#I'm on S1 E8

[arvandus]

Super late to the fandom, but I'm finally watching Black Butler (Look, Obey Me doesn't give me enough sexy demon butler material, I need SOMETHING!!).

And this show is hilarious.

Mey Rin is my spirit animal.

[noliaert]

some fanart of THE vampire that owns the night🫰

[starrywangxian]

i love ed i really do but sometimes i just wish he'd stand up for stede with HIS WORDS because stede is a very insecure little guy.

i was shouting at my screen in 1×08 because while calico jack just shit talks stede, even calls him steve, ed does nothing?? like not even "it's stede"???

and then more recently i was still shouting at my screen in 2×06 because when ned shit talks stede, ed still doesn't say anything!! ed may shake his head but stede doesn't even see it!! like stop ned, tell him to shut up, tell stede it's not true!!! say something please 😭

[stars-moon-and-sky]

JONATHAN TUCKER IN WHITE COLLAR???

[edensix]

i've started watching succ/es/sion and while it is a good television program, those who unironically stan any of these capitalists in a genuine way (rather than enjoying watching them be miserable) are deeply unwell.

[warblogs17282]

You know, I think a thing that is rather unnoticed is just how much the music pieces made for helluva boss really adds to the scenes (I am not referring to the songs btw, like two minutes notice and house of asmodeus for example. They're bangers but I'm not talking about them here)

I have two examples of this that come to mind: Do you remember in s1 e1 during this scene where you heard the piece of music titled 'Stolas Speaks'?

Let's head to s2 e4, and pay attention to the scene where Stolas is being wheeled into the hospital, you hear that piano again, the exact same note used near the start of the piece of music 'Stolas Speaks', even if you didn't pick up on it during this scene, that singular note still really sells the impact of this scene to you, even more so if you made that connection.

For my second example: Let's dive right into the argument of s2 e8.

Pay attention to exactly when the piece of music starts, right after that explosive 'LET'S GO!'

Now, I want you to pay attention to when the piano gets added to this piece of music, it's shortly after the show focuses in on Stolas instead of Blitz, something that is very clearly seen when you look at these two pictures.

Finally, the piano ends shortly after the show focuses in on Blitz again in this scene, and the final note is timed exactly when Blitz's eyes get smaller, when Blitz has realized that he's fucked up majorly, with a piano note that just feels much more impactful than the other piano notes heard before the final one. The music piece in this scene paints the emotions the show wants you to feel during this scene very well, and it just makes everything feel so much more impactful as a result, and I love it so much.

[gwenllian-in-the-abbey]

Not fluent in English. 

Please tell me I’m not the the only who noticed that team green characters in the show aren’t allowed to hate team black characters. 

Like Aemond can’t even hate Lucerys for cutting his eye and disabled him for life. 

And Alicent can’t hate Viserys for marrying and gr*ping her and forcing pregnancies on her, even though he have no intention to name any of their sons his heir, and treating her mostly like a caretaker and concubine rather than his lawful wife and the mother of his legitimate children. 

Aegon and Helaena aren’t even allowed to hate Daemon the man who ordered the death of their Son.

Like why??? Why aren’t they allowed to hate them???

Hi aleksandra! You make a good point! I think there are a few things going on here.

For one, I think the writing is incredibly inconsistent across the board this season, and there are a lot of dropped plot threads. Some of it is intentional (like, I do think B&C was deliberately downplayed and undermined so that Alicent could have that Dragonstone scene, more on that in a bit), some of it I think is just bad writing and a kind of ... well, look, I can't speculate as to what goes down in the writer's room and have no idea what their workflow looks like or what processes they follow, but a problem going back to S1 is that characters and dialogue vary a lot from episode to episode. I don't think it's all that normal for a fandom to be concerned ahead of time about which writers will be writing which scenes and which episodes, but with HotD there seem to be huge differences in how each writer interprets the characters. Having worked on OFCIR collaboratively with @aifsaath, we work really hard to make sure the chapters are relatively consistent. I gave our first few chapters to my critique partner for original fiction, a guy who knows my writing inside and out, someone I've worked with for about 6 years now, @theravenpiper, and he could not actually tell which scenes were written by me, and which were written by Aife, which I took as a big complement to our collaborative process, and to our ability to edit to a uniform standard. Now I'm not saying we do it better than the HotD writers, but I do think that there is something missing from their collaborative process that makes the entire thing seem disjointed.

I do not think it is entirely that the whole of team green is not allowed to be angry at team black, although that is part of it, some of it is part of an overall bigger problem where major events are not allowed to resonate across the story, and I chalk some of it up to simple bad writing. Rhaenyra is apparently over Luke's death enough by E3 that she can seek out Alicent for some kind of vague "let's stop this madness" ploy, but still conveniently needs "a son for a son" in E8. Although Rhaenyra is negotiating from a position of power in E8, there was no reason for her to feel so desperate as of E3, when Rook's Rest hasn't even happened yet, that she would set aside her grief and anger and go seek peace. Peace was offered in E10 of season 1 and Rhaenyra turned it down after Luke died, so what has changed besides Rhaenyra's own husband beheading a toddler? Other events happen too and have little or no consequence. Rhaenyra and Mysaria kiss in E6 and it's entirely forgotten by E8, with zero follow up. Criston Cole is brought to his knees by the sight of Aegon lying injured by his dragon, but never even visits his bedside. Gwayne never interacts with anyone aside from Alicent and Criston. Rhaenyra sends her younger children to the Vale and never mentions them again (she is shown looking wistfully at a box of toys), nor does Jace. Laena in a vision berates Daemon for not looking after their girls, but does he ask after them when Broome shows up directly from Dragonstone? I could go on. Events just happening and then never really mattering again is a consistent problem throughout the season, which makes it hard to tell when it is happening deliberately and when it is happening because the writers can't get on the same page.

