#If the manga ends the same way THEN I'll read the novel

[kakusu-shipping]

and then I drew this comic instead of going to bed after reading the updates!

[yumeka-sxf]

Thoughts on Spy x Family: Family Portrait

I finally got around to reading the SxF light novel, Family Portrait...and I mean "finally" because it's literally been sitting in my shelf since it was first released in English back in December of last year! I was distracted by Code White and the SxF video game which came out around the same time, but even long after that, I was having trouble getting motivated to read it. For some reason, experiencing SxF in novel format instead of in anime/manga just didn't appeal to me, plus the fact that it's not written by Endo himself (these weird preferences of mine are also why I'm not into reading fanfics either). Don't get me wrong, in general I love reading stories in prose form too, but for a series like SxF that already has such an established visual identity, it doesn't feel as "authentic" to me if that makes any sense. But I did want to read it eventually, since it is an official part of SxF media and Endo did the illustrations and does acknowledge the book (he wrote a nice afterword at the end). So I finally sat down and read it in sections over the course of this week! I'll share my brief thoughts on each of the contained stories:

Novel Mission 1

Since this was the first story in the book, it took me a while to get used to experiencing the world of SxF in novel form. There were some things I felt would have been better conveyed in anime/manga, for example, one of the very first gags about Yor misinterpreting Anya's nature class as some sort of hardcore outdoor survival trip. As I was reading that part I was like "I get the joke, but it would have been funnier if I actually saw these images and the characters' expressions with Endo's comedic illustrations." It was also a bit jarring to hear the characters thoughts and feelings from third-person narration, but I got used to it. As for the story itself, it was Damianya focused, something I'm not particularly into, but I don't mind it either. I liked the rare, soft Damian moments, and the thing with the squirrel eating Anya's peanut trail was funny. I also liked the scene at the beginning where Loid and Yor feed Bond together while Anya watches.

Novel Mission 2

Oddly, this was my favorite of the stories! Of all the characters, I think the author nailed Yuri's unhinged thoughts the best - as I was reading, I couldn't help but hear every cringe thought in his voice, which is a good sign of how well the author gets the character! I actually chuckled at a few parts too, both from his insane Yor-obsessed and anti-Loid musings, as well as from his banter with Anya. The police interrogation scene was great and would be even better if it ever gets animated! I also found it interesting that this story has the first instance where we find out what Yuri thinks about Bond (that he's fat and useless - rude!) Also his first time hearing about Franky apparently...makes we wonder if Endo will make him feel the same way if these things ever come up in the manga.

Novel Mission 3

I liked this story a lot too! I think it worked the best in novel format out of all of them, probably because it was more focused on drama and emotions than comedy. It's ironic that the two official SxF stories that feature the deeper side of Franky's character - this one and the omake chapter from volume 13 - are both not even part of the main canon! Alessa would have definitely accepted Franky's job as an informant, but he felt that someone like her should only be surrounded by "beautiful things." The poor man really needs to see that inner beauty matters too, and he has that! I also think he should have swallowed his pride and told Loid the real reason why he wanted the disguise...not that it would have changed the outcome. Poor Franky.

Novel Mission 4

This was a cute Forger-focused story, but like the first one, I felt it had parts that would have been more effective in anime/manga form, for example, "hair monster" Yor and whatever hideous painting Felix ended up making! But despite that, it was still funny and cute. Though I do think the author went a tad overboard with Yor's flustered antics...they just kept going and going, lol. Also, like the movie, we have another scenario of Loid getting flung into the air by Yor but landing gracefully on his feet (though this instance was much tamer since she wasn't drunk and only pushed him instead of hit him). Again, maybe I would have appreciated the humor in this story better if I saw it in anime/manga with Endo's hilarious designs and expressions, but for what it was, it was enjoyable enough.

Short Novel

This extra short story would be perfect as a reintroduction story for a future anime season...maybe one day!

-----

Overall, the Family Portrait novel is a nice addition to the Spy x Family universe. Even though I feel the humor in the series is most effective in illustrated form, it's still nice to have more stories in the canon, especially ones that show new sides to the characters, like the Franky and Yuri stories. Like the movie, it's debatable if this novel should be considered true canon or not, but personally, I don't find anything in it that contradicts canon, at least not yet. So yeah, definitely check out the novel if you haven't already! 😁

[pennyblossom-meta]

L Lawliet: a deep dive into the expanded universe pt.01

EDIT (07/04/2024): Added some imgs.

Apologies for being so late to give this a follow up to @maevearcher's meta which can be found here and here. As usual, she’s made excellent points and I'll try to answer the ones which caught my eye.

Since this post ended up gaining a life of its own and becoming a bit too long, I’m splitting it in 2 or 3 parts. The core of the content for part 01 starts after under the button to Read More.

Here we talk about L's humanity.

I'll start with a disclaimer of my own: while I consider the manga as the base for the story, I'm very much open to the expanded DN universe as a complementary study of the characters and their motivations — sometimes even filling in the blanks for some of the background mysteries, such as the dynamics of Wammy's House and how L's successors view him.

To further clarify: by canon I mean the manga and any works by Tsugumi Ohba as the base material. I think @maevearcher and I are more or less in agreement on that, from what she mentioned in her own posts. As she said, the written word is indeed the baseline truth.

The expansion of the DN universe also has its own very special set of problems; for example, in many ways, L:CtW (L: Change the WorLd) commits the sin of overindulgence by throwing in considerations that, arguably, go against canon. Besides the ending where L lives for a final 23 days and Watari dies, the portrayal of Near in the movie (though in the novel he's also walking a fine line between becoming partially and very much OOC) is also a point of contention. I confess that I really wasn't fond of the way they portrayed Misa as a potential crush of L given canon insights on his opinion about Light whether in the role of Kira or as a person (pg.64 of Vol 13: How to Read, henceforth referred to as V13:HTR), but aligning L to become more humane and forgiving was at least interesting.

The same happens with the live action movies, the 2015 series, and the musical. At least the game Spiraling Trap isn't clashing with canon elements — that I could tell. The main plot is separate from the events of DN and the dating sim is a little slice of heaven into L's thoughts and emotions which I dearly love.

However, while L:CtW does indeed overindulge, the novel AN:LABB (Another Note: LA BB Murder Cases) gives us a singular glimpse into L through the eyes of Mello while keeping the events mostly accurate to the main plot, even with its slight deviations. It's certainly an optional perspective to the core of DN, but one that I always found very insightful. In V13:HTR, Obha mentions how he would’ve liked that there were more novels about L and how he solved previous cases, in a similar fashion to how Nisio Isin approaches AN:LABB. Here’s what Ohba says in pg.61 of V13:HTR:

(...) I didn’t think up much for [L’s] past. For him to be in such an influential position, he must have solved an amazing amount of cases, but I have no idea what kind of cases they were or how he solved them. But I would love for NISIOISIN, who wrote the Death Note novel, to write more stories about that (...)

This means that, to some extent, even the original author, Ohba, accepts AN:LABB as close to canon — or rather, as canon as it can get given the creative liberties allowed to a third party writer. To that point, Nisio Isin took L’s capoeira demonstration during the Yotsuba arc and made it a whole thing in the novel, with L taking inspiration from Naomi Misora’s skills. However, given the importance of that event, in the main story, L takes a while to even remember Misora so we can infer that either the stress of the case is getting to him OR learning capoeira and subsequently Misora’s role in it didn’t leave that much of an imprint on him because true canon didn’t really put that much emphasis into it. Either way, it’s an extrapolation that works. The technicalities can be overlooked given how ambiguous the scene is, as there is more than room to deduce a different past.

At the same time, I am an apologist that there are shared characteristics to L throughout the different mediums. My own interpretation of L's character has the manga as a baseline, but the expanded universe has taught me that there are sides to him that might not be so easy to perceive in dialogue bubbles or illustrations alone. Little things like L's addictive personality or the way he represses feelings are visible in the manga but caught beautifully in the novels, for example.

Going from the written word into the screen also represents a loss of the purity achievable only within the narrative in-book, where you can extrapolate and reach your own conclusions without being subject to the bias of sound and movement — though manga aggregates the visual to words and with it an altogether different dimension of meaning. That's one of the many things I enjoy about elements of fiction introduced through books; the stillness of the images and the narrative are more complex. Every time the baseline gets adapted, it loses something or that something shifts to fit into the perception of others. It ceases being pure and its essence is fundamentally shattered. Like the concept of a musical score on paper that gets played by an orchestra, there will never be an adaptation as good as the source material because it breaks the illusion.

While I can certainly extrapolate and accept the loss, I find that the written word from the novels, the tone of a VA's voice and the body movements in a live action still complement the manga well, despite narrative clashes.

About L’s humanity

Recently I've been re-watching the anime and it's incredible how Alessandro Juliani's understanding of the character resulted in such a well-rounded voice for L. I actually prefer the EN version to the JP because of the voice acting. It's superbly brilliant, even if L becomes less listless. He's certainly still aloof, but his aggressiveness is portrayed more vividly; in contrast, L in the manga feels a bit more dangerous and scary to me due to the range of expressions that the anime didn't manage to add in due to time and budget constraints. If anything L tones down how dangerous he can be. He does this on purpose so that he can trick and trip his adversary, as can be seen during his earlier interactions with Light. At times, L makes a mockery of himself, apparently placing himself in the position of a more demure individual while sharply observing the world around him and forming conclusions.

As to @maevearcher ‘s first point:

(...) An image of this lonely autistic genius, locked inside the confines of his ways, waiting for the right person to come along and save him from the banes of his solitary existence…until he meets Light and realises there’s someone out there who he can relate to, for understanding and stuff. I personally don’t buy too much into that.

The depth to which L relates to Light can be overestimated, but not without reason. Theirs is mostly an adversarial relationship with varying deviations throughout the expanded universe, but if we solely consider the manga then we get this comment from Ohba regarding whether L has any friends on pg.64 of V13: HTR:

Nope. And when he says that Light is his first friend that’s a big lie. He never considers him a friend. He probably secretly thinks really negative things about him.

During the Yotsuba arc, L is at a disadvantage. Light has turned the tables, tricked him into what Beyond Birthday could not do and thus gained a solid position into rendering L almost powerless to charge him. To elaborate on the latter point: BB wanted to create the perfect, unsolvable crime to humiliate L, making him lose, and thus “spend the rest of his life trembling in fear of B’s shadow” (pg.163, AA:LABB); L would know who the guilty party was but wouldn’t be able to prove it or bring that person to justice. As such, L would not be able to solve the mystery. At the end of the novel BB fails due to Misora’s quick thinking and that’s that. However, Light has several advantages that BB lacked, starting with his own social position, charm and the impeccable reputation of a model student and the prized son of a police chief who helps solve cases every now and then.

We can argue that, what truly happens in manga canon, is L and Light showing how much they respect each other for their detective skills, forming a sort of strange kinship within the cat and mouse game, especially when Light loses his memories of the Death Note. The game thrills them and they enjoy pushing each other’s buttons. No one else has ever challenged them like this. That being said, the first time they meet up for coffee after the tennis match, L is observing Light like a hawk, keeps testing him for a reaction and seems somewhat irritated at how much Light talks. I would venture a guess that L doesn’t actually like Light that much, even when he loses his memories. He might even find Light a nuisance when he waves the flag of morality — though this is a common problem L is confronted with when dealing with the Task Force, in particular Chief Yagami and Aizawa. This also places him at another gruesome disadvantage, as he’s surrounded by people who openly dislike and criticise his methods. The Task Force is also extremely wary of the way L pursues Light and think he’s being stubborn without proof to substantiate his reasoning. Ironically, it’s Aizawa, one of L’s most critical subordinates, who initiates Light’s downfall years later once he starts to consider L’s suspicions in light of Near and Mello’s tactics. 

Both L and Light respect the game, no matter where it takes them. I would further make an educated guess that Light even preyed on L’s vulnerabilities during the Yotsuba arc, predicting how L might fall into depression for failing at the game. Light was more than capable of understanding that L’s competitive and childish side would make him a sore loser, especially given that he had already “lost” the first round of battles just by showing his face. Even if there is a sliver of friendship between both during Light’s months of amnesia, it’s dead and buried the moment he becomes Kira again. 

My conclusion here would be that, while what happened with Light was extreme, it was also somewhat similar to Beyond Birthday’s eternal enmity towards L: the challenge, the need to humiliate and take down the greatest detective, one of the most brilliant minds to ever walk the Earth. There are some notable quotes from AA:LABB that reference what it is to be L, surrounded by future challengers and individuals who both look up to L and want to prove they’re better than him:

Pg.69

By simple arithmetic, L's ability in 2002 was the equivalent of five ordinary investigative bureaus, and seven intelligence agencies (and by the time he faced off against Kira, those numbers had leapt upward several more notches). This is easy to think of as a reason to respect and admire someone, but let me say this as clearly as possible: that much ability in one human is extremely dangerous. Modern danger management techniques rely heavily on diffusing the risk, but his very existence was the exact opposite. In other words, if someone was planning to commit a crime, they could greatly increase their chances of getting away with it by simply killing L before they began. That was why L hid his identity Not because he was shy or because he never left the house. To ensure his own safety For a detective of L's ability, self-preservation and the preservation of world peace were one and the same, and it would not be correct to describe his actions as cowardly or self-centered.

