#I'm just rambling i may not make sense

[epickiya722]

I feel like things are gonna... spiral out of control next chapter, am I right?

Ha ha! Yeah, no, forgive me for that one, folks. I deserve tomatoes for that one.

But, I quickly got interested in seeing the spiral case at the end because uh... that's not the first time something was spiral shaped in this story.

Remember the Uzumaki Kenjaku executed in Shibuya? It was spiral shaped! Of course, for those who aren't aware, this is paying homage to Junji Ito's Uzumaki. (Also the school's symbol kind of looks something like a spiral.)

Now, like many, spirals can represent many ideas. Such as the cycle of life and growth. The journey in which one will face changes in their life. A path to enlightment. Relevant to the story as the characters, especially Yuji, do go through changes and grow.

However, given that Akutami-sensei makes a reference to Uzumaki, I thought what if the meaning to the Spirals in that story can be applied to JJK, too? Sometimes, more than one meaning of something can be applied to a story.

So going back and refreshing my mind on the story, the Spirals in Uzumaki represent the twisted reality of which the characters face. Opposite of the hopeful feeling that spirals usually will give off. The Spirals represent the moral code in which is abandoned throughout the story.

Which happens in JJK, doesn't it?

Moral code is often abandoned by the characters of JJK. They face curses and curse users and in order to beat them and be rid of them for good, the choice to take is go as low as they do. You have to do things that may feel wrong.

The other meaning is also present here. Twisted reality.

From having fake memories to practically bending the real world to your will to create funny scenarios (Takaba), twisting reality happens. Actions by someone affects everyone, no matter how far down the line and create a twisted reality of what could have been. (Think of what if Toji didn't shoot Riko.)

In another post, I made a guess that Yuji's Domain may be one where the target's memories are shown. Thinking about it, I realized that in 265, Yuji actually warped reality. He may have shown Sukuna (possibly) real memories, but in doing so his Domain is him shaping the real world to do it.

Twisting reality!

The next chapter may start off with a flashback as to where they found the last finger that was later consumed by Rika. It's a stretch, but I'm imagining a scenario of Yuji showing Sukuna this last finger that may lead into Yuji confronting Sukuna once more on how he views the world. I don't know how. (I did a Cursed Finger Count.)

EDIT HERE: Okay, that's not Sukuna's Finger... IT'S YUJI'S! (Check out this post!) But I'm still going to say this...

Tying into the multiple meanings of a spiral, including from Uzumaki, what if Yuji will be twisting reality to enlighten Sukuna for a possible last time?

Also, looking back at Yuji's eyes in this post ,I realized while they may look like rings... so do spirals. Spirals from a top view are just never-ending rings.

[fan-a-tink]

the case of the very long stairway as small gif moments because apparently I like pain. let's get into it

Charles' expression pre-flashback vs. post-flashback

and the literal last moment of his life

some adorable edwinisms

I've always been obsessed with the way Edwin runs around the corner in this shot

these two just break me. every time.

this next one is a moment I'd been wanting to turn into a gif for a while. Charles is about to say "hi" before Edwin pulls him down and covers his mouth, but in this moment he's just so purely happy to have found Edwin again and there's the hint of smile on his lips

one of the most gorgeous shots of the show

and finally, this one, so that it's not all gloomy

other episode gif sets: 1 - 2 - 3 - 4 - 5 - 6 - 8

[13eyond13]

love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world

[quietbreeze97]

So, I think we can now feel 100% sure that Alastor HAS made a deal with someone, but not only do I now think it could be someone other than Lillith since she's up in heaven (but it still makes the most sense) - I also think it's very clear Alastor does GENUINELY care about Charlie and has been helping her and others not just for his own gain, but because he can. And THAT is what's driving him mad, and whoever has him in chains most likely doesn't want him getting attached or feeling sympathy for others.

He's been asked to do somebody's bidding, that's for sure, and part of the reason he'll have made a deal in the first place is to gain even more power for himself, hence why he's latched onto Charlie, daughter of THE most powerful overlords in Hell. His own agenda does certainly come into it and I believe he started this for selfish reasons, but now he's allowed himself to care too much, which is not only sending him crazy because it's changing him as a person, but he may well be terrified of the consequences based on whoever's controlling him.