There are two things I do think are deliberate, however, one of them being the scrubbing of Viserys' image. While audiences loved Paddy's performance, a lot of viewers did pick up on how Viserys played favorites and neglected his sons, and I think when the show decided to switch up Alicent's motivation from "she wants to protect her children and knows they will face the sword if Rhaenyra comes to power" to "she misheard Viserys' last words," they knew that the natural question is, "why should she care about Viserys' last words?" A lot of the immediate feedback about that episode involved how Alicent was stupid for not knowing Otto planned to have Aegon take the throne, and a lot of people didn't think that Alicent (or Aegon for that matter) really believed that Viserys changed his mind, but apparently that was the writers' intention, that Alicent truly believed it and managed to convince Aegon (there's a lot I could say about how they could have included this deathbed misunderstanding into the plot without having it replace all of Alicent's other motivations, but they did not do that). So in order to drive home the point that the whole entire war is being fought due to this misunderstanding, they have to make sure the audience is clear that all of these characters considered Viserys a good king. Even if he was Alicent's rapist. Even if he was a deadbeat dad. Even if he was a terrible husband. We are meant to believe he chose Rhaenyra not because he was playing mindgames or out of guilt over Aemma's death, no we must believe he chose Rhaenyra because he was good and wise and to convince us he was good and wise we have to have the green characters reminding us constantly that things were so much better when Viserys was around, that Aegon is inferior to Viserys, that Viserys' wishes are all that matter. Nevermind that it goes directly against the book, never mind that it's not even a particularly powerful or interesting change, it's what enables Rhaenyra and Alicent's relationship to continue. Because here's the thing-- if Alicent put Aegon on the throne because she felt it was the only way to keep her family safe, and because she feels that law and tradition ARE on her side, and because absolutism isn't good (!!!) then there's no chance for her and Rhaenyra to ever reconcile. These are irreconcilable differences, not misunderstandings. And so the show has to glaze Viserys otherwise the basic reasoning falls apart.

And the second is the events like Luke's death, Blood and Cheese and Rook's Rest come in, events in which the greens or the blacks harm and traumatize each other directly. It is not that the greens are not allowed to hate the blacks, it is that Alicent is not allowed to hate Rhaenyra, and by extension, the people who Alicent cares about are not allowed to hate her (I would argue that Aemond is allowed to hate Luke on screen, he literally murders him, and I don't think the scene with the brothel madame is an expression of true remorse, it's more "I'm kinda sorta sorry there were consequences for my actions."). Alicent cares about Helaena the innocent, and therefore Helaena cannot be allowed to hate Rhaenyra (note Phia Saban's many interviews about how apolotical and neutral Helaena is). Aegon, on the other hand, can be affected by B&C because he is allowed to hate Rhaenyra. In fact, his hate for Rhaenyra puts him at odds with his mother, which is what the show wants. Aegon is gravely injured at Rook's Rest, but good thing Rhaenyra's forces did not cause the injuries, Alicent herself drove him to battle with cruel words, and Aemond burned him, which puts him at odds with Alicent too (and Helaena is allowed to express ire at Aemond by extension). If you look at S2 as an exercise in driving a wedge between Alicent and her family and downplaying what happens to them in order to justify their decision to have Alicent seek out Rhaenyra and surrender Aegon's life, it makes a lot more sense.

The thing is, it still doesn't work. Their efforts are much too transparent and require characters to act in ways that are simply not within the realms of how normal human beings would react to these situations, much less the characters established in S1. There is a twitter user, and I'm so sorry that I can't remember their name at the moment, but I've seen them express the sentiment several times that Alicent's character this season made them aware, in a way that a viewer should never be aware, that these are scripted lines coming out of her mouth. That is, a lot of the characters in S2 do not feel like actual people. Aegon is such a fan favorite this season because he feels real. Alicent garnered legions of fans last season because her struggle felt real, even if we didn't agree with it. She felt like a character who inhabited a quasi-medieval world, bound by restraints we are not bound by, but nevertheless a human with human reactions who had to make difficult choices and persevere through them. And any human would be angry beyond comprehension at Blood and Cheese, would lose all faith in Rhaenyra, would know that there can be no peace if she is ruling with a man that ruthless at her side. If she thinks her sons are devils (and mind, so far as king Aegon's most egregious action is executing a handful of ratcatchers after one of their number murdered his son, whereas Rhaenyra burned about 65 peasants alive in a quasi religious ecstasy-- will Alicent ever find out about that, I wonder?), they are at least the devils she knows. Better they all die than end up in Daemon's hands, surely? And so OP, you're right, they are not allowed to hate each other when naturally you, and many others, feel like they should. That is because they are writer creations who would never do such things as what happen in the books in the first place, acting out plot points of entirely different characters (their book counterparts).