Pg. 117

L was the goal of everyone in Wammy's House. Everyone of us wanted to surpass him. To step over him. To step on him. M did, N did, and B did. M as a challenger, N as a successor. B as a criminal.

Pg. 160:

B approached Naomi Misora, calling himself Rue Ryuzaki. Rue Ryuzaki - L.L.  For anyone from Wammy's House, there could be no higher goal than identifying yourself with that letter - and Beyond Birthday seized this case as his chance.

One of the biggest problems with these quotes is that they paint a very complicated — and, ultimately, suffocating — picture of what it is like to be L. Ohba himself mentions Watari’s predisposition towards collecting geniuses from all over the world and what Wammy’s House has turned into, under the snippet for Watari’s character (pg.60 V13:HTR):

He’s a guy who cultivates detectives for fun. That’s kind of terrible, isn’t it?

Everyone profits from L. Watari becomes richer than ever. Wammy's House becomes breeding ground for geniuses who end up dreaming of a life where they enjoy constant thrill and challenge. However, in order to do so, the dream cannot be complete until the successor crushes the original; until M, N, B and A defeat L. At least one of L’s successors couldn’t handle the pressure and committed suicide. B, known as Backup, runs away from the orphanage and goes on a murder rampage. Having never met L in person, he deduces several personality quirks that the “original” demonstrates, going as far as exacerbating them in order to be creepy and repulsive. Mello, who boasts of having met L in person and being privy to stories about how he defeated several other detectives (then taking their aliases as a trophy) both fervently admires L and wants to step on him. 

Step on him. That’s quite the turn of phrase. It does sound scary, doesn’t it? To be surrounded by people who would take the opportunity to pull you down, no matter how much they admire you. They want to be you, to prove that they’re better than you. It’s game and ego. Life and death. Winner and loser. 

And that’s perhaps the most blatant summary in approved canon of what it is like to be L that we’ll ever get. We can, of course, argue that Watari cares about L. He’s not only his handler, but also the one who brought him into Wammy’s House. It’s fairly clear that he nurtured (and even enabled) some of L’s most distressing character traits, though I wouldn’t necessarily say it was with a purely utilitarian agenda. It’s perfectly acceptable to extrapolate how Watari might’ve wanted to keep L, a child of great intellectual genius, happy by allowing him to be challenged and properly educated. In fact, AN:LABB (pg. 145-46) even gives us L’s perspective on the kindness that justice can achieve, which is confirmed within the expanded universe to be similar to Watari’s teachings as L confronts Kujo in L:CtW. 

"I have nothing to do with him," L said. "To be completely accurate, I do not even know B. He is simply someone I am aware of. But none of this affects my judgment. Certainly I was interested in this case, and began to investigate it because I knew who the killer was. But that did not alter the way I investigated it, or the manner in which my investigation proceeded. Naomi Misora, I cannot overlook evil. I cannot forgive it. It does not matter if I know the person who commits evil or not. I am only interested in justice." "Only... in justice... " Misora gasped. "Then ... nothing else matters?" "I wouldn't say that, but it is not a priority." “You won't forgive any evil, no matter what the evil is?" "I wouldn't say that, but it is not a priority." "'But..." Like a thirteen-year-old victim. "There are people who justice cannot save." Like a thirteen-year-old criminal. “And there are people who evil can save." "There are. But even so," L said, his tone not changing at all. As if gently admonishing Naomi Misora. “Justice has more power than anything else." "Power? By power ... you mean strength?" "No. I mean kindness." He said it so easily. Misora almost dropped the phone. L The century's greatest detective, L. The detective of justice, L. Who solved every case, no matter how difficult... " ...I misunderstood you, L." "Did you? Well, I'm glad we cleared that up."

I would, once again, venture another educated guess that, while Watari’s primary reasons for starting a program of successors to L was noble, it ultimately backfired on an individual level. Society wise, the letters, as L calls them in L:CtW, are a force for good. They solve crimes, help law forces around the world to keep peace. Some of them even become scientists like Dr Kujo — though she becomes the main antagonist in the spin-off novel. However, the pressure this kind of lifestyle fostered creates a group of individuals who are highly competitive and manipulative. Some, like A, can’t handle it. Even L has his own troubles, being called a reclusive sociopath, possibly by the police forces who treat him as a utility rather than a person. He’s someone they admire and resent, who is tolerated given how effective he is at cracking down cases. 

This passage from L:CtW paints a grim picture of the way L suppresses his own feelings as he breaks down for not being able to prevent Maki from being kidnapped (pg. 150-51):

"Light...it hurts. My heart--" It was a hurt that L Lawliet had suppressed, that he had to suppress in order to continue his existence as the peerless Detective L. How had the world's top detective been described in regard to facets of his personality rather than his ability as a detective? He had been called a kinky detective who relished bizarre murders, a human computer capable only of measuring mass murders in terms of cold numbers, a reclusive sociopath. What L thought of such estimations of his personality only L could know. But no one could truly understand L. How L did not and could not forget the faces of thousands of victims. Who could comprehend the man who had lived his life, and had to live confronting all the lives that ended prematurely, the tears of grief-stricken survivors, the devaluing of life as a daily reality. How was it possible to measure the pain of such a man? Was it a strain so heavy that L's back curved under all its weight? Was it an agony so terribly to leave the indelible dark circles around his eyes? Was it a feeling so bitter that every bite he took needed to be coated in sugar? The chronically rounded shoulders, the inevitable dark circles, the eccentric tastes--L suppressed the pain of being a champion of justice, but the evidence of the pain was moulded into his very body.”

Even within the clear disparity from the official canon, this passage slaps. It humanises L further, making the detective become a person and not just a machine who is content with his lifestyle. I know there’s a tendency for those who prefer the manga to see L as someone who is unabashedly himself and perfectly alright with the life he lives. I would argue that the Kira case was not only the most difficult challenge L ever faced, but also a series of moments where he had to be at his best — and at his worst. He had to do everything within his power to solve the case, not only because of his pride but because of what he considers to be his sense of justice. Saying with such confidence ‘I am justice’ is a rather cheesy and childish thing to say out loud, though I read it as both what started as a child’s stubbornness and what L became, as he positioned himself as a barrier to prevent crimes. 

L suppresses himself, represses his emotions; he tries to control them, as Fu Takashi says in an interview, he is “dependent on games or battles of the mind”. Perhaps this is a consequence of the foundations of his personality. Despite L’s innate stubbornness, it could be argued that this is as much his fault as it is Watari’s, who didn’t nurture L’s social skills as he should have when he was a child. By not having an outlet outside of his hobby, L is trapped in a prison of his own making. Superficially, L is a “smart guy who hates losing”, but what about the rest? What about the things that make him human, the connections with others? In the same interview, it is mentioned how L feels lonely and needs affection. But what affection can you get when you isolate yourself from the world and keep everyone at arm’s length? He’s not a machine. Even machines become obsolete with time, and need outside help to keep functioning.

As for the latter point, if everyone around L is trying to step on him, humiliate him and surpass him, then it’s only natural that his emotional defences would be up. Aside from Watari, whose loyalty he can count on, he’s alone. L has no one else. And everyone around him will have a dangerous, significant probability to betray him.

Next in part 02: About romance, having someone close and intimate, the meaning of the Monster speech.

Tagging @rinneroraito and @sharkiethrts who might be interested in this meta.

[epickiya722]

"How is Horikoshi going to wrap up everything on five chapters?"

I don't know, you don't know. We just know Horikoshi and his team have a plan and they know how MHA is going to be wrapped up in five chapters.

They got it, they'll handle this. At the end of the day, this is Kohei Horikoshi's story.

Regardless, I feel like this is the case with some of you.

You're afraid of being disappointed. You're afraid of being disappointed because you have these expectations set so high. With that kind of standard, you're never going to be satisfied with anything.

So stuck on "this must satisfy me and only me" that you forget that that story not written by you is a story that is just being shared with you. Not given to you because you're special and you're not.

On top of that, some of you just crave for more, more, more. And more. And more. Even more.

You want nonstop content being pushed out while being impatient about it (looking at you, 'how dare we not get a new chapter this week' folks).

Just because one manga had been going on for longer than another, maybe even came out before that one, doesn't mean every manga is meant to last for a long time. Manga, anime, TV show, comic book, novel series, etc.

Fun fact, Horikoshi's previous works didn't last for ten years. His last one, Oumagadoki Zoo, lasted little less than a year. From July 2010 to April 2011.

Three years it ended before My Hero Academia came into the picture. And I'll be honest, I doubt Horikoshi even planned for MHA to last this long because he didn't have the experience before.

Once it got to a certain point, I doubt he even wants for MHA to go even longer.

Hell, that's something I know all too well as someone who writes. And from what I remember, stories have a beginning, a middle and an end.

Stories aren't meant to keep going on forever. They're meant to be read, to be told, to be understood, to be enjoyed.

Not be graded like some college report and not ongoing like the people who create those stories are damn machines.

Something that it's very clear to me that some of you forgotten that. Or even care, let's be real.

Some of you want perfection so bad and yet can't even write your own damn story.

Who even wants a perfect story anyways? I don't know about the rest of you, but a story with flaws is a story that could be learned from. Stories can guide you, too, in more ways than one.

Horikoshi's writing to me, at least, isn't perfect. It's entertaining. I got into MHA because I was entertained by the concept. I got interested into it because of a meme I saw. You think I wouldn't want to seek it out and see if it will entertain me?

Yes, there are some points of the story where I wanted to pull my hair out and I don't doubt that a future part may make that feeling return.

But at the same time, what if... that's the point? Maybe you were meant to feel that emotion? Maybe that's what the writer was going for?

Are you understanding me?

Maybe, example, with the end we got for Tomura was meant to upset you? Sadden you, anger you even? Stories work like that sometimes!

But I doubt the writer should be condemned for it because at the end of the day, it is just a piece of fiction. My Hero Academia is the same story where a woman can grow to the size of a building and a kid has a speech bubble for a head.

Now does that sound like a story that you should be acting like a complete fool over? Wishing harm towards and arguing with others over? Huh? Does it?

Honestly, after MHA ends, if you choose to move onto the next manga, anime, whatever how about stop expecting so much?

How about stop having this entitlement that the story must go your way and your way only?

How about remembering that eventually that story will end?

[formulaorange]

2023 Fall Anime

This is honestly a loaded season full of new shows based on relatively new manga. Lots to look forward to

Spy x Family - Season 2 One of the most fun SJ series that have come out in a while. Season 1 was killer, high hopes for season 2.

Goblin Slayer 2 I didn't realize they were even making a second season. This was such a killer series. I'm really hoping they don't fall into the many mid-tier fantasy tropes out there in anime right now. I thought the appeal of the show was really Goblin Slayer himself and less about the lackeys along the way. So we'll see how it goes.

Frieren: Beyond Journey's End This is definitely one of my highly anticipated series. It's about an elf who was part of the Hero's party and her life after he dies. (Since elves live longer) Definitely a darker take on fantasy but has some really solid fantasy and adventure vibes.

Rising of the Shield Hero - Season 3 Season 2 was pretty disappointing and slow. While this looks like it'll be more fast paced, it does look like a tournament arc of sorts. I know some aren't a fan of that kind of arc, but honestly I think it's exactly what this series needs to pick things up again. We'll see.

The Faraway Paladin - Season 2 This was legitimately one of my favourite fantasy series. I thought it was really well written and didn't rush things like other series. I'm looking forward to this season.

Sequels/Continuations: Eminence in Shadow - Season 2 killer series with an anti-hero main character. Definitely worth checking out. After-School Hanako-Kun Hanako-kun spin off Dr. Stone Season 3 - Part 2 One of the best novel concept series with nothing else in it's genre to compare to. Definitely didn't drop the ball on the recent seasons and still worth watching. Dead Mount Death Play - Part 2 One that I didn't particularly enjoy, but has a decent sized manga following. Tokyo Revengers - Tenjiku Arc The continuation of the series. Might be just me but it feels like the series fell off after the first season. The Saint's Magic Power is Omnipotent - Season 2 A more mature take on fantasy isekai that just started to get into romance at the end of last season. A solid combo of shoujo genres. The Ancient Magus' Bride - Season 2 Part 2 One that I haven't had a change to check out yet but have only heard good things about. Hypnosismic - Season 2 a weirdly addictive musical/rap series. Unique characters and honestly solid rap battles. One I'll be enjoying. -- Related - Paradox Live - Music battle with what looks to be the same style of animation and solid character design. Definitely worth looking at if you're a fan of Hypmic. The Seven Deadly Sins: Four Knights of the Apocalypse A sequel of SDS. Looks like it could be a fun watch for the fans of the series. New:

Shangri La Frontier A new manga fantasy series. This may be a horrible way to describe but it is what it is - a new age SAO- full dive fantasy game. A gamer who only plays shit games, gets into a new massively popular MMORPG and is op. One that I'm excited for because it ticks all the fantasy game boxes I like.

