#i would treat you right stede

[starrywangxian]

i love ed i really do but sometimes i just wish he'd stand up for stede with HIS WORDS because stede is a very insecure little guy.

i was shouting at my screen in 1×08 because while calico jack just shit talks stede, even calls him steve, ed does nothing?? like not even "it's stede"???

and then more recently i was still shouting at my screen in 2×06 because when ned shit talks stede, ed still doesn't say anything!! ed may shake his head but stede doesn't even see it!! like stop ned, tell him to shut up, tell stede it's not true!!! say something please 😭

[leatherbookmark]

a thing i have JUST realized, isn't the human brain amazing lol -- is that we talk about izzy's thoughts and feelings on ed, on blackbeard, about how he serves one but not the other, etc, etc, and how it means he never loved or even respected the True Man Underneath It All but rather the bloodthirsty legend of a pirate--

e x c e p t izzy is not the first person who makes the distinction between edward and blackbeard. it's ed himself, when he says "actually, i want to be called edward from now on".

before, when he was with stede, it didn't bother him at all that the crew called him blackbeard. that was his name! he was blackbeard, what else would they call him. only stede and izzy got to "ed" or "edward" him, because they were closer -- stede was his first close friend, izzy was his friend and first mate for decades. (note that fang was with ed the longest, but he doesn't call him by his name! you gotta deserve it.)

izzy doesn't do anything inappropriate or out of proportion when he snaps at the crew to call him blackbeard or captain -- that's who ed is, is supposed to be, to them. they're not friends! they even call stede captain, and have you seen that guy?

it's ed that makes the connection between his current state: draped in fuchsia robes, singing sad songs about how sad he is, showing his vulnerable and emotional state in front of people who are supposed to respect and trust his authority. and by that he splendidly loses that authority, to the point that wee john calls him ed, and when izzy snaps at him for disrespecting his captain, ed goes no, actually, yknow what, do call me edward! and then he goes on to encourage the crew to sing as well and hey, actually, why are we being pirates! we should do a talent show!

the distinction is clear here. before all that, in izzy's eyes, his boss was blackbeard, captain, ed/edward -- different names for different occasions, but one and the same guy. but now? this guy singing songs in a pink bathrobe doesn't want to be called blackbeard, he's edward! ed time now! we're going to eat marmalade and express our feelings in front of everyone! and hold talent shows! Ya Hoo !

yeah, it's no wonder izzy doesn't want that. he wants his competent captain back, and this current dude, edward? he's not him. so, uh,

[piratecaptainscaptainpirates]

There's definitely a conversation to be had about the presentation of real historical figures in historical fiction, I think. As both a professional historian (PhD student 🤘🏾😔) and a man of color, I'm a bit more sensitive to this than a lot of people, and for me it always comes down to the question - what real harm is being done here?

And that's where I think OFMD does well enough for me to be comfortable. If you look at the fact that the show is based on real-life terrible people who did awful things and participated in the slave trade and you don't wanna fuck with the show, that's completely understandable, but I find it so much more palatable than (for the easy comparison) a piece of media like Black Sails (I actually like Black Sails, believe it or not, but there are a lot of things about how it treats many of these same figures that make me uncomfortable).

Now, yes, OFMD is hand-wavey with the slave trade in the Caribbean. None of our main characters own slaves or directly reference the slave trade (again, this is a romcom, I'd be shocked if they did). For me, this works alright for two big reasons. First, there are things that I think you can include in a romcom and have it still be a romcom, and a thoughtful, respectful depiction of the slave trade would take the show firmly out of romcom territory. Second, the show doesn't pretend racism doesn't exist, it treats its characters of color as three-dimensional people, and we always get the last laugh when racism is depicted. The very first episode sets the scene by having racist English Navy officers demean and call a Black character "slave" and they immediately get their asses kicked for it. Compare this to a show like Black Sails, where one of my main criticisms is how we're expected to sympathize with characters who actively participate in the slave trade and own slaves.

My other thing here is the people OFMD is working with are both heavily mythologized and not treated with any degree of historical accuracy. Many of our characters who are famous pirate names you might know are nothing like their real-world counterparts (take pirate queen Zheng Yi Sao, who wasn't even born yet when the show takes place). We know so little about any of the real people, anyway, that OFMD doesn't even bother trying to get anything right.

Like I said, I'm a professional historian and I love working with the golden age of piracy. That's a big reason I was drawn to this show in the first place! And if there's one thing I know, it's that pirates have been made into legends. We know very little about the real people, and in pop culture they're just myths.

The characters in OFMD are basically fictional characters working with the loose mythology based around the real people.

Now, back to my big thesis here: are the real, awful people benefitting in any way from OFMD taking these characters and making them into the good guys? Realistically, no, I'd argue. Most people with any critical thinking skills know that real pirates were not good people. Many people think Blackbeard is a made-up generic pirate character as it is. I've been to the real-life Stede Bonnet's grave site (NOT for the show, this was years before it aired and I was visiting the archives there to see the trial documents for a research project), and the historic marker there says he was "brought to justice." No one is wataching this show and thinking "oh those real guys must have been pretty great dudes!" because it's not about those real people.

This show isn't trying to change your perception of the real people, it's showing you fictional characters with the same names. One of our characters is runnig around in crocs, this show isn't trying to teach you about history or the real people and it's obvious.

If you're put off by the premise, I get it! But I just don't buy the idea that OFMD is putting anything harmful into the world just by existing.

[teeny-tiny-revenge]

Today I'm thinking about Ed's reaction to the marmalade. No, not about that it's very good. (I wanted a gif of this moment and it was the only one I could find.)

I'm thinking about Ed's face after Stede's "Ship's stores are loaded with it. Had to get rid of some gunpowder, but I think it was the right decision."

Ed is surprised, shocked maybe, but you never get the idea that Ed thinks the load of marmalade is frivolous or a waste of space (as a lot of other characters would!). But Ed's eyes are wide with wonder. Ed is impressed. Ed is fucking inspired. (And a little bit in love already, but that's beside the point.)

Because Ed is a survivor. Ed has built his entire life around surviving, and he's successful at it, he's going grey in a career that tends to cut your life pretty short, he's built this entire act and persona up for the sole purpose of ensuring his safety and survival, and when challenged and threatened later in the series (before he completely loses his will to continue surviving like this) we see Ed throw away anything pleasurable in favour of holding up the sword and shield of Blackbeard and the Kraken.

Ed is a guy who has learned to prioritise survival over anything else. Ed's stores are certainly full of gunpowder, no space for even a jar of marmalade left. Ed lived a life, from young age on, that taught him that he doesn't get to have nice, pleasurable, fun and comforting things. He keeps his one nice comforting scrap hidden away inside his leather armour. He has more money than you can shake a stick at, but he doesn't have any luxuries. He doesn't even have comforts. He has knick-knacks. But he doesn't have soft robes to sleep in, he doesn't have the damn good whiskey Stede keeps in his cabin (although he could easily afford it!), and he certainly doesn't have good marmalade. Ed doesn't treat himself. Ed is a survival guy and he has survival necessities. Ed only has gunpowder. He doesn't have marmalade.

And here comes Stede, with his fancy boat full of fancy things that aren't helpful to survive on the seas. It's a ship full of joyful little pleasures. It's got a library, a nice cozy fireplace, two fucking chandeliers (overkill!), it's stocked with good brandy, and two full closets of nice clothes, and its captain prioritised tasty marmalade for breakfasts over gunpowder for survival.

Because the Revenge isn't built for survival. Stede was done surviving (he'd run away from just surviving). He was probably aware he might not have a long life out on the sea, but Stede didn't come to survive. Stede came to live. And he was going to live to the fullest. He stocked his ship with all the things that he found make life worth living. (Stede later learns that he doesn't need all the things to enjoy life, but that he needs friends and his lover, but that's not the point here.) Stede designed his ship to be fun. To be a nice place to live. The Revenge is full of creature comforts. A full bathtub! Can you imagine Ed to have a full bathtub on his old ship? I can't. Because Ed has spend his life so busy surviving that until he's almost dead he doesn't stop to consider what makes his life worth living. And then it's so simple things he comes up with. (Creature comforts!)

