#IN THIS UNIVERSE IN WHICH WE LIVE

[danhowellonphillester]

dusting off my old dnp tumblr because only this place will truly understand how I’m feeling about this

[claraoswalds]

The sky's a burnt orange, with the Citadel enclosed in a mighty glass dome, shining under the twin suns. Beyond that, the mountains go on forever. Slopes of deep red grass, capped with snow.

The Legend of Ruby Sunday // The Sound of Drums

[littlebitofdnd]

Sandra-Lynn and Sklonda are having a "What Do We Do About Kristen" phone call as we speak

[autisticrosewilson]

So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.

And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.

Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.

[luna-loveboop]

Yo

For you,

Art from Jojo @linkeduniverse au :)

[jerreeeeeee]

i don’t know if i’m ever gonna write the fic but i’ve been thinking abt like. the eternal stockade. the implications. lup, a lich who was trapped in a dark featureless cell for a decade completely isolated with nothing to keep her sanity but her own mind. she has to put people in the eternal stockade. how many liches does she see herself in. how many liches started out just like her. how many liches are truly too far gone. and the only liches we ever see other than her and barry are edward and lydia. they’re certainly evil, but mad? they seem pretty sane. they’re not, like, tattered echoes of souls, they’re definitely still people. even as much of a grudge as lup surely has against them, wouldn’t they remind her incredibly strongly of herself? do they deserve to be trapped just like she was? for eternity? isn’t eternity what turned john to existential despair in the first place?

[sergle]

There's something about like. A certain genre of posts / Online Opinions about insecurity/depression/misery/complaints that are so unhelpful that they wrap right around to being straight up hilarious. and it's the ones that are more or less written to the tone of "Feeling bad? That's gross!" Like, just so you know, don't voice your insecurities/ have low self esteem, because that's offputting! You're gross and weird. Don't be insecure about that, though. That would be stupid if you felt insecure about people disliking you for being insecure. Not attractive. You should be thinking about being as attractive as possible. You shouldn't make comments about suicide, even if you're suicidal! Keep those thoughts entirely to yourself. Make sure nobody around you knows you're thinking about this. It would Make Them Uncomfortable. It's better to keep these thoughts in your head where they can fester. Don't post OR talk to friends with complaints about you feeling miserable or depressed. Tbh people who are sad/upset a lot? Kinda a red flag! You are probably miserable because you're a bad person and you've brought this on yourself. If you don't have friends, it's because you're awful to be around. Easy! Solved the problem for you. And no, there is no nuance to this, got it? So, make sure to feel bad about feeling bad, but don't feel bad about it, because, well, that's just gross. And annoying! You might've wanted your brain rotted thoughts to be Peer Reviewed, you might have just needed to vent- you might've been hoping for some comfort, to get things off your chest. Well, don't! Don't talk about thoughts or feelings that are negative with your friends, you'd be burdening them and that's only meant for THERAPY. #SponsoredbyBetterHelp #MentalHealth like, DAMN. that's so helpful. you're so good at helping. I um really liked the part where these are all hard and fast rules that encourage keeping feelings bottled up and keeping your friends at arm's length. That's really funny of you.

[jupitermelichios]

my favourite sexuality for comic book characters to be is "we made this other character canonically queer because of their relationship with them but for some reason they are still canonically straight"

like wade wilson? mostly canonically queer because of the period where he was married to cable. he was in a queer relationship, so we have to just make him canonically queer. (Yes I know it's not the only reason, I have read all his extremely camp early 00s comics, but lets be real they'd have kept insisting that was all just a joke if it wasn't for Cable and Deadpool).

cable? definitely straight. 100% straight. obviously cable is straight. his relationship with wade is only gay during the & Deadpool, in the Cable part of the book it's very straight. He stands next to a woman sometimes, that's how you can tell it's not gay.

Kitty has, finally, been allowed to come out, but for like a decade, Illyana was canon queer because she dated Kitty, but Kitty was definitely straight and would never date a woman, and no one at marvel thought there was anything weird about that.

