#Domundi

[gunsatthaphan]

:3

[pharawee]

It's time for another episode of "Someone give Poppy a boyfriend." 😭

Source: poppylhh @ ig

[yinwaryuri]

Oh, and your tumblr url if you have one. WattPad or AO3? Both? Fanfiction.net?

[chaos0pikachu]

Is BL Being Overly Influenced by Modern Western Romance Tropes?

Short answer: No. anyways, in the following essay I will explain that James Cameron is a weeb...

(okay fine~~ lets actually do this)

TLDR: discussing what media globalization is, how fandom can distill it down to only American/European cinema, showcasing how a lot of current BL is influenced by countries within it's own proximity and NOT "the west" but each other, also James Cameron is still a weeb

I had seen a post that basically proposited that BL was being influenced by modern western romance tropes and had used things like omegaverse and mafia settings as an example. I found this, in a word, fucking annoying (oh, two words I guess) because it's micro-xenophobic to me.

It positions western - and really what we mean by this is American/European countries, we're not talking about South American countries are we? - cinema as the central breadbasket of all cinema in and of itself. Inherently, all following cinema must be in some way, shape, or form, influenced by American/European standards, and as such America/European countries are directly responsible for cinema everywhere else, and these places - namely non-white countries - do not influence each other, nor have their own histories in regards to storytelling or cinema and do not, in turn, also influence American/European film making either.

Now like, do I think all of that~~ is intentionally malicious thinking on behalf of folks in fandom? No, so chill out.

I do, however, think a lot of it is birthed from simple ignorance and growing up in an environment where ~The West~ is propagated to be central, individual, and exceptional as opposed to the monolith of "Asia" - by which we mean China, Korea, Japan don't we? How often in discussions of Asian countries is Iran, India, or Saudi Arabia brought up even tho they are all Asian countries? - or the monolith that is South America - in which some folks might believe regions like the Caribbean and/or Central America belong to, but nope there both North America.

Anyway, what we're talking about here is the concept of "media globalization":

"The production, distribution, and consumption of media products on a global scale, facilitating the exchange and diffusion of ideas cross-culturally." (source)

"The media industry is, in many ways, perfect for globalization, or the spread of global trade without regard for traditional political borders. [...] the low marginal costs of media mean that reaching a wider market creates much larger profit margins for media companies. [...] Media is largely a cultural product, and the transfer of such a product is likely to have an influence on the recipient’s culture." (source)

Typically when I see fandom discussing what falls under MG the topic is usually focused on how "the west" is influencing Thai/Korean/Chinese/Japanese media.

Enter, Pit Babe.

Surely Pit Babe was influenced by Supernatural right? Omegaverse is huge in the west - love it, hate it, meh it - it originated in the west - specifically via Supernatural after all.

Nah.

Omegaverse has been popular in Japan and China for almost a decade, if not longer. The earliest omegaverse manga I can think of is Pendulum: Juujin Omegaverse by Hana Hasumi which was released in 2015, almost a decade ago.

(what if you added furries into omegaverse? WHAT IF?? - Japan)

There's countless popular omegaverse manga too, and the dynamics only moderately resemble the ones we're familiar with in the west. Juujin is part omegaverse and part furry/beastmen - the alphas are all beastmen the omegas are humans - while something like Ookami-kun Is Not Scary only slightly resembles omegaverse dynamics as a hybrid series - beastmen are really popular in Japan in part b/c of historical mythology (you see the combination of romantic Beastmen and Japanese culture & folklore in Mamoru Hosoda's work The Boy and the Beast and Wolf Children).

Megumi & Tsugumi (2018) is so popular they're an official English edition published by VIZ's imprint SuBlime and that's a straight up omegaverse story.

(look at the omega symbol on the cover loud and proud baby)

So if Pit Babe was influenced by anything, it certainly wasn't "the west" it was Japan, Korea and China. Because those countries have a thriving omegaverse sub-genre going and have had such for 10 plus years now. Supernatural is popular in Japan, yes, and that may be where Japan and Japanese fans originally found omegaverse as a fictional sub-genre.

HOWEVER

Japanese fans took the sub-genre, bent it, played with it, and evolved it into their own thing. As such, other countries in their proximity, like Thailand, China, and Korea who read BL and GL manga, found it and were like "hey, we wanna play too!"

(is that an omegaverse yuri novel I spy?? yes, yes it is)

When I watched the Red Peafowl trailer, it had more in common with Kinnporsche, History: Trapped, along with films and shows like: Jet Li's The Enforcer, and Fist of Legend, Donnie Yen's Flash Point, Raging Fire, and Kung Fu Jungle, Han Dong-wook's The Worst of Evil, Kim Jin-Min's My Name, Lee Chung-hyeon's The Ballerina, Baik's Believer & Believer 2, Yoshie Kaoruhara's KeixYaku, popular Don Lee films The Gangster, the Cop and the Devil and Unstoppable alongside BL manga like Honto Yajuu and Bi No Isu (probably one of the most well known yazuka manga to date).

