#I'm really enjoying writing this

[nocapesdahling]

Rose’s side of the family isn’t exactly management material. They’re creepy and they’re kooky, mysterious and spooky. All together ooky really. Too bad Hank Maclean has no idea what he’s in for when it comes to his wife and children. Or in which Lucy is an Addams and the Ghoul is the most beautiful thing she’s ever seen.

[stars-are-just-ghosts]

Chapter 9 is up! Thank you to everyone who's been reading this so far. I very much appreciate all the kudos, comments, and shares! You guys are what make it all worth it. -snugs- Love ya! - QD

(gif credit goes to its creator)

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[jade-of-mourning]

it's finally done, and it's probably the gooiest garbage i'll ever make.

credit to my new buddy @i-love-tdp-if-you-can-tell for doing almost all the characters' flat colors!! i am so so so infinitely thankful to them bc otherwise none of the other efforts of making this would have happened. between the lineart, backgrounds, shading, and touch-ups, these five pages have taken years off numerous braincells' lifespans, and without their help, may have annihilated my entire brain capacity.

if you like, please reblog! we put in a Lot of time and effort into this!

you would think that between last time (one other event) i tried comic-ing and now, i would've learned to not handwrite the text, but alas...

thank you for answering my plead for help, sky! and for managing to work around my design inconsistencies and sketchy lineart <3 ik you said you didn't need anything, but if you ever decide you want an art, hit me up any time :)

and to the tdp fandom, whoops… sorry for all the requests rotting in my inbox. it was a fun september and a fun six years of lurking, but alas i think i will be bailing for the moment. maybe you'll see me around.

[catebees]

Isabela fanart referenced wholly from her in-game appearance no funny business whatsoever

[reginalusus]

Ah yes. When the protective dad-figure beats up the son-figure's past tormentor only for said tormentor to make a point(?), because the tormentor is the catalyst of Gotham's chaos, and seeing two pieces of the debris from said chaos come together to try and be less broken is amusing. The butt of Gotham's joke, if you will.

I just felt like illustrating a scene from a possible future Harvey-Jason-centered fic...

[myoonmii]

He watches him like a ghost

[nipuni]

Alright, time to share my opinions about Veilguard!! I have both criticism and praise so bear with me as I jump from one extreme to the other 😆 spoilers ahead of course!

The game has a very rough start with the dialogue being formulaic and rushed and the characters overexposing. It feels like a heavy handed attempt at summarizing all of previous games' lore for newcomers or in case you forgot but it's so overdone it feels coddling and trivializes a lot of previous events. Luckily this gets better once all of the introductions are out of the way, though the excessive hints and clarifications continue until the end sadly.

The locations are absolutely incredible and very diverse!! This is a highlight of the game for me. There is so much detail and care in every map and there are so many of them. My pc is struggling to reach medium settings and yet everything looks stunning. The verticality of the maps is so imposing and the graphics have a very dreamy quality that I love. I also enjoy the maze-like structure to the maps, it's more linear but makes everything look a bit more intentional. The color and light direction was amazing, all the visual development really!! it has to be one of the prettiest games I've ever played.

When I started I have to admit it did not feel like I was in Thedas and it all felt a bit theme-parky, if that makes sense. A lot of previously important and established world elements that made Thedas what it is were overlooked or made irrelevant. But the more I played the more it started to feel a bit more similar to Inquisition, for better or worse depending on what you feel about Inquisition. But!! this also feels like a selectively sanitized version of Thedas compared to previous games. In it's attempt to stay safe and uncontroversial in some aspects it loses a lot of substance and it changes the tone. The surface level politics, ignoring previously established major societal issues and a tell-don't-show approach makes the world seem more simple and shallow with no grey areas to explore. ( the humor also falls flat and out of place often too, and WHY is everyone always smirking, enough!! godlike beings are destroying the planet please this is not the time for Marvel banter aaaa )

The pacing at the start is a bit of a mess. It is so fast it felt like jumping from one world shattering discovery to the next with no time to process. The characters also seem to underreact to important information and major developments. It felt like the game was rushing me through all this to get to the part of the story it wanted to tell me while I was still wrapped in my shock blanket trying to catch my breath lmao. I really like all the key story points they touched upon, I just wish they dwelled more on them to give them more narrative weight. ( though blaming every bad thing to ever happen on the Elves was certainly..a choice )

I think the writing could have used more subtlety in the first half and more boldness in the second 😆 but I loved the thematic parallels between Rook and Solas and how every quest informs the main storyline. I do wish Rook was given more impossible choices and put in more difficult situations that forced them to lie or betray their own to better drive the point home though ( listen I just love a Trolley problem!! we need more of those, I'm the Trolley problem's number one fan!! ) I feel like they missed the chance to put Rook in Solas' role and be as vilified and hated for it as Solas was despite their best intentions which would make Rook's regrets stronger and in turn make their escape from the fade all the more impressive and give them a better understanding of Solas to either use against him or earn his respect. The line 'they called me the Dread Wolf, what will they call you when this is over' from the trailers was so good I was waiting for this!! But everyone just loves Rook no matter what!!

But I feel like I stated too many negative aspects in a row so moving on to some things I enjoyed!