His line in the finale song, "Sorry to disappoint", made me think he was certainly addressing his captor, not himself. He's SCARED AS FUCK, and that's making him lose it.

[good-to-drive]

I totally agree with the general consensus that Ringo provided a lot of emotional support and coolheadedness to the other beatles to the point where they'd have probably killed each other without him but I do also wonder sometimes how much of that is being supernaturally patient and easygoing and how much of it is Ringo just having a tumultuous and isolated childhood where he was never taught to recognize and assert his own emotional needs so he became a blank slate on which others could process their emotions

(And tbh I also wonder how an inability to access or assert his feelings may have contributed to his tendency to process pain by numbing himself and the pretty shitty way he treated women)

[masterfuldoodler]

girlbossed too hard.... unless...

[mariyekos]

My logic/HC for why Lady dresses the way she does is that she figures any demon who hurts her will be able to hurt her regardless of whether she's wearing armor or not, so she might as well go for something with mobility to keep from getting hit in the first place. No point in wearing something that would restrict movement if a demon claw could tear your leg off whether you're wearing clunky armored pants or some easy-to-move-in shorts!

(Yes I know the real reason is that the devs like sexy minimally-clad women but let's just imagine it's the in-universe explanation okay)

[teejaystumbles]

What kills me about Jayce and Viktor is how for a long time they both think they are solely responsible for all that happened. Jayce thinks he's responsible for the creation of Hextech and Viktor becoming the herald and so he has to go stop him. Viktor believes he's responsible because he saved Jayce's life and made that research actually bear fruit, in ultimately fascinating and horrifying ways. And while Viktor is most likely the one who made all of this happen (through whatever magical timey-wimey stuff), Jayce is the one that realises first that it's both of them, together, as partners, who created this, and who can stop it. Together.

[ficoandleo]

Leoo, I got ya some new shoes (From Gucci) so you can change those sandals cuz Jesus Christ. They are so ugly like who scammed you 😭.

"I do not control how the artists drew me I have just as many questions!

"At this point I'm keeping the shoes just because it pisses you guys off so much. I never even wear them! I've worn them once since I got here and that was on a mission. You're bugging out over literally nothing except that your gross little specific footwear fetish hasn't been catered to today. Lemme guess, you're into my house uniform's boots? You like licking mean boys' boots, anon? You gonna say 'thank you, sir' real sweet when I step on your face~♥?

"I will take the shoes though~ I don't think I can wear them much because anything from current gen Lucci is pretty likely to piss Ro-Ro off unless it's really nice. But we'll see. I'll add the box to my gift unboxing pile!"

[sskk-manifesto]

:)

[avirael]

This Home of Mine

How had it come to this?, Aviloh asked himself as the argument around him began to get louder. Somehow he had known it would all end horribly one day. He just had hoped it would take a little longer. He only had himself to blame for this, he thought as his eyes fearfully scanned the crowd that was slowly gathering around them.

There at the sidelines stood U‘khaya with a gleeful expression on her face. She knew this would happen, he realised. But A’viloh wasn’t the kind of person to blame her for what happened…

U‘khuba‘s twin sister had always been following the boys around even when they all had still been kids. She had been a brave and stubborn little girl, maybe a little mean sometimes but not more so than her brother. A‘viloh had always thought she was following them because of Khuba - twins being inseparable or something. Never had he imagined the reason would be Laqa instead.

Of course he could have guessed it. Everyone loved Laqa! Apparently Khaya wasn’t an exception in this matter.

That evening - before the argument - A‘viloh had waited for quite some while by the pond. They had always used to hide there when they still had been kids, every time the other boys had stirred trouble or teased the girls.

By now it was one of the spots Laqa and him sometimes used as meeting points when they sneaked out of the settlement together. But today the other Miqo’te had arrived so late, A‘viloh had already started to wonder if something had happened.

“There you are!”, Aviloh said relieved as Laqa finally appeared just when he was about to go searching for him. “I was already worried. Did something happen?”

