#especially in the first part

[hxhhasmysoul]

Gender presentation of JJK female cast

This post contains spoilers for events in the JJK manga that happen after season 2 of the anime.

Part 1 - presentation

The first part of this post is going to be about how I perceive the gender presentation of most JJK female cast - aka the characters I’m fairly confident the author wants the audience perceive as women. 

There are a few caveats I need to make up front.

First of all I will be using adjectives like feminine and female, masculine and male to describe the gender presentation of characters. 

These categories stem from the cultural concept of a gender binary correlated with a biological sex binary that exists in many contemporary societies in one form or another. Concept because neither biological sex nor gender is binary. And this concept is very closely linked to traditionalist thinking, patriarchy, misogyny, right wing ideologies (including radfem ideologies) and fundamentalist religion and is reinforced by capitalism. All these forces have a vested interest in building up masculinity and femininity in opposition to one another and drawing a very clear distinction between them.

Of course as such these categories’ve been tackled by feminism, queer theory and general leftism, reinvented, reclaimed, etc. 

And like pointing out the origin of masculine and feminine is not me trying to judgemental about them. It’s to explain that when I’m using them here, I’m using them in reference to their origins, to what I believe a right wing person would consider feminine or masculine. It will become clear why later. 

The second caveat is that my perception on what would read more feminine and what more masculine is very subjective and deeply rooted in my own culture, my own experiences with gender and also what I’ve seen from other cultures over the years. And some of you looking at my categorisations below will think: nah, I don’t read that like that at all. I hope you will still understand my points even if you’d put some of the characters in different groups. 

The third caveat is that I’ve included most of the characters but not all of them, not even all of the ones the tier maker offered. I skipped them because I considered them too background to feature, like looking at them I couldn’t recall anything about their personality or anything like that. 

The last caveat is that by presentation I mean outer appearance (clothes, hair style, accessories) mixed with how the characters carry themselves and their mannerism. So like the overall visual vibe. 

_

I used the tier maker website but this is obviously not a tier thing but I just found this tool easy to organise the characters, it had most of the characters I wanted to use, and it was easy to upload the one I felt was missing. 

Since this is an organising effort, I actually put blank lines into it to separate the groups: masculine, mixed and feminine. 

_

And just one look at it shows how the vast majority of the women in JJK neatly fit into the feminine side of the presentation spectrum. 

So I divided it further. Here is my thought process behind it, and I know it may sound a bit weird. 

First of all, I separated classical feminine presentations from contemporary ones. 

The classical ones are for me ones that even rather conservative right wing people wouldn’t consider unfeminine, or not feminine enough. Even if they could consider some of the presentations sexually aggressive. 

The contemporary ones are those where some right wing dipshits would be like: she’s not trying enough to be appealing to my very narrow view of what a proper woman looks like.

The second distinction is between deliberate and casual. So whether there are grounds in the text of JJK to believe so or whether I get the overall vibe from the character that she’s putting thought into the femininity of her presentation or whether it just feels that she just leans that way and doesn’t consider the reasons for that. 

So the deliberate contemporaries all sometimes assume female associated poses and mannerisms at will and they are doing it consciously. And they seem to have an attitude towards their gender.

But they do not weaponise it like the deliberate classicals. Only Takada doesn’t do it for evil, she just does it for her career. The other four are very aggressive in their use of it. Mei Mei uses it to seduce her baby brother. Remi and Ogami to lure men to their deaths. Tsubasa to get her classmates to bully Junpei. 

I don’t want to say that it’s conscious on Gege’s part, that the cursed cat put this much thought into it. But it feels in line with how this classic femininity is seen as a tool by the right wing men. A tool they want to use but also fear because they feel weak to it. 

In this framing the deliberate contemporary would be not appealing enough to right wing men. It’s more a presentation that feels targeted to appeal towards centre left women. 

The casual classical presentation is probably the most desired by the traditionalist crowd. Women just falling in line but not trying to wield it.

But to people who are not into policing how others look and don’t follow right wing influencers, both casual looks classical and contemporary will likely register as neutral. 

I put three characters into the feminine but not sure how category. Uro has her jewellery and her body language slants feminine for me but she’s naked and I’m not sure how to read that. I also put there Sasaki and Nitta because we only see Sasaki in her school uniform and Nitta in her work clothes and after some thought I decided that I don’t want to make a decision without seeing their casual outfits, because I didn’t feel like they gave me enough of a clear vibe, unlike Mimiko, Nanako or Riko. 

_

Now to the three in the masculine presentation category, or at least leaning masculine.

Yuki often vibes masculine clothes-wise and posture but it’s not 100%. She has feminine outfits, she strikes feminine poses sometimes. For me she’s very “however I felt that day” gender presentation wise.