Like, we're seeing a rise in mafia based BLs and people think that's because of "western influence" and not the absolute insane success of kinnporsche??? Especially in countries like China, Korea, Taiwan, Philippines and other Asian countries???

Mafia films and gang shows aren't even that popular here in America/Europe; don't get me wrong, they still get made and exist, but the last full length film was The Irishman which did not make it's budget back, and while Power is still on-going it's not a smash hit either. The heyday of Breaking Bad, The Sopranos, The Wire, Goodfellas, and Scarface are long gone. And if you've watched any those shows or films they have very little in common with Kei x Yaku, Kinnporsche, or Red Peafowl in tone, or style.

(who knew martin just wanted to make his al pacino/robert de niro fanfic come to life all these years?)

Another example, The Sign, which is clearly taking inspiration from Chinese costume dramas: Ashes of Love, Fairy and Devil, White Snake (and it's many adaptions), Guardian, & Ying Yang Master Dream of Eternity. Alongside Hong Kong and Korean cop and romance shows like Tale of the Nine-Tailed, Hotel Del Luna, Director Who Buys Me Dinner, First Love, Again, and previously mentioned cop dramas.

Like, I know y'all don't think Twins is influenced by, what, American sports classic Angels in the Outfield?? Gridiron Gang?? Rocky?? Nah that shit is inspired by the popularity of sports manga like Haikyuu!!, Slam Dunk, Prince of Tennis (which even has a Chinese drama adaption), and the like. And also probably History 2, & Not Me but I'm like 87% sure Twins is just Haikyuu fanfic.

So like, does this mean that there's NO history in which American and European cinema influenced these countries? What, no, obviously that's not true, American/European totally have had media influence on countries like Korea, Japan, etc.

Astro Boy by Osamu Tezuka considered "the father of manga" was inspired by Walt Disney's work on Bambi. Another more recent and prominent example is director Yeon Sang-ho and his film Train to Busan.

"And it was Snyder’s movie [Dawn of the Dead, 2004], not the 1978 original, that filmmaker Yeon Sang-ho recalled as his first encounter with the undead. “That was when I started my interest in zombies,” Yeon said, in an email interview through a translator from South Korea. Even today, he added, “it’s the most memorable and intense zombie movie I’ve ever seen.”" (source)

HOWEVER, the global influence doesn't stop there. It's not a one-way street. Yeon Sang-Ho was inspired by Zack Synder's Dawn of the Dead, a remake of George Romero's own work, but Yeon Sang-Ho's work has inspired countless Korean film makers to make their own zombie media; following Train to Busan there's been: Kingdom (2019 - current), All of Us Are Dead (2022), Zombie Detective (2020), Zombieverse (2023), Alive (2020), Rampant (2018).

And hey, wouldn't you know it now we're starting to see more zombie media coming out of places like Japan (Zom 100 the manga, movie, and anime) and High School of the Dead.

Do you know what Domundi's series Zombivor (2023, pilot trailer only) reminds me of? It's NOT The Walking Dead (which is the only relevant zombie media America has created in the last decade) it's Korea's All of Us Are Dead (2022). Comparing the trailers, the settings, the tone, it's clear where Zombivor is pulling inspiration from: Korean zombie cinema. NOT American zombie cinema.

In fact a lot of Domundi's shows - Cutie Pie, Middleman's Love, Naughty Babe, Bed Friend - are all very clearly inspired by Korean filmmaking, specifically that of romantic kdramas from the 2016 - 2020 era. Not always in story, but rather in technique.

This is media globalization. It's not simply ~The West~ influencing non-American/European countries but countries who are often more close in terms of: proximity, culture, and trade are going to have more influence on each other.

It is far more likely that Aoftion (Naughty Babe, Cutie Pie, Zombivor) was influenced by watching Train to Busan, All of Us Are Dead, and other Korean zombie shows and films than a single episode of Walking Dead.

My point isn't that this goes one way only, but rather it is very literally a global thing. This includes American and European film makers being influenced by non-American and European cinema.

Martin Scorsese, Steven Spielberg, Darren Aronofsky, Christopher Nolan, the Wachowski sisters, George Lucas and James Cameron have all been influenced by Japanese film making, especially the works of Akira Kurosawa, Satoshi Kon, and Mamoru Oshii.