The blonde Miqo’te made an annoyed face. “Just Khaya happened…”

A’viloh didn’t understand. “Khaya? What’s wrong with her?”

“Everything apparently!”, Laqa exclaimed disgruntled, which made A‘viloh even more confused.

Laqa sighed.

“She waylaid me on my way outside.”, he explained but couldn’t help to look a little angry still. “Started talking some nonsense about how impressed she was about the quarry from our last hunt and how it is a shame that it isn’t me leading the tribe instead of father.”

A’viloh furrowed his brows, still not quite connecting the dots. Laqa grimaced. “Then she threw herself at me and tried to kiss me.”

“She what?”, A‘viloh exclaimed a little louder than intended, with a mix of shock and disbelief on his face.

Laqa raised his hands in a calming manner. “Don’t worry! I of course told her that I am not interested. Like I ever would be anyway! We may be almost the same age but she is still my mother’s sister. What was she even thinking, Vi?”

A‘vi shrugged but couldn’t help to remember something one of Laqa’s sisters had once told him. “Lamana mentioned that Khaya didn’t agree with some of U‘odh‘s opinions. She thought her and Khuba were still mad with him because of their father…”

“That makes no sense! They have no reason for that! It’s not like father threw them all out!”, Laqa said annoyed. “Alone because of mom he wouldn’t have! Anyway, grandpa had been old already, if not father then someone else would sooner or later have challenged him. All of them were always treated equally. Why would they be mad?”

A’viloh gave another shrug and smiled weakly. “Maybe it’s none of that and she really just is a little in love with you… I can’t blame her…”

Laqa lightly glared at him, as if he wanted to say “this isn’t funny”, but couldn’t help to grin himself.

“It’s still absurd!”, he said while shaking his head.

“You think?”, A‘viloh asked and chuckled. “I wouldn’t be surprised if half the village was secretly in love with you.”

Laqa made a sound somewhere between an annoyed huff and a suppressed laugh. Then he stretched out a hand for A‘viloh to take. As A‘viloh did so Laqa pulled him closer and wrapped his arms around him. “Too bad for them that the only one I will ever love is you.”

All too willingly - too carelessly! - A��viloh melted into the other Miqo’te’s embrace. Laqa saying things like this never failed to give him a warm and fuzzy feeling. Just as much as Laqa kissing him always made his heart skip a beat and his mind go silent.

Gently A‘viloh wrapped his arms around the taller Miqo’te’s neck, like an invitation to pull him even closer and deepen their kiss, when suddenly a sound appeared nearby. Their ears, currently slightly drooped, attentively shot up and both Miqo’te instinctively turned to see where the unexpected sound had come from.

Without doubt, there by one of the larger rocks nearby, eyes wide and mouth agape in disbelief, stood a Miqo’te girl with dark hair and bright blue eyes.

Khaya!

This was the exact moment A‘viloh knew he was in trouble.

“Khaya…”, Laqa was the first one to find his voice again. He sounded almost as if he wanted to reassure a shy animal, but it only made the girl unfreeze, whirl around and run away. “No! Khaya, wait!”, Laqa called and ran after her. He probably wanted to explain, wanted to beg her to stay silent, but A‘viloh knew it was too late already.

With his heart hammering against his chest and his thoughts racing he stood there and just watched them go. For a second he wondered what he should do now. But he had nowhere else to go, probably no one else who would defend him apart from Laqa. So slowly he followed back to the settlement, wishing he could just vanish into thin air.

***

“Tell me this isn’t the thruth.”, U‘odh demanded from his son. His voice was still relatively calm but there already was a tone in it, a kind of threatening sound that also reflected on his face.

For a moment the thought crossed A’viloh’s mind, that Laqa could simply have lied. That he simply could have denied everything. Maybe, just maybe, his father would have believed him.

But that wasn’t like Laqa.

“It’s true!”, Laqa admitted and turned his face a little bit to look at A‘viloh, who so far had stood a few steps behind him, trying to stay out of U’odh’s attention. “A‘vi and I are a couple.”

