(I wrote this on the train coming home on August 26th although I am just getting around to posting it now because time is a weird soup.)
So okay.
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I haven’t written a personal journal post in a long time but I want to write down EVERYTHING I can remember about my adventure to NYC to see the Critical Role cast so I don’t forget. It was SUCH a moving experience and I’m so glad I went even though I was scared.
So okay my big goal for this year was to finish the first chapter of my C3 prequel fan comic A Long Road Home (southerngothiccomic.com), have a print edition made, and meet Laura and Marisha at a convention so I could give copies of it to them in person. When the CR cast announced they were going to be at Anime NYC this year I figured that was the closest they were probably going to get to me in Virginia. (And getting autographs at NYCC is reportedly like hunting a unicorn so I figured this would be my best chance.)
I was also terrified, and almost talked myself out of it because I was nervous about giving them the comic, even though I already had a badge and it was what I really, really wanted to do. I know the cast loves to see fanart — and also, it has been revealed, reads the fanfic — but it’s also a pretty well-known taboo for a fan to show their fanfic to a creator and a graphic novel is an unholy hybrid of the two. I was also worried that it would seem presumptuous of me to present them with a fanmade prequel graphic novel because there’s almost certainly going to be an official one at some point, and afraid that at best they might politely tell me they couldn’t accept it (for the reasons that comic writers aren’t “allowed” to read fanfic), and at worst they might be kind of annoyed that it exists. Either way I’d be REALLY sad, and in the weeks leading up to the con I worked myself up into an irrational panic about this. Fortunately my friends managed to talk me into not backing out (and spoilers: it turned out okay in the end!) but I was still very scared.
Also I was so focused on the comic stuff that I forgot until after GenCon earlier this month to think of what I wanted to actually have autographed. I decided to get a big print of the chapter one cover from INPRNT, assuming that since I ordered it two weeks in advance with an eta of 5-7 days that would be plenty of time for it to get to me. Well, reader, it was not. (But please do not let me dissuade you from using INPRNT! To their credit when I contacted them and asked if I could upgrade to rush delivery, they expedited it for free. Unfortunately even with rush shipping it just missed me, arriving at my house while I was on the train to NYC.)
Pâté on the train going to see his biological parents. (Laura and Marisha.)
When I saw that it wasn’t going to arrive in time I was starting to panic because there is nowhere near me to have art prints made. It’s a 15 minute drive (past the alpaca farm) just to get to the nearest grocery store. Grasping at straws I was kind of like Should I . . . draw something? On paper?? With real media that I haven’t used in like 10 years??? I only have 3 days!!!
Fortunately my life was saved by @emphaticembroiderer who had the brilliant suggestion of sending my art ahead to a print shop in NYC and picking it up before the convention. There are indeed MANY of those in New York and I managed to find one that was open on Saturdays and able to make my print on short notice. (567 Framing on W 14th street. The owner, Jack Hu, did excellent work and was very kind!) By that point I was frazzled and didn’t want two of the same print so I decided to be self-indulgent and had this one made. Not my showiest piece but it is one of my favorite things I’ve drawn. (This turned out to be the correct decision.) It’s a 6 1/2 hour train ride from here to there (and it got a little delayed along the way) so by the time I got there it was after 5 and the print shop closed at 6:30 so I zoomed over there straight from the train station to pick it up. It turned out BEAUTIFULLY, and the owner was pleased with how happy I was with it and that he’d been able to help.
He enjoys that he is included.
Then I went and checked in to my hotel and that point really just wanted to lie down on a bed but I had plans to take Pâté to see Hadestown on Broadway that night because I wanted to make the most of my trip. (Also it’s important for our scrungly son to receive a cultural education.) In keeping with the theme of the weekend I wore the Laudna-themed sundress I made for GenCon with one of the poppies in my hair. An usher told me they liked my ensemble. :) I had decided to go for a front row mezzanine seat because I didn’t know when I’d ever have this opportunity again and I didn’t want to risk my miniature self being stuck behind a tall person. It was perfect; I could see everything and the performance was AMAZING. Pâté had a very good time too.
