#Jade East West
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Jade East East
The Doo Wop era architecture is an amusement park for the eyes, and includes many sub-movements, but they all stemmed from modernism: an aesthetically-pleasing arrangement of geometric shapes. North Wildwood has a modernist gem called Jade East. Jade East consists of two buildings: a motel on the west side, and a private residence on the east side. I, Stella Star call the east-side residence Jade…
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#4th#4th Ave#4th Avenue#angle#angular#award#award-winning architecture#balcony#boxy#brick#Century modernism#cube#cubism#east#emerald#emerald green#far east#gem#incuse door#incuse doors#jade#Jade East#Jade East East#Jade East Motel#Jade East West#jersey shore#JFK#JFK Blvd. John F. Kennedy Boulevard#JFK Boulevare#John F. Kennedy
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Legend of the Eight Immortals (1998) 东游记
Director: Zhang Baolian Screenwriter: Lu Zhiming / Li Yanping / Huang Huanghua / Xie Junyuan Starring: Ma Jingtao / Guo Feili / / Shen Zheng Xiuzhen Xie Yiling Shaoguang / /Lin Xiangping / Wang Yuxiang / Chang Cheng Genre: Drama / Costume Country/Region of Production: Singapore Language: Mandarin Chinese Date: 1998-11-26 (Singapore) Number of episodes: 30 Single episode length: 43 minutes IMDb: tt3038763 Type: Crossover
Summary:
This costume mythological drama co-produced by Singapore and China is adapted from the ancient Chinese legend "The Eight Immortals Crossing the Sea" and the mythological novel "Journey to the East". The evil way to the sky breaks the curse and is reborn. According to the number of days, the eight immortals in the cave must return to their positions to resist the evil way. Donghua Shangxian (played by Ma Jingtao) was ordered to go through danger and was forced to endure the disaster to guide the Eight Immortals back to their places. After selection, Han Xiangzi (played by Chang Cheng), He Xiangu (played by Zheng Xiuzhen), Lan Caihe (played by Shen Yiling), Cao Guojiu (played by Shen Yiling), Li Haijie), Han Zhongli (Mai Haowei), Tieguai Li (Lin Yisheng) and Zhang Guolao were selected as the Eight Immortals. The Immortal Donghua was demoted to earth and became Lu Dongbin (played by Ma Jingtao), and experienced emotional entanglements with Bai Mudan and He Xiangu who were reincarnated by Fairy Peony (played by Guo Feili). The little demon Pangolin (played by Xie Shaoguang) is obsessed with He Xiangu, but he is also good and evil. Fei Changfang (played by Chang Cheng), who has not yet become Han Xiangzi, cannot forget his deceased wife Zhenniang (played by Lin Xiangping), and unexpectedly meets Princess Long San (played by Lin Xiangping). Faced with a thousand-year love catastrophe, the Eight Immortals went through many hardships, but finally returned to their positions smoothly and embarked on the road of exterminating demons and protecting the Tao.
Source: https://tv-1.chinesemov.com/tv/1998/Legend-of-the-Eight-Immortals
Link: N/A
#Legend of the Eight Immortals#东游记#jttw media#jttw television#television#live action#crossover#cameo#Lu Dongbin#Donghua Emperor#Jacelyn Tay#He Xiangu#Han Xiangzi#Lan Caihe#Ling Xiao#Zhang Guolao#Li Tieguai#Zhongli Quan#Cao Guojiu#White Peony Fairy#Third Princess of the East Sea#Toon Tree Demon#Sun Wukong#Guanyin#Jade Emperor#Queen Mother of the West#Grand Pure One#Dragon King of the East Sea#Erlang Shen#Eldest Dragon Prince of the East Sea
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I talked a lot about LMK specifically the past couple days (because I had a lot to say), but today we're back to your regularly scheduled sh*tposting!
Now, one of my my first sh*tposts was about the Jade Emperor, Queen Mother of the West, King Father of the East, and Tian Hou. I wanted to revisit the topic a little now that I have a little more research under my belt. Specifically, I wanted to examine why Xiwangmu started being characterized as the Jade Emperor's consort when she already had a husband.
As I've said before many times (and will not shut up about because I think it's hilarious) the Jade Emperor was created in 1005 AD to justify a controversial peace treaty (side note, I think it's really cool how we can give such a specific date to the creation of a deity when most of mythology is endless guesswork and probably never knowing the answer anyway). Anyway, since he was literally a brand new god, Cheng Sung, the emperor who made him up, was really insistent on how real and important he was. As a result, in addition to bribing public figures not to disagree with him, he might have also seen fit to give his OC legitimacy by giving him a big, important wife.
Now, as we've been over, there have been several goddess that could have filled this role. The aforementioned Tian Hou, who is very popular with sailors due to her association with the sea and saving wayward vessels, as well as Di Jun's consorts Xihe and Changxi, mothers of the 10 Suns and 12 moons respectively. It even seems that Di Jun was the popular ruler of the gods around the time of the Jade Emperor's creation, so if our green boy was moving in to supplant Di Jun why didn't he also take his wives?
Perhaps it was because he wasn't meant to as Di Jun was too recent, and suddenly saying that this new guy who was totally real was also way cooler and more important than the god you've been worshipping for generations probably wouldn't have gone over well. Dongwanggong, on the other hand, had long since fell out of regular and seems to have been less popular than his wife anyway. So it might have been easier for Cheng Sung, or whoever picked up worshipping the Jade Emperor after him, to snatch his wife instead of Di Jun's. Coupled with the fact that Xiwangmu is pretty badass, it probably did a lot for her new hubby's early street cred.
Again, this is just speculation and I'd love to hear other ideas.
Sh*tpost Masterlist
#mythology sh*tposting#lego monkie kid#lmk#chinese mythology#mythology#xiwangmu#queen mother of the west#dongwanggong#king father of the east#jade emperor#lmk jade emperor#tian hou#tian fe niang niang#di jun#xihe#changxi
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Time to end cash-strapped council's £1.5m political subsidies
CROYDON IN CRISIS: There’s cuts planned to all kinds of services in the borough in the coming months. The only thing local politicians aren’t planning to cut-back on are their own jobs, as WALTER CRONXITE reports The holidays are over. Time to go back to work. £11,691 per year and not one meeting in January: Labour’s Stuart Collins But for seven of Croydon’s 70 councillors, there is not a single…
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#Conservative#Croydon#Croydon Council#Croydon East#Croydon West#Endri Llabuti#Jade Appleton#Jason Cummings#Karen Jewitt#Labour#Leafleting cult#London Borough of Croydon#Mario Creatura#Matt Griffiths#Mayor Jason Perry#Stuart Collins#Tory
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The Varieties of Chinese Mermaids
In the modern day, most people will think of the pearl-crying Jiaoren. However JIAOREN IS NOT THE PERFECT EQUIVALENT OF THE MERMAID in pre-modern folklore.
Chinese mermaids come in multiple types. Most of them can be found in the Chronicle of the Mountains and the Seas (Shan Hai Jing/山海經). Others can be found in the In Search of the Supernatural (Sou Shen Ji/搜神記) or Extensive Records of the Taiping Era (Taiping Guangji/太平廣記).
YUFU/MER-WIFE (魚婦): Zhuanxu was a god-emperor in legendary times, whose accomplishments included sending two of his sons to complete the separation of Heaven and Earth. When he died, fish ate his corpse, becoming half fish and half human women. They live in the Great Wilderness toward the west of China. They combine traits of humans, fish, and snakes. The Classic of Mountains and the Seas states: "There is a fish half-withered, it is Zhuanxu that died and then revived; when the winds blow northward, the sky whips up great geysers, snakes transform into fish, and those are mer-wives."
LINGYU/HILL FISH (陵魚,鯪魚): The Lingyu lived in the northern regions of China, either in the sea or mountain streams. They have human faces and limbs, but fish bodies. They are identified with Chinese giant salamanders or mud carp in the modern day. The Classic of Mountains and Seas states: "The nation of Guye is in the sea, among the Guye mountain range, surrounded by peaks to the southwest. There are great crabs are in the sea. There are Lingyu, which have human heads, feet, and hands, in the sea."
CHIRU/RED RU FISH (赤鱬): The Chiru lived in mountain in the south of China. It was red all over, had a human face, and its call sounded like that of a shelduck or mandarin duck. Eating its flesh protected people from contracting scabies. They are identified with sockeye salmon in the modern day. The Classic of Mountains and Seas states: "Three hundred miles more to the east, there is the mountain called Blue Hill...The Ying Waters emerge from here. Within are many Chiru; their forms are like fish, yet they have human faces, and their cries are like that of a shelduck. Those that eat its flesh will never have scabies."
DIREN/DI PEOPLE (氐人): The nation of the Di People was in the South of China. They were human from the waist up and fish from the waist down. They might have been a mythologization of the real Di People, who lived in western China, spread out from Shaanxi to Gansu. They joined the confederation of nomadic peoples who conquered Northern China during the Sixteen Kingdoms period. The Baima people of Gansu believe themselves to be descended from the ancient Di. The Classic of the Mountains and Seas states: "The nation of the Di People is west of the Jianmu Tree. Its inhabitants have human faces but fish bodies, with no feet."
HAI RENYU/SEA MERMAID (海人魚): The Sea Mermaid lives in the East China Sea. They tend to be around five to six shaku tall. (4'7"-5'6" or 1.4-1.68 meters.) Their upper bodies were that of humans, and they were all very beautiful. Their skins were white as jade, and their tails had no scales, but were covered in fine rainbow-colored hairs. Their hair grew long and wild like horse manes. Their private organs were much like that of humans, and they often sought humans or were sought by humans as mates in coastal communities, where they would live in a pool on their spouse's property. Sometimes they had red feelers or fins on their elbows and backs. Their bodies could not be penetrated by blades, but their fats could be harvested after death to form ever-burning candles. Han Dynasty texts state: "Merfolk have a human-like form longer than one shaku. They are not fit for consumption. Their skins are rougher than those of sharks, and cannot be penetrated by saws. They have little holes on their neck that they breathe through...Their fat is used to light lamps in royal tombs because the fire will never extinguish." Extensive Records of the Taiping Era states: "Sea Mermaids are found in the Eastern Sea. The largest ones are five or six shaku long. They are shaped like humans, with the brows and eyes, mouths and noses, hands and fingers, and heads of beautiful women, lacking in no feature. Their flesh is white as jade, and they have no scales, but thin, soft, and sleek hairs of five colors about one or two inches in length. Their private organs were no different from those of ordinary men and women. Widows and widowers from coastal communities often acquire them and raise them in pools. They mate the same way humans do, and never harm humans."
LOTING YUREN/LOTING FISH-MEN (盧亭魚人): Loting Fish-Men were found in the south of China, mostly around the Guangdong, Macau, and Hong Kong regions. They had humanoid limbs and humanoid faces with yellow hair and yellow eyes, but scaly bodies with fish tails. They lived mostly in the water, feeding on fish, but also built houses from mussel shells, and their favorite snack was chicken blood. They were a mythologization of the Tanka People, a southern Chinese pariah class who were once forced to live on their boats, as well as the Semang People. Ming Dynasty texts state: "The Jin Dynasty rebel Lu Ting was defeated and fled into the Guangdong region, where he lived a fugitive life on the water. After some generations, his descendants were unable to procure food or clothes, so they went about bare bodied and were called Loting. They would often sail out on the sea fishing for food, and they could all lie underwater for three or four days without dying, for they had already become fish." Qing Dynasty texts state: "Among the merfolk are the Loting Fish-Men, who are very numerous on Dayushan Island and the Wanshan Islands. Their adults are like humans, with male and female. Their hairs are dusky yellow and short and their eyes are also yellow, while their faces are black. Their tails are around an inch long. When they encounter humans they dive fearfully into the water. Often they would float along the waves, which would amaze people, who would they chase them. When a man who acquired one their females did the dirty with her, the fish-woman could not speak, only giggle. After a long while, she learned to wear clothes and eat grains. She was brought to Dayushan, where she went back to the water. These are the merfolk who do not harm men."
JIAOREN/SAMEBITO/SHARK-MEN (鮫人): Jiaoren are found in the South Seas. THEY ARE MER-SHARKS. THEY HAVE INKY BLACK BODIES, WILD HAIR, GLOWING GREEN EYES, AND SHARP TEETH. They are usually employed by dragon gods as weavers, capable of working tirelessly and spinning special waterproof silks. Their tears became pearls. They were first equated to Western mermaids by modern fantasy writers romanticizing the fact that they cried pearls.
WA WA YU/KIDDO FISH (娃娃魚): The Chinese Giant Salamander was often called a "mer-person" in the Ming and Qing dynasties, and described having a cry that resembled a baby's wail. To this day the colloquial name is still "Kiddo Fish".
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April 13, Xi'an, China, Shaanxi Archaeology Museum/陕西考古博物馆 (Part 4 - Sui and Tang dynasties):
This is another star of the museum, a Tang dynasty (618 - 907 AD) bronze mirror, the back of which is decorated with carved luodian/螺钿 (mother of pearl). Near the edge are various birds, while the inner ring is arranged in a "sunflower" shape. Kinda wish I can see a modern replica of this one without all these marks and discolorations from the passage of time:
A Tang dynasty yupei/玉佩 (jade pendant). Unlike the Western Zhou dynasty yupei in part 2, this type is most definitely supposed to be hung from the waist. This one in particular was one of a set of two (both worn on waist, one on each side), and these were part of the formal wear of first to fifth rank officials during Tang dynasty:
Luo Wanshun's Epitaph/罗婉顺墓志. As mentioned in the first Beilin museum post, ancient Chinese epitaphs have a two-piece structure, consisting of a tablet and the protective covering on top. This is the protective covering on top, with the large inscription identifying this as the epitaph stone of Luo Wanshun, engraved in seal script/zhuanshu/篆书:
And here's the actual body of the epitaph. This particular epitaph was drafted by one of the "Eight Immortals of the Wine Cup"/饮中八仙, Li Jin/李琎 (he was also the nephew of Emperor Xuanzong of Tang/唐玄宗), and the calligraphy was provided by the famous calligrapher Yan Zhenqing/颜真卿:
Tang-era pottery figurines of the Chinese zodiac animals. This set is sadly incomplete, but the way these zodiac animals are partially anthropomorphized is pretty interesting. From left to right, these are tiger, rabbit, dragon, snake, sheep, and dog (yep that is a dog head, apparently). Not sure why rabbit and dog figurines are missing their ears though, maybe the ears broke off and are lost?
Sui dynasty (581 - 618 AD) green-glazed boshanlu/博山炉 incense burner. Note the panlong/蟠龙 dragon curled around the base:
Left: Sui dynasty white-glazed ewer with a chicken head-shaped handle. Right: Sui dynasty white-glazed vase. The curves on this one is *chef kiss*
More Sui dynasty white glazed pottery, but the most incredible thing is the white porcelain cup in the middle. The lip of that cup is 1mm (~1/32 in) thick, and the sides are so thin, it's almost see through:
Tang-era sancai/三彩 glazed conjoined flasks that is shaped like a pair of fish. Similar twin-fish motif can be found in numerous traditional Chinese holiday decor, and symbolize auspiciousness, wealth, and surplus--especially surplus, since fish in Chinese (鱼) is pronounced yú, and "surplus" in Chinese (余) is also pronounced yú. This is why the phrase 年年有余 ("may there be a surplus every year") is often paired up with imagery of carps, children holding giant carps, or a twin-fish motif.
Absolutely beautiful Tang-era wall mural of a tiger, which was very sadly damaged over time. But from the pieces left, you can still appreciate the raw power of the tiger captured by these lines:
Another beautiful Tang-era wall mural depicting men on horseback playing "polo", called maqiu/马球 (lit. "horse ball") in Chinese. It's unclear whether the maqiu depicted here originated in China in late Eastern Han dynasty (25 - 220 AD) or was brought to China via the Silk Road at the beginning of Tang dynasty, but anyway this sport was very popular during Tang dynasty, and there were many female players at the time too.
The women of Tang dynasty as depicted by pottery figurines:
A small model of Tang-era triple que/阙 gate towers. Que gate towers first appeared in Western Zhou dynasty (1046 - 771 BC) and have been a part of Chinese architecture ever since. Que gate towers usually come in pairs, one on each side of the gate, and they were used to display status.
A map of Tang dynasty Chang'an city laid on top of the current map of Xi'an city, showing the imperial palace (top center), the East Market/东市 and West Market/西市, and the 108 districts (called fang/坊):
A Tang-era chiwen/鸱吻 (螭吻 is the original name, 鸱吻 is the alternative name, another alternative name is 蚩吻, but the pronunciation remains the same for all three) roof ornament. These are the pairs of horn-shaped pieces on the top of the roof of traditional Chinese architecture. These ornaments are made to represent the Ninth Son of the Dragon, called Chiwen/螭吻, which looks like a dragon-headed fish and has the power to control water, thus it's used in traditional Chinese architecture to ward off fires:
Sui-era gold gilded handle of a stone sarcophagus:
A pottery jar found buried in the tomb of Crown Prince Jiemin/节愍太子 (Li Chongjun/李重俊, son of Emperor Zhongzong of Tang/唐中宗 Li Xian/李显), partially shaped like a pagoda and decorated with various Buddhist motifs such as lotus petals and elephant heads. This is speculated to be a representation of a granary, which would hold grains for the crown prince in the afterlife:
And last but not least, a Sui-era pottery camel bearing sacks that have the imagery of the Greek god of wine Dionysus upon them, which shows the great amount of cultural exchange that took place back then:
#2024 china#xi'an#china#shaanxi archaeology museum#chinese history#chinese culture#sui dynasty#tang dynasty#chinese calligraphy#calligraphy#archaeology#history#culture
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the notebook theory (tsukishima kei x reader)
masterlist | ao3
Pairing: Tsukishima Kei x Reader
Summary: Kei has a cynical and jaded outlook on love. When his friend Tadashi figures out that Kei has feelings for you, Kei isn’t sure how to react. After all, love is not something he does but rather, something that happens to him.
"There’s a notebook that Kei likes on his desk. No matter what he does, nothing is good enough to put a permanent mark into the thing. Even if he used a pencil, Kei feels like the evidence of the mark would still be there even after erasing it, a molecular change that can’t be seen with the naked eye. Kei calls it the notebook theory.
He thinks that might be what’s happening to him. A molecular change, imperceivable to someone not looking at him under a microscope. It’s like his DNA is being rewritten and stitched together with bright pink yarn. He feels himself steadily come apart and come together. It’s uncomfortable, like trying to dream when he has a fever. Kei is nearly certain that you’re the reason."
Content Warnings: fem!reader (gender neutral pronouns), no real manga spoilers, slow burn, one-sided pining, angst, mentions of divorce and broken homes, toxic relationship (kei's parents), smut, fingering, oral (f!receiving and m!receiving), pinching, mentions of mark making, overstimulation (m!receiving), multiple orgasms, hair-pulling
Word Count: 24.8k
A/N: i know i spent forever working on this but it's finally done and while i have a lot of thoughts about it, idk rly what to say. anyway, here's my first attempt at a tsukishima long fic. also i already know that im not beating the tsukkiyama allegations, okay? i tried and failed to beat them okay i just think there is no way to put them in a situation without it being a little homoerotic bc.. they r them okay? anyway, i hope u enjoy and would love to hear ur thoughts <3
The morning comes without warning. Kei thinks he’s read that somewhere, though he’s just sure just where he saw it. He also thinks that whoever said that is right. Morning is always a harsh assault and never as gentle as people describe it to be.
Kei’s room, the one he rents at university, faces toward the east. In the mornings, when the sun peeks over the horizon, it shines directly into his room and onto his bed before creeping across the light wood floors. His blinds, as useful as they are, always let some through the cracks and the light cuts the ground like butter to a knife. Kei doesn’t think it feels half as romantic as it sounds.
The light works better than his alarm. No matter how set he is on sleeping in, he never fails to wake up as soon as those slats of light make their way across his bedspread. It wakes him like fever and he’s never quite as comfortable as he felt falling asleep. This morning is no different.
He rises like he always has, running a hand over his blonde hair and dragging it down his face after sitting up. Then, he stands once in an attempt to gather his bearings before sitting right back down on the edge of the bed. He fights the lingering remnants of sleep, feeling the ray of sunlight beat down on his back. Then, he reaches towards his glasses on the nightstand and slides them up the bridge of his long nose before standing up again once and for all.
Yamaguchi lives in the other room. His best friend since high school, perhaps his only real friend. They’d miraculously attended the same college and decided to room together, though his other friends from his youth aren’t too far. The arrangement managed to make it all the way until their fourth and final year. Living with each other has become par for the course.
Tadashi wakes up later than Kei does on most days, except for Tuesdays and Thursdays. On those days, he has an 8 am and is usually in the kitchen before Kei has even stood up for the first time. Today is a Wednesday, so Yamaguchi is asleep in his room. The morning light doesn’t wake him the same way it does Kei. His room faces west, so it isn’t until the mid-afternoon, when Tadashi is chased from his room by the afternoon rays and heat, that he notices the sun on its blinding conquest across the sky.
Kei’s room is clean and neat. There’s no clutter, no collection of items that don’t have a proper place. Everything is itemized and stored exactly where he intends for them to be. His floor is void of stray clothes, of socks he’d discarded the night before, his nightstand is bare and his desk is surprisingly empty save for one notebook sitting in its center. It’s a room that he could leave at any time, despite living here for nearly two years. If Kei chose to do so, he could pack his things and be gone in a day.
Yamaguchi’s room is different. It’s lived in and well worn. There’s clutter on the floor, socks and pants he’d taken and tossed away to be dealt with later. Certain things don’t have a place and end up living on semi-crowded surfaces filled with things he likes to put down as quickly as he’d picked them up. Kei envies that way of living. A non-temporary way. He envies the rug in Yamaguchi’s room and the way he fills the space with himself. Kei thinks that even after they’re long gone, future tenants would still be able to feel Tadashi’s presence.
To say that Kei is cynical would be accurate. He tends to lean more towards paranoia in his own strange way. He keeps things in order to quell the anxiety in it. Things stay where they are meant to be. As a result, he’s earned himself somewhat of an uptight attitude that makes Kei feel more awkward than relaxed even when he’s in his own spaces. Not that he minds it.
Tadashi’s dish from last night is sitting next to the sink. Kei moves around it as he fixes a tea, making an effort not to drag his feet across the floor because he hates the scuffing sound. Every now and then, the glass of his mug will clink against the cheap kitchen tile and Kei will cringe in some paranoid worry that it will wake his friend.
As he gathers his things to leave the quiet apartment, Kei wonders where his cynicism comes from. He’s sure he could pinpoint it if he tried. His parents divorce, his previous experiences with dating that have left him jaded, the holes that wore even in his most sturdy of sweaters. Inconsequential nothings that piled up until Kei had developed an undeniably cautious outlook on the world. To him, all of these things are the same. Like the morning, they’re intrusive and unsightly, but none is less important than the other.
Kei does have things he likes. Art, for one. He likes paintings, sculptures, little pieces of history, and all of the things people make with their hands that he could never do. Kei is hopeless at crafts. His fingers are lithe and long, but they’re clumsy and hard to control. Despite his need for order, Kei has trouble controlling his urges. The subtle twitches of his fingers always mess up whatever it is he’s trying to craft.
He likes writing best of all, specifically curatorial writing. It’s easy for him to pick which pieces belong together and how to organize them in a space, it suits his talent for compartmentalizing. Kei gets to tell a story that way, be it historical or artistic, sometimes both. The essays that his classmates find tedious, he finds relaxing despite the stress. For him, writing about art and history is a pleasure much like sipping tea that is the perfect temperature, unintrusive and natural.
By the time he arrives at the library, it’s nearly 9 am. He works better here, in the quiet section at a table hidden by three tall shelves of books. It’s almost never occupied and there are hardly ever people seated in the immediate area. Kei doesn’t go out of his way to avoid others, but he finds that if he doesn’t approach people, they often won’t approach him. He prefers things this way, it makes the good and bad people easier to weed out.
From this spot in the library, Kei can see where you usually set up shop for the day. You arrive after him by about 45 minutes and he convinces himself that it is always coincidental.
Strictly speaking, you’re Tadashi’s friend, not his. You’ve known each other for a little under a year and have been by the apartment a few times, but yours and his conversations are limited entirely to pleasantries. How are you? What are you working on? We’re graduating soon, huh? Casual conversation that Kei can weasel his way out of at any time. Like his room, it’s impermanent.
Kei has had the idea that nothing stays stuck in his head since middle school. The house he lived in when his parents were together, weekdays with his mother and weekends with his father, graduating seniors, the apartment he lives in now. To Kei, all of it is so temporary that he finds it difficult to get attached to it, not that he’s devoid of emotion. He quite loves the little things he has, but his grip on them is loose and half-hearted. Whatever leaves, Kei thinks is meant to leave, so he makes no effort to hold on.
It’s probably unfair to think of you that way, but Kei can’t really help it. He can’t change what he is. Besides, it’s not as if he doesn’t have a reason to think so. He’s often approached by people for his looks, people who want to get close because they think he’s tall and handsome, people who collect others like trophies. He’s not heartless, so he’s been hurt more than a few times. Kei thinks he owes it to himself to be cautious, not that you’ve done anything to earn that type of subtle hostility.
“Thought you might be here,” someone’s hand lands on his shoulder.