John Wick's entire gun-fu sub-genre is heavily influenced by classic Hong Kong action films, specifically John Woo films. Legend of Korra, The Boondocks, Voltron, Young Justice, My Adventures with Superman are all obviously inspired by Japanese anime but animated by a Korean animation studio (Studio Mir). Beyond that, the rise in adult animated dramas like Castlevania, Critical Role Vox Machina, and Invincible to name a few are very clearly taking inspiration from anime in terms of style. The weebs that were watching Adult Swim's Inuyasha, Bleach, and Dragon Ball Z have grown up and are now working in Hollywood.

Okay so like, what's the point of all this? What's the issue? Since American/European cinema does influence et all cinema does any of this really matter?

YES.

I take contention with this line of thinking because it centers "the west" and our supposed individual importance way to much. Declaring definitively that "BL is being influenced by western tropes" and then including tropes, narratives, and film making styles that aren't inherently western and actually have major roots in the cinema of various Asian countries, removes the existence of individual history these countries have which are rich, varied, and nuanced. It removes the "global" part of globalization by declaring "the globe" is really just America and Europe.

It distills these countries down to static places that only exist when American/European audiences discover them.

BL doesn't exist in a vacuum you can trace the development of Korean BL to the development of Korean het dramas almost to a T. You can also trace their development to the queer history of each country and how Thailand interacts culturally with China, Japan, Korea, etc and vice versa. It also ignores the history of these countries influencing American cinema as well. Don't mistake "the globe" for only your sphere of experience.

Anyway James Cameron is a damn weeb y'all have a good night.

Check out other posts in the series:

Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?

[like these posts? drop me a couple pennies on ko-fi]

[itsallaboutbl]

Net Siraphop DMD Friendship The Reality | It Takes Two, ep. 3

+ bonus

[rachaelrobin4]

when yim and tutor get a good script it’s gonna be over for everybody

it hasn’t happened yet, but one day it will gosh darn it

[visualtaehyun]

Khemjira had its worship ceremony today 🎬

We got more info in their press interview so I'll summarize:

co-directed by Aoftion Kittipat and Ron Patarapon

-> folks on here might recognize P'Ron from The Eclipse as Dika, he's an actor and singer and this is gonna be his directorial debut

-> P'Aof said they'd been in talks for quite a while about P'Ron directing one of their shows

they're about 80-90% ready to start filming now

the show's gonna air on One31, uncut on iQIYI

expect to see it next year

THE MAIN CAST

-> all name romanizations are taken from the novel and might change for the series 🙏

Keng as 'Por Kru Parun' & Namping as 'Khemjira' FirstOne as 'Jhettana' & Tle as 'Charnvit'

Green as 'Ramphueng' Janis as 'Khemmika', Khemjira's past incarnation

Namping: "Do we look alike?"

"SECRET" CHARACTERS

-> they did not introduce their roles as part of the interview but novel readers on twt recognize the characters they play, no spoilers though!

Om as 'Khaekhai', Khemjira's mother Pung as 'Chayod'

-> Kru Om is an acting coach at Theatrum Bangkok and already played Khem's mother in the pilot

Natty as 'Jintana' & Nycha as 'Chayada'

-> Natty participated on Chuang Asia and played Seenam in Ghost Host, Ghost House

-> Nycha played a small role in Twins and had previously been cast in About Galaxy which- let's not talk about that company 🤡

[serasennatonen]

The Prettiest Boys in BL: PT 3

Earth Katsamonnat

James Su

Nunew Chawarin

Noeul Nuttarat

Peat Wasuthorn

[seatawinan]

LOVE UPON A TIME

The story of the past. The one that you've been waiting for will return And you two shall meet again

[babyangelsky]

WAKE UP MY FELLOW MIKE GIRLIES OUR BOY IS BAAAAAAAACK

[respectthepetty]

I'm going to always hype up Domundi for its displays of friendship and love in its shows like Middleman's Love.

I like that Jade knows and respects his friends.

I like that his friends know him.

There is a reason King took Jade to pick out a ring for Uea. Jade knows Uea.

And Jade knows how King is.

Cause King doesn't have that name for no reason.

And Jade keeps him humble.

Even if King hates it.

But I like that Domundi always lets us see couples in love. Not just falling in love, but we get to see Uea and King in love.

AND I LOVE THAT JADE WAS RIGHT!

(I also love this kinkster)

Jade knew that it isn't about grand gestures for Uea.

Because Uea already knows King loves him.

Which is why Uea gets King coffee. It's why he pinches and bops King. It's why he put on the cat ears and collar. He loves King and doesn't need anything else.

And Uea wants that for Jade.

Because it's not about the big moments! It's about the small ones and who is there during them. Jade has been there for Uea and King and they are going to be there for him.

Because that's what friends do.

