#I'm only on like episode 2 of season 2 I know I have a lot to go through

[yumeka-sxf]

2-year anniversary post

My blog is now 2-years old~!

After my last anniversary post, I had quite a list of projects planned; in addition to making posts for all the upcoming SxF content, like the movie, season 2, and the video game, I had other personal projects in mind as well. I wanted to start on my Japanese Linguistic Observations in Spy x Family series, which I was able to write five posts for as of now! (I've currently exhausted all the topics I wanted to discuss for that, but I may come up with more ideas later on). There was also the Spy x Family Character Tracker, which took me a while to get motivated to do, but once I did, I'm proud of how it turned out 😃 I also made a lot of scan posts this year too, like the workbooks and my series of miscellaneous collab scans.

But compared to my last anniversary, which was at a time when there was a lot of new SxF content on the horizon, we've been in a bit of a dry spell the past several months. Hype for the aforementioned movie, game, and anime season have died down, and merch and collabs have slowed as well, since there hasn't been new anime content to promote. But I consider it the calm before the storm, lol.

This is also why my posts have gotten a little less frequent lately - there hasn't been as much new SxF content in general besides the manga chapters, and as mentioned previously, I was able to check off the projects I had wanted to do. So as of now, I don't have much new content planned in the coming year besides continuing my Chronological Analysis on Twilight and Yor series when season 3 airs (still no release date yet, but I'm betting on spring of 2025). I'll also make posts for each anime episode like I did with season 2. And of course, I'll continue my manga chapter reviews, and make merch and scan posts when I can.

I've always tried to maintain a "quality over quantity," "only write when I have something to say," mentality for the blog. I don't want to force myself to write when I'm not motivated (this is also why I don't take part in community writing projects and the like). I also have other hobbies besides SxF, so I like to focus my limited free time on those when there isn't much going on in the SxF fandom. Occasionally I think to myself, "Hm, I haven't posted on Tumblr in a while," but if there isn't anything I feel like writing about at the time, it's better if I hold off rather than force myself to churn out something uninspiring.

But as I said, I feel like we're in a calm before the storm. Season 3 will already be exciting enough, but there's a good chance more content will follow. The next Jump Festa is scheduled for late December, and as usual, SxF will have a dedicated panel with the four Forger voice actors in attendance!

The movie and season 2 were announced at this event in 2022, so there's a good chance we'll get more juicy announcements this year! Even if not another movie, I'd be happy with more artbooks, collabs, and other things down the line! There's also a good chance an idea for another SxF project will inspire me and I'll start working on that. Who knows. But I do know SxF is still a popular series with many more years of content to produce! And I look forward to seeing, and blogging about, it all 😁

[geekgirles]

I've seen people say things about Amalia not being queen material because she was always far from her kingdom, and I can't help but think they're taking everything at face value. Like they assume that just because the plot takes place while Amalia is usually away on an adventure, that's all there is to it and her circumstances, when in reality nothing is further from the truth.

First of all, back in season 1 the show didn't exactly shy away from confirming Amalia essentially spent her early life confined in the Sadida Kingdom and most likely never stepped foot outside of it until she decided to run away. Hence why she failed to understand the chamberlain wouldn't be able to pay for her expenses when she was in Bonta.

And why did she run away in the first place? That's right. Because her family insisted she remained cooped up in the palace ever since the queen's death. And considering Queen Sheran Sharm died when Amalia was little, that all means she had spent 13 years "trapped" in her kingdom as early as season 1.

Now, I don't think we have an exact date for the Brotherhood's adventures, how long they lasted. But I'm gonna go with my gut and say each journey they took place in the span of several months to a year, tops.

That would mean the first time Amalia left home she wasn't away for that long, anyway.

Not to mention, after dealing with Nox and before Eva herself ran away to get Pinpin back in season 2, it was established the Brotherhood of the Tofu spent several weeks, maybe a month or two, in the Sadida Kingdom. With Yugo and Adamaï helping Amalia with her duties because she was swamped with them, to the point she somewhat reverted back to her brattier days (which is not excusable, but it does show that, at 13-14 at the least, Amalia was already in charge of many administrative duties and responsibilities and under a lot of stress).

In fact, the only reason she didn't stay in her kingdom for the entirety of the season, besides her wanderlust, is the fact that trouble kept popping up. Originally, they only left to get Eva back after she ran away in search of Pinpin, and once they returned from that, the only reason they left the kingdom again was because of Qilby's appearance and his lies deceiving them into helping retrieve his Dofus by painting it as a humanitarian mission for the sake of the Eliatropes.

And before you point out Amalia was supposed to stay in her kingdom that time around but chose to run away again, let's not forget how, technically speaking, she didn't sneak away at all, shall we?

In season 2, the roles had been reversed. Amalia thought she was sneaking away again, but not only was Eva in the know and totally in favour of it (as opposed to her reluctance from season 1), but so was King Sheran Sharm. Remember? He went as far as to have Renate and Canar prepare plenty of provisions for her. Meaning, that time around, Amalia had her father's approval, which implies she didn't actually do anything wrong.

And again, their adventures kept them away from several months up to a year, but not much longer. In fact, the only time it was confirmed they spent a year away was during the post-season 2 manga, and that was an accident because they didn't account for time flowing differently in Emrub.

Now, let's add the time of the OVAs. The special episodes are stated to take place 6 years after season 2, with Flopin and Élely being little kids but not babies or toddlers anymore; Yugo stuck in his childish body despite being, what, 19(?); and Amalia being old enough to marry—given she is 22 in seasons 3 and 4, that would make her roughly 20-21 years old.

Six years had gone by between the second season and the OVAs, and if we add the year away from the manga, that means that Amalia dutifully spent 5 years in her kingdom, carrying out her royal duties and most likely only leaving for a few days at a time at most in order to visit her friends for important occasions like their birthdays. Though this is speculation on my part based on the events of the manga. Days she got to spend away because she probably had her father's permission to, as he wholeheartedly approved of her friendship with the Brotherhood of the Tofu. Meaning, once again, that Amalia wasn't doing anything wrong.

Then the OVAs came, and she had to leave for Frigost, and this time indefinitely since she was to marry Count Harebourg, therefore becoming his Countess and needing to remain by his side in his realm. And, again, because that was a marriage of convenience for the sake of her kingdom, she wasn't just allowed to leave but expected to. But even when it was revealed Count Harebourg planned to either exploit Yugo and the Eliatrope Dofus or the Sadida forests to benefit Frigost and the wedding didn't come to pass, it wasn't like Amalia stayed around to sightsee either.

As soon as they freed Joris, Atcham, and Kerubim and got some exposition on Tristepin from Rubi, realising she had the means to save her kingdom by having Pinpin help, the group split up in two and they turned back around towards the Sadida Kingdom. And all that in just a few days, a week or two at most.

Then comes season 3, taking place a year, year and a half, after the OVAs, with Amalia now 22 and confining herself to the palace more than ever because she's watching as her father withers away each passing day and she's trying to avoid Armand and Aurora since all they seem to care about is getting her hitched and out of their hair.

To be honest, I'm not sure how long they're supposed to have spent in Oropo's dimension and Inglorium, since it feels like only a few days, but then Armand reveals in season 4 that he had only been king for a few weeks and the timeline gets kinda wacky. Because... Amalia just returned the day prior? And she spent the whole time by their father's grave?? What, did he leave her be to the point of risking malnourishment and dehydration for several days??? It just doesn't make sense.

Anyway, confusing timeline aside, what does this tell us? Simple, it tells us that Amalia was only away from home for about 2-3 years, which isn't all that different from when our parents send us to study abroad in real life. Which, at the same time, means that out of 22 years of her life, she remained 19 in her kingdom, performing her duties. And that's even without taking into account the fact that 90% of season 4 took place in the Sadida Kingdom, or the four months between Yugo and Amalia's wedding and the events of The Great Wave, where Amalia (and Yugo) stayed in her kingdom, ruling it.

Unlike Armand, Amalia might have been more interested in adventure than power and politics, and she might not have had the same kind of training as he did as heir apparent, but she is in now way, shape, or form incompetent or unprepared when it comes to ruling her people. Now try to tell me she was always away or that she is irresponsible. I dare you.

[pastorfutureletthembe]

Could be but I hope Lu Guang knows better than giving false hope to CXS after the earthquake arc :(

We don't know what's the extent of Lu Guang's knowledge on season 2's events to be fair. He doesn't seem to know the twins, for example? Or maybe he did and that was why he tried to keep the childhood photo secret until he couldn't anymore. But a lot of information about the twins eludes him.

He absolutely didn't know CXS would be in the car when Emma got kidnapped. And the whole Emma plotline is a bit messy too. It's like the story is never the same, switch from one way to another. I'm pretty sure it comes out as a murder then a suicide as the shows goes on but I'm not sure. I don't think it would be narrative errors, only CXS and LG messing with the timeline.

In season 2, CXS seems to change many key points by the end of the show, reacting to LG's absence. Obviously, CXS is the one supposed to be kidnapped by Li Tianchen so Lu Guang really went and decided "nope not gonna happen! I believe in you CXS to somehow make it work."