“Shit,” he groans, “is it that late already?”
Kei glances down at the watch on his wrist, reading the time as just past 10:45 am. He’s been here for an hour and 45 minutes and hasn’t gotten anything done. Tadashi pulls the chair next to him out and sits down, resting his chin on his hand.
“Spacing out?”
“A little,” Kei responds, tapping his pen against the table and turning back toward his book.
“Got something due?”
“Yeah, on Friday,” he exhales. “Haven’t started it yet though. You?”
“Nah,” Tadashi smiles. “I’m just chasing you around.”
“You’re like a girl with a crush.”
Tadashi shrugs and lets out a good natured laugh. It’s a little too loud for this part of the library, but Kei lets it slide, smiling with his friend.
Tadashi is the opposite of him, he thinks. He smiles often and says exactly what’s on his mind when it crosses it, even if it's a little mean. Tadashi used to be a follower, but in his final year of high school and university years, grew into someone befitting of his somewhat sunny and sarcastic personality. Thoughts and words come easily to him and he has no trouble vocalizing his joy or his disappointment.
Yamaguchi has freckles covering the entirety of his body. Kei knows this because he’s seen far more of Tadashi than he thinks he should have. His skin is tawny and warm like him. Kei finds himself looking at the ones on his hands as Yamaguchi begins to write in his notebook. Kei can’t read his handwriting because it’s terrible and he doesn’t much feel like working on his own project, so he watches his friend’s hand mark the page. Then, his gaze slinks across the library to you.
You’ve got your head down and look like you’re falling asleep despite it only being 11 in the morning. Your hand moves lazily across your computer keypad. By the time Kei realizes that you’ve spotted him staring, it’s too late to look away. His gaze was too intentional, so he smiles at you instead, nodding his head a little.
You smile and wave, standing from where you sit and collecting your things. They fill up your arms because you don’t bother to put them in your bag, making your way clumsily across the room and setting your stuff down across from him.
“Hi, Tsukishima,” you smile. “Hi, Tadashi.”
You use his friend’s given name and Kei feels a pang of jealousy hit his chest.
“How long have you been here? I didn’t see you,” you ask, settling into the seat across from Kei.
“I just got here,” Tadashi smiles, looking up from his notes. “He’s been here for a while though.”
Tadashi motions towards him.
“Aw, why didn’t you say hi?”
“You seemed busy,” Kei lies.
You pout, filling your mouth with air. “Next time just come say hi, ‘kay?”
“Sure,” Kei nods.
Tadashi tosses him a sideways glance and Kei shrugs it off. He’s not interested in being teased this morning, though when is he ever.
Kei doesn’t like the way you make him feel. When you’re around, he becomes prickly. It sets Kei on edge in a way that he hates. His world, previously so rigid and organized, quickly begins to feel cluttered and structureless.
You make his heart pound. You make it hammer against his chest so hard that he can feel it in his ears and behind his eyes. It goes all the way down to his already-hard-to-control fingertips and the tops of his thighs. A previously pastel colored world goes vibrantly candy-colored like it’s been plunged in saturating liquid. He nevers knows how to hold himself, never knows how to act natural. What does it mean to act natural, anyway? How should he rest his hands on the desk? Would it be weird to lace them together? Does he look as stiff as he feels? It’s entirely possible that he is suffering a massive heart attack.
You whisper across the table to Tadashi, leaning forward and laughing at something he’s written in his notebook. You can read his handwriting, something Kei is equally jealous about as he is angry. Kei just watches your conversation, unable to really listen into it on account of the stroke that he thinks he’s having.
The three of you stay like this for a while, earning the occasional irritated whisper or dirty look from some of the more studious people in the library. Kei pretends to ignore them, remaining quiet throughout the duration of your study session with Tadashi. His quiet corner is invaded and painted bright pink with your presence and he doesn’t know whether to feel giddy or irrationally angry. Maybe it’s both.
“Crap, is that the time?” Tadashi exclaims, hunching over himself when someone nearby shushes him. “I’ve got class across campus in 10 minutes.”
He hurriedly collects his things. Tadashi does it so fast, in fact, that Kei hardly has time to beg him not to leave him alone with you. So he just watches as Tadashi throws his things clumsily into his bag and tosses it over his shoulder.
“Bye, ___,” he says in a rushed whisper. “I’ll see you at home, Kei!”
“Sure,” is all that Kei can muster. His voice cracks when he says it and he immediately avoids looking at you and stares at nothing in particular in his textbook.
It’s quiet for a while. Kei pretends to busy himself by glancing between his textbook and his computer and you sit with your head bowed as you take notes on a lecture you’re listening to through the single earbud in your right ear. Then, you tap the end of your pen lightly on Kei’s notebook to get his attention.
It’s only been about 10 minutes since Tadashi left, but the library now feels like an entirely different place. His heart pounds as he struggles to keep a straight face.
When he looks up, you’re looking at him with a tilted head. Your expression is soft and unintrusive, friendly but a bit guarded. You smile softly at him.
“You don’t like me very much, do you?” You ask gently. It doesn’t sound accusatory, but rather a casual statement tinged with friendliness.
“Huh?” Blood rushes into his ears.
“I just kinda get the impression that you’re uncomfortable around me,” you say. “Am I wrong?”
“Uh, no- it’s not that I don’t like you.”
He’s quick to correct you and he feels heat rush to his cheeks.
“Then what?” you question lightly. There’s no ulterior motive behind your smile, Kei can tell, but your openness makes him uneasy.
“I dunno,” he calms himself a little. “I don’t really know how to act around you, I guess.”
You laugh, leaning back into your chair. “Is that all?”
“Well, yeah…” he feels awkward and his palms are sweaty. He drops them below the table to wipe them. “You’re Tadashi’s friend and I’m pretty different from him so I just…” He trails off, shrugging his shoulders.
“I was worried you hated me,” you smile, chuckling to yourself.
“That’s definitely not it,” he loosens a little, smiling lightly despite the thudding of his heart. It slows down steadily.
“I’m your friend too, ya know?”
“That so?”
“Well, yeah,” you shrug and lean all the way back, crossing your arms. “I just kinda figured that we would be.”
“Friends?” His tongue feels heavy in his mouth. His word placement is awkward.
“Duh,” you laugh a little. “You know, you don’t have to speak formally with me.”
“That’s just the way I am,” he huffs at being read.
“Well, you can drop them with me. I don’t mind.”
“Tall order,” he snorts.
You tilt your head to the side. “Did you just make a joke?”
“Uh, yeah…”
“Funny,” you smile. “What are you studying?”
“It’s not really studying…” he says, glancing down at the near empty document. “I’m supposed to be writing an essay I have due on Friday. Not going well.”
He looks up at you through his lashes. You’re leaning forward across the table now, your chin angled upward as you try and peek at what’s on his screen. He turns it so that you can see better.
“Baroque art?” You read aloud. “Oh yeah, Tadashi mentioned that you’re an art history major. Do you draw too?”
“No,” he scoffs. “I’m hopeless at it, but I like art. It’s nice to look at.”
“Huh, you look like you’d be good at drawing,” you say.
“What’s that mean?”
“I dunno, like a manga author or something,” you shrug. “You’ve got nice hands too. Like an artist.”
“Manga?” He laughs a little, trying to play off the color he feels rushing to his face from the compliment.
“Yeah, you look like the manga type.”
“Is it the glasses?” He raises an eyebrow.
“Maybe,” you laugh.
Kei looks down at his hands. They’re big, like the rest of him, and his knuckles are thin. He’s hyper-aware of them now that you’ve complimented them. He studies them briefly, following the barely visible veins up the back of them, following the line of his fingers to his nails. They’re trimmed and somewhat well kept, save for the spots that he tends to bite at when he lays in bed at night. His hands look nothing like Tadashi’s. Tadashi’s fingers are thick and his nails are short on account of him biting them. Kei wonders if you prefer them to his.
—
There’s a notebook that Kei likes on his desk. It’s only a bit bigger than his fist—a little thing, really—and it’s completely blank. Kei’s never written anything down in it, nothing has ever really been worth sullying the thing. It’s got brown fabric binding and a semi-thick cover. It’s malleable, but not so flimsy that he’d need a desk to write in it.
Kei’s not too sure why he bought it in the first place. Maybe he liked the size of it, small enough to fit in his pocket, but not so small as to be ridiculous. It’s practical, much like he is. He’s considered turning it into a daily planner and putting to-do lists in it, but Kei isn’t much of a list guy, it’s Tadashi that likes making lists. Nothing has ever really felt like it suits the book. He’s considered journaling in it, but his life is one big routine and he doesn’t think there’s anything worth writing about.
No matter what he does, nothing is good enough to put a permanent mark into the thing. Even if he used a pencil, Kei feels like the evidence of the mark would still be there even after erasing it, a molecular change that can’t be seen with the naked eye. Kei calls it the notebook theory.
He thinks that might be what’s happening to him. A molecular change, imperceivable to someone not looking at him under a microscope. It’s like his DNA is being rewritten and stitched together with bright pink yarn. He feels himself steadily come apart and come together. It’s uncomfortable, like trying to dream when he has a fever.
Kei is nearly certain that you’re the reason, not that he’s about to admit to anyone else that he likes you. Tadashi managed to weasel it out of him, though he didn’t really have to ask. In fact, it was less of an admittance to Kei than it was confirmation of his own feelings. If Tadashi can tell that he likes you, then he must.
People seem to know things about Kei before he even knows them himself. At least, that’s how it seems. He’s always confronted with his own feelings by other people, not that they’re really ever wrong, but it seems everyone catches onto what he’s feeling rather quickly. He’s not too sure why that is, maybe he’s just obvious and hasn’t realized it.
Come to think of it, when Tadashi had confronted Kei about his feelings for you, he’d been deeply annoying about it. Kei couldn’t even try to deny it because Tadashi had come out with his guns blazing, cornering him in the living room and throwing facts about you at him until his face was beet red with embarrassment. Then, with a serious frown on his face, he’d simply stated you like them and that was the end of it. Kei couldn’t even deny it. Even he knew that it read plainly in his expression.
To be frank, it sucks being told in plain speech how he feels about someone. Whenever that happens, it makes Kei feel like he’ll never be able to keep another secret in his life. Sometimes, he wishes that he was able to make the decision to tell someone else on his own, but even Kei knows that that is a little beyond him. Kei can think the feelings just fine, but when it comes to speaking them aloud, he seems to have a padlock around his throat.
Tadashi knows this about him and if it weren’t for him, Kei would have agonized far longer and far worse over certain situations of emotional turmoil. Most of the time, Tadashi gets it without needing to ask or say anything. It’s nice to have someone understand him in that way, even if it does mean he can’t keep a secret to save his life.
Feelings lately make Kei a little angry. He’s always known that he’s had somewhat of a sour personality. Kei doesn’t need to be told that he’s smug to know that he is. He’s snarky and usually touchy, picky about the people that he hangs out with. It’s not really a secret that Kei is a hard person to get along with, but lately, he feels like it’s been worse.
Maybe it’s because this is new territory to him. As conceited as it sounds, Kei has never liked someone first. It’s not because he doesn’t think anyone is worthy, but rather, because there are very few people he doesn’t find grating. Despite how he seems, Kei is incredibly sensitive about things, so naturally, it’s easier to get on his nerves.
He’s dated before, though not for long, and all of his relationships have started the same way. Kei is approached by them, usually on the premise of looks, and he accepts. He’s not sure why he does. Sometimes it’s because he thinks they’re pretty, other times it’s because the romantic in him hopes that it will actually work out. It never has.
Most of the time, Kei turns out to be different than they expected. He’s too touchy, too sarcastic, too awkward in his way of trying to love. To Kei, it has always felt like it’s ended just as he was beginning to develop real feelings.
If he’s being honest, it’s given him a twisted inferiority complex. He’s worried that somehow, on a fundamental level, he’s not enough. Sometimes, it even goes so far as for Kei to think that he’s just generally disappointing. He tries not to be. Kei wants to be relied on. He wants to be someone his friends can go to when they need something sturdy.
Despite his personality, Kei considers himself sturdy. Well, maybe stubborn is a better word. Kei considers himself stubborn enough to be made sturdy. He’s just a little awkward. That’s all. People seem to mistake that for being unreliable. It’s a peeve of Kei’s.
Tadashi isn’t like that. Tadashi is bright and warm, reliable in every sense of the word. Kei actually looks up to him a lot, not that he’d ever say anything like that to his face. Sure, Tadashi’s not perfect, but at least people rely on him. At least Kei relies on him.
Tadashi is more easy going than Kei is. He has an easier time going with the flow, which makes him more personable. Kei thinks that Tadashi is the closest thing that he’s had to a better half. In truth, without Tadashi around, Kei isn’t exactly sure what would have become of him.
It’s pointless thinking about these sorts of things though. Kei realized a long time ago that thinking about being better won’t automatically make him better. This is just the way he is and Kei’s learned to accept that, whatever it means. Still, none of this changes the fact that he likes you.
Kei could mull over thought after thought and he doesn’t think it would have any effect on the fact that he’s definitely developed a crush. He’s positive it will go away. In fact, he’s not even sure if it’s real. Maybe Kei is just jealous of you the same way he’s jealous of Tadashi. You’re bright and warm like he is. You and Tadashi are cut from the same cloth, so maybe that’s why the two of you get along so well.
In all honesty, Kei wishes he could be a little more like Tadashi for that reason. Maybe if he were more like Tadashi, he’d have the courage to fully accept these new and uncertain feelings for what they are. But he doesn’t have that kind of courage, not right now at least. He doesn’t have the courage to solidify and lean into his feelings. Kei doesn’t want to risk what little comfort and security he has. If the relationship between you both is a blank page, Kei doesn’t have anything important to write. What if it ruins the paper? What if when he erases it, it changes the thing on a molecular level for the worse? The notebook theory.
—
Despite everything, Kei is rather self-aware. At least in his own head he is. Kei knows that when he pretends he doesn’t like you, he really ends up liking you more. He knows that he’s touchy, that he’s awkward, that he comes across more crass than he intends to. Kei is clumsy, not stupid. That doesn’t mean that he has to acknowledge it.
You’ve been coming around more often since the conversation Kei had with you in the library. Maybe you’re more comfortable now knowing that he doesn’t hate you, so you’re happier to join Tadashi in their shared apartment.
Kei feels bad about making you think that he hates you. Actually, he feels really bad about it. Like, astronomically bad about it. Embarrassingly enough, it actually keeps him up at night. So he goes out of his way to be a little nicer to you. The only other person he’s ever done that for is Tadashi.
He greets you properly when you pass, despite the flare up of a medical condition he’s yet to fully diagnose brought on by your presence. He asks you questions about your studies, partially because he is genuinely curious and partially because he doesn’t want you to hate him. He thinks he’d die if you hated him. Kei’s being brave in his own way. It’s little, but he’s doing it.
As a result, the two of you have grown a little closer. Kei has your phone number now, though he rarely has any reason to text you. Typing out a message to you makes him nervous. It makes him red in the face when you’re not even there. Somehow, having your phone number feels vulnerable to him, like he has access to you whenever he wants and you him. It means that if you wanted, you could make him nervous without even being nearby. That’s a lot for Kei to think about.
Kei sees you in the library sometimes too, but he never takes the initiative to speak to you. You always come up to him first, clumsily gathering your things the way you did the day you and him sorted out your friendship and plopping them down in front of him.
Sometimes, you both go several hours without saying anything to each other. Other times, you’ll chat away about something while leaning forward on the desk and Kei has to pretend that he’s not wildly nervous at your proximity. You’re so friendly. So genuinely warm that Kei can physically feel it when you talk. Despite his nerves, Kei would describe you as comfortable. You’re a comfortable person to him, as alarming as that is.
His crush is out of hand. It scares him, not that he’s actively thought about that. What started as him noticing you has quickly ballooned into him being painfully aware of you at all times. He kind of feels bad about it. You don’t seem to think that he’s anything more than a friend and it makes Kei feel bad that he thinks of you as anything but that. He doesn’t want you to be just a crush to him. Kei wants you to be like Tadashi, someone he can rely on and be comfortable with. He almost feels like he’s reversed what’s been done to him his whole life, like somehow he’s only become your friend because he wants something more.
Truth is though, he doesn’t want anything more. Kei wants to stay exactly where he is. He doesn’t want his crush to develop any further. He doesn’t want to confess, he wants to forget. Even now, sitting on a couch in the library, he wants to imagine he doesn’t feel anything at all for you.
“Hey, are you okay?” You tilt your head at him.
“Huh? Me?” He questions. “Yeah, I’m fine.”
“You seem a little distracted,” you smile. “You’ve been staring at your computer for like… 10 minutes with this blank look on your face.”
“You’ve been staring at me for 10 minutes?” He raises an eyebrow, trying to play off the embarrassment of being caught like that.
“Not staring at you,” you huff, “but I definitely noticed.”
“Ha, creep,” he tilts his head up a little, blowing air out of his nose.
“You’re twisted, you know?”
“Whatever,” he shrugs his shoulders and looks back at his computer screen. Out of the corner of his eye, he sees you shake your head and smile before looking down at your work.
Tadashi has said the same exact thing to him before. In highschool, after Kei had made a joke about his teammate Hinata’s height, Tadashi had given him a look and snorted that he’s so twisted. He’s been hearing that sort of thing his entire life.
“Hey, are you cool if I skip out of here early?” You ask a few moments later.
“Oh, yeah sure. I don’t mind,” he nods, hiding his disappointment. “I didn’t realize that we had like… set times to be here.”
You laugh lightly. “Well, we don’t, but we tend to come and go at the same time, no? I kinda look forward to it.”
Kei envies your honesty. You’re so honest all of the time. You say what you feel when it pops into your head. He wishes he could be like that, maybe then he would be able to say that he does too. Instead, he just nods and swallows his heart back down. You smile at him again and then gather your things.
“You’ll be home on Friday night, right?”
“Uhm, yeah? Why?”
“Tadashi invited me and a few friends over, did he tell you?”
“I think he mentioned it.” Kei has actually been thinking about it for the last couple days.
“Good, I’ll see you, right?”
“Yeah, you will.”
“Great, talk to you later then!” You smile and with that, you walk away.
You sounded so certain in that statement. Talk to you later. You said it like it was inevitable. Thinking about that, Kei can’t help but watch you go. He even likes looking at the back of you, though he wishes he could see your face too. It feels worse to be walked away from than walked towards.
Kei can’t tell anymore if what he feels is romance or jealousy. It’s probably both. It’s probably some mix of the two that he can’t quite sort out. He wishes it weren’t that way. Kei gets the feeling that he might be ruined.
So he just watched you leave the library. Someone is waiting for you at the top of the stairwell. Kei can tell they’re a guy and despite the reluctance of his feelings, his stomach drops anyway when you nudge his shoulder with yours and loop your arm around his. That’s something you haven’t done to Kei before. Touch him. You touch this other person so easily. It makes Kei jealous.
It makes sense that you might be seeing someone, that there might be someone else. After all, you’re you. Desirable. You look up at the stranger, leaning on him, smiling and flashing your teeth. Yeah, it makes sense.
Turns out, it’s easier to pretend that he doesn’t feel anything when he thinks you’re interested in someone else. He likes to think it will save him the time of wondering.
—
Kei has cleaned his room approximately four times today. Sure, it’s overboard, but every time he goes into it, he notices something else that needs to be spruced up. Like a pot with a leak, there is always something that he seemed to miss the last time he went through and cleaned up.
It’s not like you’ll be in his room tonight anyway, but you will be in his apartment and that’s close enough to his room that he, for whatever reason, needs to make it so spotless that it looks like a set. Kei knows though, that even when you’re here, he’ll be wondering if there’s something else that he missed beyond the closed door and he’ll think about it incessantly.
He’s been avoiding the thought of him liking you. Instead, Kei cleans and cleans and then cleans some more for good measure. It’s not like he has any sort of claim on you and he knows that it’s stupid to feel jealous over one interaction he witnessed by chance, but his mind is running away with him. Was that person your boyfriend? Has he been begrudgingly pining over a taken person all these months? Do you think that he’s creepy because of it?
He doesn’t get to be upset over the idea that you’re seeing someone else. Why wouldn’t you be? Kei’s done absolutely nothing to indicate his interest in you (or lack thereof), besides maybe telling you that he doesn’t hate you. He has no right to feel the way he does, but he spirals anyway. His insecurities, the ones that gnaw at him in the hours before he falls asleep, play in a constant loop in his head. His unreliability, his unpleasant personality, his cynicism, the baggage he carries with him like a badge. All of it piles up one by one.
Kei feels like a kid again, losing himself over such a simple interaction, over something so miniscule that it might not even be considered anything at all. There are a plethora of reasons for his feeling like this and Kei thinks he could draw one of his issues out of a hat and it would still somehow address the situation at hand, but all he really feels is hurt and he doesn’t want to explain it away. Kei finds that liking someone hurts. It hurts more than it feels good and the uncertainty chews at his patience and leaves it razor thin. It’s not your fault, nor is it the person Kei’s convinced himself you’re seeing, but he needs someone to blame and it can’t be himself.
The idea of you relying on someone else makes him nauseous. He’d never considered the thought before, that you find him as unreliable as others do. Kei wants to be relied on, most of all by you, and that fact makes him upset. He’s afraid of what you think of him and without the confidence to accept his feelings, it threatens to crush him.
Kei’s got this itch over it, so he tries to distract himself. Cleaning his space to prepare for you helps him delude himself that he doesn’t quite like you at all. It’s not your fault. He’s just confused, like his parents were when they married each other. It hurts. Like they were when they had him to try and fix their marriage, which had started to fall apart even when Akiteru was an only child. He’s confused. He’s jealous over your ability to live the way Kei has always wanted to. That’s all this is. Nothing more and nothing less. He feels like he’s being split in two, stretched thin between two modes of thinking.
Kei glances over his shoulder and into his room one last time. He’s forgotten to wipe the mirror. He goes back in and the cycle starts itself over.
—
He’s not proud of his behavior. Kei thinks only a seriously huge asshole would be proud of the kind of behavior he displayed tonight. He regrets it immensely, though some part of him is begrudgingly holding onto the idea that maybe he was right to be so short tempered. Of course, that’s a lunatic’s idea.
Tadashi is standing by the apartment door, mumbling something to you behind it. Over Tadashi’s shoulder, he sees you shake your head and in response, Tadashi gives a small bow before shutting the door to the shared apartment. Then, Tadashi turns and walks towards him.
Kei doesn’t want to look at him, but Tadashi, for some reason, commands his gaze.
“Is there a reason you were such a huge cunt tonight?” Tadashi sort of spits the words. They land at Kei’s feet and roll around before settling.
“What are you talking about? I was normal,” he answers, though the statement sounds like a lie the moment it leaves his lips.
“Bullshit,” Tadashi says. “You were being an asshole the second they walked through the door and you’ve been one to me all day.”
Kei scoffs, his cheeks burning, “I’ve just been tired, dude. Besides, what does it matter? You’re closer to all of them than I am.”
“What? You’re tired so you just get to be a huge asshole?”
“No,” Kei responds.
“So then what was that?”
Kei doesn’t really know. He doesn’t know what prompted him to act so cold or make such snide comments. It’s true, he’d been in a bad mood all day and he knows that Tadashi has borne the brunt of his misplaced emotions, but even Kei is confused as to why he’d acted the way he did. Still though, there is a part of him that knows that it was connected to his spiraling and what he saw in the library. He’d sound insane if he said it out loud, like somehow his growth was stunted in the third grade, but Kei is sure it had something to do with liking you and the hurt that comes with it.
It’s not as if he’d been outwardly mean, but he had been cold. There are parts of himself that Kei doesn’t want you to see, sections of his personality that he ropes off from you because despite not liking you, he wants you to see the best in him. Tonight, he managed to somehow show off the worst.
It started with the noise when everyone had arrived. You, Hinata, Kageyama, Tanaka, Kiyoko, and Yachi had all piled into the apartment in one large group. Kei’d been sitting on the couch and the sound of the door startled him right off the bat. He assumed that by the time they all had rounded the corner into the living room, his face was already sour, because everyone had greeted him cautiously.
It’s no surprise that everyone was so loud. Kei has known this particular group for many years and they, having all gone to school or work nearby, pile into his apartment often for events like these. You were really the only new factor in all of it and while Kei is known as a touchy person, he certainly was more touchy than usual tonight.
You’d been trying to talk to him all evening and Kei, in a desperate attempt to avoid whatever lingering feelings he had for you, had been shutting you down at every turn. Thinking back on it, he’s endlessly embarrassed. You didn’t deserve that. You’d been nothing but kind to him and there Kei was holding a grudge over you for something he had no right to be angry about whatsoever. He had been holding a grudge over something that he’d learned later that evening that wasn’t even true.
Kei thinks that what Tadashi is referring to, was deliberately picking a fight with Tanaka. Kei and Tanaka have never been particularly close. Even in high school, his boisterous and somewhat obnoxious personality has always rubbed Kei the wrong way. Despite that, Tanaka has somehow managed to maintain a connection to him through university and the two of them have established a tentative but honest friendship.
You had been sitting on the arm of the couch beside Tanaka, leaning over him to look at something he was showing you on his phone. Then, you laughed a little too hard and Kei felt that familiar sense of injustice rise to his throat, thick and heavy. It’s an ugly feeling, the kind that makes Kei feel sick when he’s in bed late at night. Bile rose in his throat in the form of harsh words. Jealousy in the form of the verbal venom Kei excels at.