The characters were very lovable to me. The romances weren't as long or impactful as I would have liked but I enjoyed all the companion quests. Emmrich is a delight and his quest is so wild and fun. I loved learning about Nevarra and I was awestruck by the Grand Necropolis. The mourn watch was so interesting, it showed a whole new side of Thedas' lore I knew nothing about! and I loved Manfred! Davrin is so charming, he became a favorite. I loved his quest too and learning more bits and pieces about the Dalish was great, I wish we got more. Seeing the Wardens through his quest also made me enjoy them a lot. Assan was very cute too and I'm glad he was treated as an animal and not turned into a goofy Disney sidekick too much lmao 😭 Lucanis is hilarious. The fantasy Spain/Italy was a bit silly and off at times but he is very sweet! and I love the Spite possession, that was so fun I'm glad they kept him that way! Bellara is adorable, her first backstory quest made me cry and I just love a nerd! I wish the second part of her story was written better however, and she sort of devolves into 'it's hard, I wish it was easy but it's hard' dialogues too often sadly. Anaris and the Forgotten Ones' portrayal was underwhelming and anticlimactic which was disappointing. Harding is also very cute and her Titan plotline was the most interesting to me, I bawled my eyes out in her quest!! I love the dwarven lore of this universe I'm so happy we got more of it!! ( she also fucking died in my playthrough?! I was devastated what the hell 😭 'whatever it takes' WEUEUGHHHG I'M SO SORRY) Neve was a slow burn for me because of my choices in game slowing that relationship down ( saving Treviso I mean, perdón amor 🙏 ) but I love detective novels and she is such a badass I ended up loving her. Taash was unexpected, I didn't think they would be so young. The coming of age story was sweet, though I found myself cringing a lot too at the handling of it I have to admit ( and the Lords of Fortune in general, and the Antaam...and que Qun..listen- kajshfgf ) but I also enjoyed learning more about the first expedition and the Qunari in general despite the messy writing and choices. I also loved Antoine and Evka! and Strife! And I haven't even read any of the novels they are in 😆 also Mila!!!! and her dad oh my god and Felassan haunting the narrative!! speaking of haunting, I would have loved for Cole to be in the lighthouse too I think it would have worked well 🤔 especially with the whole 'reading Solas' secret diary' thing the game had going on lmao

Everyone seems to get along except for a bit of friction that is quickly resolved at the start, which is hmm missed potential? I would have preferred more tension personally. I enjoy the drama! gives me more to work with and gives you a better grasp on everyone's personality by contrasting values. I think they wanted to speed run a found family trope for the new hero to establish some emotional stakes early on but it ended up making everyone seem like a group therapy session instead. The group meetings also have everyone either state the obvious or repeat the same opinion or conclusion to each other, I would have loved these meetings to have more bickering, have people get mad and storm out and also get to listen to different takes on a situation. Make Rook struggle more to take the reins and keep the team functional, learning how to be a leader.

Speaking of Rook! ( who in my case has a northern British accent that I loved so much 🥺) They seem to have a very established personality. I was expecting more of a blank slate but I'm lucky that the personality they went for kind of matches what I would normally choose in a first playthrough. Though the lack of range in the choices is irritating and takes away some replayability and role playing potential. Rook is very supportive and selfless, I wasn't expecting this tbh! But it all made my Rook turn into the team's weird supportive necromancer mom so it worked out in the end I guess lmao. I can't wait to draw her!!

I was so overwhelmed by the amount of information we got about Solas and his past!! I was expecting answers but not these many and not for them to be such an integral part of the plot!! The game feels like it's about him more than anything else. His arc is the best written out of all. He is mentioned in every conversation, he's the main advisor and the narrative foil, you get to talk to him often, you work for him and with him and go into his memories it all feels so surreal to me lmao I love him so I'm delighted ngl! but also making the other Evanuris so cartoonishly evil makes Solas into such an obvious choice of an ally, god of trickery or not, that it sort of takes the decision out of your hands and makes some dialogue options and companions' opinions seem almost nonsensical. I have no idea how this game would feel to someone who absolutely hates Solas' guts honestly. I suppose I will find out soon enough 😆

About Solas' story, I loved it! I somehow also feel that I knew it already, all the speculation and theories that Solavellan fans were crafting for years were so accurate that it was all very validating. Even the wildest ones! Solas as the Maker, the elves spirit origin, Mythal giving him a body, the war with the Titans, the origin of the Blight, Solas being on your side as advisor, I can go on, we knew!! Also I have to mention this I'm sorry but they made him look so hot!! unbelievable. And the bloodied teary eyed pathetic look in the end ouurghhh I'm cheering and clapping!!

The romance conclusion was so lovely 😭 the Loki and Sigyn ending we deserved to such a mythological epic!! and open ended enough for all of us to cook!! and we got to see him fight and transform into the Dread Wolf!! and whimper and cry!! and bleed and love!! that's all I ever wanted, incredible we were really spoiled what the hell I still can't believe it 😭 GDL acting was brilliant as usual! the visuals were also incredible and exactly what I had in mind when I imagined where the story may go, the eclipse, the giant wolf, the glowing eyes, the Elvhenan ruins, the statues, even the hair lmao it all aligned exactly to what I've been painting all these years but better I was thrilled 😭

Solas backstory with Mythal also offers players that didn't romance him a chance to see him act out of love and show a side they wouldn't be able to reach otherwise and I think it was smart! also very tragic and sheds more light into all of his choices and words and his relationship with Lavellan too and the parallels and reversals and uughh thoroughly enjoying the emotional distress 👌

Pleasing both the Solas lovers and haters at the same time was always going to be hard with him being such a polarizing character by design and the world states being so different but I think they did a good job! at least from my side of things.