Soooo I really don't know if Emma was supposed to live or die but, allegedly, she's in this situation because of CXS. No way to know if she would have ended her life after losing her job in the original timeline. Or if she ever got fired in the first place. Or if she actually went through to become the kind of innocent girl who comes to the big city to fuck her boss in hope to secure her place in society. Maybe this would have been enough to make her jump. We just don't know.

Truth be told, Emma is one of the most interesting characters in the show. And it is so for more reasons than one.

She's the perfect entry point to the show, her longing for her family introduces us to CXS's personal struggles and loneliness, and all of this presents the boys' powers.

This and, as a character, she embodies what the show really is about, and her story is very common for chinese people from what I've heard. Season 1 was actually very popular because it was about primordial chinese values and struggles. Some episodes are about true events that profoundly marked people in this country. Put time travel aside, it's actually a story about two boys struggling to pay a debt. It's about living to your parents' expectations. It's about the gap between rich and poor; and in one end of it you're barely able to buy food on a daily basis. It's about choosing the right partner to start a business. It's about family. In the end, I think she had to die as an active symbolism that the natural balance is off. What happens after her death is Lu Guang and Li Tianchen cheating.

Sadly, her character is just what it's worth: a tool. For the writers as well as for the baddies in the show. But I would have loved to see more of her (maybe in an alternative reality when CXS and she became friends). I also believe she has a strong impact on CXS, just as much as the earthquake. Because everything about how her life changed from the beginning is because of CXS's actions.

Cheng Xiaoshi is introduced as a passive character. Not a passive personality, far from it, but Lu Guang tries to make him into someone who doesn't create ripples into the river of time (which is basically impossible). Cheng Xiaoshi dives and Lu Guang drives. That's the time travel dynamic we're given and Qiao Ling, as clueless as she can be regarding their business, knows that Lu Guang calls the shots. Lu Guang has an easy role, of course, because he doesn't have to deal with consequences as directly as CXS. To him, the events already happened and there is no changing them. To CXS, the events ARE happening, to HIM. No matter Lu Guang's rules, Cheng Xiaoshi is compromised and thus not only because he lives the memories: there is an emotional contamination between his host's body and Cheng Xiaoshi's soul. Lu Guang is trying to teach CXS this distinction. CXS dives as if it's only business, like he doesn't really care, but he can get deeply involved, real fast. When this happens, he's reckless. He's in danger and can be a possible danger.

People can be appalled by Lu Guang's decision of letting Cheng Xiaoshi go through the earthquake trauma but, in all honesty, it needed to happen. CXS needed to learn his actions have consequences but that he cannot go through an unchangeable node. And he shouldn't. Hypocrite? Well, yes, but it's a reasonable lesson to learn when you have CXS's powers. Not to spoil LCLA, but this arc has exactly the same purpose: proving CXS that he's not playing superhero here, he cannot be doing this for himself, this is real life with real people and he needs to understand the purpose of his dives in order to be able to protect himself.

1) Lu Guang has nothing to return to, he's only diving forwards by taking the back door. Cheng Xiaoshi? Once he changes the past, chances are he won't be able to return to the time he's sharing with Lu Guang and Qiao Ling. 2) Cheng Xiaoshi has no right to decide what needs to happen in the past only to make it easier for people in the present. That's not healing. He lives through his host but he shouldn't give in to what the host wants, should keep in mind what needs to be.

Ironically, Emma's case required Cheng Xiaoshi to be passive and not ease her mind by reaching out to her parents, while the earthquake arc teaches him that it's okay to communicate his host's feelings. In the second case, everyone is at a dead end. Would that imply that Emma wasn't? Does it mean Emma's story wasn't supposed to end? Sending a message to her parents in the middle of the night didn't change anything related to their mission but it did change her path. If Lu Guang wants for her to survive, it either means she is alive in the original timeline or her role shifts from host to Cheng Xiaoshi's downfall.

Again, it's only a supposition but she could be the first nail to CXS's coffin, actively or passively. 1) He would take accountability regarding the role he played in her death. It could send CXS on a very dangerous path, one with guilt, depression and... We know the possible outcome for this. 2) The fact he puts her on Liu Min's path and therefore puts himself on Li Tianchen's radar would definitely be the trigger for his own death. If we project more in the future, we can guess it makes him visible by other power users such as Liu Xiao or Vein. Lu Guang wouldn't want that.

I cannot shake the feeling that Cheng Xiaoshi saving Emma was a needed correction that Lu Guang supported. The reason why he was trying to hide the case from Cheng Xiaoshi and, again, lie to his face about the truth, could be that he didn't want Cheng Xiaoshi to be hurt. He probably knew that if he involved himself with this case, someone will notice him/them.

True, Lu Guang was surprised/panicked when Cheng Xiaoshi's rescue mission almost succeeded but I think he's even more disturbed by the fact someone with ability stepped in the game. Death is supposed to be an unchangeable node but what if this death specifically happened only because someone other than Cheng Xiaoshi played a part in it? That would change things.

In the end, it is a bit difficult to trust season 1 finale when you know they took a different direction than initially planned. This character killing Emma could not be Li Tianchen. Or maybe the one possessing Qiao Ling was supposed to be Vein. The words "this is your punishment for breaking the rules of the games. Now the game has been reset" are ominous as fuck when you know what is probably coming in Yingdu Chapter.

You know what's kinda messed up when you think about it? At the end of S1, Lu Guang let Cheng Xiaoshi try and save Emma. And you're kinda thinking "wtf? That doesn't sound like Lu Guang at all" but then you get to S2 and you realize Lu Guang most likely knew exactly what was going to happen (at least I think so? Time stuff is a bit weird, so idk what all is similar and different with the timelines), so he let Cheng Xiaoshi try and save Emma, knowing full well that Cheng Xiaoshi wouldn't be able to because he knew what was going to happen next.

[ipusingularitae]

also, i think it's very interesting how that friend of vi who she met on the streets of piltover immediately gets out when he sees caitlyn is accepting what ambessa is proposing. he gets that it's not about saving people, that what ambessa wants (and caitlyn is going to do) is targeted violence, on top of a structural system that created this mess in the first place. she's now only seeking revenge.

and can we talk about how Vi and Caitlyn on the lore were always Vi punching and asking later, and Caitlyn being the most "careful" one, and now in Arcane we're seeing the absolute opposite? i think that's so fascinating to watch because, especially with the little lore we have, when making headcanons, a lot of ppl put vi in this position of carelessness and caitlyn reasoning her. but right now we're seeing the complete opposite because Vi had years to put her anger out in prison (bc of very unfortunate situations), but caitlyn not only is a person that is out in world while in her anger phase of grief, but also is on an authority position and has free access to weapons and is being manipulated by someone who is exploiting her anger to the extent of using outside army

[letmetellyouaboutmyfeels]

The I feel like she sees me line being said to Eddie who is the person that truly sees Buck for all that he is. Are we supposed to take this line at face value which would indicate piss poor writing because they needed to rush to a horrible ending or do we take it as Buck being an unreliable narrator? What was the audience supposed to interpret from Buck saying that, were we truly supposed to believe him or we supposed to be pissed at Buck for saying this to the one person that truly sees Buck?

Good morning to me, I guess.

I'm assuming you haven't really seen people's reactions in the fandom on tumblr because I feel like I saw this said in quite a few posts going around, but you are absolutely not supposed to take this line at face value. I'm surprised that people think you should. 9-1-1 has from the beginning had a habit of turning friendships into romantic relationships (Bathena and Madney) and taking their time with these things rather than having an instalove situation. Even Karen and Hen, who meet when they're set up on a date together, don't instantly fall in love. I do not think they would set Eddie or Buck up for an endgame relationship with a woman by having them date that woman immediately, even if they didn't plan to make Buddie canon.

Buck is clearly struggling post-death. He's lost and once again looking for the answer from a romantic partner. He did a lot of growth in regards to his family relationships this season but not his romantic ones. Remember, his couch ended up destroyed and he asked his latest girlfriend to pick the new one out for him. Again. He's still not picking his own damn couch. After being unable to sleep on the one his mom gave him but passed out instantly on Eddie's where he ran to feel safe.

If people think this is all, somehow, an accident or the writers are doing this without knowing what they're doing, then I can't help you. Do you also think the symbolism I put into my fanfics are a total accident? Do you guys think I picked the name of the poem "Fuchsia Emerald Alizarin Rose" just because the colors are fun and they accidentally spell out F.E.A.R. or do you think maybe I did that absolutely 100% on purpose and was waiting for someone to realize?

Buck saying that to Eddie is 100% supposed to make the audience raise their eyebrows. Especially when we see Eddie's reaction. He's confused and he's hurt and he's annoyed. Eddie then spends his next few lines showing Buck (and us) that he sees Buck. Buck misses it, it goes right over his head, but the audience is shown that Buck is wrong and Eddie sees him.