Miwa is fascinating. I searched for JJK wifu rankings (I took mental hits for this post, okay) and Miwa is in all of them, even the short, like 5 character ones. I haven’t seen her top any of them but she’s usually high. Miwa’s uniform is a suit, shirt and tie. I had a conversation about this with cursedvibes and he said that in a professional setting it doesn’t strike him as a masculine outfit, especially that the suit is cut for a female silhouette. But culturally, where I live, because she’s not wearing a blouse under the jacket, it would read masculine to a lot of people. It only shows how culturally loaded this all is. And then he found me a drawing of Miwa in casual clothing and it’s this:  

Yeah, her outfits are on the masc side but she feels so girly. I love her so much. 

Tengen will look masculine in a gown:

And she’s shown wearing suits with a masculine cut. Amazing.

______________________________________

Part 2 - Maki and Mai

So what prompted me to even think about the presentation of the female characters was this garbage post. 

It seems to have been deleted so I cropped the author’s name and icon out. Idk why the author did that but maybe they don’t hold these opinions anymore. Maybe someone pointed out to them that that vague about Maki is deeply misogynist and lesbophobic. And since they were trying to perform a feminism with this post, they just deleted it because it wasn’t a good look.  They could’ve just deleted that Maki vague, the rest of the post is inoffensive. 

Maybe they actually looked at the manga and realised that fuck, they are wrong about what’s in there. 

That Maki vague is very unpleasant to me on a few levels.

Before Jougo burns Maki, she usually wears skirts. She has a girly hair style. She wears the cutesy leg warmers. Maki pre burns actually tops several of the wifu lists I’ve looked at! Her appearance is read as girly and desirable by what I assume are straight male western anime fans who make these lists. 

So to associate Maki so strongly with masculinity you need to buy into the bullshit that personality traits are gendered. Or that having certain ambitions, desires or priorities is reserved for either men or women. 

That Maki’s ambition and/or lack of nurturing traits and/or her harsh bully personality make her by default masculine. While also pretending that Mai isn’t a harsh bully. 

Even after the burns her outfit is not masculine. 

It really accentuates her curves, it’s tight, it has the decorative belt and cape. Look how she poses in it. Cursedvibes said that he gets a superhero vibe from it and he’s absolutely right. Yorozu’s outfit has a similar vibe, and so do some of Yuki’s outfits.

But it also accentuates Maki’s arms. And she has amazing arms. 

Her pre burns outfits don’t expose her muscles so much. Her fighting style doesn’t really emanate with that much strength. 

The above post alludes to the moment of Mai’s death. The first time when Maki is wearing trousers while Mai is in a skirt in the same scene. It’s after Maki was disfigured, has shorter hair. Is in an outfit that accentuates her athleticism. 

Professional female athletes get their femininity questioned all the time, they try to perform femininity during competitions with makeup, hairstyles, sometimes their outfits to counteract that. Things that male athletes don’t have to do. 

And even though Maki’s outfit isn’t really masculine, it’s not as strongly feminine as her skirts because it doesn’t hide the physical strength in a palatable package. So there is some change in presentation but it’s not an obvious jump from full femininity to full masculinity. 

Also scarring is something women tend to hide more than men. Scarring is culturally charged considered a blemish and any form of deviating from the norm, clear and unblemished skin, carries the possibility of ridicule. But society puts extra pressure on the appearance of women. Naoya even attacks Maki’s post burns appearance directly. 

And this is the last level why that vague is unpleasant specifically in the context of Maki. Her family constantly challenged her value as a person. Tied a lot of their bullying to her not being enough. Not human enough because she had no cursed energy. And the only sliver of value they awarded to her was her attractiveness as a woman. Sliver because they despised her for not falling into the role of a meek, invisible woman, the servant to the heir. 

Yet neither she nor Mai seem to have ever rejected their femininity. Maki’s rebellion didn’t go into her gender or gender presentation. And it easily could’ve. With the trauma she has it wouldn’t be strange if she had a complicated relationship with her own gender. But she doesn’t seem to and that’s also okay. And this isn’t a criticism at creators of fan art or fic that depict Maki as more butch, that include considerations of gender and gender presentation into her trauma or rebellion against the Zenin. This is specifically an issue with these kinds of takes that wear the guise of interpreting the actual text of JJK. 

This is why I’ve been talking about how one needs to be careful when critiquing JJK from a feminist point of view. This is just the latest post I’ve seen where the author in their attempt to paint Gege as doing a supposed misogyny, did an actual misogyny themself. Here’s another one I actually responded to. 

One of my fandom friends, Subdee, has always talked about how radfems and right wing fundamentalists are astroturfing the fandom, how many people who pursue their fandom hobbies on social media get exposed to radfem ideology masqueraded as progressive feminism or queer theory. And if these people don’t have a solid foundation when it comes to these issues they will internalise the rainbow puritanism and radfem ideology. While they also usually get dragged into these ideas that fandom is activism, that you have to present a certain ideological purity through fandom not to be a bad person. That you have to be “critical” of what you “consume” and actively seek out the problematic aspects of the works and condemn them.