I think my favorite part besides the Solas related stuff was the Blight. I loved how horrific and gross and threatening it was! I've always loved the concept of the Blights and I'm glad it was such a huge part of the story in this game. I also loved Treviso!! has to be the most beautiful city in Thedas ahhh and the Necropolis!! the gardens!! Vorgoth!!! Kal-Sharok!!! I can't believe we got to see it!! and a Titan!!! the giant floating face of Ghilan'nain in the clouds??? and the huge archdemons and dragons!! oh and that warden dragon trap in the shape of a griffon?? and the giant blight tendrils!! the siege at Weisshaupt was outstanding!! and the floating panopticon castle situation in Minrathous uughh there is so much I loved.

OH I also enjoyed the Varric arc even though I saw it coming since the trailer it was still played well and it was touching 🥺

The ending felt a bit jarring to me in tone though, a bit too cheerful considering...the horrors. Over half the continent destroyed and most of the problems Thedas had before the game are still there. Veil in place and all 😆

But I had fun!! I'm nitpicking really, the conclusion to Solas' story feels very satisfying to me which was my main worry so I'm happy. It is a good game!! with a sort of soft reboot feel to it and aimed at a younger audience which is probably what they were going for? You can sort of feel the struggle the team went through during production in the way the target audience seems unclear sadly. I also can't help feeling like this is an ending, so much was revealed and resolved!! but maybe I feel that way because that is what I felt after Shadowbringers / Endwalker in FFXIV once my favorite part of the story was wrapped? They can always pivot to a new continent and expand on the world and cultures we know almost nothing about, but that is always harder to sell so I have no clue where they will go from here 😵‍💫

Anyway I'm still processing a lot of stuff that I will probably talk (and draw) about later, this is already long enough!! for now I'll look up how to get the artbook because the art direction of this game is fantastic!! I would love to hear your thoughts too really, I'm curious about the experiences of players who made different choices and with different tastes to mine!!

[madootles]

jon sims losing his mind in seasons two and three <333

the magnus archives has me in a serious chokehold right now

[sillygoofyqueer]

Silly fic idea for you:

SVSSS AU where Shen Yuan transmigrates as a half-human half-crow-demon Phantom thief character.

He doesn’t want to steal from Bing-ge, but his System makes him, and naturally Bing-ge ends up obsessed. Bing-ge keeps luring him into traps with shiny things he just can’t help but want!!! Stupid crow impulses. (That he kinda wants to see Binghe again is irrelevant, obviously).

This is SUPER silly. Anon, this is so funny, I feel like I simply have to write this now oh my god. The idea that Bing-ge is confused at first, and he then sees this super handsome half bird-half human-demon thing and is like "man I need to get me more shiny things, I want to keep this fucker". ALSO, (I've heard that) crows are quite intelligent and start leaving presents as a response to getting fed or being given shiny things, so it could also be something where Shen Yuan starts having the urge to give Bing-ge things back after receiving all these shiny things (better if he doesn't recognise most of the traps as traps, mistaking Bing-ge for being a generous demon who doesn't need all of the shiny stuff he takes) and starts giving him shit like rocks and plants and the cool parts of beasts he fights... It also can be silly no matter when in the timeline this happens - it could be during the QJ peak arc where Shen Yuan sneaks around because he wants to see the awesome protagonist up close! The first time he steals something from Bing-ge, it's something super dumb like a particularly shiny rock or a coin that the boy left lying around, and Bing-ge's quickly like "??? The fuck just happened?" so he sets up a trap with the axe he uses for chopping wood (kind of rusty but still useable and particularly shiny). After that, it's chaos of trying to keep Shen Yuan the demon hidden while also stopping him from stealing other shiny things (cultivator's swords and such). Liu Qingge finds Shen Yuan trying to steal one of the swords he was gifted after saving a village and is also like "??? Kill?" It can also be after the Endless Abyss, when Bing-ge is like a demon lord and just has shiny stuff lying around. He throws it out occasionally and one day, while doing this, he notices a certain person swooping in and grabbing one of the shiny things. More antics ensue but I don't want to crash my laptop lmao (Which one would you rather me do, anon? Before the Endless Abyss, or after? Or both??) {part one! Part two, part three, part four, part five, part six, part seven!} [This gorgeous fanart from @slurmdog that's making me go insane here] [More awe inducing fanart from @moonlightobsessions that has made me pass out here]

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[bitegore]

I made a character sheet to plot your OC's development over time! (There's supposed to be a character name in the big white space next to "over time" but it got eaten a little lmao)

You can use this for whatever you want, and you don't have to credit me. Feel free to change or edit anything you feel like. Please don't tag me if you credit me - just link to the original post.

Credits, explanations & a transparent version under the cut :D

Credits:

The actual image was made with the free NBOS character sheet creator, which is a sort of dated but free and solid text-layout sheet maker intended for ttrpg style character sheet creation.

Fonts used were Bisdak (titles) and Rockwell (body). Both are free! You can use them to fill it out if you like.