I think there was a lot of internal stuff going on behind the scenes way high up the ladder that meant Buddie didn't happen this season. No, I don't mean that in a tinhatting way, I just mean that they knew Fox wouldn't renew them, they didn't know if they'd get picked up somewhere else, Fox hasn't promoted or cared about this show the way it has its other shows in a while, and I think it's pretty clear there was shuffling and changes going on with 6B. So I think things had to be put off. Similar to the pandemic, where I genuinely wonder what kind of season four we would've gotten if we'd had the full 18 episodes and hadn't had to work around Covid. I think that when we know there was a big shift going on behind the scenes, we need to have some grace and patience in how that will effect the story that's told on screen.

But I think that this default to "everything good we see on our screens is an accident and the writers are making shitty choices" is a horrible bad faith argument, and it's exhausting. Aren't you exhausted? I'm exhausted. Fandom shouldn't treat the writing and production team like their enemies any more than the writing and production team should treat the fans like their enemies in some kind of war they have to win (looking at you, GoT showrunners).

We are supposed to be annoyed that Buck is missing the point. We are supposed to see Buck's yearning to be a husband and a father, and how he's missing what's right in front of him. We are supposed to put two and two together and see that Eddie was hurt by Buck's words, that Eddie sees Buck, that Eddie is Buck's safe place, and that Eddie in that moment decided he might not have a chance with Buck and needs to move on, because previously we saw Eddie admit he wants romance again but he doesn't want to go out on dates, we saw his aunt say she met her husband through work, we saw him say 'we have time' and then we saw him immediately after Buck tells him about this new girl who "sees him" flee to visit his mother and then immediately actually try dating. On a meta level this is also because Eddie needs confidence in himself as a romantic partner and needs some more experience under his belt before he's ready to take the plunge with Buck, but in Eddie's mind, I think it's pretty clear he feels Buck will never want him back and he's trying to find the love he wants somewhere else, even if his heart is still Buck's.

So that's what I think. I think it's not explicitly spelled out for a few reasons, but frankly if one of them was a woman we wouldn't need it explicitly spelled out and personally I kinda like that it's not. Something that annoys me with M/F pairings is the constant "we all know you two like each other" talks from third parties that half the time aren't about the characters but are about the audience, to either tell the audience SEE THEY LIKE EACH OTHER THAT'S WHAT THIS IS ABOUT or to give the audience some fanservice while the characters aren't ready to get together. I don't need to be pandered to that way, thank you, so I'm a fan of the slightly more subtle approach that I, personally, see going on with Buddie.

If you or anyone else disagrees with me and feels it was just "piss poor writing" then that's entirely your right. I'd just appreciate it if people who feel that way would stop watching the show, and stop putting their complaints into the inboxes of people who clearly do enjoy the show.

TL;DR - You answered your own question, Buck is an unreliable narrator (and always has been) and we are supposed to be frustrated he said this to Eddie who has proven time and again (and does so in that very scene) that he sees Buck.

[reallytinylaura]

I'm finally watching Motherland: Fort Salem and I expected to love Raylla (and I do) but I did not expect The Unit to have me in an absolute chokehold.

Found family?? Platonic forehead kisses???? Literal you jump I jump???

Not to mention Raelle and Abigail casually sharing a bed in the infirmary even though there were so many open beds just to be close to Tally and Abigail curled up on her side so there was room for Rae. Honestly would have thought Abigail would have pushed Raelle onto the floor after three minutes.

[permanentreverie]

tag 9 people you want to get to know better

tagged by @puddleglumms akdjwjdj I'm so honoured!!

three ships: off the top of my head? Jude and Cardan from The Folk of the Air trilogy, Mr Gu and Yeom Mijeong from My Liberation Notes, and uhhh Anya and Dmitry from Anastasia

last song: Promise by Jimin 🥹🥹🫶🏻🫶🏻 it's been 84 years but we FINALLY have it on Spotify!!!! We won!!!

last movie: just finished watching Chicago (2003) with my sister for the first time and I actually really enjoyed it!!

currently reading: just started Hell Bent by Leigh Bardugo, and I SAY I'm rereading Les Miserables by Victor Hugo but I haven't touched it in like 2 months lol

currently watching: oh boy. Ummm Call It Love, Girl From Nowhere, and W Two Worlds for Asian dramas; Daisy Jones and the Six; and Bungo Stray Dogs, Yuri on Ice, and I guess I need to start the final season of Attack on Titan for Anime

currently consuming: I just finished a glass of chocolate milk and snacking on a bowl of nuts

currently craving: any food tbh. Our dinner is almost ready I'm just ready to eat

tagging @thebirdandhersong @thecoolestfreakyouknow @cordiallyfuturedwight @wellmanneredthief

[johanna-swann]

I actually have sooo many issues with 911 lately that haven't even got much to do with any ships.

Like. They wrote out almost all of the side characters. Chris is gone, Linda and Sue are gone, Athena's kids are gone (even though Harry just moved in with her and Bobby again? Seriously, where is Harry?), Ravi is gone, Carla is gone. I know the GA maybe don't care that much, casual viewers might not even have noticed that this many characters have just vanished from the show, but in my opinion this is one of the things that give a show running as long as 911 life. Having a big cast is a good thing. Otherwise things are going to get very monotonous very soon.

Actually, that's my second point. They keep repeating storylines! Every season Hen and Karen have to fight a custody battle over one of their kids.

Every season Eddie ends up realising he has a lot of repressed trauma and issues which keep him from leading a healthy happy and free life.

Every season Bathena realise that they have communication issues and they fight about it, but then something traumatic happens and they forgive each other without ever really talking things out.

Every season we are reminded that Maddie's most prominent character trait is "traumatised", the writers just alternatingly bring up Doug again and sometimes the ppd arc.

Every season we see Buck being somewhat restless, looking and searching for something that will bring him true happiness and cycling through love interests that never stick around and each time when you think "oh, there it is, he's getting somewhere now" the writers go "BEEEP! WRONG!" and we start all over again. [This is not just about recent events aka Tommy, the break-up and Buck potentially going back to his 1.0 ways, this also happened in season 6 when he had his "it doesn't matter what other people see in me, I'm enough" revelation only to suddenly be like "omg, Natalia just sees me".]

And Chimney- he had his moment last season with the wedding episode, Kenneth Choi really ate that episode up, but his most prominent character trait is "Maddie's supportive husband". There's really not that much going on with him otherwise.

Another point I briefly touched upon above is consistency. Like Harry moving back in with Athena and Bobby and then just vanishing. Or Gerrard being more like a slightly unfriendly grandpa than an actual antagonist in season 8 when he was still spouting slurs in season 7.

And the timeline! We talked about this before ("last March", Mara's fostering to adoption timeline, Tommy tranferring to harbour "5 years ago"), but the newest "Tommy was actually Abby's Tommy" twist just adds to that. Tommy was with Abby for over 2 years. They were engaged. This was at a time when he was still at the 118. Tommy dated Abby presumably because he was in denial or maybe because he was hiding. In either case, wouldn't his team at least have heard about his fiancée, Abby the dispatcher? Wouldn't that have rung a bell when Buck eventually brought her around only a year or two later? Tommy did talk about his private life at least a little at work, even under Gerrard. It just doesn't make sense. (Not to mention this seems wildly out of character for Tommy who around the same time also said about himself "being single is easier".)

Then there's the pacing. This was a huge issue in season 7. They jumped from one personal soap opera drama to the next without taking any breathers, had almost no procedural in their drama the whole season, still somehow decided to spend one third of the entire season just on the opening disaster and also squeezed in a "Bobby begins for the third time now" episode. But okay, it was a shortened season, there were strikes, they switched networks, they were under a lot of pressure - I'll cut them some slack. At least they set up a bunch of interesting stuff for the following season.

But we're in season 8 now. The renewal was announced very early, they had a lot of time to plan this time. Also they have almost double the episodes they had last season, there's really no need to rush any of the major plots. I am done cutting them slack.

They wanna do a 3 part opening disaster again? Okay fine, you have the time now. I feel like they could've easily done it in 2 episodes (especially 8x02 felt a little "eh"), but okay. Better than the breakneck speed you were going at befo- Oh, what's that? 8x04 flying in with a steel chair. You resolved 70% percent of the plots you set up last season in one single episode with no build up, no emotional pay off and no lasting consequences? And you also squeezed in multiple unrelated calls at the same time? Damn, okay then. Good-bye potentially interesting storylines. Fuck me for being invested I guess. I thought there would at least maybe be some follow up in 8x05, but no.

Now that Halloween episode wasn't bad, it was actually the best episode of this season imo, but instead of following up on previously established conflicts and developments they just hit us with new Wilson family trauma and conflict that was also immediately fixed again. And now 8x06 has speedrun and dumped another storyline that had potential to go to deeper and interesting places. Not gonna talk too much about that though because this post is about the show as a whole, not ships.

And I am not yet convinced that there will be much more to come on the only thing that's left from last season: Eddie's deep dive into his trauma and repression. It's totally possible at this point that being told "you deserve nice things" by a random stranger actually solved all of his problems, it would be very in tone with 911's new style.

What are they even gonna do with the rest of this season? Revisiting the Hotshots set sounds fun, but ultimately inconsequential. You know what's great about a regular old procedural drama with ~20 episodes per season that comes on weekly? You have time. You can let the viewers sit with their emotions and thoughts for a week and keep them engaged by stretching things out a little.

But why should I bother getting emotionally invested in problems the characters are gonna solve within the same episode anyway? Or rather, even if I wanted to, how am I supposed to care if you don't give me the time to develop any feelings about anything that's happening? "Henren lost in court and are now completely forbidden from seeing Mara at all!" Damn, that must be so har- "JUST KIDDING! Ortiz is exposed and everything is perfect again now." Oh. Okay then, I guess.

Bottom line: The characters are all stuck in their own hamster wheels, they keep cutting side characters that could bring a breeze of fresh air (I'm honestly surprised they even kept Josh until now), they rush through all the storylines a such a ridiculous speed that I don't even have time to feel any sort of way about it, they don't even try to keep a consistency or sensible timeline going and they seem to strongly prioritise random funny bits that'll entertain the very casual viewers right now in this moment (tiger call, Billy Boils, Bee-nado, the 'Stache tm, "wait, it's the same Abby?", Gerrard being a fangirl at heart) instead of playing the long game and catering to people who actually pay a little attention to the show.

[On that last remark: I'm not talking about hardcore fans who analyse every single frame here, I mean casual fans who've watched the show on and off again for a while and who may not be involved in fandom but genuinely care about the show.]

I mean. What am I even still doing here? The show is treading water and I end up disappointed more often than not. I'm still holding out a little hope that they actually will do something interesting with Eddie and his sea-monkeys, but I wouldn't be surprised if they didn't.

[workingwhileidream]

Okay Burrow's End had me thinking some thoughts... So here are my favorite Dimension 20 moments that rotate like a rotisserie chicken in my brain (in no particular order other than the order I thought if them).

- Riz goes into the butthole of the Corn Ooze Monster (Fantasy High). The first absolutely insane shenanigans move anyone makes on D20, setting the tone the show will have forever.

- Raphaniel kills Queen Pamelia (Ravening War). I think I saw Brennan's soul leave his body briefly when he got that How Do You Want To Do This from Matt. Time was an absolute flat circle that day.

- Hank convinces Brennan to let him role savvy instead of sneak (Mentopolis). Hank is one of the most famous content creators, having him on the show was phenomenal to begin with. Then right out of the gate, he pulls this move in his first episode. And it just works. Hilarious, instantly iconic.

- Jet Dies (A Crown of Candy). When Lapin dies, it is shocking but I wasn't attached to him as a character. Lapin was a bit antagonistic and his death happens early in the season. On the other hand, Jet is instantly likeable. Emily and Siobhan are amazing as siblings, their performances this campaign are some of my favorites. I have siblings and I am very close to them, so this hit me like a ton of bricks.

- The entire epilogue of Burrow's End. "Are you pitching and Air Bud ending?" is one of the instant hall of fame quotes from this show. I started crying I was laughing so hard.

- Ylfa's bottleneck and the TPK (Neverafter). There are so many close calls for total party kills in Dimension 20 history, but this is where it finally happens and it's only 3 episodes in. I was on edge, expecting another TPK at any turn, for the rest of the campaign.

- 3 nat one initiative rolls for the battle that literally opens the season (A Starstruck Odyssey). The beginning of a new season is always full of excitement. This season was extra special, having everyone back in the dome after the pandemic and the season being based off Brennan's Mom's comics. The zoom energy is still in the air and I still think about this season opener a lot.

- Mother Timothy Goose breaks Snow White's concentration with a cantrip (Neverafter). Only Ally Beardsley could and we all damn well know it. Still didn't stop me from being so far in disbelief that all I could do is laugh.

- Hob's "You will never know another lonely day" speech to Rue (A Court of Fey and Flowers). I will still cry about this if I think about it for too long. Rue and Hob's romance is the heart of this season to me. I won't be over it ever.

- Gertrude convinces Nyruth to give the Questing Queens very powerful boons after the Queens tried to rob them only a few hours earlier (Dungeons and Drag Queens). The fact that this season exists drives a level of serotonin into my brain that is unimaginable. This is the definition of a big swing and when Bob rolls well, Brennan has no other choice than to honor it. This is one of the moments I have made a meme of. I cannot wait for season 2.

- Wuuvy shows up to the duel and she did not come to play (A Court of Fey and Flowers). Aabria has talked about how Wuuvy is one of her favorite NPCs and I feel the same. Wuuvy and Rue's relationship has such a great arc and this moment is so pivotal.

- Fabian's no good very bad day (Fantasy High Sophomore Year). An iconic moment in D20 history that was truly wild to watch live. For everything to go so fantastically bad for Fabian and Lou was unprecedented. There is a reason why people still talk about this moment to this day.

- Amathar survives being pushed off the castle (A Crown of Candy). Brennan tried to kill Lou so many times in this campaign. I really thought Brennan had gotten him with this one, my stomach sunk. But Lou pulls it out and Amathar lives once again.

- Pib plays "Smoke on the Water" (Neverafter). "I stepped out to play 'Smoke on the Water' " is also a hall of fame quote to me. This list could be all Pib moments if I'm being honest, he's my favorite Zac character. And the fact that Zac doesn't roll well makes this moment funnier to me.

- Buddy Bear gets planted with the All Blossom (Dungeons and Drag Queens). Jujubee and Brennan owe me a therapy session for this one. I sobbed. My cat is my baby and I will be ruined the day she leaves me, so I get it. I really do.

- "Eat your dice, Brennan" (Fantasy High Sophomore Year). A great bit made physically possible by Siobhan. I hope Siobhan gives him gummy dice or something like that so that Brennan can continue to eat his dice for Junior Year.

- Orange Top Hat Fairy (Neverafter). It's a horror season and the cast is doing bits about how hot a mini is the entire finale and the Adventuring Party that followed. I felt the stress and off the walls energy through the screen. The Smooth Criminal pin was the first piece of Dimension 20 merch I bought.

- Viola's epic takedown of Phoebe (Burrow's End). Watching Rashawn absolutely crush it her first time in the dome was amazing. I loved Viola from the jump, her arc was so satisfying and fun to watch. Also the idea of a tiny stoat kicking a gun just the right way to get it to fire is hilarious. No notes other than please have Rashawn come back on every season she possibly can.

- Evan Kelmp warns the Rosemont student not to duel him (Misfits and Magic). Brennan's deadpan warning matched with the reactions of the other players and Aabria really make this scene. An underrated Brennan moment for sure.

- Stacey Fakename turns out to be real (Mentopolis). This was such a good reoccurring bit, so to have Stacey be real at the end of the story was too funny. In a season of bits, tropes, and puns - this one has the most payoff to me and is definitely my favorite.

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[abbyshands]

THE LAST OF US, and the israeli themes surrounding it

i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.

the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.

i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.

a lot of us are now aware of the last of us's nature in regards to the ongoing genocide, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.

regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.

UPCOMING DISCUSSIONS: neil druckmann, the last of us 1, the last of us 2, the last of us show and zionism in the show's cast, boycotting the game and show, and conclusion

NEIL DRUCKMANN

45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami, floridawhen he was 10 years old.

to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.

in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.

bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.

so, let’s speak on it.

THE LAST OF US 1

on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict, and now, genocide. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.

the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."

the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."

while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people (edit: i believe it is more than 1,000) were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you.

let's talk about it.

THE LAST OF US 2

"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."

nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along with the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.

throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.

“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”

when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people (the wlf) safe, and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.

we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.

“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"

remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.

the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:

now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”

maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:

“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.

Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.

The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”

one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.

the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.

THE LAST OF US SHOW, and zionism in the show’s cast

i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing genocide, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).

for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.

many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.

but this is not the issue that is most crucial to discuss.

kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.

(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).

all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.

BOYCOTTING THE GAME AND SHOW

i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:

"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.

if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.

it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.

boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."

what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.

CONCLUSION

there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.

i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.

in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.

i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). i will keep using said following to keep speaking out for the people in gaza, and i encourage you to do the same. keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.

LINKS AND RESOURCES:

neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | Neil Druckmann Speaking on the Washington Post | 2000 killing of two israeli soldiers (TW: LYNCHING) | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel

PALESTINE LINKS

—

[goldfades]

★ RIZZLER P ─── PB⁵ (part 2/2)

౨ৎ ─ summary | part one -> y/n is a youtuber and on the cancelled podcast, she reveals she has a crush on paige bueckers. y/n gets invited to her first game of the season and they have a lot of fun! part one!!!!!!!!!!!

─ warnings | literally nothing but banter and fun, slight paige slander (but its from kk and ice so its ok), idk what else. oh brooke and tana being protective but its in a sweet way. also i love this mini series i loved it

─ ev's notes | sooo im trying out a semi-new format, lmk if yall like it!!!!!!!

⇨ missing out on updates? check out my wcbb masterlist!

Paige 💕 (paigebueckers) started following you.

Paige 💕 wants to send you a message. Hey, I heard you were into D1 basketball players? 😉

The message stuck out to you, your stomach dropping as you read the message request. You couldn't help but grin as you read her playful message, the nervous energy in your stomach now morphing into a thrilling anticipation. With shaky hands, you tapped on the message request, your heart pounding in your chest.

You couldn't believe Tana's advice had actually worked ─ talking about them on a podcast was the best rizz, apparently.

With trembling hands, you typed out a response, trying to come across confident despite the fluttering of nerves in your stomach.

Y/N 🎀 hi, you saw the episode?

Y/N 🎀 god i'm so embarrassed, sorry if you keep getting bombarded with questions from my fans lol. they mean well i swear 😫

You exited out of Instagram and tapped on iMessage, quickly getting into your group-chat with the girls.

we ❤️ white claws

y/n | GUESS WHO DM'D ME

tana | PAIGE BUECKERS???????

brooke | it better be paige or ur just blue balling us atp

y/n | yes it was paigeeee! *sends screenshot*

brooke | omgggg she's flirting with you!!!!

tana | what did i say bro?? what did i say?????

y/n | tysm tana ur literally the fucking best

As you were typing out your message to the groupchat, your phone buzzed. You looked up at the message, a smile spreading on your lips.

Paige 💕 Haha, yeah, I saw the episode. Don't worry about it, it's all good :)

Paige 💕 And no need to apologize, ur fans are really funny lol

You closed your phone, shutting your eyes as you swallowed a squeal of excitement.

The thrill of talking to Paige was almost overwhelming, but in the best possible way. You'd thought she was attractive since you'd first gotten into basketball back in high school (yes, it was because of your ex but that's besides that point), and it was surreal now that she was not only talking to you ─ she was hitting on you.

──

It had been a few weeks since you'd began talking to Paige and since then, you'd exchanged phone numbers and were talking every single day. She was sending you good morning texts, she made sure to do an fit check every morning, and you found yourself eagerly awaiting each message from her. The thrill of talking to Paige hadn't faded; if anything, it had only intensified as you got to know her better.

However, you knew since the season was beginning she wasn't going to be as free as she was before. You didn't mind, of course ─ you were just happy you were able to talk to her at all. These last couple days had been busy for her and you hadn't been able to talk to her, but this morning you'd gotten something in the mail that you were sure you didn't order.

You ripped it open to reveal Paige's jersey, and it was even signed at the bottom. You couldn't believe it, your heart swelling with warmth at the unexpected gesture from her. Holding the jersey in your hands, you couldn't help but smile at the thoughtfulness behind her gift.

As if on cue, your phone began buzzing in your pocket and you pulled it out. You quickly accepted the Facetime, a grin on your face as you answered.

"Oh my god, you're insane."

"What? You got the jersey?" Paige feigned shock, a mischievous glint in her eyes as she grinned at you through the screen. "I have no idea how that got there."

You chuckled, shaking your head in disbelief. "Yeah, I got it. Thank you so much, Paige. It's... it's amazing."

Paige's smile softened, her eyes warm with affection. "You're welcome. I just wanted to show my appreciation for you, you know?"

You felt a swell of warmth in your chest. "Well, it definitely made my day. Thanks, P. I really mean it."

Paige smirked as she took you in through the Facetime. "So, I guess you'll have to wear it to my games now, right? You can't let this signed jersey go to waste."

"Is that an invitation, P?" You teased, raising an eyebrow playfully as you grinned at Paige through the screen. The idea of attending Paige's games in her signed jersey filled you with excitement, and you couldn't wait to cheer her on from the stands.

Paige chuckled, her smirk widening. "Yeah, you down? You know our first game's on Thursday night, I'll get you floor tickets and everything."

You didn't think she was serious but the more you thought about it, the more you realized she might actually be serious. The excitement bubbled up within you at the thought of attending Paige's game, especially with floor tickets.

"Are you serious?" you asked, a hint of disbelief in your voice.

"Well, uh. I know it's a long flight but I wanna see you. I'll fly you out, I'll show you around and we can spend some time together, and stuff." Paige's usual confident demeanor was replaced with a touch of nervousness, her eyes searching yours for a reaction.

"Paige, are you sure?" you asked, your voice barely above a whisper. The idea of spending time together in person was both thrilling and nerve-wracking, and you couldn't believe that Paige was offering to fly you out just to see her.

Paige nodded, a shy smile tugging at her lips. "Of course, I would. I mean, if you want to."

"Yeah, of course I would. You're sure?" You spoke softly but earnestly. Flights were expensive, especially when they were as last minute as this.

Paige let out a dramatic sigh as she nodded. "Yes, bro. Yes or no?"

"Yeah, of course. Gosh, so impatient." You teased as Paige laughed through the Facetime.

Paige chuckled, her laughter filling the screen as she rolled her eyes playfully. "Okay, good. Now show me how my jersey looks on you, put it on for me."

You blushed slightly as you nodded, taking the jersey as you walked up the stairs of your house. You couldn't believe it ─ you were flying out to meet Paige in less than a week. You were going to meet Paige Bueckers in less than a week.

──

"Y/N L/N is flying out to see your ass?" KK's voice sounded shocked as sat up on the bed, her eyes wide and her jaw slightly dropped in disbelief.

Paige kept her eyes on her phone as she nodded slowly, as if it was the most normal thing in the world. She tried to keep the whole nonchalant thing going up but her friends could see right through it.

Paige couldn't help but smirk at KK's shocked reaction, though she attempted to maintain an air of nonchalance. "Yeah, she is," she replied casually, her fingers tapping away on her phone.

"She's coming to watch us play, like on Thursday?" KK repeated slowly as she tried to process the information, her eyes still wide with astonishment. "Seriously?"

Paige shrugged, a small smile playing at the corners of her lips. "Yeah, seriously. Why is it so hard to believe?"

Ice, who had been lounging next to KK, chimed in with a smile. "Sounds like you're getting serious, P. Bringing her to a game? That's basically a relationship milestone."

Paige rolled her eyes playfully at Ice's comment. "It's not like that, Ice. We're just friends."

"Does she know that? You're such a fuckboy, Paige." Ice rolled her eyes as she exchanged a look with KK.

Paige couldn't help but laugh at Ice's teasing, though she couldn't deny the warmth spreading through her chest at the thought of you. "Trust me, Ice, she knows. And I'm not a fuckboy, I'm just... being a good friend."

KK chuckled, nudging Ice playfully. "Come on, Ice, let's not scare Paige away from the relationship talk."

"Bro, fuck off," Paige groaned as she sighed, leaning back in the gaming chair.

Paige knew she liked you but at this point, she'd only been texting you for a month and before she could be official with you, she'd have to spend time with you in real life. Plus, you lived in California and long distance was not the ideal for her.

"Are we getting those live show tickets or..." KK began as Paige sent her a glare. She put up her hands in defense as Ice let out a small laugh, shaking her head in amusement.

"Don't worry, we can ask her Thursday," Ice teased as she leaned back in the bed, her grin widening.

"Bro, you better leave her alone-"

"Ooo, she's getting possessive already. You have to remember it's Y/N, bro, she's definitely going to have some fans too." KK laughed, joining in on the teasing with a playful smirk.

Paige rolled her eyes at her friends' banter, though she couldn't help but feel a hint of amusement at their antics. "Guys, come on. Let's not make a big deal out of it."

KK chuckled, nudging Ice with her elbow. "Oh, come on, Paige, we'll behave."

"I'll believe it when I see it," Paige retorted as the girls laughed.

──

Y/N 🎀 posted on her story !

You were incredibly nervous and the noise of the crowded stadium didn't do much to calm your already frayed nerves. It was your first time meeting Paige in person, and the anticipation had been building up inside you since the moment you boarded the plane to Connecticut.

The plan was to originally go to a pre-game dinner but it didn't really work out because of the traffic and the hectic schedule leading up to the game. Instead, Paige suggested meeting directly at the stadium, where she would give you a tour and introduce you to some of her teammates before the game started.

As you made your way through the crowds, your heart pounded with nervous excitement. Thoughts raced through your mind, wondering if Paige would like you in person as much as she seemed to over text, if you would have enough to talk about, and if you'd be able to keep your nerves in check. You were a nervous wreck, your stomach twisting in anxiety.

You couldn't help but feel a knot forming in your stomach as you scanned the crowd, searching for Paige among the sea of faces. Suddenly, you spotted her standing near the entrance to the court, her eyes scanning the crowd with a look of concentration. Your breath caught in your throat as you made eye contact, and a wave of relief washed over you.

God, she was even more attractive in real life. Her hair was in her signature braided ponytail and had worn some light make-up, her lashes long and her cheeks pink with blush.

Paige's face lit up with a bright smile as she caught sight of you, and she began weaving her way through the crowd towards you. Your nerves melted away as she drew closer, and before you knew it, her arms wrapped around you in a light embrace.

She was even taller than you expected ─ she practically towered over you, but her embrace felt warm and comforting. As she pulled back, you couldn't help but admire the way her eyes sparkled with excitement as she scanned your outfit.

"You're wearing the jersey!" She exclaimed as her eyes took you in, she had no shame in the fact she was checking you out. You didn't miss the way she bit her lip and how her eyes lingered, your face flushing with warmth at her gaze.

"Yeah, I wanted to show my support," you replied, trying to keep your voice steady despite the fluttering of nerves in your stomach. "Plus, it's pretty comfy."

Paige grinned, her smile widening at your response. "Well, you look amazing in it. Maybe even better than I do," she teased, her eyes twinkling with mischief.

You couldn't help but laugh at her teasing, your blush deepening as you looked up at the taller girl. "You're such a flirt,"

Paige bit her lip as her head fell back as she laughed, her laughter filling the air around you and sending a shiver of excitement down your spine. "Nah, I wasn't even trying that time."

Before you could reply, you felt a tap on your shoulder. You turned around to meet the gazes of two girls and a boy, their expressions nervous and excited. "Oh my god, we are such big fans!"

You smiled instantly as you turned your attention toward them. "Aw, thank you, guys. That means the world, would you like a picture?"

The trio's faces lit up with excitement as they nodded eagerly. "Yes, please!" one of the girls exclaimed, her voice filled with excitement.

"Can she take the picture?" One of the girls asked as she gestured toward Paige. She looked like a deer caught in headlights, her hands in her pockets as she exchanged a glance toward you.

"Uh, sure."

You and the fans gathered closer, posing for the picture as Paige stepped back to frame the shot. With a quick press of the button, the photo was taken, capturing the moment. As the fans thanked you both and walked away, chatting animatedly amongst themselves. You glanced toward the blonde as she began laughing, shaking her head.

"What?" You asked as she drew closer to you.

Paige shrugged. "I just kinda forgot you're like famous, or whatever. It kinda gives me like... an ego boost, not gonna lie."

You couldn't help but laugh at Paige's comment, her candidness adding to the lightheartedness of the moment. "Why?"

"You're like this really pretty girl who's super funny and has like, a whole fanbase. And you flew out to see me, you told everyone on your friend's podcast that you had a crush on me and now you're here, just casually hanging out with me, wearing my jersey like it's no big deal," Paige explained, a playful smirk tugging at her lips.

You laughed at her explanation, feeling a warmth spread through you at her words. "Well, to be fair, you're also this incredible basketball player who's basically taking the WNBA world by storm. And you invited me to your game, so I'd say we're pretty even."

"You're boosting my ego even more though, I hope you know that," Paige replied with a playful grin, her eyes sparkling with amusement.

You chuckled, feeling a sense of ease settle between you. "Just returning the favor," you teased, nudging her playfully.

"Okay, I'ma let me show you around now," Paige grinned as she gestured for you to keep walking. Her hands found your waist and began guiding you through the halls, her touch unexpected but undoubtedly welcome.

You couldn't help but feel a rush of excitement at the contact, her touch sending a jolt of electricity through you. With Paige's arm around your waist, guiding you through the busy stadium corridors, you felt a sense of intimacy that was both thrilling and comforting.

──

As you sat in the stands, surrounded by cheering fans and the energy of the game, your heart raced with excitement. You stole glances at Paige on the court, marveling at her skill and grace as she played. Despite your nerves, you couldn't help but feel a sense of pride knowing that you were there to support her.

She was so attractive (even while running around and sweating), she reminded you how much you loved hoopers. The way she moved, the intensity in her eyes as she focused on the game, it all captivated you. Even in the midst of competition, she exuded a confidence and poise that was undeniably attractive.

Your eyes stayed on her the entire game, not paying much attention to anything else. You were so enamored with Paige that you hardly noticed the passage of time. Every movement she made seemed effortless, every shot she took seemed destined to find the net.

As the game reached its end, with the score neck and neck, Paige seemed to rise to the occasion, her determination shining through in every play. And when she sank the winning shot in the final seconds of the game, the crowd erupted into cheers, the sound reverberating throughout the stadium.

You couldn't help but leap to your feet, cheering along with the rest of the fans as you watched Paige celebrate with her teammates on the court.

As the crowd began to disperse and the energy of the game slowly subsided, you made your way down to the court, eager to congratulate Paige. As you approached her, a wide grin spread across her face, and she pulled you into a tight hug, the euphoria of the win still palpable in the air.

Paige didn't care if people took pictures or if people decided to gossip about it later; all she cared about was you being there in that moment.

"You looked really good out there," the words came out of your mouth before you could really process them. Paige pulled out from the hug with a laugh, her arms still around your shoulders.

"And you looked really sexy in the stands, wearing my jersey." Paige smirked playfully, her eyes sparkling with amusement as she teased you.

"I felt like a NBA trophy wife, I was clapping all cutesy cause I knew people were taking pictures of me," you quipped, feeling a rush of excitement at Paige's playful banter. Her laughter was infectious, and you found yourself grinning in response.

Paige chuckled, giving you a playful nudge with her shoulder. "Well, you definitely looked the part," she teased, her tone affectionate as she leaned in closer to you.

You laughed along with her, feeling a sense of warmth and comfort in her presence. "Guess I'll have to start practicing my trophy wife wave for next time," you replied with a playful wink.

"Ooo, next time? Does that mean you'll visit me again?" Paige teased, raising an eyebrow playfully as she looked at you.

You couldn't help but feel a surge of affection for her at her words. "Of course," you replied, your voice filled with sincerity. "But only if you make me a WNBA wife, P."

She squinted as if she was thinking about it, earning a playful shove from you. "I'm just playing, you're the only girl."

"I'd hope so," you scoffed as you playfully rolled your eyes, unable to hide the smile tugging at your lips.

Paige grinned, her eyes sparkling with amusement. "Well, lucky for you, you're my favorite girl," she replied, her tone soft and affectionate.

"So there are other girls?" You teased as she groaned playfully, earning a laugh from you. "I'm just your favorite-"

"That's not what I meant, you're the only one who's wearing my signed jersey, that I sent directly to your house and you're the only one who gets good morning texts and fit checks." Paige countered, her playful smirk widening into a genuine smile.

You couldn't help but laugh at her response, feeling a sense of warmth and happiness fill your chest. "Yeah, I guess you're right," you replied, your tone light and teasing.

Before Paige could reply, she saw Ice and KK approaching from behind you. She sighed as you turned around, meeting their excited gaze.

Paige sighed playfully as she turned to greet Ice and KK, who were clearly eager to join in on the conversation. "Hey, what's up, you two?" she greeted them with a smile, her eyes flickering with amusement.

Ice and KK exchanged a knowing look before KK grinned mischievously. "So, are we interrupting something here?" she teased, wiggling her eyebrows suggestively.

Paige rolled her eyes, but couldn't hide the smile tugging at her lips. "Y/N, this is KK and Ice. Don't worry about them though, they're just stupid freshman who think they're the shit-"

"Bro, says you!" KK shouted as you laughed, exchanging a smile with Ice.

"I know who you guys are, P talks about you a lot," you said, offering a friendly smile to KK and Ice. "Nice to finally meet you both."

KK's eyes lit up with excitement. "Oh, really? What does she say about us?" she asked eagerly, leaning in closer with a playful grin.

Paige let out a groan, shooting you an amused glance before replying, "Only good things, I promise."

"Yeah, she loves you guys." You smiled as you glanced between Paige, KK, and Ice. "Always talking about your antics and how you keep things interesting."

"She talks about you too, like nonstop." KK began before she earned a shove from a very flustered Paige.

Ice continued, "We thought she was lying until we watched your episode with Tana and Brooke, then we were confused cause you like Paige?"

"Why are you saying it like that? Paige?" Paige mocked Ice, earning a laugh from you and KK.

"Cause Y/N's like a whole baddie, like a 20/20 and you're just like... mid at basketball," Ice explained as Paige sent her a playful glare. "People are gonna be really confused until they see how much you make, then they'll be like ohh,"

"Shut up, bro," Paige replied, but there was a fondness in her tone as she exchanged playful banter with Ice. "It's not about basketball skills, it's about the person."

"Sure, sure," KK chimed in with a grin. "We all know you're a catch, Paige. But hey, if Y/N's into it, who are we to judge?"

You laughed at the girls banter, exchanging a smile with Paige as Ice and KK did the same. "Y/N, we have a question."

"Oh no, bro," Paige groaned as KK nudged her slightly, telling her to be quiet as you nodded, laughing softly.

"Can you get us tickets to Tana and Brooke's shows? Please, we really really wanna go," KK asked, her excitement palpable.

You couldn't help but chuckle at KK's eagerness. "Sure! I'll reach out to them get you guys some," you replied with a smile, already mentally making a note to message Tana and Brooke about it later.

Paige rolled her eyes playfully. "Great, now you're getting my girl to do favors for you," she joked, earning a laugh from both you and KK.

"Your girl?" Ice responded as she raised her brow. "Okay, I see you P, already locking it down."

Paige's cheeks flushed slightly as she playfully nudged Ice. "Shut up, Ice. You know what I mean."

KK leaned in with a mischievous grin. "Oh, we know what you mean, Paige. You're just too scared to admit it."

"Okay, well. Thank you so much, Y/N, you're even more stunning in person. I'll leave you guys to it, now," Ice smirked as she grabbed KK and began walking off the court, toward the team.