The next day was the CR panel and autographs!! I decided to wear my 1950s Laudna cosplay from GenCon. I had some doubts about it when I got there because without the rest of 50s Bells Hells the theme isn’t as clear and outside of a DnD-focused convention the recognizability of a CR character is kind of low, let alone an AU variant on one. But once I found the Critters my Pâté poodle skirt was appreciated. :)
This is Rach @dadrielle, Astoria @astoriacolumnstaircase, Abby @overnighttosunflowers, and me as 50s Hells at GenCon!
And okay I know this said a lot but it’s true, CR fans are the NICEST fandom to be a part of. <3 If you’re ever standing in line for a CR thing by the time you get there you will have new friends. (For comparison the other-fandoms cosplayers I saw at the hotel and on the way to the con didn’t even return my smiles, even though we were all clearly going to the same place.) I fell in with a group of people who were near me in line (including an amazing Owlbearman cosplayer) and we decided to all sit together. The panel was really great. I don’t remember everything that was asked because of everything ELSE that happened later that day but they hinted that Big Things are coming (including multiple live shows!! Please come to Richmond! Or DC! Or at least somewhere on the East Coast!) for the 10th anniversary and Momlan stepped up to the mic during the Q&A segment and revealed that Sam has achieved his childhood dream . . . to become a minotaur. :D
With the mindset of making the most of this trip I had intended to try to get a spot in line to ask a question but I was hesitant about being on camera (even in cosplay) and while I was dithering about it like 50 people got in line. (I was also Suffering by that point because my rockabilly Laudna shoes have like 3 inch heels and after walking from the hotel to the convention center I didn’t have the fortitude to dart over to the line in them.)
My question, which I hope to submit next time there’s a Q&A opportunity, was this: For Marisha. We’ve seen Delilah’s influence manifesting in Laudna’s fashion choices recently. Now that she has the means and the freedom to do so, what kind of clothes would she choose for herself?
(Because I am a little sad that — until a possible post-campaign oneshot — we’ll never get to see a high-level Laudna costume that’s totally of her own design and I’m really eager to know what it would look like! Let her be spooky and free!)
Afterwards the cosplayers were being rounded up for a photo shoot but I was anxious to get a good spot in line for my autograph with Laura at 2pm so I stealthed away with Ken (@elissabrat), a Jester fan I had met in line, who knew where they were and had one with Travis at the same time. When we got there we were told No, go away and come back in an hour and a half, because it was still only 12. So we went to the Artists Alley where we found a girl named Lea whom we had also met in the panel line and collected a few other stray Critters (Ken has a boisterous and inviting personality and importantly, is very tall, preventing the rest of us from getting lost in the crowd) and we wandered around seeking out all the CR fan artists we could find. (There were a lot! It was great. I got some prints.)
by Cait May and Maliveth
Around 1 we decided to go back and see what the line situation was. Before we parted ways I exchanged twitter handles with Lea, who looked at my profile and said “Wait . . . this is you?”
She told me she was a big fan of my comic and looks forward to it every week! and we were both kind of like !!! at each other for a moment. I had never met someone who recognized my art in the wild before. (On ANY other day this would have been the most amazing thing that happened to me, haha.) I was so touched to meet her. <3
I took out the two books I was carrying and explained why I was there and we all got hyped up about it. And it made it feel a little less daunting, to know that there was someone there who understood the quest I was on and how close I was to the end of it.
I was like 5th in line for Laura and since it was still early I got to participate in that bonding experience integral to every con, sitting on the floor in cosplay, with a very good Vex behind me. (Hilariously, even after the dig at them — or maybe unaware of it — in the most recent episode, there were a lot of Funko Pop resellers around us, haha.)
I sent word to Southern Gothic Discord to remember me fondly in case I died here. In fact I'm not entirely sure that I didn't.
It felt like there was a disproportionate amount of fanfare revealing my print because I kept it how it was packed by the printer, wrapped in paper in between two pieces of cardboard so it wouldn’t get bent, so there was this whole ceremony of peeling back the tape, turning under one of the cardboard protectors, unfolding the paper, and turning over the print. But Laura loved it. She made like a happy sob when she saw it (it was really cute) and she looked at it for a long time taking in all the details and said it was beautiful. <3 <3 <3 (No matter how much we love and ship Imogen and Laudna, NO ONE loves them or is shipping them harder than Laura Bailey. She asked if I was going to bring it to Marisha too and was careful picking out a spot so there'd be room for both of their signatures. :))
I told her I was really happy to meet her because I’ve been a fan since BloodRayne (so, um. 20 years) and she said “oh wow, that was OG days!” And she gave me just a really kind look like she understood how much it meant to me to be there.