Inspired by a comment @maybe-solar-powered-calculator made on this other post about filling it out for characters at multiple points along their arcs. Thanks for putting the idea in my head :D

This is explicitly released under a CC0 1.0 deed, ie: you can do fucking whatever you want with it and I don't care and you don't have to tell anyone where you got it from and no one gets to stop you.

-

Last time I made one of these I got a bunch of questions on all manner of things, and I can never keep up, so I'm just appending a set of notes for how to use it and a glossary because I know some of these phrasings will be confusing.

Ignore or change anything you don't feel like works for you here. You can do whatever you want forever.

Suggested / intended use & general notes:

This sheet could work for something story-level, if you want. But it's really only good for individual arcs; if the character goes through multiple arcs in your story, then they're going to fit poorly here. In that case, you're probably better off doing versions for each arc, or just adapting this to a different format more suited to your thing.

Also, if your arc has a nontraditional structure - divorced from the typical "rising action - climax - conclusion" type of structure where there's a clear 'important turning point' - it may not work as well either.

The mindset section is meant to come at it from a 'golden mean' standpoint - that is, everything on either extreme of the slider is 'too much' and therefore bad. It's not bad-to-good! The far right side is a flaw too. They're only grouped the way they are on basis of the specific OCs I personally had in mind when I put it together.

Growth is labeled 'worse'-to-'better' but it means, like, active decrease in that area vs active increase; if nothing changes, it should stay at the center even if it sucks. The category is about contrasting changes, and sometimes changes are for the worse!

The entire sheet is very deliberately subjective. It should really be answered from the character's perspective - how they feel about it, not what's necessarily true. Technically you can do whatever you want and I can't stop you, but it's a better tool if you approach it from the point of view that the character may believe things that aren't true - that will define their behavior way more than the objective facts of the story.

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Definitions:

This part is long as hell - recommend using ctrl+f to find the specific words you're stuck on. I defined everything.

General categories:

Mindset: how your character thinks about themself and how they act. Their understanding of their own approach to life. Attitude, viewpoint, decision-making process, that sort of thing.

Circumstances: the relationship between your character and the world around them. Where they are, what that place is like, and how they feel about it.

Growth: how the character and their impact - their attitude, their behavior, their immediate surroundings - changes over time.

Outset: the start of the character's arc.

Present: the 'center' of the arc. If you're planning something ahead of time and it hasn't 'happened' yet, then this is the near future.

End-game: where they are after the conclusion of the arc.

Mindset terms:

Center of the world: "If I have a problem, it's the only thing that matters to me." Self-centered, self-absorbed. Doesn't necessarily mean anything beyond that - they don't necessarily have to be unpleasant to be entirely focused on their own life.

my life isn't relevant: "Everyone else's problems are so significant, I don't pay any attention to my own". Someone who ignores or neglects their own life in service of some other thing, or doesn't consider their own behavior to have any real importance.

Only see enemies: Paranoid. Everyone's out to get them. Anyone who seems nonthreatening is hiding their potential for danger and everyone who seems threatening is a threat. The character must remain ever-vigilant, lest the cashier at the 7/11 suddenly stab them, or their best friend turn out to secretly be trying to poison them to death.

Only see friends: Naïve. Everyone is a good actor who wishes everyone else well, and if they don't seem like they're acting from a place of kindness or care then you probably don't understand what they're up to. The character is pretty sure the stranger holding that knife is, like, someone to chat up maybe, they're clearly only hanging out in this dark alleyway because it's a nice spot and no other possible reason.

overthink everything: Ten thousand thoughts per every single action taken. Maybe they never get around to acting at all. They have to consider every possible outcome. What if by eating lunch they accidentally trigger the apocalypse?! Who's going to think about these things if not them?!?!?!

impulsive to action: Act first, think never. What do you mean "consequences of actions"?

Unilateral decisions: "I will make every choice and no one else's opinions or thoughts are relevant". Discounts outside suggestions. Firmly convinced that they know best in any situation, and will brook no disagreement with their views when it comes to actually doing things.

Command me, please: "I don't know what to do and I don't know what to even start with, someone please tell me what to think". No confidence in their own views. Will not make any decisions unless forced and even then will beg someone else to please tell them what to do. Has no idea what's best and is pretty sure anyone else will have a better idea.

can't ask for help: No one will ever help the character; they have to do everything themself, even the things other people have repeatedly offered to do for them and have much more experience with. Doesn't necessarily mean that no one will help them or that they are explicitly barred by some real-world circumstance; just that, for whatever reason, they refuse to ask for help. This is an attitude thing - will they ever reach out? No? Then they're here.

too reliant on others: Have they ever solved a problem alone? Do they believe they're even capable of doing so? The character all the way at this end of the scale absolutely never expects to be able to do anything themself, has no trust in their ability to solve a problem, and needs someone else to come save them from it. The kind of person who needs ChatGPT to do their homework. Again - doesn't actually mean anyone will help them, or that the people they're relying on are reliable - just that they think they are helpless without ... well, help.