Undead Unluck A relatively new manga series that gained a lot of traction in the last year or two. A gory action comedy that's super chaotic and a lot of fun.

Shy Brand new hero manga series about a shy girl and her anxieties and struggles going into the hero world who grows and gains confidence as she becomes a better hero.

Ron Kamonohashi's Forbidden Deductions This is a manga series that I have kept forgetting the name of so never got a chance to read but all the covers for the manga look phenomenal. Likely the anime doesn't do him justice but it is what it is. Essentially sherlock in anime form. A PI with issues and the wholesome police detective work together to solve crime. Other New Series: Green - Fantasy Pink - Romance Red - Action Purple - Drama The Kingdoms of Ruins A world where witches were hunted down by humans as science surpassed magic. A kid who was raised by a witch swears revenge on mankind. This honestly looks solid. The animations are very cool looking and the mc seems to be an anti-hero. Will be looking at this one. Under Ninja A well known manga series about modern ninjas. Definitely a unique series for this season. The Apothecary Diaries A historical medical mystery show. I've heard the name before and I've also only heard good things. Will be worth a watch. A Girl & Her Guard Dog The granddaughter of a crime syndicate goes to highschool out of town and the current young boss lies his way into the same school. Would be cute romance if it weren't for the fact she's 15 and he's 26.. Butareba - The Story of a Man Turned into a Pig What the title says. A girl finds him and the story goes from there. I'm Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness The usual light novel title. Honestly, doesn't seem as yikes as I initially thought, might just be harmless breaking the rules kinda thing. Could be fun, also a Capybara that strikes fear into people's hearts. My Daughter Left the Nest and Returned an S-Rank Adventurer Looks like a wholesome series where an adventurer finds a baby, raises it and she becomes so strong she's busy working all the time. Just a cute father daughter relationship in a fantasy setting about her wanting to come take time to see him but being caught up in OP fantasy battles. Ragna Crimson Dragons vs Humanity - a human and a dragon team up to destroy all the dragons. Action fantasy series. Berserk of Gluttony I honestly added this because I thought it was hilarious. Looks like a combo of knock offs - the Gluttony skill from Tensura (reincarnated as a slime) and the mc being called Fate with the main girl who looks exactly like Sabre. I'll be skipping but its' here so you know.

[kozachenko]

Finished reading Forbidden Scrollery! As I mentioned in my little post about it before, I would make a full review on it once I finished it, so here we are now!

(Also, sorry I haven't been posting as much art recently, life's gotten busy for me and I haven't really had the time to work on anything big, but I hope to get back into drawing soon)

And honestly? Best Touhou manga I have read so far. Full review under the keep reading tag. Also, spoilers if you want to read it.

The writing first of all, was really good, the pacing is perfect (only helped by the actual paneling and layouts being top notch), the character writing was my favourite part of the manga, and the actual story was actually pretty smart.

So something I love about this manga is that it all revolves around a core idea, that being the relationship between Humans and Youkai. While each chapter is episodic in nature, it still feels like those little episodes actually have a purpose, it isn't just filler. There's not one major problem they have to resolve like in CDS, but at the same time the events aren't disjointed from one another like in Lotus Eaters. The way that we see Kosuzu slowly get more and more involved with the Youkai of the human village is really interesting. I also really like how we learn more about the human village and how it operates, as well as learning more about how the Youkai play a part in it. In each chapter we see a different way that this core theme is expressed, like in chapters 20 and 21 where we see how outsiders like the residents of Eientei contribute to the human village, and in chapters 30 and 31 where we see how humans help Youkai out via their fear of the unknown. And of course, you have the infamous chapter 25, where the most memorable moment from there also happens to be the most flanderized (I'll get to that in my paragraph about Reimu, because her character writing in this manga is the best that I've seen in the Touhou mangas so far). The best chapters that demonstrate this theme are probably all in volumes 6 and 7, where things start to get more intense.

Now onto the writing, and boy while this may be whiplash from reading CDS, the writing in this manga was amazing. Each character has their own unique voice, which ends up making the events in chapter 38 even funnier. Since Mamizou has a very distinct way of speaking, it makes it even funnier watching her be disguised as Reimu and accidentally slipping into her own way of talking.

Of course, this scene is visually aided by Moe Harukawa giving "Reimu" the little cat mouth she gives Mamizou, and also the very obvious signifier of the leaf, but establishing Mamizou's way of speaking early on in the manga helps emphasize the comedy of this scene (that being, a sassy old woman trying to impersonate someone in their early 20s with a very different personality to them).

What's even funnier about this scene is that as soon as Mamizou gets what she wants, she just gives up on trying to speak like Reimu and dips (which is the punchline to the setup of Mamizou almost calling Kosuszu "Little Missy" and then correcting herself)

Also, credit to the English translators for finding words and phrases like, "The real Mccoy" and "Reckon," with how different the Japanese and English languages are (and how tricky it can be to translate between the two) they ended up hitting the nail on the head with the localization and translation.

The actual narrative itself is really well paced, with all the events actually feeling like they happen consecutively to one another, only helped by the little bits in the dialogue where the characters mention previous events in the story. For a manga in a series where upholding status quo is the norm, a lot of changes happen in this manga, like Akyuu starting to write novels under a penname, Kosuzu starting to attract the attention of more and more important people in Gensokyo, and Kosuzu eventually being added into Reimu's friend group. The manga also does an excellent job of tying the events of the games at the time into the story, like we're seeing the behind the scenes or aftermath of a particular incident, especially so with the Urban Legend Incident, where we see Reimu and Marisa get more and more concerned about rumors like "The Story of the Bull Head" and the end of the world speading too far before they can do actual damage. I also like the tone that this manga has, it's inviting at first with how cute and lighthearted it is, but it slowly gets more and more serious we begin to see the truth of the human village, and by proxy, Gensokyo as a whole. Also, the set up and payoff with the parade scroll was really well excecuted, with it acting as like a ticking time bomb in the background as the series goes on. I also really like how each chapter feels different from each other in terms of plot beats, it's not really formulaic like Lotus Eaters was, which helps make the manga a lot more exciting to read, despite it not having a grandiose overarching plot.

Now onto the character writing. As you can probably see, I am turning into a bit of a Mamizou fan. She's one of the most well written characters in the manga and perfectly strikes the balance of being hilarious, yet intimidating at the same time. She's a pretty smart character despite her goofiness, and she's always such a joy to watch (or.. well... read, but that doesn't roll off the tongue as nicely (well actually fingers since I'm typing this, but again, doesn't roll off the fingers as nicely (yipeeee I used a phrase correctly). Also, I really like seeing her relationship with Nue as that of a grandma and her grandaughter who's a chaotic scene kid, but despite these differences they get along perfectly. Aya is also one of my favourite characters to read about in the manga, and I was so excited to see her again. She's always such a delight to see, and also captures that sense of goofiness + coolness. In a way, it's kinda the embodiment of Youkai in Touhou itself. Fun and charming yet supernatural and menacing at the same time. In your usual manga/anime series, it's more likely that characters will lean one way or the other (and anytime they step out of their ascribed personality, it's for a gag and is considered an oddity, wheras with Touhou it's commonplace), so it's a really unique writing thing in Touhou that I don't really see other things, which is really cool. Marisa is also written really well in this, she's really funny and plays off of Reimu really well. Kosuzu herself is also fun to read about, as her childlike view of Gensokyo slowly begins to crack as more and more influential youkai begin to interact with her. I also like how the manga doesn't tell you in the beginning that she's a young, naive kid, instead, it shows you little details like her having a curfew, her parents calling her for dinner, her general outlook on life in general. All of that is contrasted with Akyuu, who, while bit pretentious, was also very fun to read. She plays off of Akyuu's naivete well with her wisdom from her past lives and her knowledge on Gensokyo. She acts like how you would expect a teenager with memories of their past lives to act, with maybe a slight dash of maturity in there.

And now for Reimu, who I think is at her best in this manga. There were times when I legit went, "HOLY SHIT REIMU'S SO FUCKING COOL OH MY GOD-" instead of just going, "Ha ha, Reimu's such a dork." Like, she actually knows her shit in this manga, and it explores the "shrine maiden" side of her character in far more detail than we have ever really seen it before (except in arguably Silent Sinner in Blue, which I still need to re-read, yes I will also be making a full review for that as well once I do get around to it). I use this panel from chapter 27 as my example because she genuinely looks so cool here.

Reimu very frequently uses her skills as a shrine maiden to get to find the answers she needs, and she's not afraid to get her job done. As seen in the now iconic panel of Chapter 25...

This is probably what the manga is most well known for, and when I mentioned how this moment is flanderized, I'm more so talking about how people tend to look at this moment in isolation, and to be honest, Reimu isn't helping herself by saying this a moment before she does this guy in.

Which is then sort of contradicted when Reimu says this after she does the guy in.

So if she has a legit reason for why she did this, why the heck did she call it needless then? I feel like the best way of answering this would be that yes, she didn't need to do it, but from her perspective she had to. It's her job to do so, as she says so herself. Another thing to mention that contradicts the initial reading of that earlier line is just how seriously she takes this whole ordeal. During the pages leading up to this moment, we see Reimu as being uncharacteristically serious about this,

And when she finally arrives at Suzunaan, we get this really good reaction shot of her eyes, and it really says a lot about her mental state at the moment,

and she also gets very serious during her initial confrontation with this fortune teller guy.

Another thing that contradicts the "needless killing" part is how she handeled that one rich guy becoming a Youkai in chapter 37

Reimu is just ruthless when she needs to get her job done in general. Sure, she didn't need to kill the rich guy, she could have just let him go and not do anything about it, but she it's not about what she needs, it's what Gensokyo needs.

In the same chapter where she kills the fortune teller, we get this bit of narration.

Honestly, I feel like this is a kind of "Reimu knows more about Gensokyo than she lets on" kind of situation, because we never really learn exactly how having a human become a Youkai would screw up Gensokyo, but I have heard theories where if a human-who-became-a-youkai were to still try to be human, then it would be cause for concern because then it's like putting a radioactive rock in the middle of a small elevator with a lot of people (ok I know that doesn't make any sense whatsoever but I can't think of another way to put it). .

Putting that can of worms aside, I really like this manga's version of Reimu. Sure she has her dorky moments, but that's not the entirety of who she is, and I really like that. I really like it when characters have vastly contradicting sides to their personality, it makes them more interesting and also more fun to think about. There is so much more that I can say about Reimu in this manga, but I'll just end off this segment by saying that Reimu is now one of my favourite Touhou characters now and she is in my top 5 list of favourite Touhou characters.

Ok now it's time to finally talk about the artstyle and OH MY GOD THE ART FOR THIS MANGA IS GORGEOUS I WANNA EAT IT SHKGAGSLHSKGSAKJDGHKSLDJGHLAHDGLJH;SLGHKDJAH;GKGHDJK;HFGKADHG;J-

Seriously though, I really want to do a style study for this manga because I love it so much. It's expressive, the cross-hatching gives it this really nice and tactile feeling, and the designs the artist came up with for each character are really good. My only critique would be to maybe give Mamizou more wrinkles, or something more to communicate her age, (and I still like the way Mamizou is drawn in this manga). In my previous post on FS I brought up how good the layouts are, and that still holds up to when I finished this manga. Good manga paneling takes advantage of the fact that it's a manga, and uses that medium to it's fullest. I won't go into any more detail here as I have already talked about how good it's paneling is in a previous post, so go read that if you're interested. I feel like we all know what makes Moe Harukawa's art so good, so I'll just leave this segment at that.

Now, I would normally end this segment here, but really, there's one surprise I haven't talked about

One character who steals the show in this manga

A character so good, I had to write an entirely new segment on him

That's right, it's a dude, and it isn't Rinnosuke.

I'M TALKING ABOUT THE MAN,

THE MYTH,

AND MOST OF ALL, THE LEGEND.

ANXIOUS

MUSTACHED

VILLAGER!