Paige let out a sigh before she turned over to meet your eyes, a softness to softness to her expression that made your heart flutter. "Sorry about them, they're like that all the time," she said with a chuckle.

You shook your head with a smile, feeling a sense of contentment settle over you. "No, no, they seem really sweet. They remind me of Tana and Brooke though," you laughed as Paige nodded.

"Uh, sure!" Paige teased as you shook your head in amusement. "I need to go take a shower but um, maybe you can come over?"

Your smile widened at the request as you nodded. "Yeah, sounds like fun."

Again, her hand found the small of your back as she led you toward the team. She was soon reminded of a team celebration they were planning on doing later and the girls insisted on bringing you, she realized that you had become their favorite, too.

But she couldn't blame them, you were perfect.

──

tana mongeau (tanamongeau) started following you. Brooke (brookeschofield) started following you.

tana mongeau wants to send you a message. hurt her and you die, got it blondie ?? not joking btw

Brooke wants to send you a message. Heard you & Y/N had a fun time this weekend! You seem like such a sweet girl, would love to have you on the pod sometime. Promise we'll keep it PG 🤗

Brooke Oh and go huskies!!!! 😁

Paige glanced at her phone with a slight groan, shaking her head. "Oh, you've gotta be kidding me,"

↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !

↳ thank you for reading all the way through, as always ♡

↳ make sure to check out my navigation or masterlist if you enjoyed! any interaction is greatly appreciated !

↳ thank you for reading all the way through, as always ♡

[shanastoryteller]

Shana, your tags on this post ...I need to know more! What exactly was the plan for Supernatural season 3 if it hasn't been for the writer's strike??? And how haven't I heard about this already?? I need the deets!

i'm so glad you asked :)

the original plan for season 3 was for sam to descend into using his demon powers to get dean out of the deal, and for dean to never go to hell. then the writers strike happened, the season got cut from 22 eps to 16, with only 4 after the strike, and that wasn't enough time to establish sam's spiral and powers, so changed the ending. it's on the wiki and there are some articles around about it

this was, in my opinion, the worst fucking decision they could make

it ruined the characters in a lot of ways and really unbalanced everything in a way the show never recovered from

the thing is that this arc is so well set up!

literally at the end of season 2 we get

"You're my big brother, there's nothing I wouldn't do for you. And I don't care, I'm going to get you out of this. I'm going to save your ass for a change."

sam has evaded azazel's every attempt to corrupt him. his shitty home life, all the demons he's exposed sam to, killing jessica, taking away his father, putting him in a literal life or death hunger games scenario. each time sam refuses to play ball

(sam's incorruptibility is what makes him qualified to be king of hell, but that's a different post)

he's the moral compass between him and dean. always has been. there is nothing in sam's messed up, twisted life that has pushed him pass mercy

but dean could do it. there's nothing sam wouldn't do for his big brother

john told dean that he had to either save sam or kill him. except he's never needed to save sam, because it's literally always sam making the measured, compassionate, merciful call. he's the one holding dean back, not the other way around

and sam straining towards darkness for the first time, for dean, would kill him. we'll come back to this

mystery spot, as an episode, is actually pointless if the plan was for dean to go to hell. because sam's sneak peek into what his life is like after dean doesn't do anything. i love this ep, but it's narratively pointless now

however

with the og plan, mystery spot is the turning point. it not only tells sam how miserable he'll be after dean is gone, but it also establishes what he's willing to do to get him back - pretty much anything. it's not theoretical pain, it's not theoretical grief. mystery spot is the thing that pushes sam towards being hard, away from the moral sweetness he's embodied for the past two and half seasons.

the next ep, jus in bello, shows this. sam is considering doing the terrible thing. he's now capable of considering the terrible thing in a way he wasn't before mystery spot. this is when his descent starts, when sam decides he's willing to trade his humanity for his brother's life

and then the writer's strike happened

right when it's getting good, right when sam's arc is ramping up, we lose it. and instead of picking it back up, pushing dean's deal to next season and giving it the weight it deserves, they say fuck it, and send dean to hell

but this fucks it all up. we have sam's "descent" with ruby and demon blood. except not really because he's not even hurting anyone. and dean's back, but not because of sam. sam didn't save him

this fucks it all up

because deans anger and fear and desire to save sam should have been tempered with the knowledge that he did that to save dean's life. that once more someone dean loves has made a terrible sacrifice for him, which he can't stand, which he hates. he has the self esteem of a gnat and the best people he knows keep destroying themselves for his benefit

i think the og build up was sam strengthening his powers to kill lilith, doing it, and then releasing lucifer at the end of s3. sam unwittingly starting the apocolypse to save his brother (does he regret it, dean wonders. it would be easier if he did)

and now everything is shit and dean's drowning but here and his brother has turned himself into something that's not unlike the kid dean loves so much it almost killed him, but not exactly the same. and now he understands john, because this is the sam that dean has to either save or kill, except he could never kill him. he loves him (and how can he kill sam for doing this when it's dean's fault, when dean made the deal that doomed his brother when all he wanted was to save him)

this is the flip that the show has been building towards. dean having to be the moral center for his brother for once. dean being the one saved. dean finally having to face his father's words and deciding once and for all if he's john's son or sam's brother

but instead dean goes to hell. and he's no one moral's center. because he broke in hell, he tortured people and he enjoyed it. they ruined dean with this. because instead of fighting and growing from his violence, they push him into it, and then they call him a righteous man. dean was the one harming people, he's the one that descended into darkness, not sam. sam and his demon blood had still only been trying to good, and in the end did do good, far more than anything dean did in hell, or has done since. his moral outrage, his anger, his disgust towards sam isn't only wildly out of character, it's hypocritical as hell. sam remains the moral, compassionate one, even through this. it never slides to dean. neither of them are really forced to grow or change, only to become twisted into each other in ways that hurt them both

this should have been the story of what sam would do to save his brother (anything) and what dean would do to save his brother (anything)

they should have saved each other

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 1)

I cannot figure out for the life of me how to make gifs so this will have to be a gif-less essay. If anyone more tech savvy than me wants to reblog with relevant media, please do!

I've seen a lot of people saying how Aziraphale's actions in the final ten minutes come out of left field and are OOC, and when I first watched the episode I felt the same, but now I think I couldn't have been more wrong. And I don't think Aziraphale is being controlled... I think the entire season showed us exactly what was going to happen.

On first watch, what struck me was the number of plot points that seemed disconnected. I couldn't figure out how Job related to the present, or the Victorian era, or the Nazi zombies (still at sea on the zombies part tbh). I didn't know where the Maggie/ Nina subplot was going, or why we were bothering with it. Then I put my "psych hat" on and it was like seeing one of those 3D pictures come into focus. It's a psychological networking rather than a plot-driven one, which is what Neil told us to expect.

Detailed analysis under the cut, with spoilers:

I went back through the season in my head and started asking myself: why is this element there? What does it contribute?

1. Start with scene one. Why include it? Does it matter for the climax that Az knew Crowley as an angel? YES. It's actually huge. Angel Crowley was joyful, he was bursting with delight at creation, he was idealistic. He wanted to be a part of everything rather than run away from it, and that's still how Aziraphale feels. He loves being a part of things. He's a joiner. He's a landlord. He dances at clubs and he makes human friends and he learns magic. Crowley the demon doesn't seem to want any of that, and I think that's hard for Az. He wants Crowley to be free of the cynicism he thinks prevents him from enjoying life now. At some level, I think he senses that Crowley is depressed (empathy's not his strong suit but I'm sure he's aware that Crowley's in a "what's the point of it all" kind of mood; see the eccles cakes scene). He wants to fix it. Aziraphale is a fixer. Metatron offers him a chance to do that.

Another thing is that Aziraphale knows Crowley ended up Falling just for asking questions that seemed innocent. That's not okay with him. He thinks that with the two of them in charge they can actually MAKE the changes that Crowley wanted to see way back at the beginning, starting with a suggestion box.

2. Okay, now Jim. Obviously Gabriel/ Jim is the central mystery, but why does he matter? First and foremost: he's there to show Aziraphale that angels can CHANGE. Gabriel terrorized and threatened Aziraphale. Az has been terrified of him. He ordered Aziraphale's execution. And now here he is, drinking hot chocolate, doing noble self-sacrificing things, with morals that suddenly align with Aziraphale's. What an absolute game-changer that must have been! He thought Heaven was unfixable, but here's Gabriel in his shop for weeks, slowly convincing him otherwise.

Then two other things happen. First, they find out that this all happened to Gabriel essentially because he fell in love. He was fired and his memories were stolen and the only reason he recovered was because Beelzebub happened to give him the one thing that could save him. That must have seemed like incredible luck. Now, how does Aziraphale feel about memories? He lives in a bookshop that is stuffed to bursting with the records of all of human history, essentially. His memories of his time with Crowley are incredibly precious. He sees, there at the end, that everything he is can be taken from him as a punishment for falling in love. Aziraphale doesn't have a magic fly container. He'd be forever robbed of Crowley, his life, himself. It's a very real threat in his mind when Metatron intervenes.