Weapon maker: This has to do with problem-solving strategies and not actual weapons. The weapon-maker is a character who views every situation as a conflict that cannot be de-escalated or solved by cooperation, and responds appropriately. The most fundamental weapon maker character turns everything into an argument, a fight, a war, etc. There are a bunch of other responses to conflict, though - they might avoid problems that need solving because they avoid conflict generally too. Fundamentally what you want to answer here is: when they see a locked box and they don't have the key, do they respond to it the same way they'd respond to someone telling them "you can't open this box"? And how do they respond to that? Typical weapon-maker approaches: - brute-force the box open or try and then give up if it doesn't work; and also get into an argument that might turn physical with the hypothetical person - shrug and give up immediately, in both situations so on and so forth. Another hallmark is that they kind of suck at problem-solving and give up if brute-forcing a problem doesn't work. This is not someone who is picking locks unless someone else told them to - they have one solution, it's to make everything into a conflict, and then to win that conflict by beating them or to give up because they think they'll lose.

Tool maker: This person approaches every situation like it's a puzzle, not a fight - up to and including actual fights. Tool-maker characters generally assume that a situation can be solved by just finding the right approach and doing it the clever way. There's the same fundamental question as above - if your character sees a locked box and has no key, would they approach it differently than someone telling them they're not allowed to open the box? 'Typical' tool-maker approaches: - I can trick the person into giving me the key by saying the right things, and I can also pick the lock because fundamentally there are 'right answers' to both of these - If i make friends with this person, they might change their mind, because now we're cooperating. I can still pick the lock because there are 'right answers' there. - The person has a reason for wanting me not to open the box, so I can definitely figure out what that is and solve the reason so then they'll let me open it. I can take whatever it is even if they really want to keep it if I just find the right answer. I'm going to break this box into little pieces because that's the easiest way to get into it but I could probably open it some other way if that wouldn't work.

A note - the center of this bar is someone who generally has different responses to different kinds of situations - like, in the box example, they'd approach the box and the person with two different general attitudes and processes - but generally responds to those situations using the same kind of decision-making process for each category every time. Most people are nowhere near either extreme. Characters tend to be classifiable into weapon-maker and tool-maker because they are fictional and it's easier to define one kind of approach than many. Approximately average approaches: - pick the lock if no one's around, but give up if someone is there because someone telling me not to open the box is a conflict i think i'll lose but a locked box is just a puzzle that i can solve - argue with the person, but give up on the box, because they're approaching the box as a puzzle and they don't think they have the skill to get into it, but the person is someone who can be convinced or bullied into handing over the key

I made this particular dichotomy up, which is why I think I get a lot of questions on it whenever I put it into anything, but I also don't know of any other snappy way to describe this sort of thought or approach variance, and it's genuinely useful for character writing in my opinion.

Pessimist spot-finder: Generally a downer but not necessarily. This kind of character just approaches everything with a close eye for problems, issues, reasons to find fault. If they're miserable, it might be why, but like, they can be a cheerful spot-finder if you want, I just wanted to get at "the glass is half empty" and "the glass is half full" more than anything.

Optimist upside fan: The opposite. "The glass is half full". If there are problems, they can find something about them that's not so frustrating or bad to focus on. Pretty damn good at overlooking minor issues if there's no reason to fixate on them. Not necessarily cheerful.

Abysmal company: could not give less of a damn about treating people the way they 'should' be treated. Maybe they take pride in that. Maybe they just think it's irrelevant. Either way, they know they treat people badly and they don't see any reason to stop. Does not necessarily mean that they treat people badly if they think they're doing the right thing and are wrong. Doesn't mean they're actually pleasant or unpleasant to hang out with, either, unless you really want it to mean that.

Decent to others: treats people well as a matter of course, or at least they sure think they do. Makes an effort. Would probably care and/or consider changing their behavior if someone said they were treating someone poorly. As before - they can be completely un-self-aware and just think they're doing right by people while treating them completely horribly.

Morality is irrelevant: 'abysmal company' for broader approaches to life and problems. Maybe they just know they're myopic and don't think other people's problems matter. Maybe they just gave up on trying to differentiate between 'good' and 'bad' and outsourced it to someone else or stopped paying any attention. Maybe they just like to take morally unjust actions and can't be bothered giving a damn when someone points out that they're morally unjust, or maybe they're proud of it. Kind of a villain trait generally, but not necessarily - it doesn't have to mean they act badly, just that they don't care if they do. Also, this is about how they choose their own actions and view their own behavior. They can think morality is relevant for other people as long as they ignore it when they act themself.

Always in the right: feels morally righteous in every decision they make. Standard superhero type of trait. Doesn't necessarily pass judgement on others, doesn't necessarily act well according to everyone's moral code (see: blue and orange morality), but they are extremely principled and will never deviate from the moral code they personally believe in. And they do genuinely believe in it.

Circumstances terms:

Generally terrible to generally excellent: how subjectively decent is your character's situation, overall? If they think everything is horrible, but the situation is charmed to everyone except them, then it's generally terrible.

Need for changes to passive tolerance: will they do something about it? Do they feel like they have to?

No agency in action to decisions are huge: agency being "how much power do I have to make changes here?", this just asks how much they have. No agency means that, no matter what they do, nothing will happen - they might be locked in a cage or somehow otherwise completely unable to use any sort of power at all, even the power of just leaving. The other end of the spectrum is where every decision the character makes makes a huge difference, not just to themself but to everyone around them as well. They can start wars, they can have anyone they want killed, they can do anything whenever they feel like it. If they think they have no agency even though they do actually have agency, they don't have agency here. If they feel like they have all the agency in the world and can do anything, then they do even if it's not true. It's perceptual again.