THIS MAN, RIGHT HERE, THE GOAT OF ALL MANGA AND ANIME! BEST CHARACTER IN ALL OF EXISTENCE! ABSOLUTELY INSPIRING STORY THAT DROVE ME TO TEARS! BEST CHARACTER ARC IN THE ENTIRE MANGA! GET THIS MAN TO NUMBER ONE IN THE 2024 TOUHOU POPULARITY POLL LIKE HE DESERVES!

Ok in all seriousness, this manga is amazing, (I mean, it has anxious mustached villager in it) I see why people regard it so highly in relation to the other Touhou mangas. It was a blast to read, and it's my favourite Touhou manga now, and is also one of my new favourite mangas in general.

Ok I'm gonna end the post here now, bye byeeeeeee.

[shiki-aki]

hi! i was wondering if you knew where you can play tnc true blood or just a translation for shiki’s route? i was also wondering where you can read the mangas and if there are other official shiki-aki content other than the main game

Hi!! thanks for the ask

I personally don't know the steps to downloading and playing TNC True Blood, but I'm sure someone in the fandom around here knows how to do that? I believe you're going to need to download an emulator (like PPSSPP) and then download the TNC True Blood iso file off a website. I know a few of my mutuals play the game with a program that allows them to machine translate while they play, but again I don't have firsthand experience so I can't help you there, sorry! :(

There's no translation for Shiki's True Blood route as far as I'm concerned, but I read a vague summary of it and checked his route out myself through Japanese Youtube playthroughs. If you want, I can explain how his route is changed in True Blood/the new endings. Long story short, the latter half of Shiki's route is changed because the original was too NSFW lol. Shiki ends up not kidnapping Akira and holding him in captivity (unless you pick the choice that leads to that bad end).

For the manga, it's a bit of a complicated situation. You have to read on several platforms for the English version because there's no site that has the entire manga compiled in one place. Someone recently uploaded the entirety of the Togainu no Chi manga on the Internet Archive, but it's only in Japanese (and the Internet Archive is currently down). Here's how I would suggest reading the manga if you want the English version:

The manga site below has Vol 1, Vol 2, but it skips Vol 3, which is why you have to read Vol 3 elsewhere. However, the manga site has Vol 4, 5, 6, 7, and part of 8, so I still recommend you read here. The quality of the scans is not the best, but honestly this is the site I use to read the manga because it's the most accessible lol. I'll just bullet point to make things clearer.

https://www.mangago.me/read-manga/togainu_no_chi/

Vol 1 (chapters 1-5)

Vol 2 (chapters 6-9)

Vol 4 (chapters 16-20)

Vol 5 (chapters 21-26)

Vol 6 (chapters 27-31)

Vol 7 (chapters 32-26)

Vol 8 (chapters 37-39) *on the manga site, they don't have chapter 39, so I'll let you know where you can read chapter 39

If you want to read Vol 3 in English (chapters 10-15), you have to go here:

Now for chapter 39 (which is part of Vol 8), you can read it here:

After that, Vol 9 and 10 do have scans but... they're extremely hard to access, and they don't have any English translations as far as I'm concerned; only the Japanese raws. You have to go through hoops in joining a Russian Facebook group to access these scans (which I did because I was desperate to see my beloved Shiki in high quality lol). However, like I said, someone recently uploaded the entirety of the Togainu no Chi manga in Japanese. I would recommend reading Vol 9 and 10 off the Internet Archive, but it's down right now.

There's quite a few official Shikiaki content aside from the main game. Here's a list off the top of my head:

Shiki's Side Story ("Kawaita Mizu")

Shiki's Light Novel Story (based on ED3) but I wouldn't call it canon because it's not written by the same person who wrote TnC

Shiki and Akira's 5th Anniversary Scene

Shiki's drama CDs with Akira (there are a number of them, trust me lol. They're mostly crack though with Shiki and Akira roleplaying in funny scenarios)

Sorry if this answer is getting too long! Let me know if you want links to the Shikiaki content. Some of them require convoluted ways to access, and I don't want to make this post more disorganized than it already is, lol. Sorry! Thanks for the ask; I hope I was able to provide helpful information in some way.

[yuriskies]

The Performative Romance of "Yuri Is My Job"

Content warning: Yuri Is My Job contains depictions of homophobia, bullying, and sexual assault.

My friend @esselfortium recently convinced me to read "Yuri Is My Job" (which from now on I'm going to refer to by its fan abbreviation, WataYuri), written by Miman. I'm glad she did, because WataYuri turned out to be an extremely pointed and engaging commentary on the yuri genre. I'll try to keep this review/recommendation mostly spoiler-free while highlighting what I think are the most interesting parts.

Hime Shiraki is a high school girl whose dream is to marry into money and to that end, cultivates a "facade" of the perfect people-pleaser. She is coerced into becoming a staff member at Cafe Liebe after 'injuring' the manager on the way home from school. Cafe Liebe is a roleplay cafe where the waitstaff perform in character as student council members of the Liebe Girls' Academy, a setting intended to mirror a Class S romance novel. The manga explores the character relationships between Hime (performing under the name Hime Shirasagi) and the other members of the staff as she settles into the new job.

At a surface level, WataYuri functions as a criticism of the Class S romance genre, which focuses on close, hierarchal relationships between women within girls-only schools. These relationships often take on the shape of performative romance as a form of emotional fulfillment in the absence of "real" partners (men) within the setting, justifying itself as preparation for courtship after graduation. These close relationships often doubled to disguise intimate same-sex relationships at a time when these relationships were illegal.

The Class S genre leans into the ambiguity between the real and the performative; simultaneously providing a form of quiet affirmation and a cautionary reminder to its audience. This dynamic is understandable given that it is a subversion of pre-war publishing standards and laws regarding same-sex relationships, but many of the themes and plot beats inspired, influenced and survived into modern yuri.

Miman crafts their story in a way that digs into the nature of these legacy ideas with a certain perverse glee. The ever-watchful eyes of the authorities are replaced by those of the parasocial audience Cafe Liebe cultivates. The ambiguity - and often painful miscommunications that result from it - come less from "relationship/situationship" and more from the distinction between performance and the raw emotion it draws from.

In an early comedic moment, the latter dynamic is illustrated when Hime's cafe senpai Sumika Tachibana (an aloof, bookwise character on duty and a somewhat meddling gyaru off duty) and Mitsuki Ayanokouji (a caring, big sister character on duty and a curt, socially distant person off duty) argue in character over how to best handle a floor situation where Hime is struggling. Hime and her friend Kanoko Amamiya (a painfully shy girl with a secret crush on Hime) misinterpret this argument as a genuine romantic argument, and Kanoko uses the opportunity to flirt in character under the guide of expressing support for Hime's ability to do the job. Hime then reads Kanoko's intervention as a purely professional step. Nothing the characters are attempting to communicate gets through, because no one is certain on which side of kayfabe the communication is being made from.

Later chapters begin to tackle darker subject matter, exploring how the job both creates and exacerbates insecurity, conflict, and unhealthy relationship dynamics among the staff. As this tonal shift occurs, Miman writes a fantastic (sometimes horrifying) series of character sketches. Each of the story arcs these sketches support dig deeper into the relationship dynamics and shapes that are commonly adopted in modern yuri, illustrating just how toxic and ingrown the relationships produced by these story patterns can get.

Miman is not afraid to take the story into fraught territory - WataYuri covers a range of subject matter from childhood bullying, coming to terms with acearo feelings, internalized homophobia, and sexual assault - but they handle these matters delicately and sympathetically. These events ultimately highlight the strengths of the working relationships at Cafe Liebe - for as much hurt as the job is capable of generating, the staff's knowledge and personal relationships with one another equip them with the tools and resilience they need to begin resolving these issues as they come up.

Despite taking on the trappings of a shallow workplace dramedy, WataYuri delivers a wickedly sharp exploration of the roles we assign ourselves when building and maintaining our relationships. As it builds off of its consistently great character moments, it argues that our own self-enforcement of those roles is ultimately harmful when using those roles to soften or shield ourselves from the possibility of hurt that comes from expressing our true feelings. At best, it prevents us from finding genuine connection; at worst, it prevents us from moving on while our emotions turn poisonous.

[graytrailcam]

Indie Xenofiction; Data Lion

"Data Lion is a short visual novel about a lion who gets a camera collar put on him by a group of scientists wanting to document his journey. It has choices, 2 love interests, and many alternate endings including bad ends (game overs)!

The idea was inspired by masterpieces like The Lion King and the manga/anime Kimba The White Lion."

Found this game while searching around on Itchio, the game is completely free to download and can be completed within just a few hours. It is described by the author as being unfinished in its current state, but I think it can be played through completely with a feeling of some satisfaction. Here is the link for those interested

More in depth review under the cut featuring spoilers. If you're looking to play I do recommend going in blind, it's fairly simple and the fun is really found in unlocking the CGs, which isn't too hard to do.

This is a short game that reminds me a lot of media I grew up with on dA back in the day, so it was very entertaining. I can definitely tell this takes a lot more inspiration from Kimba than it does TLK with a lot of its story concepts and overall character design. The game itself runs on a seven day cycle so it's fairly short.

I enjoyed the main character's design, he's an intersex, mostly maneless lion that you can name, though the default name that pops up is 'Lion McLionface' (your character was supposedly named via an Internet poll made by the scientists attaching your radio collar)

You're also able to choose your stats, as this game does have (extremely basic and limited) combat. For my playthrough I named the lion 'Lasaga' to be a bit silly and I dumped all my stats into strength.

I'm not really sure what the stats of Skill and Speed do for you. I completed the game by getting all the CGs and didn't encounter anything that was explicitly skill or speed required, perhaps it has a factor in combat that I'm unaware of.

You make a series of choices, some meaningful some not as most of them lead to the same exact events playing out. You can acquire the only pickable item, a thorn you can use in combat, in the game earlier on based on where you choose to make your home if you pick the Acacia Tree.

At some point a Safari Car will come by and observe you, if you make the right dialogue choices you can get some exposition on the setting you're in.

The animals in this particular section of Africa are apparently Bio-Engineered to have heightened, near human intelligence. The author of the game, Caveboy Tup has elaborated in a comment on the game's itchio page which I'll leave below;

This is definitely something that shows a lot of Kimba inspiration though it goes in a different direction that has some interesting implications. I would have been interested to see this explored in a more elaborate narrative.

The two love interests in this game are Jetsway and Rrred;

Their routes are very straight forward, I'd say you would have to really go out of your way to not pursue either of them, which makes it easy to pick and choose which one you 'romance', as it's also pretty bare bones in that regard too.

The one most advertised is definitely Rrred the lion who is featured more prominently on the game's page. He's not got a whole lot of depth, you have the choice to fight him or join up with him in a coalition immediately upon meeting him.

I do like the game's expression work, I find the animals emote in ways that are fun to look at and easy to read.

If you defeat him he will simply retreat and will show up again later to give some brief exposition on Jetsway's character.

Joining up with him starts his short route, which mostly consists of him scaring off crocodiles at the watering hole for you, which you are able to avoid without him regardless (The only time my character got a bad end was when I chose the wrong evasion option at this point in the story) The other portion is an encounter with a clan of hyenas that was pretty comedic, this got a good laugh out of me. It was the only time the game was particularly vulgar.

You escape the hyenas, as you are outnumbered no matter how high your strength stat is. The rest of the route is pretty uneventful, you travel together and it's implied there's some romantic interest between the two of you.

I will admit I found Rrred to be the less interesting of the two routes but I can see what appeal they were going for here.

The other route is Jetsway's which I found to have slightly more meat on its bones.

You meet Jetsway first in fact while looking for food but he only says that the radio collar you have on means you aren't one of his 'targets' before sprinting away.

Encountering him later finds him injured in the middle of the night after a fight.

There's more lore exposition with Jetsway regarding the largely left out bio-engineering aspect. He's some creature part of Glo's work that was created by them, it's specified he has some sort of Tech in his eye that isn't explained very much.

Poking around the dialogue options with him will give you the option of fighting him once he reveals he got these injuries fighting and killing lions, which explains why he specified you weren't a target earlier.

Upon defeating him, you can kill him here which I found interesting. But you can also choose to stay the night and nurse his wounds until he recovers.

You are given the option to walk him back home, and doing so will trigger an interaction between you two and Rrred, who calls Jetsway a murderer. Pushing Jetsway for more answers will only get you this in response.

There is no further elaboration on this plot point after this. I assume given the larger narrative that was mentioned by the creator that he's killing lions that are either human aggressive or resistant/unsuccessful in the Bio Engineering stuff. But that's only an educated guess.

Walking him home will after lead you to Utke town, where he says the humans will give him more medical treatment but that your character cannot stay.

You're able to stay the night, where you'll find Jetsway gone in the morning, but you are spotted by a Glo operative prior to this who takes this photo of you and Jetsway to 'share on the internet'.