[fukutomichi]

"I'm just offering whatever humble aid I can" - Halbrand / S1.E8 Alloyed SEASON TWO COUNTDOWN | Sauron

[windybreeze12]

DBD Quotes that are my Roman Empire (and my reactions to them)

No version of this where I don't come get you - Charles S1 E7 (SIR???? IM SORRY??? If someone said that to me, i'd faint. Edwin is a strong one) .

Do you think it must be torture? Being the way we are? - Simon S1 E7 (I swear you could audibly hear my heart break when he said that) .

Teethface, what the fuck? - Esther S1 E6 (I love her. She's an awful person and is literally irredeemable but dammit she does her shit with style and sass and i love her) .

He did not feel the same way. But I think we are better friends because of it - Edwin S1 E8 (THEM. JUST THEM. I CANT WITH THEM.) .

You, Charles Rowland, are the best person I know - Edwin S1 E5 (It's like they want me to go throw myself off a cliff their friendship is everything to me) .

And we've got literally forever to figure out what the rest means - Charles S1 E7 (Charles is raising the bar too high i fear. the standards are through the roof) .

When you punish yourself, everywhere becomes hell - Edwin S1 E7 (*starts sobbing in the corner*) .

Imagine thinking there was only one way to do any one thing. How difficult would life be? - Kashi S1 E6 (I swear Kashi walked into this show to spit straight facts and then was never seen again. Icon.) .

We didn’t matter, he and I - Edwin S1 E1 (No because the way I swore to myself that I would protect these boys with my life the minute he said this) .

I will always hit a demon with a cricket bat for you - Charles S1 E6 (Fellas, never settle for anything less than Charles Rowland) .

I wasn't talking about you - Edwin S1 E5 (I'm not even kidding I paused the show, got up and had to take a minute because OOF Monty darling) .

As more than a friend, I’m afraid. Charles, I'm in love with you - Edwin S1 E7 (No joke this is one of the best scenes in a show I have ever watched. The acting, the dialogue, the pacing, the emotion??? UGH!!! Perfection) .

I certainly hope not, that story ends tragically - Edwin S1 E7 (There are already a million and one posts about the implications of Charles referencing Orpheus' story so go check those out but holy hell the way it made my heart twist) .

I could- we could lose Charles - Edwin S1 E3 (This was such a tiny detail but GOD I replayed it ten times before moving on) .

Honestly I just find her so charming - Edwin S1 E2 (I knew from this moment that Edwin and Niko were going to be a pair to watch. And boy was I right) .

That was my third life you bitch—i only get nine; would you fuck off - The Cat King S1 E8 (now THIS is how you creatively use a cat's nine lives in media I love it I freaking love it) .

You sacrificed me to a demon who traded me to another demon who traded me to a thing that is worse than a demon and this is your punishment! An eternity of papercuts! - Edwin S1 E7 (Honey I have an eternity of questions cause what the FUCK is this human trafficking system down in hell??? but also go off king??? 😭)

I'll update this whenever I remember anymore. Tell me more quotes in reblogs/replies i'll add them into this!

[valar-did-me-wrong]

So, what was your mother’s nickname for Adar?

"That sad man from your tshirt"

╥ ᴗ ╥

Me buying a custom Adar tshirt in grief seems to have ruined our chances at a more creative name :((

Though on a funny note: she has not yet caught on to the fact that the actor playing Adar in S2 is not the same as S1. I'm treating this as an experiment now! :3

I wonder when exactly will the realisation strike her or if I'll have to break it to her after E8 by showing Adar Mawle & Adar Hazeldine side by side :3

Here's the update on my mother watching ROP btw to the people who might be confused as to why this ask appeared out of nowhere 😅

[forsakenwitchery]

It's been a long time since I've really ranted about something on here but like.

HOTD is just… On another level of bad? At some point this season, I got so tired of getting angry with the writing I just straight up started laughing at almost every single scene. I managed to find a sliver of enjoyment in the shitshow what S2 turned out to be. Not anymore.

Small costest backstage at the end because I felt like looking at myself smiling after writing all this down lol

Having seen some and read about some E8 leaks I'm just… I guess I'm checking out. What they've done to the Greens and specifically Aemond this season is Merlin's 'Morgana suddenly full evil' level of shit writing. And I can't handle yet another favorite nuanced character of mine being stripped of any nuance by the shit writers. But at least with Morgana there was a lot of her, and with Aemond it's 2 minutes of peak character assassination per episode and it isn't cutting it.

I feel so bad for Ewan and the rest of the Green actors who gave it their all - and in some scenes you can clearly see Ewan giving his all trying to fight the shitty writing, but there's only so much an actor can do with a script so bad.