Stakes are deadly to mistakes solvable: what are the consequences of failure? Will you die, will you lose status you can't afford to lose, will you lose belongings, will you have to apologize, will nothing happen at all? Mistakes solvable is where they think every mistake is solvable forever - the character pushes someone through a woodchipper and they come out and to fix it, maybe an apology has to occur, but not much else. Does not necessarily mean no one gets hurt or killed as long as the character thinks there are no permanent consequences. This is the most important one on this section to keep subjective because it will greatly influence how your character approaches situations. A character who thinks everything is deadly-stakes may go to cartoonishly-extreme lengths to avoid turning a report in a day late. A character who thinks all mistakes are always solvable may push someone through a woodchipper and then just assume they can say they're sorry and it'll all go away. The setting and their approach do not need to be applicable.

Needs go unmet to attended with care: how do the people around them treat them? Do they pay attention when the character needs something, or do they ignore it? Does the character have to do everything themself around here, or are there people who will help out?

Regarded poorly to regarded well: how do they think other people see them? Are they respected, are they liked, or are they disliked? Do people broadly trust them or are they pretty sure everyone regards them with suspicion?

Nothing changes to changes in seconds: functionally the 'stability' meter of your setting - is the situation generally stable, or are things constantly changing? Does your character feel like every five minutes, there's a new problem that needs dealing with, or do they feel like nothing has ever happened ever?

Growth terms:

Changes in place: do they go somewhere else? Does the physical setting otherwise change (eg; earthquake, war, etc) ? Are there any other reasons that the 'vibe' or 'experience' of the place is different from before?

Change in power: does the character's percieved agency (see: no agency in action to decisions are huge) change? Alternately you can use it if they've gained or lost power in some percieved way (deposed, assigned a commanding position, etc).

Change in bonds: do their relationships with people change? Have they made new friends, lost old friends, changed the nature of their relationships with friends or partners, etc?

Change in beliefs: straightforwardly, have their beliefs, morals, etc, changed?

Change in hurts: have they undergone some horrible experience? Do they have past trauma from some pre-arc horrible experience they're healing from and/or discovering they're more powerfully subject to? Did they experience a physical injury that they're recovering from or which materially changed their life? Did something recent dredge up old issues? So on and so forth.

Change in hopes: Do their desires for the future look the way they used to? Do they care about different things now? This is something the character is not actively working for, but may be tied to actual goals.

Change in fears: are they overcoming fears? Growing past them? Gaining new ones? Are they scared of shit different from how they used to be?

Change in goals: Not the same as a hope because it needs to have a specific, achievable outcome the character is actively working toward. Do those material goals look different? Perhaps they no longer want to work against something, maybe they didn't have any goals and now they do. Or maybe they've realized the goal is impossible, or something has happened to make that goal unachieveable. Whatever it is, if there's a change, it's a change.

Change in self-awareness: their beliefs about who they are and what they're like, and what their circumstances are. Have they gotten more self-aware, have they gotten less self-aware, or has nothing changed?

Change in relationships: their relationships' overall health and resilience, as far as the character is concerned - which doesn't mean they're necessarily good, just that the character thinks they're how they're supposed to be. Have they improved? Have they gotten worse? Have they not changed?

Change in knowledge: do they feel like they know more about the world, their place in it, the people around them, etc? Not necessarily how to do things - just general information and awareness.

Change in social standing: how does others' regard for the character change over this part of their arc? Do people like them more or less? Are they respected more or less than before? Has nothing changed? And so on.

Change in skills and abilities: do they feel more skilled than they were before? Do they feel like they know how to do as many things as before? Again - not necessarily rooted in reality - a classic example of a character being wrong about this is a 'big fish in a small pond' character who used to be the high school sports star going to college on a sports scholarship and discovering they're not the best any more, and suddenly feeling like they're the worst - when they're better than they've ever been in an objective light. Use a subjective viewpoint for this.

Change in agency in life: how does the character's percieved agency change? Do their decisions matter less now than ever? Do their actions make way more happen than before? (See: no agency in action vs decisions are huge)

Change in outlook: Here's the upper/downer part. Are they more or less hopeful for the future? Do they think things are more terrible now? Are things improving as far as they're concerned? Or has that not changed?

Change in goal progress: how do they feel like they're progressing on the goals they've set for themself? Are they getting further and further away? Are they getting closer?

If some of this doesn't make sense and you want a clarification, you will have to tag me to get my attention, because I'm turning notifications for this post off the minute it leaves my immediate social circle.

Transparent version: (sorry you had to scroll so far)

[hazbinshusk]

blitzø x f!reader.

part two to this fic.

after inviting blitzø to stay the night in your bed, the two of you (and the rest of i.m.p.) deal with the sudden change in the dynamic between the two of you.

features blitzø typical language, pure fluff, and sexual innuendo. the man really has a thing for your boobs, okay? 1.4k

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

You wake up before your alarm, eyes opening reluctantly against the red light of a hellish morning. It takes you a moment to remember the events of the night before, but the shifting of the sheets over you as another body in the bed moves brings it all flooding back.