After these two CG's, the final day is always the same. Your radio collar falls off on the seventh day and the scientists come to retrieve it. You have two options after this, to hide in wait to observe the humans at first, which will lead to you being tranquilized again while they retrieve your collar.

You can also attack the scientists, which will result in you ripping off the arm of one of them, the one named Saito.

They escape you after this, and leads to the final CG where Saito has been given a replacement prosthetic arm.

This concludes the game as currently published. I found it very charming to play and a nice way to spend part of an afternoon. It was definitely worth sharing since I haven't seen anyone discuss playing it or knowing it exists.

[halliescomut]

Thai BL: The Fanservice Problem...

Now here's the thing... I'm not here to offer solutions, though I do have proposed ideas that I may include at the end, but more just to breakdown my thoughts on fanservice in Thai BL.

First, we'll start with a general definition of fanservice:

I think that the connection to print media originally is important when we're looking at modern BLs series and movies, as they have a base in print media. In Thailand you have niyaai waai (“Y” novels), kaatuun waai (“Y” comics), as well as the Japanese Yaoi Manga and Korean BL Manwha that are very literally the basis for numerous series, in addition to original story BL series.

In terms of the fanservice we see in relation to Thai BLs...that goes a step further, moving out of the fictional world and into the real one. The fanservice we're now talking about is actors whose characters are couples often being paired for promotional events and they are expected to on some level act similarly to their onscreen characters. This includes individual character behavior, but also having the two actors behave in a way that could be (and is intended to be) read as romantic by fans. This includes a lot of different actions, but skinship (which I'll breakdown later), general chivalrous behavior (like serving your partner first), going on 'dates' specifically with the intention of presenting those experiences on social media. The important part about fanservice in this context is that it is always done with the intention of being seen by fans. It doesn't matter if it's a publicly streamed and hosted event, or just an Instagram post, if it's made public by the actor, or their company, it's intentional and it's likely fanservice.

What is the purpose of fanservice then?

Profit, essentially. For these companies, who both produce BL, but also often represent these actors as a talent management agency, there's a profit to be increased by presenting actors in this way. Having these 'couples' become popular to fans means continued view of future series, but also means that they can set contracts to have them promote various products. You will see the actors often promoting the same products that are used in product placement in their series. A brief list off the top of my head: the Lays chips, whatever that flavored water or juice they're always drinking in Wabi Sabi shows, Epson printers (I think it's Epson), various skin-care serums, L'Oreal hair color, the menthol inhalers, the list is likely endless. In the series, product placement gives them direct funds to actually make the shows, but by having the actors promote the same products, these companies are getting a percentage of that payment also because they are also working as representation for the actor.

To make easy numbers, while Gemini's contract might have been $1000 for this post promoting this brand of Ramen, because GMMTV set-up that partnership/contract, and they represent Gemini as talent, they'll get $200 for themselves, Gemini takes home $800 minus taxes. Again, these are made up numbers and I truly hope that no one is actually getting a 20% commission, but I trust none of these companies, so I honestly wouldn't be surprised if it was higher.

But because this is genuinely how a good majority of production companies gather capital to be able to make shows, the more popular a ship is can directly equal out to how many ad partnerships they can create for them, as well as the price they can charge. In order to give an approximate view, I chose two actors from the same company, Domundi's Zeepruk and Tutor. Because of Zee's vastly higher popularity and the wide difference in follower counts I wanted to have a third actor for comparison, and so I chose PP Krit. It's not an exact match across the board, but I think gives a good view of scale. Here is the break down of their last 30 Instagram posts:

Now I'll start with some definitions of how I categorized things. Ads are things that have clearly been shot specifically to promote a product, and often have instructions in the captions on where to purchase, or specific benefits about the products. Sponsored posts are any posts where they tag a brand in the caption, but it doesn't have the detail of the Ad posts, or posts of them at a place or event where they were invited to attend by the brand for the purpose of being photographed there. Self-promotion is trailers, photos from their series, or fan events. And finally candid is any pictures that are just there for the fun, thirst traps, vacation pics, pics from behind the scenes of events, and while few of these are actual 'candid' pictures, they're not for the purpose of promoting a 'brand' in particular (outside of the fact they are all clearly intend to promote the 'brand' of the actor). The Couple+ 'whatever' is the same as listed above, but is for any posts that include the other half of their acting pair (meaning Yim, Nunew, and Billkin). The Couples Candid is only found once on a post from Tutor, and is clearly taken when they were filming their Tiktok BL short, but there's no tags for the short series, nor instructions on where to watch it, so I'm calling it a candid post. For PP Krit, there are two posts that I'm categorizing as 'Self-Sponsored' as one is for PP's own brand (Caremate) and the other is for a Car Repair shop owned by a family member. Later when I do math with this information those posts won't be included in the 'potential profit' as I can't guarantee he was paid, and if he was I doubt he charged his standard rate.

Looking at Tutor 7/30 of his latest Instagram posts are ads/sponsored and 5 of the posts are 'couple' posts, meaning they also feature Yim. For Zee 10/30 are sponsored and 5 of those are 'couple' posts also featuring Nunew. It's also relevant that the earliest post I counted of Zee is from April 8, 2023, for PP is April 6, 2023, and the earliest one from Tutor is from December 6, 2022. Given that we have about 30 posts from Zee in 2 months, I'm simply not going to scroll back to December to see what the comparison is time wise, but if the ratio remained the same 10/30 in 2 months, that would equal 30/90 over 6 months, with 15 being 'couple posts'. So you can see the difference made in terms of money brought in by more 'popular' actors. If we stick with our $ 1000 per post cost for individual posts, and double that for 'couple posts' ($ 1000/per actor) that's $ 45,000.00 total brought in and $ 9,000 kept by Domundi as commission. For Tutor, in the same 6 month span, he (and partially Yim) brought in $ 12,000, with Domundi keeping $ 2,400 as commission. That's a marked difference for Domundi. And completely ignoring the very high likelihood that Zee is probably bringing in 2 to 3 times what Tutor his because of his popularity and longer time in the industry. If we look at those same number with PP, he has 15/30 posts that are Ad/Sponsored, at $ 1000 per post that's $ 15,000 directly in PP's pocket essentially, since he has his own independent company that represents him. Which causes it's own complications, as he has many more sponsored and ad posts on his company account, many of which he also appears in with Billkin. (Sidenote: I actually find it fascinating that there's no sponsored/ad posts featuring Billkin on his personal account, in fact it's surprisingly rare for him to post Billkin on his account at all outside of stories, at least recently.) So all of this to say, you can see how having these actors promoted in pairs is more profitable for the company as far as ad promotion.

The additional benefit is we're looking at is fans being able to follow pairs through different stories. Like many fans of media, we will often find actors we enjoy, and then proceed to actively work to watch different projects they are in because we like them, find them to be incredibly talented, think they're handsome, etc. This general expectation is capitalized on by companies by having pairs act opposite each other in multiple stories. At this point for ZeeNunew and TutorYim, we've seen both in the Cutie Pie series, but both also have future work to look forward to. I've previously mentioned the BL Tiktok shorts with TutorYim, and they are going to be the leads in Middleman's Love, which is due to come out at the end of the year. ZeeNunew have a new film, After Sundown, as well as new series The Next Prince, and will be returning as Lian and Kuea in Naughty Babe as second leads. All of these future shows and series are produced by Domundi, meaning they will get a portion of profits from appearances, merchandise, etc. that goes along with those series, as well as the potential ads or product placement in the shows. There’s also a high likelihood that product placement in Naughty Babe will garner a higher price, as it’s a spin-off of an already popular show with already popular actors, where Middleman’s Love, as the first series showing Tutor and Yim as leads, would be ‘cheaper’.

Fanservice as perceived by Fans

Now this can be difficult to break down, because it all depends on the fan. Fanservice as a concept is widely understood by Thai fans. They actively recognize that it exists, and they enjoy it. Other East Asian countries also recognize that Thai BL employs fanservice, and while they accept and enjoy it, they generally do not want to see the practice taken up by BL actors in their own country. In fact, it’s generally rare for actors in BL series in Japan, Korea, Taiwan, etc., to have actors paired for multiple series, outside of appearing as the same characters over various series. The first to come to mind is the characters of Bo Xiang and Zhi Gang from HIStory 3 having in a small guest appearance in HIStory 4, played by the same actors, Wilson Liu and Zhang Han Yuan. Because they are rarely kept as an acting pair, fanservice outside of the actual scripted media is not expected and would have little benefit.

Moving away from East Asian, very particularly to Western, audiences where fanservice is something that many media consumers ONLY expect to see in the media itself, never outside of it. Speaking as a western fan myself, I was genuinely surprised at the amount of ‘bonus content’ that is the expected norm with Thai BL’s. The fan meets, sponsored events, concerts, the vlogs and excursions, the behind-the-scenes content, all of it is generally beyond what I am used to as an avid media fan. Director/or actor commentary, behind the scenes documentaries, while popular generally fell out of favor with the decrease in popularity of physical DVDs, as it was originally intended to be a selling point of purchasing DVDs instead of VHS. (But honestly, that’s a different post.)  And observing the behavior as someone with the perspective of a western fan, it is both the requisite behaviors of fanservice, as well as the difference in cultural norms, that causes confusion and blurs lines. The number one thing that is seen as surprising by western fans of East Asian media, is skinship, particularly skinship between two men.

The concept of skinship isn’t directly unfamiliar to western people but is generally something that occurs between direct family members (parent-child or siblings) or between romantic couples. In East Asian culture it’s moves beyond familial and romantic bonds to include all platonic bonds as well. You can expect to see skinship practiced between any two people who are close and feel affection for each other. So, in the context of fanservice and Thai BL acting pairs, not every occurrence of skinship (hugs, holding hands, sitting especially close, playing with hair, fingers, etc.) is fanservice, but it is a tool in the fanservice armory. Given that it is a cultural norm, and that many of these actors are at least well known to each other and friendly, it is likely an easy one to enact in the name of fanservice.

Watching these interactions through a western lens however, causes the viewer to more easily see the behavior in a romantic context. And there’s honestly a lot of factors that play into that, the biggest being ‘masculinity ideals’ where most western cultures don’t promote or encourage men to show affection outside of family (generally strictly parents or children) or romantic couples. Then you also have good ol’ homophobia, men don’t want to show too much affection towards other men for fear of being seen as gay. And this is a very broad sort of description, as the ‘norms’ for what is acceptable platonic contact will of course differ in immigrant families, or indigenous communities, or among black Americans, even just geographically. I’m just a white person speaking from their own experience and observation, though I do have the benefit of knowing, working with, and interacting with a remarkably wide variety of humans.

Why is Fanservice a ‘Problem’?

If it’s widely understood that fanservice is an extension of the acting, that it’s very often something required by contract, that it’s not an indicator of a romantic or sexual relationship, then it’s not a problem. But that’s not widely understood. And that lack of understanding or even the preference of fans to ignore that knowledge has created a problem in the Thai BL industry. We’ve watched over the last several months personal attacks on actors for ‘queerbaiting’ (which is a term intended ONLY for fictional characters), fan clubs being upset over actors going to appearances alone or without the other half of their acting pair, personal attacks on close friends of actors (very particularly female friends), and even the attacking of an employee and friend of an actor for ‘pushing the fanservice agenda’. What is intended to be cute and fun, is turning into something that is having real life negative effects, both on the actors themselves, but also people connected to these actors. It’s also spreading beyond Thai BL, with fans (mostly western fans) being upset at non-Thai actors for not engaging in fanservice.

Fanservice, by virtue of it being monetizable, also indirectly exploits the Queer community. This is something that’s recognized and often brought up by western fans, as culturally, we’ve reached a point where the expectation is that Queer media will cast Queer actors in roles. This is done specifically in an attempt to help Queer actors to get more roles in the entertainment industry in general (which is a worthy goal) but is also only considered in the context that while being an out Queer person in the West is easier/safer than in many other places around the world. Many Western nations have not only marriage equality, but anti-discrimination laws that give additional protection to Queer people. And even with these laws there are still hundreds of thousands of Queer people who don’t feel comfortable being openly out in all aspects of their lives. In many East Asian countries, legal protection against discrimination is not guaranteed, and even in those countries with anti-discrimination laws, there’s often caveats. And that’s completely setting aside societal discrimination, which would be a top concern for these actors. Taking Thailand specifically, homosexuality isn’t illegal, but there are no laws in place for marriage equality or even the recognition of same-sex relationships. While there are anti-discrimination laws in place, those rest on the ability of a Queer person to PROVE discrimination, which opens its own can of worms.