Ed has lived a life of denying himself nice things in favour of things he hates but that are "safe". Ed lives in a house full of gunpowder. And he's choking on it, it's killing him, but he doesn't think there's another way. And then comes a guy who goes "oh actually, I replaced a lot of my gunpowder (not all btw) with this super tasty marmalade so I can have nice breakfasts". And to Ed that's life changing. Look at his face next time you rewatch, when he turns to Stede. This is a guy who just had an epiphany, who just had someone crumble his world view in the best of ways. You don't only have to keep gunpowder. You can also have marmalade, because marmalade is nice. You should live rather than just survive.

And we see Ed try to embrace this. With Stede, and for a brief time before Izzy happens to him, even on his own, Ed lets himself have nice things. He wears comforting clothes and eats the marmalade from the stores. Because it's nice to live a little even when you're sad. And then he goes back to just surviving, and he can't do it. He's tasted marmalade, he can't deal with being stuck with nothing but gunpowder anymore.

But he does survive, and Stede comes back, and they spend the night together and the next morning Blackbeard's getup is tossed away tied to a cannonball (a companion to the gunpowder), and for Ed there's toast with marmalade in bed.

Because Ed chose life. And to live means to have things to enjoy. Like good marmalade to start the day.

[carrymelikeimcute]

Going over the izzy/lucius/shark exchange is so interesting in the context of this being an episode about apologies. About making concessions and trying to fix things.

(In this ep there's a lot about ed making amends/accommodating the crew's triggers and trauma. It's also about stede having to fix things when he upsets the superstitious crew by not treating their feelings as valid.)

At the start we have Ed's (probably well intentioned) but evasive, non-apology. He does an 'I'm sorry you feel that way' sort of apology about 'whatever that bad stuff was'. It's a wish to do better, but it doesn't really cover what went before. A lot of people interject here, but Izzy remains completely still and silent, off to one side.

Lucius says he never used the word 'sorry' and rightly calls this out. Roach however, says he's never heard an apology before - and liked it - so this seems like as much as it's a first for Ed to take even some accountability, it's probably the first time some of the crew have seen a captain (or anyone else) do this too.

Archie says 'They just get away with it and we move on'.

Lucius rounds on Izzy, because obviously Izzy should have the biggest grievance here. But Izzy responds to the question about Ed's apology as if it was about piracy in general - clearly showing that the cycle of abuse is a feature, not a bug. This is part of his life and identity as a pirate. This is, actually, things going back to normal. You get whipped (and we see these scars on him later) no one apologises, and you just reset to how it was before, pretending nothing has been altered until it all bubbles over again.

Ed then tells stede that he's never apologised for anything. Confirming that most of the crew's responses are in line with their past experiences.

Then Ed goes to fix the door and tells it that it's not its fault that it's broken, it was just doing it's job. This directly parallels Izzy's rant to the figurehead about it failing to do it's job. Ed could be talking about himself here, as Izzy was talking about himself - but to me it doesn't fit that well, because what 'job' was Ed trying to do? He could instead be acknowledging, indirectly, that he is aware that Izzy was doing his job - trying to make sure they all survived and functioned as a crew. Ed probably broke that door, and he broke Izzy. But he has yet to talk to him about it.

Immediately following this, is when he scares the BEJESUS out of Lucius and tells him 'it would be faster to get all this out in one go'. It sounds like a reasonable suggestion, but we know that it doesn't actually work. Lucius pushes him off the boat and it doesn't help. Because 'I hurt you, so now you hurt me' doesn't benefit the abused, it's still about making the abuser feel better - making them feel punished and therefore redeemed, even when their victim isn't healed. I don't think Ed is trying to manipulate Lucius here - both of them think it might help to 'fix things' but fixing things takes emotional intelligence that's not really developed yet.

ENTER, THE SHARK

Izzy starts working on the shark, after the non-apology. He doesn't have it in the 'candle fighting' scene obvs - but he does receive an apology in that scene, when stede says 'feet' and then corrects himself to foot. It's a simple straightforward apology, even if he does sort of laugh awkwardly. Izzy also at least attempted to apologise to Stede in ep. 3 - so he clearly sees the use in apologies - AND right after the apology, Izzy agrees to help stede. Their relationship changes. It gets better and they're no longer stuck in those old patterns. Izzy is full-on gentle parenting stede - even when he shoots down a fucking sail.

He also, notably, states that the crew's feelings on the curse are important. Meaning, how the crew feels is important to him, period.

After this, we're back to Lucius throwing Ed overboard. But it doesn't work because Ed doesn't remember the talent show thing, he doesn't really know why Lucius was so blindsided by that betrayal of trust. It's not about who goes overboard. It's about the dynamics underneath that and those can't be fixed by just trading places for a moment.

FINALLY. We see Izzy finishing the shark, and he's completely unsurprised that Lucius pushing Ed into the water didn't fix things. Izzy's done this 'tit for tat' thing - betraying Ed to the English over being banished - and it ended terribly for both of them. It escalated things. He knows it's not as simply as getting even with someone.

The solution Izzy has chosen to the cycle of his relationship with Ed is to pretend that Ed hasn't done anything to him. A shark did it. Like with the non-apology, blame is being shifted to a third party 'the bad things' the 'bad times'. Lucius (rightly) points out that this is not healthy, but Izzy's response, that's better than not moving on, clearly resonates.

Izzy's response to being hurt was to 1. Get even and 2. (when that proved deeply unsatisfying and made things worse) to put the unresolved conflict behind him. Because he doesn't think Ed is ever going to apologise or change, and wanting those things just hurt more.

Anyone who has parents/a partner/friend who's NEVER apologised for anything, knows how he's feeling. You stop trying to have it out and fix the relationship, and it starts to wither, even though the other person thinks it's healthy.

'Not moving on is worse' is a warning, and it's one that Lucius takes to heart, immediately trying to centre positive things instead of resentment and anger. He shares his feelings with Pete, and their relationship thrives.

The issue here, is that denial doesn't work. Lucius might be able to move on from what happened to him without a proper apology from Ed, but that's because he's not in a relationship with him. Izzy's the one who's really in it with Ed - he's had DECADES of this shit. That can't be willed away.

Stede's resolution to the curse conflict models a healthier method and one that I'm hoping we see in a future episode between Ed/Izzy. He validates the crew's feelings, make a sacrifice (the suit) and TOGETHER they collaborate on a solution to the issue that is mutually satisfactory - he even gets to keep the shirt, as a sort of compromise. It isn't about just making stede or the crew feel better, it's about moving on together.

This happens with Ed and Fang! Ed actually apologises once he realises what, specifically he did wrong. Fang says they're 'sweet' because he beat Ed to death (oof) which outwardly seems like retaliation working - but there has also been an actual apology and Fang wasn't retaliating against Ed, he was standing up for himself - a physical version of saying 'that wasn't OK - you need to change'.

This method of resolution is echoed in the final scene, with stede and ed. They reach an understanding about the pace of their relationship and find a happy medium (holding hands) - mutually satisfied and moving forwards.

Bottom line? I hope we see 1. Ed actually apologise to Izzy and 2. the pair of them outline what it is they want to change in their relationship moving forward, ending the cycle for good.

Thank you for coming to my Ed talk.

[amuseoffyre]

"A weak-hearted, soft-handed, lily-livered little rich boy"

The framing and angle on Stede in this shot from 2x07 absolutely reminded me of this scene with his father from 1x01.