Like when in ep. 5 everyone kept referring to Aemond as if he's suddenly Satan incarnate (Alicent, Daemon ahhh pretty sure there was someone else this episode ‘cause I remember three characters) I knew they decided to flip the switch with Aemond suddenly going full caricature villain (and yeah he was no saint BUT LIKE BBQ-ING HIS BRO?) with no proper buildup for it but HOLY SHIT I didn’t think it would be ‘blink and he’s full on sociopathic villain’. And the way they really did try and hammer that point home with him yanking Helaena now is just… Fucking wild. But like, he wasn’t wrong with dismissing Alicent who turned out to be the biggest traitor on TG this season (RIP S1 Alicent). He’s not wrong in saying they need Dreamfyre. But the show sure did go about him technically not being wrong yet showing it in the worst way possible very... head-on and with lacking any nuance. It truly feels like Condal & Co just couldn’t handle how popular Aemond became in S1 and gave him as little screen time as possible while simultaneously trying to make him as unsympathetic and suddenly 180 as possible. Which just doesn’t work without the proper buildup if you stop to think for even one second.

Then we’ve got Alicent who drilled it into her sons’ heads they’ll be dead unless they fight Rhae and now she’s also 180 and doesn’t understand why they want to fight and turns out to be the biggest traitor basically surrendering her children, the city and her brother to the woman whose husband killed her grandchild. The fuck did S1 Alicent go? Can we see her? Is she in the room with us? You know, the one jumping Rhae with the knife for Aemond? By all means, she and Aemond should have had a dynamic akin to Cersei and Joffrey’s if they were dead-set on making Aemond pretty much THE (only) villain in the show (which should have been about everyone being a criminal lmao). But like… We came to THIS? THE FUCK. THE FUUUUCK. Like imagine for one second Cersei pretty much throwing her kids to their enemies. This is. I don’t know which level of bad writing is this. We’re so far past the rock bottom at this point, the bottom doesn’t exist, the depths this season has reached don’t even have a proper name.

Then we’ve got Helaena. All season I’ve been waiting to see more of her. All season. And I waited. And waited. Her being the Dreamer sounded cool on paper. And they just ended up using her as a device to show ‘Aemond bad’ again? And HELP DAEMON? And like... to spoil the end of the story for those unfamiliar? THE FUUUUUUUUUUUCK. THE FUUUUUUUUUUUUUUUUUUUUUCK.

Like damn, I knew they were baiting us with the promo and I knew it would be OOC for her to want to fight but at the same time I was kinda hoping at least she’d want to? Like she’s sane in the show. Her son was beheaded in front of her eyes. I kept hoping this show would have at least ONE female character actually willing to fight, but no. The balcony scene was good. But in spite, not thanks to what the writers clearly meant for this scene to be. Phia and Ewan really did give this scene their all and try to add nuance where they just once again tried to write Aemond off as a dick.

I haven’t seen the Aegon scene but apparently, they tried to make him look dumb again? And since there’s no rush to vacate KL in the show, why the hell didn’t he try to at least take his daughter with him? Like we get it, show, you hate the Greens and therefore all the Greens hate each other apparently (not buying it no matter how much you’re selling it tho), so him not bothering with Helaena is like okaaaay suuuure (not), but HIS KID? He was the hightlight of the first part of this season, and now we're... back at it again. Yay.

Also tbh I hated Daemyra as a concept in S1 as a ship but I LOVED their dynamic if it makes sense. It was truly interesting and both characters really shone in their shared scenes, so when Rhae’s arc this season started to feel like Groundhog Day I really missed Daemyra since at least their push and pull with Daemon made her feel more alive and interesting idk. But like. Their reunion scene looks like a grand meh? Daemon looks like he cares. Rhae came off to me like she doesn’t give a single fuck about him. Rhae in general was one of my fave characters in S1 and now it’s just. Huh? Them trying to saintify her absolutely ruined the character for me, she’s just so bland now which with her amount of screen time just… Doesn’t make for a very compelling show.

So. Yep. Those are my thoughts and feelings. tbh I don’t even know when I became so attached to the Greens. Like maybe it was in spite of the show trying to ruin and ignore them. Sort of like when you start rooting for the underdogs. But now I just feel really hollow and drained and sad for the actors. On both teams tbh, ‘cause like… What even is the point of this show anymore? There’s no war. Aemond is the only one who’s willing to wage it and the show villainizes him for it. Even in ep. 8 Rhae still says she doesn’t wanna fight the war. What did we spend 8 episodes, then, on aside from some character assassinations?

What’s the point if you don’t really feel anything towards most of the characters? Not even anger or apathy? ‘Cause like, I couldn’t care less when Rhaenys died. I’m sure when Jace kicks the bucket it would be the same. If the characters themselves can’t be bothered (where’s the aftermath for Blood and Cheese ffs?), why and HOW the hell should the viewers care? I’m sure they’ll find a way to make even Helaena’s death as meaningless as possible with giving her zero agenda in the matter.

I truly don’t think I’ll be watching S3. I don’t think I have it in me to witness how they screw up the Greens even more than they already did. It’s not even fun anymore how dumb the show is, it’s just draining. Motivations and relationships changing 180 between episodes or even during them (sometimes even during scenes), major events not phasing anyone and having no consequences. Characters the show chose as THE main characters living in Groundhog Day with nothing to do. We’re supposed to just believe the characters are suddenly completely different than they were weeks/months ago in show’s time just because the show says so. HOW ABOUT NO?

