#I’m getting used to tumblr culture even though I’ve been here for like what? three years now? it’s still hard :’)

[totsfunkygroovynuggets]

HELLO

I’ve done a thing and I’m trying to push the button to post it.

Im cleaning up an old animatic and thought I’d play with the sketches like rag dolls. They are lil babies here, not actual toddlers, idk, like 7? 6? I don’t know I haven’t seen a kid in so long. But the animatic won’t be about well, Snufmin. But it will be cute. (And this ain’t leaving Tumblr I’m too scared)

[vengeful-n-vicious-child-of-zeus]

First off, fuck you

second off, what the hell do you want?

third off, no touching. touch me and you fucking die. I’m not joking.

Name: Elektra Agêtôr and if you call me my last name I will murder you.

Age: Just turned 18

Pronouns: She/her, xey/xem

Birthday: December 17

Sexuality: Queer

Godly Parent: Lord of ass, bitch of the sky. None other than the bitch-ass Zeus himself.

Time Spent At Camp: I arrived close to my 15th birthday. So about three years

Weapons: Celestial bronze dagger with a one foot blade. Old and shitty celestial bronze bullet handgun. Look, if Annabeth offered Piper McLean one, I can have one too.

Backstory: Fuck off

Untouchable? Why?: My stupid ass bitch of a sperm donor decided to give me a necklace that will electrocute to death everyone I touch or everyone who touches me. I can only take it off during thunderstorms, and afterwards I have to put it back on or I suffer heightened electrical activity in my neurons until I get the necklace back on (it used to cause me seizures as a kid, but it doesn’t anymore).

Mortal humans and demigods cannot touch me when I’m wearing the necklace without dying or becoming severely and permanently injured. Gods and goddesses can touch me but it feels like touching a hot stove (or so I’ve heard). Animals can touch me sometimes, I don’t know if there’s a pattern to it or not or if Zeus just feels like being particularly dickish to animals sometimes.

So there’s your overview. You happy now? Good, now leave me the fuck alone, bitch.

Description: Biologically female. 5’11” but often wears boots to be taller. Pale skin. Slender body. Almost black eyes, but has tiny little lightning streaks in irises that increase in brightness during strong feelings. Naturally long wavy jet black hair, but hairstyle is currently in long dreadlocks. Many scars along arms, and one Lichtenberg Figure on her right shoulder, but wears long sleeves to cover them up. Immersed in goth culture with clothes and makeup following suit.

Powers:

(not that she ever uses them)

Zeus’s Authority: The most common power of hers to see, even though seeing any of her powers is a rarity. This is a commanding force that requires those around to listen and obey Elektra’s words. Elektra is a naturally very intimidating person, but this increases her scare factor by about ten fold. When using this power, Elektra’s speech will appear like this. (bolded and italic)

Lightning Summoning: A power Elektra has used very few times in her life, and certainly no one at camp has ever seen her use. No one there even knows she has it. The ability to summon strikes of lightning anywhere at will, or summon a bolt to her hand to use as a weapon.

Electricity Manipulation: Another power of xeirs that has been used only in times of great need, and never before at camp. Examples of this power would be being able to take electricity out of power lines or technology devices, and in extreme cases the manipulation of the electromagnetic fields in the body.

Wind Manipulation: A slightly more common power, but not often noticed or talked about. This grants the power of controlling the direction of the wind, and how fast or slow it goes. Elektra can also use the wind to lift her up of her feet, but has never really done so.

Electricity Creation: A power not even Elektra knows xey have, and therefore has never used it. Elektra can use the electricity within her own body to give off sparks and zaps of energy.

Taglist:

@this-lovely-universe @penelope-is-waiting @nobilis-of-norway @sophia-hunter-of-artemis @surprisingly-bitchy-up-here @lightning-prince-of-gods

Interact with Elektra to join her taglist —but beware, Elektra is not a fan of people.

hiya! I am @daonedaonlysk , formerly @daonedaonlyskh , and this blog used to be @vicious-daughter-of-zeus . My reason for saying that is my old account got yeeted into the void by tumblr. fun times

I don’t remember when the heart-shaped barbed wires dividers came from, or the picrew used to create the profile picture. I sincerely apologize, and if anyone knows who or where they came from please lmk so I can give proper credit!

the dotted black line dividers were created by @/animatedglittergraphics-n-more

the banner and the little three picture mood board were created by me on canva

in character tag: the cursed daughter of zeus ⚡️

ooc tag: mod speaks

<3

[irelandseyeonmythology]

Dia duit! Do you happen to know of any other blogs about Irish culture and language that aren't racist about it?

Dia is Muire Duit! 

Embarrassingly, I don’t interact with all that many other people who do this sort of thing, mainly for 3 reasons: 

(1) Professional distancing -- Small field, everyone knows each other, which means that if I find anyone or anyone finds me, there’s a not-small chance that we know one another IRL. There’s a reason my palms get a little sweaty when I think about new people coming into Tumblr, and a solid portion of that’s that I don’t want....too much attention on what I do here and, especially, not on my main. (Which I know is the equivalent of holding up a meat stick to a bunch of dogs and going “DO YOU WANT THE MEAT STICK?”) I can’t really vent about my department on main anymore simply because, even though names aren’t attached to things, it’s ridiculously easy to narrow me down if you know what to do. I don’t think I’m doing anything wrong, but there’s a difference between Me On Here VS Me in a Professional Context, and it’s been difficult to try to make that sort of...shift from being a shitposting teenager to suddenly being an Academic™. (But also, I don’t want people to think I’m unapproachable, either -- rule of thumb is “Mutually Assured Destruction.” You know I’m on Tumblr, I know you’re on Tumblr, and we both never mention it.)

(2) Wanting to distance myself a little from what I do Every Day -- Posting on here and interacting with people who are willing to seek me out on here is fine, I like that, I enjoy doing it, I enjoy everyone who follows me, but it’s much more on my terms here. (Hence the inconsistent posting schedule.) When I was younger, before this was my job, I could be around it constantly, and it was a lot of fun, but now it’s like....it’s a Lot, now that it’s my actual life. I check in on the Irish Mythology tag every once in a while, but I can’t really follow it like I used to just because it’s this constant state of *engagement* for me, in a way that, say, French musicals that three people in the world like don’t have. 

Brain tired, brain needs nappy. 

(3) I’ve seen some people on here, when I’ve looked into blogs to follow be....well. Bitches. Especially re: Americans taking this on and, as an American myself who is very serious about my line of work, it does. Rather sting. (I have a lot of complex opinions on the whole business that I won’t get into now, but the tldr is that I get why people can be hesitant, especially with the borderline fetishization of Ireland in the States but, at the same time, the effect is often scaring people who have a genuine interest in this sort of thing away and, when it comes to an endangered language....the more people we have taking the time to learn it, the better.) (But also, if you imply that my degree, which I got from an *Irish* uni is worthless, the claws will come out. I made a lot of sacrifices for that....glorious....piece of poster board in Latin.)

BUT. BUT. 

I do have a few. I want to emphasize that these aren’t all the Good People who do Irish Things on Tumblr, these are just the ones, off the top of my head, I can think of. 

@trans-cuchulainn Excellent resource on the Ulster Cycle, A+ shitposts

@finnlongman Another Ulster Cycle specialist 

@ad-ciu A former colleague and friend of mine, one of the only human beings in the world I trust with Mythological Cycle content. Not on as much these days because they’re doing things like “schoolwork” and “having a life” and “getting a PhD”, but genuinely a wonderful person to follow so you can catch when they do post. 

@amylouioc Wonderful artwork inspired by medieval Irish lit, explicitly anti-racist, multicultural Tuatha Dé, Nuada is a snacc. 

@forfeda-project Another A+ art blog, am considering getting their pub shirt for Fled Bricrenn to wear at conferences. 

@bloctg4 Shitposts in the Irish language, brought to you by Ireland’s own Irish-speaking TV station (or, rather, an intern at said TV station.)

Just want to emphasize -- I definitely don’t believe these are the only non-racist Irish themed blogs on Tumblr, these are just the ones that came to mind, especially since these days I’m the social media equivalent of a hag hanging out in a little cave, sometimes poking my head out to drop a shitpost before returning, shaking my head and muttering. 

[ashdumpsterpile]

I wanna talk about my fandom experiences on this site.

I joined tumblr somewhere around 2013-2014. I’d have been around 14-15 years old at the time. I had already been reading fanfiction for five years (I was 10 when I started I think) and had cycled through The Lion King 2, Harry Potter, Thor and Doctor Who, before landing on How To Train Your Dragon. I was reading a fic on fanfiction.net that linked the author’s tumblr bio in the A/N and that’s how I discovered tumblr.

I didn’t get an account for almost a year, but I would log on every day to see what my favorite author posted. She was 25+ (I think), married, and trying for kids. I believe by the time I moved on from HTTYD, she did end up having them. I would log onto anon almost every day to leave her messages on how much I loved her writing.

I’m not going to name who she is--even though she’s moved on from tumblr--but she made a huge impact on my life and influenced how I view fandom. She received a ton of anon hate, but handled it graciously. People came at her over the fact she was older, wrote adult content, wanted kids, had a few miscarriages, etc and she still was the most gracious person I ever observed.

Through her interactions with mutuals and other fandom blogs, I discovered other HTTYD blogs (still not naming any names, as most of them are still active). By this time I had moved onto the MLB fandom, which was just starting to get it’s roots.

After an awkward interaction with an author on AO3, where I begged for an update on a fic I loved and the author (rightfully) exploded on me, I went to a well-known HTTYD blog (a person who is 25+ btw) that I liked and respected and--on anon--asked what I had done wrong.

This person was well within their right to tear me apart, but this person kindly explained my error. I went back to the author on AO3 and apologized profusely. Three years later, when I was writing fic of my own and experienced younger readers treating me as I treated the one author, I remembered how kind the one tumblr account was to me.

This fandom blog that corrected my error and compassionately explained why I was in the wrong, is also someone who has received a lot of anon hate over the years. They’ve always pushed themselves forward, kept their inbox open, and continued to interact with those on anon. I have so much respect for them because they’ve put up with so much shit here, and still continue to be an active part of their fandom.

In the Doctor Who fandom, I followed a tumblr blog who not only was 30+ and with children, but who was an actual author (like I’ve purchased her shit from Barnes and Noble). She humored all of my asks, was kind in every interaction (anon and otherwise), and introduced me to new fandoms that I’m still a part of.

None of these people are even in the age bracket of 40+, but they are what you younger fandom goers view as “old people.” Recently, in my inbox, I’ve received a lot of hate for 40+ Tumblr blogs. I’ve also been “accused” of lying about my age and being 40+ myself because I “defend them so adamantly.”

My defense is strong because I was treated with kindness and compassion by older fandom members. I value them because they are good people. You don’t stop being interested in x fandom just because you have kids or turn 25, 30, 40 or have a career.

And FYI, these fandoms that you hate-anons are a part of-- the ones that you shame 40+ year olds for being in--are created by people who are 40+. Your content isn’t created by teenagers.

We should value older members in our fandom. They are the ones who have paved the way for us. They are the one’s running AO3. They are the ones running ComicCon. They are the ones graciously continuing to create content (for free!!) for you younger members.

Sadly, most of you won’t understand, or agree with me, until you hit a certain age and realize that you’re still interested in x fandom and you have kids/a career/etc. You’re going to find yourself in a position where you regret who you were as a teenager/young adult and how you treated those around you.

I was fortunate enough to be in a space where I was allowed to grow beyond my shortcomings and broaden my perspective. I only hope the rest of you will be able to do the same.

I hear you when you talk about p*dos on this site. I have zero interactions with these people. I have never met a p*do here. That’s a topic I don’t like to touch with a ten-foot-pole as someone who’s been a victim of such things IRL. Which is also none of your business btw, but I feel like is worth noting.

If there are any 40+ (or any age but that's the one the anons are so set on) p*dos on this site, then I’m 100% behind you on the fact that they’re creepy and don’t belong here. Let’s please remember to not generalize every person above a certain age as a p*do, however.

We are a community that should strive to protect and uplift each other, but it’s not my responsibility to protect minors on this site, it’s a courtesy for me to tag my shit as sensitive content, and I will not fall victim to purity culture as many others have.

If you are a minor interacting with my blog, you are not my responsibility and I would prefer not to interact if possible. However, if you come in good faith, onto anon, and start an interaction with me, I will strive to be like the older members on tumblr who were kind to me.

Let’s please continue to value what older fandom members have done for us. <3

[zsweber-studios]

To the critical fans of Critical Role,

With the announcement of Campaign 3′s premier and the three week approach of our return to Taldorei, I have seen hundreds of excited posts by Critters flood the tag here on Tumblr joyfully cheering for the new characters, new setting, new exciting experiences to enjoy. It’s a wonderful and heartwarming sight, though it has been tempered with some concerns--specifically due to the setting.

Campaign 3, as we are all well aware at this point, is taking place on the continent of Marquet, a place we’ve only been to a couple times in Campaign 1. The Marquet we saw then was heavily inspired by Middle-Eastern and South-Asian aesthetics, and as far as we know that region is still inspired by those cultures. It’s an interesting and brilliant piece of worldbuilding that I’ve been excited to dive deeper into since we were introduced to it.

And it seems I wasn’t alone in this--months before the end of Campaign 2, even, there were people filling the Critical Role tag with their predictions for Campaign 3, and most common amongst them was the speculation of a Marquet-based campaign. People were excited at the concept of returning to Marquet and really seeing it fleshed out, especially four years after the last time we saw it and with all the experience Matt has gained and grown into with worldbuilding. We were excited to see the unique characters that the cast would make once they went there.

But now that the setting has been confirmed to be Marquet indeed, that same tag has been filled with wariness and unease.

Don’t get me wrong, I totally understand the reasoning. As many have pointed out already, Critical Role’s cast are all white, and the creator of Exandria himself is a white man. The fact that they are choosing to take the next leg of their story in Marquet inevitably means that they are choosing to tell a story in a land and with characters that are based on cultures they are not innately familiar with. Specifically, they’ll have to portray people of color in some manner, and if they want to be accurate to the setting, portray that culture as well.

It’s a difficult balancing act--creating a character in a background and culture that is so different from one you’re familiar with, and doing so in a respectful manner. Not many creators have successfully threaded the needle--I’d argue Miles Morales is probably the most successful, and even then I’m sure my inbox would be filled shortly by the influx of complaints in how poorly Miles was made. The fact of the matter is there’s no pleasing everyone, and even the most sincere of intentions can be flawed and imperfect.

That’s not what this is about.

This is specifically calling out those fans of Critical Role who are arguing that if Matt wanted to do Marquet for Campaign 3, then he should have handed the reins over to another creator that was non-white, replace at least half the cast with POC players, and have the rest play characters non-native to Marquet. This is to those fans who want Critical Role, but different.