It's also the only occasion I can think of where the camera work makes Izzy look taller than Stede. In almost every other scene they're in together, Stede's presence looms over Izzy, but here? Now? When Stede is at his most vulnerable? Izzy towers over him.

As far as Stede knows, he's done everything right according to his father's cruel and narrow view of the world, but it's driven away the man he loves and now, he's trying to convince himself that he has surrounded himself with "real" friends, who "like me for me".

To add insult to injury, he thought he had elevated himself in the pirate community, but then Izzy - an older man - steps into the space and dismisses the people around him with barely a word. Stede's authority, acceptance and sense of control is sliced out from under him.

"You like me for me" counts for nothing. He is nothing. Everything can be taken away from him so easily. He looks small and lost and child-like, looking up at Izzy and immediately expecting the same kind of derision and cruelty he has received in the past in the form of a victory lap. He even tries to get ahead of it, lashing out with passive aggression before Izzy can hurt him.

In S1, Izzy would absolutely have taken pleasure in it, but this is the Izzy who has been through the meatgrinder of the Kraken. He has faced the worst, lost parts of himself and found parts of himself he didn't even know existed. He's been the one left behind and he's grown and changed.

Instead of taking an easy shot, he is frank and honest about what he sees in them. It's a kindness and a reassurance when Stede is bristling and brittle and chafing to lash out. He reminds Stede it's not all about him - "[Ed]'s a complicated man". Izzy comforts him, in his way, and this is coming from the man who does have the authority, respect and credibility in the world of pirates.

As the scene continues, Izzy brings himself to Stede's level, sitting next to him, reframing them as equals, which is a lovely touch. They're not overpowering each other anymore. They're not jostling for authority. They're side-by-side.

The difference between the way Stede's father treated him as a child and the way Izzy is now treating him as a man is so beautiful to me. Izzy is from the most brutal and violent of worlds, but is showing compassion, while Stede's father was part of the so-called "civilised" world and only ever chose cruelty.

It's a quiet and subtle way to show Stede that his father's ideals aren't the only way.

[theyoungeragrippina]

✨ 15 gentlebeard fic recs ✨

i have spent the last month trawling the pages of ao3 for you, dear reader, to find the best ofmd fics. all the works on this list:

are longer-form (generally 40k+)

have no steddyhands (simply not my thing)

are generally, all around brilliant (well-written, had me kicking my feet and giggling, laughing, or crying)

are complete!

part 2 and part 3

A Heart Unsated by roughwinds

48k, explicit

"Stede Bonnet has just moved into Orange Crescent. There’s a house on the corner, opposite Stede’s own, with a garden full of flowers and a gleaming motorbike on the driveway. He’s forgotten to buy sugar.

Edward Teach has his morning disturbed by his new neighbour. Enamoured at first sight, he invites Stede round for a chat, and then another, and then another.

This is the story of them."

man i normally avoid fics with lots of alma and louis in them because its just not for me, but literally every second of the family bonding in this was so wholesome i was forced to change my entire mind.

all you left me was a pearl by @sightofsea

88k, mature

"1717. The Golden Age of Piracy. Stede Bonnet sets about wooing the love of his life through any means necessary.

Things do not go as planned."

every day i wish for a precise memory erasing potion to be invented so i can read this again for the first time. i would devour like 2000k more words of this if it was offered to me. brilliant.

forgive & forget by @fool-for-luv

44k, mature

"It hits him then, like a wave breaking on sand, loud as thunder when it crashes, then trickling away into little rivulets flowing back home, murmuring one word over and over and over. Ed.

The problem is, Stede doesn’t recall ever having met anyone named Ed."

so sweet and wonderful, and i wish there was more.

#gentlebeard is trending! by regional_catastrophe

41k, teen

"In which Stede accidentally convinces the pirating world that Gentlebeard (or Blackbonnet or Stedward; there's a poll) is canon, reunites his crew, and gets his boyfriend back."

hilarious & silly & great, but also the most compelling notes of any fic i've ever read. a proper learning experience.

if music be the food of love (then darling, you're a feast) by @fool-for-luv

107k, unrated

"“Hey, so, those two, right, they get together in the end?” Ed asks.

“I would protest spoiling it, but I think it's rather obvious, isn't it?” Stede says. His nose wrinkles as he smiles. “The tension is certainly there from the beginning. It just takes them a while to get there.”

“Good. Would have been a shit story otherwise.""

i love sassy stede and i love ed who is a grump and i love that they share one single braincell at any given time.

If You Were Mine to Keep by @mysterybees

162k, explicit

"Caught between the gallows and the end of an English sword, Ed accepts the Act of Grace: marry into the aristocracy, leave the English ships alone, and live to sail another day. But who in their right mind would ever agree to marry the mad devil pirate Blackbeard?"

Worth every second of tiredness I felt after pulling an all nighter to finish reading.

It's Only Right by hexuponye

53k, explicit

"A modern AU based on Imagine Me & You, in which Edward is a florist who does the flowers for Stede's wedding."

mary gets to be a little silly sometimes too as a treat.

pliocene by unfortunatelyobsessed

75k, mature

""man, it's just ocean for miles.” Ed motions out to the waves, where there is no sign of any sort of ship, their small dinghy pulled far up on the sand. “I told you when the clouds look like seagulls you take fuckin' cover. Goddamn ocean mutinied me.”"

william golding wishes he did something this brilliant and significant when he wrote Lord of the Flies. the best deserted island story.

quite a career shift by @stedesparasol

157k, explicit

"Stede's been posting book reviews on Youtube for two months now. It's taken him that long to finally get a comment, and the person it comes from is rather unexpected."

rip stede you would've LOVED booktube. furious i can never really watch his content.

Semaphore by komodobits

124k, explicit

"Talking things through as a crew is easier said than done, and honest communication has never really been Stede’s strong suit. When it comes to Ed, he is willing to try."

so good that i was properly and truly laughing and gasping and 'oh no-ing' out loud while i read it.

Such Joie de Vivre by @louciferish

94k, explicit

"Professional thief Edward Teach is tired of hole in the wall apartments, shitty pub food, and skipping town every few months to keep the cops off their tail. He’s well past the age he meant to flee the country and retire, and all he needs is One Last Job to set him up for life. When he hears that some rich bastard outside of town has just the sort of treasure he’d trade his good knee for, Ed sets out in disguise to get the lay of the land."

i (so so foolishly) avoided reading this for a while because i simply didn't think i was one for nanny aus. i was so, terribly wrong. don't make the same mistakes i did. showstopping. incredible stuff.

The Chains of Flowers are Fragile Things by @grandmastattoo

62k, explicit

"Stede can't see the shop he's inherited from his late father as anything other than a burden, another insult added to a life that's going nowhere fast. Then he meets the charismatic man who owns the tattoo studio next door, and Stede finds himself forced to consider the idea of home."

maybe i love tattoo shop owner ed fics, sue me. i love this stede and i love his embarrassing mistake tattoo.

The Love Experiment by karawrites

65k, mature

a married at first sight (aus) au. i didn't know i needed it until i read it.

Water/line by @the-gentleman-mermaid

60k, teen

"During a raid on a smuggler ship, Ed finds a merman named Stede locked in the hold."

So good that I would actually pay the author real person money to do a similar story but where Ed is the mermaid.

Where the Daylight Begins by @xoxoemynn

116k words, explicit

"Modern day AU slow burn featuring a pining Ed, a clueless Stede, found family, roughly a million animals, and a very magical house."

This one sort of gave me House on the Cerulean Sea vibes; it was so much fun and genuinely necessitates a proper use of the word whimsical.

[ladyluscinia]

There are obviously some people not taking Edward's S2 arc very well. Or - more often - twisting it to fit into absolutely wild takes and then pretending they are taking it well while everyone else is wrong and problematic for beliefs like "S2 clearly establishes Edward was harming his entire crew in his depressive spiral and he's still in the process of making that right." One of them wrote this section from a post that I found absolutely fascinating (if also wildly off base) in the way it buys into Edward's clearly faulty POV without hesitation...