A murmur went through the crowd and somehow even A‘viloh felt surprised to hear him say this so bluntly for everyone to hear. U‘odh laughed, but it lacked any humor. A’viloh already looked very uncomfortable but when the nunh’s sharp eyes landed on him, he almost flinched away and cast his eyes down to the ground.

“That weak little welp?!”, U’odh spat out, speaking to his son but still looking and pointing at A’viloh. “What do you want with him?! He’s good for nothing!”

A’viloh had never quite understood this either. There were so many better people than him and still Laqa had chosen him instead. Carefully A‘viloh glimpsed up at Laqa and could see his whole body tense up against the nunh’s insulting words. Stubbornly Laqa stared into his father’s eyes and growled.

“Don’t you dare to speak of him like that! I don’t care if he can fight or not, he is kind and wonderful and I love him!”

But U‘odh simply shook his head and laughed condescendingly.

“Love?! Don’t be foolish now… you know nothing about love.”

That had been too much for Laqa.

Usually no one dared to speak up against U‘odh no matter how harsh his words sometimes were. But Laqa, in a way just like his father and in another just like his mother, never had known how to back down. The anger about the situation and also about his father didn’t help, so his next words sounded especially blunt and sharp, more so than he probably truly thought.

“More than you! You wouldn’t recognise love if it stood right in front of you! Because you are just a bitter resentful man who doesn’t know how to love!”

Shocked gasps sounded from the crowd and everybody stared at either Laqa or his father, waiting for a reaction. For a few long seconds both remained silent. But while Laqa just stared at the older Miqo’te with a stubborn, unyielding face, the nunh‘s face changed slowly but entirely. All the mockery faded from his face and instead his expression turned to an angry snarl.

A‘viloh knew he would only end up in the crossfire but if he didn’t do something now, they would certainly fight and that was the last thing any of them could want. He didn’t really know what to say but scraped up all his bravery and stepped forward a bit. Trying to divert their attention from each other he spoke up, still quiet but clearly audible against this deadly silence.

“Please stop, I don’t —“

But U’odh wasn’t going to listen to whatever he had to say. Furiously he whirled towards him and stepped closer with wild rage in his eyes.

“No one allowed YOU to speak, you pathetic little weakling! Get out of my sight, you are none of my kin and I never want to see your whiny face again! You are nothing but a parasite and I have suffered your presence here for long enough! Begone! You are no longer welcome here!”

Of course. A‘viloh had expected this but it still hurt to hear these words out loud. He tried not to cry but already looked quite miserable already, even without tears. U’odh however wasn’t done with him yet.

“Oh, how I regret the day I allowed you to stay here! I wish you had just died with the rest of your miserable family!”, the nunh hissed and looked as if he was about to attack A‘viloh with more than just hurtful words.

With tears in his eyes A‘viloh shivered in fear and flinched away. He had never seen U’odh so furious before. But before the man could loose his self-control entirely and really tried to strike at him, Laqa stepped between them and protectively wrapped his arms around A‘viloh.

Instantly everything went silent again. Everyone seemed shocked by what had happened or what U’odh had just said. Even the nunh himself seemed stunned when he saw his son’s disgusted face, staring at him. But U‘odh was not the kind of man to give in or admit his failures. Instead he quietly but sharply said, “Don’t look at me so. My word is final. He is none of our family and I want him gone by tomorrow.”

With a strange mixture of defiance and sadness Laqa looked at his father for a moment, before he spoke.

“In that case I don’t consider you my family any longer either. A place where A‘vi isn’t welcome I cannot call my home. If you send him away, I will go with him!”

Briefly a shadow crossed his face but then U’odh looked entirely unfazed again.

“Where would you even go?”, he asked and shook his head dismissively.

“Anywhere but here...”, Laqa replied coldly and turned to A’viloh. “Let’s go and pack our things.”

All of this had happened so suddenly A’viloh still could not quite believe it. No matter what U’odh had said, for him this place was still his home and the people here the closest thing he had to a family. He didn’t want to leave.

“What? Now?”, he asked and pleadingly looked to Laqa, hoping that there was some way to make everything right after all.

“Yes! I’m sure we can stay with the Flames for one night and tomorrow morning we leave.”

His decision seemed to be final, just as U’odh’s. What was A’viloh supposed to do against that?

Laqa made a point of taking A‘viloh’s hand so everyone could see it and knew to whom his loyalty belonged. Slowly he let his gaze wander over the crowd of curious faces giving them one last chance to speak up but they all remained silent.

With a last disappointed look at his father he turned around and walked away, unconcerned that they all stared at them as they left.

[hxhhasmysoul]

Gender presentation of JJK female cast

This post contains spoilers for events in the JJK manga that happen after season 2 of the anime.

Part 1 - presentation

The first part of this post is going to be about how I perceive the gender presentation of most JJK female cast - aka the characters I’m fairly confident the author wants the audience perceive as women. 

There are a few caveats I need to make up front.

First of all I will be using adjectives like feminine and female, masculine and male to describe the gender presentation of characters. 

These categories stem from the cultural concept of a gender binary correlated with a biological sex binary that exists in many contemporary societies in one form or another. Concept because neither biological sex nor gender is binary. And this concept is very closely linked to traditionalist thinking, patriarchy, misogyny, right wing ideologies (including radfem ideologies) and fundamentalist religion and is reinforced by capitalism. All these forces have a vested interest in building up masculinity and femininity in opposition to one another and drawing a very clear distinction between them.

Of course as such these categories’ve been tackled by feminism, queer theory and general leftism, reinvented, reclaimed, etc. 

And like pointing out the origin of masculine and feminine is not me trying to judgemental about them. It’s to explain that when I’m using them here, I’m using them in reference to their origins, to what I believe a right wing person would consider feminine or masculine. It will become clear why later. 

The second caveat is that my perception on what would read more feminine and what more masculine is very subjective and deeply rooted in my own culture, my own experiences with gender and also what I’ve seen from other cultures over the years. And some of you looking at my categorisations below will think: nah, I don’t read that like that at all. I hope you will still understand my points even if you’d put some of the characters in different groups. 

The third caveat is that I’ve included most of the characters but not all of them, not even all of the ones the tier maker offered. I skipped them because I considered them too background to feature, like looking at them I couldn’t recall anything about their personality or anything like that. 

The last caveat is that by presentation I mean outer appearance (clothes, hair style, accessories) mixed with how the characters carry themselves and their mannerism. So like the overall visual vibe. 

_

I used the tier maker website but this is obviously not a tier thing but I just found this tool easy to organise the characters, it had most of the characters I wanted to use, and it was easy to upload the one I felt was missing. 

Since this is an organising effort, I actually put blank lines into it to separate the groups: masculine, mixed and feminine. 

_

And just one look at it shows how the vast majority of the women in JJK neatly fit into the feminine side of the presentation spectrum. 

So I divided it further. Here is my thought process behind it, and I know it may sound a bit weird. 

First of all, I separated classical feminine presentations from contemporary ones. 

The classical ones are for me ones that even rather conservative right wing people wouldn’t consider unfeminine, or not feminine enough. Even if they could consider some of the presentations sexually aggressive. 

The contemporary ones are those where some right wing dipshits would be like: she’s not trying enough to be appealing to my very narrow view of what a proper woman looks like.

The second distinction is between deliberate and casual. So whether there are grounds in the text of JJK to believe so or whether I get the overall vibe from the character that she’s putting thought into the femininity of her presentation or whether it just feels that she just leans that way and doesn’t consider the reasons for that. 

So the deliberate contemporaries all sometimes assume female associated poses and mannerisms at will and they are doing it consciously. And they seem to have an attitude towards their gender.

But they do not weaponise it like the deliberate classicals. Only Takada doesn’t do it for evil, she just does it for her career. The other four are very aggressive in their use of it. Mei Mei uses it to seduce her baby brother. Remi and Ogami to lure men to their deaths. Tsubasa to get her classmates to bully Junpei. 

I don’t want to say that it’s conscious on Gege’s part, that the cursed cat put this much thought into it. But it feels in line with how this classic femininity is seen as a tool by the right wing men. A tool they want to use but also fear because they feel weak to it. 

In this framing the deliberate contemporary would be not appealing enough to right wing men. It’s more a presentation that feels targeted to appeal towards centre left women. 

The casual classical presentation is probably the most desired by the traditionalist crowd. Women just falling in line but not trying to wield it.

But to people who are not into policing how others look and don’t follow right wing influencers, both casual looks classical and contemporary will likely register as neutral. 

I put three characters into the feminine but not sure how category. Uro has her jewellery and her body language slants feminine for me but she’s naked and I’m not sure how to read that. I also put there Sasaki and Nitta because we only see Sasaki in her school uniform and Nitta in her work clothes and after some thought I decided that I don’t want to make a decision without seeing their casual outfits, because I didn’t feel like they gave me enough of a clear vibe, unlike Mimiko, Nanako or Riko. 

_

Now to the three in the masculine presentation category, or at least leaning masculine.

Yuki often vibes masculine clothes-wise and posture but it’s not 100%. She has feminine outfits, she strikes feminine poses sometimes. For me she’s very “however I felt that day” gender presentation wise.

Miwa is fascinating. I searched for JJK wifu rankings (I took mental hits for this post, okay) and Miwa is in all of them, even the short, like 5 character ones. I haven’t seen her top any of them but she’s usually high. Miwa’s uniform is a suit, shirt and tie. I had a conversation about this with cursedvibes and he said that in a professional setting it doesn’t strike him as a masculine outfit, especially that the suit is cut for a female silhouette. But culturally, where I live, because she’s not wearing a blouse under the jacket, it would read masculine to a lot of people. It only shows how culturally loaded this all is. And then he found me a drawing of Miwa in casual clothing and it’s this:  

Yeah, her outfits are on the masc side but she feels so girly. I love her so much. 

Tengen will look masculine in a gown:

And she’s shown wearing suits with a masculine cut. Amazing.

______________________________________

Part 2 - Maki and Mai

So what prompted me to even think about the presentation of the female characters was this garbage post. 

It seems to have been deleted so I cropped the author’s name and icon out. Idk why the author did that but maybe they don’t hold these opinions anymore. Maybe someone pointed out to them that that vague about Maki is deeply misogynist and lesbophobic. And since they were trying to perform a feminism with this post, they just deleted it because it wasn’t a good look.  They could’ve just deleted that Maki vague, the rest of the post is inoffensive. 

Maybe they actually looked at the manga and realised that fuck, they are wrong about what’s in there. 

That Maki vague is very unpleasant to me on a few levels.

Before Jougo burns Maki, she usually wears skirts. She has a girly hair style. She wears the cutesy leg warmers. Maki pre burns actually tops several of the wifu lists I’ve looked at! Her appearance is read as girly and desirable by what I assume are straight male western anime fans who make these lists. 

So to associate Maki so strongly with masculinity you need to buy into the bullshit that personality traits are gendered. Or that having certain ambitions, desires or priorities is reserved for either men or women. 

That Maki’s ambition and/or lack of nurturing traits and/or her harsh bully personality make her by default masculine. While also pretending that Mai isn’t a harsh bully. 

Even after the burns her outfit is not masculine. 

It really accentuates her curves, it’s tight, it has the decorative belt and cape. Look how she poses in it. Cursedvibes said that he gets a superhero vibe from it and he’s absolutely right. Yorozu’s outfit has a similar vibe, and so do some of Yuki’s outfits.

But it also accentuates Maki’s arms. And she has amazing arms. 

Her pre burns outfits don’t expose her muscles so much. Her fighting style doesn’t really emanate with that much strength. 

The above post alludes to the moment of Mai’s death. The first time when Maki is wearing trousers while Mai is in a skirt in the same scene. It’s after Maki was disfigured, has shorter hair. Is in an outfit that accentuates her athleticism. 

Professional female athletes get their femininity questioned all the time, they try to perform femininity during competitions with makeup, hairstyles, sometimes their outfits to counteract that. Things that male athletes don’t have to do. 

And even though Maki’s outfit isn’t really masculine, it’s not as strongly feminine as her skirts because it doesn’t hide the physical strength in a palatable package. So there is some change in presentation but it’s not an obvious jump from full femininity to full masculinity. 

Also scarring is something women tend to hide more than men. Scarring is culturally charged considered a blemish and any form of deviating from the norm, clear and unblemished skin, carries the possibility of ridicule. But society puts extra pressure on the appearance of women. Naoya even attacks Maki’s post burns appearance directly. 

And this is the last level why that vague is unpleasant specifically in the context of Maki. Her family constantly challenged her value as a person. Tied a lot of their bullying to her not being enough. Not human enough because she had no cursed energy. And the only sliver of value they awarded to her was her attractiveness as a woman. Sliver because they despised her for not falling into the role of a meek, invisible woman, the servant to the heir. 

Yet neither she nor Mai seem to have ever rejected their femininity. Maki’s rebellion didn’t go into her gender or gender presentation. And it easily could’ve. With the trauma she has it wouldn’t be strange if she had a complicated relationship with her own gender. But she doesn’t seem to and that’s also okay. And this isn’t a criticism at creators of fan art or fic that depict Maki as more butch, that include considerations of gender and gender presentation into her trauma or rebellion against the Zenin. This is specifically an issue with these kinds of takes that wear the guise of interpreting the actual text of JJK. 

This is why I’ve been talking about how one needs to be careful when critiquing JJK from a feminist point of view. This is just the latest post I’ve seen where the author in their attempt to paint Gege as doing a supposed misogyny, did an actual misogyny themself. Here’s another one I actually responded to. 

One of my fandom friends, Subdee, has always talked about how radfems and right wing fundamentalists are astroturfing the fandom, how many people who pursue their fandom hobbies on social media get exposed to radfem ideology masqueraded as progressive feminism or queer theory. And if these people don’t have a solid foundation when it comes to these issues they will internalise the rainbow puritanism and radfem ideology. While they also usually get dragged into these ideas that fandom is activism, that you have to present a certain ideological purity through fandom not to be a bad person. That you have to be “critical” of what you “consume” and actively seek out the problematic aspects of the works and condemn them.

And it is very clear in both the post about Maki and the one about Nobara. The desire to be “critical” and the deeply rightwing radfem ideology. Because to think that Maki is masculine and Nobara is unfeminine you have to believe in such a painfully narrow idea of what femininity can be, an idea that you could hear espoused by a far right influencer. 

The Maki post actually went further than that. It hints upon other radfem ideas of any proximity to masculinity giving the person automatic privilege (aka butches have male privilege bullshit). But even if we imagined an alternative universe version of JJK which had grounds to link Maki to masculinity strongly enough for it to match Sukuna’s very obvious and aggressive traditional masculinity, there’s another radfem red flag in that post. The implication that a feminine person doing something for a masculine person is inherently an act of being exploited. Regardless of the circumstances of the situation, because the Maki/Mai situation is not even remotely similar to the Sukuna/Yorozu situation if you actually give it a few seconds of thought. The idea of femininity always being the victim of masculinity is one that inherently means that feminine people are weak, helpless and can’t make their own decisions, it strips them of any agency. It undercuts and disrespects both what Mai and Yorozu did. 

_____________

post script.

I recommend the interview that Gege did together with Kubo, the creator of Bleach. There's some interesting stuff in the about how for instance someone from the industry views Gege's female cast.

(Side note, one wifu list included guys and Gojou and Megumi were higher than Yuuji! Can you believe that? He’s the only proper wifu out of the 3 of them. Disgraceful, that’s why straight people shouldn’t have the right to vote on anything, even anime wifus)

[dootznbootz]

This may sound silly but there's something just soft about friends sending silly memes or vids or whatever to me.

Like whether or not you're a pretty good conversationalist, there's something so soft about "hey, this made me think of you" or even a silly "...Hey, I wanna chatter again."