I’m only holding out hope for Daeron but at this point? I’m sure he’ll have a total o 1-2 minutes of screen time each episode as well and they’ll ruin him somehow, too. Still funny though how him and Aemond are both 16 which I’m sure is just another writing plot hole but on the off chance it isn’t… The only cool and redeemable thing the show can do at this point in my eyes is make Daeron and Aemond twins. You know, at the very least to give Ewan the screen time he deserves AND give him some better material to work with. But ah well.

At this point I’m choosing to more or less ignore everything that’s happened in S2, ‘cause the sure itself sure as hell ignored 2/3 of it, so why can’t I. Honestly, I want to do a full Helaena and Aemond cosplay, not a costest, if not for any other reason than to freaking forget S2 ever happend and maybe do some scenes which should have been in it, shippery or not. tbh I wasn't even shipping Helaemond until I saw Ewan and Phia's interviews about them and I was SO HYPED. And Tom's interviews. I was so hyped for siblings interecting in general and I feel like both the actors and the audience were done dirty in the worst way possible.

Also also the last thing I want to say is that it's super sad to see viewers turning on Aemond because it's so clear that's what the show wants everyone to do and neither Aemond nor Ewan deserve it. That's very telling of how badly he's written this season, he's not a villain you love to hate, he's just there for people to hate him. I hope at least Ewan doesn't get hate for his character, but we all know some people are braindead enough to project characters onto actors, so... :(

ALSO ALSO ALSO I don't really feel like fighting over this show because I don't think it deserves any more of my nerve cells, so should anyone decide to come at me for this post don't bother, I'll just reply with print screening this part. But it's kinda funny how tumblr seemed to have an actual war over this show when the show straight up refused to commit to anything.

To everyone who has read thus far – here, have some cute backstages from our costest. I’m sure we could all use a hug and a laugh. I know I could.

[frozenoj]

Psych-O-Ween Episode Guide

Probably been done before but these are the episodes I'm rewatching for spooky season! If I missed any let me know and I'll add them.

S1 E7: Who Ya Gonna Call? Shawn and Gus must save a man who claims a ghost is trying to kill him.

S1 E15: Scary Sherry: Bianca's Toast Shawn and Gus step into a real-life urban legend, as they investigate a death suspiciously like the tale of "Scary Sherry," who met her untimely end at the now haunted Wispy Sunny Pines mental institution.

S2 E16: Shawn (And Gus) of the Dead Shawn is called to the Natural History Museum when a mummy goes missing and all indications are that it got up and walked out on its own.

S3 E1: Ghosts After Gus' boss demands he quit moonlighting at the Psych agency, Shawn must find a way to keep his partner while solving a haunting case and playing referee to Henry and his recently returned mother.

S3 E15: Tuesday the 17th Shawn and Gus are hired by a childhood friend to find a missing camp counselor who disappeared near their old sleep away campgrounds. Upon their arrival, spooky activity abounds and they must uncover if the dark past of the abandoned camp has come back to life.

S4 E4: The Devil is in the Details and in the Upstairs Bedroom A priest and former teacher of Shawn and Gus calls them claiming that an apparent suicide was in fact the work of the devil.

S4 E8: Let's Get Hairy A man fears he is dangerous to society and enlists Shawn and Gus' help because, he claims, he is a werewolf.

S5 E3: Not Even Close, Encounters Shawn and Gus get themselves hired onto the case when an unstable lawyer claims his assistant was abducted by aliens.

S5 E11: In Plain Fright While on the haunted house ride at Santa Barbara's Scare Fest, Shawn and Gus witness a murder and are soon led to believe the person who committed it is the ghost of a man who fell to his death at Scare Fest 13 years ago.

S6 E3: This Episode Sucks Lassiter's new relationship with a mysterious and beautiful woman is placed in jeopardy when Shawn and Gus are convinced she is a murderer -- the same murderer responsible for the blood-drained body SBPD is investigating.

S6 E11: Heeeeee's Lassie After Lassiter moves into a new condominium building and strange things start happening to him, he is forced to hire Shawn and Gus to figure out what could be causing the supposed paranormal disturbance.

S7 E3: Lassie Jerky Shawn and Gus join a pair of college students in the woods who are filming a documentary on Bigfoot.

S7 E5: 100 Clues Shawn and Gus attend a party hosted by an aging rockstar named Billy Lipps, a man the SBPD arrested years ago for a murder he doesn't remember committing.

S8 E8: A Touch Of Sweevil Shawn is ecstatic when he discovers he's finally been invited to participate in a prestigious paranormal convention for police consultants.

S8 E9: A Nightmare on State Street Gus' nightmares start to feel like reality when he and Shawn work to solve an unlikely case for the SBPD.