...and I really want to talk about Knife Parade now.

Because I don't think that's what's going on here, obviously.

Edward has internalized some very fucked up shit in his piracy career, a lot of it probably going back to his time with Calico Jack (and others? Fang was with him for 20 years, and Izzy "all his fucking life"?) under Captain Hornigold, aka the man who killed Felix the cabin boy by feeding him a live crab. Edward didn't really emulate Hornigold until Kraken Era because he hated the man, but we can see from how he and Jack act in 1x08 that he still developed a very skewed understanding of violence and social bonding.

And, as unpleasant as it makes him, the Edward of the past was absolutely the kind of guy to "fuck with his crew like that for shits and giggles."

Like - hold the defensiveness because this is not a one-to-one comparison - Edward describing chasing Fang around screaming and terrified as just a fun game sounds like how someone's childhood bullies would describe tormenting them. Bullies often feel like they were just joking around or just playing a game, even when the other party was clearly not having a good time. The show even invokes this with Nigel and Stede in the first episode.

And the reason bullies typically feel this way is because the social environment that they are in treats their behavior as acceptable (or fails to treat it as unacceptable because adults/other children are consciously or subconsciously designating the bullied kids as fair targets).

Edward thought chasing after Fang with a knife and shouting "come here you little fucker" was okay because he grew into adulthood in a culture where that and way worse was normal. Maybe he even got the idea watching an adult do it to someone (for likely non-playful reasons). He was probably older and/or higher ranked than Fang, in a culture where rank entirely out-ranks obligations to give a shit about someone else's feelings.

Just think about how he describes being Captain:

"Oh fuck no. Apologizing? Nah. Didn't apologize for jack shit."

The idea Edward didn't want to hurt Fang is not even on the table, because he didn't pay enough mind to the people below him to register hurting them was even a thing his "fun" actions could do. He's entirely rewritten the events in his mind.

And, again, this is a funny joke and a very understandable mindset to develop that literally no one has ever pushed back on until this moment, so good for Edward thinking back and going "oh fuck I guess Knife Parade was less Yardies and more Torturing Felix" and then immediately acknowledging that Fang has justifiable basis for beef with him. That's pretty big of him. Growth.

But "didn't care about Fang being terrified to the point he legit forgot because peer-accepted behavior" is still not quite the same thing as "genuinely didn't realize Fang was terrified" lol

[sixstepsaway]

I do not think that Ed is supposed to be abusive? i'm pretty sure we are meant to understand that he's acting this way because he's scared and threatened? The headbutting was rude but one isolated incident of headbutting in an extreme situation (waking up from a coma caused by a suicide attempt! his brain was all fucked up!) does not equal abuse. Where are you getting all this? Also I thought we were supposed to tag things with "[character] critical" around here.

Anon, I want you to understand that I say this as someone who has always loved Ed, and as someone who is approaching your message with the belief you are being completely genuine: Ed not being deliberately penned as abusive is almost the entire problem.

We literally see this cycle happening on screen in the first two episodes. After an outburst of violence where he destroys some innocent sod's wedding (2), he asks after the crew and checks they had enough cake (3), and says they're welcome to rhino horn, he's snappy but there's no violence (4) and things seem fine, up until when Izzy comes in later and says the crew don't want to part with their treasure. Ed starts to get angry (1) and Izzy desperately tries to convey that they love him and want him to be okay, and that he's just concerned for him and the crew, but he misspeaks, he says something Ed doesn't like, so Ed storms upstairs and starts pointing guns at people (2) until Izzy deliberately triggers him into shooting him not the rest of the crew.

Ed tells them to handle Izzy, goes to bed. When Frenchie encounters him the next day, he's bright, he's cheerful, it's like nothing ever happened (3) except that Frenchie knows it did. Frenchie is terrified because he knows what's coming, but Ed is calm (4) and things are just fine, because Frenchie is agreeing with him and telling him what he wants to hear. Ed catches him later and starts getting cold and angry, scaring him (1). Frenchie knows what's coming, and he's terrified.

Luckily for Frenchie, Ed takes his anger out on Izzy again (2) by taking a gun down there, but arguably you can say he takes it out on all of them by trying to sink the ship.

If Ed was just being a scary motherfucker, that would be one thing, but the show was very deliberately showing the power imbalance. If Ed had wanted to kill Frenchie right then and there, who would have stopped him? Who could have?

The show wrote and showed a cycle of abuse and that is okay, what isn't great is that they then went "¯\_(ツ)_/¯ meh!" and pretended like that cycle never happened or would only apply to Izzy, the latter of which is visibly and patently not true anyway because it gets applied to the whole crew multiple times.

I would have no issue with this, or with where the show took Ed, if the show actually took the time to get him there, but all they really did was teleport him from point A (abusing everyone around him) to point J (already redeemed, done the work, much better now) in the time it took him to catch a bloody fish

And the point of the headbutt is him saying, "I wanted it to hurt!" is fine in isolation but not super great when held up against the cycle I've just been talking about, or against Stede flinching from his violence.

And as for "edward teach critical" or whatever, I saw ofmd critical so I used that, I did not know the other tag existed. I haven't been on Tumblr much and the culture changes. Plus, I was criticizing OFMD as a whole, not just Ed, who I feel was treated horribly in s2.

[blakbonnet]

[graphic by @ofmdlovelyletters]

AUTHOR OF THE WEEK @xoxoemynn

I've loved featuring some of the most incredible artists in the fandom for the AOTWs, and thanks to Connie's (@spirker) big brain, this week is dedicated to some of the most beloved fandom authors. I hope everyone will go and check out their fics, maybe discover some new works or give extra love to older beloved fics. There will be 3 authors featured this weekend, please give it up 🥁 for the first one: Emy who we all love.

When I think of an author whose writing feels like a warm, lovingly prepared bowl of soup by someone who wants you to eat and eat well: I think of Em's fics. It's impossible to imagine this fandom without her - not just her words but everything she is and does for her friends. I also strongarmed her into answering a few questions for me (kidding, she was very gracious, I kept harassing her to send the answers over 😌 I have no shame):

What's your writing process like? Do you start with the beginning or the end? Do you write in order or as the scenes come to you?

First comes the idea, which usually presents itself as “haha, wouldn’t it be funny/weird/wild if XYZ… wait a minute. I think I might be serious about that.” Once I’m pretty confident I’m actually going to write the story, I make a channel for it in the private Discord I created to keep myself organized. I’ll start jotting ideas down — doesn’t have to be in any particular order, just tone, beats I want to hit, any particular detail that’s pushing its way to the surface that’s demanding the story be told, and also grab any links, images, music, whatever, and stash them away for inspo later. I almost always have to create an outline for myself, even if it’s just a few bullet points, because otherwise I tend to just sit there spinning my wheels. If it’s a longer story, I’ll create a pretty fleshed out outline, and may also supplement it with an emotions matrix to keep track of the characters’ evolving mindset throughout the story. Tragically, I’m very much someone who needs to write in order. I’ve tried skipping around before, but inevitably I start feeling the tension of “well, how can I possibly write Scene 10 if I don’t know exactly what happened in Scene 5?” But if there are some scenes that feel more vivid to me in the brainstorming phase, I may write a few sentences just so I don’t lose that energy.

One Ed/Stede headcanon that's very dear to you and you love to explore it when you write.

I don’t know if I have one specific one. I generally treat them as my all you can eat buffet and like to play with different ones all the time, depending on my mood. But I’d say my “tell,” if you will, is taking some kind of ridiculous concept (being horny for clocks, running a sleepaway camp for singles, tooth fairies) and sussing out the Big Emotions, which often do circle around learning to be vulnerable in front of the one you love.

Whose voice is easier to write - Ed or Stede? Why?

When I first started writing OFMD fic after S1, I would have said Ed. There was something about that vulnerability and raw heartbreak that I found really accessible, perhaps because I was finally coming out of the fog of my own recent traumatic breakup. But as I spent more time writing and in the characters’ heads, I realized it’s actually Stede. I see a lot of myself in him, and have discovered getting his voice right is a rather cyclical process: the more I understand him, the more I understand myself, and the more I understand myself, the more I understand him.

Your personal favourite thing you've written that you'd like more people to read

I’m going to cheat and list two. The first is The Merry Strays of Lighthouse Sanctuary, which is my heart story. It’s not the first thing I wrote for this fandom, but it feels like it. I wanted to write a fic with a setting that felt to all the characters the way so many of us felt about the show itself — a place of hope, where everyone is loved and accepted and celebrated for exactly who they are. The second, which is definitely a harder sell due to the subject matter, is All Of These Lines Across My Face, which is the most personal thing I’ve ever written that I think has taken on a new, more meta meaning since the cancellation. Love is eternal; it changes everything it touches for the better. Ed and Stede’s world was forever changed because they loved each other; our world was forever changed because we loved OFMD.

What is the one word that you think you use a lot?

Exquisite. But it’s NOT MY FAULT. They ARE exquisite!!! What am I supposed to do, just call them pretty? They are EXQUISITE!

Do you have a beta reader? Have they made you a better writer?

YES! My beloved Hugo (@monksofthescrew/offsammich), who I’ve been working with since Merry Strays. I used to say I’d only use a beta if there was something I was particularly worried about in the story, but honestly Hugo makes everything I write SO much better that I don’t consider a story complete until her eyes are on it. Brainstorming the initial idea, helping me get unstuck in writing, pushing me to look at a scene from a different perspective, fixing all my verb tenses… truly could not do it without her.

Why OFMD?🥹

I found OFMD at a very transitional point in my life, when I finally started to feel healed from a few big traumatic events but didn’t know what to do now that I’d emerged from the fog. I experienced some panic that I had wasted too much time and the world had moved on without me while I was still struggling. OFMD showed me that it’s never too late, that you can always have a second (or third, or 300th) chance, that you deserve to be loved for exactly who you are, and, most importantly, that there’s always hope. It was like someone gently took my hand and said “I don’t care what your brain/society is telling you, there is a beautiful future in store for you, and you deserve all that it brings you.” These days it’s rare to find something with a message like that, that’s equal parts fierce and earnest. It’s something beautiful and precious, and I’ll be holding onto it forever. ❤️

Please head over to @ofmdlovelyletters and send your love for Emy and all your favourite authors (and authors of the week 😈 watch that blog for some special letters coming your way)

[nonpracticinghumanbeing]

So Izzy said a thing.

The thing seems to be a part of a redemption arc and makes him sound like a human rather than a monster.

The Canyon went wild with joy and jubilation. The haters are doing everything they can to rationalize the thing in a way that would fit their point of view. One of these things makes me feel like a part of a wonderful, welcoming, and very queer community. The other makes me perplexed, annoyed, and sad at the same time - in a way that feels very personal.

OFMD is an explicitly and unapologetically queer show. And not just that, it shows a variety of non-normative behaviors (Jackie’s polyamory, Geraldo’s humiliation kink, Lucius and Pete’s penchant for “having an audience” to say nothing of Izzy’s masochistic tendencies) in a completely non-judgmental way, making the viewer feel like all ways of performing one’s sexuality are valid.

Izzy wants to be a part of this world. For all his anger and manipulations, and (yes, let’s call him out for the sake of fairness) his abusive behaviors, he desperately wants to be a part of the world where he is free to love who he loves, in whatever way he is capable of doing so. No matter how much the haters don’t want to acknowledge it, this is ultimately a story about love. Both Con and Daddy Jenkins admitted Izzy is in love with Edward and the fact that the antis are willing to contradict not only the actor (who, may I remind you, was instrumental in shaping Izzy’s character) but also the showrunner is very symptomatic of the larger issue of how queer people have been treated in society.

No one in their right mind chose to become a pirate unless they had no other option. Piracy was fraught with constant danger and meant being an outsider everywhere. The only place one could be more or less safe was between people in the same lifestyle. In OFMD that is represented by the Republic of Pirates, where not being a pirate would get one in trouble. Sure, there is some violence but it comes with the territory and - much more importantly - it’s never motivated by someone being a pirate.

Izzy claims to hate the Republic - and for someone as repressed as him it makes sense. There are people being a different kind of a pirate than Izzy would like there - drunk, rowdy, and undisciplined. He clearly takes great pride in his work and has built his whole identity around being Blackbeard’s first mate. Seeing people be pirates while taking their responsibilities lightly doesn’t fit his worldview because he’s been taught that all of his energy should be spent protecting whatever freedom the pirates managed to carve out for themselves.

Someone once wrote that despite what the popular meme says, Izzy isn’t a real pirate dropped into The Muppet Treasure Island, but rather a hard boiled queer-coded character from a 50s noir movie dropped into today’s Pride. He’s had to keep vigilant against any threat for so long he hasn’t noticed that there was a way to be a pirate/queer and still enjoy one’s life. That one can like frilly robes and be a somewhat competent sea captain. That it is possible to pine for one’s boyfriend and keep one’s crew safe. That being soft doesn’t necessarily mean being weak.

He’s willing to do whatever it takes and sacrifice whatever has to be sacrificed (Stede’s life, Edward’s happiness, his own status of the loyal first mate) to keep his little pirate/queer world safe. It’s this conviction that puts him in the way of Ed and Stede’s relationship and makes him an antagonist. But - and it’s something the haters seem to be incapable of grasping - an antagonist doesn’t have to equal a villain.

Why does Izzy react so violently to Stede, exactly? Why is he willing to go against his captain's wishes in challenging Stede to a duel? Why does he sell Stede out, making a deal with the enemy in the process? Because Stede is a stranger infiltrating Izzy’s safe space. The English are a huge threat, sure, but they are easily identifiable from a distance. Stede seems to Izzy to be something far more dangerous - an outsider worming his way into the heart of Izzy’s world, where he can do truly irreparable damage. The English are cops who chase gay boys around the park. Stede has the potential of being an undercover cop sent into a queer bar in the 1930s to get the dirt on the patrons so they can be blackmailed and arrested.

Of course, he may not be that, but it’s a risk Izzy can’t allow himself to take. With his vision of what it means to be a pirate/queer he's sure he sees through Stede’s ruse. Now, I’m not trying to excuse abusive behavior, as some of Izzy’s choices were hurtful to everyone around him. But as a queer person I do have sympathy for someone (grossly) overreacting in defense of their safe space. Constant vigilance is an inherent part of the queer experience, especially for those living in conservative countries or remembering the times before the Pride.

Like, for example, Con does. Con, who - yes, I will repeat this because it’s super important here - played a huge part in shaping Izzy’s character. Con, who despite having a decades-long career where he often clearly gravitated towards queer characters, only got comfortable enough THIS YEAR (and thanks to this show and this fandom) to publicly come out. Con, who - as a friend wonderfully phrased it - is queer as in start a riot, not as in love wins.

And Izzy is the same. He is a start a riot pirate/queer in a show full of love wins pirates/queers. His way of being what he is is so totally different from everyone around him that it makes him an antagonist. (Sure, there are other start a riot queers in the show - Jim literally kills a man who wronged them and Lucius is very outspoken about his opinions in a way that makes him somewhat radical, but neither of them is as extreme in their ways as Izzy is and neither goes against the main characters’ romance thus becoming an antagonist.) But. The thing is, when you are a part of a minority, when you are being prosecuted and targeted for who you are, you need safe spaces. And those safe spaces need protection, because every freedom can be taken away if wrong people come to power. No doubt the queer movement would look much more tame and palatable to the bigots if we were all the love wins queers. But we desperately need the start a riot queers if we are to survive.

So yeah, you can say Izzy said what he said because he needs a structure and clear hierarchy in his life. He absolutely does. Some of it comes from his submissive and masochistic tendencies, sure (I wrote a lot about that, including a piece for the Above All Else zine). Some of it may come from neurodivergence (some people read Izzy as autistic, I’m not going to discuss this because as a neurotypical person I have nothing of value to say about it). But it also ABSOFUCKINGLUTELY comes from the desperate need to protect his safe space from outsiders.

And there is one more thing the haters conveniently forget about: OFMD is also a show about growth. It’s about Stede turning from a wooden puppet into a real boy and then into a man. It’s about Edward learning there is a life beyond the legend of Blackbeard and peeling off at least some of the leather. And judging from the trailer, it’s about Izzy learning you can be a start a riot pirate while being accepting of the love wins pirates in your life. 

The more I think about it, the more likely I find it that Stede’s “I don’t care what anybody says, he’s actually a good guy” line from the teaser refers to Izzy. But even if it doesn’t, I am 100% sure the haters will be proven wrong. This show never relied on stereotypes and cliches. In fact, it actively does everything to break them (from Jim’s sacred quest for revenge ending up with them befriending Jackie to the only names that get mispronounced being those of white characters) while killing off the real enemies of the pirate/queer crew (Badmintons, Jack, Geraldo) and giving all its characters place to grow.

So, maybe one day we will all learn to love Izzy? 

[piratecaptainscaptainpirates]

Thinking about Ed has never had anyone who he can trust to react normally and appropriately when he sets a boundary.

Izzy in s1 constantly pushes Ed to behave in the ways Izzy wants him to and refuses Ed's right to determine how he wants to present himself to others, and he screams at him and tells him he's better off dead when Ed tries to state very clearly how he would like to behave. Entitled White people on the party boat reach into his personal space and try to touch his hair, and laugh at him when his reaction makes it clear he doesn't like that. Calico Jack breezes right past Ed's every attempt to set boundaries with him, ignoring Ed when he says he doesn't want to talk about certain things and when he suggests calling the party to a stop, and pushing when he says he doesn't want to drink. In the gravy basket, Ed's memory of Hornigold acts like Ed's in the wrong for being confused and upset when Hornigold refuses to play along with Ed's hotel game without being hostile to him.

Every time Ed sets a very normal and reasonable boundary - I don't want to kill this guy I have a crush on, I want other people to call me by my name, I want to dress and act in a way I find more comfortable, I don't want you to touch my hair, I don't want to discuss this heavy, traumatic topic over breakfast, I don't want you to be a dick to me - then other people act like he's unreasable, like he's in the wrong, like he's a terrible monster of a person for communicating very basic boundaries. When Ed is annoyed with others for trying to push past his boundaries and control his behavior, they use his anger as a reason to claim Ed is irrational, insane, or violent, and that he's defined by those things.

And that's why it's such a big deal that not only does Ed feel safe asking Stede to take it slow, he knows Stede will listen and behave appropriately. It's very tentative, really - "can we take it slow?" instead of a more definitive option such as "I want to take this slow," but the important thing is he knows he can ask and that Stede is not going to yell at him or pressure him.

It says so much that Stede is so respectful of the boundaries Ed sets. When Ed says he maybe doesn't like being Blackbeard anymore when they first meet, Stede is immediately respectful and offers alternative solutions instead of telling him what he should feel. He allows Ed to define his own feelings and desires. He gives Ed time to consent before touching his hair or deepening kisses. He gives Ed space to just be Ed, making him feel comfortable and safe by just being his sweet self.

Stede is one of the very few people in Ed's life who have ever treated him like an actual person with his own feelings, thoughts, and desires.

[uselessheretic]

i'm in a permanent state of smug right now, but i think it's funny that whenever whatever weird interpretations anti izzy people have get disproven, they never acknowledge that it happened or that they spent a large chunk of their time insulting and facilitating the harassment of fans who had the correct interpretation.

like izzy and queerness for example. last year when it was still a bit more early in the fandom, it was considered controversial to suggest that izzy could be gay. got insulted for it, called homophobic, and harassed while people gloated about how stupid it is to think that he could be queer. over time that slowly fizzled out since there was, ya know, interviews with david jenkins and cast panels that repeatedly confirmed that izzy is queer, but even a few weeks ago you could still see posts saying how problematic it is to focus on izzy instead of any of the actually canon queer couples.

a bit adjacent to this, but it's the same energy where people harassed others for more than a year for saying that yeah, sometimes ed is violent and has trouble controlling his anger. literally only a week back, you could find posts saying that people thinking that ed was going to be in a dark place and hurting others in s2 were racists misinterpreting canon. turns out! ed was in a dark place and hurting others!

we said that ed was going to continue to be violent and dark, but that it would be portrayed sympathetically as part of his storyline around growth. yall said that he would never be violent, he's going to be soft, and thinking he'd hurt the crew was problematic. and yes, trying to kill your entire crew (and successfully killing half of them!) is violence, you fucking walnuts

we said izzy would have a sympathetic character arc where he will be integrated into the found family, not killed off or treated like a villain. yall said he was going to die within the first few minutes (apparently you said it enough that the creators even made a fucking joke about it in the show lmao) and if not he will be a villain the crew hates and will never accept. kinda a far cry from the crew straight up protecting him from ed, being referred to as part of their found family ("he's a dick but he's our dick") david jenkins saying that this season is about izzy and his growth as he leaves a toxic relationship, and stede and izzy having a friendship arc where izzy's training him lmao

just months and months and months of nonstop posturing and bullshit with a self appointed moral crusade to prove how other people were doing fandom wrong and that yall had a duty to correct them

[collinrobinsonsglasses]

Too Soft to Be a Pirate

Izzy Hands x Reader (GN)

Chapter 2: A Damned Man

Summary: Following the events of Season 1 Episode 2 of Our Flag Means Death. You've been on Blackbeard's crew for a year. You and Edward are secretly great friends. Izzy gets bested by Stede Fucking Bonnet and you try to cheer him up.

{Masterlist}

{Previous Chapter}

{Next Chapter}

With his spyglass in hand, Izzy fixed his gaze upon the ship Ivan had spotted, now stranded on the shore. “Fucking idiots” he muttered to himself lowering the telescope from his eye. Standing on the quarterdeck, he surveyed the crew, and his eyes locked onto you. You were helping Ivan prepare the dinghy for the trip ashore.

Izzy was surprised you had lasted a year on Queen Anne’s Revenge. You proved to be a hardworking deckhand, effortlessly completing your tasks around the ship. However, what set you apart from the rest of the little shits on the crew was your respectfulness. Unlike the pirates Izzy was accustomed to leading, you never talked back, obediently followed orders and treated him with kindness. That was the problem. You were too fucking soft to be a pirate and you made the rest of the crew weak. 

Izzy had observed that during raids, Ivan always positioned himself closer to you, acting as a protective shield against the stray swipe of an enemy's sword should they get too close. You returned the favor by assisting him in collecting gold teeth from the fallen enemies. On shore leave, if the crew went out together and you drank too much, Fang would carry you on his back to the ship. You were constantly doing favors for the rest of the crew, and even Izzy himself. The crew loved you, and were protective of you. There was no room for love on a pirate ship. Even though Izzy consistently recommended dropping you off at the nearest port, Blackbeard insisted on keeping you on the crew.

Blackbeard joined Izzy on the quarterdeck, his eyes following the same direction as Izzy's — towards you. "How's our little mouse doing, Iz?" Blackbeard asked with a smug grin.