Which brings us to the second thing. Metatron saves Gabriel. Not only that, he prevents him from being punished for loving Beelzebub and lets them both go. What better way to win currency with Aziraphale? HE doesn't want to go off to Alpha Centauri, he never has, but suddenly he sees that Metatron might protect his relationship. And he's probably the only entity with the power to do so.

So we come to two conclusions: Aziraphale, when he goes off to talk with Metatron, is feeling like maybe it's not intrinsically bad to be an angel. He believed all the angels sucked, and only God was good... but now he sees that even Gabriel can change. He met Muriel, and he likes them. (He also had a huge crush on angel Crowley, which is neither here nor there but he loves Crowley in all his forms.) So if Crowley became an angel again, would that really be so bad? In his mind, it wouldn't change who Crowley is. It would just make them both safer and allow them to be together. (He's wrong! And Crowley doesn't see it that way! But this is a key miscommunication. Aziraphale doesn't really believe that becoming a demon changed Crowley. Back to the first scene, which Aziraphale references during the Job minisode. In his eyes, Crowley is the same person (just more cynical because of what's happened to him)-- so why would it matter if he's an angel again? I truly don't think he was trying to save Crowley, or saying that Crowley would be Better as an angel. To him, it doesn't matter what Crowley is. Which is reductive and harmful, but not the same as thinking Crowley needs rescuing from himself.)

Second conclusion: he sees that an angel and demon can be in love, but they have to run away to be together. Gabe and Beelz couldn't go home again. Earth is Aziraphale's home, but after the attack on the bookshop he learned that without Heaven's protection he can't really keep them safe there. Metatron says: "Come with me, do this thing, and you can have guaranteed safety AND be with the love of your life". Poor Aziraphale wants this with every fiber of his being. All he's ever wanted was for Crowley to be safe. He's never been able to offer it. Over the past four years, he thought they were safe, but he's just learned that he was wrong.

This is getting long. Continued in Part Two!

[anima-nostrae]

TROP's Galadriel is a fucking fantastically made character

And I'm tired of pretending otherwise.

I did not watch “The Rings of Power” when it first came out. I thought about watching it back then but I, like so many others, believed in the words and warnings of popular youtubers who made their careers under the presupposition that they not only know of the art of storytelling, but they understand it: so much so, that they easily distinguish what is good storytelling, and what is not.

One of the primary reasons I didn’t care for it, apart from not being a fan of *The Lord of the Rings, (*more because of never reaching for it than because of any strong feelings against it - which, I am happy to say, has since very much changed), was because of the show’s treatment of Galadriel. I did not know The Lord of the Rings, but I did know Galadriel. This fearsome, tall woman who commanded attention by the pure force of her presence, almost divine in her likeness, was someone I always cherished - without even knowing her story. Here was the evidence of a woman existing in a story that needn’t a sword to show her strength, her power. She didn’t need any stereotypically masculine strengths to be respected by other men. She was the victory of femininity distilled.

Then, earlier this year, right about when The Rings of Power’s season 2 was coming to a close, I was convinced by the sheer amount of advertisements of the show to give it a watch. “Fine,” I thought, “I will see this flaming pile of compost for myself.”

And since then this new version of Galadriel has not only won my attention, she has won my heart. I have finally watched all the movies, I have started reading the books: something that the movies by themselves would never convince me to do. I fell in love with the Middle Earth, and in the prose of Tolkien, in this unique English fairytale.

But more than that: I have gazed upon the last two years with an old longing, one with the sense of a wasted time. I could have known about Middle Earth way sooner, I could have dreamed with it and lived with it for two years.

And that sense made me look back on its cause: the youtubers whose opinions I trusted, and particularly their treatment of Galadriel.

Guess then who I found shoveling a grand bullshit pile of poor analysis towards me?

Yes, yes you guessed it.

They called her many a word, scarcely any good ones - “Mary Sue”, “unlikeable”, “a brash, violent, unsympathetic dick”.

And it was a bunch of men who could not tell “character motivation” and “character flaw” apart from each other, who could not separate their distaste for women better than them at anything from the “political motivations” of writers, men who cannot spell “complex” but who claim they yearn for it in their protagonists.

So I sat down with what I do best: I watched season one again, I wrote out all my thoughts, I analysed the dialogue and symbolism - and came to my own conclusions, undisturbed by murmurs of insecure people. It was just the creative work itself, and my thoughts on it.

And what I found was a complex, flawed female protagonist, that I for so long had a burning ache for. A character that I suppose, if outright given a chance, a lot of people would love.

(This is a very long essay. More of it, and subsequent parts here:)

This is an almost vomit - pile - essay more than stream - of - consciousness - essay, I'd say. Sorry in advance

[korkorali]

The Misogyny of It All

So a lot of Della Duck Discourse is rehashed all the time, points are made again and again, but one thing that I almost never see people defend -and conversely, see people attack all the time- is The Line.

You know what I'm talking about. The Line from Glomtales.

"Your plans, your schemes, they only lead to bad things for your family. If you want to be a part of this family, you've gotta stop."

That one.

Now, what exactly Della was trying to get across with that line is a whole other can of worms that deserves its own post (basically she -and also the writers- horribly failed her Speech check).

What we're going over here is how that mimics a certain line from the last season, said by a parental figure to a child, that gets so much less flack. That, in fact, often gets paraded around as 'an interesting twist on a character.'

"You are not family!"

I have never seen people attack this line with the same amount of vitriol as they attack Della's, which is funny when they're the exact same line.

Actually, not even that- Scrooge's is worse.

It's more direct, it's literally yelled at Webby, it doesn't even attempt to address the issue Scrooge had (Webby blaming him for what happened to Della) and instead just straight-up attacks her as a person.

Now, to be fully honest- I like this line! I do genuinely think it's an interesting route for Scrooge to take, and is quite realistic to the grumpy old bastard. It's just funny that nobody ever comes to Webby's defense the same way they do for Louie.

Because the thing is- between Webby and Louie, one of these two has genuine, canonical issues with feeling like they're not a part of the family, like they're an outsider amongst those they love the most, like they don't belong.

And it's not Louie.

It is a consistent part of Webby's characterization that she feels like she doesn't belong. This gets touched on in all three seasons (and honestly, it could be argued that it gets worse after this moment).

Conversely, that just is not a part of Louie's canonical characterization. Even in the first episode of season 2, the one where Louie gets the closest to an 'I don't belong in this family' moment, it's less 'I don't belong here' and more 'fuck me I am terrible at adventuring'. And! It gets resolved in that episode!

(Of course, there is absolutely something to be said for how it's resolved- specifically by Scrooge encouraging him to be a scheming little bastard, which then thusly becomes the thing that threatens his family the most. Which would, logically, be a pretty big blow to his self-esteem. This isn't what I'm here to discuss right now but it is genuinely interesting.)

Louie never really shows an issue with feeling like he doesn't belong in his family. He shows a disconnect with his family at times, but in canon that never really evolves into a full-blown feeling of displacement. It does get close in Glomtales, but never quite reaches it.

So it's 'interesting' (read: not interesting) that Scrooge's fuckup here gets brushed away pretty easily. A lot of the time the line just straight-up isn't addressed, and when it is, often times it's about how "Oh he apologized to Webby offscreen, obviously."

Which.

Not he did not.

I mean, let me be clear: I don't mind it when that's the answer. It works for me to just brush it away if it's not meant to be the focus...

But Scrooge almost certainly didn't apologize for it.

As 'New Gods on the Block!' Showed us, Scrooge is downright awful at realizing when his actions have hurt people.

More likely than not, Scrooge would just assume that everything is fine and would avoid bringing it up at all costs because he'd feel awkward about it. Because he is, very importantly, not good at talking about things he doesn't want to talk about.

So why is it that Louie is always the one feeling like he doesn't belong? Why is it Della who is always a terrible parent for what she's said? Why are Webby's feelings of disconnect never really given the same gravity as Louie's? Why is Scrooge's blunder let off the hook super easily?

It just feels silly to me.

And, well.

Kinda like the fact that, since Scrooge is a guy and Webby's a girl, and Della is a woman and Louie's a boy, has something to do with it.

I'll happily give the benefit of the doubt and assume it's not deliberate, but quite frankly it is a double standard.

I think that people would be less upset with the Della Duck Discourse if Scrooge was held in a similarly critical position over what he's said and done. If it was acknowledged that Della isn't uniquely awful in what she says and does, and that a lot of the others have fucked up in extremely similar ways.

(I mean for fuck's sake, everybody goes on and on about how Della left her kids for ten years -which, for the record, wasn't what she wanted to do- but nobody ever criticizes Donald for taking the kids away from their family and never talking to them about Della- which is something he actively and deliberately chose to do)

TL;DR: The fact that Della gets intensely criticized for what she's said and done, but Donald and Scrooge are conversely celebrated as 'interesting' and 'complex' for what they've said and done, even when it brings harm to the kids, is a blatant double-standard. And if you don't think that this double-standard is bad or wrong for existing (or even that it Doesn't Actually Exist), instead of immediately claiming that it's a non-issue, maybe try to look inward and figure out why you really think that is.