For Kei, Tanaka was an easy target, someone he could poke at and get a satisfying rise out of. In the moment, the rise he’d gotten from Tanaka by making snide comments about the volume of his voice and his particular obsession with pretty girls had been exactly that, satisfying.
He’d picked a small fight. Nothing physical, but just enough to get him irritated. Kei’s not proud of it, but he’d be lying if he said he hadn’t done it deliberately. After all, Tanaka has never been the type to be the bigger person and turn his nose up.
Sometimes, when Kei is experiencing emotions he’d rather not deal with, he decides to obsess over one single thing. Usually, it’s cleaning or schoolwork. Tonight, it happened to be the volume of Tanaka’s voice, which he knows was a shitty thing to do. Despite wanting to be reliable, Kei can’t help but feel that he was endlessly immature, lashing out at someone completely unrelated to the situation just because he could.
Tadashi pulls him from his thoughts.
“I thought you liked them, dude,” his voice is even, letting up on the anger.
“Who?” Kei plays dumb.
Tadashi responds with your name and Kei stiffens slightly. “I thought you guys had gotten closer. What happened?”
“Nothing happened,” Kei says. It’s the truth. Absolutely nothing happened. Kei had spiraled all on his own.
“Why did you ignore them then?”
“I didn’t ignore them,” Kei says. Again, it’s not a lie. He may have shut conversations down and been a little cold, but Kei couldn’t ignore you if he tried, it’s sort of the whole problem he’s dealing with now.
“Maybe, but you were cold. Like… needlessly.”
“I was fucking normal, Tadashi. You should know me well enough by now to know that,” Kei spits.
“That’s the problem though, isn’t it? I know you and I know that shit wasn’t normal. You’re twisted, but you’re not an outright asshole, Kei. What’s going on?”
“I was normal, Tadashi. Just because I didn’t bounce around or get rowdy, doesn’t mean that something is wrong,” Kei answers.
“Yeah, but you were like… majorly fucking weird, Kei. You were being an asshole. Don’t you like them? Don’t you want to be nice to them?”
“I don’t.”
“You don’t want to be nice to them?” Tadashi scoffs, rolling his eyes.
“No, not that. I don’t like them like that anymore,” Kei lies.
“Oh please, that’s such horseshit,” Tadashi laughs bitterly.
“Get off my ass, Tadashi. I don’t fucking feel that way about them anymore,” Kei insists.
“Did something happen?”
“No, literally nothing happened! Why does something have to happen? I just don’t like them,” Kei feels himself getting indignant. Tadashi doesn’t deserve this either, but he seems to be indiscriminate with his poor behavior tonight.
Tadashi looks at Kei for a moment, studying him and calculating all of the things only Tadashi could know about him. Kei tries to hide it.
“Jesus, Kei, you’ve got to stop doing this shit,” Tadashi touches his hand to his forehead.
“Doing what?”
“Getting all in your head about every single connection you’ve ever had with a person,” Tadashi raises his voice.
“What’s that supposed to mean?”
“It means I’ve seen you do this a million times! You start to really feel something for a person and then you fucking back away like a dog with its tail between its legs!”
“I don’t do that!”
“Yes, you do! You sabotage yourself until the other person is forced to do something about it!” Tadashi exhales.
“I’ve never done that deliberately! What does someone else’s actions have to do with me?”
“It doesn’t have to do with you,” Tadashi says, “It has to do with your parents.”
The wind is knocked out of Kei, air sucked from his lungs. He furrows his eyebrows at Tadashi, his mouth slightly open.
“I’m right, aren’t I?” Tadashi pushes, angry and trying to make him listen. “Not every relationship is like your parents’, Kei.”
Tadashi knows he’s stepped over the line the moment he says it. If it hadn’t registered before, it registers clearly on his face now, regret settling over Tadashi’s usually bright features. Kei gapes at him for a moment, running through his thoughts and trying to pick out one that best verbalizes what it is he feels. Kei comes up empty.
“Shit-” Tadashi starts towards him. “Kei, I’m sorry I didn’t mean that. I’m just pissed off I didn’t mean to-”
Kei pushes past him. “Tadashi, I know you mean well, but don’t try to tell me about my fucking parents.”
Tadashi doesn’t try to stop him when Kei flings the front door open and walks outside.
—
Kei remembers it like it was yesterday. He remembers all of it.
He can clearly recall the way shattered glass looked on the marble tiles of his childhood home. White porcelain, broken up into multitudes by his mother and father. They never laid hands on each other, but everything else in the house was fair game. Kei’s lost count of the amount of broken glass dishes and picture frames he’d swept from the floor.
Kei’s parents had always been on and off in their affection for each other. One minute, they were deeply in love and the next, they were at each other’s throats. Neither of them were bad people, but they made each other bad people. The two of them brought out the worst in each other, maybe on account of knowing the other so well.
Akiteru was an accident. His brother knows this because when his parents argued, they never let him forget it. In their spats, leverage was whatever they could get their hands on, and that just happened to be Akiteru and the unfortunate circumstances of an accidental pregnancy.
His parents got married at 19, thinking that they’d be able to handle a child, that their marriage was anything but rushed. They convinced themselves that it was love, when the reality was that Akiteru came because they were too young and stupid to prevent it. At least, that’s what Kei and Akiteru had settled on in the evenings after the yelling had died down and they were left to make sense of it in their shared bedroom.
They had Kei to fix the marriage. Kei knows this because, like Akiteru, his father’s marital “solution” in the form of a second child was constant leverage to his mother. Kei grew up asking Akiteru why his mother and father even had children in the first place.
Their relationship was rocky and unstable, predictable and toxic. They, like Kei, would do things to get rises out of each other. They’d make digs, do things to get under the other’s skin. They did it for attention, for affection, or out of loathing for the person they’d decided to make their life partner. When things settled, they got bored. His parents often mistakened calmness for complacency in their relationship. His parents loved each other, but they hated each other just as much, and it was he and Akiteru who paid the price.
They got divorced when he was fourteen and any chance of Kei having a normal family went to the courthouse with the divorce papers. Akiteru was 20 at the time and managed to avoid the brunt of the custody battle. Kei still gets unexplainably angry with Akiteru for leaving him alone, though he knows that it’s not his fault. The only way Kei could make sense of it was through blame and it was easier to blame Akiteru for lying about volleyball or leaving him alone than it was to blame himself. Both Kei’s father and mother tried for full custody, not because they loved him that much, but because they knew that it would destroy the other. In the end, Kei spent his weekdays with his mother because she lived closer to his school, and weekends with his father just because.
It happens all the time. People grow together, then grow apart, and grow to loathe each other. Kei watched it happen to his parents, he watched it happen to his friends, he watched it happen to himself with his own reflection. That’s just the way it goes.
The air outside of his apartment is cool and breezy. He can feel the wind through his sweater, cutting through the gaps in the stitching and into his skin. Kei feels like he can think a little better out here, sitting on the short concrete wall with his back to the apartment building. He stares at his feet, outstretched in front of him. He's still wearing his house slippers.
Kei did this once when he was younger. The fight that night had been particularly bad and his parents had resulted to throwing things across their bedroom. Kei could hear picture frames shatter through two walls and he wondered which memories they’d decided to trash. A particularly loud shout had sent Kei out of the front door and onto the curb in front of the house.
He remembers crying, staring at his house slippers on the pavement, afraid because he could hear the shouting even from the lawn. Akiteru had come out to get him, sitting down beside him on the curb and putting his arm around him.
“Are mom and dad gonna get divorced?” Kei had asked through sniffles.
“Divorced? No, no,” Akiteru answered. “It’s just a rough patch. It happens to all couples. Mommy and Daddy will be fine.”
“It’s normal?” Kei sniffled.
Akiteru paused for a moment. Looking back, Kei realizes that Akiteru was debating on whether or not to lie to protect him. Kei wishes he hadn’t.
“Yeah, it’s normal.”
Normal. Kei realizes that he doesn’t exactly know what a normal relationship looks like. He is his parents' son. What they had in them, he has in him. Kei knows that those habits, the digs, the sour statements, the passive aggressiveness, are all things he’s picked up from watching them. Some role models they were.
He needs to apologize to Tadashi. He may have overstepped, but Kei knows that he’d been an asshole tonight. He’ll need to apologize to Tanaka as well. And to you, which is perhaps the scariest part of this. He wants to apologize for his behavior, but apologizing means that he has to admit that he’d acted the way his parents did, out of jealousy and a pull for attention. Yup, he’s his parents’ son alright.
Kei tilts his head up toward the sky. Only half of it is visible, the other half blocked by the three story apartment complex directly behind him. It’s a clear night, but he can’t see any stars and the moon is nowhere to be found. Kei wonders when the morning will come. It’s a few hours off, but he thinks about how the sky will look when the sun begins to rise.
“Kei,” a familiar voice calls from in front of him.
You’re a few feet away, your hands clasped in front of you.
“Thought you went home,” he says.
“Yeah well, I had intended to,” you start, “but you seemed off and I felt weird going back without checking on you. Can I sit?”
Kei shrugs his shoulders, mortified and angry at being caught like this. He appreciates the thought, but you’re the last person he wants to see right now. It just means he needs to face his shortcomings sooner.
“Are you okay?”
“I’m fine,” Kei answers automatically.
“Just decided on some fresh air?” You smile a little and Kei blows air out of his nose.
“Yup, that’s exactly it.”
You sit next to him with your legs outstretched the same way his are, your hands are laced together in front of you, hanging down between your thighs. Kei doesn’t make an effort to say anything and neither do you. Instead, he just trains his head back up towards the sky and attempts to collect his thoughts, pushing his glasses up the bridge of his nose.
Strangely, tonight he doesn’t feel nervous. Maybe it’s because he doesn’t have the energy to. Maybe he’s too preoccupied with being sorry to pay any mind to the heart palpitations he gets when you’re around. Maybe it’s because even though he showed you the worst of him tonight, you still came back. It’s a small hope, but it’s there.
“Hey,” your voice comes quietly, “I don’t know what’s going on, but if you need- I mean- if you want to talk about it, I’m a pretty good ear.”
Kei nods a little.
“I’m sorry,” he says, “about tonight.”
“I didn’t come here for an apology, you know?” You exhale a little.
“Yeah, but you deserve one,” he says. “I was pretty shitty to you.”
“Yeah, you were,” you agree, catching Kei off guard, “but it happens to all of us. Sometimes we feel things and just can’t keep them inside, you know?”
“Yeah,” he agrees, swallowing down his shame.
There’s another long silence. You don’t move to touch him or talk to him, instead, you provide steady company. Kei, as strange as it is, is comforted by your presence.
“I fought with Tadashi,” Kei says after a few minutes.
“Today?”
“Yeah, tonight. After everyone left,” he says. “I deserved it though. I’ve been pretty shitty to him all day.”
You hum, leaning back on your hands.
“I did the same shit in high school too, you know?” Kei starts. “We’ve uhm- we’ve known each other for a while, the group that was over tonight. Around the end of middle school some shit happened and I uh- I took out a lot of what I was feeling on Tadashi and the others, but mostly Tadashi because he was the only one who knew.”
Kei isn’t sure why he’s telling you this. Maybe Tadashi was right. Maybe this is another attempt at self sabotage.
“You bullied him?” You ask, a little surprised.
Kei shakes his head. “No, but I wasn’t very nice either. Anyone could tell you that. I thought I was past it, though,” he admits, a little defeated.
“Did you ever apologize?”
Kei looks up at you in surprise. Your eyes are full of something, curiosity, maybe pity.
“For what you did in school?”
He nods. “Countless times, and not just to Tadashi either, to everyone.”
“You know, stuff like this happens,” you say. “When I was little, I used to hate sharing. Toys, food, friends. I’d hate it when my friends were friends with other people. It made me insecure and I’d get mad at them for it. I grew out of it, but sometimes I still get that way and I have to apologize later.”
Kei laughs. It’s strikingly similar to what’s happening now, not that you’d have any way of knowing.
“I can’t imagine you doing that,” he says.
“I’m serious,” you say. “I still get weird over it sometimes.”
Kei shakes his head a little, smiling.
“All that I’m saying is that sometimes we slip up, that’s all. It’s normal,” you continue. “Not that I’m condoning it. Just saying that it doesn’t make you a horrible person. It makes you human.”
“Thanks,” he says softly.
“No problem,” you respond.
“So why’d you fight with him tonight?”
“He was angry with me because I was an asshole,” Kei shrugs.
“And you’re mad that he called you out?” You give a quiet and somewhat incredulous laugh.
Kei shakes his head. “No, I’m angry about what he said after.”
“What’d he say?”
Kei debates on telling you. He doesn’t want to make himself out to be a victim. After all, Tadashi meant no harm, even if his comment did exactly that.
“The argument kind of switched subjects,” Kei tiptoes around the fact that the subject was you. “He brought up a bad habit of mine and I got defensive.”
“Okay,” you say, waiting for him to say more.
“Remember when I said that something happened at the end of middle school and only Tadashi knew about it?” When you nod, Kei continues. “My parents got divorced. They were a bad match and it was messy. He brought it up.”
You nod again, your eyes wide.
“He didn’t mean any harm, I know that,” Kei inhales. “But uh- that stuff kind of sticks with you. Well, it’s stuck with me and I didn’t like having it used to explain my behaviors, even if he was right. I’m not deflecting or anything though. I know I was the problem tonight.”
“Sure,” you say. “I’m sorry about your parents.”
Kei shrugs. “It’s in the past. They’re both remarried now with new kids.”
The last sentence leaves Kei with a sour taste in his mouth. His parents are good people, but after his childhood, he doesn’t think they have any business having more children. Maybe they’re capable of being good for them, but Kei doesn’t like to imagine that. It makes him feel like their marriage wasn’t the problem, but he and Akiteru were.
“You say that like they got a new pet,” you smile a little. “Are you still in touch with them?”
“Yeah,” he says. “I visit whenever I go back home, though they’re really not too far from here.”
“That’s good of you.”
“Well, they are my parents,” Kei says plainly.
You’re the only other person he’s divulged this to by choice and your reactions, understanding and level-headed, make him feel better. It’s like getting a weight off of his chest. This is the worst of him. This little bit of information, his history of being unable to fully confront his feelings, of taking anger out on others when he was young, is where his problems originate.
“Yeah, but you’re allowed to feel what you feel about it,” you say. “My mom died when I was eleven. Texting and driving. I’m still angry at her for it.”
“I’m sorry,” he says.
You shrug and offer him a wry smile. “It’s in the past, but I’m still angry even though I shouldn’t be.”
“At her?”
“Yeah,” you nod. “She made a stupid mistake that we’re constantly warned about and left my dad and me behind. I was so angry with her, still am. I love her though, perceived faults and all.”
Kei thinks about whether or not he loves his parents. He thinks he does, even if he resents them. Kei can’t imagine what he’d do without them. Even though his childhood had few emotional comforts, he still can’t think about a world where he doesn’t visit home to have his mother’s cooking. That’s a world that you live in.
“That’s hard.” It’s all Kei can think to offer.
“It was,” you say. “Got easier though as soon as I started accepting things. Now I just miss her more than I hate her.”
Another bout of silence follows this. It must be close to two in the morning and he’s been outside so long that he can no longer feel the tip of his nose.
“Anyway, about tonight,” you say, “it’s not a crime to feel what you feel, but if you need help, that’s what we’re here for. It’s easier to accept feelings and get hurt than to ignore them, don’t you think?”
“Yeah,” Kei says, looking to face you. “Thank you.”
You’re so pretty. It’s striking. The curvature and angles of your face, the gentle look in your eyes, softened by the conversation. Kei finds himself thinking that despite not wanting to face you a few hours earlier, he’s grateful that you showed up. You’re good in ways that Kei can hardly fathom.
“You should go inside. Tadashi is probably wondering where you are,” you say, standing up. “Plus,” you pinch the tip of his nose between your middle and pointer knuckles, “your nose looks like a cherry tomato.”
“Rude,” he says, startled by the sudden touch.
“Payback,” you shrug your shoulders and Kei rolls his eyes.
“Do you need me to walk you home?” Kei offers, a bit nervous about you walking home on your own.
“I’d love to take you up on that, but you seem tired and I don’t live very far,” you respond. “I’ll call you when I get home though, okay? Since you’re so worried.”
Kei laughs a little and then nods, standing up. “Yeah, I am.”
His honesty surprises even him, but you just tilt your head and give him a small smile.
“I’ll see you on Monday,” you say. “Thanks for the apology”
“Anytime.”
“I hope not,” you laugh and Kei follows suit.
You begin to turn on your heel, giving a small wave.
Kei doesn’t know what overcomes him, but he calls out your name and reaches for your wrist. Before he has a moment to think about what he’s doing, he pulls you to his chest in a hug. You stiffen and then relax in his grip, wrapping your arms around him. Your body is warmer than his, sending heat through the gaps in his sweater.
“You can call even if it’s not to tell me you got home safe,” he says. “If you want to.”
You squeeze him around the middle. “Okay, I will.”
When Kei lets go, he finds that his face is burning. The cold has been replaced by a flush of blood, making his vision a little syrupy.
“Thanks for coming back,” he says. “Get home safe.”
“Of course,” you sound a little dazed, wearing an expression that Kei thinks might match his. “And I will.”
Then, you smile at him, flashing your teeth and giving him a wave. You hold up your phone and point to it.
“Expect a call!”
Kei nods and raises his arm to wave goodbye.
He stands and watches your figure as you walk down the sidewalk and turn the corner. When you’re out of sight, he lingers by the door to his building, just in case you decide to come back. You don’t come back, but Kei lingers anyway, considering the conversation.
He goes inside, intent on apologizing to Tadashi. When he opens the door to his apartment, the lights are still on in the living room and Tadashi gets up from the couch and walks quickly down the hall to him.
“Kei, I’m so sorry, I didn’t mean to-”
“Don’t worry,” Kei says. “I know. I’m sorry about tonight too. And for treating you like that today. And for high school.”
“High school?” Tadashi says, confused. “Why are you bringing up high school?”
“Just wanted to apologize again.”
Kei can feel his eyes drooping, exhaustion creeping into his body and replacing the elated feeling he had moments before.
“I didn’t mean to bring your parents into it. How you like someone is none of my business,” Tadashi says. “I was out of line.”
“So was I,” Kei admits through a tired sigh. “I shouldn’t have acted that way. I’ll apologize to the others in the morning.”
Tadashi narrows his eyes a little and nods. Kei, besieged by that sleepy late night feeling, moves towards his bedroom.
“Hey, Kei,” his voice comes out a little louder this time. “You’re being surprisingly easy-going. Are we good?”
Kei scoffs a little, rubbing his eyes. “I just had some time to think, that’s all. And yeah, we’re good.”
“Okay, are you good?”
“Yeah, I am,” Kei says.
Before he closes the door to his room, he furrows his eyebrows and makes a firm decision.
“By the way,” Tadashi turns to him, cocking his head to the side in response. “I lied. I do like them.”
“Could have guessed as much,” he responds, laughing a little. “See you in the morning.”
“Yup, see you in the morning.”
Kei shuts the door to his room. It clicks into place quietly. His room is spotless. It looks like a room that could be easily emptied at any time. He sighs, stepping into it and laying down on his bed. His phone is on the comforter next to him, lying face up.
When it lights up, it illuminates the ceiling above him and he answers the phone without needing to check who's calling.
“Hello?”
“Hey, I got home safe,” he hears your keys clink against something and then the sound of a door shutting. Then, he hears the sound of you laying down on your bed. He imagines you’re lying the same way he is.
“Good, I’m glad,” he says. “No trouble?”
“No trouble at all,” you say. He can hear your smile.
“Thanks again for coming back tonight,” he says, turning over onto his side and letting the phone rest on the bed in front of his face.
“Of course,” you say.
He doesn’t know what else to say. His nerves have caught up to him and your voice through the speaker sounds so close, like you’re whispering directly into his ear.
“Okay, well I’m going to go to bed,” Kei starts.
“Kei?” you say.
“Yeah?”
“I’m gonna take you up on your offer. About calling you. Just wanted you to know.”
“Okay,” he swallows.
“I feel a lot closer to you.”
“Yeah, me too.”
“Goodnight, Kei,” you practically whisper.
“Goodnight,” he responds, lowering his voice the same way you did. You hang up the phone and the call ends.
He blinks at his phone for a moment before standing up and getting ready for bed. Kei goes through the motions while thinking about how the evening got here. He’d been certain before it began that he no longer liked you, that he was confused. Now, he’s certain of the opposite.
He decides that he’ll like you for real this time. Even if he’s afraid of hurting himself, of hurting you.
Kei lays down in his bed and faces the ceiling. He thinks about his parents, about your mother, about you. The cadence of your voice, the slight tremor in it. He thinks about your expressions, understanding and unintrusive. He thinks about your history, the anger you’d admitted to him and the grace you’d given him in his own circumstances.
He dreams of braids, like DNA. Coils of pink yarn woven together in an intricate pattern. A molecular change not visible to the naked eye. Morning comes like liquid gold, spilling across his bedspread in slats through the window.
—
Kei’s apologies go smoothly. Tadashi’s friends—his friends—are good people. They know him better than most and field his awkward, stumbling apology with steady hands.
He’d explained his sour mood in as little detail as possible, deliberately omitting his feelings for you while doing so, and he made a special effort to apologize to Tanaka. He’s easygoing and quick to forget, but Kei knows that even after accepting the apology, Tanaka will lord it over his head for a week or two. Tanaka thinks those kinds of things are funny and Kei won’t try to tell him otherwise.
You do take Kei up on his offer. You call him twice a week now. Sometimes it’s to tell him something relevant to him, other times, you just whisper into the phone that you just felt like talking. Either way, it’s not good for his heart. Kei thinks that at this rate, it might just give out.
There are a lot of things that Kei could say about liking you. It makes his days a little brighter. When he remembers that he has someone he cares about like that, he feels a surge of excitement for no particular reason. He finds that he looks forward to seeing you and goes out of his way to do so, more than he did before he was willing to admit it.
He’s noticed the way you eat, like every bite of food is even better than the last. He’s noticed that you wipe the condensation off of your cups before each sip. He’s noticed that when you’re studying, you’ll pull at the collar of your shirt absentmindedly and then become frustrated when it is stretched out of place. Kei likes all of these things about you.
Kei has also found that liking someone hurts. It hurts worse than he thought it would. Insecurity weaves its way into even the most minor of interactions. He’s self conscious almost all of the time, adjusting his hair, clothing, glasses right down to minor details. As of late, Kei appears more put together than he ever has, but the reality is that he’s probably the least put together he’s ever been.
When you’re around, Kei is awkward and clumsy. He drops things, trips over nothing, loses control over his lanky limbs and overshoots things. He feels like a teenager again, not that he’s that far off from one.
Still, one thing overshadows all of this. Kei is so comfortable around you, so peaceful despite the nerves and insecurity, that he’s able to forget about the worst of it. Forgetting about the worst of things is not something Kei is particularly good at. He’s cynical by nature. You help to ease the burden of it.
The coffee shop he’s visiting with you today is quiet. The room is decorated with dark oak wood and the tables are accented by the rings of the trees the wood was cut from. The early spring light filters in at angles through the windows letting out onto the street. It falls across your notebooks and the knuckles of your hand, wrapped evenly around a black pen.
You’d brought him here to study instead of going to the library and Kei can’t help but think that it feels like a date. His tea sits half-finished in a mug beside his laptop, beginning to cool to room temperature. Your coffee sits by your unoccupied hand and every now and then, you’ll reach to take a sip of the warm beverage without even glancing up.
Kei has spent so much time watching you today, that he’s hardly gotten any work done. His computer is open on a document with a paragraph of writing about nudity in the classical period, which he hasn’t touched in about 10 minutes. He’s been clicking blankly around the page, adding spaces and then deleting them and then glancing up over the edge of the screen to look at the way you purse your lips when you’re focused.
“You’d get a lot more done if you stopped staring,” you say, not looking up from your notebook.
Kei chokes on his exhale. “What?”
You laugh a little, looking up at him through your lashes. God, you’re pretty.
“The document?” You chuckle. “You’re not fooling anyone by clicking around randomly like that.”
“Oh,” Kei furrows his eyebrows and shakes his head a little. “Yeah, just can’t seem to focus.”
“What’s the paper on?” You set down your pen and cross your arms on the table.
“It’s not really a paper,” he says. “It’s a visual analysis on the Aphrodite of Knidos.”
“Is that the one without the arms?”
“No, but they come from the same family of statues,” Kei smiles a little.
You hum a bit. “Do you like it?”
“Like, do I think the statue’s pretty?” Kei closes the screen of his laptop to see you better. “Yeah, I do. Learning about the history of it is a bit depressing though.”
“Why?”
“Well, Aphrodite was one of the most powerful Greek gods, right?” He says, and you nod your head and roll your eyes because you know that already. “But this statue group intrudes on a private moment of hers. She’s trying to cover up her body, probably just before or after a bath. It’s meant to be humiliating.”
You tilt your head. “Sounds more interesting than molecular structures at least.”
Kei laughs a little. “Yeah, I think it’s just a bit more interesting.”
“Why did you choose to study art history?” You question, leaning forward on your elbows.
Kei feels awkward at receiving the question. He doesn’t like talking about himself much, let alone his passions. They tend to get away from him.
“Probably because I’m no good at art,” he smiles a little.
“Such a shame, what with your artist’s hands and all,” you reach across the table and tap his knuckle.
Kei feels the color rise to his cheeks.
“You’re no good at art, so you study art history instead?” You press for more.
“Yeah,” he says. “I like things that people make with their hands. There’s a lot of human expression in ancient art, good and bad. Gives a bit more context into who we were before.”
You lean back in the chair, grinning at him. Kei bites the inside of his cheek and tries not to notice the slope of your neck.
“Why are you studying molecular bio?” He changes the subject.
You shrug your shoulders. “I want a good cushy job that makes me a lot of money.”
Kei watches the corners of your lips curl up.
“Plus,” you continue, “I wanted to show off a little bit.”
“So you put yourself through four years of torture?” He raises an eyebrow.
“Yup, I’m a huge masochist,” you grin.
“You STEM kids are unbearable, you know?” Kei snorts.
“But you like me anyway, yeah?”
Kei nods, heat creeping up his neck, and watches you return to your work.
It’s true, he does like you anyway. Kei likes you so much, in fact, that it frightens him. Well, the idea of liking someone has always frightened Kei, whether he’s noticed it or not. Commitment, or lack thereof, make Kei nervous in the same way heights do. He feels like he could lose his footing at any moment.
That’s probably why he doesn’t want to do anything in particular about his feelings. Kei is content with just feeling them. He’s content to just be able to like you in his own way, even if nothing ever comes of it. He probably shouldn’t do anything about them, considering the back and forth battle he’s waged in his mind over the last few months. He’s too indecisive to do anything but like you, and even that feels herculean to accept.
Not that liking you is a hard thing to do. You’re easy to like. It’s easy for him to picture touching you. It’s easy for Kei to imagine late night conversations and little intimacies shared over damp pillows. You’re easy to talk to, floating through conversations and navigating conflict with a sure step, something Kei can’t do. It’s not hard to find things to admire.
Kei imagines what it would be like to be with you. He imagines the feel of your hands in his, how you might look spread beneath him, the inside of your thighs pressing against his hips. He imagines how his glasses might fog up with your breath and slip down the bridge of his nose. What do you taste like? What do you feel like?
A little alarm bell sounds in his head. This is a dangerous line of thought, a greedy one. Kei doesn’t think he can handle greed, not when it comes to you. He got a taste of it that day when he saw you leave with someone else and again the following Friday. Kei doesn’t mix well with it, with wanting. Still, he wants.
—
It’s a breezy day. It cuts the growing humidity as the beginning of May creeps on. This is no doubt one of the best times of year, though Kei prefers the fall or winter. Still, even with the slightly sticky air, his walk to class is pleasant. He’d even venture to say that it’s good.
Light filters through the trees, blooming with their spring flowers, and in the distance he can see a familiar row of cherry blossoms just beginning to bloom. As he approaches them, he finds himself admiring their delicate petals, wondering just how brief their bloom will be before they come cascading down. One tree among the pink rows has yet to open its flowers. The buds sit on their branches, shades of green and gray. A late bloomer. This tree will no doubt flower once the other petals have fallen, and when it does, it’ll become the most eye-catching thing on the street.
Kei admires it for a moment, standing below the thing and looking up through its twisting branches. It’s so small, much smaller than the rest of its counterparts, and its branches don’t look too full of yet-to-bloom buds either.
There was a tree like this outside of Kei’s childhood home, the one his family lived in together when it was whole. It would always bloom a week after the others and every year he would worry that it never would. Of course, he kept this fear to himself, but he often watched it from his bedroom window when Akiteru was out. He’d press his face against the glass and pray for the flowers to come so that it didn’t get left behind. Sure enough though, it would bloom without fail and leave scattered pink petals across his yard and doorstep. Kei wonders if this tree in front of him will do the same.
“Thinking about changing your major to plant sciences, Kei?”
He jumps, started by your voice and your proximity.
“Jesus,” Kei turns, “you need a bell or something.”
“You’re the one standing in public staring at a tree with no flowers on it,” you laugh a little.
Kei shrugs his shoulders, not really willing to give an explanation for the train of thought he was just on.
“Where’re you headed?” he questions.
“Dropping off an assignment,” you smile lightly, “wanna come with me?”
“I can’t. I’ve got a class in 15.”
“Fifteen minutes is fifteen minutes,” you shrug. “We’ll make it.”
“We?” Kei raises an eyebrow.
“Yeah, you come with me to drop off my paper and then I drop you off at class. It’s a win-win.”
“Sounds like I’m just doing a lot of extra walking,” Kei snorts.
“Yeah, but you get to do it with me so it’ll be more fun.”
Kei folds and goes with you to drop off your assignment. It’s an essay assigned by an old-fashioned professor who doesn’t like electronic submissions. You comment off-handedly on what a waste of paper it is and Kei nods, just happy to hear about it.
It’s strange. Kei is normally very tied to his routine. It keeps him sane, helps him to organize his thoughts and feelings into neat compartments. For Kei, an orderly life is an orderly mind. Somehow though, you ask him to deviate from that and he’s more than willing, eager even, to oblige you. Better yet, he does it without feeling off-kilter. Well, without feeling as off-kilter about his daily life. When it comes to you, Kei is about as stable as a pogo stick.
The walk to your professor's office is only a few minutes from his classroom, just a few buildings over, but by the time you both arrive there, Kei’s palms are sweating. He resorts to shoving them in his pockets and wiping them on the inside of his pants, mortified at the idea of accidentally touching you like this.
“Hey, about tonight,” you start after dropping the paper off with a quick bow.
You’re supposed to come over. It’s the first time you and Kei have agreed to hang out at one of your places alone and Kei has been compartmentalizing his nerves so harshly that he’d almost forgotten about it entirely. Maybe that explains his easy-going mood.
“Yeah?”
“So, Tadashi may have mentioned it in front of the others,” you give him a sheepish grin, “and they may have asked to come and I definitely told them ‘the more the merrier’.”
“Oh, yeah?” Kei’s a little disappointed. “So they’re coming too?”
“Yeah, is that okay?” You furrow your eyebrows.
Kei can’t very well come out and say that it isn’t, because his reason for thinking that is entirely about monopolizing your time. Kei says he doesn’t want to do anything about these feelings, but that doesn’t mean that he can’t indulge just a little into the foreign feeling of accepting that he’s ‘in like’.
“Yeah sure, why wouldn’t it be?”
You raise an eyebrow at him and Kei misses the message entirely.
“I dunno, you’re not really a fan of bigger groups right?”
“Not really,” Kei shrugs, “but I’ve known them for a while so it doesn’t count.”
You nod your head and then smile. “Great! Now, where is your class?”
“Social Sciences,” Kei glances down at the brown watch on his wrist. “In about… four minutes.”
“Wanna run? Can’t be late, can you?”
Kei does not want to run. He runs anyway. You’re faster than he is and your step is louder. The soles of your shoes thump on the floor with every step you take and your whole body lurches forward with each bound. When you reach the end of the hallway his class is in, Kei is completely winded. Considering that he plays volleyball as a hobby, he should really be in better shape. He attributes his lack of breath to your presence. Maybe he’d been holding it while watching you run.
You glance into his full classroom, giving him a relieved look upon seeing that the professor has not begun her lecture yet. Then, you bounce twice on the tips of your toes and start jogging in the other direction.
“Have a good class!” You call.
“What’s the rush?” he questions.
“I’ve got class now too, dummy. Just wanted to hang out with you for a few more minutes.” Then, you turn and run off, your bag bouncing against the side of your leg as you round a corner and fly down a set of stairs.
That’s the thing about you that Kei can’t get enough of. When Kei takes a step back, when he resigns himself to being okay with just a chance meeting and a brief hello, you take a step forward. Whatever Kei lacks, you make up for tenfold. Your outstretched hand makes him greedier. It makes Kei want more than he’s ever wanted before. He goes to class starved for something that isn’t food, a feeling Kei hasn’t experienced often, let alone leaned into. He lets himself feel the hunger.
—
Day melts away to a cool evening, still slightly wet, but like the dampness before rain. The air loses its warm touch, creeping into something chillier. Kei opens his bedroom window to let the air in. He likes the smell of cool nights. He wants his room to smell like it when he sleeps tonight.
“Sorry that I spilled the beans about tonight,” Tadashi leans in the doorway of his room.
“It’s not like that,” Kei rolls his eyes, already irritated with the implication that whatever you and Kei had organized was anything more than two friends hanging out.
“Sure it isn’t,” he laughs.
“I’m serious dude,” Kei fights the urge to throw something soft at him.
“You wanted to hang out with them alone, right?” Tadashi tilts his head. His dark hair falls to the side and around his neck.
“I just said it wasn’t like that!”
Tadashi gives an even laugh. “You’re the one making it dirty, Tsukki, not me.”
Heat floods Kei’s face, painting it red.
“Caught ya,” Tadashi smiles.
“When the hell are you moving out?” Kei grumbles and Tadashi gives another good natured laugh.
“Not until you do. You’re stuck with me.”
“Not if I kill you,” Kei doesn’t smile when he says this.
Tadashi barks a laugh. “So what changed?”
“What do you mean?”
“I mean with you. You seem a little more upbeat lately,” Tadashi says. “Nothing like the sad sack from a few months ago.”
“I was kidding before but now I’m serious. I really will kill you.”
Tadashi shakes his head a little but doesn’t say anything, intruding on Kei’s space until he gives an answer.
“I just got tired of it, that’s all,” Kei says evenly, though it’s a little hard to admit.
“Tired of what?”
“Pretending,” he says plainly, glancing up at Tadashi in the doorway.
“Because of them?”
“No,” he starts. “Maybe. I don’t know. Can you leave now?”
Tadashi shakes his head. “Too curious to leave.”
“I don’t have an answer for you,” Kei grumbles. “I got tired of pretending I didn’t want them.”
“Not like you were very good at pretending,” Tadashi laughs and Kei tosses him a sharp look.
He raises his hands defensively, tucking his chin downwards and laughing lightly. “Okay, fine. I’m gone now.”
“They’ll be here in an hour or so, by the way,” Kei adds and Tadashi gives a little hum to confirm that he’s heard him as he leaves the room.
Kei glances around his room. The floor is bare, save for a small mat by the side of his bed to keep the shock of warm feet on a cold floor in the morning away. That notebook, dear to him as it is, still sits on the desk. It’s empty, but Kei likes the look of it.
The hour before you and his friends are meant to arrive goes by so slowly that Kei worries that he’s gotten the day wrong. He incessantly checks his watch. It’s a brown leather watch with a square face. Thin and somewhat old fashioned, Kei prefers it to pulling his phone out to check the time. His Dad has one like it, almost matching. It had been given to him as a gift at his high school graduation and Kei had accepted it begrudgingly. He’d not been on good terms with his parents then and having them both in the same space for his graduation day was more trouble than it was worth. Still, he wears the watch almost daily. Despite having the impression that his parents never really cared about him, it was a fine gift for him and the brown strap suits his light skin tone in the same way it suits his father’s.
He walks to the mirror in his room, hanging on the wall beside his nightstand, and peers into it. Kei’s curly hair is somewhat unruly. It’s hard to manage, especially in the warmer months when his waves turn into frizzy curls that he can’t seem to keep down. It’s gotten longer, coming down to just above the bottom of his ears at the back and curls upwards in licks of thick blond.
Kei fiddles with it for a moment, tucking it behind his ears and then deciding to pull it forward. He could put gel in it to help calm it down, but he hates the greasy look of it and he’s never been one to primp and preen. He adjusts his glasses on his nose, square frames in a tortoiseshell pattern. They look expensive, though they’re only a cheap pair that he’d found at the drug store and had the lenses replaced.
He looks normal. Kei looks like himself, if not a bit flushed in the face from his nerves. His reflection is one he is oddly unfamiliar with, despite it being his throughout his entire life. At some point during high school, he’d stopped recognizing the man in the mirror as Kei and started viewing him as a separate entity. Kei Two, a version of him that can make a home out of a space and find things to write in his notebook. Kei Two’s family is still whole and unbroken, and he likes to imagine that he’s a little more friendly than the real-world version. He looks away from the mirror, content today with being the original.
Kei is in the living room and around the corner when the front door latch clicks open and is followed by a symphony of raucous voices. He takes a sharp inhale, unsure of why this feels so different from the hundreds of other times you’ve all piled into his living room.
“Where’s Kei?” He hears you call, dragging out the syllable of his name in a soft hum.
That’s why. It’s because this time, you’ve come here to see him specifically. You’re not here to see Tadashi or by chance, you’re here because you’d made plans to see Kei. That’s what makes it different.
You round the corner and Kei is hit full force in the chest with his emotions and his nerves. It happens all at once, keeping the air from his lungs. You’re smiling, beaming even, and Kei thinks that maybe it’s because you can hear the hammer of his heart against his chest.
“Hi,” you breathe, plopping down next to him on the couch.
“Hey,” he chokes out.
Kei chides himself for his nerves. He’d been doing better about getting weird around you, but today he feels closer to blowing up than he ever has.
Hinata, Kageyama, Yachi, and Noya make their way into the kitchen, each one clapping Tadashi on the back as they do. They beeline for their fridge, opening the door and flooding the floor with artificial white light as they pull out enough beers and sodas to supply a small army. Kei wonders why he and Tadashi ever bought so many of them. Kei hardly drinks, but he supposes that Tadashi just likes to host.
“Tanaka and Kiyoko?” Tadashi questions as he makes his way into the living room with the group. His beer cracks open with a satisfying pop.
“Date night,” Noya says, sinking into one of the arm chairs situated around the coffee table. “So annoying.”
He groans about Kiyoko, someone he’s all but worshiped since high school.
“You’re just mad it isn’t you,” Kageyama quips, giving a somewhat mean grin.
“Not true,” Noya argues. “I am the happiest person in the world for them! But now they go on dates and I can’t come. It’s like I lost a bro.”
“You’re so overreacting,” Yachi adds, her lips forming around high pitched syllables. “They’re here most of the time.”
“Yeah, most but not all,” Noya pouts.
“Give the same energy to Daichi, Suga, and Asahi next time, kay?” Tadashi laughs.
Their friend group is a large one, consisting of most (if not all) of their highschool volleyball team. While Hinata, Kageyama, and Yachi are the same age as Kei and Tadashi, Tanaka and Noya are a year older, and Kiyoko is two. Daichi, Asahi, and Suga all went to universities outside of Sendai, meaning they hardly ever see them. All in all, the rest of the group is pretty bummed about it. Kei just finds that he misses having Daichi around to reel everyone in. Now that he’s gone, that job has somehow gone to Tadashi, who is more of an enabler than anything else.
“They’re different and you know it,” Noya frowns, opening his open beer with a hiss through his teeth.
You lean to the side, bumping your shoulder against Kei’s.
“Who’re Daichi, Suga, and Asahi?” You ask softly.
“You’ve never met?” Kei furrows his eyebrows and you shrug.
“Maybe, but if I have it was only once or twice.”
“They’re friends from our volleyball team in highschool, but they’re two years older.”
“Okay, so one year older than me?”
Kei blinks a few times. “You’re a year older than me?”
“Yeah?” You laugh a little like it’s obvious.
“But aren’t you a fourth year?” He furrows his eyebrows.
“I took a year off before starting college,” you shrug your shoulders. “Thought that I had to get my sillies out.”
“Your sillies?” Kei laughs a little.
“Yeah,” you smile, “and I had to save up some money. It makes the world go ‘round, you know?”
“What are you guys whispering about?” Tadashi gives Kei a wry grin over the top of his beer can.
It’s only then that Kei realizes the way you both are leaning into each other. He’s tilting his head down to hear you better and you’re leaning forward. It gives off the impression of two people conspiring, of closeness that Kei hadn’t even realized had crept up on him.
“I was asking who Daichi, Suga, and Asahi are,” you shrug off the moment, leaning back in the chair.
This prompts a chorus of disbelief, everyone jumping in to describe them to you. Kei takes it as a moment to breathe, inhaling and exhaling. He can feel your thigh against his, just barely there and bleeding warmth through the fabric of his jeans.
They delve into stories about nationals, little details that Kei had forgotten a long time ago. Every now and then, someone will bring up Kei’s more-than-sour personality and he will feel the need to hide the embarrassment on his cheeks. Even though you know about it, it’s still mortifying for Kei to hear. He wants you to see the best in him, but any hopes he had of you forgetting are quickly washed away as someone brings up Kei’s relentless prodding of Kageyama’s easily pushed buttons.
You laugh along with them like you were there, amused to hear stories about your college friends in their high school years. Kei finds himself thinking that you fit very well into this scene.
Still though, despite the fun he’s having, Kei’s battery begins to run out quickly and after a long game of cards, he gets up to take a quick break in the kitchen. It’s not that he wants the night to end, but rather that he just needs a minute to himself and uses the idea of more snacks as an excuse for it.
He reaches into a cabinet, pulling out a half-finished bag of chips and setting them on the counter. They’re clipped with a bright red chip-clip from the grocery store and Kei thinks that because of that, they shouldn’t have gone stale yet. If it were the peak of summer, Kei might think twice, but this time of year, they should be fine.
Then, he bends down to get a large white mixing bowl from a lower cabinet. Their plates and bowls are kept in various different cabinets, though the only reason they stay somewhat organized is because of Kei.
“Done already?” You lean your hip against the counter.
“With what?” Kei struggles to keep his eyes from following the line of your body.
“Hanging out,” you smile lightly.
“Not really,” he says. “Just needed a minute and decided to get more snacks.”
“Wanna go sit outside for a bit then?”
Kei glances into the living room where the group chatters away. He’d hate to be stopped on the way.
“Relax,” you laugh. “They’re so caught up they won’t even notice that we’re gone.”
Kei furrows his eyebrows and then shrugs, swallowing his heart down with the spit that has pooled in his mouth. He follows you out of the front door, shutting it with a quiet click and heading down the steps of the complex and to the concrete wall lining the shrubbery outside. It’s the same place you’d come back to talk to him at all those weeks ago, though he is in considerably better spirits than he was then.
It’s a cool night, the gentle heat of the day completely burned off to make way for a crisp breeze. He inhales, wishing that he had brought a drink to fiddle with and sip on to distract him from his nerves.
You sit beside him, leaning back on your palms with your legs outstretched in front of you. Your hand is only a few inches from his and Kei sucks in a breath when he accidentally touches it while he gets comfortable. You only offer him a little smile in response.
“Sorry again about bringing the troops here,” you speak first.
“That’s really okay,” he says. “Contrary to popular belief, I actually really like them.”
You snort. “I hope so.”
Kei inhales louder than he intends to and when you look at him like he’s going to say something, he just holds his breath and shakes his head. The air only leaves him when you finally look away.
“Kind of a bummer though,” you start, “I was kinda excited about just hanging out with you.”
Kei’s breath catches in his throat. He swallows to move the metaphorical blockage.
“We hang out all the time though,” he says like it’s enough. Of course it’s not enough.
“Guess so,” you smile a little, though Kei can hear the distinct turn of disappointment in your voice.
“You know,” he starts, already embarrassed at what he’s going to admit. “I wanted to be your friend for a while.”
“Oh yeah?” you smile, opening up again and turning towards him. “Why?”
Kei shrugs, resisting the urge to shut down completely. It’s embarrassing admitting to someone that you wanted to know them before you actually knew them.
“You kind of reminded me of Tadashi,” he says. “And you both got along so well.”
“Tadashi? I’m nothing like Tadashi,” you laugh, shaking your head.
“What? No, you two are so similar,” Kei insists, lacing his fingers together.
“What about us is so similar?”
“Well, you’re both sociable and warm and…” Kei trails off. He can’t really think of anything else. You look at him with an expectant look in your eyes.
“See?”
Kei realizes that the two of you are not similar at all. Your warmth is where the similarity stops. He’d been likening you to Tadashi this entire time, not because the two of you are similar, but because you make him feel similar to the way Tadashi does. Safe and comfortable, though with the added addition of deeply awkward. He realizes that without the safety net of you being like Tadashi, he’s never had any ability to deny his feelings and with that they rage full force around the corner and slam into his chest like a heavy blow.
“We’re nothing like each other,” you laugh and lean back against your palms. “Though, it would be cool to be like Tadashi.”
Kei experiences the sudden realization that he doesn’t want you to be like Tadashi. Kei wants you to be like him. He wants you to be greedy and want him the same way he wants you. He wants you to be able to keep up with his turns and his moods, something he didn’t realize he wanted in the first place. If you’re like Kei, then Kei doesn’t have to be afraid of showing you the worst. You’ll have already seen it. If you’re like Kei and he loves you, then what is stopping you from loving him?
“Even if you’re not like Tadashi, that’s fine.” His cheeks burn.
“Yeah?”
“Yeah, I like you all the same,” he admits quietly.
“The same? As Tadashi?” You purse your lips a little. “I thought I was a little different. Was I wrong?”
Kei wants to kiss you. Kei wants to kiss you so badly that his mouth has gone dry and his lips feel like they’ve separated from his body. Anything he’d thought about not wanting anything with you flies out of the window with your proximity. You’re so close to him. Close enough that if he leaned a little to the right, his shoulder would be against yours. You’re so close and you’re looking at him like you’re waiting for something, implying that somehow you’re different from Tadashi. Implying that you want him to like you differently than the way he likes his platonic friend.
“No, you’re different,” he says, taking the bait you’ve laid in front of him. His heart pounds and he can’t look at you. He thinks he’ll kiss you if he does.
“Am I?”
Kei can hear the smile in your voice. It makes what you’re saying sound honeyed and curved.
“Yeah, you are.”
“How so?”
Kei finally raises his head to look at you. You’re grinning, leaning towards him like you’re watching a show. He feels the way his nerves rise into his throat, pressing against the very back of his tongue. He doesn’t know how to answer or what to say. Well, he does know what to say, he just doesn’t think he can. Kei is good at thinking about emotions, but when it comes time to speak them outloud, it seems that he’s still got a padlock around his throat. So he does what any logical person would do.
Kei leans forward, pushing against his screaming nerves and trying to ignore the tremble in his hands, and kisses you. It’s awkward and his teeth click against yours before his lips fully settle against your mouth. He feels the breath you draw in, like surprise and relief mixed together, and he finds that he does the same.
He can see the way your eyes flutter closed through his barely open ones and he realizes that your lips are so warm. He screws his eyes shut when you dip your head forward to move your lips against his. Yours are so warm and soft, like satin. A kiss has never felt like this to Kei before and he finds that he wants to catalog every single one of your reactions. Maybe that’s what he could write in the notebook. Maybe he could write down every single thing that you do that leaves him winded and wanting more.
Neither of you reach for the other, but he can feel the knuckle of your pinky against his as you slowly kiss each other, tilting your heads side to side. There’s hunger within him, the need to take more than what he’s receiving and a greed he isn’t quite familiar with, but there’s also romance. It’s like a spell that’s yet to be broken, fed by the click of your mouths as they move together. Kei sighs, flooded with the relief of this kind of physical affection, of being honest with himself at how much he likes it. Kei loves the feel of your mouth. He loves the way your lips and tongue feel and he loves that they’re all that he can feel right now.
The kiss lasts longer than Kei thought it would and by the time he pulls away, you’re both steadily panting and attempting to keep your breathing even. He wants to do it again. He wants it so badly that it makes his chest swell. He wants to do that with you forever, but he swallows down the desire. It’s a temporary fix, but it’s enough for him to choke out what it is he wants to say next.
“I think I’m in really hot water,” he squeaks.
“What do you mean?” You breathe out, the playfulness from a few moments earlier long behind you.
“I think I want you way more than I thought I did,” he admits quietly, the first out loud admittance of his feelings to you.
You smile a little before speaking. “I think it’s only hot water if the other person doesn’t feel the same way.”
Your face is still so close to his. “Yeah?”
It comes out a bit desperate, like he needs reassurance. Kei does. He’s so afraid that he thinks he could die. Afraid of the spell breaking, afraid of losing whatever moment this is and being forced to return to his one-sided pining, afraid that you don’t feel the same way.
Your face moves closer to him, breath trembling lightly. “Yeah.”
You kiss him again, pressing your lips against his lightly before parting them. He’s so overwhelmed and so immediately lost in it. Kei feels the way your tongue teases the inside of his mouth and it makes him feel like a teenager again, swelling with desires and emotions that he can’t name. You move your hand over his, placing it lightly on top of his, and he reacts by lacing your fingers together and pushing forward more.
Kei wants to touch you so badly, to reach up and hold your face, to touch your waist and your legs and your chest. He wants to do it all, to feel you right here under the cover of night, but he doesn’t. Instead, he kisses you and stews in the desire, letting it swell in his chest as he listens to the clicking of your mouths. You kiss him so slowly, moving your mouth at a languid pace. It drives him crazy. He doesn’t think he’ll ever get enough of this.
“We should go back inside, I think,” you break away, your bottom lip shiny with a sheen of spit. “The others might think something’s up and Tanaka isn’t exactly good with discretion.”
Kei automatically reaches up to swipe it with his thumb. He doesn’t know where this affection comes from, where the possessive action found its origins, but he finds that he likes the way it feels to be able to do it in the first place.