So, what I’m saying in regard to monetizing or exploiting the Queer community, is that it is understandably frustrating for actual Queer people in Thailand to see actors ‘performing’ queerness through fanservice, and being rewarded for it, while many regular citizens are living in situations where being out could be damaging to their livelihoods, cause loss of friendships or family relationships, and even put them in physical danger. Now, are some of these actors part of the Queer community? We know for certain that some are, we know for certain that some aren’t, but the vast majority we don’t have any concrete knowledge of their sexuality or Queer identity (and we are NOT entitled to it!).  But it would be understandable and reasonable, given the current political and societal landscape of many of these countries, that any actor would have to very seriously consider potential ramifications of being out. Like any Queer person anywhere, there’s a laundry list of considerations that have to be addressed. Top of the list is ‘Would I be physically safe if I came out?’ but you also have to consider possible negative effects on your career, the potential limitations if you want to move outside of BL to mainstream content. We also have VERY clear examples of societal discrimination and hatred towards openly Queer actors, both from ‘local’ fans as well as international fans. But we do very often see BL actors being openly supportive of their local Queer community, promoting proactive voting in elections, and even this past week making appearances at PRIDE events. This is in addition to potential work they are doing quietly to support the community, like donating to non-profits that work to assist or advocate for Queer people, both individually and as a whole.

So, What’s the Solution?

I have no idea. I stated in the very beginning that I’m not here to give solutions. (That’s above my pay-grade.) But I do have some ideas. Now, these are not going to be the easiest for many BL fans to hear, I’m sure. They bother me too, to be honest.

I think an excellent first step is to have companies be upfront about whether fanservice is part of actor’s contracts. We know for a fact that BOC does not contractually obligate fanservice, but any other production or management company that works in BL more than likely does, though the scale and level of expectation may vary. I don’t 100% know if this would actively work, at least initially, because the actors themselves are aware that fanservice can help to raise their popularity, which enables them to be contracted for ads, sponsored social media posts, and appearances, which is how most of these actors make the majority of their money, NOT through the pay they receive for their actual acting work. So, they may perform fanservice as it’s currently known even if it’s not contractually required, but I do at least prefer the actors being in control of the level of fanservice they take part in, if any.

A second step, or option, is to have companies not solely send actors to events in their ‘pairs,’ and not keep them in the same pair for multiple series. I think if a company took the step and intentionally mixed up their ‘pairings’, specifically those from lead roles, then we would see less direct attachment to the ‘pairs’ and more to the actors as individuals. This could help in the long term prevent the fallout we’ve recently seen from acting pairs “breaking up,” very specifically the hateful attacks we’ve seen directed at the separate parties. But I think it could also prevent the fans from ‘choosing sides’ as I’ve also been seeing frequently in online BL spaces. In other direct online discussions, I’ve likened it to having a friend couple break up, and all of the other friends in the group essentially have to pick a side. Sometimes, you knew one person before they were a couple, and you stick with them. On occasion, one of the people will have done something terrible, and even if you knew them first, you stick with the other person. But often these are people who became your friend already a couple, and neither really did anything wrong, they just grew apart…so is it right to throw one aside in favor of the other?? Or is it more reasonable and realistic to maintain friendships with both separately? In a similar fashion, when BL pairs go their separate ways, isn’t it more reasonable to continue to follow them separately, assuming you find them both to be equally talented, versus putting one aside?

As a supplement to my suggestion of not maintaining static pairings I made this lil picker wheel with the actors at GMMTV...

…to be honest I’m quite intrigued by the idea of First and Gun. Both are phenomenal actors. I can picture the vibe of a potential story, based mostly on my desire to see Gun as a homme-fatale. PICTURE IT: Gun is a sultry assassin, beautiful and deadly, First is the ever-weary federal agent on his tail…but he begins to find an interesting connection amongst Gun’s ‘victims’, they’re all users and abusers, arguably far more detrimental to society than Gun himself. As he tracks down Gun and learns more about him…he begins to fall for him. In the end…does he stay true to the commitments he made to his country, or does he breaks those promises in favor of following his heart??

Anyway...this was 3,500 words. Hopefully some of them made sense. PLEASE share your thoughts, if you have any on this subject. I'd be especially interested if you are outside of the US.

[whatmathgodwrought]

Salad Bar Theory of Popular Culture

This is going to be a long post. It will discuss "The Salad Bar Theory of Popular Culture," and why Tumblr dot com is the ideal, overgrown petri dish on the web for this phenomenon.

It's a bit of lark, but I do hope you'll laugh at least once if you read to the end.

Imagine you're dining at an all-you-can-eat restaurant. The restaurant is massive. The self-serve food bar has every kind of dish imaginable, and what's more, there is a construction crew adding more space, and new chefs are constantly adding new entrees, remaking old favorites, and sometimes they even invent new cuisines altogether. All of your friends and acquaintances are there. Sometimes you eat together, sometimes you talk about what you ate, sometimes someone excitedly comes to your table raving and telling you to try something new or an old favorite. There is more than you could ever possibly eat in several lifetimes, and it only keeps growing.

This metaphor is the current state of entertainment in the 21st century for all forms of media: music, movies, books, TV shows, ebooks, audiobooks, podcasts, talk radio, art, comics, graphic novels, manga, webcomics, cartoons, anime, newspapers, infotainment, online journalism, live-streaming, plays/dramas, console gaming, PC gaming, smartphone gaming and more. Thanks to the internet, streaming, global-shipping, viral-meme-culture, commodification-of-the-invidivual-via-the-social-media-grind, (and let's be honest, piracy and archival culture), people have access to and are exposed to more entertainment than they could ever hope to consume in several lifetimes.

So, where does leave the typical diner at this restaurant? Well, as the next paragraphs will show, there is no such thing as a "typical diner." There are no gourmets, no gourmands. There is just the Cornucopia and groups of people wandering the endless salad bar. You can be first in line and pay a premium to experience the brand new dish. You can go back to the same section and reload your plate with the same thing as many times as you want, and people will ask if you don't ever get tired of the same thing. You can be a vegetarian. You can eat only meat. You can eat a bit of everything. You can brave the sneers and jeers of the gatekeepers as you sample something--with tastebuds aglow--for the first time and rave about it to all your friends.

So what kind of dining experiences are there in this cultural canteen, this pop-culture pizzeria, this taverna theatre? What do you see there?

Popularity is the Objective Word Here

When something is popular, it spreads like wildfire. This has always been true of popular culture even before the internet. Humans are social, they tell stories and they share. This may seem obvious, but it's also bedrock for the other observations.

Originality is Dead: Long Live Reboots and Remixes.

Show of hands to three questions:

How many people recognize the reference of a gorilla carrying a woman, climbing the Empire State Building while bi-planes shoot at it?

King Kong right? A cultural icon for many years.

How many people have actually seen the original King Kong (1933) starring Fay Wray and directed by Cooper and Schoedsack?

Not as many right? Maybe you only saw one of the many remakes in 2021, 2017, 2005, 1986, 1976, 1967 or 1962.

How many people are alive today that saw King Kong (1933) in the cinema?

Not many I'll bet.

I'd wager the number of hands goes down with each question. And yet the staying power of the original story remains burned into film history and memory. The point is this. Humans retell stories. This is not a bug. It's a feature. "Tell me the story again of…" There is joy (and profit) in the retelling.

Derivative Reference is Often the Primary Way of Experiencing Pop Culture

OK, so people are sharing things left and right. They're retelling, remixing, rebooting, writing fan-fics, etc. All of this creative effort means that your first-time encountering something new may be a reference, rather than experiencing the original. People rarely experience the true original firsthand anymore. They're going to experience things second-hand.

This is especially true with older media. A first experience with something will often be a derivative reference. An example: Back in the day, in school, we watched Planet of the Apes in class. (I don't know, probably the teacher was hung over.) Want to know how I figured out before the big reveal that the Planet of the Apes was really Earth?

Troy McClure spoiled it for me. In Season 7 Episode 9 of the Simpsons, "A Fish Called Selma," McClure takes an acting gig in a musical adaptation of Planet of the Apes, and he sings the following lines:

Oh my God, I was wrong It was earth all along Yes you finally made a monkey out of me.

So there I am, watching Planet of the Apes for the first time, and Troy McClure's big number starts playing in my head. I sit there in disbelief, remembering the Simpsons, and then practically crying into my desk with laughter.

Probably the teacher thought that "kids these days" don't appreciate cinema, but it was just so absurd to have the movie spoiled by a bit in the Simpsons.

Want to know something else? In doing research for this essay, I discovered that Planet of the Apes film isn't even the original. The original story was a French language novel "La Planète des Singes" by Pierre Boulle. So again, people love retelling, often in different forms of media.

Point is, the longer something has been out, the more it tends to be referenced in other forms. TV talk shows will make jokes referencing the new popular thing. Popular phrases quickly become part of the everyday lexicon. People talk at the water cooler. A tech mogul names their new software after one iconic word in Heinlein's 1961 sci-fi novel.

Any piece of popular culture could be "spoiled" for you at any moment, which brings us to....

Spoilers are Everywhere but Do They Just Act as Adverts?

King Kong dies in the end. Dumbledore Dies. Both of these are spoiler memes (and I'm not sorry), but consider the amount of time passed between the original release of both. How long is the statute of limitations on spoilers? How long before a popular piece of media saturates public awareness so much that it becomes unavoidable? Is this ultimately unavoidable because of the viral nature of advertising, marketing and sharing?

In the modern day, it's increasingly hard to avoid spoilers. I've heard of people going off social media for weeks before a major film release so it doesn't get spoiled for them.

People seem divided on the topic of spoilers, but it's a very good question: Would you still enjoy a story if it was spoiled for you? Shakespeare spoils Romeo & Juliet in the first 14 lines:

Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whose misadventured piteous overthrows Do with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend.

Do you still want to see the rest of the play? What if it had Leonardo DiCaprio as Romeo, Claire Danes as Juliet and Harold Perrineau as Mercutio? There is something to be said for knowing where the story goes, yet still enjoying the teling of the tale.

I'll go on record and say I don't really care about spoilers. They've become adverts to me, hooks of interest into things I might not have discovered otherwise. I have to encounter new media somehow, and I try to take a positive outlook on it, saying, "I was meant to discover this." If I like something, I'm going to like it unabashedly and still find a way to enjoy it.

Delayed Gratification

If you are PC gamer, let me ask a question: How many unplayed games do you have in your Steam library? Games you haven't even downloaded and opened for the first time. What about unfinished games? Played-once-and-dropped-it games? Now ask yourself: Did you buy this game when it first came out? Did you pay for early access? Would you have still enjoyed it, even if you had to wait a while? Consider the Reddit community r/PatientGamers. They don't care to line up and pay a premium for a brand new release. They know it will still be the same game (often less buggy), and they will even be able to get it on sale. They know the salad bar is vast. There's lots of content, and there's no hurry. They let it come to them when the time is right.

I Don't Want to Hear It

Similar to r/PatientGamers, there is also the phenomona when it seems like everyone is raving about something, to the point where you begin to actively block it out. It doesn't seem to matter what it is; even if it's something good that you would ultimately enjoy. Something about the repetition or the messaging rubs you wrong, and you innoculate yourself against it. You avoid that part of the salad bar at all costs, even if you might like it.

Interpreting the Rules: Remixing as Fan Behavior.

How dooes your social circle play the game Uno? Fandom has a tendency to take what's been created and modify it, remix it according to their own rules, according to fanon's own internal logic. Sometimes it's seen as an act of repair, sometimes a love letter to canon. Sometimes it's shipping characters. Sometimes it is a what-if. What if all these different characters from different properties got together in a story?

Dismay at Media Conglomerate Strip Mining

Has one of the five mega media conglomerates "ruined your childhood" by making a live-adaptation of your favorite childhood cartoon? Well, buckle up, because they aren't going to stop. The big five are hungry for content, and they are actively strip-mining your childhood favorites. It doesn't matter if it's a live action remake of Avatar the Last Airbender or CATS the musical, eventually some studio exec is going to see dollar signs, and your favorite thing is going to get a bad remake. It's best to just accept this.

Further Dismay at AI Strip Mining

If you don't like what the big five are doing, you will hate what AI is doing, and if you're an artist you probably already know you are getting robbed by AI companies. Large language models (also known as Plausible Sentence Generators) and text-to-artwork tools like Stable Diffusion and Midjourney are getting more sophisticated.

They're still scraping the web, and more sites seem to be selling user-generated content to these places, prompting artists to use Glaze and Nightshade to protect their work and poison AI data-models.

People are selling their likeness for permanent use in perpetuity for use in crowds. Lord of the Rings used AI-enabled CGI units in some of the battles, and that was over 20 years ago. How long before they don't hire extras for movies anymore?

The year is 2100. You put on a vid. It is the usual cast, starring: Tu-Pac Shakur's avatar, Hatsune Miku, the latest Disney princess avatar, and the disembodied voice of James Earl Jones. All of the original flesh and blood actors are long dead, but their AI avatars and copyright ramain. Some were never were alive in the first place. It's all necrotainment. You turn off the TV.

Back to the present year, James Earl Jones's voice is now in an AI model, so Disney can give us the same Darth Vader forever. The year 2100 seems not so far away.

On the plus side, there seems to be a growing backlack against AI-generated content. People consider it cheap, shoddily-made and flimsy, and the quickest way to associate a brand as cheap garbage. At the Glasgow Willy Wonka's Chocolate experience event, the organizer used AI generated visuals for the marketing, and people arrived disappointed at the "dirty old warehouse." According to Paul Connell, the actor who played Wonka, the script was "15 pages of AI-generated gibberish."

"I never knew I would have liked this"

OK this is getting a bit grim, so here's something fun: People are getting exposed to other cultures' entertainment, and they like it! Netflix reports that 60% of their users have watched a Korean drama, and they plan to invest USD $2.5 billion in future Korean drama for the platform. Like anime booming outside of Japan in the 80s and 90s, or the British Invasion in the 1960s, people try out other parts of the salad bar, and discover they quite like it.

Archival Behavior

Abraham Lincoln once said, "You can't believe everything you read on the Internet." This is why screencapping and archiving things has become more important. Tweets get deleted, accounts get banned, and users deactivate. Capturing and archiving things here at least preserves some of the conversation.

In the Art of War, Sun Tzu wrote, "If you know yourself and you know your enemy -- and let's be clear the enemy are techbros, who are fundamentally lazy and want to cut corners for the sake of a quick buck and flashy, fake-innovation. Even their own mothers don't love them. They stole this content from Tumblr username whatmathgodwrought, original posting date 2024/03/03, and this should be used as evidence in the lawsuit against the responsible parties -- you need not fear the result of a hundred battles."

If the internet is just 4 websites containing screenshots of the other ones, many are doing the good work of archiving for posterity.

Wasn't this Post also about Tumblr?

Yeah, yeah, we're taking the scenic route. (If you actually read this far, thank you. Send whatmathgodwrought a message and I'll read your blog, maybe reblog some of your stuff, maybe even follow you.)

Let's recap: pop culture spreads like wildfire. It gets retold/remixed/rebooted. Reference and spoilers are everywhere. You can delay and still enjoy a thing anytime, or you can resolutely choose to avoid a thing completely. You can remix, recreate, and fan-theorize canon ideas to their natural conclusion. The big five entertainment corps and AIs are strip-mining the heck out of it. People loves to try out things they never would have had access to before. So, after having some of these kind of experiences, you can post your fandom thoughts on Tumblr, add tags and watch it blow up (or not) or don't add tags (and watch it somehow blow up anyway?). Posts with "10k note energy" have slept for years before someone fired a reblog chain heard round the world. So what makes this environment the Galapagos Island or Cambrian period of websites for this Salad Bar idea?

Repeat and Resurgence

So the thing about a recurring joke is that it keep recurring. People will often write: "I will always reblog this." There are also seasonal examples. King Taejong falls from his horse, Feb 8, 1404. Julius Casear's assassaination on the Ides of March. Voyager's "Threshold" season-2, episode 15, Jan 29th. The clay tablet to Ea-nāṣir complaining about inferior quality copper. People like retelling, and reblogging with scheduling or queue contributes to the seasonal nature of repeat themes.

Tag You're It

Tags kind of help with the spreads-like-wildfire aspect. I've always liked tags as a general concept, because they're a flat, non-hierarchical, multi-category way of organizing information. In the Dewey Decimal system, your number is the category, and that's it; no nuance, no second-guessing, no argument. With tags, you add as many as you want, and then off it goes--haphazardly careening about the Tumblr ecosystem. Tagging is also broken, but whatever.

Goncharov

my favourite thing about the goncharov nonsense is that it relies on the tumblr culture of watching ur mutual posting about something but not really paying attention to it. the reason it slips so easily under the radar is we’re all used to seeing people’s random sudden fixations on our dashes and then just letting them do their thing - you don’t unfollow, you often don’t even filter it out, you just think ‘hey, glad they’re having fun’ and scroll past. i went like two days before realising it was a mass joke because i assumed one of my mutuals was just Really Into some old mafia film from the 70s all of a sudden. because why wouldn’t they be

User @watchmakermori hits the nail on the head. Tumblr's ecosystem exposes the user to random fandoms, which they might like, might look at later, or might actively avoid. It is within that space of ambiguity that the Goncharov phenomena thrived.

Trending By Organic Pollination

On this hellsite, it's possible to completely overwhelm the tags and get something trending, but at least this is mostly driven by human interest. In this case, Tumblr's lack of an algorithm is actually a feature. When a mutual reblogs something, at least I know that a human did it, unlike algorithm-based, auto-served content. We've seen what algorithms have done to Twitter, Instagram, Facebook, TikTok, YouTube and even Google search. Algorithms drive "engagement", endless scrolling, and are likely contributing to Dead Internet Theory. At least Tumblr users are continuously blocking bots, trying to inoculate against AI-generated content, and are reblogging human content.

Parallel Play

Tumblr users' tendency to engage in parallel play also contributes to the remix factor as users reblog, retag and recontextulize. A shitpost becomes educational. Two isolated fandoms collide accidentally because of a poll. Someone makes a spelling error and it goes viral. Users play with JPEGs like dolls. Everyone is just out there doing their own thing in the big sandbox, and emergent behaviors result.

In Conclusion?

This post ended up more Tumblr-positive than I intended, even though that wasn't the original idea. The idea was to be more dispassionate, more objective, a casual observer. But like any participant-observer, I've gotten a bit caught up in the phenomenon.

So let's call this a Love Letter (academically aggravated) to Tumblr. Suffice it to say, I hope y'all keep blocking bots, reblogging humans, spiting the great AI content harvest, and keep enjoying the Salad Bar.

[cauaullection]

Greetings. I know the role-play side of the fandom for Higurashi isn't as alive nowadays as it was back when I first participated in like mid 2014 or when I last participated in like early 2016, and indeed, it's more like a graveyard at this point, but I'm willing to try again with whoever is willing anyways. I do have some ideas in mind, and my Keiichi is partially based off of an alternative scenario. More on that in the "about" section on my blog. I also have some experience with the visual/sound novels and manga, including my favorite arc Miotsukushi-hen, even if I'd be kind of rusty by now. I do have both ADHD and ASD, so I can be naive and clumsy in my decision making sometimes, but I'll try to make it right. Feel free to offer criticism when appropriate in the meantime.

First of all, welcome back to Tumblr RP, I hope you'll enjoy your time here! Regarding the status of the Higurash.i/Uminek.o community, it isn't quite as deserted as one might think; off the top of my head I can name @wolfvirago and @shibemuses (fandomless OC with a Higura.shi verse available; second blog is by the same writer and features canon Higu.rashi characters), @seaofkakera (Umine.ko multimuse), and @metaview. These are just a few of the active blogs I know of, but there are likely more. Apart from that, plenty of folks are willing to play crossovers.

If you're curious, I've read all 8 chapters of the VN and watched Gou/Sotsu (though I don't really take the latter two into account for my portrayals as I am not the biggest fan of them).

If you'd like to run some of your ideas my way, feel free to. I also struggle with ADHD so I do end up taking longer to get around to writing than most, but your message is appreciated. The Tumblr RP community can appear a bit overwhelming and confusing when you first show up, but you'll get the hang of things over time.

[hideyseek]

9 Fandom Peeps to Get to Know Better

tagged by @strangegeology, tysm!!!

3 Ships You Like: oh boy lmao. i'll ship practically anything, i'm so easy for ships. but ok, i suppose the ones i'm rotating in my head the most right now: weilan (shen wei/zhao yunlan from guardian), kakehai (kakeru/haiji from run with the wind), dream husbands.

First Ship Ever: probably something in warrior cats? or like ... redwall. first ship i can remember? absolutely artemis fowl/holly short.

Last Song You Heard: all i've been doing recently is listening to 告五人 (accuse5) on artist shuffle, and my phone says the song i paused in the middle of when i finished cooking dinner is 红.

Favorite Childhood Book: oh man ... there are a lot, but probably ella enchanted. i think the author (gail carson levine)'s writing craft book for youths, writing magic, is the first one i ever read. i was looking it over again recently and a lot of the advice holds up!

Currently Reading: nothing actively? i'm in-between longfics, and i haven't opened an actual printed novel in a while. but i just got island of the blue dolphins and a bunch of manga about being nonbinary from the library, so maybe those ... eventually. (though last time i did borrow like 3 books and hold them for 3 months and then return them all unread oops).

Currently Watching: oho, a bunch, as always. i'm watching guardian, i'm like two episodes from the end and so so scared about it. i'm following dungeon meshi as it airs, and following along vaguely with warumono-san and a sign of affection. i'm also working my way through joker game, which i am liking soooooo much, wow, the episodes are like, vignettes following different spies from the same group. no over-arching plot (other than like, world war two lmao) has really appeared yet. oh and i'm sloooowly watching spy x family season 2 with a friend.

Currently Consuming: nothing, but i just ate sooooooo much rotini pasta :3 and i might make sotteok sotteok once i wash my pan out

Currently Craving: fried potato ...... any shape would be ok ...

tagging (only if you'd like!): @crehador @forerussake @carrotstache @tikklil @loserboycharm @still-gathering-roses @mister-eames @catladykt13 @bananacanwrites

[allthefujoshiunite]

Hi, Nora.....do you mind if I ask for BL recs? A few of my favorite ships are Damen/Laurent from 'Capive Prince' novels (kind, protective, bigger build seme x clever, kuudere, beautiful uke) and Andrew/ Neil from from 'All for The Game : Foxhole Court' novels (both have strong personalities, can be reversible couples, looks weak but actually strong)?

Sorry for this long ask, but can I ask, for BL recs that have the same vibe as one or a few of them (up above)?

Feel free if you want to answer or not....

Thanks so much for your blog, that have become like my guideline (because I'm quite new in BL)....

Thanks again....

Hello! No worries, it's a joy for me to recommend BL and if people enjoy my selection, it makes me all the more happy! However, unfortunately, I haven't read the novels you mentioned... So I feel like my recommendations will be way off the mark but I'll try my best ~

My Dear Agent (Ebino Bisuke): This one has bigger, kind, and protective seme and a cool, beautiful, and funny uke (not a kuudere, though). I not only enjoyed but laughed a lot, and the art is gorgeous so highly recommended! Can be read on INKR (or you can buy it from any place you can get TOKYOPOP titles).

Lullaby of the Dawn (Ichika Yuno): Another bigger, protective, puppy seme with a reserved/detatched, beautiful uke pairing with fantasy elements. I've only read the first volume so far but it's super emotional and beautiful inside and out! Can be read on Bookwalker (or any other place where you can get ShuCream titles).

Our Paradise (Greeneer): My last big & cute, puppy seme with reserved, beautiful uke recommendation that I'm nowadays going crazy over is Our Paradise. You won't regret giving this webtoon a chance! Not only the main characters, but their friend circles and the second couple we started to explore more in 2nd season are also fun & really interesting! And obviously, I need MOAR people to scream about it with me. Can be read for free with daily pass on Webtoon.

Just Love, The Monster (Tsukizuki Yoshi): This is a high school delinquent x honor student kind of story. Both MCs are headstrong and fight a lot obviously, but it was fun to read! It's in Futekiya's library, can be read with your subscription plan.

Total Submission (Tsushiko): This is another delinquent x honor student story with dom/sub element that I love! If you're okay with spicy BL and you love seeing hotheaded characters getting tamed by their sweet and kind senpai, this is for you. Available on Futekiya's subscription plan.

We Aren't Secure (Sojima Yuco): This title is an Omegaverse set in high school. MCs are childhood friends and the story has a bittersweet tone to it, and it's definitely nice to read characters who are on more equal terms in Omegaverse instead of an apparent power hierarchy in between. Available on Futekiya's subscription plan.

BONUS

God is Probably Left-Handed (Mushiba): If you've read any of Mushiba's works before, you might know it takes time to warm up to their stories. They are full of surprises, wacky coincidences, and interesting characters that you don't usually see in BL. But these are the exact reasons why I love Mushiba's works so much, and they are quite unforgettable. God is Probably Left-Handed fits into only one of the criteria you're looking for (I won't mention what it is so I won't spoil the story) but I was sooo surprised the way the manga ended! If you're looking for something different to read, Mushiba is your artist. Highly recommended!

As I have said, I haven't read the novels soI just went with whatever seemed suitable to the dynamics you mentioned, hopefully you'll find something that'll be of interest to you. Thank you so much for the ask and have a nice day!

[carriagelamp]

This June I decided to explore some of the different queer picture books that my local library has available to lend! I read so many of them I decided they deserve to take up two slots; I'll provide the actual list of them below the cut for anyone who's interested. Oh and my Very Big Please For Real Go Read This Rec is The Empress of Salt and Fortune which is the first book of a novella series that is seriously consuming me body and soul.

assorted queer picture books

I wanted to see what sort of queer/Pride related pictures books my local library had so I checked a bunch out. I was really pleased by both the number and variety! I didn't come across any I actively disliked, though I would say they broadly fit into one of three categories:

Books that happened to show queer families that dealt with other topics: < Mama and Mommy and Me in the Middle, We’re Happy You’re Here, My Mommies Built a Tree House > These were my favourites. They explored diverse families but came at it from a very normalising angle that made enjoyable read alouds. The message was clear but not attempting to pontificate to a child who likely doesn't have political context for it to make sense.

Books that touched a little more directly on queer identities: < Phoenix Gets Greater, Uncle Bobby’s Wedding, Who You Will Be > All enjoyable! The former is based on the true story of a two-spirit child, which I really enjoyed, it had lovely art and a good look at how indigenous identities and queer identities can overlap. The second is about a girl coming to terms with her favourite uncle getting married and really could fit into the first category as well since it's more about her coming to terms with sharing her uncle rather than the same-sex marriage itself -- very cute either way. The last one explores gender expression with a baby through the types of clothes and toys the child engages with.

Books specifically about Pride: < Twas the Night Before Pride, It’s Pride Baby, Grandad’s Pride, This Day in June, Pride Puppy > These were… fine (with the exception of Pride Puppy which is adorable and made me laugh and is one of my favourites that I read from all these). They do give some more details about what a Pride Event might actually look like, and some attempt to give some historical context but they tend to be a little... clunky. These are the sort of book that strike me as very “feel good-y” for an adult, or which work well specifically as a teaching aid for slightly older students that have some pre-existing context, but are less appealing as just a plain read aloud for the target demographic. I’m happy they exist, if you want to specifically teach about Pride then they're nice options! And they are all bright, pretty, and diverse! But I was not very interested in these as I was in some of the above books.

(*Canadian books)

Apothecary Diaries v1

I’m so glad I read this! I’d read the manga and thought it seemed okay but was intrigued enough to give the novel a try when it was released and wow! There’s just so much more depth and personality to the actual novel!

The story follows Maomao, who was kidnapped and sold as a servant to the imperial “Rear Palace” where the consorts live. Despite being raised as a profoundly capable and very scientifically-minded apothecary, Maomao is determined to keep her head down and do what she has to do until her period of indentured servitude is over. However when certain consorts and their children begin to sicken and die, Maomao, who has a mad scientist level fascination for poisons, finds herself compelled to give warning. This ends up thrusting her into the public eye and getting her involved in a variety of bizarre mysteries that plague the Rear Palace. 

All in all it was a fun, quirky historical mystery series. Maomao is blunt, single-minded, and bordering on caustic which makes her a complete delight to read, especially when she’s forced to work with the incredibly charming and manipulative eunuch official who’s taken an interest in her.

Bambi

I’ve never actually read Bambi before and spring felt like the right time to finally give it a try. Man, I thought the way they murdered Bambi’s mom in the Disney movie was pretty brutal but it doesn’t hold a candle to the book. The descriptions of the deaths and violence and terror in the novel are staggering and seriously just fucked. Very well written, and portrays nature in all its beauty and horror. You should read it and just appreciate how different it is from the Disney film...

The Empress of Salt and Fortune

My number one rec from this month! The Singing Hills Cycle is an absolutely AMAZING series. I was iffy about it at first, since the first book really thrusts you into the world without much guidance and it sets up a bit of an usual framing device, but once I got my feet under me I ended up falling in love with it. The series follows the cleric Chih who is from the Singing Hills monastery, which believes in taking meticulous record of historical events and stories. When the palace of the exiled Empress becomes magically unsealed for the first time since she ascended the throne, Chih hurries there to take any record she can before the place is looted. There she finds an old woman known as Bunny who remembers when the Empress had lived there and begins to tell the story of the years that passed in that place of exile. The story goes back and forth between the current day with Chih, her companion Almost Brilliant, and Rabbit, and the stories that explain the political intrigue of the past.

When the Tiger Came Down the Mountain

The second book in the Singing Hills Cycle and the one that really nailed home the fact that I was going to be addicted to this series. Once again the story tells of the cleric Chih who is travelling to collect stories and memories for the monastery. While visiting the mammoth corps of the north, she and a young mammoth rider find themselves trapped in the mountains by a pack of tigresses. Trying to find a way to buy them time until they might be rescued, Chih begins to discuss a famous tale about a scholar and a tigress who fell in love -- which the tigresses think is being told completely wrong. This book goes between the current predicament, Chih’s version of the story, and the tigresses’ version of the story, the two of which often conflict wildly in their perspectives. These books are seriously so clever and enticing, some of the best framing devices I’ve seen used in years.

Mr and Mrs Bunny — Detectives Extraordinaire!

Grabbed this one on a whim thinking it looks rather charming but ended up being disappointed in it. It has a fun concept, but the author is trying so hard to be quirky that it just breaks any possible flow and immersion the story might have. The story isn’t engaging enough for an adult, and a lot of the attempted humour feels like it wouldn’t land well with children, so it ends up being a bit of a clunky muddle. I didn’t bother finishing it.

Pale Colors in a Tall Field: Poems

I have tragically little to say about this… oops. I don’t usually read poetry, and I made the mistake of doing this as an audiobook just because it jumped out at me while I was browsing Libby. It ended up being quite pretty and I enjoyed listened to it quite a lot, but I wasn’t able to sit and digest it enough to get much more than that out of it;;; I would recommend it if you want some nice queer poetry that will make you think.

Queer Little Nightmares

A fun little “horror” anthology. Like most anthologies there were highs and lows, but there was really only one story that I skipped entirely because I disliked it. They range from serious and rather tragic tales, to warm romantic ones, to viscerally disgusting, to just plain hilarious. Not the best anthology I’ve ever read, but definitely worth a read if you want some fun monster stories and romances.

Sarah, Plain and Tall

Another childhood classic I had never read before so I decided to change that. And it was fine. I’m glad I’ve finally read it. I’m sure I would have enjoyed it if I had read it around grade one or two, and it was well written, but by god not a lot is happening here. A very domestic little story about a woman who moves to the prairies to become a wife and mother, and how she connects with the children.

My Man Jeeves // Carry On, Jeeves

Fortunately I received the recommendation to read The Inimitable Jeeves first, which saved me! My Man Jeeves was… fine, but it is very clearly a collection of “proto” stories, some of them not even featuring Jeeves and Wooster. While I didn’t dislike any of them, this collection of Jeeves stories didn’t grab me in the same way some of the others have. Carry On, Jeeves also baffled me a bit because there was quite a bit of crossover between the two! It feels like a very strange way to collect these story into anthologies... Still, I ultimately enjoyed both, and I skipped over the stories I had already heard in the previous collection and carried on from there.

For anyone not familiar with the Jeeves stories, they tell about the misadventures of Bertie Wooster, and young man of independent wealth who spends most of his time loafing around London and mucking about with his various friends and acquaintances. He is a complete idiot, but cheerfully acknowledges this about himself and is honestly impossible not to like, he’s just too friendly and too determined to help his friends! Fortunately he has his man Jeeves to do the thinking and to solve the various problems he comes across, in the most elaborate and impeccably mannered ways possible.

[animehouse-moe]

June 2023 Collection Update: The Iceberg

You know the comparison I'm making here. You start at the tip of the iceberg, and think it's not too bad, then you continue working your way down.... and it just keeps going, never seeming to stop. Well, I think I've made it past the surface of the iceberg, and am staring down the absolute scale of what remains submerged. So yeah, Mt. Everest is left to climb still, but I've also got a pretty sizeable hill behind me to share.

I'll start with a haul that came in today (and one I picked up yesterday). Used manga and light novels has been a gold mine for me lately, though you do have to be careful with some listings as you might get volumes in worse conditions than they appear (though most of the time not something sandpaper can't fix).

The No Game No Life was just sorta a bonus to the Is This A Zombie?, but it actually helped bring down the cost per volume thanks to a deal I made (always try and barter for a few dollars here and there through stuff like FB Marketplace and Mercari and the like). I'd been looking for Is This A Zombie? for a while though, and was incredibly excited to come across a completed set. Though I do wish they'd bring the light novels over.

Following this up, or I guess coming before it(?), was this very interesting manga haul which is best explained as a story.

Originally, I had found a dirt cheap Rosario to Vampire manga box set on Facebook Marketplace (to the tune of 90CAD), and asked about getting more pictures because the only image was of the outside of the box set. Seller doesn't respond for a week, and then sends the image out of nowhere. I talk about going through with the sale and getting a shipping label sorted out (cause even with shipping it'd be crazy cheap). They don't respond, at least not until Thursday of last week which was about another week's wait. They say "hey, I'm going to be in your city on Sunday, are you good to meet me to pick up the set?". Immediately, I feel like I'm either going to get scammed or mugged, but it was neither. They show up with the 90 dollar box set and I leave with all my organs and my wallet alongside the box set.

Now, onto a bit of explanation. As you could tell from the images above, I'm kinda running out of space. I know, I need to get another bookshelf to store it all on, but finding the right spot for it and getting a cheaper Billy is a PITA, so instead I've been putting that focus and effort into finding more and more cool sets and series.

Like this Reiko The Zombie Shop. It's an older Josei horror series which I thought was super cool, and when I found a listing for it for just around 10CAD a vol I jumped on it. It's a very interesting piece of history to have from Dark Horse as they only printed it to the halfway point, though it's also a very intriguing read. Leans very heavy into gore and that very "serious but not all that great" story.

Equal parts crazy and cool though, this Empty Box and Zeroth Maria set. If memory serves, it was less than 10CAD a volume for such a hard to find set. Unbelievably happy to have such a well maintained set in my collection, and am 100% going to be sharing the love/set with friends.

Just a side note, the seller I got it from was super cool, as I got a partial set of Konosuba from them as well for the same price. Once more, Facebook Marketplace, so if you're looking for good deals on used series, I can't recommend checking out what's around you enough.

The good deals just keep on coming, huh. Hit the jackpot with this Rose of Versailles set. I was just going to bide my time until the end of year Indigo hardcover sale, and see if I could try my luck on finding them in store at a good price, but came across this listing for 100CAD and immediately jumped on it, since it works out to be massively cheaper than the Indigo 30% off hardcovers they do at year's end.

And I have to say, Udon hardcovers are outstanding. The Rose of Versailles of course stands at the top with it's wonderfully intricate cover design and heavy and glossy paper, but their other titles are no slouches either.

Just take a look at this Summertime Rendering (and Darling In The Franxx) set. Sometimes you'll come across things you just can't refuse. This listing was one of them. Summertime Rendering and DiTF for less than the retail of Summertime Rendering. Good deal, especially when you factor in that DiTF is still sealed, and that the seller never read Summertime Rendering.

But at the same time, getting books in conditions like this feels a bit sad almost. The seller was getting rid of their collection because they needed to repay students loans, so a lot of it was untouched and at very cheap prices. If I were to go back and do it again, I probably would have just sent money to them rather than purchased the sets, as I feel somewhat guilty having these when I'm able to pay retail for them no problem. But I can't revisit the past, so at the very least I'm glad I had the humility to not try and work them down on price, and will certainly be reading them over and over (DiTF is still on the TBR list right now though).

And last but not least for the used hauls, this super weird set. I got the whole thing for 5CAD a volume, which is a pretty great deal, and includes a lot of interesting things. Hidamari Sketch (I refuse to call it Sunshine Sketch), GA Geijutsuka Art Design Class and Bamboo Blade (not shown), and this very odd helping of loose stuff that includes an old style Seven Seas LN, a child's manga, and a very unique volume from a defunct publisher.

I couldn't help but go for it when I saw the oddities and old series that were within. Hidamari Sketch in particular is a headache and a half to collect, and I'd never even seen a volume of Iono-Sama Fanatics before. Very cool stuff, and definitely things I wanted to share. I never even knew Seven Seas used to print light novels so small, and seeing the difference in paper quality circa Spring 2010 was very interesting as well.

Now, last but not least, Jojos. I waited a very long time to buy these at retail, and am incredibly sad that the box for Jojoveller came crumpled in that one corner (already talked it out with support, and got a refund on it), but thankfully the books inside are intact. But man, these things are cool as all hell, I'll absolutely be sharing a post of them (alongside Jojo 6521) down the road.

And that's where I am, collecting an insane number of series and art books, and continuing to realize just how wide this world of manga is that I've immersed myself in. It's incredibly daunting thinking about the numbers I'm racking up, but at the same time it's such an amazing hobby that I'm able to support. There's a world of stuff out there, and I want to experience that all.