[Image Description: a very straight character, interacting with another straight character, in a very believably straight way]

Marvel has way more of these, mostly by virtue of having more queer characters and also chris clairmont (you can never understate the impact of chris clairmont in these matters) but Tim Drake and Kon Kent spring to mind from DC.

I think you could even make a solid argument that 616 Tony and Steve are that, given Tony is out now and Steve, somehow, still isn't.

anyway you don't really get these in any other medium, because they require multiple writers who all wildly disagree with one another to all write the same characters to happen, but i love them, and as much as I want Cable and Kon to come out, I kind of hope this never stops happening in comics, it's just never not funny.

[uncanny-tranny]

What I think is so important to learning how to truly appreciate life is learning how to appreciate the creatures and things we've categorized as "disgusting" or "gross."

When I learned to appreciate wasps, I realized how much they just... don't really care about anything, and they're not trying to be an asshole because they're uniquely cruel. If they have any wants, it is to live. Why would I punish that when I also want to live?

This isn't to say you need to fall in love with the creepy crawlies that stalk this world or to love what you cannot, but to recognize that in their arrangement of atoms, they are trying to persevere, and in the end... aren't we all?

[serpentface]

Two questions regarding the Wardi religion:

In addition to the bull and the lioness, what are the seven faces of god/sacrificial animals?

Given that white animals seem to be sacred, does that influence how albino humans/other sophents are treated by society?

The seven faces of God are as follows:

-the lunar, horned, or 'wild ox' face of God, which presides over the moons, and the fertility of the land, animals, and people. In pre-imperial times, this was functionally the most central face of God (replaced by the lion face/odomache). The most ideal sacrifice is a wild ox (especially white or albino) that has never been bred. -the ‘ox’ face of God, presides over agriculture and labor, as well as the domestic sphere. The most ideal sacrifice is a healthy plow oxen or khait who has never been yoked or bred (if the sacrifice is towards Ox-Face as the domestic sphere, this should be a heifer). -the lion face of God, presides over sovereignty, statehood, military might, and is most associated with the health and continuing existence of the imperial entity. The most ideal sacrifice is a maned lioness (functionally white, though this is a trait of the captive population). -the ocean or skimmer face of God, presides over the seas, winds, as well as fortune and mercantilism. The ideal sacrifice is the skimmer gull or an albatross, especially one taken from one of the sacred rocks in the 'mouth' of the Viper sea. -the serpent face of God, presides over the cosmos and divine Mysteries, associated with funerary rites and death. Also has a wildly disparate association with royalty (which is derived from entirely separate traditions and has not yet fully been reconciled into the faith). The ideal sacrifice is a two headed or melanistic snake, especially a venomous one (both would be MOST ideal, but this is rare beyond any practicality) -The solar face of God, presides over the sun, stars, and fire, also heavily associated with khait and mounted warriors. (this is a VERY direct import from the chief solar god in the Burri pantheon (who rides and/or is a khait with the sun between its horns), hence the seemingly random khait association). The ideal sacrifice is a healthy riding khait (especially with a white spotted coat), or alternatively a golden eagle. -The river face of God, presides over fresh water, seasonal flooding, and the rains. The ideal sacrifice is the migratory reed duck (which arrives at the onset of the wet season) or a freshwater hesperornis (ideally taken from one of the sacred waters). An-Nechoi are also occasionally given.

Though the core religion is monotheistic, each face of God is functionally a syncretic fusion of older ethnic Wardi beliefs, the Burri pantheon, and other regionally native traditions, which have not all been fully reconciled (the process of fusion is more or less still ongoing). Each face in of itself has dozens or more epithets with distinct features. For example, the river face has a specific epithet for each major riverway, each venerated as a distinct aspect of the Godhead. Functionally, common practice of the Wardi faith is pretty indistinguishable from polytheism, and most of the religious authority does not care as long as required orthopraxy is maintained (the central dogma of the religion does not care How you believe, but that the correct practices are enacted).