[ectomoog]

How to Get Your Friends into Doctor Who (2005)

Doctor Who is an incredibly popular show that no-one has seen, so I often eagerly recommend it to people, and sometimes I make the mistake of actually watching it *with* them. It's easy to forget how randomly terrible and/or cringy and/or uncomfortably Moffat-esque some of the episodes are, *especially* when you're watching it with someone who has no idea what to expect, SO I made a list of nine episodes to watch with a complete newcomer (NOT a "best episodes" list), based on exactly how keen they really are:

If they say "fine, just this once"

Blink (S3, E10)

This is a classic, a no-brainer really. A tense, creepy, tightly-written piece of horror TV with twists and turns and solid drama, it's considered the best episode of Doctor Who for a reason, and it's very accessible for a one-off viewer.

Silence in the Library & Forest of the Dead (S4, E8-9)

If you're looking for a two-parter, I think this one is super easy to put on. It's fantastic and it's got horror, action, sci-fi and mystery elements, and it all ties together very neatly.

The Runaway Bride (S3, E0)

I like to include a Christmas episode for the rapidly approaching holiday season- this one is very funny and mostly very light, along with some good sci-fi monsters and some bonus exposition for the general show.

If they say "alright, prove I should watch it"

Midnight (S4, E10)

If they like horror, this one is a heavy-hitter. A really tight script, with excellent drama and a really great concept. It's a great introduction to the Tenth Doctor with minimal lore. If this doesn't impress your person, I don't know what will.

Vincent and the Doctor (S5, E10)

If they want something more heart-felt, this is the one. The monster of the week is a bit cheap but all the scenes with Van Gogh really utilise the opportunties that the classic historical figure story provides- plus that ending is undeniable. A good intro to Eleven, and a nice, contained story.

A Christmas Carol (S6, E0)

This one is just a fun Christmas story, it has the funny floating fish and the time travel and all that. If they enjoy this, they'll love all Moffat's stuff lucky them.

If they say "I'm keen! Where do I start?"

Rose (S1, E1)

I think Rose (and then the rest of Series 1) is the perfect episode of Doctor Who to properly start on. It's campy, it's fun and weird and it sets up basically everything you need to know for the Revival Era. You get the companion, the Doctor, regular Doctor Who tropes and themes, etc. Plus, if they can't get past the Mickey bin scene, this show probably isn't for them anyway.

The Eleventh Hour (S5, E1)

I think the only other reasonble place to start is Series 5- it's the only other clean break in the show that doesn't suck (sorry, TWWFTE is just Not Good). It seemed to work for Jeje, you get some unexplained things but generally it's easy to follow, and if they're Sherlock fans or something similar they'll love this era in particular.

The Church on Ruby Road (S1/14, E0)

If they're desperate to be up to date, get them to start on Series 14/Season 1 first. I think so far it's a bad place to jump in IMO IMO, but just one season is far easier to manage than all 14, and the promise of a special and another season coming out within the next 6 months is an easy sell.

So there you go, there is my REVISED version of this list. if they don't like any of these episodes, kill me.

Also, yeah there's a lot of RTD era episodes in here and no Chibnall ones or Capaldi ones. That's not because I hate Chibnall or 12 RTD was just a better writer than back then SORRY.

[actually-a-fish]

the best supernatural episodes

according to an autistic person with a special interest and the ability to make a list.

if youre really serious about supernatural spoilers then maybe stay away :)

None of the season one episodes made in on the list but I will give an honorable mention to S1 E2 Wendigo.

S2 E11 Playthings - A classic, creepy girls in a creepy hotel. Special call out to Sam getting SLOPPY

S2 E16 Roadkill - There's a ghost haunting the highway. the Boys help the spirit move on. This is an early example of monster empathy

S2 E18 Hollywood Babylon - Dean loves hollywood. I love dean. this episode makes me kick my feet like a little girl and i will not defend myself.

S2 EP 20 What Was Shall Never Be - all I have in my notes for this one is "Dean Djinn Dream" which was enough for me to remember the episode and get misty eyes. This is SEASON 2 my son will never know peace.

S3 E5 Bedtime Stories -I had to check the wiki on this one, I think i liked it cause it referenced classic fairytales

S3 Ep11 Mystery Spot - "HEAT OF THE MOMENT" RISE AND SHINE SAMMY!

S3 E13 Ghostfacers! - Im a Facer through and through

S3 E16 No Rest for the Wicked - S3 finale and the Boys are facing consequences! Classic Dean, Sam and Bobby episode.

S4 E1 Lazerus Rising - First Cas Episode. That handprint makes me feel things.

S4 E6 Yellow Fever - What if Dean had anxiety (The Eye of the Tiger blooper is also at the end of the episode which gives it bonus points.

S4 E17 Wishful Thinking - Make a wish? was it for your teddy bear to be diagnosed with Major Depressive Disorder? Well thats what youre getting!

S4 E17 It's a Terrible Life - Sam ~ the sales rep. Dean ~ middle management.

S4 E18 The Monster at the End of the Book - There are books about Sam and Dean?! Written by this guy who loves self insert character? Surely the entire show isn't about to take a tone shift?

S5 E3 Free to be You and Me - Sam and Dean are fighting again, but this time Dean has a new heavenly boy toy to play with instead. (Cas has no rizz yet it's actually a little painful to watch)

S5 E5 Fallen Idol - Okay the Wax People episode is on here for one reason and one reason only. Paris Hilton.