Then I gave her the comic. You all were right, I was worried about nothing! because she is the sweetest and she loved it. I very nervously pushed it across the table and said it was a comic I had made and wanted to give her. She picked it up and started turning the pages and was surprised when she saw what it was. “Wait, this is a whole novel! You made this?”
I confessed that I had, and she asked how long it had taken, I told her about a year (it was actually longer; in the moment I kind of forgot not how many pages there are in the first chapter but how many weeks are in a year) and she looked just really impressed that I had made it and touched by how much work had gone into it. She said she couldn’t wait to read it and seemed really excited to hear that it’s still going online! (So no pressure on me there if she's keeping up with it now, haha. o.o) And she kept looking between the book and me like she couldn’t believe it.
Then she asked me if I would sign it for her. :')
Somehow I survived long enough to do so! (a little wobbly because my hands were shaking) and someone (I think it was the ticket scanner) made a joke about how I was the first person to give an autograph at a signing, haha. And then she came around the table and gave me a hug. <3 <3 <3
After that my soul was still on the ethereal plane but the rest of me managed to find my way (after a brief wrong turn) to Marisha’s line. (There was a really good Keyleth and Caduceus in line behind me and they kindly noticed and returned the Pâté sticker that fell out of Marisha’s book).
She recognized my cosplay as 1950s Laudna right away! which was very validating after my earlier indecision haha. She loved the Pâté skirt and thought the scissors embroidery on my collar was adorable. She really liked the art too and was kind of like “Awww” about the book like in an “aww it’s an Imogen and Laudna thing” kind of way (she also liked the glass bottle windchimes on the cover and I love that she noticed that detail because Laudna’s penchant for turning things other people have thrown away into arts and crafts is one of my favorite aspects of her character) until she opened it and started looking through it.
Then she said, “Wait, this is actually really good," and she asked me seriously if Liam “Art Dad” knew about it (I said he had liked some of my other art on Twitter but I didn’t know if he knew about the comic) and then she said — still looking at it, more to herself than me — “We’ll have to add it to our art catalogue.” I don’t know exactly what that means (and I don’t want to get my hopes up too high by speculating; I was too !!! in the moment to ask and now I’m going to be wondering) but . . . it sounds . . . exciting??
They also both enjoyed Pâté and his lil sunglasses. :)
I had gone up with the intention of asking my other burning question: How does being cold-blooded affect Laudna in cold climates? If she gets too cold will she enter a state of brumation like a lizard? Will she freeze solid?
But I forgot. And it really wouldn’t have been the right moment. Maybe when I come back with Volume Two. :)
You’re supposed to pay extra to get a quote put on there but they both did it anyway without even asking. I think they must be really pleased when someone brings them something personal that they’ve made to have signed and not something they’re planning to sell.
After that I just kind of floated away from the con even though it was only like 2:30 haha. Nothing else could have happened there that would have equaled or improved upon that experience. Although I did adopt a Tentacle Kitty. The vendor (correctly) guessed “you look like you’d vibe with our spooky collection” so I had to get a new buddy for Pâté. (50s Laudna, still readily identifiable as a witch wherever she goes.) Also I saw a very chill emotional support pomeranian in a backpack.
(On the way back I saw the mark of the Traveler graffiti’d in green on the sidewalk. Truly a blessed day. :P)
Afterwards I just sat on the bed in my hotel room amid the floof of my crinoline wondering what even is my life for the next few hours and being like !!!! at Discord. Then I met up with Abby (whom it was wonderful to see again!! thank you so much for coming to see me) for dinner and had a really lovely time going over the What Just Happened of it all and talking about Imodna over strawberry pancakes. As one does. Perfect ending to an amazing day. <3
It was SUCH an incredible, exhilarating experience, thank you everyone who pushed me into not giving up out of fear. Laura and Marisha are SO nice and gracious in person and it was just so rewarding, after all the work and love and time I’ve put into this comic, to be able to finally bring it to the people who inspired it! And to see it appreciated and admired by them! It was more than I ever could have imagined.