Both you and Blitzø had moved in the night and his hand is no longer wrapped around yours. You vaguely remember falling asleep after him, your hand still enclosed in his as his breathing had slowly evened out into a soothing, steady rhythm. His back is to you now, his body curled in on itself almost protectively. You take a moment to study him, the curve of his horns and the slim line of his back as it peeks out from under the blankets. Eventually you make a move to leave the bed, switching off your alarm and intent on a steaming shower.

You stop as something tightens reflexively around your leg as soon as you try to move, and you lift the sheets with a brow raised in curiosity. Blitzø��s tail is wrapped firmly around your calf, and as you watch, the spade of his tail twitches slowly back in forth against the underside of your knee. It’s oddly soothing, and you press your lips together against the smile that threatens to bloom on your lips. With a soft exhale you let yourself fall back against the mattress, turning your head to look at him again.

“Blitzø?” you say his name softly, almost unwilling to wake him up. You weren’t sure of the last time he’d seemed so… peaceful. You reach out to touch a gentle hand to his shoulder. “B? We’ve gotta go to work.”

The imp groans, rolling onto his back. He squints up at the unfamiliar ceiling, apparently confused. “The fuck…?”

His eyes snap fully open as the night before suddenly comes back to him, and he grimaces, slowly turning his head to meet your eye.

“Christ on a stick, I really spent the fuckin’ night here, didn’t I?”

You nod, amused by the almost bashful glint in his eyes. “You did.”

“Please tell me I at least got to bury my face in those sweet—”

“No, you didn’t.” you say bluntly, rolling your eyes before he can finish. Still, you feel a tingle of warmth through you at the suggestion. “How’d you sleep?”

He shrugs a shoulder, rubbing a hand over his face and groaning. “Fuck, my head hurts.”

“That’s what happens when you drink your weight in booze two nights in a row.”

“Bitch.”

You smirk at the lack of venom in his voice. “You wanna shower first? I don’t know if I’ve got anything you could wear, but I guess you could borrow a shirt or something if you need it…”

Blitzø groans again, more dramatically than before, rolling into your side and burying his face in your neck. You freeze as you feel the warmth of him press up against you, his face almost nuzzling into the curve of your collarbone. The sensation makes that warmth reappear inside you. The softest of cat-like purrs sounds from him for a moment before he stiffens, suddenly aware of the position he’s in.

He jerks away from you, falling off the side of the bed with a loud thump and a string of curses. The move tugs your leg across the bed, and his swearing continues as he realizes he’s effectively tied himself to you in his sleep. “Fuckin’ – ASS!”

His tail detangles itself from your leg as you sit up, and you swear you can see a pinkish hue to the scarred side of his face.

“…You good?”

“Shut up.”

“Nope,” you reply childishly, smirking when he flips you off. “Now, did you want to shower?”

Blitzø tries for seductive, raising an eyebrow at you from where he still sits on the floor. “You joining me? ‘Cause I gotta say the idea of you all soaped up and gag—”

“Blitzø.” you deadpan, climbing out of bed. His eyes drop over your figure as he realizes what you had been wearing in bed with him – just an oversized tee shirt and your underwear – and you swear his pupils dilate. “Are you sober yet?”

He blinks up at you, swallowing heavily before clearing his throat. “Judgin’ by the titty-fuckin’ brass band shovin’ its collective dick up my brain’s unlubed ass right now, I’d say yeah.”

You wrinkle your nose at the metaphor but squat down in front of him, studying his face for a moment. You nod as you make a decision, reaching out to wipe a spot of dried drool away from the corner of his mouth with your thumb. “Okay.”

Ignoring the part of you that reminded you that this was a bad idea, you leaned forward and pressed your lips against his in a chaste kiss, his cheek still cupped in your hand. Blitzø freezes for a moment before kissing you back, his hand finding your knee and sliding up to curl around the bare flesh of your thigh as he leans up into it. You feel his breath catch against your mouth, his tongue touching your bottom lip for a second. The kiss is soft and it’s brief and when you pull away Blitzø still looks surprised.

Giving him a small smile you stand, fingers curling in the hem of your shirt. “I’ve gotta shower. The coffee machine should start brewing in a few minutes if you want some.”

“I… what?!”

***

Loona doesn’t say anything when she climbs up into the van beside you, trapping you between the hellhound and the imp driving, but her raised eyebrow speaks volumes.

“Nothing happened.” you tell her defensively.

“Uh-huh.” Loona replies dryly, already focused on her phone, and you can basically feel Blitzø’s smirk on the other side of you. By the time you were showered and dressed he’d managed to summon up much of his usual bravado, and the fact that he was currently wearing your favorite 666 Wrath Radio tee shirt was serving as basically a spotlight broadcasting the idea that the two of you had fucked.

You suspect that that was the whole reason he picked it.

You jump as you feel Blitzø’s hand slide over your thigh as he reaches between your knees to shift gears. He touches you again as he withdraws, claws grazing along the sensitive skin of your inner thigh. Goosebumps follow after them. You shiver and he snickers, and suddenly you’re regretting the fact that you’d chosen to wear shorts.

Loona eyes you as she notices the touch, and you roll your eyes. “Nothing happened.”

“Sure.”

***

“Is Blitzø wearing your shirt?” Moxxie asked as you entered the I.M.P. office, drawing Millie’s attention too. “Why is he wearing your shirt?”