Izzy’s demeanor hardened, feeling embarrassed that he had been caught staring at you. He grimaced at the nickname he had inadvertently given you the first day he discovered you aboard the Queen Anne. Ed now used the nickname fondly whenever asking about your progress. Surprisingly, it turned out to be an appropriate nickname for you. You were quiet and quick, very challenging to catch in a swordfight. Most of the time, you were relatively gentle unless the situation demanded you to be aggressive. 

"They're doing fine, Edward," Izzy grumbled to his Captain, rolling his eyes. "I don't know why you insist on keeping them on this crew. They aren't a pirate."

"They look like a pirate to me," Edward insisted, gazing down at you, dressed in all black. "They’ve made it this long, which I think is pretty impressive."

"They’ve made it this long because you ordered me to keep them alive, Captain," Izzy shot back, glaring at Blackbeard.

"You're right, and that's a standing order, Iz," Blackbeard whispered with a smirk, inches away from Izzy. He condescendingly patted Izzy's face before giving the order, "Go get us some hostages," and then headed back to his cabin.

You watched the dinghy as Izzy, Ivan, and Fang drifted farther away from your ship toward the shore. Then you began making your way to the Captain’s quarters — a routine you were accustomed to when Izzy wasn’t on the ship or when he was attending to other matters. 

In the initial few months of your time on the Queen Anne’s Revenge, your conversations with Blackbeard were infrequent, typically happening on deck during the quiet nights when you were on watch and no one else was around. You felt at ease around him, and it was evident that he was comfortable in your presence as well. As your interactions became more frequent, he invited you to drop by his cabin whenever you had the time to talk. You kept your interactions with Ed between the two of you, recognizing that this level of kindness wasn't extended to the rest of the crew. 

You knocked before letting yourself in. "Hey, Cap," you said sweetly, then settled cross-legged on your usual chair across from Blackbeard’s desk. He lounged with his legs up on his desk, occupied with the task of sharpening his knife. 

"Whose ship is that stuck on shore?" you asked curiously. "They have like four different pirate flags, and I don’t recognize a single one. I actually like their cat flag. We should consider stealing it.”, you said with a grin. 

"You would like that flag, wouldn't you?" Edward chuckled, rolling his eyes. "I actually don't know who they are. They have English hostages though, which wouldn't be a bad profit for us."

You observed as Ed’s eyebrows furrowed, deep in thought. You watched him fondly, and tried to guess the thought that was on his mind. “They have English hostages, but they also ran their ship aground?”, you asked, raising your eyebrows.  

"Pretty fucking intriguing, don't you think?" he exclaimed, excitement gleaming in his eyes. He stuck his knife sharply into his desk, leaving it standing upright, before continuing. "What kind of pirate has four different flags flying on their ship? That’s insane. It makes no sense."

You offered a nonchalant shrug, finding amusement in your Captain’s curiosity in this other ship. Over the past year, it was very rare to see Blackbeard captivated by anything. It was clear to you that the pirate lifestyle was growing stale for him. “Pretty fucking intriguing” you echoed with a smile. “I reckon that’s worth a closer look”. 

“See”, Blackbeard remarked with a grin, playfully wagging his finger at you, “This is why I like having you here. You don’t have all these irritating opinions about what a pirate should be. Pirates have no fucking imagination” he finished harshly. He got lost in thought again before mumbling “Izzy should take a page from your book.” 

“He’s just doing what he thinks is right”, you countered gently, “He’s only looking out for you and the rest of the crew... Mostly you.”

A mischievous glint appeared in your Captain's eye, a look typically reserved for moments when you stood up for Izzy. "How's it going with you and our first mate?" he mocked playfully, leaning forward in his chair. This was Edward’s favorite topic of conversation. 

After spending about six months on the Queen Anne's Revenge, against your better judgment, you found yourself harboring an undeniable crush on Izzy Hands. You were terrible at hiding your feelings, a trait that Blackbeard, Ivan, and Fang took great pleasure in teasing you about. Thankfully, Izzy seemed oblivious, likely preoccupied with the challenging task of navigating Ed’s ever-changing moods. 

After Edward discovered your feelings for his first mate, he seemed to find every excuse to force you and Izzy to spend time together. He ordered Izzy to teach you sword fighting and wouldn't accept no for an answer. While you appreciated the lessons, given that Izzy was an exceptional fighter, you couldn't shake the feeling that Ed was relishing in the chaos. You imagined these frequent lessons were only serving to increase Izzy's annoyance with your presence on the ship.

You playfully glared at Blackbeard, the lack of real anger evident in your eyes. "You're well aware of how it’s going," you muttered, "He hates me. And even if he didn't, he only has eyes for one person on this ship”. 

He rolled his eyes at your statement before playfully continuing with his teasing, “You've got weird taste in men. To be fair though, I shouldn't be surprised. The last guy you liked threw you off a ship.”

You shot him the middle finger, accompanied by a sarcastic smile. Deciding to leave before the teasing could intensify, you stood up to go. “I’m going to sneak back later to hear more about this mysterious ship stuck on the beach.” you declared. You left his cabin quickly, but popped your head back in. "I think we really should consider flying a flag with a cat on it," you suggested.

"Fuck off," he responded with a playful shake of his head.

When your three crew mates returned later that afternoon with an English hostage in their custody, you noticed Ivan with a hand over his nose, blood staining his fingers. Fang escorted the English officer into the brig, while Izzy headed straight to the Captain’s quarters. 

You rushed toward Ivan, concern painted across your face. "What happened?" you exclaimed.

"Some bastard hurled a massive rock at my nose," Ivan growled with anger.

You guided him below deck to help assess the damage. Ivan leaned his head on your lap, recounting the events of his afternoon as you cleaned the blood from his face with a rag and warm water. You listened attentively, as you always did when Ivan talked with you about his day. "Think it's broken?" Ivan asked after recounting his story.

“I don’t think so,” you replied, examining Ivan's face, “but I am not an expert in medicine or noses.” 

"That's fair," Ivan mumbled, appreciating your honesty. "I'll survive. It's not the first time I've taken a hit, and it won't be the last."

You and Ivan returned to the deck to join Fang. The three of you watched the distant ship slowly move off the beach.

“Well there go those fancy boys”, Fang huffed. 

“Shame we couldn’t murder ‘em”, Ivan grumbled, “Even a little bit of murder would’ve been nice.” 

You squeezed Ivan’s arm gently and offered him an apologetic smile.

Izzy walked up to join the three of you, eyeing the distant vessel. “Captain says follow that ship”, Izzy stated with a hint of exasperation.

“Oh, really, why?” Fang whined. 

“How should I know, the man’s half insane. Just do it”, Izzy snapped, yanking Fang’s beard closer to his face. “No one asked you to fuckin’ think”. 

“I hate it when he does that. It really hurts”, Fang complained, quickly moving away from Izzy. 

“You should say something about it”, Ivan whispered as the three of you headed to the opposite side of the ship, away from the seething first mate.

“Ah, What’s the point? I can’t believe that Blackbeard wants to meet that ponce”, Fang muttered angrily. 

“What a knob”, Ivan replied. 

You subtly smiled to yourself, fully aware of why Edward wanted to meet the man who had gotten the upper hand on his first mate. You playfully reached up to scratch Fang's beard gently, mimicking Izzy’s previous action but with a loving touch. “I’m sorry you all had a shit day”, you expressed sympathetically. 

You watched Izzy silently fume, glaring into the ocean, and cast a concerned glance his way. "What if I asked him to practice sword fighting tonight?" you suggested quietly, directing your question to Ivan and Fang.

“He might just decide to skewer you,” Ivan remarked with certainty.

"Oh very nice," you replied sarcastically, rolling your eyes. "Maybe a sword fight is just what he needs to blow off some steam. He’ll knock me on my ass like he always does and it’ll take his mind off of today". 

"It's your funeral," Fang added with a sly grin.