[spiderrcakezzz]

Must be nice to be an adult right abt now,,... . (/hj /hj)

(this is abt Sparklecare Btw)

[steakout-05]

something that had always been really frustrating for me when i was still in math classes in school was trying to watch the teacher actually work the problem out on the board and still not understanding wtf was happening. for some context, i heavily suspect that i have some form of dyscalculia because math and numbers literally do not compute properly in my brain. it'd be too long to explain the full extent of my possible dyscalculia here but math literally does the mental equivalent of maxing out the CPU power and memory of a computer to the point where it freezes and lags to my brain.

math class was always stressful for me because no matter what i did and how much progress i made, there was always a lack of understanding i had when it came to trying to work any math problem out long term and remembering anything. it felt like there was always something i was missing, so when the time came for the teacher to explain and go through a math problem step-by-step on the whiteboard, i made sure i paid as much attention to it as humanly possible as child-to-teenager me could muster and even then i still did not understand how the fuck they solved it, all because of one thing: the teacher pulling a random number completely out of their ass that happened to be the key to solving the problem.

like. i don't think i can illustrate how frustrating and isolating this was to experience with words alone. here i was, paying as much attention as i physically could, trying my damned hardest to memorise each individual step and calculation in order to understand how to get from point A to point B. everything made perfect sense up until the teacher suddenly stops for a second and writes a seemingly completely unrelated number there with no context as to why it's there in the first place, and then, in that singular moment, everything immediately comes crumbling down and i'm left completely confused. and somehow, everyone else around me perfectly understands it except me. like. imagine sitting there, giving the teacher all the attention you possibly could, literally watching and studying their hand movements just to understand every single step, only to be even more confused than your classmates, who you're pretty sure were half-asleep during the explanation, who also say they understand how the teacher came to that conclusion. what. the actual fuck.

when i try to explain how infinitely confusing and irritating this was for me, i'm reminded of a quote from that video Patricia Taxxon made about DHMIS: "The rug is pulled again ... There was never any hope of following the thread, understanding is impossible.". even when i was literally trying my best to possibly follow anything that was happening, the rug still gets pulled out from under my feet and i'm sent all the way back to square one of not understanding a single thing and being confused again. all because the teacher didn't explicitly explain how they got that random number that was apparently singlehandedly necessary for solving the equation and where they got it from, apart from that place being from literally fucking nowhere.

it's really no wonder that i eventually stopped giving a shit about paying attention in math class, because even when i was, it was still daunting and incomprehensible as always. why bother trying anymore when trying still gets you nowhere? trying to ask the teacher where they got that number from was an impossible to understand task as well, as their either snapped back with a "well you should have been paying attention" (even though i WAS but whatever) or they do explain that they added the first two numbers from the equation together or something, but now i'm wondering why they didn't just explain that in the first place like they did with everything else instead of seemingly just assuming everyone would know to do that.

by the way, if i had to give an estimate, my math ability is probably still at like. a 5th grader's level at best. so uh. yeah it's not good. still, it is kinda funny to me though, not only because i do find a bit of humour in the situation, but also because some people are often so quick to judge someone's intelligence purely based on their mathematical abilities alone. like. the idea of someone calling me dumb for still needing to do addition with my fingers despite the fact that my reading and language levels are considered above average is really funny to me lmaooo

[doubleedgemode]

I wanted to go on a drawing spree yesterday, but I could only muster these two before dozing off.

First one, even if I'm not that sure about how I drew her face shape in this angle (and most importantly I forgot her neck and torso bandages OOPS) I do really like how most of the drawing came out. And at least it isn't a bland bust this time, though I'm pretty sure I've already drawn a pose like this before. (Oh no the next drawing is a 3/4 bust again..)

Second, yesterday I saw an artist draw some of the coolest redesigns ever for a different media piece, and thought about the many awesome gg redesigns I often see so I wanted to give A.B.A a spin... Except I was out of ideas so most of this drawing is her regular design haha. I got too tired to even try to attempt to draw the rest of the body and half-assed the key but I like the vibes and pose (even if I.. think I made her neck a bit too long? Old habits die hard... Necks are my enemies when drawing!)

I like the idea of her having a key take on the classic frankenstein bolts (though wait, her head key is referred to as a screw. Would this also be a screw or key shaped bolts??-)