Because at the end of the day, that’s who you are. I’ve been following some of the discourse surrounding Critical Role for a while before I dove into the actual show myself last year. And a lot of the discourse was exactly why I avoided this series for so long, because it seemed so worrying to me. There were people getting upset that the cast weren’t playing any non-white characters--then, when Beau and Veth came on the scene, they got upset that they weren’t ‘accurate’.

You know, in a game where characters can shoot lightning and talk to gods.

People will find a way to complain about anything in something they like but don’t love, and racism is an easy option to look for complaints. I’ll admit, the cast of Critical Role isn’t perfect, but they’re people. They’re constantly growing, moving, changing, as all people do. What they’re going to make isn’t going to be perfect, but I honestly believe it’ll come from sincere love and joy. For most of the critters, that’ll be enough. For those I’m writing this to, it won’t be.

To them, Critical Role will never be good enough. If the cast stays the same, they’ll complain that they’re white people playing non-white cultured characters. If the cast changes, they’ll complain that it’s not Critical Role anymore and doesn’t have the right chemistry. If they were to not play in Marquet at all, they’d call Matt a coward and a racist. There’s simply no appeasing everyone, and definitely no appeasing those who just want to complain.

I for one am excited to see what Campaign 3 will hold for us, and am hopeful the cast does well in their portrayals of the cultures that inspired a fantasy world of Matt’s making. I know I’m not alone in this. For those of you who just want to complain, though, feel free to tell my why I’m wrong.

My blocked list has been feeling a bit empty anyways.

[snow-in-the-desert]

Dramione Recommendations

Ok so, 2020 has been A LOT but on a personal note one of the most surprising things to happen was me discovering Dramione fanfiction and becoming unashamedly obsessed with it. I really didn’t see that coming but I’m here now and I’m here to stay. 

I think I started reading in the Dramione fandom around mid July last year?? (In all honesty I’ve lost any true sense of time’s progression at this point so I could be well off the mark with that) And I’ve decided to compile a list of all my favourite fics I’ve read so far. Why? I really just want to gush over all the amazing writers I have found through this fandom because y’all deserve it. 

Side note: If any of the authors actually sees this post just dm so I can buy you coffee or post you writing supplies or something idk I feel like that’s the least I can do for all your amazing work x

Remain Nameless by @heyjude19-writing

Ok I have to start with RN because this fic is pretty much the sole reason I decided to create an account with A03 or a tumblr or just decided to get involved with this fandom at all. 

I headcannon this story hard. But I think even if you aren’t a fan of Dramione you should just read this because it is so unbelievably good and well written and poignant and Draco’s sarcastic personality in this is truly a thing of beauty in this - I relate to his inner monologue’s on a deep personal level. 

I could rave about this story any time, any day of the week, just ask me. In fact, maybe I’ll just start a HeyJude19 fan club to fulfill that urge.

There are so many elements that I love but for the sake of brevity, RN is a beautifully told story of Draco and Hermione finding love and healing in a post-war HP setting. Heyjude19 had the very special ability of making me want to simulatenously laugh, cry and swoon with the power of her words. Just stop what you are doing and go read it now if you havent already, ok?  

I also really enjoyed reading Bells on a Hill, Beers, Potions and Unwise Notions and A Shift in Focus, if you are looking for smaller fics, definitely give these a go. They are all funny and heartfelt stoires that will make your tippy toes wriggle with glee. 

The Rights and Wrongs Series by @lovesbitca8

The Right Thing To Do, All The Wrong Things and The Auction are the holy trinity of Dramione writing. I have christened it thus, so mote it be. And frankly I’m not interested in any other opinion than that one, thank you very much!

After reading this series I don’t think I’ll be able to look back on the orginal HP books without thinking of Hermione’s and Draco’s memories of their time at Hogwarts in these fics as anything other than strictly cannon. 

So many things to love about this series but I think one of the major highlights was Hermione and Draco’s use of occlumency. LoveBitca8 created such beautiful visuals with how occlumency works as a magical practice and seeing Draco and Hermione so devoted to eachother to the point of safeguarding their inner most feelings to protect eachother was unbelievably romantic and poetic. 

Also the smut is divine ;)

Manacled by @senlinyu​

My heart will never be the same after reading this story. Like I actually can’t think about this fic without getting a lump at the back of my throat. I have never felt so emotionally ruined after reading anything, compared to the likes of this fic. Just please, please read it. To badly quote HP, reading Manacled will make you suffer but you’re going to be happy about it.

The flashbacks are a rollercoaster in of themselves but the way Hermione inadvertently refers to them when she is still in a state of memory loss was so heartbreaking to read. My heart still aches for them both. Also its a truly satisfying to see Draco and Hermione written in a way were they are both so fiercly protective of one another. They make my insides go soft. 

I also really enjoyed Snow Fall, Now Is A Gift and All You Want by the author but to be honest anything written by Senlinyu is always thoroughly enjoyable and worth a look. 

The Erised Effect by @adaprix​

Ada is QUEEN of dramione smut but ‘The Erised Effect’ is top tier. Its equal parts funny, romantic, sentimental and oh so sexy. Ada really knows how to build and build on sexual tension and doesn’t disappoint on the final delivery. I’m a big admirer of her writing style and just veraciously read whatever she posts but ‘The Erised Effect’ is just golden. A must read. (Also Pansy’s sexual fantasy in this story is a visual I don’t think I’ll ever be able to remove from my brain so thanks for that Ada)

Also quick side note: Adaprix’ stories were the first I read when I was looking into this fandom and it was enough to get me hooked on the pairing from the get go so I have that to thank Ada for too. I remember devouring all the stories she had posted to A03 and when I was done I was like... now what am I supposed to do with my life?? And that’s basically when I began to look deeper into the fandom and thus the course of my life in 2020 changed for the better. 

Some other stories I love by her are Break for Me, All My Sins, The Big 4-0, The Fucklust Series and The Flat in Bath. 

Clean by @olivieblake​

This 6th Year AU where Draco and Hermione work together on a class assignment and end up falling in love had me feeling all kinds of ways when I read it. I almost don’t know where to start but I think one of the stand out things for me was how immersed I felt in reading it. 

Hogwarts is captured really well, you get a good sense of class atmospheres, character nuances and behind the scenes of events that happen in HBP but from a Draco and Hermione’s perspectives. It’s well executed and intricate tapestry of a fic. With an excellent plot twist ending! 

Also Hermione and Draco’s relationship in this is equal parts fluffy and smutty and it just ticks all the right boxes that you want to see for those characters ;)

Breath Mints / Battle Scars by @onyx-and-elm​

The angst in this one is just *chef’s kiss*

God I love this fic. The way Draco is portrayed is very true to his defensive and tetchy character in the original books but he is also given so much more depth. The way his diary entries are written are just so well executed. It’s a true testament to the author’s creative writing skill. And I LOVE how even though Draco is clearly in such a messed up place, he still has a basic level of self respect and dignity that he won’t tolerate being used or undervalued in his relationship with Hermione. 

Yep, I really love Draco’s characterisation in this one if you can’t tell.  But Hermione is also well written too. Her stuggles and trauma of returning to Hogwarts after war is described in a believable and grounded way. And my heart definitely ached for them both. I just wanted to wrap the pair of them in a big fuzzy blanket and tell them that everything will be alright. 

WANDS OUT! by @persephonestone​

This murder mystery / Dramione / Theo x Harry / AU crossover is everything I didn’t know I wanted until I read it. I felt like I was picked up and plonked right into an alternative dimension where all the characters of HP are just living it up in an Agatha Christie novel. 

It’s a funny and clever story that I found refreshing to read amongst all the other fanfics that are usually cemented in the HP timeline or universe. Theodore Nott in this fic is perfection he should be written like this in every fic from now on in my opinion. I couldn’t stop giggling any time he had a scene in the story.

And the ‘only one bed’ trope in this fic is 10/10. I don’t want to give spoilers but ohmygod. It hits all the right notes. 

The One With Technical Difficulties by cassielassie 

Cassielassie has an excellent three part series of Dramone called ‘The One with...” but I have to give special credit to this story in particular for one main reason. ELEVATOR TROPES. I can’t get enough of em. I think I have my early childhood viewings of NCIS to thank for my obsession with elevator tropes they just do something to me that simply cannot be explained with mere words. The palpable sexual tension of being in a broken down elevator with an ‘enemies to lovers’ pairing, a heated arguement breaks out followed by a discovery of mutual feelings and a romantic embrace...

Eugh. It gets me everytime. And this fic is no exception. I loved it for all the reasons I’ve already stated above but also for the attention to detail in Draco and Hermione’s careers makes this one particularly immersive. The dynamics between them established in this one-shot are convincingly portrayed and the chemistry between them is so undeniably hot. 

The Light is No Mystery by @masterofinfinities​

Yooo if you want to read a dramione fic that is a deep dive into Pureblood culture and Post-War recovery but is also a perfect allegory for discrimination and today’s political landscape of moral grandstanding for votes then look no further than this one. 

This story has a bit of everything. Intrigue, mystery, ptsd and recovery, enemies to lovers / secret relationship, government conspiracy and humour, to name a few. I eargerly await every update to this story and am anxious to know how it ends!

The Eagle’s Nest by HeartOfAspen 

Finally! A fic that gives me the Ravenclaw representation I crave. I think I could recommend this fic on the lore depicted of Ravenclaw house alone. ‘The Stacks’ and Rowena Ravenclaw’s own ‘come and go room’ are just such cool details that I could see being real in the HP universe. 

This fic is so cosy and makes me feel like I’m just popping back into Hogwarts for another year. You get to see all the usuals like prof. Mcgongall, Nearly headless Nick, PEEVES, Hagrid, as well as learn more about minor characters from the other school houses. The story follows Hermione going to her day to day classes and there are interesting concepts about magic and alchemy that are explored. 

Draco and Hermione’s relationship in this one is of course very fluffy and heartfelt. But it’s the attention to detail that really makes this fic outstanding and the experience of reading it feels fleshed out and true to HP universe.

A shorter fic by HeartofAspen that I recommend is one called Set in Stone, it has an adventurous, Indianna Jones vibe to it, that I am so down for. 

Teachable Moments by @purplesugarquills

In this fic Hermione is an innocent little virgin determined to learn everything about sex. And Draco Malfoy is her tutor. If that isn’t enough to get you on board then I don’t know what is. Both Heartfelt and Steamy. PurpleSugarQuills writes smut so well but it’s the progression of their growing attachment and the nervous treading of new uncharted waters of romantic relationships for both of them that just adds a whole other level of feels to the story. Also chapter 9 is like reading poetry - its so good. Eugh just give it a read if you haven’t already.

Les Pèlerins by @pacific-rimbaud

This story is high art. It’s transcendent. Reading this story feels like the emotional equivalent of standing around a hundred glowing fairy lights, sipping hot cocoa and being wrapped in the loving embrace of a s/o. I can’t speak my praises highly enough or even become passably coherent in my words when I try to articulate a review. 

From the very first paragraph I felt like I was just whisked away on a Parisian holiday and I’ve never even bloody been to Paris but damn it if this story didn’t make me feel like I was there. The writing style is just so tactile and intense it’s like I could feel the cold winter air brush against me as I read it. Eugh I just completely fell in love with the story and the writer. 

New Year’s resolution. Read everything PacificRimbaud has ever posted online. 

[howelljenkins]

As a muslim Iraqi American with a significant tumblr following, I feel as though I should let it be known exactly where I stand when it comes to Riordan’s statement about Samirah. I have copied and pasted it down below and my reaction to it will be written down below. This will be the first time I have read it. If you want to engage with me or tell me that I’m wrong, I expect you to be a muslim, hijabi, Iraqi American, and from Baghdad. If you are not, I suggest you sit down and keep quiet because you are not the authority on the way I should be represented.

Like many of my characters, Samirah was inspired by former students of mine. Over the course of my middle school teaching career, I worked with dozens of Muslim students and their families, representing the expanse of the Muslim world and both Shia and Sunni traditions. One of my most poignant memories about the September 11, 2001, attack of the World Trade Center was when a Muslima student burst into tears when she heard the news – not just because it was horrific, but also because she knew what it meant for her, her family, her faith. She had unwillingly become an ambassador to everyone she knew who, would have questions about how this attack happened and why the perpetrators called themselves “Muslim.” Her life had just become exponentially more difficult because of factors completely beyond her control. It was not right. It was not fair. And I wasn’t sure how to comfort or support her.

Starting off your statement with one of the most traumatic events in history for muslim Americans is already one of the most predictably bad moves he could pull. By starting off this way, you are acknowledging the fact that a) this t*rrorist attack is still the first thing you think of when you think of muslims and b) that those muslim students who you had prior to 9/11 occupied so little space in your mind that it took a national disaster for you to start to even try to empathize with them.

During the following years, I tried to be especially attuned to the needs of my Muslim students. I dealt with 9/11 the same way I deal with most things: by reading and learning more. When I taught world religions in social studies, I would talk to my Muslim students about Islam to make sure I was representing their experience correctly. They taught me quite a bit, which eventually contributed to my depiction of Samirah al-Abbas. As always, though, where I have made mistakes in my understanding, those mistakes are wholly on me.

As always, you have chosen to use “I based this character off my students” in order to justify the way they are written. News flash: you taught middle school children. Children who are already scrutinized and alienated and desperate to fit in. Of course their words shouldn’t be enough for you to decide you are representing them correctly, because they are still coming to terms with their identities and they are doing this in an environment where they are desperate to find the approval of white Americans. I know that as a child I would often tweak the way I explained my culture and religion to my teachers in order to gain their approval and avoid ruffling any feathers. They told you what they thought you’d want to hear because you are their teacher and hold a position of power over them and they both want your approval and want to avoid saying the wrong thing and having that hang over their heads every time they enter your classroom.

What did I read for research? I have read five different English interpretations of the Qur’an. (I understand the message is inseparable from the original Arabic, so it cannot be considered ‘translated’). I have read the entirety of the Sahih Bukhari and Sahih Muslim hadith collections. I’ve read three biographies of Prophet Muhammed (peace be upon him) and well over a dozen books about the history of Islam and modern Islam. I took a six-week course in Arabic. (I was not very good at it, but I found it fascinating). I fasted the month of Ramadan in solidarity with my students. I even memorized some of the surahs in Arabic because I found the poetry beautiful. (They’re a little rusty now, I’ll admit, but I can still recite al-Fātihah from memory.) I also read some anti-Islamic screeds written in the aftermath of 9/11 so I would understand what those commenters were saying about the religion, and indirectly, about my students. I get mad when people attack my students.

And yet here you are actively avoiding the criticism from those of us who could very well have been the children sitting in your classroom. 

The Quran is so deep and complex that its meanings are still being discovered to this day. Yes, reading these old scripts is a must for writing muslim characters, but you cannot claim to understand them without also holding active discussions with current scholars on how the Quran’s teachings apply today.