A smile forms on Millie’s lips, her eyes shining with possibility. “Did you two…?”

“No!” you reply, dropping onto the couch with a sigh. “For Satan’s sake, no!”

Moxxie seems to be still stuck on the obvious. “But he’s wearing your shirt.”

“Aw, come on, Moxx.” Blitzø says, wrapping an arm obnoxiously around the other imp and pulling him unwillingly into his side. He ruffles Moxxie’s hair with his fist, grinning as he tries to shove him away. “You know if we’d fucked Y/N here would need the day off just to get those sexy little legs of hers workin’ again after all the shakin’ they’d been doin’!”

“Shut the fuck up, B,” you tell him as Moxxie finally manages to wrest himself Blitzø’s grasp, and the taller imp grins at you. “Or I’ll tell ‘em what actually happened last night. Okay, boss?”

“Ooh, ‘boss’? Tits, you’re gonna go and make me all tingly.”

You roll your eyes, but his smile widens from teasing to more pleased as he notices you trying not to smile yourself. “Can we just… go kill someone? Please?”

Blitzø claps his hand together, turning on his heel to face Loona. “Now you’re talking! Looney, what have we got on the books for today?”

Millie takes a seat beside you, leaning into your side to speak quietly enough that only you would hear. “What did happen last night?”

You shake your head, avoiding her eye. Blitzø catches your eye again as Loona goes through the day’s agenda in a detached tone of voice. He winks and you feel yourself flush. Millie’s eyebrows shoot up as she notices.

You clear your throat. “I… honestly, I've got no fucking idea.”

[katabay]

PAGLUIB

way back in like. march?? I took a stab at writing some kind of kabitserye type of story but it was a mess: it kept veering off into murder mystery drama territory because I was reading a lot of murder mystery novels around then and it Wasn't Good because I hadn't tried writing mysteries, let alone murder mysteries, before lmao

I did write a handful of short mystery stories since then, so next year I might take a stab at this idea again now that I'm no longer jumping head first into a genre pool I don't know how to swim in :)

[tagarilaghost]

I SWEAR CELEBI'S THINGY IS COMING SOON BUT I REALLY WANTED TO POST THIS ALRIGHT

yeaah... future trio got me too...

and Darkrai is there too, because of course he is.

hey look i drew a cute Drifloon :D

...ignore the rest

whatever started at Darkrai doodles ended in brainrot of future trio + darkrai and I'm blaming @scribz-ag24 for this

[flwrkid14]

Tim and Danny: Doomed Together, Doomed Apart

They are nothing without each other. But when they are together—everything burns.

It begins so quietly. A glance, a breath shared in the same space. A touch, soft at first, but there’s something electric in it, something that promises more than either of them should ever want. They try to resist, but it pulls them, stronger and stronger until they’re caught, tangled in something too big to undo. Their connection, fragile yet fierce, is a spark that ignites everything. And once it catches, there’s no stopping the fire.

Together, they burn with a ferocity that consumes. They are magnetic, two forces that should never collide but do anyway, and when they do, the world quivers in its last breath. Everything around them crumbles—everything they’ve built, everything they tried to hold together. For a brief moment, they are everything. They are whole. The weight of the world doesn’t crush them. It doesn’t matter that they’re unraveling everything, because they’re alive in a way nothing else ever made them feel.

But then—always, the burn is too much. The destruction inevitable. They can’t exist together without pulling the pieces of themselves apart. And the more they need each other, the more the world turns to ash beneath their feet.

When they’re apart, it’s worse. The silence is suffocating, a gaping wound that refuses to heal. Tim fills the emptiness with work, with distractions, but it never fills the space where Danny belongs. There’s an ache there—a coldness, a hollow he can’t ignore. And Danny, too, fades into something unfamiliar. Something less. He looks at the world, but it feels distant, out of focus. Without Tim, he’s just a fragment of the person he could be.

They are nothing. They are the ghosts of what they once were—an echo of the love they shared, a whisper of the connection that once made them whole.

But it’s worse than just the emptiness. It’s the weight of knowing they’re not just lost—they’re incomplete. They are missing something, someone. The ache of that is deeper than any of the destruction they caused when they tried to be whole. Tim could never find peace with anyone else. No one else could see him the way Danny does. And Danny—Danny could never be the storm without the calm that Tim brings. Without the pull of something that binds them, their pieces scattered too far to be put together again.

But they are still drawn together, still caught in the same dance of destruction. Every touch, every word shared, is a promise of both bliss and collapse. They’re the calm before the storm and the storm itself—the quiet before the rage. And still, they can’t stop wanting, can’t stop needing, can’t stop seeking the one thing that both heals and breaks them.

They are doomed together, because it’s impossible to live without the other—but they are doomed apart, because when they are apart, they are nothing. They are hollow and cold, shadows of themselves, as if the very thing that made them whole was ripped away.

And that, that is the cruelest thing. To feel the world unravel and collapse when you’re together, only to fall into nothing when you’re apart. To know you are everything when you’re beside them, but realize you are nothing when you’re alone.

They are broken. And maybe they always will be. But they can’t stop trying, because to stop trying would be to accept the nothingness that waits for them when they’re apart.

And they can’t do that. Not yet. Not when the other half of their heart still burns with them.