Also for reference, these are the specific animals taken on the pilgrimage in the story (transporting seven rare animals cross country can be fraught, so each had at least a few backups):

A pure white aurochs calf, found naturally born in a wild herd.

A massive, unbred and unyoked bull draft khait (dies en route, replaced by a less physically impressive backup with the same qualities)

A lioness with a full mane, from the white captive stock

A skimmer gull taken from a nest on the sacred rock in the waters of Od-Koto.

A baby two headed cobra (which dies en-route and is replaced with its backup, a melanistic viper)

A beautiful speckled riding khait mare whose horns form a near perfect circle (which is stolen en-route and replaced with its sister)

A rare wild hesperornis (haven't come up with an in-universe name yet) taken from the reeds of the Brilla river delta.

Anyway the sacrifices listed above are considered the absolute IDEALS when working with a specific face, but a great variety of animals will be sacrificed to various ends. There’s some very specific cultural/religious components to which animals are most valued, but in practice the value of a sacrifice is pretty close to 1:1 with the animal’s monetary value, at an intersection of utility and rarity.

So a young, healthy bull plow oxen who has never been bred or yoked is a more valued sacrifice than an old, experienced plow ox who has already sired offspring. You are giving up an extremely valuable animal and all its unused potential in a very practical sense, which makes the sacrifice more potent and valued. The 'virginal' status of the animal is key when the rite is SPECIFICALLY related to fertility, in the sense that the animal itself is sacrificing its unused fertility, allowing for the sacrifice-rebirth cycle to perpetuate. (Animals which Have been bred may be preferred in certain cases and rituals).

An animal with a rare coloration is usually going to be more valuable than one with more common genetics. This is the core root of why albino animals are of high value. It's less that white animals themselves are valued, just that rare genetics such as albinism = valuable sacrifice.

There are some specific exceptions where the color itself is significant (rather than just an extension of its rarity). God is specifically supposed to have taken the form of a white aurochs (itself emerged from the foam of the sea) during creation, so white oxen and wild oxen SPECIFICALLY have especially high value. Melanism or black scales are valued to the serpent face of God, which is associated with the cosmos and void behind the stars. (this stems from much, MUCH older beliefs in a cosmic serpent god in the region).

Animal sacrifice is a very significant part of the religious framework and involved in most rituals and prayers intended to affect significant change and transformation. (This is due in part to a deeply ingrained belief in the world being perpetually sustained in a cycle of sacrifice and rebirth, and in God Itself being the physical mechanism of rebirth and requiring sacrifice to be sustained). While blood itself is seen as potent, the nature of sacrifice isn't just 'spill blood and make thing happen', it's got a self contained value system and is very calculated and intentional in nature. You aren’t going to just grab a random rat and bleed it and pray, there needs to be a perceived ‘loss’. Sacrifice via killing is also not the only form, the most common day to day sacrifice is in (very minor) bloodletting and offerings of food and drink- the key is allowing a personal loss to sustain a greater cycle.

That being said, there is a HUGE trade system built up around the breeding and selling of animals solely for sacrifice. The industry revolves mostly around birds (doves are the cheapest, but also poultry, waterfowl, some birds of prey, a few select songbirds and ornamental birds), goats, sheep, and horses (the small, premodern kind). Cattle and camelids are a higher tier, and khait are among the highest of common sacrifices due to their great value.

Other animals that have no direct utility but are sacred are also bred or captured for sacrifice (hesperornis, lacetor, gulls and albatrosses, several kinds of snake, a bunch of wild ungulates, nechoi, etc). Some '''‘exotic’''' animals are imported specifically for this purpose, mostly as a means of displaying the wealth and reach of the state, with their sacrificial value rooted in the difficulty of acquisition. Animals taken from sacred sites are also prime candidates (ie cattle bred and grazed on the foothills of the Sons of Creation are VERY valuable).

---

So all that being said the importance of albino animals has come off a little overstated on my part, and doesn't have any particular impact on how albinism in people is regarded. It’s valued mainly for its rarity in the context of animal sacrifice, which would not have direct translations to how it’s perceived in people.