“Yeah, you’re probably right,” Kei responds, though he would have been happy to continue sitting out here with you, kissing you silly.
You stand first, dusting off the back of your legs and waiting for Kei to follow suit. When he does, you reach quickly for his hand, giving it a quick squeeze before walking in front of him.
Kei is not sure how he should act when he goes inside. He’s tense all over, desperate to pick up where the two of you left off, and unsure if his face betrays that thought.
“Where’d you guys go?” Tadashi asks as Kei closes the door behind him.
In the time you’d both been gone, the living room has been transformed into something nearly unrecognizable. Empty beer cans are strewn about the tables and the blankets and pillows from the couches are now haphazardly laying around beside the couch or over people’s bodies. Then again, maybe the room always looked like this and he was just too busy thinking about how close you were to him.
Kei doesn’t know what to say. Why had they gone outside in the first place? He’s not even sure that he remembers.
“I wanted a cigarette and I made Kei come with me,” you answer evenly. “Why? You jealous?”
“Of inhaling second-hand smoke? No, thanks.” Tadashi laughs, but he tosses Kei a sideways glance. Tadashi knows him well enough to know that Kei wouldn’t voluntarily stand outside with a smoker unless he was particularly fond of them.
“Aw, man, I thought you quit?” Hinata pipes up, tilting his head.
“I did, hot stuff,” you respond, sitting down on the couch. “Don’t worry. I won’t smoke anymore.”
Hinata huffs and Kei takes the opportunity to sit down next to you.
His thigh is pressed against yours, warmth seeping through his pants and into his skin. Kei feels like he could explode. You’re so close to him again, closer than before, and he can’t stop replaying the kiss in his head. He’s desperate for it, fidgety with his desire. He keeps thinking about the hot press of your mouth and the languid motion of your tongue. All he can imagine is the few points of contact between you both, mouth and hands, and how badly he wanted it to be more. He needs it.
You touch him a few times throughout the night and the tension is so palpable that Kei is convinced he can see it. It’s like there is a rope pulled taut between the two of you. If he doesn’t stick his ground, he’ll go flying towards you, grabbing and touching and taking in the way he’s desperate to now.
After an hour, his friends begin to grow restless. Their faces are flushed with alcohol and the things they’d been amusing themselves with are no longer enough stimulation.
“Hey, we’re going out to the bars. Who’s coming?” Hinata speaks up.
A chorus of agreement rings out, but the last thing Kei wants to do is go out.
“I think I’ll probably stay back and start cleaning,” he says somewhat disdainfully. “It’s a mess in here,” Kei tosses you a small glance. It’s unintentional but he’s glad for it because Kei is hoping that you’ll stay back with him, that you both can pick up where you left off.
“I’ll stay and help too. I’ve got an early morning tomorrow anyway,” you smile and Hinata pouts.
“You guys are so boring,” he protests. “Leave the mess for tomorrow and come out with us.”
“I’ll pass, pipsqueak,” Kei scoffs.
“Fine, but don’t complain to me when you’re full of regret tomorrow,” he points a finger at Kei and then moves it over to you. “And you’re too nice for your own good.”
“Do you hear that?” You say, beginning to usher the group to the door. “I think it’s the sound of the bar and all that alcohol calling to you guys.”
“You guys are so full of shit-” Kageyama starts, speaking up for the first time in a while, but Kei just waves him out.
“Yeah yeah, let the grown ups clean while you guys have fun. We’ll see you tomorrow.”
The rope is so taut between you both that it’s unbearable and by the time the door closes, you are spinning around on your heel toward Kei.
“We’re not cleaning, right?”
Kei shakes his head and starts towards you. The tension breaks when his hands find your hips and he hungrily leans down to press his mouth against yours.
This kiss is different from the first, desperate and full of desire. It’s fast and your mouths move together quickly as he starts to walk you back towards his bedroom, his hands eagerly roaming up and down your hips. Vaguely, he acknowledges that his glasses have been moved out of place, but he pays it no mind as you turn the knob to his bedroom door with your back to it.
There’s an urgency to his movements. Kei feels it in his chest, this desperate desire to be closer, to consume everything that you’ve laid out in the palm of his hand. You stumble backwards into his room and Kei catches your shifted weight with a hand around your waist. His other hand comes up to cup your cheek, feeling the warm skin on your jaw and neck. His fingers tremble where they touch you, half out of desperate need and half out of the nerves that threaten to spill from his mouth. His lips though, are occupied with yours, clicking together, all tongue and teeth.
Kei kisses sloppily down your jaw, his lips smearing across your cheek and dipping down below your ear. He sucks a trail there, unsure if he’s leaving marks, all the way down to your collarbone. Every part of you tastes better than he’d expected it to and with every push he delivers, you pull.
You make small sounds, little pants and groans that make Kei’s hair stand on end with wanting. Your voice, so familiar and fond to him, spills out in small, breath-like bursts that make Kei want to coax more out of you. Kei’s never been one to want this way, but right now, it’s all that he feels. So much tension and impulse that he feels like he can hardly control himself.
You reach blindly behind you for the bed and Kei guides you down, placing his hand on one side of you as you sit. Then, without disconnecting your lips, he guides you up toward the wall.
He feels the cool tips of your fingers at the hem of his shirt, pulling downward and then upward to get him to take it off. Kei obliges you, leaning back on his knees and pulling it off over the top of his head. You eye him for a moment, the two of you slowing down enough as the urgency settles into something heavy and lingering.
Kei leans forward again, one of his hands reaching for your hip. He slips his fingers underneath the hem of your shirt, sliding his long fingers up your stomach as he kisses you again. You’re so soft and he can feel the way your chest heaves against his palm. His touch is feather light and he slides it up evenly until it reaches just below your breast. When you nod, Kei moves it up over your bra and he feels you shudder. Kei does the same, overwhelmed by your pliability.
He can feel the goosebumps that have raised on your skin, little pinpricks of skin that indicate that some part of you feels good. When Kei squeezes your breast, you gasp into his moan and he groans his response, letting you bite at his bottom lip.
He feels you suck at his lips and swipe your tongue along the ridge of his mouth. When he opens it to let you in, he’s overtaken by the warmth of the soft muscle. He groans, tilting his head down to kiss you deeper, letting the taste of you spread over his mouth. It’s hot and your breath fans across his face.
Kei hands drift from your breasts along the sides of your body. He feels the heave of your breath there against your warm skin, his palms resting on your waist. You raise your knees, the sides of them pressing against Kei’s hips. He shifts downwards slowly, dragging his mouth along your skin, past the cloth of your shirt.
His hands make their way from your waist to your hips as he dips lower. Kei takes off his glasses, already fogged up and in the way. When he meets your eyes, you nod your permission and Kei slips between your legs, his flat palms moving to spread your thighs.
You’re so warm and soft, so pliable in a way that Kei can’t articulate. It makes his mouth water with his desperation and he’s grown hard against the bedspread beneath him.
“Touch me,” you breathe out.
Kei nods into your stomach, looping his fingers around our waistband, and pulls down your pants. Your panties come with it and it’s with a slight wave of regret that he realizes he won’t get to see the way you stick to them.
When he sees you, his heart leaps into his throat. His eagerness and his nerves catch up to him and he lets out a breath he hadn’t realized he’d been holding. You shudder when the air hits your exposed cunt, an unintentional side effect of Kei’s nerves that has him grinding down against the bedspread.
He slides his palm to rest over your center. It’s warm and sticky, wet beyond what Kei had imagined and he gingerly presses a finger between your folds. You gasp, mouth falling open above him. Then, he slides his finger into you to the first knuckle, curling up. Kei goes deeper on the second pump, curling his whole finger inside of you and feeling the way you tighten around him.
You arch your back up off the bed and Kei groans and rolls his eyes, resting his head on the inside of your exposed thigh. He curls his fingers in you, watching the way they coat with your pleasure. His eyebrows are knit together, like he’s asking whether you like how he touches you or not, and you seem to pick up on his insecurity, nodding your head before letting it tip back against Kei’s pillows.
Kei thinks your expression is incredible. Your eyebrows pull up in the center, pretty face twisted and mouth slightly open in an expression of undeniable pleasure. Kei’s stomach winds at the look of it and he ruts his hips against the mattress to quell the growing ache of need. His fingers, which curl at a slow and even pace inside of you, are warm with your enjoyment. It leaks between his knuckles, sliding down the back of his hand like a slow moving syrup. He wonders whether you have more to give and how you taste, his gaze slinking from your face to the place just above where his fingers disappear.
He lowers his mouth to you without thinking, curious and needing the taste of it. Sure enough, you have more to give. Your voice comes quickly, a small gasp that is stifled by the back of your hand when he sucks sharply on your clit. Your hips push forward against his hands and then you arch up off the mattress with a small cry. Kei wonders if you’ve cum. He wonders if he’s sent you over the edge, but if he has, you’re taking all of it so well that he doesn’t dare stop.
The taste of you spreads on his tongue, tangy and warm. You invade his senses violently, like you are gripping his throat. Kei holds his mouth to you, pressing the length of his cock into the mattress and moving his hips like he plans to fuck it.
He moves his free hand down your thigh and onto the inside of your leg. Your skin is so soft. It’s so vulnerable, something easily pierced and bled. Kei’s pointer finger rubs gentle circles there, feeling the slight pull of the soft skin with his fingers, so thin that it almost feels like tissue paper. He’s sure that with a little pressure, you would bruise.
The thought surprises him. He works his tongue across your clit and his fingers against that gummy spot inside of you, but his mind drifts to the softness of your inner thigh, the way it would be so easy to leave a spot that might hurt later when you press on it, remind you of exactly where he was. Then, Kei pinches you on the inside of your thigh and when you cry out, tightening around his fingers with a tapered moan, he pinches you again, harder this time.
You whimper slightly, like you like it. No, you sound like you love it and Kei finds himself holding back a choked moan as he tries not to cum prematurely. He pinches along the inside of your legs and around the back. Not too much. Only when he feels like it. Only when he wants to hear what kind of sounds you’ll make.
“K-Kei wait, wait,” you pant, grabbing him by his tufts of blonde hair. It hurts. He doesn’t think you mean to hurt him, but it doesn’t matter. He likes it and he twitches in his pants.
“Huh?” He hums, detaching from your clit and slowing the movement of his fingers to a halt. Your legs shake around his handiwork. “You okay?”
“I’ll cum if you keep going like that,” you breathe, screwing your eyes shut like you’re still on the edge. “Drag it out for me, yeah?”
Kei furrows his eyebrows and sucks in a sharp breath.
“Cum if you want to.” He tilts his head down to reattach his lips.
“Not yet,” you tug at his hair. “I like chasing it.”
Kei stares at you, unblinking and awestruck. Your chest heaves and despite the pleasure on your face, you look uncomfortable as your orgasm slips away from you. Kei likes that look on your face and he finds himself growing greedy.
“Come here,” you coax him onto the mattress.
Kei watches as you slip your hands into the waistband of his jeans and pull them down, leaving him on his back with his tented boxers exposed. You crawl down his body and settle between his legs with your arms between his thighs. He shudders when you run your hands up them and he briefly sees his boxers jump.
You smile, pressing your mouth to him through his boxers. Kei can’t stifle the groan that escapes him and heat floods his face when you raise your eyebrows in response.
“You don’t have to,” he says through gritted teeth as you slip the waistband of his boxers down.
“But I want to,” you mumble, taking him in your hand and placing a kiss on the side of his dick.
Kei’s head falls back against the pillow and he swears under his breath when he feels the warmth of your mouth close around the tip of him. He jerks his head up to see, awestruck by the way your lips look around the head of his cock.
For some reason, Kei is already so sensitive. He feels everything, and when you swipe the tip of your tongue along his slit as you bob your head, he makes a noise he didn’t think he could make. His fingers knot themselves in the bed sheets, white knuckled and trembling while you bob your head over him.
Your mouth is so warm and wet. It’s a little messy, dripping down the length of him and onto his balls. Kei feels the warmth, the heat of you. He can still taste you on his tongue. Kei can still feel the stickiness left behind from your arousal on his mouth. The combination of you between his legs and the taste of you on his tongue is overwhelming.
Kei can feel his orgasm growing in his lower stomach, turning over until he’s bringing his long fingers to your head in an effort to steady himself. There’s nothing he can do but give in, watching you through damp eyes as you watch his expression.
It’s embarrassing how quickly he cums. It doesn’t take long and he teeters on the edge for a few moments before fully cresting over. Kei can’t help the way he lifts his hips from the mattress, his voice caught in his throat as it hooks on a high pitched groan. His voice cracks and he feels the way his cum collects on your tongue and across the tip of his dick in your mouth.
“Fuck,” he mutters, red faced and panting, “I didn’t mean to- I didn’t mean to finish so quickly, you’re just-”
“It’s fine,” you come up, your eyes glassed over and lust-filled. “I like making you feel good.”
“Yeah but-”
“No buts,” you crawl over him and straddle his waist. Kei winces when your weight briefly nudges his cock. “There’s still fun to be had. Can I kiss you?”
He nods and you lean down to do as you’d asked. Your tongue moves slowly against his, less desperate this time, like you’re trying to work him down and back up again. You place your hands on his chest, settling your weight down so that your bare cunt is pressed against his sensitive cock. Kei thinks he might die.
He brings his hands to your waist, the fatigue creeping from his bones as he digs the pads of his fingers into your fleshy sides. You draw in a breath when he does and it makes Kein feel like he’s tipping sideways with arousal. Everything that you do, right down to the involuntary twitch of your hips or eyebrows, is sexy.
Kei turns you over, growing hard between your legs again, and gently pins you to the mattress. He kisses you for a moment longer, his lips working clumsily across yours before he pulls away to catch his breath and find his bearings.
You chase him with your mouth, tilting your head up to kiss him. Kei feels his chest swell with arousal and his cock strains almost painfully against his pants as he peers at you. You’re so pretty. Everything about you is so pretty. On his chest, he can feel your fingers, splayed over his pecks, across his collarbone, and grazing the side of his neck. He leans closer, loving the pressure of your body and the desperation that pours from your skin.
Kei kisses you again. He kisses you the way he wanted to outside, dipping his tongue into your mouth with a desperation that he can taste. You take control back, reaching between the two of you, and Kei shifts himself upward instinctually to give you access to him. He feels your fingers fumble for him and there’s a pause in which Kei doesn’t know what to do. He wonders if this might be the part of him that you like. The awkward part, the one that doesn’t know what to do. Kei’s thoughts are interrupted by the feeling of your hand wrapping around him and tugging upward.
His head drops and a low groan escapes his lips before he can even think to stop it. Kei’d almost forgotten his sensitivity, how desperately he wants to be touched, how overwhelming it feels. He shivers, looking down at where your hand wraps around him and pumps. When he looks back up, he finds that you’re looking at his face, your eyes glassed over and observant as you commit all of his expressions to memory.
“What?” he says, letting out a shuddering breath and the slight overstimulation.
“Your face is red,” you reach up with your free hand to run your thumb along his cheek.
Kei huffs, dropping his head and you fiddle with something between the two of you.
“No,” you pick his chin up. “I like it. It’s cute.”
You tighten your grip around him and Kei feels his expression twist, a new rush of heat and desire flooding his belly as he realizes you’re sliding a condom onto him. Then, you guide the tip of him between your legs and he feels the wet press of your entrance against him.
“Christ,” he groans.
You smile slightly, shifting your hips a little and then placing your hands on his shoulders. Kei pushes forward slowly, his thighs twitching. It takes everything he has to keep from cumming again and every muscle in his body screams with a desire to let go.
Kei is so overwhelmed, partially because you feel so good, but also because there is some part of him that knows this feels different. Kei feels different about you, about being intimate with you, than he has with anyone else. There’s something alive in him, something with its own mind. Something greedy and vulnerable that stirs when your face is this close to him, when he’s buried all the way in you to the base of his cock. Emotional and sensitive, Kei feels it kick.
His first instinct is to run. Agreeing to let himself like you, to let himself do something about it, was not agreeing to letting something live inside of him. Kei’s first thought when he registers the difference is to cut it off and suffocate it so that it stops thumping against his chest. He’d grown so used to the hollow feeling that the feeling of living emotion makes him nervous, it puts him on edge. But when he pulls out a few inches and fucks back into you, the anxiety dispels into insurmountable pleasure. A pleasure Kei can’t describe, something fulfilling and whole.
He picks up his pace, letting himself do what he wants while you grip his shoulders with blunted nails. He likes the expression you wear. Truthfully, he likes all of your expressions, but this one is new. Pressure and pleasure, a newness to the feel of him inside of you that you can’t quite keep from your eyes or lips. He kisses you as if he could taste it, slipping his tongue between your lips.
“I really like you,” you mumble against his mouth, breath hot as it fans across his cheeks.
Kei’s heart hammers and his hips stutter a little.
“Me too,” he chokes, trying to think about volleyball to stave off a second orgasm. All that comes to mind though, is you.
“Are you close again?” you breathe, voice laden with pleasure.
“I have been since we started,” Kei admits.
“Cum then,” you say softly, reaching behind his head to pull his mouth back to yours. Kei likes the control you exhibit. He groans his approval.
“You first,” he mutters.
There’s this possessive part of Kei that wants to watch you fall apart on him. He wants to see it, to watch you feel good too and commit it to memory so that he can always keep it. He thinks it’s a pride thing, something attached to his desire to succeed, to his reliability. Maybe though, it’s just because he thinks it’ll look hot.
He reaches down and lifts one of your legs up by the back of your knee, pressing it down to give himself better access. You whine and Kei feels the way you clench down around him, your fingers knitting into the hair at the back of his neck. It hurts in a good way.
Kei slips his hand between you, rubbing circles on your clit to get you there faster. Frankly, he doesn’t know how much longer he can last like this, staring down at your face while it twists with pleasure. You’re so attractive to him. Everything about you is sexy. It makes Kei a little crazy.
He listens as your breathing quickens, as your voice wavers further. He feels the way your cunt begins to flutter faster, pulsing around him until you attempt to cry out and warn him. Then, you clamp down around him, arching your hips up off the mattress and pulling at his hair. Kei moves his head with you, relishing in the way you tug and scratch.
He builds up to his orgasm so fast that it hurts. There’s pressure and then the mounting feeling of nearing the top, and then the peak and crash. He cums so hard that it hurts, pushing his cock as far as it will go into you and feeling the warm spill of his cum in the condom. He moans a long, drawn out sound that you mimic, his fingers knitting into the pillow behind you and his head dropping so that his lips sit near your neck.
He lets out a shaky breath, letting himself sit inside of you for a moment. You turn his head towards yours and kiss him. It’s gentle. A smooth and languid kiss that neither of you moves to deepen. Your lips move against each other and Kei closes his eyes to savor the taste.
You tap his shoulder and Kei rolls over onto the bed beside you, snapping the condom off with a small wince and tying it up in a quick motion. He places it in the trash bin beside the bed. When he turns over, you’re already moving to slip under his arm, resting your head on his chest.
There’s a passing moment of silence, not unlike the ones you both have fallen into before and you sigh lightly against his exposed chest. Kei follows suit, watching the way you move with his breath.
His skin is sticky against yours and Kei can vaguely register the smell of sweat in the room. He doesn’t know how long it’s been since everyone left, nor does he know when they’ll be back, but he estimates that it won’t be more than an hour. Kei briefly wishes that he could pause time so that he can stay here with you, just like this.
“I’m not good at this kind of stuff,” Kei admits quietly.
“What stuff?” You ask, tracing your finger along the ridges of his lean abdomen.
“Liking people,” he says. “Dating.”
You give a small laugh. “No offense, Kei, but I could tell that from the moment I met you.”
“Shit, seriously?”
“Duh,” you breathe out. “It’s a little charming to me, though. I like that part of you.”
So it’s true. You like the parts of Kei that he’s always worried were the worst of him.
“Huh,” he says. “Could you tell?”
“That you like me?” You ask, shifting your head to look at him. “Yeah, it was obvious after we established that you didn’t hate me. I always noticed you staring in the library.”
“Really? I thought I was being a little slick with that,” Kei feels heat and color flood his face.
You let out a good-natured laugh. “People can always tell when someone’s staring, Kei. It’s like a sixth sense.”
“Good to know. Hindsight is 20/20 and all.”
Another bout of silence follows.
“You can keep staring though,” you say, “if you want to. And calling.”
“Okay,” Kei responds, “I didn’t really plan on stopping.”
“Ha, freaky,” you laugh a little and Kei reaches up to flick the side of your head. “Wanna start going out?”
Kei thinks about this for a moment. He thinks about being able to hold your hand, brush hair out of your face, watch movies on the couch and fix your breakfast the next morning. Then he thinks about not being able to do those things.
“I think I’d be a little upset if we didn’t,” he admits.
“Good,” you say. “Me too.”
He’s fighting off sleep. His eyelids are heavy and he tries to blink away the shroud of rest that’s falling over him. Kei knows you’re fighting it too. Your breathing goes in and out of that familiar breathing that comes with sleep. Kei likes the way it sounds coming from you, restful and quiet.
“We should… really get up to clean just a little,” he mumbles.
“Five more minutes,” you say softly, your voice heavy and laden with drowsiness.
“Okay,” he says.
It’s just five more minutes. Kei fights sleep to hear you breathe like this a little longer.
—
There’s a period after which Kei doesn’t know what to do with himself. Like the awkward start to a new hobby or passion, Kei finds himself enthralled with his budding relationship while simultaneously stumbling continuously along the way. You’re gracious with him though, letting him make mistakes and fumble until he finds his footing.
It’s all very awkward for him, very new. He finds that it’s easier to just do the nice things he wants to do for you than to agonize over it and slowly, he begins to grow comfortable in the relationship that took you both so long to begin.
At first, only Tadashi knew about you both. Kei thought that there was no point in hiding it from him, since you were over at the apartment all the time. Of course, Tadashi somehow already knew. That’s how it usually goes anyway, and Kei is relieved to find that his internal change did not trigger some global shift that would turn his life upside down. Everything is normal, save for the fact that Kei now tries to love without hindrance.
Kei discovers that he’s possessive. That’s a new trait of his that he didn’t know belonged to him. Before you, before Kei had found something he so desperately wanted to keep, he’d been rather detached. Possessiveness was rare because Kei hardly ever got attached enough to want. Now though, he wants so badly that it hurts. You lean into it. Kei suspects that you like it when he wards off people who hit on you, when he pouts a little because he wants to be close to you, when he gets a little jealous. Kei doesn’t really mind it either. After all, despite his possessiveness, he never feels insecure. The both of you make sure of that.
This sunny period with you, the one Kei worried would only last a week, drifts easily from one month into two and before he knows it, it’s been five. Kei had worried about that fundamental change. The one imperceivable to the human eye. He’d worried that slowly, it would begin to spoil what is so good between the two of you.
“Kei,” you snap him out of it, placing a hand on his shoulder, “you okay?”
He sets down his cup of tea, barely touched. “Yeah, why wouldn’t I be?”
“Don’t tell me you’re getting cold feet?” You give him a wry smile. “This was your idea, after all.”
“Yeah, well it was a pretty shit idea actually,” he breathes, “My parents aren’t exactly easy.”
“You want to cancel?” You ask, your eyebrows pulling up in a clumsy attempt to hide your disappointment. Kei can see right through it.
“No,” he shakes his head. “I want you to meet them. I just don’t want you to meet them.”
The truth of it is that Kei would like to cancel. In an ideal world, one where the sun rises on the opposite side of his bedroom window, he’d forget the whole thing and take you out to get dinner and see a movie. Things would be simpler that way, less uncomfortable for the both of you. But as uncomfortable as it is, Kei wants you to be a part of their lives too. You’re too important to not introduce to his parents and Kei can’t see it any other way, though he’d like to.
You snort. “What does that even mean?”
Kei gives you a pointed and somewhat irritated look.
“Okay, sorry,” you raise your hands defensively and walk over to place them on his shoulders. “I know you’re worried, but I think it’s going to be okay. I’m excited.”
Kei huffs out a laugh, unable to vocalize his nerves in their totality. “Excited to meet my dysfunctional, divorced parents that kind of hate each other?”
“Yup. I’m excited to meet the people who raised you.”
Kei smiles a little. “You should meet Akiteru, then,” It’s an exaggeration, but for some reason the prospect of seeing both of his parents together has him feeling a little more bitter than usual, even if it was his idea.
You give him a little grin through narrowed eyes. There’s an understanding that passes from you to him, like you’re acknowledging that you haven’t forgotten what he’d told you nearly six months ago. Kei feels the tension in his shoulders relax a little.
His parents are already at the restaurant when he arrives. It’s a swanky Italian place. The kind you go to on birthdays or for anniversaries, where the pasta dishes are things like lobster mushroom ravioli or truffle oil fettucini in tiny portions. Kei made sure to book somewhere that his parents would have trouble making a scene in, not that they ever had much of a mind for decorum when they were married. He’s surprised to find them chatting cordially when you both arrive.
“Kei,” his mother stands from the table and crosses to give him a hug. He pats her back gently.
“Hi Mom,” Kei responds and she gives him a small smile.
Kei’s dad adjusts the lapel of his suit, the same one he’s had for years, and reaches to give him a hug around one shoulder.
“Guys,” he inhales, “This is my partner, _____.”
You grin at Kei and then introduce yourself formally to his parents. Kei watches in awe as you blend right in, like you’ve known them for many years. He sits down while trying to keep the nerves from his face.
“We’re so happy to meet you,” his mother starts, “Kei’s never introduced us to any of his partners before.”
“I’m the first?” You smile a little, raising an eyebrow at Kei as if to tease him.
“There really haven’t been that many to begin with,” Kei grumbles as if that somehow makes it better.
You laugh again and the ball of conversation begins rolling. His mother tells you how pretty you are and his father nods a quieter approval. They talk about his university’s graduation ceremony, which they attended separately, as if they were together the entire time and then ask about your major, if you graduated with him, where you plan on going. You tell them what you want to do and that you want to go wherever Kei goes. He marvels at how smoothly the evening moves onward.
There are moments where the tension in his family becomes obvious. Little swells or comments that bring up a sour or shameful memory that cannot be ignored. Moments when the air thickens and it feels like the hammer is about to come down. It never does though. The tension, rather than snapping, simply fades away.
He’d expected everything to blow up for some reason. Kei had expected that, like his childhood, the restaurant dishes would end up smashed on the floor. The glassware always ended up broken in the house, why shouldn’t they be broken here to shatter the illusion of things being good? He braces himself for a ball that never drops.
It takes him until the ride home, after a successful dinner, to realize that the dishes haven’t been smashed in years. Not since he was fourteen and his parents fought for custody. Not since his mother got remarried to her now husband almost 6 years ago and his father met his new wife. Kei wonders why he still feels like he lives in that house. The one his parents were at their worst in. Why can’t he feel like he lives in the apartment he rents with Tadashi?
“I think that went well,” you say softly on the drive back.
Kei nods his agreement. “I think so too.”
You don’t bring up the fact that they didn’t fight, or that they spoke about their new kids with each other as if they were old friends. You don’t accuse Kei of being wrong, of being paranoid even though he most definitely was.
“I’m glad that I got to meet them,” you say. “You look so much like your mom.”
“Really?” Kei asks.
“Yeah, you’ve got her eyes and her nose,” you smile a little. “It makes you two look similar.”
“Huh,” he says. “I never really gave that much thought.”
Kei turns the idea that he has his mother’s face over in his head. He’d spent so much time dreading that he was like them on the inside, that he never paused to consider the outside. So much of his life has been spent worrying that he’s just like them. That he breaks the plates and lashes out and acts cruelly even when he’s trying to love. But he has his mother’s eyes and for some reason that unsettles him. It’s like evidence.
“You don’t really act like them though,” you say as if on cue. “You’re a little gentler.”
“Me? Gentle?” Kei scoffs.
“Yeah!” you say. “I mean, sure you’re prickly, but there’s a goodness to you that’s really obvious if you look.”
Goodness. What a strange word to use to describe someone. Kei thinks that if there’s any goodness in him, if there’s anything that hasn’t been tainted by his parents’ sour personalities, it’s from Akiteru. Kei likes to believe that whatever good he got was from him. No matter how strained his relationship with him might be now, Kei is certain of that.
“That’s a relief,” he admits in a flat tone.
After a long pause, he speaks again. “Thanks.”
“For what?” You laugh.
“Bearing with me… and with them,” he says. “Couldn’t have been easy.”
“It was easy,” you say. “Because I wanted to meet them. And I care about you.”
Kei feels color rise to his cheeks. He turns to look in the sideview mirrors as he pulls the car into a parking spot in his apartment complex’s garage.
“You say that stuff so easily,” he huffs.
“What? That I care about you?”
“Yeah.”
“Well, I do,” you laugh a little.
Kei’s face grows hotter and he distracts himself by putting the car into park and taking the key out of the ignition.
“Me too,” he says quietly, waiting for you to catch up so that he can take your hand in his. “Sorry that I don’t say it a lot.”
“Not to be rude,” you say, “but even if you never said it at all, it would be obvious. You’re kind of a sucker.”
Kei supposes that that’s true and he gives a small laugh before nudging your shoulder with his. The parking garage is humid and stuffy, but he holds your hand in it anyway.
—
You’re half asleep in bed beside him and your breathing comes in even sweeps the way it does just before you fall asleep. Kei listens to it for a moment, admiring the sound of it and the way your chest feels expanding against his.
He thinks about dinner, about how good it feels to have introduced you. How real it makes this relationship feel despite the uneasiness surrounding his familial situation. Kei thinks about his parents. He thinks about their inability to be good for each other. He thinks about the worst of them, something he’s familiar with, before thinking about the best of them. Kei imagines the way their faces looked at dinner, talking about the children they’re raising properly. They’re good people, they just made each other bad. Molecular shifts that changed them for the worst. The notebook theory in its most frightening form. But they were good too.
Kei thinks about loving you. His reluctance to do so originally isn’t quite beyond him yet. He’s unsure, in fact, if he’ll ever really get past the fear of the fall, the fear of becoming what his parents made each other. But he also thinks about his promise to love you for real. Love is not something that Kei does. He knows now that it's something that happens to him, like it happened to his parents. They loved each other once, even if it made them so blind that they couldn’t see just how bad it made them.
Kei still resents the fact that he was born to fix a marriage that never would have worked in the first place. He resents being a fix rather than a gift, but at the very least, his existence is proof that his parents cared enough about their family to try. Even if it was misguided, at least they tried even a little.
In the quiet after of an emotionally charged evening, loving you seems like an easier task for him now. It’s not hard to love you. What’s hard, Kei thinks, is not hurting you. He carries a lot of baggage that, for a long while, felt like too much. Kei thinks he can manage if it’s for you. He’ll bear the brunt of it. He’ll put in the work.
Yes, Kei is his parents’ son, but he’s also Tadashi’s friend, Akiteru’s brother, the person who loves you. He doesn’t live in the house with a bin full of shards and no glassware anymore.
“Are you awake?” He whispers across the pillow.
“Mhm,” you hum, pushing your cheek into his arm.
“Let’s move in together,” he says.
You tense against him and slowly attempt to blink away sleep. “Are you sure?”
“Yeah, I’m sure,” he responds. “I want to live with you.”
“Okay then,” you smile a little. “Let’s do it.”
—
In the fall, when his lease with Tadashi ends and his friend gives him a tearful, yet somewhat silly goodbye, Kei moves into your new shared apartment. Two small rooms in a modest part of town, a shared kitchen and living room, one bathroom, a mismatch of furniture from both of your old places, and an empty fridge. The first night is spent eating take out on the floor with you in front of a TV with no proper stand. Kei has never been happier.
And in the morning, when the sun comes through the slats of his window, broken up into gentle dots by the orange-leaved trees outside, Kei rises slowly. He rises gently. Kei doesn’t want to wake you, not before he’s made breakfast. He pads out to the kitchen, where boxes are strewn about, half unpacked, and grabs the little brown notebook from the box it’s been temporarily living in. In it, he writes a grocery list full of the things you like. It’s a good enough reason, a good enough change.
The notebook theory.
#tsukishima x reader#tsukishima kei x reader#tsukishima x reader smut#tsukishima kei x reader smut#hq x reader#tsukishima smut#tsukishima kei smut#tsukishima kei fic#[ 📕 – writing ]#she is finally finished i hope u enjoy and that u find it romantic and fulfilling#tw: overstimulation#i may add more warnings and such if i remember to#and pls lmk if i forgot any
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SERPENTINE PROMISE | Hidden in Plain Sight.
Serpentine Promise is a 16+ literate Horror / Slasher Warriors RP set on the coast of Belize in the heart of a meteor crater called the Cardinal. This RP takes heavy inspiration from the beautiful indigenous Mayan cultures of Belize for its worldbuilding.
You are part of three groups known as Arrows. You live in relative peace, guided by your Celestial Leaders in the skies above - the Jade Tiger, the Red Tiger, and the Gold Tiger. Centuries prior, these three leaders created the Arrows, but in doing so created something worse. The North Serpent wanted the crater for itself, and would only be satisfied when it ate the sun. The three tigers fought together against the serpent to the death.
In modern times, these Celestial Leaders are growing increasingly distraught, until they disappear one night and leave you with nothing but an omen … Cats around you begin to drop dead soon after. Your objective? Survive. Keep one eye open. Figure out which one of you is slaughtering cats by the dozen, or die trying.
𓆙 ━─┈
🌊THE EAST WAVES Living on the sandy coasts of the Cardinal, the cats of the East Waves are weathered, brave, regal, and know their way around the barrier reef, and the raging seas. 🌴THE SOUTH RAINS Nestled in the dense, lush rainforest of the crater, the cats of the South Rains are intelligent, agile, gifted and flighty. They know how to traverse the land without ever placing a paw on the dangerous jungle floor.
⛰️THE WEST PEAKS Settled in the mountains along the edge of the crater, living within caverns and along cliff faces, cats in the West Peaks are hardy, strong, tough and independent, battling the biggest threats of all — Harpy eagles, amongst other dangerous raptors. 𓆙 ━─┈ WHAT WE OFFER🐍
A safe, secure environment for all with safety nets in place for any incident that would otherwise occur in a large space.
A server open to writers of any experience.
An extremely large expanse of lore and world-building including a glossary of brand new terms, in-depth lore and history inspired by Mayan cultures, unique ranks and roles to each Arrow, and an entirely new herb and medicine system created entirely for the RP, amongst a dozen other additions!
A server run by BIPOC and LGBT+ moderators, including a Belizean admin and consultant.
High Ranks and Roles open for application for writers of any experience and skill level!
RP affiliation / partnership — advertise your RP server in ours!
EXPLORE THE WORLD & APPLY NOW! >> https://serpentinepromise.carrd.co/ << =
(please note that i, nanistar, am NOT the host of this RP. i am merely a moderator and the tumblr liaison. i can answer some basic questions, but for anything more in-depth else please contact BADMIRACLE on tumblr. he is an amazing rp host and has spent months bringing this together and developing this rp.)
#serprom#warrior cats#warriors oc#warriors rp#warrior cats rp#open rp#open wc rp#warriors role play#wcrp#discord wcrp#not my art
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Headcanon: Dragons of the Four Seas
(inspired by a recent discussion with @the-monkey-ruler)
-Although Chinese dragons are water deities, there are dragons who control stuff other than water: Cold Dragons under the Dragon King of the North can freeze stuff, and Bailong Ma used to be a Fire Dragon in pre-novel variants of JTTW.
"Wouldn't it be interesting if the four major lineage of dragons all have their unique side-power, apart from water and weather manipulation?"
-It starts off as this, then spins out of control and becomes one giant worldbuilding exercise.
East Sea:
-The eastern direction is traditionally associated with the Wood element. However, I feel like plant manipulation will be too obvious.
-So instead, they are the master of Thunder and Wind——the trigrams that represent these two things, Zhen and Xun, are both Wood-aligned.
-Their lightning has a notable azure hue, and have adapted the force of Thunder specifically for underwater usage, creating highly potent sonic blasts as well as what basically amount to a sonar spell.
-They kinda consider themselves the archetypal dragon, representative of their kind, and certainly have the attitude to match.
-Like, they claim to be descended from the Azure Dragon of the East, even though the idea that a Divine Beast of the Four Directions, stellar guardian of the entire eastern section of the sky, can reproduce is...dubious at best.
-Don't you mention the time Ao Guang got bullied by Wukong. Or Nezha. Or Huaguang. Or the Eight Immortals. They are very touchy about that. Violently touchy.
-They also have close relations with water-dwelling Yakshas, who act as a sort of elite mercenaries in their military campaigns against other seaborn demons and rogue flood dragons.
-Basically, the proud generals of dragonkind, with a vast weapon collection to match. The dragon king's family also name their kids after Celestial Stems and Earthly Branches, much like the ancient Shang dynasty rulers.
-The East Sea dragons are the only lineage who has an official representative of the Celestial Host stationed in their territory, who's only known by his title, the "Water-dividing General of the East Sea".
-He seems to be an older sort of god, the half-man, half-beast ones who look like they walk out of an illustration of the Book of Mountains and Seas.
-Most of the time, he takes the form of a seal, lounging around on rocks and watching sunrises, and has the personality of a sarcastic old man.
-Whether he's here to keep an eye on them, or they are supposed to keep an eye on him, no one can say. Ao Guang certainly treats him like an old acquaintance, though.
West Sea:
-They are a bit tricky. West is associated with Metal, and the two Metal-aligned trigrams, Qian and Dui, represent Heaven and Marsh...which don't neatly map onto weather and natural phenomena.
-Then I had an idea. What if they have a natural affinity for heavenly bodies? In ancient times, the movements of stars are believed to affect weather, after all, not to mention the sun and the moon.
-This affinity can be figurative——their lineage has a strong relationship with the stellar deities of the 28 Lunar Mansion and Dipper Mansion——or literal.
-Like a natural talent for divination and astrology, predicting the future from the patterns of stars. They are no governors of fate, unlike the actual Star Lords, they are just fate's weather forecast guy.
-This puts them in an awkward position, though: the stellar gods act according to the Jade Emperor's orders, some of which are very much secret and beyond their clearance levels, but the best scions of the West Sea can just infer it from the movement of stars alone.
-Which makes them obsessed with proving their loyalty, as well as enforcing a draconian standard of secrecy, just so they wouldn't get into trouble for knowing something they weren't supposed to know.
-Even more rarely, they can harness the power of astral light. Most of the time, such light is of lunar nature——Star Lord Taiyin also holds sway over the ocean's tides, though it is an easily forgotten power.
-But sometimes, that light comes from a fiery, lively, or ominous star, and the power that results is just as temperamental as their stellar origins.
-Enters Ao Lie, Third Prince of the West Sea, who has highly potent fire powers despite not being a South Sea dragon, and became the subject of some rather tasteless gossips about his parentage the moment it awakened.
-All dragons love their pearls: it's kinda like an ordinary yaoguai's "inner core", an orb of solidified Qi that can be spit out and store separately from the body, but much more powerful and culturally significant.
-Well, the West Sea dragons use their pearls in the same way a Feng Shui master uses their geomantic compass, or a Zhou Yi diviner, their turtle shell and copper coins. The ones left behind by venerable ancestors are especially treasured, believed to lead to clearer insights and more reliable readings.
-Through that lens, Ao Lie's burning of one such pearl is the equivalent of descrating the dead + destroying a priceless, irreplacable supercomputer.
-Intentional or not, to a lineage that is so serious about their discipline, taboos, and absolute loyalty to the Celestial Host, it is enough to warrant death.
-To no one's surprise, they are the diplomats, the inter-department coordinators when it comes to weatherly business. Not just between relevant celestial bureaus like the Thunder and Water Bureaus, but also between local dragon kings of rivers and lakes.
-As a result, the West Sea lineage is the most open to marrying non-oceanic dragons, even though these are often out of practical and political needs.
-That's my explanation for why, in JTTW, Ao Run's nine nephews either guard rivers or work for JE/the Buddha. The West Sea lineage has really turned nepotism into an art form.
North Sea:
-In JTTW, we know that they have Cold Dragons that can chill stuff. It is certainly not too much of a stretch to imagine them as the ice-and-snow specialists, the ones you summon when you are sick of the heat or need to insta-freeze something.
-Historically, the "North Sea" in Chinese texts refer to Lake Baikal. However, I think it is cooler if their palace is literally in the arctic zone, under the ice caps.
-Instead of garden-variety shrimp and crab soldiers, they have lots of cultivated marine mammals. And elite legions of belugas and narwhals and bowhead whales.
-The smallest and most isolationist lineage also carries the grimest duty, as border patrols and prison wardens. Not only is the North Sea a hotspot of rifts that lead to the Underworld, it also conceals the portal to the Evil-Vanquishing Mansion of the North Pole——realm of Emperor Zhenwu, Lord of the North.
-Kind of like the Lord Father of the East and Queen Mother of the West, he is the sovereign of the northern direction and the Water element, as well as the direct superior of Xuanwu, one of the Four Divine Beasts.
-And his job? Subduing demons. The Evil-Vanquishing Mansion is basically a fleet of giant, hollowed-out icebergs, packed to the brim with powerful demons, ghosts, and rogue immortals.
-Any prisoners that make an unlikely escape will emerge into the North Sea, where the vigilant army of the dragon king awaits. However, that is not their main duty; it is the Eye of the North Sea that they swear to eternally guard.
-And the prisoner of the Eye is none other than Shen Gongbao, the infamous traitor of the Chan Sect who was behind most major conflicts in the War of Investiture.
-It was said that, though his body was stuffed into the Eye of the North Sea as punishment, in the end, his soul still gets deified as a minor water god.
-However, if there is only a mindless body left in there, why the need for such heavy security? Only the most experienced elders and veterans are allowed to go into the Eye's vicinity to check on Yuanshi Tianzun's seals, and repeated visit by the same people is strictly prohibited.
-Perhaps, instead of a split of soul and body, deification has split the soul itself: one half is exorcised of all the undesirable qualities, the other left to stew and simmer in them until it mutates into something unrecognizable.
-Such is the rumor among the North Sea's younger scions. But folks will make up anything to pass the time in those long, cold arctic nights, and whatever the truth is, it doesn't matter, as long as the seal still holds.
South Sea:
-Their element, Fire, is directly opposite to the North Sea's; much like the Cold Dragons, the Fire Dragons of the South Sea are heat specialists, creators of droughts and wildfires as well as bringers of warm winds.
-And their fire is a peculiar variant of Earthly Fire. Unlike Heavenly Fires, which draw from the blaze of the Three-legged Sun Crow, or the True Fires immortals used in internal alchemy, Fire Dragons channel the power of earth's flaming veins: that is, undersea volcanos and thermal vents.
-Though they usually display their power in less flashy ways——steam clouds, a playful whiff of sulfur, a blast of warm wind on a winter night, a Fire Dragon fully on the offensive is just like a mini live volcano, unleashing streams of magma and scalding smoke clouds.
-When dragons are mentioned as one of the Eight Classes of Demigods in Buddhism, more often than not, they are from the South Sea lineage.
-Like, the most popular Bodhisattva in Asia, Guanyin, resides in the South Sea. It's all but granted that the local dragons would also be heavily influenced by Buddhist teachings, in the same way their northern kins are drawn to the entourage of Zhenwu.
-Fun fact: the imagery of dragons has appeared in Chinese art since the Neolithic period, but the specific worship of dragons as gods of the Four Seas is a result of Buddhist influence.
-Prior to that, the gods of the Four Seas in the Book of Mountains and Seas are all beasts with human faces, wearing snakes as earrings or standing on a snake.
-And in Sui-Tang era works, some variants merged the Four Seas gods with the Four Directions gods of ancient times, and said that the god of the South Sea was Zhurong.
-A.k.a. the fire god that defeated Gonggong (in the most well-known version of the tale), who, being the sore loser he is, went and knocked over the sky support pillar with his head. Thus, Nvwa's patching of the sky.
-Legends of the South Sea lineage claim that the Fire Dragons draw their power from Zhurong's embers, and their king is descended from the two dragon mounts of the primodial fire god.
-To the outrage of more traditionalist dragons, they often intermarry with Nagas, the serpentine water gods of the Western Lands. Guanyin's dragon girl attendant is born of one such union, between the Naga lord Sagara and a princess of the South Sea.
-Their palace is located inside an underwater volcano, said to be the remnant of Zhurong's great forge. Giant tube worm gardening is a popular hobby among the South Sea nobility; however peculiar it may appear to outsiders, these colorful creatures thrive in the union of Fire and Water, much like the lineage itself.
(Pictures of the Four Dragon Kings come from Nezha 1979.)
(The animated film makes the dragon king of the West a black dragon, and the North, a white one, a reversal of the colors traditionally associated with the two directions——West = White, North = Black.)
#journey to the west#investiture of the gods#chinese dragons#worldbuilding#chinese mythology#headcanon
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can i be honest? im a fan of azul but his dream felt like it lacked impact. there were some very interesting moments and its better than the prediction that he would already be rich and own the world
like really? azul becomes a famous athlete and bullies others, then he takes over night raven? i feel like his struggles with his own identity and food could have been further explored and he is based off of ursula, which should extend to vanessa, right? it was the perfect reason to give him a total makeover and show that he has to be comfortable in his own skin before anything else, even if his other ness was what made him a target of bullying in the first place
your thoughts and worries on book 7 post has affected my perspective and i cant help but feel like something is missing 🥲 maybe all the budget went into Jade and Floyd?
[Referencing this post!]
As I’ve previously expressed, I have a lot of my own complicated feelings about the direction book 7 is taking, specifically with how the OB boys’ dream segments are presented and resolved. Azul’s dream is no different; it felt very contrived due to the formula TWST insists on running with in every new installment. It’s becoming even more apparent with each update, and it is really grating on me.
But!! Before I get to what I believe are shortcomings with Azul’s dream, let’s review what Anon has to say.
I feel like, no matter what, there will always be people claiming that the OB boys’ dreams are “missed opportunities”. This is simply because these characters have much more deep and complex issues than the rest of the cast, so we will naturally scrutinize them more. TWST is basically only able to go with one angle when they tackle the dream, leaving the other threads unexplored. This will surely annoy or disappoint people who wish that TWST would have addressed a different issue instead, or perhaps something closer to their personal interpretation of the events. In Azul’s case, I feel like some people (particularly in the west, not so much in the east) see Azul’s weight concerns or relationship with food as a prominent part of his character, so they wish that book 7 part 10 had looked into that more. However, that was never a big focus in canon, so it follows that TWST would want to dedicate its time and resources to the most pressing thing (which would be more centered on Azul’s general self-confidence, greed, and how those tie into his sense of identity). At the same time, they probably wanted to avoid a lens that is too broad. Having the focus be on Azul’s “otherness” or being an octopus might veer too heavily into something way beyond the scope of the ~10 parts of the story he has to himself.
We also need to consider that these dreams are meant to be shallow interpretations of what the dreamer desires (according to Idia). Only the OB boys get to go more in depth due to bring dragged down into deeper layers of their dreams. Azul wants to be accepted by his peers and is insecure about his lack of athleticism (as one reason why he was bullied was due to not being able to swim as fast as other merchildren). So of course the surface level of his dream makes him a star athlete beloved by all. The whole “his plan succeeds, he steals everyone’s magic, he takes over NRC” thing happens in the second layer of his dream, which, like all previous OB boys, is a dark display of what would have happened had they not been stopped. And finally, Azul being a bully is nothing new—we saw this behavior back in book 3 as well. He became the very thing he despised back when he was a victim, and now he continues to perpetuate that cycle of bullying in an effort to affirm confidence in his “cool” new identity. I think the dream was very intentional in trying to entice him with the promises of power and acceptance. That, in turn, shows us that the desire to be a successful businessman (the thing many of us thought would be his dream) actually hinges on Azul’s longing to be accepted. His struggle with his identity and how it depends on how others perceive him was portrayed. I’m just not sure if the idea was executed in the best way, since it sounds like the message may have gotten muddled along the way and it definitely requires some reading between the lines.
I noticed that you cited my original post where I detailed my concerns about book 7 and how that has influenced your own thoughts 💦 I hope that it just… informed or supplemented your opinions rather than suddenly altered them to be more “in line” with my own. I never want to be the kind of person who claims their interpretations are the “most correct” I’m not Riddle’s mom, okay?? 😭
About Jade and Floyd’s dreams, I feel like those are less heavily critiqued because they, by virtue of not being an OB boy, have fewer stakes and are predominantly there to be silly. It’s like contrasting Epel wanting to be big and buff to Vil literally murdering Neige; there is just no comparison. Even then, I wouldn’t necessarily say Floyd’s and Jade’s parts received “all the budget”… They seemed like pretty basic storylines to me, perhaps dressed up slightly better thanks to the new undersea assets and bioluminescence reveal.
My issues with Azul’s dream segment is how… ham-fisted several elements were. All of it, for the sake of sticking to the pattern already established earlier. It feels so unnatural and stilted because you just KNOW it’s written this way to fit the template 😔 For example:
Why did Jade become SO dumb when they were trying to figure out where Azul had moved the contracts? He’s supposed to be much smarter than how he is presented here. Wouldn’t his immediate thought be to check Azul’s room? But NO, Jade can’t come to that conclusion on his own because we need a contrived reason for each student to use their UM before the ending :/ so Jade has to waste time using his UM to get the truth out of his dream!self.
Jade and Floyd sitting around and going “………….” while they watch Azul make an ass of himself was such a time waster. Clearly you have enough brains to know what would trigger him, so why are you not acting on it???? Oh yeah, because we need to show more cool stuff in this dream like La Grotta!
Azul literally turns to the camera and tells his OB self, “Unlike you, I’ve changed.” It’s way too on the nose with what it’s trying to communicate. It breaks immersion and makes it so obvious the characters are outright stating their character development to make sure we all “get it”.
What was the purpose of Azul using his UM to get the mermobs to sign a contract to give all their power to him???💀 Bro can just say “excuse me, I forgot something back at the Coral Rush field” and they’d probably let him pass. But again, Azul isn’t allowed to do that because he MUST use his UM before the ending. Because Azul’s UM requires that another person willingly agree and sign a contract, his mandatory UM use before the grand finale feels particularly forced.
How many times do I need to listen to Idia/Ortho or other characters warn us about how we can’t have too many people dream hopping or else bugs might happen or Malleus might notice… It’s almost like the devs realize how long this is being dragged out for so they have to remind us every so often.