"Well, if Izzy turns me into a human pin cushion, I demand a burial at sea,” you joked, sealing the comment with a kiss on Fang's cheek. Then, you walked toward Izzy apprehensively. 

"Izzy, sir?" you asked in a calm tone, positioning yourself next to him against the ship's railing. His expression stiffened as he turned to face you upon hearing your voice. 

"Did those twats send you to mock me for losing to that fancy fucker at swordplay?" Izzy spat with venom in his voice. "I won't tolerate insults from a second-rate pirate like yourself, especially one who's shit with a sword."

“No,” you replied quietly. It was clear why Izzy would be defensive; you had witnessed the satisfaction Edward and the rest of the crew took in teasing him. “Considering what Ivan told me, It sounded more like an ambush, very unprofessional of them. If it was a real fight, I know you would have won”, you offered with a genuine but shy smile in response. 

For a brief moment, before catching himself, it appeared as if Izzy might return the smile. Izzy examined you curiously, attempting to figure out the game you were playing. "What do you want, then?" he asked, his tone softer than before. 

"Well, speaking of me being a second-rate pirate who's shit at swordplay… I was wondering if you'd be up for another lesson," you asked, your tone a mix of nervousness and humor.

“Fine”, Izzy responded curtly. 

As Izzy and you sparred with your swords, the scene was charged with intensity and focus. Izzy, confident and skilled, moved with precision and control. His eyes gleamed with sharpness, and every motion carried the fluidity of someone well-versed in the art of combat. In contrast, you were determined but less polished. You met Izzy’s moves with a mix of nervousness and eagerness. The rhythmic clashing of swords echoed through the air, the sound of steel on steel resonating across the ship’s deck. 

As you headed below deck to meet Ivan and Fang after the lesson, Izzy's voice called out to you, "You're improving." You felt your heart skip a beat. Turning around, you offered him a grateful smile before rushing off to join your mates.

Izzy watched you departing, a smile unintentionally forming on his face before he quickly composed himself. “Fuck,” he muttered, his thoughts circling back to what had been on his mind earlier that morning. While Izzy would never admit it, he had begun growing quite fond of your company. You seemed to possess the ability to see through people’s facades and give them what they needed in the moment. He had long understood why Ivan and Fang were so protective of you and why they treated you differently from everyone else on the crew. You could break down people’s defenses and make them feel safe. That’s why he knew he needed you off this ship as soon as possible – you were a liability.

{Next Chapter}

[amuseoffyre]

Was thinking about accents in OFMD today and how it works out well that Stede doesn't have the English accent he was originally meant to have. The original actors they were looking at for him were all English, if I recall right but the fact Rhys is from Aotearoa New Zealand actually adds another layer into Stede's social position/class within the story.

His father has an English accent and his father clearly was the one who made them the money (and is very bitter about the fact it'll just pass directly to his flower-loving soft son), which would make Stede a first-gen of the family to be born in Barbados. Since thousands of families flocked to the British colonies to make their fortune, it tracks that Stede's dad did exactly that.

Thing is that Stede's family may have a fortune, but in terms of class and position, that's all they have. Mary's mother says "he's not a derelict, he has money" and his father fully admits "she has acreage". He's buying Mary for her land and they both know it, because if you have land, you can gentrify yourself and move up that slippery ladder.

Sending Stede to get an education at an upper-class boarding school is another bit of Stede's dad's attempt to socially climb, but from the way the Badmintons treat him at school and in adulthood, he was never going to fit. He was the butt of the jokes, the jolly-jump-up who was never going to be good enough since his father was in trade, not to mention Stede's personality was at odds with everything that was expected and demanded of him.

With all that in mind, him having an accent that very clearly identifies him as not just gentry but gentry from one of the colonies? He would slide even further down the social pecking order. Accents are such a big thing in the British class system and it would be an immediate marker of him being Othered again.

brb, going to go and gnaw some more on class divides and social structures and how Mary is higher-ranking than Stede but had to defer to him as her husband \o/

[batsarebetterthanpeople]

Ok so apparently there's a new Ed is abusive argument cropping up that's like taking us arguing that Ed's not a domestic abuser in a vacuum and arguing "but he abused his crew" as if that was the take that people were arguing with but I do actually want to address that take because it's also straight up not true either.

Like we have been repeatedly told you what business as usual for a pirate ship looks like, and it's not what Ed is doing. Stede opens the show with floggings and keelhaulings mentioned as standard practice. His crew doesn't take him seriously at least partially because he doesn't do those things. In 1.08 we get the first mention of captain Hornigold as having stabbed and beaten down Jack and Ed and having treated them worse than dogs. Episode 9 we get captain Izzy and what's the first thing he does? Threatened to withhold food for a whole week. Then we meet Hornigold who reveals that a punishment on his ship was a crab clawing through your stomach and that a standard threat was skinning a person and feeding it back to them.

And what does Ed do? Cuts off his abuser's toes. Shoots him in the leg for having the most gaslighting audacity I've ever seen. But aside from Izzy, in regards to whom I have cell block tango cued up for Ed, what did he actually do?

The first time someone expresses discontent is after the wedding raid which I think is probably towards the end of the 89 raids given that Izzy has his breakdown immediately after Ed throws them a cake party, in fact I would guess that it's raid number 88, they do raid 89 in between Izzy getting shot and Ed telling Frenchie they're never going back to land, and then Ed decides to kill himself that night. So anyway, raid 88, they've been doing this for 3 months, and Jim says "Is it just me or was the wedding thing a bit over the line?" to which Archie responds "IDK I've never really been to a wedding before so I have nothing to compare it to." as if she's just happy to be there, and then Fang says "I've never seen Blackbeard like this before," Which establishes that what we're going through right now, the 88 soon to be 89 raids are atypical of Ed's behavior, and then follows it up with "He didn't bat an eye when Ivan got killed" which establishes both why Ivan isn't around and why Fang is so sad, but also might establish that Ed would be upset with crewmembers dying, which is consistent with episode 4 when he yells at Stede that the crew dying is going to be his fault to show him what it's like being Blackbeard.

Then we have the scene where the crew defy Ed. Ed orders them to dump the treasure overboard, because it's fucking treasure. What's Ed's response? To take another one of Izzy's toes so that he looks like he cares about enforcing rules on his ship while not punishing the people actually going against him but instead punishing the guy who low key ruined his life. Then Izzy does his "you can cut off my toes but I need to know that this is a sexual thing for you too" bit and Ed doesn't take the bait until he says a Stedeism. And then he goes out to threaten everyone with a gun, which, you know. Not great but he ends it like this so

you know. something to consider.

and then he doesn't really do anything to the crew until the murder-suicide.

so his list of crimes currently is:

not really giving a fuck about Ivan dying where Fang can see it

Dismembering his abuser where people who don't have the full context can see it (not a crime just a based action that has side effects for the people who have to see it)

waving a gun around in a way that makes you wonder if he's about to shoot himself in the head

trying so so so so so so hard to get people to kill him because he's addicted to outsourcing the big job

Demanding the crew dump treasure overboard (standard practice if Zheng Yi Sao is to be believed)

Overworking the crew a little bit.

When we measure this against the stick of every non Stede pirate captain we've seen so far I think what these crimes amount to is hurting your friends in the process of hurting yourself. And that using the term abuse which calls to mind a very specific phenomenon is one of two things: Melodramatic moralizing (which is the internet's fav thing to do so you know what sure) or demonizing the brown guy in the midst of a mental health crisis.

I honestly think that outside of the murder suicide the only reason anyone had a problem with any of it was because Stede showed them what piracy could be like, that's the whole narrative point right. Stede's doing things differently, in a way that doesn't hurt everyone involved, and nobody wants to go back to the old way, because they're healing from that and Ed stopped healing because Someone told him that if he didn't there would be a fucking problem(wonder who it could have been). Like he's not even flogging anyone be serious.