy? if this is all leading to a final nate-ted west ham-richmond match, why haven't we spent any time with nate at west ham? why haven't we gotten to see him grow and develop as a coach? at one point, the team was doing so badly that higgins suggested firing ted, who has been visibly struggling on and off the pitch - and the narrative did not give that suggestion the weight it might have had in season one or two. we spent an entire episode watching rupert, rebecca, and chelsea fight over zava - and then two episodes later he was gone, and we haven't so much as mentioned him since. just last season, sam was being heralded as the star of afc richmond, highly sought after by other club owners - but we haven't gotten to see any of his alleged brilliance on the pitch this season at all. i have to kick a little ball around, which those same people love me for, sam said in 3.07, that is, until i fuck up or miss a penalty, or i decide to fight back - a speech that was excellently delivered by toheeb, but loses some of its weight because we haven't actually gotten to see any negative reaction to sam missing a penalty or fucking up or deciding to fight back (not even in season 2 after the dubai air boycott).

(all this to say: i do enjoy the show. i love the characters, i've been enjoying the episodes as individual units, and i'll continue to tune in week after week. but for a show that once boasted football was life, it's sure been suffering since it decided to stop focusing on that.)