Not only that, but we get such poorly constructed explanations to keep characters behind while a new character goes with the main group. Why don’t you just leave them all behind once they’re awake then?? Oh yeah, because we NEED to drag along the current student into the next dream so everyone gets a cameo. It’s so inorganic how the characters are chosen to stay behind, Jamil just conveniently volunteers himself while we also listen to another spiel from Silver and Sebek about how their training makes them more stable than the twins to keep dream hopping.
I would actually consider Azul’s dream… serviceable? Like it isn’t fantastic or anything but for what it is, it works. It’s cohesive enough. But god, did I dislike how rigid it was… Nothing happens because it’s natural, it happens because the script demands it happens. To quote another post:
If anyone has played the first Ace Attorney game, this feels a LOT like that part in case 2 where Phoenix is too dumb to check the back of a receipt until Mia literally tells him to. The [characters have] to actively be made stupider because the scenario calls for it, and that really rubs me the wrong way.
#twisted wonderland#twst#Jade Leech#Floyd Leech#Azul Ashengrotto#disney twisted wonderland#disney twst#book 7 part 10 spoilers#Octavinelle#tweels#notes from the writing raven#question
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it’s rare to find a sinhalese person (online atleast) who is supportive of tamil self-determination. genuine question: among leftist circles in sri lanka, how common is such a stance?
I don't know whether I'm a reliable source to answer this question because I'm very jaded about this in general. A couple of days ago, someone on the Sri Lanka Reddit started up discourse about Maitreyi Ramakrishnan's choice to reject identifying with the country that tried to genocide her people, which I'm still chewing wire about. I'm a very isolated person with a very small social circle of like-minded leftist friends. They're mostly not SinBud and anti SinBud nonsense, but none of them are Tamil and I'm the one who really convinced them about Eelam I think. The people I learned from, who are out there doing the work of building inter-ethnic dialogue and overturning Sinhalese propaganda, might have a more hopeful view.
Thing is, there's no one "leftist" faction here because "left" doesn't mean the same thing as it does in the West. The Rajapaksas' party SLPP is socialist, a legacy of the SLFP that they branched off from, that was the party aligned with the USSR. They and their voters and their saffron terror acolytes (Buddhist priesthood) are all for public infrastructure they can rob blind and central government they can use to crush minorities, and build on the nationalist fervour of genocidal Sinhalese Buddhism that's served both major parties since independence.
There's quasi-communists, descendants of the ethnonationalist Marxist JVP that rose in opposition to the class corruption of ethnonationalist USSR-aligned socialist SLFP and enthonationalist US-aligned neoliberal UNP. The current JVP party itself is no longer communist; their coalition the NPP are mostly just very pro-union social democrats, and they've since distanced themselves from their ethnic myopia, possibly due to suffering much of the same state terrorism as minorities via militarisation and policies like the draconian Prevention of Terrorism Act (PTA). They're the most vocal about the abolition of the executive presidency, the removal of all martial law mechanisms and the PTA, defunding of military and police, and restructuring and executing the long-mismanaged socialist infrastructure. These are usually the working class and university students, but their base has been growing in other demographics too, since we "held our noses and voted" for the Yahapalana government in 2015 and it ended up fucking us over. But despite their sympathy with the suffering of Tamils and Muslims and favouring the devolution of power, most still cling to the idea that Sinhalese majoritarianism is a fair result of democracy.
The kind of pro-LGBT, anti-racist, feminist liberals that would pass muster with the western left otoh, are a minority of urban, English-speaking middle class. The younger of this crowd is increasingly favouring the aforementioned NPP (that is rapidly marrying the economic left with the social consciousness led by western dialogues that otherwise go against their traditional rural working class base), but that is very new and hampered by decades of Red Scare propaganda. The minority communities and the urban liberals traditionally vote for the current neoliberal party, that has distanced itself from their virulent nationalism over the last thirty years and basically modelled itself after the US Democrats (diet right-wing as opposed to nuclear right-wing) Their idea of reducing corruption and increasing efficiency is privatizing everything, makes the right pro-feminist and pro-LGBT noises, and coasts on the minority votes on the promise of never actively feeding ethnosupremacy, even if they won't do anything about it either. The Sinhalese affiliated with this party are deeply uncomfortable with if not entirely resistant to the idea that the North and East are Tamil lands colonized by the Sinhalese. Just like the quasi-communists, urban liberals are aware of the corruption and complicity of the Buddhist priesthood in ethnofascism and are prepared to do exactly as much nothing about it.
What I'm trying to say is that Sinhalese Buddhist ethnosupremacy is baked in to the Sri Lankan political fabric. "Left" means jack shit when it comes to whether Tamils have rights, in much the same way that the western left agrees on everything except Palestine. It's a political no man's land everyone tries not to look at.
The fundamental problem is that Sinhalese people who know enough about 1958, 1983, or the full scope of genocide perpetrated against Tamils during the last push of the war, let alone all 26 years of it, are very much in the minority. It takes a particular education to understand that "Sri Lanka" is a post-colonial invention that took over from "Ceylon", which was nothing but a construct for the ease of British administration. As far as I know, this education is confined to activist organizations and whoever followed my sociology program. So my kind of anarchist leftism that calls the war a Tamil genocide with their whole chest, calls the priesthood saffron terrorists, and recognises Eelam, is vanishingly small, afaik.
To be honest, I never really questioned the propaganda and narrative we've been spoon fed myself until I went to Canada when I was 23 to complete my anthro degree (became disabled and dropped out after). One thing that struck me was how racist the Sinhalese diaspora was. I was raised SinBud, my school didn't admit any non-Sinhalese, half my uncles were in the military, but these people that had left the country decades ago still hated Tamils and Muslims in a way that nobody else I knew did. I wondered whether this was what it had been like when it had all started; whether this hatred that seemed to have been preserved in amber was a true taste of what had ignited Black July. Suddenly the attitude of the Tamil diaspora towards the Sri Lankan government and Sinhalese people didn't seem so unreasonable.
Then, later in the same uni term, I went to an art exhibition of a white artist who travelled the world collecting information about their genocides and made art about them, and found a painting depicting Sri Lankan Tamils in 2008. Promptly had a meltdown. Went to the lady and told her tearfully that it was all propaganda, we didn't really hate Tamils, not even my uncles in the army hated Tamils, it was a war, the LTTE had terrorized us for my whole lifetime. Bless the woman, she didn't fight me, just let me cry at her and patted my hand and pretended to take me seriously. This made it easier for me to really think about what I knew once I'd stopped wailing and stamping. It prompted a years-long self-interrogation and fact finding that made me unearth how much brainwashing had been done to us by everyone, from our families to our school textbooks to news media. It's like the air we breathed was propaganda. And I still didn't know a fraction of what life had been like for Tamils (or Muslims) and the scope of atrocities perpetrated by the Sinhalese until I began my Society and Culture degree at the Open University when I was 30. The first year textbooks were only broadstrokes facts, but at last I found out about Gnananth Obeysekera, Prageeth Jeganathan, Stanley Thambaiya, Malithi DeAlwis. Their work on nation-making, ethnicity, historical revisionism, genocide and ethnic conflict and state terrorism...everything I should have been taught as a child. The chapters on the rapes and murders and shelling and war crimes and IDP camps were..indescribable. That was what properly radicalised me about Tamil self-sovereignty, because there's clearly no possible way the Tamil people will ever be safe and safeguarded under a Sinhalese majoritarian government.
I had to drop out of that programme too because of my health. But during the mass protests against the government in 2022, I learned even more about Tamil indigeneity, the extent of JR Jayawardena's crimes, and the persecution of Marxists and victims of the '71 and '89 insurrections. So much of the protests and their encampments were directed and galvanized by social media, that organised online and in-person lectures, teach-outs, and live discussions that anyone and everyone could attend right alongside the protests. I've never seen that kind of truly democratized, free, egalitarian civic education and discourse before. That was the very first time I saw academics, survivors, refugees and human rights activists being given a respectful platform, the masses hearing firsthand accounts from people of the North and East and witnesses of Black July. April to July 2022 was a truly golden bubble of time where I saw people finally start listening, believing, and challenging all their convictions. It was the closest we ever came to realising the hope that things could be different; that we could, as a society, understand how Sinhalese ethnosupremacy had been the black rot killing this country from the first, stop being racist Sinhala-first cunts and actually hold any of these murderers accountable.
Teach us to hope, I guess.
But I suppose it's no small thing that I learned about the Tamil resistance and struggle and taught all my friends about it. I'm sure they're informing their own circles in small ways too. These tendrils are hard to see, but they exist and grow. Especially with the fall of the Rajapaksas and their Bhaiyya contingent, more people can see ethnosupremacy for the grift that it is, and the younger generations are less defensive, more willing to listen and eager for justice and change. So I guess the answer is: not very common, but less uncommon than it used to be.
#sorry if this is long winded. I hyperfixated#sri lanka#sri lanka politics#tamil sovereignity#eelam#tamil genocide#asks#anon#knee of huss
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Journey to the West Chapter 59
Welcome back to this week's chapter of Journey to the West with @journeythroughjourneytothewest. This week we get to continue our ongoing segment of Sun Wukong getting into trouble with members of the Bull Demon King Family. So let's get into it shall we?
So the gang is traveling along, and soon enough autumn once again comes along. However, it's feeling rather hot for this time of year, which- mood. The gang debates why this might be for a while, before Tripitaka finally just sends Monkey to ask one of the locals about it. So Monkey asks one of the locals to tell them where they are, and also if there is any particular reason for the extreme heat, you know- since global warming wasn't really a problem yet in the 7th century. And after the usual song and dance about how the disciples are so ugly and frightening, but Tripitaka's pretty boy face is enough to make up for, the random villager invites them inside for tea and exposition.
Turns out they are currently in the region known as The Mountain of Flames- aptly named after the on fire mountain that is right in the middle of their path westward. While Tripitaka is waiting for the latest bad news to finish sinking in, Monkey spots someone selling rice-puddings, and transforms one of his hairs into a coin to buy one. The rice pudding is super hot, so while Monkey tosses it from hand to hand like a hot potato while waiting for it to cool off, Monkey asks how they get any farming done under these conditions.
So the rice peddler tells them that there is an Immortal Iron-Fan who has a palm-leaf fan that can extinguish the fire with one wave, summon a breeze on the second, and on the third wave it summons rain. The times when the Immortal does this are when they can get all their farming done.
After hearing this Monkey goes back to Tripitaka and hands him the rice pudding to eat while he asks their current host where the Immortal Iron-fan lives. The villager tries to tell them that asking for the fan won't be easy, since they don't even have any offerings for the Immortal, but Monkey is insistent. So the villager tells him that they live on Jade Cloud Mountain in a cave called Palm-Leaf Cave, about 1450 miles away from here. Now that he has directions, Monkey decides to take the trip to ask for the fan. The villager tries to offer Monkey provisions for what will surely be a long and hard Journey, but Monkey just waves him off saying he's fine and takes off in a cloud somersault.
So Monkey fast travels to the mountain, but decides to gather some last minute information before going to the Immortal. Monkey spots a local wood cutter and asks for where the Palm-Leaf cave of Immortal Iron-Fan is. The Woodcutter doesn't quite know of an Immortal Iron-Fan, does he mean Princess Iron-Fan instead? You know- wife of the Bull Demon King?
Monkey, who has ran out of hope of previously being sworn brothers with the Bull Demon King getting him any special treatment in this family around the second time he had to fight a member- isn't overly pleased to hear this. Monkey isn't overly optimistic about his chances for negotiating for the fan, but decides to give a shot anyways.
So Monkey makes his way to the cave and bangs on the door, asking for the Bull Demon King to come out. Instead a young servant girl opens the door, so Monkey asks the girl to announce him to Princess Iron Fan. So she asks for his name to pass along to the Princess and Monkey tells her he's a priest from the land of the east called Sun Wukong. So the girl goes back inside and tells Princess Iron fan that a monk by the name of Sun Wukong is hear to ask to borrow the Palm-Leaf Fan.
Unsurprisingly, upon hearing this the Princess flies into a rage, and gets dressed in her armor before going out to meet him, weapons in hand. Unable to read the mood, Monkey politely greets her as 'sister in law', and tries the whole 'I had an alliance with the Bull Demon King five hundred years ago' spiel one more time. The Princess however doesn't care about any of that, what she wants to know is why Monkey got her son in trouble. Monkey tries to explain that RedBoy started it by trying to eat his master, and honestly he's in a much better position serving Guanyin now a days anyways, so really he did him a favor. However the Princess is still upset, since even though her son wasn't killed, she is still unable to even visit him now.
Monkey tries to suggest a compromise, if she loans him the fan, then after he puts out the fire he'll pay Guanyin a visit and bring RedBoy here so she can see how well he's doing herself, and he'll return the fan to her at the same time. Which I personally find a pretty fair offer, it's nice to see Monkey trying to work things out through negotiation rather then jumping straight to violence. However the Princess offers a compromise- he should instead just stand there and let her hack him up with her sword, and if he can endure it she'll lend him the fan- if not, well he'll be dead anyways and no longer her problem I guess.
Monkey is more then happy to agree to this new deal, and honestly, getting whacked a few times with a sword is probably easier for him then going all the way to Guanyin for a visit anyways. So Monkey just sticks out his head for the Princess to hit until she gets tired and tells her to have at it. So the Princess hits him about fifteen times, but doesn't accomplish anything, so she tries to flee, but Monkey insists she hand over the fan first. The Princess refuses, so Monkey pulls out his staff and the two begin to fight in earnest. The two fight until it starts getting late, and finally realizing that she'll never beat him, the Princess takes out her Palm-Leaf fan, and fans at Monkey, creating a gust of wind that blows him out of her hair.
Monkey is left blowing on this wind throughout the entire night, unable to stop or touch the ground, until he finally manages to catch onto a mountain and bring himself to a halt. And Monkey actually recognizes this mountain from a previous adventure. It's where he defeated the the other wind themed demon the Yellow Robed Demon with the help of Lingji. While he's already in the neighborhood, Monkey decides to visit Lingji to ask for directions back to where he came from. So Monkey goes to Lingji's place, and Lingji asks him if he's acquired the scriptures already. Monkey explains that there's been a slight hiccup in that plan, and that he was actually blown all the way here by Princess Iron fan.
When Monkey asks how far away he is from the Mountain of Flames, Lingji, explains that he is about fifty thousand miles away. Also that he is impressed that Monkey managed to stop when he did since the fan is capable of blowing people eighty four thousand miles. Monkey then asks if Lingji knows how they can overcome this trial, and Lingji explains that it's actually good fortune that Monkey ended up hear again. Because way back when, the Buddha had given Lingji two different items to deal with the Yellow Robed Demon, the first is the dragon staff, that they used on the Yellow Robed Demon. The second however is a Wind-Arresting Elixir that they hadn't needed to use back then, so he still has it. With the Elixir, the fan won't be able to work on Monkey, so Lingji helps sew the pellet into Monkey's collar before sending him on his way.
Monkey once again arrives at Princess Iron-Fan's doorstep, and once again bangs on the door demanding the fan. The Maid from earlier once again reports his presence to her boss, who is surprised he's back so soon, since if he should still be getting blown away by the fan right about now. This time she resolves to blow him away three or four times so that he won't be able to come back at all as she heads back out to meet him. When Monkey see's her, he once again asks to borrow the fan, and says he'll bring it back after he's done. The Princess however isn't having it, since it isn't even about the fan, not really, it's about her not being able to see her son anymore. So the Princess attacks, but this time when she gets tired of fighting and tries to blow Monkey away the fan doesn't work on him. Unsure what else to do, the Princess feel's and seals herself inside her cave.
Rather then banging on the door again, Monkey instead transforms into a tiny mole cricket and sneaks inside. And just in time to, since Princess Iron-Fan is currently calling for tea, which gives Monkey inspiration. So while the maid is pouring the Princess a cup of tea, Monkey takes the opportunity to dive into the tea. Once the Princess drinks the tea, and Monkey finds his way in the Princess's stomach, he decides to make his presence known to her. From inside of her, Monkey once again calls out to borrow the fan. The Princess is horrified and asks how he's inside her house since they locked the doors, but the maid points out that it's worse then that, he's not just in the house, he's inside her.
Monkey confirms to Princess Iron-Fan that he is indeed in her stomach right now, by punching her intestines and causing her unbearable pain. And Monkey keeps up the torture until Princess Iron-Fan finally gives in and begs for mercy, and agrees to loan him the fan. Princess Iron-Fan has one of the maids fetch the fan, once Monkey confirms it's there, he finally leaves through her mouth and transforms back into his usual form. Monkey then thanks her, before taking the fan and returning to Tripitaka and the others.
Tripitaka is delighted to see Monkey back, fan in hand. Monkey then explains his latest adventure and about how Immortal Iron-Fan is actually Princess Iron-Fan and the wife of the Bull Demon King. All caught up on current events, the group travels on-wards towards the mountain until it gets to hot for anyone but Monkey to go any further. So Monkey tells everyone to wait here for him while he goes to the mountain to extinguish the fire.
So Monkey goes to the mountain and fans the flames once, only for the flames to burn even hotter, he fans a second time only for it to become even more intense, and the third makes it even worse until the flames have increased a hundredfold. Seeing that this has not gone at all according to plan, Monkey retreats back to the others, and warns them to run since the fire is coming. After they have retreated to a safe distance, Tripitaka asks Monkey what happened. Monkey throws the fan away saying that he must have been tricked which causes Tripitaka to start crying again.
Monkey explains everything that happened to the others, and said that if he hadn't gotten away in time all his hair probably would have burned up. Pigsy asks why that is, since Monkey is usually pretty fire proof, but monkey explains that he has to prepare ahead of time with a fire repellent sign or magic to protect himself, but this time since he was expecting to put out the fire he wasn't prepared for it. For now though they have to decide what to do next since the fan was a bust.
Before they can get to deep into discussion however, the local mountain god stops by with some lunch and information. He tells them that the fan they have is indeed a fake, and for the real one they are going to have to talk to the Bull Demon King himself.
Current Sun Wukong Stats: Names/Titles: Monkey, The Stone Monkey, The Handsome Monkey King, Sun Wukong (Monkey awakened to the void), Bimawen (Banhorseplague), The Great Sage Equal To Heaven and Pilgrim Sun. Immortality: 5 + 94,000 years Weapon: The Compliant Golden Hooped Rod Abilities: 72 Transformations, Cloud-Somersault, Ability to transform his individual hairs, super strength, Ability to Summon Wind, Water restriction charm, and the ability to change into a huge war form, ability to duplicate his staff, ability to immobilize others, the ability to put others to sleep, and the Fiery eyes and Diamond Pupils, intimidating horses, churning large bodies of water, sleeplessness, seizing the wind, enhanced smell, discerning good and evil within a thousand miles, Spirit Summoning, lock picking, object transformation, distance reduction, vanishing in a flash of light, super healing, transforming others, Invisibility and Wind Resistance Demon Kill Count: 10 + Unknown Number of Minions Human Kill Count: 1039 God's Defeated: 23 + Unknown number Defeats: 7 Crime List: Robbery, Murder, Mass Murder, Arson, Theft, Coercion, Threatening a Government Official, Resisting Arrest, Assault, Forgery, Employee Theft, False Imprisonment, Impersonating a Government Official, Treason, attempted murder, failure to control or report a dangerous fire, desecrating a corpse, breaking and entering, trespassing, violating Tree Law, looting corpses, trading counterfeit goods, criminal threat, animal abuse, Assisting or Instigating Escape, Damage to Religious Property, contaminating a substance for human consumption, Identity Fraud, and Disorderly Conduct Cry Count: 9 + 3 fake cries Mountains Trapped Under: 4
Current Tang Sanzang stats: Names/Titles: River Float, Xuanzang, Tang Sanzang, Tripitaka and the Tang Monk Abilities: Curing Blindness, making branches point a certain direction (allegedly), reciting sutras, pretty privilege, memorization, Heart Sutra and Meditation. Cry Count: 31 Tight Fillet Spell Uses: 63 Paralyzed by fear: 6 Bandit Problems: 3 Kidnapped by demons: 9 Falling Off Horses: 10
Current Bai Long Ma Stats: Names/Titles: Bai Long Ma (White Dragon Horse), Prince of the Western Ocean, and third prince jade dragon of the dragon king Aorun Abilities: Transforming into a human, a water snake, and a horse, eating a horse in one bite, flight, Magic of Water Restriction, Singing, and Sword Dancing. Cry Count: 1 Crime List: Arson, and Grave Disobedience. Contributions to the plot: 3 Kidnapped by demons: 1
Current Zhu Wuneng Stats: Names/Titles: The Marshal of the Heavenly Reeds, Zhu Wuneng (Pig who is aware of ability), Zhu Ganglie, Pigsy, Idiot and Eight Rules. Weapon: Rake Abilities: 36 Transformations, parting water, fighting underwater, cloud soaring, size enhancement and CPR Demon Kill Count/Kill steals: 5 Kidnapped by Demons: 4 Human Kill Count: 1 Failed Flirtation/romances Attempts: 4 Cry Count: 2 Crime List: Sexual Harassment, Murder, Kidnapping, arson, defamation, Damage to Religious Property, contaminating a substance for human consumption, Identity Fraud, Theft and Forcible entry
Current Sha Wujing Stats: Names/Titles: The Curtain-Raising General, Sha Wujing (Sand Aware of Purity), Sandy and Sha Monk Weapon: Monster Taming Staff Abilities: Fighting underwater, Cloud soaring, and fetching water from a well. Demon Kill Count: 1 + Unknown number of minions. Kidnapped by Demons: 3 Human Kill Count: 1 Cry Count: 1 Crime List: Breaking a Crystal Cup, murder, desecration of a human corpse, Damage to Religious Property and contaminating a substance for human consumption
Previous - Masterpost - Next
#journey to the west#jttw read through#jttw#journeythroughjourneytothewest#sun wukong#tang sanzang#zhu wuneng#sha wujing#It's always fun to see more of the bull Demon King family#Since they are the closest thing we get to an overarching villain in this book I think
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THE HOLMWOOD FOUNDATION PILOT EPISODE CAST/CREW - PART ONE
REBECCA ROOT - MADDIE TOWNSEND/MINA HARKER
Rebecca trained at Mountview Academy of Theatre Arts. Theatre credits include A Midsummer Night’s Dream at Shakespeare’s Globe, The Curious Incident of the Dog in the Night-Time for the National Theatre (UK and Ireland tour); Rathmines Road for Fishamble at the Abbey Theatre, Dublin; Trans Scripts at the Edinburgh Festival Fringe and American Repertory Theater in Cambridge, Massachusetts; The Bear / The Proposal at the Young Vic; and Hamlet at the Gielgud Theatre and Athens International Festival. TV, Film and Video Game credits include Monsieur Spade, This Is Christmas, Irvine Welsh’s Crime, Hogwarts Legacy, Horizon Forbidden West, Heartstopper, Annika, The Rising, Sex Education, The Gallery, The Queen’s Gambit, Finding Alice, Creation Stories, Last Christmas, The Sisters Brothers, Colette, The Danish Girl, Flack, The Romanoffs, Moominvalley, Hank Zipzer, Boy Meets Girl, Doctors, Casualty, The Detectives, and Keeping Up Appearances. Radio credits include Clare In The Community, Life Lines, The Hotel, and 1977 for BBC Radio 4. Guest appearances include Woman’s Hour, Front Row, Loose Ends, Saturday Live, and A Good Read. She plays Tania Bell in the award-winning Doctor Who: Stranded audio dramas. Rebecca has also recorded numerous documentary narrations, audiobooks, and voice-overs. Rebecca is also a voice and speech coach, holding the MA in Voice Studies from Royal Central School of Speech and Drama.
SEAN CARLSEN - JEREMY LARKIN/ JONATHAN HARKER
Born in South Wales, Seán trained at the Royal Welsh College of Music & Drama. He has worked extensively in audio drama, television, theatre and film. Seán is perhaps best known to Doctor Who fans as Narvin in the Doctor Who audio series Gallifrey and has appeared on TV in Doctor Who - The Christmas Invasion and Torchwood. Recent TV credits include Mudtown (BBCiplayer/S4C), Dal y Mellt (Netflix), His Dark Materials (BBC1), All Creatures Great and Small (Channel 5), A Mother's Love (Channel 4) and Series 5 of Stella (Sky1). Films include supporting leads in Boudica - Rise of the Warrior Queen, cult horror The Cleansing, the lead in Forgotten Journeys and John Sheedy’s forthcoming film ‘Never Never Never’
SAM CLEMENS - ARTHUR JONES
Samuel Clemens trained at the Drama Centre London and is an award-winning director with over twenty years’ experience. Samuel has recently written and directed his debut feature film ‘The Waterhouse’ with Take The Shot Films & Featuristic Films and represented by Raven Banner Entertainment, which is due for release this coming year. In addition, he has directed fourteen short films, winning awards all over the world including shorts ‘Surgery (multi-award winning), A Bad Day To Propose (Straight 8 winner 2021), Say No & Dress Rehearsal’. Samuel also directs critically acclaimed number one UK stage tours and fringe shows (Rose Theatre Kingston, Swansea Grand, Eastbourne, Yvonne Arnaud, Waterloo East Theatre) and commercials include clients JD Sports, Shell and Space NK. Samuel is also a regular producer and director for Big Finish Productions & Anderson Entertainment. He has cast, directed, produced and post supervised numerous productions of ‘Doctor Who – (BBC), The Avengers (Studio Canal), Thunderbirds, Stingray (Anderson Entertainment), Callan, Missy, Gallifrey’& Shilling & Sixpence Investigate’ and many more. Samuel has directed world class talent such as, Sir Roger Moore, Ben Miles, Tom Baker, Sylvester McCoy, Alex Kingston, Frank Skinner, Rita Ora, Rosie Huntingdon-Whiteley, Rufus Hound, David Warner, Celia Imrie, Samuel West, Youssef Kerkour, Sophie Aldred, Ian McNiece, Colin Baker, Olivia Poulet, Stephen Wight, Jade Anouka, Mimi Ndwendi, Michelle Gomez, Peter Davidson, Paul O’Grady and many more. Samuel is one of the founding members and directors at Take The Shot Films Ltd and is Head of Artistic Creation and Direction. Lastly, Samuel is a regular tutor at The London Film Academy, The Giles Foreman Centre for Acting & The Rose Youth Theatre and is a member of The Directors Guild UK. As for upcoming projects, Sam is currently in pre-production on his next feature film “On The Edge of Darkness”, which is based on his dad’s stage play “Strictly Murder”.