And it is very clear in both the post about Maki and the one about Nobara. The desire to be “critical” and the deeply rightwing radfem ideology. Because to think that Maki is masculine and Nobara is unfeminine you have to believe in such a painfully narrow idea of what femininity can be, an idea that you could hear espoused by a far right influencer. 

The Maki post actually went further than that. It hints upon other radfem ideas of any proximity to masculinity giving the person automatic privilege (aka butches have male privilege bullshit). But even if we imagined an alternative universe version of JJK which had grounds to link Maki to masculinity strongly enough for it to match Sukuna’s very obvious and aggressive traditional masculinity, there’s another radfem red flag in that post. The implication that a feminine person doing something for a masculine person is inherently an act of being exploited. Regardless of the circumstances of the situation, because the Maki/Mai situation is not even remotely similar to the Sukuna/Yorozu situation if you actually give it a few seconds of thought. The idea of femininity always being the victim of masculinity is one that inherently means that feminine people are weak, helpless and can’t make their own decisions, it strips them of any agency. It undercuts and disrespects both what Mai and Yorozu did. 

_____________

post script.

I recommend the interview that Gege did together with Kubo, the creator of Bleach. There's some interesting stuff in the about how for instance someone from the industry views Gege's female cast.

(Side note, one wifu list included guys and Gojou and Megumi were higher than Yuuji! Can you believe that? He’s the only proper wifu out of the 3 of them. Disgraceful, that’s why straight people shouldn’t have the right to vote on anything, even anime wifus)

[thesunshinebard]

Already knowing the twist, I want to know if this was talked about beforehand or if Kunikida just wanted to roundhouse kick his co worker

[bixels]

Baffled.

[plesiosaurys]

getting emotional over footage of an amateur scuba diver interacting with a coelacanth. they are hunted by large deepwater predators, and here comes a large creature bearing the brightest lights it's ever seen, making strange noises, but it does not shy away. it hovers, calmly, as the diver reaches out and trails a hand down its back. im strongly against the anthropomorphizing of real life animals but the stupid emotional part of me loudly insists this is because it recognizes us, the alternating movements of its four paired limbs matching the diver's four paired limbs, & it is thinking, "hello, cousins, we missed you these 66 million years, it's so good to see you again. welcome back, welcome home."

[knightofleo]

Angela Orosco Silent Hill 2

[ruporas]

captain's warm hugs! (id in alt)

[abovobee]

[ffcrazy15]

Someone needs to do an analysis on the way the Kung Fu Panda movies use old-fashioned vs. modern language ("Panda we meet at last"/"Hey how's it going") and old-fashioned vs. modern settings (forbidden-city-esque palaces/modern-ish Chinese restaurant) to indicate class differences in their characters, and how those class differences create underlying tensions and misunderstandings.

[egophiliac]

the lovers, reversed

(aka I'm still freaking out about Jou)

[puppetmaster13u]

Prompt 301

Ellie, during one of her stints of what do I do with my life right now, decides to, with the help of her Original Dad-Person (Look he’s aging and she’s not and it gets less questions the older he gets if he says daughter instead of sister with how the Fentons are getting older too) creates a Boo-Tube channel. No, not a Youtube channel, those are stuck to a single dimension.

Bootube on the other hand? Due to being through the Realms (and wow is Tucker getting so much income from creating it) is interdimensional. Which is so cool honestly. And she doesn’t know what to do at first, and honestly there’s already so many travel blogs that she kind of just… decided to do something that she wished someone had done for her and her brothers and Danny when she was new to the world. 

So she creates the channel CAAW: Clone Awareness, Accommodations, and Welfare. They had to learn things through trial and error, but maybe she can help someone out there learn how to find their own selves, or even help someone not melt. 

[dunmeshistash]

Racial Distribution world map

Map based on the population majorities living in the Dungeon Meshi World

Map from this pixiv post and was created based on the "Areas with the largest populations" mini maps from the adventurer's Bible.

Legend Translation by @heattth Thank you!

Mini maps and addional map under the cut.

Adventurer's Bible mini maps

Religious Distribution (non Canon)

This map shows the religious distribution on the world map, but I'm not sure what its based on. I believe it's a headcanon.

edit: checked with some friends and indeed the (妄想) at the description of the pixiv post indicates this one isn't canon

[nyancrimew]

Do you go by it/its exclusively now? Do you want your wikipedia page to be updated?

the wikipedia article is partially edit protected because people keep trying to edit the pronouns in it without checking either the talk page, the page history or at the very least the linked references on the footnote regarding my pronouns. i have to tell people on here not to edit the pronouns in the article almost every single month and half the time someone sees me asking not to go change them as some sort of challenge and immediately goes to edit the article. please just don't.

[turtleblogatlast]

Imo the most impressive thing Leo’s done is hold this pose for as long as he did while covered head to toe in gold paint:

[nobaras-resonance]

gojo and nanami's banter in the Resurrection Doll chapter of Jujutsu Kaisen: Summer of Ashes, Autumn of Dust is pure gold

[asfodeltide]

Self-portraits

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.