[gunsatthaphan]

The Next Prince 🤴🏻 - coming soon

[lukaherehelp]

Everyone, meet JJ, Net's new partner 🖤🥕

[piningintrovert]

NuNew Chawarin as Prince Khanin Atsawathewathin and Zee Pruk as Royal Bodyguard Charan Phithakdheva THE NEXT PRINCE (2023), coming soon

[itsallaboutbl]

NetJJ DMD Friendship the Reality, It Takes Two | ep. 5

[absolutebl]

Because your opinion means a lot: Any chance you feel like sharing 5 upcoming BLs you're most excited about and why? And maybe as a bonus, something you think many BL watchers will love but that you will hate?

Ooooo, how exciting what a fun one. You sure you want this from me? I have very odd taste.

The 5 Upcoming BLs I'm Most Excited About

(this forced me to put together the 2024 Announced BLs list which is coming soon)

1 Spare Me Your Mercy

Increased rates of deaths in terminal patients has a police captain investigating the palliative care doctor with whom he's fallen in love. Their relationship deepens but the mystery persists, driven by mistrust.

Why? It's adapted from the novel Euthanasia by Sammon (Triage, Manner of Death) but more important, it stars some old guard BL actors: Tor Thanapob from Hormones as the doctor and (fuck me YES) Jaylerr from Great Men Academy and goddamn Grean Fictions as the captain!

2 Wandee Godday

GMMTV and AllThis Entertainment producing a very pulp offering with new pair, GreatInn doing high heat, boxer meets surgeon. It features a one night stand, fake relationship, and all the cheesiest of tropes. Also features Drake, Podd, and Thor+ pretty boy (be still my heart).

Why? This is totally my kind of BL even if it isn't GMMTV's style of BL, and it's GREAT, so I'm in.

3 The Next Prince (ZeeNew)

Domundi brings us more ZeeNew in a fantasy/historical set in a palace where Zee plays a knight and Nu a prince - YES PLEASE.

Why? I did not expect this pair to stick so I really hope this happens. Give us the Little Pink Riding Milk BL we deserve!

4 Lover Merman

Fantasy BL about a man who falls in love with a merman.

Why? I don't think it will be good but I LOVE merfolk.

5 Me and Who

Domundi for WeTV brings this adaptation of Wickedwish’s novel of the same name. It depicts a young man who dies and is reborn into the body of a billionaire heir. The heir happens to be engaged to a handsome man.

Why? I flipping LOVE this trope but I never expected to see it drive a BL.

10 I am cautious of but VERY intrigued

JAPAN'S Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka

From YTV releasing 1/11 about Soga, who, after a divorce and relocation to Osaka, seeks solace in dining at 26-year-old Sakae's restaurant. Unbeknownst to Soga, Sakae sees him as more than just a regular customer.

TAIWAN's Love For Love's Sake

Based on the Manhwa Love Supremacy Zone by Hwacha, this will star actors Lee Tae Vin, Cha Jun Wan, Oh Min Su and Cha Woon Ki. The plot of the drama is based on Tae Myung Ha, a young man who is dropped into a game based off of a novel that he knows. His mission is to make another player, Cha Yeo Woon happy. Cha Yeo Woon is Myung-Has favourite character in the novel. But then the game starts going completely different from the novel.

City of Stars AKA Fueangnakorn

Star Hunter started filming this 12/23 about an actor falls in love with a programmer and the narrative intends to “explore the ramifications of being public figure in the social network era who must endure critics, bullying, and defamation.” Looks like another Lovely Writer, Call It What You Want sort of thing.

My Stand-In AKA My Stand In

Chinese IP ALERT! Adapted from the novel Professional Body Double (职业替身) by Shui Qiang Cheng (水千丞) stars Up (Lovely Writer) and Poom (Bake Me Please).

OMG Vampire AKA OMG! Vampire (LeeFrank)

Frank and Lee Long Shi are back only vampires now. So many vampires.

The Rebound (MeenPing)

VIU Basketball based romance staring Meen (a national basketball player, so yay for that).

We Are (PondPhuwin)

GMMTV's university friendship Bl featuring PondPhuwin, WinnySatang, AouBoom, MarcPawin - basically ALL in the good kind of messy friendship group (so more My Engineer and less Only Friends). Looks a bit like the Kiss series but everyone is gay. I'm IN! Trailer here.

Love Upon a Time (NetJames)

Domundi announced for 6/7/2023 then delayed to 2024. NetJames in a historical BL! Also feat Tonnam (Dr Sing from Triage).

Jack & Joker (YinWar)

DeHup brings us be gay, do crimes. Yin, War, Mark and a few other familiar faces doing Leverage but gayer. Yes, thank you, I will have that.

My Love Mix-Up Thai Remake (GemniForth)

GMMTV. Hum, well I do love this pair and I did like the original and maybe this time these characters will actually kiss? I'm actually fine with this pick-up. I kind of enjoy seeing different countries remake the same IP. Especially if it's IP I'm mostly unfazed by.