ATTILA PUSKAS - DRACULA
Attila Puskás is a native Hungarian Voice Actor born in Transylvania – Romania, so Romanian is in his bag of tricks too, but most of his work is done in English, in a Transatlantic Eastern European Accent, but is quite capable of Hungarian, Romanian and International Eastern European accents, plus Standard American. His voice range is Adult to Middle Aged (30-40+) due to his deep voice. Vocal styles can range from authoritive, brooding to calming and reassuring and much more. He’s most experienced in character work, like Animations and Games, but his skills encompass Commercials to Narration as well. He’s received training through classes and workshops, pushing him to the next level to achieve higher standards. Now on a journey to perfect these skills and put them to good use!
PART TWO: HERE
PART THREE: HERE
#A lengthier look at our cast and crew!#The Holmwood Foundation#the holmwood foundation podcast#jeremy larkin#maddie townsend#Rebecca Root#Sean Carlsen#arthur f jones#production updates#Dracula#Sam Clemens#Attila Puskas#cast announcement#podcast#horror fiction podcast#fiction podcast#Q
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Jade! I’m obsessed with your Zombie au!! I’d love to see something where r uses some survival skills and gets crafty, and Steve being impressed with her problem solving! Hope this inspires you in some way! <3
thank you for your request! steve zombie!au ♥︎ fem!reader 0.9k
"We're lost."
Steve pokes his cheek with his tongue. He knows you're lost. It is completely unnecessary for you to point out the obvious, and yet.
"We wouldn't be if–"
"I didn't take us down the wrong side road," you finish. "I know. Thank you for being so gracious about my mistake. You're always so nice to me, Steve."
It's not all your fault. Steve is twenty two years old and doesn't know one Indiana road from the other. He couldn't tell you how to get from Hawkins to Indianapolis if you paid him too, and he can't really read maps any better than you can.
"I think," he says, throwing the map out to get a better look, "we're here." He points to a place just under Columbia City.
"And we want to cut through until we get to… Churubusco?"
He nods. He's gonna keep you both off of the highway and back into small towns and residential spaces for a while. You need food and toiletries and some space from one another for sure.
The issue you and Steve are having currently is a distinct lack of road signs or natural indicators. The sun is moving slowly down in the sky, a sticky yolk-yellow through bright white. It would be less depressing if it were even slightly blue. At least it's finally stopped raining.
"Does the sun set in the East or the West?" he asks.
"East. No, West. Uh. Pass."
"You don't know?" he asks.
"You don't, either!" You frown down at your shoes as you kick the wet road beneath. "This is what I mean when I say I think you're a secret sexist."
"I love women," he says defensively.
"But you don't trust them," you say dramatically, like a heartbroken actress from a transatlantic movie.
He snorts and shoves the map back into his coat. "Let's go that way," —he points toward the sun— "and hope we don't starve to death, I guess."
"No, wait, wait. Turn around."
"Um…"
"Turn around!" you demand.
Steve lets you boss him around these days. When you've been the sole company of someone for a full month, you learn to let go of the things that might irk you rather than suffer from constant arguing. And, Steve's decided he's been a little moody and you may not strictly deserve it. But he's not gonna tell you that.
He turns around and you rummage through his pack. You pull out the first aid kit, and he doesn't bother asking as you click it open. You take out a needle, which is a little worrying. He doesn't care until you're edging it toward him.
"Woah, what the fuck. I thought we were getting along," he protests, flinching backward.
"I need to rub it against your hair."
"Right, and when it slips into my eye, we'll call that friendly fire."
"Steve! I know what I'm doing."
You might, but you won't enlighten him. You rub the eye of the needle against a piece of his hair pinched taught in your fingers. It goes on for so long he starts to wonder if you're trying to light him on fire, or summon a stroke of lightning to strike him, but then you pull away and look around the road searchingly. You grab a leaf near the edge of the road and walk away from him determined.
And look, Steve has his inhibitions, but he really doesn't want you to leave him there. Say whatever you want, he doesn't have to explain it to himself and he refuses to, only rushes to follow you and wrap his hand around your backpack strap.
You stop short and crouch on the floor.
"Hey," he says, concerned, "are you alright?"
"Come here."
"It's wet."
"Come on, Harrington, get on your knees."
The way you say it makes him feel a certain emotion. He blames it on the apocalypse and kneels down.
You've dropped your leaf on the surface of a shallow puddle. Steve stares as you place the needle on top of the leaf carefully, waiting as the leaf spins in the water. He thinks that the needles weight is pushing it down, until it stops sudden and stays pointing the way you came. You look up at the sky and smile when you find the sun.
"Okay, sun must set in the west, then."
"What just happened?"
"I made a compass."
Steve looks at your needle. "What?"
"I made a compass! Your hair magnetised the eye, and it's pointing north because of the Earth's magnetic field. Tada."
He states at you. His stomach hurts, and his ears are ringing, and you look adorable when you're feeling smug but it's your knowing it in the first place that really gets him. Steve's always had a soft spot for dorks.
"Nice job, nerd," he says genuinely.
"Ha! Though I was a dummy?"
"Oh, you are." He stands up and tugs your backpack strap. "Grab your needle, witch, we might need it the next time you fall on your ass."
"I slipped one time, Steve."
#steve zombie!au#steve harrington imagine#steve harrington x reader#steve harrington#steve harrington fanfiction#steve harrington x you#steve harrington x y/n#steve harrington fic#stranger things x reader#stranger things fic#stranger things#stranger things fanfic#stranger things fanfiction
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Another year, another season, another post going into Chinese mythology (mostly in how it pertains to Journey to the West).
LI JING (李靖) is someone I've actually already discussed a bit here in terms of his and Nezha's backstories, but for JttW specifically, he's sent by the Jade Emperor to subdue Sun Wukong, and of course things don't go well in his favor. Later, he attempts to help Sun Wukong in apprehending the One-Horned Rhinoceros King and later shows up to arrest the Bull Demon King, and again after Tang Sanzang is kidnapped by the GOLDEN-NOSED WHITE-HAIRED RODENT-SPIRIT (金鼻白毛老鼠精), otherwise known as LADY EARTH FLOW (地涌夫人).
The SIXIANG (四象), or Four Signs, include ZHUQUE (朱雀), XUANWU (玄武), BAIHU (白虎), and QINGLONG (青龍) are the guardians of the four cardinal directions (South for the Vermillion Bird/Zhuque, North for the Black Tortoise/Xuanwu, West for the White Tiger/Baihu, and East for the Azure Dragon/Qinglong). In JttW, they are referenced towards the end in a poem:
One Real Body dropped to the dusty plain
Fuses with Four Signs to tend the self again.
In Five Phases terms forms are dead and void;
The fiends' vain names one should all avoid.
Great Bodhi's the right Candana fruition;
Appointments crown this rise from perdition.
Gracious light of scriptures now worldwide dilates,
As five sages live within Advaya's gates.
Much like the dragon family he'd married into, the NINE-HEADED BEAST (九頭蟲) is a thief, having collaborated with his father-in-law, the Wansheng Dragon King (萬聖龍王), into stealing a Buddhist relic—known as a Śarīra—from Jisai's Golden Ray Monastery. Erlang Shen's dog bites one of his heads off, but he manages to escape otherwise.
Like in many other religions, NÜWA (女媧) is said to have molded humans from clay, having initially creating what would become the nobility by hand before resorting to mass production for the rest. One day, when the heavens began to crumble—its cause depending on the source—she gathered five colored stones to patch up the sky, while a tortoise's legs would be used as pillars for support.
The Underworld in Chinese mythology is said to be divided into several hells and overseen by YANWANG (閻王) alongside nine other kings: QINGUANGWANG (秦广王), CHUJIANGWANG (楚江王), SONGDIWANG (宋帝王), WUGUANWANG (五官王), BIANCHENGWANG (卞城王), TAISHANWANG (泰山王), PINGDENGWANG (平等王), DUSHIWANG (都市王), and ZHUANLUNWANG (转轮王). Most infamously, Sun Wukong erased his name and that of every monkey he knew from the Ledger of Life and Death and to prevent them from dying.
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The Woman Who Couldn’t Die Part 2
master list
Part 1
Pairing: The Ghoul/Cooper Howard x Original Character
Alternative Universe where I make things up cause I can only research so much
Synopsis: Set a few years before Dom Pedro gets a hold of the Ghoul. The Ghoul is traveling back from the east coast, doing side quests for chems, after saving a girl from a closet. She becomes an unlikely companion, that softens the Ghoul’s hardshell.
MINOR GET OUT. Rating/Warning: This is based on fallout expect Canon typical: Drug use, alcohol, dEath, graphic viOlence, suggestions of SA, NonCon (not by the mc) suggestions of SH, body horror, angst, hurt/comfort, death or people, drugs and alcohol use, addiction, withdrawal symptoms, slow build,
Note: These will be spaced out as I am heavily editing and researching them. Each chapter will be 2-3+k words. Tags will be edited based on the chapter, please make sure you read them.
He heard her body slump down as she nodded it off, being someone’s chauffeur wasn’t on his list, even if the caps and chems sweetened the deal The girl, Jade his mind autocorrected, was going to be more than deadweight. How the hell had she managed to catch up to him? She had sat down and passed out moments after coming into the little makeshift shelter. The best thing would be to let her sleep and leave. She will die if you leave her here.
“Oh thanks for coming to my rescue conscience,” The Ghoul muttered to no one, “I don’t do guide work.”
She made it this far
“And? Chance are she won’t wake up tomorrow.” The Ghoul ground his jaw, since when did he give a mole’s backside about anyone?
Give her chance
“Fine. If she wakes up I will take her to the closest town.” The Ghoul muttered covering his face with his hat. “Leave me alone, before I smoke your ass out of my head.”
He waited for a reply but got none, letting out a huff he settled his gun in his hand and le t himself drift into something resembling sleep.
***
She woke with a start, someone kicking at her feet. Sitting up she blinked a few times, eyes still not used to being outside the box. Letting out a cough she moved her bag around to her and dug out some water. Take a swig of it before looking up at the figure standing in what passed at a doorway.
“Time to get going, the sun is up.” The Ghoul murmured just loud enough she could hear him.
Standing she swayed back and forth, the aches in her bones making her stiffen for a moment. Jade wondered if she’d be able to walk, she pushed the thought out of her mind. You either walk or you die, she thought.
Her travel companion was already on the move, her feet felt heavy but she pushed herself after him. Until she was beside him, matching his hurried pace as best she could. The bag on her back dug into old scars and bruises, she winced as her feet slid into the shoes. Trying to keep the discomfort to herself. There was not a doubt in her mind that if she didn’t keep up he’d leave her in dirt. Payment or not he was on the move. Her stomach turned and she promptly threw up on the side of the road. She wiped her mouth taking a small swig of water, before hurrying to catch up to him.
“Could you tell me where we are?” She asked, maybe the conversation would help take her mind off the pain and endless nausea.
The Ghoul glanced at her, “West, Appalachian somewhere.”
“Shit. I didn’t realize how far they’d take me.” Jade cussed, her mind reeling at the knowledge she was hundreds of miles from the East Coast.
“We are heading west, if you want to go east you’ll have to turn around.” His matter-of-fact tone was almost funny.
“Nah, I’ve always wanted to go west,” She said trying to sound confident. The truth of the matter was she didn’t really know where to go. It wasn’t like anyone was waiting for her. The chance of the Enclave looking for her still was low, she was a failed experiment. Jade figured the value of her life wasn’t worth much more than the caps she’d give the bounty hunter. At least she was alive, for now anyway.
“I never got your name,” Jade asked, the silenes grinding at her, somehow making every part of her that hurt, hurt more. Stomach rolling, she briefly wondered if the small amount of water she’d drank would be coming up next.
“Ghoul is fine,” The man’s choppy replies should have been enough of an indication to shut up. Not that Jade cared, she’d paid him, and the least he could do was talk to her.
“That’s not name, not really. You have to be called something else.” Jade pestered, adjusting her bag so it didn’t dig in as much.
The Ghoul sighed, and shifted his shoulder, “Well that’s all yer gettin’ ”
Jade inwardly groaned, great this was going to be a long trip with Chatty-Cathay here. She decided at least for the time being to keep her mouth shut and keep walking. Hopefully, she won’t lose anything else she’d eaten on the way.
***
The sun was starting to set when they stopped to make camp, the Ghoul had tucked them off the main roadway. A small fire was started and cans of cram tossed in to heat up. They had barely spoken just walking, the bounty hunter would have just kept walking through the night if he thought his travel companion would have made it. The woman had thrown up twice more since this morning, her hands shaking every time she took a sip of water. At least she had managed to keep down the last bit of food they ate. Girl had started to lag behind near the end of the evening, he wasn’t surprised she hadn't kept up. He could see how pale she was as she flopped onto the ground. This girl had been locked in a closet yesterday for god knows how long and now had walked a dozen miles in a day. Maybe she was tougher than his initial observation.
Flicking a can of cram out of the fire at her, she was holding her water bottle staring off into the fire. He took a moment to look at her, she was fair-skinned with black hair and huge brown eyes. Her features were marred by scars but still delicate, she was small but there was fire in her. Few people kept up with him when he was moving, at least he figured she'd make it to the next town.
“Eat some food, got to get some sleep,” He gestured to the now cooling can of cram. “If we keep up the pace we will make it to the next town in another two days.”
Jade grabbed the can and opened it, “Two days is pretty good, do you know what the town is called?”
“Couldn’t tell you, but I am sure they will.” He murmured eating his food. “What are you planning on doing there?”
“I am not sure, probably look for work I suppose,” Jade said still staring at the dying fire.
“Not sure how big this next place is,” Ghoul replied, “But there is always work for those looking to make caps.”
Jade nodded, “I was a bartender in Atlantic for a bit. Pay was okay but they also gave me a room. Won’t mind doing that again.”
“How did you,” Ghoul stopped himself, gesturing into open space as he looked at her.
“Joel kidnapped me,” Jade answered as if it was nothing, “He knew I had been experimented on in the Enclave. Guess he figured I would be a good toy, and not have to worry about the consequences.”
Knowing she had survived being in the Enclove and was still sane. Mostly sane. Just to be kidnapped by the pieces of shit at that outpost and she still kept moving. Jade was much more than he had given her credit for.
“Consequences?” He asked, already having an idea what she meant. What he wasn’t expecting was for her to stand up and lift up the baggy shirt to point at the raised pinkish-grey scar going across her lower abdomen. Her whole torso was covered in various scars, some looked surgical in nature.
“Don’t have to worry about me getting pregnant from their clients,” She stated matter of factly before dropping it back down. “Means they can charge more.”
The Ghoul felt his stomach turn at the thought, that Joel had purposefully taken her cause she had had her reproductive organs removed. Just so he could charge more for people to use her.
“Too bad I am a fighter, bit off a few people's ears, and ripped a guy's throat out once. So they kept me drugged, which I guess was a gift 'cause I don’t remember too much.” Jade continued, her calm even voice was stark compared to the horrors she told. “One guy was stupid enough to go in without drugging, watched him bleed out on the floor dickless.”
The Ghoul couldn’t help a harsh laugh at the last one. “You are more than I anticipated.”
Jade shrugged, “Kill or be killed. One of the only things my Daddy instilled in me.”
“Your Daddy was a smart man. I am surprised they didn’t kill you for killing their clients.” The Bounty Hunter said, tossing his empty tin into the now-dead fire.
“Nah, piece of shit just used it to their advantage. Advertising me as being untamed.” She spit out adding her can to the pile.
Ghoul nodded, her lack of emotion around the whole situation was worrying. The girl could be close to a mental break. The wasteland was hard on most people who hadn't been through half of what she had. Yet she sat there like it was just another Tuesday.
“Should get some sleep,” The Ghoul stated, kicking out the last of the fire.
“I can take a watch,” Jade offered, pulling her bag against her chest.
The Ghoul settled down his old bones creaking as he stretched out. He tapped the side of his head, “Got good hearing. Get some sleep, long day tomorrow.”
Jade didn't argue, just curled up with her head resting on her bag. He waited until her breathing had evened out before shutting his own eyes.
***
The second day of traveling together went much the same. Mostly silence, with a few interjections of, ‘Drink some water’, ‘Take another stimpak’, ‘Your boots’re loud’, and Jade's favorite, ‘Keep up or I’ll leave yah’. At least the sun had been mostly off them, the trees in the Appalachian mountains made sure of that. She also had only thrown up once, which hopefully meant the worst of the withdrawals were coming to an end.
By the time they set up camp, Jade was ready to stab the asshole. She flunked down and got the fire started. The Ghoul had wandered away to ‘take a leak’. As she worked the pile of sticks into a good flame she dug into her bag to grab a can of food. She wanted food and some water, it was unfortunate that she had failed to grab some moonshine from the outpost.
A shuffle broke through the dead quiet. Jade scrambled to get up as her body protested against movement. The pistol pointed towards the sound. More rustling and the Ghoul stumbled out with a large bird-like creature in hand.
“Don't shoot, Pip-Squeak,” He grunted, flunking the carcass onto the dirt. “Found something fresh.”
Jade flopped back down and watched the man. A small smile played across the creature's scared lips. He stepped on both wings grabbing the feet and yanked. Jade cringed slightly as he degloved the meat from the feathered body in one fluid motion. Digging his fingers inside to get the entrails out. He looked up at Jade.
“In my saddle bag, there’s some metal skewers grab’em,”
Jade didn't hesitate groaning as her joints popped, reaching over into his bag and pulling out the set of skewers. She stood and grabbed a couple of branches, the two working to make a makeshift roaster for the prize.
Once the meat was roasting he sat himself down taking a puff of the inhaler. Those gold eyes rolling slightly, Jade wondered what the drug felt like. At the same time, bile came up at the thought of drugs. As much as she enjoyed the recreation here and there, it was probably best to avoid them for now.
“Whatcha looking at?” The Ghoul’s eyes are now on her. Even having been beside him for two days she couldn't help how much he looked like a predator. His eyes flowed over her like she was the meat on the spit.
“Never tried that chem before. It's newer stuff.” Jade stated, trying to sound calm. She felt like a rabbit caught in a corner, her heart rate spiking and her lungs trying to grab air.
Then his eyes were moving back to the meal, turning it over on the spit. The meat cracked and popped as it cooked.
“Yeah, the Enclave, well that's the rumor anyway. Made it so that they could keep Ghouls from going feral. Word got out and a few ‘doctors’ started making it.” He poked at the fire. “Thought, in your state I won’t be temptin’ fait.”
Jade waves her hand, “No, I’ve had my fill of chems for a lifetime. But how does it make you feel?”
The Ghould tapped the inhaler against his chin pondering the question. “It enhances everything. But at the same time numbs the mind, makes it quieter up here.” He tapped his forehead with a leather-gloved hand. “Being a Ghoul makes things enhanced, but it’s more like all my nerves are working as if my brain isn’t full of worms. As close to human as I’ll ever get.”
“Do you miss being human?” Jade prodded, this was the most conversation she had gotten out of him.
Stretching out he pulled off his gloves, hands red and gnarled like the rest of him, and grabbed a bit of the bird from the screwer. “Can’t say I do, some things,” He tapped a finger to what was left of the bridge of his nose. “But otherwise it’s not such a bad deal.”
Jade nodded, she wasn’t sure what she had expected, her time with Ghouls was limited. They were still mostly shunned, but things were starting to change. Some understanding that Ghouls could be handy and weren’t the monsters that many made them out to be. There were even several settlements of just Ghouls now.
“Did you ever think of settling down? Not many Ghouls do bounty hunting,” Jade continued grabbing a few chunks of warm bird, blowing on them before eating it. Tasted decent, at least it was warm and not from a can.
“Mmm, just like to keep moving,” The man replied, Jade got a distinct feeling he wasn’t telling her everything.
“Never thought of bounty hunting, maybe I will give that a go. Probably safer than bartending.” The girl groaned, eating more of the bird.
The Ghoul let out a chuckle, “Yah, bounty hunting is safe. Just like radroaches are good eating.”
Jade joins in with a chuckle leaning back against a tree. “See what comes my way. Your ears on?”
He tapped the side of his head and Jade took it as an indication that she could get some rest. Tomorrow would be just as long a day, maybe they’d actually get a bed tomorrow.
***
The road was well-trodden well-trodded, and evidence of other travelers where starting to pop up. He had mentioned it to Jade to keep her eyes peeled encase they had some unwanted visitors. In fairness he was just happy she was quiet, he hadn’t had a lot of company in his travels. The girl had grown on him, she was tough and didn’t seem to care about the Ghoulness. In fact, she liked to listen to him just as much as she liked to talk, the company was pleasant even enjoyable. Which was going to be a problem, he didn’t need dead weight. But she hadn’t been dead weight, had she? The Ghoul grumbled at his own inner voice, shoving it back into the hole it crawled out of.
A twigged snap and they both froze. Another snapped on the other side, and the Ghoul found himself back to back with Jade. Guns drawn and pointed, he could feel her breath coming out in short pants.
“Deep breathes, Tiger,” He said quietly, “if you see something shoot it.”
They moved in tandem turning in a circle trying to see if they could spot whatever was moving in the bush. Something crossed the pathway and Jade fired the shot making a thunk on impact. He didn’t bother to look eyes continuing to scan, something dark moved and he turned firing, a yelp coming out. Then they were on them, raiders, several. He felt Jade shoot more than heard it, his own gun going off as a mist of blood spurted into the air. The head of one raider turning into a pulp, he felt the impact of something hit his shoulder, but he was already moving. Two more shots, one dead, one screaming. Shells hit the ground as Jade reloaded. He could feel her ducking and followed the same. A deadly dance of gunfire and blood splatter. Out of the corner of his eyes, he saw Raider jumping from the bushes, he turned covering Jade his knife coming out and sticking into the man’s throat. His hands dropped the weapons as he slid down the blade. A gurgling of icker coming out as he died on the Ghoul’s blade.
Standing up, the once quiet woods were now littered with several bodies, at least three of them were trying to crawl away. Ghoul watched as Jade walked up to one grabbing his hair to slit his throat, the Ghoul did something similar to one. The third pleaded for his life, but the several holes in his torso said he wouldn’t make it. Jade looked at the Ghoul, he nodded and she put a bullet between his eyes. She stood there almost as if she was seeing the carnage for the first time. Her legs wobbled and the Ghoul caught her under her arms.
“Easy now, easy,” He muttered helping her down against a large rock. She immediately grabbed her knees and pulled herself into a small ball.
He knelt down in front of her, “Hey, hey,” He patted her shoulder, unsure of how to comfort her. “They’re dead, you did good.”
The girl’s eyes were glassy as she nodded her head, breath coming out in short pants. Ghoul stood up and let out a sigh, of course, she would snap a few miles from town.
“I know you are going through shit,” The Ghoul spoke trying to reassure her as she rocked back and forth. “But we got to go, chance are there are more raiders.” The girl was still rocking, but her sniffles had slowed, “We should strip these guys of anything worthwhile and head into town.”
He waited a minute more, once the rocking stopped she uncurled herself. Holding out his hand he pulled her upright, eyes red-rimmed but the hard line of her jaw clenching let him know she was okay. Well as okay as she could be.
They stripped through the bodies quickly, ammunition, meds, chems, weapons, and a handful of caps. The Bounty Hunter leaned back on his heels. None of them had bags or anything that suggested they had been traveling far. Jade let out a yip, dancing around in a pair of boots that fit. The childlike joy after the breakdown was stark, but welcome.
“Think we should get moving. Think these were scouts,” He said standing and listening.
Jade had stuffed a few more things into her bag. Head-on swivel as she moved towards the Ghoul. She stood beside him facing the other way as if they'd done this a hundred times.
He turned satisfied that nothing was coming from behind them anyway. They both set off at a brisk pace towards what hopefully was somewhere safer than here.
Part two
*If you enjoy the story let me know! It keeps me writing!
*more to come, this is fully plotted just a lot of editing and additions..
*Find me on AO3 here
#fallout#the ghoul#fanfic#writing#fallout tv#fallout tv series#fallout fandom#the ghoul x oc#cooper howard#alternate universe#au#multichapter#slow burn#the ghoul x original character#the woman who couldn't die
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