This fandom is the best. My heart is so happy and full of love right now. <3 <3 <3
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Sibling Shuffle: Roll With The Punches
Hey guys! Sorry for the wait!
Context: this takes place a little bit after Megaman 7. Roll’s home, now, and since Piano at most messed up the organization on their computer and/or toppled a chair (just to appease Bass), they didn’t have to do much in the way of cleanup at the lab.
LORE: Roll, like Rock, doesn’t want to hurt anyone. That said, Roll does threaten Wily at Buster-Point, much like Rock in the original.
To be fair, Roll had had a REALLY rough day. I mean, first Wily attacked the city again, forcing her to fight again. Then, she met someone she thought was her friend, and, while it was a little bit annoying that Blues and Dr. Light didn’t seem to trust her, she could understand their concerns to some extent. Then Piano got hurt, so, because of course she does, Roll sends Piano to Dr. Light - her dad had always fixed her when she needed fixing; he could help Piano! But then, all of a sudden, no one is answering when she calls. Roll returns home in a panic, and while (thankfully) her family is okay, just locked out of the computer room - and Piano turns out to have been a Wilybot with intentions to infiltrate Light Labs, steal some blueprints, and use them to destroy her.
Roll had thought at least she and Rock wouldn’t be fighting alone this time. Instead, it was another trick, and Roll kinda rapid-fire cycled through the stages of grief over her & Piano’s (now former) friendship. With Wily gleefully rubbing salt in that fresh wound, after everything he did - to the city, to her friends, her brothers, her father, and everything and everyone she cared about - she hit her breaking point.
Anger can be pretty dangerous. It can make you want, do, or say things you wouldn’t usually want, do, or say. And in that moment, Roll didn’t just want Wily to stop.
She wanted him to never put anyone through that all again.
Once Roll had calmed down a bit, though, her earlier dark desire to pull the trigger scared her a bit. I mean, she doesn’t want to hurt people. She’s not malicious. Why had she gotten so mad? What if she had pulled the trigger? Was it even possible for her to, under those circumstances?
The other Lights could tell that she was bothered by what happened, but they were letting her come to them. Though Rock started doing things that comforted him in hopes that Roll would receive that feeling, Dr. Light let her know that she could talk to him a few times, and Blues gave her space (because he would want space if something happened that left him that shaken).
When Roll eventually did seek one of them out, it was Blues. His function of just "being himself" implies (at least to him) “make your own choices,” because you can’t be your own person of you’re not making your own choices. For this reason, he is well-versed in loopholes. (He sees them as him fulfilling his purpose by doing what he wants despite what he is told to do). If anyone could reassure her about whether or not she could’ve actually done it, it would probably be him.
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Additional Trivia (& Details):
I was on Pinterest for some pose references and I saw this cute skirt with a kinda overalls build and heart-shaped pockets. I thought it was adorable and immediately wanted to draw Roll wearing something similar. And, like I said I might, I gave her the scarf to match her brothers!
I looked at the events of game 7 and asked what could’ve possibly driven someone - especially someone like Roll (or Rock) - to the point where they are actively threatening this man’s life when they have never done so before. The TLDR of what I came up with? Roll was trying to scare him, but also wanted to fire because of all the accumulated stress. However, the fact that he wasn’t putting a human in immediate life-threatening danger meant that she couldn’t fire no matter how much she wanted to in that moment.
Blues’s alternate outfit is inspired by his other 2 canon-to-something casual outfits. Mostly the one from Rockman: Yomigaeru Blues, but also a bit the Megamix one. (Not that much of his Megamix one, but kinda.)
Blues isn’t lying. The first law (or, the way they were programmed with it at least) requires the human to be putting another human in active life-threatening danger in order to justify breaking it. It’s the strictest of the 3 laws.
Roll’s nickname. One thing I noticed I kept doing when thinking up scenes was Blues occasionally nicknaming friends & family members. So far, I’ve come up with “Rolly-Poly” for Roll, “Rocky Road” for Rock, and the much-less-creative “Tem/Temp” for Tempo.
(To note is the fact that Rhythm does the same thing when I am thinking of interactions with her, but her nicknames are more poking fun at someone. Like in my head, she calls Rock “Blue” and Blues “Red” just because she is an instigator of chaos and thinks it’s funny.)
You guys have to tell me whether or not you like the alt outfits or not.
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