S5 E7 The Curious Case of Dean Winchester - Old man Dean and old man Bobby. This is also the episode for HH Husk kinnies.

S5 E8 Changing Channels - Dr Sexy MD is that you?!

S5 E9 The Real Ghostbuster - *in a grizzly voice* "I'm Dean Winchester, this is my brother Sam. Have you experienced anything strange?" "Dude that was so good! Now we can go solve the puzzle" "Man you're breaking the immersion!"

S5 E10 Abandon All Hope - This is here for Crowley's first appearance and not because the end will make you cry.

S5 E12 Swap Meat - "uh... its Audi Nos". Freaky Friday starring Sam Winchester! An angsty teen and April Kepner from Grey/Sloan Memorial Hospital.

S5 E16 Dark Side of the Moon - The Boys lives flash before their eyes. Dean is pissed forever about Sams.

S5 E19 Hammer of the Gods - this is for all my pagans out there!

S6 E4 A Weekend at Bobby's - What do you think this episodes about idjit.

S6 E15 The French Mistake -  “For whatever reason, our life is a TV show.” “Why?” “I don't know.” “No, seriously. Why? Why would anybody want to watch our lives?” 

S7 E4 Defending your Life - consequences? for fucking people over? how about you stand trial.

S7 E20 The Girl with the Dungeons and Dragons Tattoo - The self insert character made for us :) Luv u 4ever Charlie XD

S8 E4 Bitten - found footage will always scare. this one reminds me that this show started as a psuedo horror.

S8 E8 hunteri heroci - Cas tries his hand at being a hunter

S8 E12 As Time Goes By - FINALLY THEY ARE CARVING TRAPS INTO BULLETS

S8 E17 Goodbye Stranger - verbatim here are my notes for this episode "Cas chooses Dean, but the way he handles Meg... Fuck Naomi"

S8 E18 Clip Show - If you only want to watch just one episode of Supernatural this should be it. It's not actually a clip show, theres a broment, bonding time with favorite characters and crazy plots that only supernatural could get away with.

S9 E5 Dog Dean Afternoon - Dean is finally a dog person

S9 E11 First Born - Another bro fight leads to shipping <3 SamxCas + DeanxCrowley <3

S9 E15 #thinman - the slender episode feat. GHOSTFACERS. You come away from this episode thinking "supernatural is so fucking gay why wont the boys kiss"

S9 E21 King of the Damned - my favorite crowley era change my mind. Also the way the Boys interrogate an angel is so funny

S10 E5 Fan Fiction - I would unironically fuck w a supernatural musical and if helluva/hazbin taught me anything the rest of you would too

S10 E6 Ask Jeeves - The Clue episode. (Pay attention to the improvised weapons Dean chooses. It brings me joy)

S10 E9 The Things we Left Behind - Cas is suffering a midlife crisis and his besties are there to help him repair his relationship with his daughter. Funnily enough, Crowley is also getting some family bonding in.

Okay, I'm all caught up on my list. Should I have stayed up late transcribing this with an 8am class tommarow?

Probably not but it did bring me great joy. Tell me your favorite episode! I'll continue to add to my list as I continue my rewatch :)

[nexumsims]

beginning | previous | next

S1 E8: “The Calm Before The Storm”

Laila prepares for her first day at MYSH. Meanwhile, Brook seeks advice about her text message to Kai

*Series Synopsis [New episodes every Mon. and Wed.]

A/N Transcript ↓

[Laila]: (groan) “What the…already?”

[Laila]: (yawning) “Wish I got a little more sleep in”

Nico: (mumbling groggily) “What time is it babe?”

[Laila]: “It’s still early, go back to bed. I’m gonna start getting ready”

[Laila]: (laughs) “Didn’t need my permission at all”

[Laila]: “Let’s try to get a quick workout in”

———————————————————————— [Laila]: “Ten more minutes Laila, you’ve got this”

[Laila]: (shower signing) All these thoughts have troubled me…

———————————————————————— [Laila]: “Bad bitch, I’m the bar. Damn I look good”

Nico: “Damn look at you…You’re making the morning look good”

[Laila]: “Thanks babe….you on the other hand look like you just rolled out of a pit of pillows” (laughs)

Nico: “See? This is why I don’t want to get up. You’re distracting"

[Laila]: “I know it’s a special skill”

————————————————————————

[Laila]: “Hmm..blueberries or strawberries?” ————————————————————————

[Brook]: (smirking) “Well, looks like someone’s already fully functional today”

[Laila]: “You know me, I get shit done (laughs)”

[Brook]: “I need your wisdom, oh wise one”

[Laila]: “Wisdom? From me? You know I'm hardly a guru”

[Brook]: “Come on, you've got to have some advice. I did something stupid, and I need to fix it”

[Laila]: “Okay, now you’ve got my attention. What did you do?”

[Brook]: “I texted Kai. That guy from the other night. The one I wasn’t supposed to think about anymore” [Laila]: “Uh oh. What’d you say?”

[Brook]: “I sent him a text. About the window. You know, the one where I made a joke about leaving early? And now I'm overthinking it and wondering if I made it sound like I was just some girl who was easy to ditch”

[Laila]: “Alright, listen. If you want my advice, you’ve got to stop second-guessing yourself. You had your reasons for leaving early. You’re not obligated to explain yourself to him”

[Brook]: “But what if he doesn’t text me back?”

[Laila]: (shrugging) “Then his loss. I probably would’ve been ruder honestly (laughs) ”

[Brook]: (sigh) “Yeah, you’re right. Thanks”

———————————————————————— [Laila]: “Brook don’t text him again, okay! Make him work for it”

Nico: “Don’t listen to her, give my boy a chance!”

[Brook]: (eye roll) “Yeah, yeah….I got it” ———————————————————————— [Laila]: “You’re stepping all over my advice”

Nico: “Babe, it’s bro code. Gotta put a good name in for my boy”

[wingamy24]

Love all the stuff you’re doing for the jeffbritta girlies!!

And I know I’m asking for a lot but could you do like a little guide for their best episodes? Cuz when I sit down to watch a random episode I always forget what episodes have good moments with them that are not mixology certification lol

If this is too much to ask that’s okay💕

yesyesyesyeseyydysyeysyessegewghq

Okay, SO. This is my personal list of my go-to Jeffbritta episodes. Obviously not all of these are romantic: they're just focused on them or have funny interactions with them.

I love them and they deserve everything + endgame

Season 1

Season 1 has a BUNCH of Jeffbritta episodes, specially considering they were supposed to be the main couple of the show back then. My favorites are:

S1 E1 Pilot: Obviously.

S1 E3 Introduction To Film: Seize the day!

S1 E14 Interpretative Dance: This is the cute episode where Jeff brings flowers for Britta.

S1 E16 Communication Studies: This is the episode where Jeff gets drunk with Abed and ends up calling Britta and blablabla...

S1 E22 The Art Of Discourse: This one doesn't have any explicit Jeffbritta I think? It's just fun to see them make an evil plan to take revenge on some random highschoolers.

S1 E23 Modern Warfare: One of my (if it isn't my #1 favorite) favorite episodes of Community. The one where Jeff and Britta have sex in the study room table.

Season 2

On Season 2 we got a weirdly amount of Jeffannie episodes, but we still had our fair share of Jeffbritta episodes!

S2 E1 Anthropology 101: Not really Jeffbritta, but it's still fun watching them being gross in this episode, right?...right?

S2 E6 Epidemiology: Seeing Jeff walk around with Britta to give her drinks is funny.

S2 E10 Mixology Certification: This is an obvious one.

S2 E13 Celebrity Pharmacology: Cool cats. AKA, The Bi Panic™

S2 E16 Intermediate Documentary Filmmaking: That's Irak, stupid. WHAT DO I KNOW, I'M JEFF WINGER'S DUMB GAY DAD!

S2 E19 Critical Film Studies: This isn't really a Jeffbritta episode, but they match costumes... that's... that's enough, right

S2 21 Paradigms of Human Memory: Unrelated, but I just looked at the Wikipedia page, and it was almost entirely filmed in Universal Studios. The "popping the back of a raft makes it go faster" scene was filmed in a Jaws set! Anyway, we have the funny Jeffannie sequence, but it's a fun episode if you focus on Jeff and Britta, too.

S2 E22 Applied Anthropology and Culinary Arts: Not a lot of Jeffbritta, but still, fun and cute interactions.

Season 3

S3 E6 Advanced Gay: I love this episode so much, it's so ridiculous at so many levels. Also, Britta adressing Jeff's daddy issues is always fun.

S3 E11 Urban Matrimony and the Sandwich Arts: One of the many times Jeff and Britta almost get married.

S3 E12 Contemporary Impressionists: This is one of my favorites of all the show. It's so funny seeing Jeff be... whatever this is

S3 E21 The First Chang Dynasty: GothJeffandBrittaGothJeffandBritta

Season 4

It's amazing how many Jeffbritta moments the gas leak season gave us.

S4 E2 Paranormal Parentage: Again, Britta with Jeff's daddy issues.

S4 E5 Cooperative Escapism in Familial Relations: Britta helping Jeff is heartwarming. SHE'S SO PROUD OF HIM YOU GUYS. Also, them in cars. You can never have enough Jeff and Britta in cars.

S4 E8 Herstory of Dance: This is also an episode I really like. Jeff and Britta are adorable in this one.

S4 E10 Intro to Knots: Greendale parents.

S4 E12 Heroic Origins: GUYS LOOK THEY MET EACH OTHER BEFORE

Season 5

I love the Jeffbritta episodes here, but at the same time... it's so cruel that they made all this build-up just for a Jeffannie ending. It's like they WANTED to make us suffer. Fuck you, Dan Harmon.

S5 E7 Bondage and Beta Male Sexuality: HE WANTS HER BACK

S5 E8 App Development and Condiments: mustard

S5 E12 Basic Story: I cried

S5 E13 Basic Sandwich: I also cried. RAGE TEARS

Season 6

I don't really like watching S6, buuuut I'm gonna say "S6 E6 Basic Email Security" for the short Jeffbritta banter.

...this is it. this took me two days. okay bye