Albinism in people doesn’t have a super well defined significance in broader Imperial Wardi culture, but perspectives mostly skew negative and towards seeing it as a sign of ill fortune (physical differences in people tend to be seen as a result of being cursed in the womb). Imperial Wardin is culturally diverse (united mostly by a identity based in shared religion), so exact nuances would vary and this statement should not be taken as a universal.

Imperial Wardi population is mostly human (with its citizen population being MAYBE 5% elowey, 2% qilik, and a decimal point of caelin). Overall sentiment towards other sophonts by the human majority is not outright hostile, but is human-centric and tinged with xenophobia (as most qilik and elowey in the region are immigrants, with the only elowey ethnic group historically inhabiting the region (the Jazait) being regarded as 'heathens'). Albino elowey or qilik might be similarly seen as products of a curse, or may be given a 'wow how beautiful' treatment (in a heavily patronizing capacity) and seen as a curiosity, or otherwise just subject to varying perspectives on albinism in the region.

The one other thing I have established in this vein is that the semi-mythological hero Janise (sworn brother of other semi-mythological founder hero Erub) is said to have been albino. While he is positively regarded, he is supposed to have died young of a snakebite (assumed to be the product of a curse from his enemies) and this would not improve perceptions of albinism being related to ill fortune.

[summertimemusician]

Linktober 2024, Day 1, Mirror (Self)

Alright here we go again.

Technically a sneak peak of a bigger thing to come in the future that I'm repurposing, and the result of my final playthrough and readthrough before EoW dropped being Four Swords Adventures and that made me sad about Shadow Link again.

Note that this is for the Four Swords Adventures iteration of Shadow Link that might evolve into an LU Shadow, not Dark Link in either LOZ or LU, I have other plans for him.

This one shot was brought to you by Scars by The Crane Wives, Ribs by The Crane Wives, Ruin by The Amazing Devil and Two Minutes by The Amazing Devil because the author's playlist decided to be incredibly cheeky when they blacked out to write this like an ancient seers being cursed with visions and then called mad and hearing they've been put up for execution.

As always the nature of the relationship can be romantic or platonic, mostly due to the author's time constraints and further plans.

Anyway enjoy the reading!

It was cold.

The sort of cold after a wildfire, when everything's turned back to ash, the sort that left burned your vision white after the flames licked through your veins and left an ache in your bones. He shuddered, coughed black onto the stone floor, shaking with a muffled whimper.

It never got any easier, being dragged from the Dark World and into the Realm of Light, the goddesses' world itself revolting against an intruder, wanting the wound torn asunder into their oh so precious realm cauterized. To purge the intrusion and smite it where it stands.

Too bad for them (and for him), his master didn't particularly care about what the world wanted. Didn't particularly care that he hadn't grow accustomed to the pain or the cold, he had to stand up. There was work to be done.

(Shadow gritted his teeth, willed himself not to think about the prophecy of a golden haired princess- because whether he liked it or not, it was prophecy. As those with divinity running through their veins are wont to spill from their throats so carelessly- of violet eyes and a smile a third moonlight and hands holding a hammer.

It always hurt more, after one of the heroes liberated one of the maidens, or the jewels, the pain lingering for days afterwards and carving a home in his metaphorical bones. But just this once he'd take the cold bite of the Four Swords over the pain in the hole in his chest that Vio's betrayal had left, something that felt so much worse than every other time before.

Just this once he wished that maybe, just maybe, the hurt would be too much to bear, that he wouldn't wake up again-

Why? Why does it hurt so much but he's still here? He already knew the Light was uncompromising and unforgiving, but he thought them at least above curses.)

His ears twitched as soft, almost silent footsteps came up to his side. Someone crouching by his fallen form, setting a cautious hand over his own that Shadow couldn't help but draw away from with a hiss, blinking as his eyes adjusted to the world again, to your face, carefully blank as you guided him to lean against your side, a silver choker with a crimson gem winked mockingly at him, the shade closing his eyes and going boneless against your side.

Shadow was so, so tired.