When preparing to write Samirah’s background, I drew on all of this, but also read many stories on Iraqi traditions and customs in particular and the experiences of immigrant families who came to the U.S. I figured out how Samirah’s history would intertwine with the Norse world through the medieval writer Ahmad ibn Fadhlan, her distant ancestor and one of the first outsiders to describe the Vikings in writing.  I knew Samirah would be a ferocious brave fighter who always stood for what was right. She would be an excellent student who had dreams of being an aviator. She would have a complicated personal situation to wrestle with, in that she’s a practicing Muslim who finds out Valhalla is a real place. Odin and Thor and Loki are still around. How do you reconcile that with your faith? Not only that, but her mom had a romance with Loki, who is her dad. Yikes.

First of all, writing this paragraph in the same tone you use to emulate a 12 year old is already disrespectful. “Yikes” is correct. You have committed serious transgressions and can’t even commit to acting serious and writing like the almost 60 year old man that you are. Tone tells the reader a lot, and your tone is telling me that you are explaining your mistakes the same way you tell your little stories: childishly and jokingly. 

Stories are not enough. They are not and never will be. Stories cannot even begin to pierce the rich culture and history and customs of Iraq. Iraq itself is not even homogenous enough for you to rely on these “Iraqi” stories. Someone’s story from Najaf is completely unique from someone from Baghdad or Nasriyyah or Basrah or Mosul. Add that to the fact that these stories are written with a certain audience in mind and you realize that there’s no way they can tell the whole story because at their core they are catering to a specific audience.

Yes, those are good, but they are meaningless without you consulting an actual Baghdadi and asking specific questions. You made conclusions and assumptions based on these stories when the obvious way to go was to consult someone from Baghdad every step of the writing process. Instead, you chose to trust the conclusions that you (a white man) drew from a handful of stories. Who are you to convey a muslim’s internal struggle when you did not even do the bare minimum and have an actual muslim read over your words?

Thankfully, the feedback from Muslim readers over the years to Samirah al-Abbas has been overwhelmingly positive. I have gotten so many letters and messages online from young fans, talking about how much it meant to them to see a hijabi character portrayed in a positive light in a ‘mainstream’ novel.

Yeah. Because we’re desperate, and half of them are children still developing their sense of self and critical reading skills. A starving man will thank you for moldy bread but that does not negate the mold. 

Some readers had questions, sure! The big mistake I will totally own, and which I have apologized for many times, was my statement that during the fasting hours of Ramadan, bathing (i.e. total immersion in water) was to be avoided. This was advice I had read on a Shia website when I myself was preparing to fast Ramadan. It is advice I followed for the entire month. Whoops! The intent behind that advice, as I understood it, was that if you totally immersed yourself during daylight hours, you might inadvertently get some water between your lips and invalidate your fast. But, as I have since learned, that was simply one teacher’s personal opinion, not a widespread practice. We have corrected this detail (which involved the deletion of one line) in future editions, but as I mentioned in my last post, you will still find it in copies since the vast majority of books are from the first printing.

This is actually really embarrassing for you and speaks to your lack of research and reading comprehension. It is true that for shia, immersion breaks one’s fast. If you had bothered to actually ask questions and use common sense, you would realize that this is referring to actions like swimming, where one’s whole body is underwater, rather than bathing. Did you not question the fact that the same religion that encourages the cleansing of oneself five times a day banned bathing during the holiest month? Yes, it was one teacher’s opinion, but you literally did not even take the time to fully understand that opinion before chucking it into your book.

Another question was about Samirah’s wearing of the hijab. To some readers, she seemed cavalier about when she would take it off and how she would wear it. It’s not my place to be prescriptive about proper hijab-wearing. As any Muslim knows, the custom and practice varies greatly from one country to another, and from one individual to another. I can, however, describe what I have seen in the U.S., and Samirah’s wearing of the hijab reflects the practice of some of my own students, so it seemed to be within the realm of reason for a third-generation Iraqi-American Muslima. Samirah would wear hijab most of the time — in public, at school, at mosque. She would probably but not always wear it in Valhalla, as she views this as her home, and the fallen warriors as her own kin. This is described in the Magnus Chase books. I also admit I just loved the idea of a Muslima whose hijab is a magic item that can camouflage her in times of need.

Before I get into this paragraph, Samirah is second generation. Her grandparents immigrated from Iraq. Her mother was first gen.

Once again, you turn to what you have seen from your students, who are literal children. They are in middle school while Samirah is in high school, so they are very obviously at different stages of development, both emotional and religious. If you had bothered to talk to adults who had gone through these stages, you would understand that often times young girls have stages where they “practice” hijab or wear it “part time”, very often in middle school. However, both her age and the way in which you described Samirah lead the reader to believe that she is a “full timer,” so you playing willy nilly with her scarf as a white man is gross.

For someone who claims to have read all of these religious texts, it’s funny that you choose to overlook the fact that “kin” is very specifically described. Muslims do not go around deciding who they consider “kin” or “family” to take off their hijab in front of. There is no excuse for including this in her character, especially since you claim to have carefully read the Quran and ahadith.

You have no place to “just love” any magical extension of the hijab until you approach it with respect. Point blank period. Especially when you have ascribed it a magical property that justifies her taking it on and off like it’s no big deal, especially when current media portrayals of hijab almost always revolve around it being removed. You are adding to the harmful portrayal and using your “fun little magic camoflauge” to excuse it.

As for her betrothal to Amir Fadhlan, only recently have I gotten any questions about this. My understanding from my readings, and from what I have been told by Muslims I know, is that arranged marriages are still quite common in many Muslim countries (not just Muslim countries, of course) and that these matches are sometimes negotiated by the families when the bride-to-be and groom-to-be are quite young. Prior to writing Magnus Chase, one of the complaints I often heard or read from Muslims is how Westerners tend to judge this custom and look down on it because it does not accord with Western ideas. Of course, arranged marriages carry the potential for abuse, especially if there is an age differential or the woman is not consulted. Child marriages are a huge problem. The arrangement of betrothals years in advance of the marriage, however, is an ancient custom in many cultures, and those people I know who were married in this way have shared with me how glad they were to have done it and how they believe the practice is unfairly villainized. My idea with Samirah was to flip the stereotype of the terrible abusive arranged match on its head, and show how it was possible that two people who actually love each other dearly might find happiness through this traditional custom when they have families that listen to their concerns and honor their wishes, and want them to be happy. Amir and Samirah are very distant cousins, yes. This, too, is hardly unusual in many cultures. They will not actually marry until they are both adults. But they have been betrothed since childhood, and respect and love each other. If that were not the case, my sense is that Samirah would only have to say something to her grandparents, and the match would be cancelled. Again, most of the comments I have received from Muslim readers have been to thank me for presenting traditional customs in a positive rather than a negative light, not judging them by Western standards. In no way do I condone child marriage, and that (to my mind) is not anywhere implied in the Magnus Chase books.

I simply can’t even begin to explain everything that is wrong with this paragraph. Here is a good post about how her getting engaged at 12 is absolutely wrong religiously and would not happen. Add that on to the fact that Samirah herself is second-generation (although Riordan calls her third generation in this post) and this practice isn’t super common even in first generation people (and for those that it DOES apply to, it is when they are old enough to be married and not literal children). 

As a white man you can’t flip the stereotype. You can’t. Even with tons of research you cannot assume the authority to “flip” a stereotype that does not affect you because you will never come close to truly understanding it inside and out. Instead of flipping a stereotype, Rick fed into it and provided more fodder to the flames and added on to it to make it even worse.

I would be uncomfortable with a white author writing about arranged marriages in brown tradition no matter the context, but for him to offhandedly include it in a children’s book where it is badly explained and barely touched on is inexcusable. Your target audience is children who will no doubt overlook your clumsy attempt at flipping stereotypes.

It does not matter what your mind thinks you are implying. Rick Riordan is not your target audience, children are. So you cannot brush this away by stating that you did not see the harm done by your writing. You are almost 60 years old. Maybe you can read in between your lines, but I guarantee your target audience largely cannot.

Finally, recently someone on Twitter decided to screenshot a passage out-of-context from Ship of the Deadwhere Magnus hears Samirah use the phrase “Allahu Akbar,” and the only context he has ever heard it in before was in news reports when some Western reporter would be talking about a terrorist attack. Here is the passage in full:

Samirah: “My dad may have power over me because he’s my dad. But he’s not the biggest power. Allahu akbar.”

I knew that term, but I’d never heard Sam use it before. I’ll admit it gave me an instinctive jolt in the gut. The news media loved to talk about how terrorists would say that right before they did something horrible and blew people up. I wasn’t going to mention that to Sam. I imagined she was painfully aware.

She couldn’t walk the streets of Boston in her hijab most days without somebody screaming at her to go home, and (if she was in a bad mood) she’d scream back, “I’m from Dorchester!”

“Yeah,” I said. “That means God is great, right?”

Sam shook her head. “That’s a slightly inaccurate translation. It means God is greater.”

“Than what?”

“Everything. The whole point of saying it is to remind yourself that God is greater than whatever you are facing—your fears, your problems, your thirst, your hunger, your anger.

337-338

To me, this is Samirah educating Magnus, and through him the readers, about what this phrase actually means and the religious significance it carries. I think the expression is beautiful and profound. However, like a lot of Americans, Magnus has grown up only hearing about it in a negative context from the news. For him to think: “I had never heard that phrase, and it carried absolutely no negative connotations!” would be silly and unrealistic. This is a teachable moment between two characters, two friends who respect each other despite how different they are. Magnus learns something beautiful and true about Samirah’s religion, and hopefully so do the readers. If that strikes you as Islamophobic in its full context, or if Samirah seems like a hurtful stereotype . . . all I can say is I strongly disagree.

I will give you some credit here in that I mostly agree with this scene. The phrase does carry negative connotations with many white people and I do not fault you for explaining it the way you did. However, don’t try to sneak in that last sentence like we won’t notice. You have no place to decide whether or not Samirah’s character as a whole is harmful and stereotypical. 

It is 2 am and that is all I have the willpower to address. This is messy and this is long and this is not well worded, but this had to be addressed. I do not speak for every muslim, both world wide and within this online community, but these were my raw reactions to his statement. I have been working on and will continue to work on a masterpost of Samirah Al-Abbas as I work through the books, but for now, let it be known that Riordan has bastardized my identity and continues to excuse himself and profit off of enforcing harmful stereotypes. Good night.

[ailuronymy]

Thoughts on the new discourse? Warrior cats naming conventions and rank names being straight up stolen from native American people? So many people seem to be... Straight up leaving the Fandom or changing all of their fan content and it feels very performative and, people not actually thinking critically and just being scared of getting "cancelled"? I feel like your opinions on these matters are very informed and well written so I wanted to ask given that this blog main theme is, well, warrior cat naming system and that seems to be the main issue of the new discourse.

This is probably going to get long, since there's sort of a lot to say about it in order to talk about this whole thing fairly and constructively, because from what I’ve seen there’s a lot of hyperbole happening, and panicking, and disavowing this series and fandom, and so on, like you say, and also some people genuinely trying to have complex meaningful conversations about racism in xenofiction, and also probably some bad faith actors in the mix--as well as some just... stupid actors. Kind of inevitably what happens when two equally bad platforms for having nuanced discussions--i.e., twitter and tumblr--run headlong into each other, in a fandom space with a majority demographic of basically kids and highly anxious, pretty online teens. I don’t mean that as a criticism of fans or their desire to be liked by peers and “correct” about opinions, it’s just the social landscape of Warriors and I think it’s worth pointing out from the start.  

If I’m totally honest with you, if not for this ask, I wouldn’t actually be commenting on it at all, because none of this is going to impact this blog or change how I run it in any way. But since you’ve asked and frankly I do feel some responsibility to try to disentangle things a little for everyone stressed and confused at the moment, because I know a lot of people look to this blog for guidance of all sorts, I’m going to talk about what I think has happened here, and how to navigate the situation in a reasonable way. 

Quick recap for anyone blissfully unaware: from what I understand, this post (migrated over from a presumably bigger twitter thread) has got a lot of people very worried about Warriors being a racist and appropriative series, and now are trying to figure out what ethically to do about this revelation. The thing I found most interesting about this screenshotted conversation is that it makes a lot of bold claims, but misses some pretty surprising details (in my opinion). If you do look critically at what is being said, here’s a few things to notice--crucially, there are two people talking. 

Person 1 says that a lot of animal fantasy fiction + xenofiction (fiction about non-human/”other” beings, such as animals) is frequently built upon stereotypes of First Nations and Indigenous people, and/or appropriates elements of Indigenous culture and tradition as basically set dressing for “strange” and “alien” races/species etc., and this is a racist, deeply othering, and inappropriate practice. This person is right. 

I’ve spent years researching in this field specifically, so I feel pretty confident in vouching (for whatever that’s worth) that this person is absolutely right in making this point. Not only is it frequently in animal fiction/xenofiction, but it’s insidious, which means often it’s hard to notice when it’s happening--unless you know what you’re looking for, or you are personally familiar with the details or tropes that are being appropriated. Because of the nature of racism, white and other non-First Nations people don’t always recognise this trend within texts--even texts they’re creating--but it’s important for us all, and especially white people, to be more aware, because it’s not actually First Nations’ people’s responsibility to be the sole critics of this tradition of theft and misuse. Appropriation by non-Indigenous people is in fact the problem, which means non-Indigenous people learning and changing is the solution. 

Person 1 offers Warriors as a popular example of a work that has this problem. Notably, this person hasn’t given an example of how Warriors is culpable (at least in this screenshot and I haven’t found the thread itself, because the screenshot is what’s causing this conversation), only that it’s an example of a work that has these problems. And once again, this person is correct. We’ll look at that more in a moment.

Person 2 (three tweets below the first) offers, by comparison, several more specious insights. Firstly, it’s really, really not the only time anyone’s ever talked about this, academically + creatively or in the Warriors fandom specifically, and so that reveals somewhat this person’s previous engagement in the space they’re talking into re: this topic. In other words, this person doesn’t know what has already been said or what is being talked about. Secondly, this person explicitly states that they “[don’t know] much about warrior cats specifically but from what I see it just screams appropriation,” which as a statement I think says something crucial re: the critical lens this person has applied + the amount of forethought and depth of analysis of their criticism of this particular series. 

I’m not saying that using twitter to talk about your personal feelings requires you to research everything you talk about before you shoot your mouth off. However, I personally don’t go into a conversation about a topic I don’t know anything about except a cursory glance to offer bold and scathing criticisms based on what it “just screams” to me. By their own admission, this person isn’t really offering good faith, thoughtful criticism of the series, in line with Person 1′s tweet. Instead, Person 2 is talking pretty condescendingly and emphatically about--as the kids say--the vibes they get from the series, and I’m afraid that just doesn’t hold up well in this court. 

So now that there’s Person 1 (i.e., very reasonable, important, interesting criticism) and Person 2 (i.e., impassioned but completely vibes-based opinion from someone who hasn’t read the books) separated, we can see there’s actually several things happening in this brief snapshot, and some of them aren’t super congruent with each other. 

Person 1 didn’t say “don’t read bad books,” or that you’re a bad person for being a fan of stories that are guilty of this. They suggested people should recognise the ways xenofiction uses Indigenous people and their culture inappropriately and often for profit. My understanding of this tweet is someone offering an insight that might not have occurred to many people, but that is valuable and important to consider going forward in how they view, engage with, and create xenofiction media.

Person 2 uses high modality, evocative language that appeals to the emotions. That’s not a criticism of this person: they’re allowed to talk in whatever tone they want, and to express their personal feelings and opinions. However, rhetorically, this person is using this specific language--consciously or subconsciously--to incense their audience--i.e., you. Are you feeling called to action? What action do you feel called to when you rea their words, despite the fact their claims are not based in their own actual analysis of or engagement with the text? It’s, by their own admission, not analysis at all. Everything they evoke is purely in the name of “not good” vibes. 

Earlier I mentioned that Person 1 is correct that Warriors is absolutely guilty of appropriation of First Nations and Indigenous people and culture. I also mentioned that they didn’t specify how. That’s because I think the most egregious example is in fact the tribe, which in many ways plays into the exact kind of stereotyping and appropriation of First Nations Americans that Person 1 mentions, and not the clans, contrary to Person 2′s suggestion. For instance, in addition to the very loaded name of “tribe”, there’s a lot of racist tropes present in how that group of cats is introduced and how the clan cats interact with them, as well as the more North American-inspired scenery of their home. It’s very blatant as far as racism in this series. 

When it comes to the clans themselves, though, I think it’s muddier and harder to draw clear distinctions of what is directly appropriative, what is coincidentally and superficially reminiscent, and what is not related at all. Part of this difficulty in drawing hard lines comes from the fact that, on a personal level, it actually doesn’t matter: if a First Nations person reads a story and feel it is appropriative or inappropriate, it’s not actually anyone’s place to “correct” them on their reading of the text. Our experiences are unique and informed by our perspectives and values, and no group of people are a monolith, which means within community, there will always be disagreement and differenting points of view. There is no one single truth or opinion, which means that First Nations people even in the same family might have very different feelings about the same text and very different perspectives on how respectful, or not, it might be. 

I’m saying this because something that gets said very often when conversations of racism and similar oppressive systems present/perpetuated in texts comes up, people frequently say: “listen to x voices.” It is excellent advice. However, the less pithy but equally valuable follow-up advice is: “listen to the voices of many people of x group, gather information and perspective, and then ultimately use your own judgement to make an informed opinion for yourself.” It means that you are responsible for you. The insight you can gain by listening to people who know topics and experiences far better than you do is truly invaluable, but if your approach to the world is simply to parrot the first voice, or loudest voice, or angriest voice you come across, you will not really learn anything or be able to develop your own understanding and you certainly won’t be making well-informed judgements. 

In other words, one incomplete tweet thread from two people who are each bringing quite different topics and modes of conversation (or perhaps gripes, in Person 2′s case) to the table is not really enough to go off re: making a decision to leave a fandom, in my opinion. In fact, I think in responding to anything difficult, complex, or problematic (which doesn’t mean what popular adage bandies it about to mean) by trying to distance yourself, or cleanse of it, will ultimately harm you and will not do you any good as a person. It is better, in my opinion, to enter into complex relationships with the world and media and other people in an informed, aware way and with a willingness to learn and sometimes to make mistakes and be wrong, rather than shy away from potential conflict or fear that interacting with a text will somehow taint you or define your morality in absolutes. 

So. Does Warriors have racist and appropriative elements, tropes, and issues in the series? Yes, of course it does, it’s a book-packaged series produced by corporation HarperCollins and written by a handful of white British women and their myriad ghostwriters. Racism is just one part of the picture. The books are frequently also ableist, sexist, and homophobic (or heteronormative, depending how you want to slice it, I guess), just to name some of the most evident problems. 

But does the presence of these issues mean it’s contaminated and shouldn’t be touched? Personally, I don’t think so. Given the nature of existing the world, it’s not possible to find perfect media that is free of any kind of bias, prejudice, or even just ideas or topics or concepts that are challenging or uncomfortable. I think it’s more meaningful to choose to engage with these elements, discuss them, criticise them, learn from them, and acknowledge also that imperfection is the ultimate destiny of all of us, especially creators.

I’m not saying that as a pass, like, “oh enjoy your media willy-nilly, nothing matters, do what you want, think about no-one else ever because we’re all flawed beings,” but rather that it’s important not to look away from the problems in the things we enjoy, rather than cut off all contact and enjoyment when we realise the problems. That doesn’t mean you have to only criticise and always be talking about how bad a thing you like is either, publicly admonishing yourself or the text, because that’s also not a constructive way to engage with media. 

As I said, there’s a lot to say here, and believe it or not, this is honestly the shortest version I could manage. There’s always more to say and plenty I haven’t talked about, but pretty much tl;dr: 

I don’t find Person 2′s commentary particularly compelling, personally, because I think it’s a little broad and a little specious in its conclusions and evidence, and I also suspect that this person is speaking more from their feelings than from a genuine desire to educate or meaningfully criticise, unlike Person 1. That’s not to say Warriors isn’t frequently racist and guilty of the issues Person 1 is discussing, because it is, but I don’t think this tweet thread is a great source of insight into the ongoing history of this problem in xenofiction, or Warriors specifically, on its own. I would recommend exploring further afield to learn more from a variety of sources and form your own opinions. I hope this helps. 

[carriagelamp]

Art of Aardman

I found myself a cheap copy of the Shaun the Sheep movie, so I was rewatching a bunch of Aardman films earlier this month and decided to hunt down some books too. For anyone that doesn’t know, Aardman is a British stop-motion studio that does fantastic work like Wallace and Gromit, Shaun the Sheep, Chicken Run, Early Man… tons of cool stuff. They’re always quirky and funny and warm-hearted. This was just a very nice art book for anyone that’s a fan of Aardman stop motion and wants to see a bit extra; it shows some cool concept art and blows up the neat details in Aardman work, especially in their intricate stuff like The Pirates! In an Adventure with Scientists!

Asterix and the Picts (Asterix and the Chariot Race, and How Obelix Fell Into The Magic Potion)

I decided to try a couple of the new Asterix comics that were done by the new team, just to see if they stand up to the old ones (that and How Obelix Fell Into The Magic Potion cause I’d never read that one before). They were pretty decent! Asterix and the Picts was my favourite of the two though I wouldn’t say either are going to contest for my favourite Asterix comic... but still! The art looks good and the stories felt like what I would expect, they made for a pleasant couple evenings of reading especially since it’s been so long since I’ve read a new Asterix comic. If you’ve never read Asterix it’s one of the biggest name French comic series in North America, as far as I know and very worth the read. It’s about a single Gaulish village that’s holding out against the invading Romans through sheer force of will, slapstick hijinks, and a magical super-strength potion brewed by their druid. Lots of fantastic visuals and cute wordplay, even in the English translations.

Bear

I found out about this bastion of Canadian literature via tumblr post that was losing its collective mind over the fact that some bizarre bear-based erotica novella somehow won the most prestigious literary prize available in Canada. Since I too found this hilarious and unspeakably bizarre I had to give it a read, obviously. And yes, the flat surface level summary is... a librarian moves out into rural Ontario and falls in love with a literal for-real not-supernatural-not-a-joke bear. And I have to say… it is actually worthy of an award, which I was not expecting given that I was there for a laugh. It has beautiful writing, and the subtextual story is pretty interesting… it kind of makes me think of The Haunting of Hill House actually in terms of themes. (Womanhood, personhood, independence, autonomy partially achieved through escaping the male gaze by claiming non-human lovers... listen if I were still in university I would right a paper comparing the two novels).

I dunno man, it’s fucking weird. Actually a well-written book, but sure is about a woman falling in love with a literal bear. Give it a read if you want something bonkers but like… high-brow bonkers.

Hunger Pangs: True Love Bites

Best book I have read in like… a while. A long while. I am not a fast reader, and I consumed 90% of this book over a weekend. It’s not at all like Terry Pratchett, but at the same time it scratched an itch for me that I haven’t had satisfied since Pratchett’s death. A very clever, hilariously funny poly romance between a disabled werewolf, an anxious vampire lord, and an incredibly powerful woman, with heaps of social satire, political commentary, and sinister undertones. The whole thing reads a bit like fanfiction and I say that in the most flattering way possible -- it is so easy to jump right in and be immediately taken over by the characters and the world and the plot, you never feel like you’re fighting to engage even though the world-building is fascinating and expansive. It welcomes you in right away, it was the book equivalent of a quilt and a hug which is something I sorely needed with all this pandemic bullshit. If you read any of the books on this list, go read that one while I sit here in pain waiting for the sequel.

Kid Paddle

I watched the cartoon of Kid Paddle as a kid and was thinking about it recently, so I decided to hunt down some of the original comics online. They’re fun and weird, with a cute art style and fantastic monsters designs. (My favourites are always about Kid either daydreaming or playing games that involve Midam’s weird warty troll creatures. It’s like a cross between Calvin and Hobbes and Foxtrot with the fun sort of quirks that I love in Belgian comics. Unfortunately, unlike Asterix, I’ve only come across these ones in French, but if you can read French it’s totally worth popping over to The Internet Archive and reading the ones they have available.

The Last Firehawk: The Golden Temple

The lastest Firehawk book. Despite being written for quite young readers, I did enjoy the early books in this series quite a bit. They’re about a young owl and squirrel who found an egg for a magical species that was believed to be extinct. With the newly hatched firehawk, the three of them head off on a mission to find an ancient firehawk magic that could save the entire forest. Very basic adventure story but a good intro to the tropes for children. Unfortunately the quality really feels like it drops with each subsequent book; this will probably be the last one I bother reading.

Lumberjanes: The Moon Is Up

I honestly think I enjoy these Lumberjanes novels even more than the comics just because it really gives time to delve into each story and examine how the camper are really thinking and feeling about everything. (Also I’m always weak for novelizations of anything.) The Moon Is Up is a book that focuses more on Jo, and takes place during the camp’s much anticipated Galaxy Wars, a competition between cabins that goes over several days. While the campers prepare for these challenges though, they also run into a strange little creature with a penchant for cheese and theft. Roanoke cabin needs to keep ahead in Galaxy Wars and somehow deal with the fearsome Moon Pirates that a closing in...

Lumberjanes v4 (Out Of Time)

One of the Lumberjanes comics, a cool, girl-focused, queer comic series. Honestly, this is just a fun series that I never got as into as I should have. My advice is honestly to skip book one because it gets better as it continues, and I’ve really been enjoying the later books now that I’ve given it another go. It follows five campers at Miss Qiunzella Thiskwin Penniquiqul Thistle Crumpet’s Camp for Hardcore Lady Types (Jo, April, Molly, Mal, and Ripley) as they handle all sorts of challenges, from friendship to crushes, camp activities to supernatural horrors, getting badges to not being brutally killed. Great if you liked the vibe of Gravity Falls but want it to be queer-er.

Mooncakes

Another queer graphic novel, but unfortunately not a very good one. It really looked appealing and I had high hopes, but the book itself really didn’t hold up… I actually couldn’t even finish it, the plot was just too… non-existent. The art is fairly mediocre once you actually look at it, especially backgrounds, and it feels very… placid. Not much conflict or excitement or even a very compelling reason to keep reading. If you just want a soft queer supernatural you may get more mileage out of it than me, but it didn’t really do it for me. There’s better queer graphic novels out there.

New Boy In Town

One of the worst books I have ever read. My girlfriend had ordered a very different book online but through a frankly stupendous error was sent this 1980s pulp romance instead. Absolutely nauseating on levels I couldn’t even begin to enumerate here. Naturally we read the whole thing out loud. Probably took us 10 times longer to finish than it warranted because I had to stop every two sentences to lose my mind. If you like bad decisions, baffling hetero courting rituals, built-in cultural Christianity without actually calling it that, and gold panning then boy howdy is this the book for you.

(seriously, you better have patience for gold-panning if you attempt this one, because I sure learn that I don’t)

Piggies

This was a picture book I enjoyed as a kid and had a reason to reread recently. Honestly it’s just very cute and simple, and the art is completely mesmerizing. Wonderful if you know a young child that would enjoy a simple goofy boardbook.

Shaun the Sheep: Tales From Mossy Bottom

Related to my Aardman fascination earlier this month. I tried reading a varieties of Shaun the Sheep books — most of which are mediocre at best — but the Tales From Mossy Bottom Farm series is genuinely good. Just chapter books, of course, but the illustrations match the series’ concept art and each story feels like it could have jumped directly out of an episode. They’re just cute and feel-good! Kinda like Footrot Flats but more for kids, and from the sheep’s perspective moreso than the dog’s.

[unforth]

Why does everyone always recommend Twist and Shout for destiel? Like what happened in fandom at that time to make it so popular that it's now a staple? I haven't read it. I refuse. I know there is major character death and people complain it is OOC so I'm just wondering why do people love it so much? I have read so many long fics written by immensely talented writers in this fandom that end hopefully and tackle difficult subject matter while maintaining character voices that it seems a shame that T&S is always recommended

So, I also haven’t read it - I don’t do MCD, no matter how highly recommended a fic comes. However, here’s what I’d say in answer to this question.

Twist and Shout came out, it was during a period when the fandom was huge, and exploding. Season 8 was something of a Destiel renaissance (it’s when I started shipping it, for example) and it’s not a coincidence that a lot of the best known fic came out in 2012 and 2013 (for reference, T&S started posting on October 15th, 2012, according to AO3). I wasn’t active on AO3 Destiel fandom at that time (I started reading fic on FF.net in early 2013) nor was I active on Tumblr or in fandom circles where shipping was a big Thing, so I don’t know what the general fandom reaction to it was at the time, but presumably it met with a fair degree of popularity. People liked it. People recced it. I have no idea if it had the MCD tag at that time, but presumably it did. People read it knowing that. And presumably, some people didn’t like it, and some people didn’t rec it, but like any other fic it went through a process of developing popularity.

Why did it get to be first?

In my honest opinion?

Utterly random chance. If you look at ANY developing fandom, some of the trends are in fact totally random, at least to begin with. Once the avalanche starts, though, it’s self-perpetuating.

Think about it. You’re in a brand new fandom. You don’t know anyone. You haven’t read anything. You’re desperate to read something. What do you do? You go to AO3, find the ship you want to read, and you sort by most hits, or most kudos, or most comments, and decide - I’m gonna start by reading these. You see the first fic...okay, MCD, a little off putting...but it’s got SO MANY HITS and SO MANY KUDOS...just take the chance!

So, you (my hypothetical fan) read this fic. One of two things happen - you either love it or you hate it. If you hate it, you may not even finish it, but regardless, you’ve added to the stats - your views count, and maybe you liked the early chapters and kudosed, or maybe you remember everything you’ve heard about authors liking comments on early chapters of fully posted works, and you commented. So those stats have gone up, even if someone HATED it. And on the second, you love it - and you come out gushing! You kudos! If you’re super enthusiastic maybe you log out and give it a second guest kudos! And, as you start getting into the fandom and meeting people, you want to spread this love - you tell your friends - hey, I just read this great fic, and yeah, it’s MCD, but just give it a chance!

And so it begins again - if you tell four people, and they read it, and two hate it, and two love it, and those two tell four people, and two hate it, and two love it, and it just cascades.

Why is Twist and Shout the most popular fic in this fandom? Because Twist and Shout is the most popular fic in this fandom. Yes, it’s a tautology, but it’s entirely self-perpetuating. People read it because it’s listed first. People read it because they like it, and re-read it and re-read, and re-read it, to get that high. People hate read it. People read it just to find out what the big deal is. In a fandom with coming up on 100,000 posted stories, Twist and Shout has almost twice as many kudos as the fic in second (by the, in my personal opinion, far more deserving Annie D, though it’s also not their best work in my opinion, and the reasons it’s up there are likely the same), and almost four times as many hits. By any measure on AO3 surveys, it’s number one when people sort, and lots of people will read it simply out of curiosity.

That kind of popularity is self-perpetuating. And of course lots of people love T&S - it has 1.2 million hits, and almost 35000 kudos. Even if we go extremely conservative and say, 35,000 people have read T&S, that’s simply a shit ton of people, and if even only 10% loved it, that’d still be 3500 people gushing about that single fic. I’ve been writing for 5 years and I don’t have a single fic with even 3500 kudos, and I’m considered a relatively successful writer in this huge fandom.

But here’s, to me, the most important thing - I truly believe any fic can be a Twist and Shout. It’s a confluence of events that makes a fic such a juggernaut, and the vast majority are simply luck. Random drift means one fic is gonna end up on the top of the heap - and once a fic is there, reading tendencies, confirmation bias, and exposure guarantee it’ll STAY on the top of the heap.

I started the Destiel Favs Survey because I felt that the “top 20″ fics by hits in the Destiel fandom didn’t reflect the fics people actually like. I got curious, so I made a list.

In February 21st, 2017, the top 20 fics on AO3 by kudos were:

Twist and Shout by gabriel and standbyme (which, at the time, had 25,507 kudos)

Dean Doesn’t Listen to Eurythmics by Annie D

An Exercise in ‘Worthless’ by beastofthesky

Revealed by Valinde

Angel’s Wild by LimonadeGaby and riseofthefallenone

Into Your Hideaway by thepinupchemist

How (Thanks to Gabriel) Dean and Castiel (Accidentally) Raised Each Other (and Sam) by Vera_DragonMuse

A Room of One’s Own by NorthernSparrow

Out of the Deep by riseofthefallenone

Grey by Valinde

Convenient Husbands by Annie D

Forget-Me-Not-Blues by noangelsinthegarrison

When Charlie Met Cas by riseofthefallenone

Real Slick Dean by trilliath

In This Secluded Spot I Respond as I Wouldn’t Dare Elsewhere by RhymePhile

The Breath of All Things by KistmetJeska

Unfamiliar by riseofthefallenone

Shut Up (Put Your Money Where Your Mouth Is) by kototyph

A Hole in the World by AnnelieseMichel

A Beginner’s Guide to Communing with the Dead by suspiciousflashlight

Today, 1/9/21, four years later, the top 20 fics by Kudos are:

Twist and Shout by gabriel and standbyme (no change in rank, now has 34,907 kudos)

Dean Doesn’t Listen to Eurythmics by Annie D (no change in rank)

Revealed by Valinde (+1 in rank)

An Exercise in ‘Worthless’ by beastofthesky (-1 in rank)

A Room of One’s Own by NorthernSparrow (+3 in rank)

How (Thanks to Gabriel) Dean and Castiel (Accidentally) Raised Each Other (and Sam) by Vera_DragonMuse (+1 in rank)

A Turn of the Earth by microcomets/mishcollin (not on the old list by kudos, but it was on the list by 2018 when I did another check in)

Angel’s Wild by LimonadeGaby and riseofthefallenone (-3 in rank)

Into Your Hideaway by thepinupchemist (-3 in rank)

Unknown Quantities by xylodemon (the first work to break through, and it’s in tenth)

Forget-Me-Not Blues by noangelsinthegarrison (+1 in rank)

Grey by Valinde (-2 in rank)

Convenient Husbands by Annie D (-2 in rank)

Professional Couple Only by saltyfeathers (our second new work)

Real Slick Dean by trilliath (-1 in rank)

A Beginner’s Guide to Communing with the Dead by suspiciousflashlight (+4 in rank)

When Charlie Met Cas by riseofthefallenone (-4 in rank)

Unfamiliar by riseofthefallenone (-1 in rank)

The Breath of All Things by KismetJeska (-3 in rank)

Out of the Deep by riseofthefallenone (-11 in rank)

In 4 full years, only three works managed to break into the top 20, even though - based on my original data, which you can view here - most of these works have nearly double in the number of kudos they’ve had in that amount of time. Further, the most recently written fic on EITHER of these lists is from 2015 - A Turn of the Earth and Professional Couple Only are from 2015 - and all the rest is older.

These fics aren’t the top 20 because they’re better, and if there was even an ounce of objectivity in this list, it would have actually shown any change in 4 years instead of looking virtually identical. 

Twist and Shout, and the other “most popular” and “most recommended” works in the Destiel fandom have that distinction because they’re the most read, so more people read them, so they’re the most read, so more people read them, so they’re the most read, so...ad infinitum.

And that’s not a judgement call against them! There are fics I LOVE on that top twenty list. But, dear anon, you ask me why I think Twist and Shout is the most popular?

All of this is why. Twist and Shout is the most popular because popularity in fic culture is the only perpetual motion machine in the universe. It is self-perpetuating, and as a result, Twist and Shout will always be the most popular fic in this fandom.

And that’s why I do the faves list - because the tops on AO3 tell us abso-fraggin’-lutely nothing, and I thought we needed a list that actually meant something for what fics people active in the fandom truly love - which DOES include some of those top 20 fics by AO3 data, and includes lots and lots of others that are just as or more wonderful.

*steps off soap box*

(sorry this is stupidly long, I have Opinions.)

[merigreenleaf]

It’s been forever since I was on tumblr, but I’d like to get back into it again. I’ve been mostly avoiding social media for a few months and doing a lot of personal art things, one of which is learning how to paint. At the moment I’ve been working on watercolors. I was super excited when I saw that one of the lessons had us painting a sky with constellations! Concordia, the main country in the Unexpected Inspiration series, has a ton of history and mythology about their constellations, which they call the Muses. It’s said that these were beings who came down from the sky to teach the original Concordians art and magic. This is partly true. There were beings who granted this magic and knowledge, but they came from other worlds via a portal, not the sky. The humans simply assumed the sky when the beings seemingly popped out of nowhere when they heard the call for help. Each of these constellations became the Muse of a specific branch of art/magic because they granted that particular flavor of arcane creativity. Most of the Muses are no longer remembered as their original appearance; over the centuries stories have made them larger and stronger (or at least stranger) than they were. They're not in quite the right locations, but artistic interpretation, right? I included all nine Muses that make up my world's sky. From sort of left to right: Piquant, Pritchel, Chiaroscuro, Stele, Andante, Mortise, Tessera, Twisen (which is Whorl and Weft in one spiral constellation), and Scriven. Here's a bit about them:

Piquant: Muse of the culinary arts. I introduced him ages ago as a human-shaped imp who had a few small mushrooms "growing" on his body. He is now remembered because of the mushrooms; his constellation is a mushroom turned on its side. His name comes from a flavor. He helped grant food magic to the early Concordians because he saw they were hungry and wanted to help. Pritchel: Muse of metalwork. Pritchel (along with Scriven and Stele) were Creators, who were beings from another world who moved into what became Concordia and joined together with the humans there to create one culture. At some point, these three Creators lost their human forms, however briefly, because they’re remembered for what they actually looked like. (They’re also remembered for their human forms, too; somehow the humans never made the connection that these three beings were the same as the “human” newcomers who helped unite the two groups of people into one. This means Pritchel, Scriven, and Stele are remembered separately as the founders Petra, Dee, and Elda.) The Creators’ original forms, before they crossed through the portal that shifted them to human, were all of one species, but took on the appearance of the material they worked most. This means Pritchel was golden with flecks of silver to represent iron. Her constellation is based on her namesake: “a pritchel is a type of punch used in forging, particularly in making nail holes in horseshoes.” In this case, the constellations is the punch and the horseshoe. Concordians have never kept horses, but back before the Concordian humans were sent to Concordia, they did. Pritchel had lightning and metal magic, so she granted the ability to work metal, as well as use lightning to power magical inventions. Chiaroscuro: Muse of illustration. He’s a celestial being of both light and shadow, who had come to Concordia's world centuries before events of the Muses. This makes him very, very old, even at the time these Muses visited Concordia. He had no physical form except as an amorphous dark spot with glowing golden eyes. Mostly it's his eyes that are remembered and the constellation is simply these. “Chiaroscuro” means “the treatment of light and shade in drawing and painting.” I know Chiaroscuro best of all because he’s important to both Concordia and Montglace and he comes into play in the current books. He granted illustration and illusion magic. Stele: Muse of sculpture and another Creator. In her case, her appearance took on the look of either marble or clay. A “stele” is a variation on “stela,” which is “an upright stone slab or column typically bearing a commemorative inscription or relief design, often serving as a gravestone.” The constellation was supposed to be an upside-down gravestone. It became a clay teacup pretty quickly because this was too morbid for a Muse remembered as fondly as Stele. The reason Stele is associated with memorials was because when she was alive, she helped create the walls that contain the names of everyone in Concordia who has passed since the founding; these update automatically because of the magic tied into them. Andante: Muse of music. He was originally some sort of bird person and is somehow still remembered as a bird person. The fact that this constellation looks like a bird person with wings and a tail is probably the reason. I’m still amazed that the program I used to generate stars threw some together in a way that made this shape form so well! His name is a musical term involving tempo. The magic he granted involves sound, both in terms of music but also in recording and amplifying. Mortise: Muse of woodwork. They were a being of the same species as Chiaroscuro, but even older than Chiaro. While Chiaro stayed a celestial, Mortise bonded with the land and became one with the planet. They're remembered as a tree because their voice came from the grotto at the center of the early Concordians' homes. It's not barbaric to have a tree be the Muse of woodwork because Concordians use fallen wood whenever possible and always replant. The earth magic granted by Mortise makes the land flourish; they've grown weaker over the centuries so now their magic can only stretch as far as Concordia. A “mortise” is a woodworking joint and Mortise granted magic over wood. Tessera: Muse of glasswork. She was originally a Salamander, a human-sized lizard person, but over time she was remembered as a dragon. Possibly this is because large, scary dragons are more exciting than lizards, but more likely because the constellation’s arms got mistaken for wings. The tail probably didn’t help since the constellation is all tail. Tessera did have a tail, though, so that part’s okay. “Tessera” means an “individual tile, usually formed in the shape of a cube, used in creating a mosaic.” She granted light and heat magic, which generally manifests in control over glass. Twisen (Whorl and Weft): Muses of textiles. They were sisters or at least appeared to be sisters. They're from the same world as the Concordians, but their kind was there long before the humans arrived and long long before Concordian's founding. Their species lives deep underwater and most of the world doesn't realize that they share their planet with other people, even now. These two are remembered as a pair of waterspouts and they’re closely tied into wind and water, such as the wind in the sails of boats. Their names are spinning and weaving terms because they granted textile magic. Scriven: Muse of words. This also includes poetry, stories, and words both spoken and written. Scriven was the third of the Creator-Muses and was the Creator who called on the other beings and their worlds for help. This constellation looks weird, but I see it as the side view of a person holding a book or a piece of paper. It could also be an old-fashioned desk where the chair is connected. Either would work for Scriven. While Pritchel looked almost like metal in her true form and Stele looked like stone, Scriven's skin had the appearance of parchment and whenever he used magic, his words would show on his body. He granted power over words, such as an ability to bring emotion from the audience/reader. Concordia's culture revolves around art, hence the art-themed names, so painting this felt wonderfully appropriate. Chiaroscuro, the Muse of illustration, would approve. Years ago I introduced three of the Muses and I’d like to get back into that soon. 

I know I had a tag list going, but at this point I’m not really sure who’s still around, so if you’d like to be added, let me know! 

[jaskiersvalley]

Holy shit, I’ve read so much of your work without knowing who you are— on both Tumblr and AO3. Well, I’m very glad I followed a link to your profile because now I can tell you I love your work!! And I’ll finally be able to thank you for it!

You are far too sweet. Usually I tend to stick to a corner of fandom and not venture far so I’m glad you have followed a link to my profile :D There’s some really exciting Big Bang and Reverse Big Bang pieces coming on AO3 soon and I like putting short ficlets on here. And this one is especially for you!

Winters at Kaer Morhen were tough. Lambert was always to one to loudly grumble about how terrible it was. Not just the memories that haunted the long hallways and empty rooms, there were other things that made winters awful. Four witchers were locked together high up in the mountains when they were used to roaming, being solitary and dictating their own schedule. The sudden change was a culture shock and often resulted in growling disagreements for weeks on end. Usually, they re-learned how to coexist and have company again just in time to leave for the year, only to rinse and repeat the pattern. It didn’t get easier as the years went on.

If that had been the only problem, maybe winters wouldn’t have been so bad. Alas, there was more at play. Bitterly cold nights and only marginally less cool days packed with physical labour took their toll. But they needed to work, to chop wood, hunt and collect herbs. An idle witcher was a bored witcher and those were dangerous. Plus, if they were busy then there was no time to argue outside of training which they had to do to keep in shape. The worst though was the pain. Old injuries and aches were made worse by the cold. But there was nowhere else safe to winter. If people saw them at their weakest, when the cold bit through scars and sank its teeth cruelly into long since healed injuries, they wouldn’t trust a witcher ever again. Part of a witcher’s ability to get paid was in the myth that they were untiring, immune to such human things like aches and pains. So it was safer to hide away for the worst of winter, to suffer with those who knew what it was like.

In the hidden corners of Kaer Morhen, no human could see when Lambert’s knee gave way from the time a pegasus kicked him. Or the consequent hip problems he’d developed thanks to the knee healing badly. Eskel would help pick him up from the floor and settle him by the fire without a word. There was no room for sympathy in their world but they could still be compassionate. In turn, Vesemir would cook stews and soft foods on the days Eskel’s jaw seized up and he could barely open his mouth for more than a drink. And Lambert would take Geralt’s wood chopping duties on the days his elbow couldn’t bear the weight of an axe. There was a reason Vesemir stayed at Kaer Morhen almost year round. The older a witcher got, the more injuries they lived with and winters were more difficult. He knew that Geralt and Eskel were starting to feel their years when they arrived back sooner and left later, trying to avoid the trip up and down the mountain when riddled with so many aches and pains.

The letter from Lambert one year was both disappointing and a relief. He wasn’t returning for winter that year, something about having an invitation in the south. That year, winters were much quieter without his constant bitching. Instead, the other three suffered in silence which was almost worse. There was no snapping and snarling, the old keep was plenty big enough that they could avoid each other and nurse their hurts in absolute privacy. It was the loneliest year.

On the Path, it was pure chance that Eskel bumped into Lambert who looked much better than expected. He even managed to smile at Eskel.

“Come with me next winter, I’ll show you something amazing.”

The offer was one that caught Eskel off guard. Never before had Lambert been one to share, hoarding his stash of soothing creams and warm water skeins as if his life depended on it. Such an offer was made ever more curious when a cat witcher sauntered out of the woods, looking rather pleased with himself. He gave Eskel a once over and grinned.

“We’ve got room for you, big guy, bring the rest of your pack too.”

That winter, it was just Eskel and Vesemir at Kaer Morhen. They’d heard from Geralt to say he was going with Lambert and taking Jaskier with him too. The winds howled through Kaer Morhen and Eskel’s teeth chattered even as the scars on his face prickled from being so close to the fire.

In the spring, Geralt was at the bottom of the mountain looking rested and healthy. A bard was by his side looking tanned and spoiled.

“Meet me by the Theodula pass at the end of the year. We’re bringing Vesemir too.”

The year was harsh, new injuries, a badly set shoulder that Eskel had trouble with in the spring meant he was dreading winter. When it came time to decide which direction to turn, Eskel faced the north, he couldn’t risk the chance of Vesemir spending the year alone even if they weren’t much company for each other over the cold months. Dutifully, Eskel headed towards Kaer Morhen. At the bottom of the mountain, a vaguely familiar figure greeted him.

“Lambert and Geralt owe me. You need to head south, Wolf.” It was the cat witcher. “Vesemir is already half way there, Geralt had Jaskier sweet talk him into finally abandoning the old crumbling tomb.”

Without much choice, Eskel turned Scorpion around and Aiden accompanied him. The further south they headed, the warmer the weather got. They passed through Aedirn and Lyria into Sodden and Toussaint. Not that they stopped there which surprised Eskel, Geralt had always daydreamed about the place. Instead they carried on to Geso, Maecht, Etolia before entering Vicovaro. There, Aiden seemed perfectly at home, stripping out of his armour in the sweltering heat. A little more modest, Eskel allowed himself to roll up the sleeves of his shirt. They approached a sprawling mansion and Aiden hopped off his horse.

“Honeys we’re home!” he hollered. Eskel watched as the door opened and Lambert bounded out, seemingly full of energy. Behind him was another man, following with a little more dignity.

“Welcome home,” the man greeted Aiden with a kiss that was easy with well established familiarity. Lambert pulled Aiden in too with zero care for what was considered polite. Ignoring the two, the man turned to Eskel. “Welcome, I’m Cahir. You’re welcome to spend the the season here. From what I heard, Kaer Morhen hasn’t been the best of places to rest after a tough year.”

Understatement of the century, Eskel thought. He didn’t have much choice but to accept the seeming generosity of a stranger. One that Lambert apparently bedded, as did Aiden. And Geralt trusted too at that. From the doorway, Vesemir appeared, looking a little out of place still and Eskel could well and truly appreciate that.

As the weeks passed, it became easier. There was no cold, no worries about needing food and supplies in a hostile environment. Even the aches and pains that plagued them during the winter seemed to be held at bay. It was winter but Eskel could enjoy a crisp apple without his jaw locking, could chew even tougher meats and not freeze with agony of each move. The novelty of it put him in a good mood and, looking around, he could see the others in a similar state.

“From now on,” Cahir said one evening, a glass of wine in hand and Aiden’s feet in his lap, “I want you all to consider this your safe haven. Winter here and stay here all you wish. If you need a place to recuperate, you’ll always be protected here.”

It was a most generous offer, one that Eskel didn’t think could be a serious one. Nobody wanted witchers around, especially not if they weren’t on contract. Yet there was Cahir, seemingly comfortable with not only two witchers in his bed but three others in his home too. As time passed, Eskel learned that maybe he had been a little wrong. It was a serious offer for sure. And Cahir’s bed was big enough not for just two, but three witchers. It was something Cahir, Lambert and Aiden took great joy in proving to Eskel over and over again.

[chalkrevelations]

Huh.

Well, this is not the next episode reaction you were expecting, but a while back, in the middle of the night, while I was ready to cry from working on a pharmacology paper, out of nowhere, Youtube threw up Street Dance of China S3 Ep1 at me. And yeah. I am, admittedly, f’kn weak for a dance show. (There are enough SYTYCD episode reax on my old Livejournal that I feel there’s no point denying this.)

So – no, actually, wait. FIRST of all, I do NOT believe the “towel vote” we ended up being given for the opening routines from the four captains. That was the most blatant bit of bullshit chicanery I’ve seen in my LIFE, and I say this as a person with a ton of SYTYCD episode reax on my old Livejournal, and I also say this not because Wang Yibo ended up last (well, not entirely), but because I saw Wallace Chung’s routine. As someone closer in age to him than to the other three captains, I have to give him props for trying, but come on, man. The critique that Yibo got from random contestants – if the subtitles are to be believed, so I realize this needs a grain of salt - basically boiled down to “it was too good for the stage lighting.” :hands: Also, I saw your face at the reveal, Wallace, and you were as shocked as I was. No way you got more towels/votes than Wang Yibo. Not unless there’s some super wild undercurrent of nostalgia propping you up, which, I guess could happen, because literally all I know about pop culture in China, current or otherwise, is filtered through Tumblr and Youtube, both notoriously suspect, but … anyway. There’s got to be a TON of behind-the-scenes manipulation going on for Yibo to be rock-bottom with last pick of teams but then also to end up with THAT pool of possibles. Are you kidding me with this?

ANYWAY, what I wanted to say is that I actually really like Wang Yibo here, and it’s not just because he’s the only captain I have even a sliver of familiarity with, and it’s not just because Lan Wangji was banging Wei Wuxian. I do realize all of this is influenced by whatever edit they’ve decided to give a particular captain or contestant, but I’m impressed with the way Yibo immediately starts team building by getting his group into a warmup, getting them dancing together, getting them dancing with him before they have to worry about dancing for him. (I mean, come on, Jackson Wang. The way to get people to stop being nervous is not to say “Stop being nervous! It will make you fuck up!”) The way Yibo immediately recognized and responded to his group’s concerns about that one dude copying someone else’s routine probably also bought him a lot of return investment. He’s dressed to work it, in his sweats and his flannel (what IS that fake-leather TAC vest and random leg holster-looking thing, Jackson Wang?). He’s convincing me he really loves to dance, he can’t hold still while he watches the contestants, he’s wandering over into other captains’ turf when it sounds like there’s a dancer performing who he might like to see, he’s being the best Yibo he can be, and I’m grooving along, wind in my hair, totally down for this ride. He’s also adorable at the beginning when all the other captains are like, my goal for this season is to slaughter the competition and dance on their graves! And he’s like, well, I’d like to … make some friends? And learn some new stuff? I don’t know if the perpetual Humble Student schtick is natural or persona, or whether it’s general or specific to dancing, but it’s working for you, my dude. This is also made better (read: ironic), by the fact that it’s immediately before the towel reveal, when he flips over to utter disbelief and gets all sulky for a while over the “fact” that his dance routine got the least votes.

Also, OH WAIT. This is where that clip of Yibo dancing with his crew ALL OVER HIM came from that I saw floating around a few months ago, isn’t it? You’re telling me those guys had never danced together before and had like, three minutes to throw together that routine? I’m even more impressed than before. Meanwhile, the towels symbolize courage and challenge, Mr. Emcee? OK, fine, cheesy reality show blah blah whatever. Can we get to the dancing now?

I’m going to put the rest of this behind a cut, because it got super long, because it turns out, when you watch in 5-minute increments, it takes two and a half weeks to get through a single episode, but you actually can see and have opinions on all 5,328 contestants, plus every single one of the captains’ battles. Meanwhile, I’m trying to convince myself this is not going to be another series of episode reactions, but 1) I do have the benefit of not having a ton of hometown media giving me a next-day play-by-play, so even though this is six months old, everything’s a surprise; 2) I am, admittedly, f’kn weak for a dance show; and 3) it’s easy to watch in 5-minute increments between researching drug interactions in hypothetical hypertensive patients with stable ischemic heart disease, erectile dysfunction, and seasonal allergies. So, I guess we’ll see. It’ll be slow going, though, because I don’t ever have two and half hours to sit down and watch an ep cover-to-cover – if it happens, it will likely keep happening in 5-minute increments. Meanwhile, there is a metric shit-ton of nattering below the cut, so caveat lector. No, seriously, I kept adding to this little by little until it became a monster. Hashtag long post (remorseful).

OK, I am generally out of my depth here, as this is not at all my area of dance not-really-expertise, but some reactions:

Team Wang Yibo: I can see why he didn’t want to choose between Colin and Dian Men – Colin might have been a touch better technically and a better showman, but Dian Men didn’t seem to have a single wasted move – but, also, my dude. Yibo. You maybe should look a little bit less stunned and overwhelmed by the mere presence of Colin, it’s giving me ideas about your taste in men. Continuing with the powerhouses, I probably shouldn’t even attempt to critique Klash, but I did feel like he was a bit stiff in some of his footwork; that final V kick, though, shit, that’s what having that kind of upper-body strength is for. Bouboo … I mean, excellent flexibility and control, of course, but mainly I’m just terribly amused that Yibo got last pick of teams but somehow ended up with the guy who’s literal world champion, and who’s just as useful for getting into the other captains’ heads – without even trying – as he is for his talent. And then there’s a montage of Yibo giving out towel after towel after towel, and my dude, you cannot keep up this pace. There are still too many dancers to see, and you don’t have that many towels. AAANNNND Towel Battle #1 (See Footnote 1).

Team Jackson Wang: I do like Gai Gai, although that may be influenced by the fact she’s working in the twilight area between hip-hop and contemporary that I have more familiarity with - but also, I suspect she’s pretty good in her genre. I thought Xiao Jie was inconsistent and didn’t stick the landing on his initial attempt, so I have to give you that hesitation, Jackson, even though you’ve somehow ended up the villain in my inner narrative for this show, for no particular reason I can yet discern. Maybe it’s that you’re the direct competition for Yibo’s team in the towel battles. Good enough. Anyway, Xiao Jie definitely stepped up his game for the battle with Bingo, so I can kind of see why both of them got a towel, but we’re not even halfway through this, and most of y’all are giving away towels like you have an endless supply. Yang Kai is a fucking menace with fantastic musicality, and I’m just gonna say it and take the fallout - I think he gave a better performance first time out of the gate than any of Yibo’s powerhouses did. Whatever power Klash has got, whatever skill Bouboo has got, Yang Kai feels more explosive and engaging, at least in these initial showings. He’s going to be one to beat, I’d hug him too, if he was on my team and was going to help me WIN. Yibo’s probably lucky that happened during his little stroll over to check out the competition, so that he can see they’re definitely competitive and be prepared for it. Also, Jackson, I have to admit - that face you made when Chao really kicked in? That was the same face I made, because wt actual f, you have a literal secret weapon – secret because he CAME FROM NOWHERE and NO ONE EVEN KNOWS him, how is that even possible, how did he get that good – fluid, creative, controlled, incredible musicality - without anyone having any idea who he even is? And then there’s a montage of Jackson just giving out towel after towel after towel, and my dude, you need to slow down. You can’t just be like, “THEY LOVE DANCE WITH ALL OF THEIR WHOLE HEARTS!!!!1111!!!!11!” I get it, but everyone there loves dance with all of their whole hearts, and there are not enough towels to send all of them on to the next round. ANNNND, Towel Battle #1 (See Footnote 1).

Team Lay Zhang: lol at how diplomatic you’re being, Lay Zhang – your team’s fierce roar startled you, OK. At this point, I suspect you’re the street most likely to have a knife fight break out before this is all over. I do like Alex, I think he’s got a lot of interesting, super-clean details in his moves, and he’s engaging - I cannot BELIEVE you made him battle that dude whose moves were so mushy, Lay Zhang, it leaves me doubting your ability to judge this thing. At first I thought maybe you were just looking for an excuse because you wanted to see Alex freestyle, but then you actually said something about both dancers being equal, and my estimation of you plummeted, and also sadly, my sound dropped out for the actual battle, including the part where the clearly inferior dancer fell over and then accidentally POPPED ALEX ONE IN THE EYE, and I TOLD YOU SO. I do agree it’s a good idea to make dancers in the same genre do some battling, so you can kind of plan out your towels and put together a team with broad strengths, instead of giving out towels like you’re making it rain for the first 20 contestants, and then you have 1,375 more people to get through, with 3 towels left, as EVERYONE ELSE seems to be doing, so it’s nice that at least one of you guys is thinking – if not actually acting - strategically. That was clearly not even a contest, though, GIVE ALEX HIS TOWEL and send him to the next round. Xiao Bao is hilarious, with his concern that his team captain, who’s into krump, which is “beating,” isn’t going to appreciate his waacking, which is “slapping.” I also don’t know a whole lot about waacking, so thanks for the primer, Xiao Bao, and don’t worry, your performance is just as engaging for those of us who don’t know what we’re watching as you are generally. You deserve that towel for your ability to interact with and engage your audience, alone. Lingo is a good solid performance, although he’s got his team captain strategizing edited over some of it, and here’s the thing: we are 1:56:00 into this, at this point, with another half hour to go, and all of you are starting to disappear into the sea of dancers who are very good at what you do, but at generally the same level? Anyway, Lingo, I approve of your ability to interact with your audience (read: your captain) to ensure engagement, too, so keep that up. Annnd, we actually haven’t seen that much of you guys, but it’s time for Towel Battle #2 (See Footnote 2).

Team Wallace Chung: I’m glad Su Lian Ya insisted on performing, I thought she started off slow but warmed up, and that ending was creepily fantastic and had me spontaneously grinning at the screen in delight. Then we lose sight of this group for a really long time, actually. We go back to find Wallace putting through a couple of urban dancers who we barely see, but who apparently claim to have some choreography experience, and he really likes that. TI shows up, and they’re solid, but honestly, not as good in this performance as they were in some of the stock footage the show threw up to introduce them, but Wallace remains super-excited about the idea of choreography and sends at least choreographer Zhang Jiang Peng through to the next round. And then, we really haven’t seen that much of you guys, either, which maybe doesn’t bode well, but it’s time for Towel Battle #2 (See Footnote 2).

FOOTNOTE 1, aka TOWEL BATTLE ONE, Team Yibo vs. Team Jackson, 3V3 freestyle: First of all, I have to say, I love Yibo - Mr. I Just Wanna Make Some Friends And Have Some Fun - being all, “I have three crappy white towels I’m stuck with for coming in last place that I can’t use to send dancers to the next round and that I DO NOT DESERVE, and I am getting BACK the colorful towels that ARE RIGHTFULLY MINE. I am coming for whoever is in my way.” Team Yibo is Bouboo, Klash, Dian Men, and OK, given what we’ve seen so far, that’s the safe choice, but honestly, I think we’re just taking some things for granted right now, and I’m not sure they actually have given the best performances so far. Yeah, I said it. Team Jackson is Yang Kai, Chao, and Xiao Jie, and … ok, on that last one, I think you probably could have substituted Bingo, but all right. Yang Kai is a definite yes. Chao will be great if he can stay out of his own head and not psych himself out, but given what we’ve seen so far, he’s an obvious pick. First round, Yang Kai vs. Klash, and Yang Kai is still a fucking menace, with super lines. Klash definitely stepped up his game for the battle, and I can’t get over the upper body strength he’s got, to get that kind of airy bounce in his moves, but to be honest, I can’t even be mad the first round went to Yang Kai and Team Jackson. Second round, Yang Kai is still … y’all, the beautiful lines from this guy in his poses, I can’t get over them, but I think he doesn’t have the stamina, his footwork is getting sloppy. Bouboo also steps up his game for an actual battle, his fluidity and control is amazing, and yeah, round to Team Yibo. Round three, Xiao Jie gives it a decent effort, but the polish isn’t there; meanwhile Bouboo is still in champion mode, and I was kind of surprised this was a split vote and went to another round. Xiao Jie absolutely surprised me, coming back stronger on his second try, although I suppose a more familiar genre helped, but Bouboo continues in champion mode. Round four, Chao looks like he’s going to throw up right before he steps out there, and then as soon as the music starts, it’s like, he doesn’t even think. The music just moves him. I feel like his dance vocabulary is more limited than Bouboo’s, though, and Bouboo’s flow is amazing at this point, so I feel like the judges just want to drag this out and see more dancing when we go to one more round. Strong effort all around, but yeah, round four and two towels to Team Yibo. I can’t really complain about that. I do feel like Yibo’s powerhouses have been holding back until now, though, and I’m not sure how I feel about THAT.

FOOTNOTE 2, aka TOWEL BATTLE TWO, Team Zhang vs. Team Wallace, 3V3 w/ captain: lol, Team Zhang really wants someone to pick the Sailor Moon song because they know Xiao Bao and his waacking will tear it up. Anyway, Team Zhang includes Lingo and Xiao Bao, who does not get his Sailor Moon song and continues to be hilarious in his disbelief about being chosen to participate in this battle, when he’s not looking almost as sick as Chao from Team Jackson before HIS performance. Team Wallace includes Su Lian Ya – and honestly, despite how I’m getting ready to bag on him for the entire rest of this battle recap, I like that Wallace put one of his female dancers up there for the battle - and some dude named Ba that they haven’t given us any footage of, up ‘til now, at least that I can remember and who I … don’t even know has been formally given a towel and sent on to the next round, yet? Oh wait, he must have, because there’s talk in the pause for choreography about somehow using the towels during the battle. Wallace relies on Su Lian Ya and Zhang Jiang Peng to choose Ba, and then Ba ends up choreographing a lot of the performance, at least from the edit we see. I continue to feel you may be in over your head, Wallace. This feeling … is not assuaged by your performance in the first round, which is fine, but not really up to the level of almost anyone whose name I’ve bolded so far in this entire recap. Also, using the towels was a cute idea, but it doesn’t translate well, and Team Wallace has a lot of wasted time throwing the towels around instead of actually. You know. Dancing. Lingo gets a credible solo during Team Zhang’s performance, and even though Xiao Bao is clearly lost during a good bit of his backup dancer duties, he manages not to throw up, which – given this team’s general skill level – should be enough to give them the first round, EXCEPT SOMEHOW Team Wallace gets the point from the judges, who then try to justify this inexplicable decision by saying Team Wallace had better interaction, I guess because of the hot mess with throwing the towels around, but adding that Team Zhang was more scattered, which what? More scattered than the hot mess with the towels? I’m not buying this. I can’t tell if they’re propping up Wallace or fucking with Lay Zhang’s head, but I’m having bad acid flashbacks to the many and varied ways dance show judges will try to gaslight you, telling you that things you just saw with your very own eyes did not actually happen when it’s right there! On camera! Visible, despite whatever edit bs you’re pulling! ANYWAY, they’re definitely managing to fuck with not only Lay Zhang’s head, but Xiao Bao’s, and Xiao Bao still doesn’t seem to have his choreography down, but they manage to pull it together enough to take the second round, which to be honest is kind of a muddled mess on everyone’s part. The only one who really stands out to me on this go’round is Su Lian Ya, but OK, Team Zhang might have had it slightly more together as a unit. And then, yeah, OK, I think they were fucking with Lay Zhang’s head, because we then find out that, holy shit, the song the show powers-that-be chose for the tie-breaking third round is that gd Sailor Moon song, and we can all see the writing on the wall. Poor Team Wallace is no match for Xiao Bao, who frankly, carries this entire round on his shoulders without breaking a sweat and barely needs any backup dancers to do it. There’s some ridiculously dramatic reveal of scoring, with the judges dragging out their decisions like this was any actual contest - I’m beginning to suspect that some of them grew up with Wallace Chung posters on their bedroom walls - but finally, round and towel to Team Zhang.

Cut to a little bit of Next Time On, and wow, the first two-and-a-half-hour episode is over, and we aren’t finished with the initial round yet. It’s gonna be Christmas before I make it halfway through this season.

[sylvielauffeydottir]

Hi I just saw your post about Israel and Palestinian. I don't know if you're the person to ask or if this is a dumb question but I was wondering if anyone has considered starting a second Jewish state? I was wondering because there's a bunch of Christian countries so why not multiple Jewish ones.

Sorry if I'm bothering you and Thanks for your time.

That’s actually a pretty interesting question. I am going to apologize right now, because I essentially can’t give a short answer to save my life.

I’m not a ‘Jewish Scholar,’ so while I can speak with some authority about the history of Zionism, I definitely couldn’t speak about it with as much authority as others. I mentioned in at least one of the posts I have written about the history of plans for a ‘Jewish state’ when Zionism was originally being proposed, and I can kinda of track the history of Zionist thinking for you if you are interested, though essentially it’s just about arguing where to go. But there are better scholars for this than me, so I would recommend Rebecca Kobrin, Deborah Lipstadt, Walter Laqueur … idk. Maybe just read some Theodor Herzl, honestly. With all of that said, I can speak with some authority about the post-war history of this in the Middle East. So let’s go.

In post-war times, there has really only been one serious discussion of an alternative Jewish state, as far as I know. And actually, this is part of why I find it so ironic that people are campaigning so hard to be “anti-Zionist” and to express views like “anti-Zionism” in their activism, because the Jews in Israel who are most anti-Zionist are actually the settlers of Palestinian territories, who want to secede and form a “Gaza-State” called Judeah. There's a great book about this called The Deadly Embrace by Ilana Kass And Bard O'Neill, if anyone is interested. Anyway, most of those people, who are largely Haredim (the Ultra-Orthodox Jews, though some of those settlers are semi Orthodox), have essentially been waging a “culture war” about what it means to have a Jewish state and what the identity of that Jewish state should look like basically since the 1980s.

There is a really good article about this that you can find right here written by Peter Lintl, who is a researcher at the Institution of Political Science for the Friedrich-Alexander Universitat. I’ll summarize it for the lazy people, though, because it’s like 40 pages. Just know that this paragraph won’t be super source heavy, because it is basically the same source. Essentially, the Haredim community has tripled in size from 4% to 12% of the total Israeli population since 1980, and it is probably going to be about 20% by 2040. They only accept the Torah and religious laws as the basis for Jewish life and Jewish identity and they are critical of democratic principles. To them, a societal structure should be hierarchical, patriarchal, and have rabbis at the apex, and they basically believe that Israel isn’t a legitimate state. This is primarily because Israel is (at least technically, so no one come at me in the comments about Palestinian citizens of Israel, so I’ll make a little ** and address this there) a ‘liberal’ democracy. Rights of Israeli citizens include, according to Freedom House, free and fair elections (they rank higher on that criteria here than the United States, by the way), political choice, political rights and electoral opportunities for women, a free and independent media, and academic freedom. It is also, I should add (as a lesbian), the only country in the Middle East that has anything close to LGBT+ rights.

[**to the point about Palestinians and Palestinian citizens of Israel: I have a few things to say. First, I have recommended this book twice now and it is Michael Oren’s Six Days of War, which absolutely fantastically talks about the ways in which the entire structure of the Palestinian ‘citizenship’ movement, Palestinian rights, and who was responsible for governing Palestinians changed after the Six Days War. If you are at all interested in the modern Middle East or modern Middle East politics, I highly recommend you read this, because a huge tenant of this book is that it was 1967, not 1947, that caused huge parts of our current situation (and that, surprisingly, a huge issue that quote-on-quote “started it” was actually water, but that’s sort of the primary secondary issue, not the Actual Issue at play here). Anyway, I’ve talked about the fact that Israel hugely abuses its authority in the West Bank and Gaza and that there are going to be current members of the Israeli Government who face action at the ICC, so please don’t litigate this again with me. I also should add that the 2018 law which said it was only Jews who had the natural-born right to “self-determine” in Israel was passed by the Lekkud Government, and I really hate them anyway. I know they’re bad. It’s not the point I’m making. I’m making a broader point about the Constitution vis-a-vis what the Haredim are proposing, which is way worse].

To get back to the Haredim, basically there is this entire movement of actual settlers in territories that have been determined to belong to the Palestinian people as of, you know, the modern founding of Israel (and not the pre-Israel ‘colonial settler’ narrative you’ll see on instagram in direct conflict with the history of centuries of aliyah) who want to secede and form a separate Jewish state. They aren’t like, the only settlers, but I point this out because they are basically ‘anti-Zionist’ in the sense that they think that modern Zionism isn’t adhering to the laws of Judaism — that the state of Israel is too free, too radical, too open. And scarily enough, these are the sort of the people from whom Netanyahu draws a huge part of his political support. Which is true of the right wing in general. Netanyahu can’t actually govern without a coalition government. Like I have said, the Knesset is huge, often with 11-13 political parties at once, and so to ‘govern’ Netanyahu often needs to recruit increasingly right wing, conservative, basically insane political parties to maintain his coalition. It’s why he has been so supportive of the settlements, particularly in the last five years (since he is, as I have also said, facing corruption charges, and he really can’t leave office). It would really suck for him if a huge chunk of his voters seceded, wouldn’t it?

Anyway, that is the only ‘second Jewish State’ I know about, and I don’t think that is necessarily much of a solution. I really don’t have the solutions to the Middle East crisis. I am just a girl with some history degrees and some time on her hands to devote to tumblr, and I want people to learn more so they can form their own opinions. With that said, I think there are two more things worth saying and then I will close out for the night.

First, Judaism is an ethno-religion. Our ethnicities have become mixed with the places that we have inhabited over the years in diaspora, which is how you have gotten Sephardi, Mizrahi, Ashkenazi, and even Ethiopian Jews. But if you do actual DNA testing on almost all of the Jews in diaspora, the testing shows that we come from the same place: the Levant. No matter how pale or dark, Jews are still fundamentally one people, something we should never forget (and anyone who tries to put racial hierarchy into paleness of Jews: legit, screw you. One people). Anyway, unlike other religious communities, we have an indigenous homeland because we have an ethnic homeland. It’s small, and there are many Jews in diaspora who choose not to return to it, like myself. But that homeland is ours (just as much as it is rightfully Palestinians, because we are both indigenous to the region. For everyone who hasn’t read my other posts on the issue, I’m not explaining this again. Just see: one, two, and three, the post that prompted this ask). This is different from Christians, for example, who basically just conquered all of Europe and whose religion is not dependent on your race or background. You can be a lapsed Christian and you are still white, latinx, black, etc right? I am a lapsed Jew, religiously speaking, and will still never escape that I am ethnically Ashkenazi Jewish.

Second, I think you raise a really good point about other religious states. There are many other religious majority states in the world (all of these countries have an official state religion), and a lot of them are committing a lot of atrocities right now (don't even get me started on Saudi Arabia). I have seen other posts and other authors write about this better than I ever could, but I am going to do my best to articulate why, because of this, criticism of Israel as a state, versus criticism of the Israeli Government, is about ... 9 times out of 10 inherently antisemitic.

We should all be able to criticize governments. That is a healthy part of the democratic process and it is a healthy part of being part of the world community. But there are 140 dictatorships in the world, and the UN Human Rights Council has condemned Israel 45 times since 2013. Since the creation of the UN Human Rights Council, it has has received more resolutions concerning Israel than on the rest of the world combined. This is compared to like … 1 for Myanmar, 1 for South Sudan, and 1 for North Korea.

Israel is the world’s only Jewish majority state. You want to talk about “ethnic cleansing” and “repressive governments”? I can give you about five other governments and world situations right now, off the top of my head, that are very stark, very brutal, very (in some cases) simple examples of either or both. If a person is ‘using their platform’ to Israel-bash, but they are not currently speaking about the atrocities in Myanmar, Kashmir, Azerbaijan, South Sudan, or even, dare I say, the ethnonationalism of the Hindu Nationalist Party in India, then, at the very least, their activism is a little bit performative. They are chasing the most recent ‘hot button’ issue they saw in an instagraphic, and they probably want to be woke and maybe want to do the right thing. And no one come at me and say it is because you don’t “know anything about Myanmar.” Most people know next to nothing about the Middle East crisis as well. At best, people are inconsistent, they may be a hypocrite, and, whether they want to admit it to themselves or not, they are either unintentionally or intentionally buying into antisemitic narratives. They might even be an antisemite.

I like to think (hope, maybe) that most people don’t hate Jews. If anything, they just follow what they’ve been told, and they tend to digest what everyone is taking about. But there is a reason this is the global narrative that has gained traction, and I guarantee it has at least something to do with the star on the Israeli flag.

I know that was a very long answer to your question, but I hope that gave you some insight.

As a sidenote: I keep recommending books, so I am going to just put a master list of every book I have ever recommended at the bottom of anything I do now, because the list keeps growing. So, let’s go in author alphabetical order from now on.

One Country by Ali Abunimah Rise and Kill First: The Secret History of Israel's Targeted Assassinations by Ronen Bergman Kingdom of Olives and Ash: Writers Confront the Occupation, edited by Michael Chabon and Ayelet Waldman The Girl Who Stole My Holocaust: A Memoir by Noam Chayut If a Place Can Make You Cry: Dispatches from an Anxious State by Daniel Gordis Israel: A Concise History of a Nation Reborn by Daniel Gordis The Deadly Embrace by Ilana Kass And Bard O'Neill Like Dreamers: The Story of the Israeli Paratroopers Who Reunited Jerusalem and Divided a Nation by Yossi Klein Halevi Antisemitism by Deborah Lipstadt Six Days of War: June 1967 and the Making of the Modern Middle East by Michael Oren The Yom Kippur War: The Epic Encounter That Transformed the Middle East by Abraham Rabinovich One Palestine, Complete: Jews and Arabs Under the British Mandate by Tom Segev Hollow Land: Israel's Architecture of Occupation by Eyal Weizman

[mybg3notebook]

Loving your analyses of Astarion's behaviour and character so far! It has really reaffirmed in my eyes just how much of a bastard he really is. (I say that fondly, of course.) Do you have any thoughts on why the general reaction on tumblr has leaned so much towards woobifying him? After looking at his actual (explicit and implicit) morals in game it seems quite odd that some people are reading him as an edgy soft boi who just needs a hug from the right person to fix him.

Hello!

Thank you very much! I really enjoy seeing chars in a deep way. It makes me change my opinion on them, sometimes. That's why I like to do these analysis, even though it's a lot of work for a person who doesn't speak English as a native.

Lol, please, I won't be offended. Astarion is a bastard in the whole sense of the word, lol.

However, I find Astarion an interesting evil (evil neutral imo) char to explore the narration of “abuser who found a greater abuser”, with all the topics I talked about in those posts. I would feel a bit disappointed if Larian suddenly changes him into a man who always had a gold heart (because for that, you need to give hints, even in EA, and none of that has been seen so far).

An example of how this is done is with Shadowheart, she is evil and she supports a lot of cruelty that Astarion does too, but we got meta-knowledge (and not so much meta when we see her heavily drunk after killing the tieflings) that gives us enough reasons to believe she has some heart in her, despite Shar and her teachings. I do not support the idea of “she is a softie”, because she is not, but she doesn't have the same level of cruelty nor revels in murder so much as Astarion does. They represent different degrees of evilness. What plays in her favour is her face, which gives the idea of more softness than she truly has; the same happens with Astarion. Lae'Zel is less cruel than Astarion in general, with more logical reasons to be so because her brainwashed culture made her to be more pragmatic than a taster of cruelty, and yet, she receives a lot of more hate in the fandom... and it is clear to me why: she is not “beautiful” in the traditional white euro-centric standard sense.

And this is my point to answer your question (remember all this is personal opinion): I think there are many reasons why people woobify Astarion (not only in tumblr, but also in Reddit or in Larian Forums, it's a big part of the EA fandom).

First and foremost, I believe it's his appearance. If he were a bugbear or a goblin, few in this fandom would give a thought about his abuse, his pain, Cazador, etc. They would focus on his “bastard” side and leave it at that (again, Lae'Zel has this treatment). I want to make clear that I'm not questioning people's taste, everyone can like whatever they want to. I'm saying that, for me, there it proof enough to sustain this idea that Astarion is woobified because he is beautiful: when you read that a lot of people in this fandom never had an interest in Larian's previous games, or isometric rpgs, or even turn-based combat games (there are some people who are giving feedback against the game being a turned-based combat one! It's the nonsense because it's basically Larian's style), but they bought bg3 because they saw Astarion, even though they knew nothing about him.... All this, clearly, shows to me that a lot of people approached this game for only one char, for only his design (a big amount of them say it explicitly), and it is not far-fetched to know that people justify more easily beautiful villains than ugly ones. We can explore a lot of examples of this in many fandoms. People can love villains because they have real complex reasons to be so (like Loghain in DAO), but they also can like whimsical villains just because they are “hot”. I feel this is Astarion's case, he is a “beautiful villain” who apparently has always been evil. His reasons for his whimsical evilness is more like “it's always been in his nature”. Unless the family part has a different role in his backstory (mirror option) and it's not a mere line for a player to play a “good aligned” Astarion when picked as Origin. I don't like to read much about it in that scene because the game still doesn't have companion Tags; those options in the mirror can be there just for the player to pick, flavoured with each origin, but not necessarily the three of them are canon. This will be seen once we have the companion tags activated as it happened in DOS2.

What we can say for sure is that Larian knew what they were doing when they picked Astarion's design; they choose a dangerous white guy with white hair and evil alignment: an archetype that catches a lot of people in many fandoms.

Part of his woobyfication process has a deep root there, in my opinion. Again, if he were a bugbear, a goblin, a githyanki, a monster-humanoid... we would not have 90% of the EA fandom collapsed with his image, or Larian focused on him to the point that after 4 patches he had new scenes, lines, corrections, and development, while Wyll is still there, sitting in the bench of “the less developed chars” (with around 2k less lines than the rest of the chars, and his personal quest bugged since the first day). Yes, I don't like the preference on one single companion when I am seeing the “future Beast” (from DOS2) in Wyll.

Second, he is a vampire. Vampires are a great element in any fantasy narrative. You know you will have a lot of fans behind a vampire char. Not by chance Vampire The Masquerade is one, if not the most important product of White Wolf, which keeps still giving them a lot of profit despite being decades old. Vampires are always a good element of personal horror, of lack of control of your own body, and also an allegory of abuse, power, and rape. This concept of “being a monster without control” that they embody helps a bit more for the woobification.

Third, people tend to mix a lot headcanon with what a character gives us as canon. We can have a long useless discussion about which is more worthy: canon or headcanon, or about why one should or should not respect canon, but putting all that discussion aside, and considering the previous two points, I see that a small part of his woobyfication comes from the fact that people love denial and self-projection instead of analysing of what they are given (and let's be honest, we know in tumblr, reddit and others social networks, people lack of reading comprehension skills, which makes analysis all about self projection without a real effort in understanding the character's perspective. It's all about the player unilateral perspective. How can you analyse a char you didn’t play with or explored in all its paths? ).

So if their beautiful character is behaving in a way they don't want to, they start considering him “random” (I read this so much that confuses me, because Astarion has clear patterns for everyone who wants to see them, like the rest of the companions. He is not random, he follows pretty well all what I listed here, that list helps you to predict what he will disapprove or approve) so they end up filling this apparent “randomness” with headcanons and self-projections. Don't get me wrong, I don't despise headcanons, I love them, I have a lot of them and create with them. But I also like honest analysis and separate what I want from what I get from a company (to correctly give them feedback, otherwise I will be giving them my headcanons).

If you don't want an aspect of a given char, and you want to deny it, it's perfectly fine. Do it, it's your entertainment, but be honest with the fandom about it, acknowledge this is a personal denial you enjoy. And mainly, don't use headcanons and self-projections to attack the rest of the chars you don't like in their own tags. We know how aggressive some people in this fandom are, and it's a bit frustrating to see aggression without the slightest effort in understanding the character they hate.

There is also something sad to say, related to self-projection, that contributes to Astarion's woobyfication too: a lot of players are survivors of abuse who connect with him from trauma, and I can understand if denying his past is a way to help them to release any kind of pain or need for vengeance against their abusers. It's a natural and totally understandable projection. The woobyfication, then, ends up in an intense self-projection where they give to the char something that they needed because their own trauma.

This is why I would like Larian to give us other survivor chars that people can project onto, whose stories are really about survivors of abuse who were not evil in the beginning. Because I feel a lot of people approached Astarion as a narration of a “victim who will become a victimiser” or as a “bad behaved victim”, instead of what I think it's shown: an abuser who found a greater abuser (and his story is about punishment of the abuser and the concept of justice in a world which has none), so trauma survivors will end up with disappointment if they think Astarion is something similar to the representation of what they experienced. Plus, vampirism is never good to use as allegories of abusers/victims because the relationship Sire/Childe is too sick and twisted. So, again, this is a mere opinion from all what I've been reading since the game came out.

I hope Larian sticks to the narration they seem to follow with Astarion: an abuser who found a greater one, and now wants to become the next Cazador, and this woobifycation doesn't change the real potential of a dark deep story that I believe they want to give us: not every char is redeemable, and sometimes evilness is capricious. We had chars like these in bg1 and bg2 after all. 

[monkberries]

So here goes: Personally I find Paul to be hot with a beard. But it annoys me because there’s always some Paul stan who’s like “he was super depressed during that time you know” anytime someone says how hot he looks with a beard. Like first of all, I don’t think we should go around diagnosing people and assuming how he felt 24/7 just based on a couple of quotes when we don’t know him, and second of all I was just saying he looks good. Also idk why Paul stans want to pretend like Paul is STILL a victim when he’s definitely not. He’s a super successful billionaire musician. He’s fine.

I'm going to assume all four of these were from the same anon; I received another along these same lines that seems to be from someone else:

OKAY. There's a lot here.

As I've said before, I think the concept you are both talking about - that Paul is the favourite, that people will attack you if you criticize him, that people are vilifying John more now - is true, but is also a matter of perspective. I think sometimes we perceive the whole fandom as just the people we're surrounded by; that can be true in smaller fandoms, like for obscure shows or whatever, but for the Beatles, the fandom is so much bigger and more spread out across generations, social media platforms, and works of literature than almost any other fandom. There are literally thousands upon thousands of books either about or tangentially about the Beatles; there are pockets on every platform from tumblr to twitter to podcasts to instagram to facebook etc., and it branches off even more niche within those to like, facebook groups specifically for podcasts about the Beatles, or discord servers, or livejournal threads, or music forums, or fics on ao3. There are fansites with thoughtful speculative articles like heydullblog and blogs specifically reviewing Beatle books like beatlebioreview and sites cataloging every bit of minutiae like the Beatles Bible, all with their own flavor of comment sections. And not only that, the Beatles fandom spans generations and cultures in a way that almost nothing else ever has or ever will.

And this is not even going into the shifting narratives that have been in play over the years surrounding Paul specifically, and the huge, huge difference between the perceptions of him by the authors and the Counterculture People, the perceptions of him by regular ass Wings fans who have only idly flipped through Rolling Stone while waiting in line at the local bodega, and the perceptions of him by everyone in between, who may or may not have been unconsciously influenced by the wider narratives about him.

All that is to make the case that the fandom that you are experiencing on tumblr/twitter is an extremely small fraction of The Fandom at large. For every Paul stan on twitter that yells at people for not believing that Paul literally invented music, there is a John stan in a facebook group going on about John's supposedly tireless peace efforts. For every nuanced, well sourced post on amoralto's blog, there is someone in the Beatles Bible comment section saying that John and Paul hated each other. For every fan who's read the major Beatles bios with a critical eye towards bias, there are plenty more fans who just absorbed them as straight fact. This is not to say that your experiences are not real or valid! They absolutely are! What I am saying is that there are infinite permutations of infinite Beatles fandoms out there, and the people you see who insist that Paul is still treated worse than John, I would imagine, are occupying various permutations of the fandom where that is more true, alongside the one they share with you. It's not for me to say whether the Paul or John people have the upper hand on the whole - truly, I don't think anyone has enough perspective on the whole fandom to make any judgment on that, no matter what general Grand Pronouncements anyone may make about The Fandom.

As I've said before, any overly defensive "stan" behavior, whether it's for John or Paul or George or anyone, is exhausting to me, so I definitely understand where you're coming from re: him being supposedly underrated. He is literally one of the most successful musicians of all time; as of the beginning of this year, he is worth 1.2 billion dollars; and, thanks to his own efforts and the efforts of quite a few fans and writers out there over the decades, he now enjoys an incredibly positive "granddude" reputation. There are ways in which it can be exasperating to read yet another indignant refutation of music reviews for RAM that came out fifty years ago, when his last three albums have hit the top 3 in the charts in both the US and the UK and have gotten great reviews. I have seen people wonder, honestly wonder, how much more money Paul could have made, how much more respected he could have been, if the rock press had been inclined to give RAM good reviews. When I see that, it does start to feel like fans of Paul, at least the defensive ones in the fandom permutations I occupy, are arguing with the author photo of Philip Norman in the book jacket for Shout!. It's not that I think those arguments and discussions are not worth having; I do think they're worth having because I believe that the only way we can continue to grow is if we grapple with the mistakes made in the past. But there is a strange kind of disconnect that happens when you read about someone indignantly defending Wild Life as though the members of Wings are currently, actively having eggs and rotten fruit thrown at them, and then you remember that Paul is currently, and has been for many years now, one of the richest men in the entire world.

As for the misogyny thing, I'll copy and paste a quote from Erin Weber which may explain a little better than I can:

"Where it starts entering into serious discussion for me is when you have professional grown men (Schaffner would be the most glaring example of this, but not the only one) repeatedly using the term “pretty” or “pretty-faced” to refer to another grown man. (Norman does the same). Schaffner doesn’t only do that once or twice, he uses one of those exact words at least fifteen times in his references to McCartney. “Pretty-boy” is also a term that at least one journalist has used to describe Paul, and that’s not a stealth insult: that’s an overt one. (My husband, who hates the Yankees, routinely used the term “pretty-boy” to insult Alex Rodriguez. And it wasn’t meant as a compliment).

My reaction to this is based both on studies that I’m aware of (I’d have to hunt them up, but I’ve seen them referenced before) which argue that the use of feminized language can be a method of stealth insult/diminishment when used by men to describe other men, and my own personal experience. It is difficult to see a situation where a grown man using the term “pretty” or any variation of the word “pretty” to describe another grown man means it as a compliment. Even if its purely meant as a descriptive term, it is a descriptive term that is weighted with significant meaning and is feminizing. And given the rock press’s obsession with masculinity and its insistence, as noted in other studies, of using masculine terms to portray a song as good and feminizing terms to describe them as weak or inferior, I don’t think its a coincidence that a rock press that knew well the power of masculine and feminine language commonly used feminized language, particularly in the 1970s and 80s, to describe McCartney."

I personally see this more as pseudo-homophobic than pseudo-misogynistic (like, when I see a man called "pretty" by another man in an insulting way, I immediately think "oh, that author wanted to say a gay slur but he's too Professional"), but the two things can get muddled together, I suppose.

Anyway, actionable items:

Diversify Your Fan Experience. More perspectives can really help gain a fuller understanding of not just the fandom but the Beatles themselves. Don't be afraid to be wrong, and don't be afraid to be right; always be open to learning new things and hearing new insights.

If All Else Fails, Block 'Em.