He heard you quietly sigh, plucking his cap from his head and running your fingers through dark amethyst, smoke and mist made hair. "I told you so."

"Shut up." He grumbled, nuzzling further into the crook of your neck. One clawed hand curling against your free wrist, digging into the skin. Absentmindedly noting there were new scratches just above the metal.

It was routine by now, the warmth of your existence against his own a welcome balm, not quite of the Realm of Light where it's unpleasant, not too close to the Dark World where he felt like melting back into the embrace of the darkness, only to howl in agony at being dragged out.

Memories not quite his own bled into his mind all the time. How you'd shape ice into flowers for the princess in winter with nary a though, of blinking and from one second to the next you'd have whatever sword he had hostage if you though it was time for a break with a smile brighter than the sun.

His master had changed that though. It took months for you to stop trying to claw the collar out and to stop trying to fight Vaati.

(Funny how holding a mage's dragon as a bargaining chip is just as effective as kidnapping a ruler.)

Your gaze flicked to the polished obsidian of the Dark Mirror, to the gold, ornate frame. "The offer is still open, you know. Let me take the suffering from you."

"No." He scowled, leaning back to glare into your eyes, a hint of fangs poking out from a maw struggling to keep the shape of a human jaw, "You helped him. Helped them." Shadow spat, there is that hurt again.

You shrugged, a movement that's just slightly awkward as you flinch, "That I did." You confirmed simply, it almost made Shadow see red as he leaned away, knocking your hand from his head in the process, but if there's anything him and the heroes shared, was a lack of a desire to hurt you. It was a little grating to be honest, "Vio even offered to take me with him, to be honest."

"Then why didn't you leave?" He demanded.

Why did you stick around?

Your eyes shuttered, a hint of conflict in your pursed lips. Before you found your words, they come out softly, "You wouldn't believe me if I told you why. You'll just have to find out yourself."

You tug your wrist from his grasp, and Shadow lets you go.

(Stubbornly pushing down on memories and emotions that arearen'tarenotanymore quite his.)

You stand and turn away, pushing the curtains away from your sight, you turn your tired eyes to Shadow with an emotion he can't put a name to. "Just keep it in mind that there's more than one way to end this. Nothing is truly inevitable."

Shadow watches you go. 'There's nothing that can be done. He tells himself, hand hesitating above the Dark Mirror, briefly, it curls into a fist. The hero's original self stares back at him.

'… Does he really believe that?'

He shakes his head, and focuses on willing the Dark Mirror to show him his counterpart.

His chest still hurts.

[lord-squiggletits]

Y'know the thing about writing feral/unhinged versions of Orion/Optimus, is that you can't go too far into the feral/unhinged direction to a point where OP's core character traits are lost or become too diminished. After all, in a multiple-continuity franchise like TF, part of what makes the stories make sense is that even if details change (sometimes major details), the characters are still recognizably themselves to one degree or another. (Although this isn't always the case due to executive meddling or some characters being such blank slates from their initial G1 appearances that there's basically nothing to model them off of, but I digress.)

It's pretty much another reason why I love IDW1 Optimus, bc he literally is a canonical feral/unhinged Optimus who's unhinged as a direct consequence of who he is as a person and what he's been through. Like, he still has those fundamental character traits of trying his best to be moral and make good choices, trying to be a role model, etc, except after 4 million years of war and untreated depression he's basically holding onto his sense of self by his fingertips. So when he "goes feral" e.g. losing his temper and beating up/killing people or saying hurtful things, he's feral in a way that's directly tied to his normal personality and not just as a random quirk he has.

IDW OP's feral moments arise from the gaps between "Optimus' attempts to be who he thinks he needs to be" and "the reality of the world that he can't fix/seems to only make worse" that cause him to lose hope, or become cynical, or lose his temper. But in this case, the unhinged-ness makes perfect sense because it arises out of Optimus trying and failing to be the best person or to make the most morally good choices he's trying to make. Basically, the "feral/unhinged" label is just another way of me trying to say that he's not just unhinged because he's weird or because he's a bad person, but because it's an emotional reaction (more like an emotional explosion due to pent-up emotions) to the context he exists in.

I'd also say that IDW OP's personality being generally reserved/stoic and (trying to be) noble works in tandem with those moments he has of going feral because it makes him more realistic. His psyche is treated in a way where the writers are like, "Hey what if the pressure of having to be everyone's idol and be the best person in the galaxy at all times actually broke Optimus down mentally and emotionally?" It makes IDW OP far more relatable. Instead of naturally being a perfect Christ-like figure who never wavers in his morals or convictions and is just naturally a nice person who always has the wisest and best answer, being a good person is something that IDW OP has to consciously strive to be. Even when he feels like it's useless, or the cycle of violence will never stop, or any attempts he makes to help only ends up with things becoming worse.

And I feel like this does a service not only to IDW Optimus as a character, but also as a sort of moral/philosophical perspective for the reader to ponder upon? I feel like culture at large (or at least my experience of it) tends to believe that "goodness" in a person is simply an innate feature that people are born/not born with, and that being "good" means that you must be good at all times, both in your actions as well as the way you feel emotionally about yourself and the world. Like, there's a tendency for our vision of "a good person" to be good in every aspect at all times without having to try to be a good person. So I think IDW Optimus' character stands as a good example of how someone can be good at heart but still struggle to maintain those feelings of optimism and hope and justice. It's a good idea to have such a paragon of a character (in-universe and out-of-universe) be so conflicted and to even be mistaken, misguided, or make things worse because it shows that goodness is as much about "trying to behave/act in a way that is good" and not just "existing as an innately good person."

It's way more realistic for a person to want to be good, try to be good, and sometimes/often fail than it is for them to just be a good person. I enjoy the fact that IDW Optimus is both a good person at heart, but also has to strive to be a good person and live up to other people's expectations of what they see in him. I like how he wants to be a good person and change society for the better, but he also spends a good amount of time either feeling hopeless and alone or being angry at/detached from other people because of how frustrated they make him. He's realistically portrayed as someone who wants to be good and hopeful and change things for the better, but is also mentally and emotionally broken by that burden because of how impossible it is for him to Fix Everything and be the Perfect Prime/Leader/Autobot that people see him as. It's this fascinating mixture of "yes, this is who he is as a person" but also "there are things he desires to be that he could never possibly become or live up to."

This got really far off based from feral/unhinged Optimus sdklfjaslkdlfkas. The TLDR is that if people want unhinged OP, I feel like they should give IDW OP a chance because he IS unhinged but he's unhinged in a way that's a realistic/thematic representation of how being an Absolute Good is impossible. And how being a good person isn't just about Existing And You Are A Good Person, but rather goodness is a constant state of flux in which you adjust, you make mistakes, you lose your temper and feel hopeless, but then you pick yourself up and try again.

Also IDW OP really likes climbing in dangerous wilderness and jumping out of flying vehicles which I think is very feral and sexy of him to do.

[hiding-under-the-willow]

I'm back again with these stupid motherfuckers :]

[rooolt]

terribly self indulgent au concept but duck team high school theater kid au in which Callie and Glen auditioned together and got the romantic leads but then they had a messy breakup and he made her think she didn’t deserve it but she befriends Sol who’s playing the comedic relief role and Calder who helps with making and moving sets and they convince her to keep the role despite him. Also Albin is Sol’s childhood friend who he dragged into working on lighting and Albin and Calder have the exact same bitchy passive aggressive dynamic as they do in the show

[tiffanybluesclues]

Every week someone makes a post about how annoying it is that Dick Grayson fans don't acknowledge his flaws, and every week someone replies with an explanation that the flaws OP listed are entirely fanon and inconsistent with canon as it actually happened and at this point I have to assume that none of those explanations are ever going to stick because clearly some people just want the fanon to be true.

Anyway, I'm just putting this here for me to edit and add relevant-to-the-topic links later so I'll have them nicely at hand to read and sooth my frustrations when it gets real bad out there. (Echo chambers are good when we use them to drown out character mischaracterizing fanon.)

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans