#I wish they would address this issue in some future episode of the anime (in a serious way)

[makshu]

I just reread the chapter and it didn't shock me as much as the first time, but it still scares me that all that happened to a 10 year old-

[colourful-void]

Supporting Satoshi - an examination and comparison of JN36 and XY121

Part Two: Dragging your friends into sandstorms is also not a recommended way to treat depression but at least this one worked

So back to journeys, where Satoshi has just lost three battles in a row and a sandstorm is luring people in over in Hoenn.

Goh is immediately excited about the prospect of a pokemon hiding in the sand and goes to ask Satoshi about coming along. It's a fun note of Goh's character devlopment that his immediate wish is to go together. Goh at the start of the season would easily have abandoned Satoshi to go research on his own, but it doesn't even cross his mind for a second in this episode. Great work Goh!

Satoshi's not doing too hot. He's curled up in a corner talking to himself about how he's dropped a whole class. Goh tells him to cheer up, it was only a few battles, this does not work. Another similarity to the xy episode.

We can see more of the root of the problem here, that Satoshi fears he won't be able to live up to his dreams and that trying is fruitless. Now I know we're on the jp dub but I really wanna shout out the english, because in the english dub satoshi says "Battling (Dande)'s a dream I should get out of my head, I don't deserve it."

"I don't deserve it", like I don't think there's a clearer way to represent the issue here than this line. He doesn't "deserve" to battle Dande, he doesn't even deserve to dream about it.

Goh dismisses these ideas and drags Satoshi out to Hoenn to go find the pokemon in the sandstorm.

They get to the sandstorm, Goh's excited, Satoshi's still upset. Back to the tried and true method of "just don't be sad"! Which of course, does not work.

We can already see the similarites to Serena in Goh's actions. Both try their hardest with genuine intent to cheer up Satoshi using methods that work for them. (You can argue Serena was trying a bit harder here since Goh had alternate motives at play). However, what changes here is what they do afterwords.

The problem of dismissing someone's negitivity as not like them remains and I'm still salty about it, but at least in this senario Goh is affirming Satoshi's postivity and not getting upset with him while he's actively upset. It's marginally better but the problem remains.

But that's not why I love this episode. What matters to me is what comes next.

Despite the distraction, Satoshi's still caught up in his eariler problems. He hasn't actually resolved them, so he can't let them go yet.

The boys make their way through the sandstorm, Goh rescues some people from the sandtrap, its going alright. At least until we run into flygon. Or more specfically, until Goh asks Satoshi for his help battling Flygon.

This is Satoshi's expression when Goh asks him for help. Despite agreeing, he's clearly hesitant about this. He doesn't feel confident in his ability to battle the Flygon. He's so out of it he forgets the type match ups, and uses electric moves on a ground type, which of course are ineffective.

Satoshi continues to self loathe, berating himself for not thinking. His hat begins shading his eyes when this happens! He gets caught up in his mistakes and begins to feel as though everything is hopeless.

Now, Goh doesn't do any of the 'no don't say that, you have to believe in yourself' stuff here. Instead, he keeps battling. He instead redirects the focus back to the fight, which is sort of the more pressing issue. It's also a good way of dealing with the problem as well! Goh's actively strategizing, looking for the next step to take. By doing that he's telling ash, indirectly, not to give up yet because there are still concrete steps to take, and that things aren't hopeless!

Satoshi is still paying attention to the battle though, and picks up on Goh's strategy. Goh and Satoshi also share a glance with each other when Flygon disappears under the sand.

Messon gets beaten and recalled.

and Satoshi begins to spiral. He gets so caught up in his previous losses that he visibly flashes back to them. He panics over what's dangerous for the pokemon, and the footage flashing specifically shows Riolu's losses and it being in pain after being attacked.

Both Pikachu and Goh call out to Satoshi in concern after he falls over and doesn't get up. Satoshi's body langauge is imporant here but unfortunately image limit. He's not clentched up, his fingers are loose. even when he grits his teeth, the rest of his body language all together reads as though he's gone slack. Unfortunately, Goh's attention is pulled away by the Flygon attacking again, and the battle resumes with Rabbifoot.

Satoshi protests Goh's strategy, still afraid that battling in too close is dangerous. Goh turns to him for a moment, but has to keep his attention on Rabbifoot. This actually pulls him out of dazed body langauge, as he tense and clenches his fists when Goh starts to put himself in danger. He's concerned for Goh and Rabbifoot!

Satoshi wonders what Goh's thinking, and he's not even looking at the battle anymore. He's just staring at Goh intently.

Or at least, until Rabbifoot successfully executes the strategy, and uses the meteors as part of ember. It's a wonderfully animated sequence, and it works! Goh's proud and excited, all the pokemon jump around happily, and Satoshi just sits there dumbfounded, though visably relieved as well (eyebrows are no longer drawn together) before he begins to laugh.

But Goh's not done helping out Satoshi, and this is what sets this and the xy episode apart, this is where everything comes together.

Goh does what he does best, a big dramatic monolouge. He tells Satoshi that he learned all those tactics from Satoshi, it's the first thing he tells him before he even explains.

Goh tells Satoshi plainly that he does know how to do this, he's a good battler and he can succeed when he remembers to work with his pokemon in tandem and doesn't get caught up in things. And he tells him this right after he proves it to Satoshi's face.

Satoshi learns from examples, from doing, and Goh uses that as best he can. He gives Satoshi the example first, and then explains it later.

And the visual symbolism is incredible here because as Goh tells this to Satoshi the sky clears behind him.

I cry over this part everytime. What better way to show that Goh has helped free Satoshi from the mental fog, that his words have cleared the way for him.

And of course, Goh keeps a smile on his face the entire time.

He continues to talk about working together with his pokemon, something Satoshi was neglecting to do because of his fear of not being good enough and letting those pokemon down.

Satoshi reflects on this, adjusting his hat so it hides his eyes as he does. However, he's in control of this now, actively holding the hat in his hand, symbolizing that while he's still upset, he's in control of his emotions now!

Goh specifically kneels down to meet Satoshi at his level and speak to him directly, he puts them on equal ground.

He talks more about strategy, and then he says a line I adore.

"Battling sure is complex, isn't it, Satoshi?"

Goh doesn't like battling, we know this. We know his only interest in it is as a means to an end and because he cares about Satoshi. And he says this because he's showing Satoshi how much he's learned from him. To really drive home that he attributes everything he just accomplished to Satoshi. All that trust and skill and work! Not to mention the fact that this is a call back to what Goh said after Satoshi won the Flutes in episode seven! Incredible, truly!

And Satoshi laughs and flops over, to which Goh worries. But Satoshi is smiling again, truly smiling. He calls himself stupid, the self loathing hasn't gone away entirely, but he is smiling, and he's staring up into the sky happily. There is no shade over his eyes anymore!

He finally addresses his pokemon again, with words similar to what he said in xy, and of course his pokemon love him and lay down with him. It's really cute <3.

And thats where the episode ends! My goodness, do I adore this episode. It's beautiful and i think about it all the time.

It's about finding new and crazy strategies to win, and when talking things out or distracting him doesn't work, Goh tries a new strategy that does! If he can't use ember and win with one strategy he'll try another. can't cheer up Satoshi with one strategy? try another.

What sets them apart is that Goh keeps going and stays by Satoshi's side, where as Serena got caught up in her feelings and ran off. Goh visbly takes Satoshi's way of learning and expressing things into account, and Serena doesn't make it that far.

There's so much care and effort that Satoshi and Goh share and it means the world to me. I can't wait to see what other moments they'll share in future, and what other parallels will be drawn!

I hope you enjoyed my ramblings, Thank you so much for reading this all.

[kuboism]

Bleach Canon Vs. Studio Clown Episode 1

Intro to the series

WARNING: Long read but theres plenty of pictures

The first deviation we’re greeted with is what the anime presents as the arrival of hollows into the human world. With a likely artistic rendition of them forming from the shadows of Hueco Mundo and dripping/bleeding over into the human world like splotches of ink, after which they disappear - unable to be perceived by humans.

A/N: Which, kubos to the anime, is rather neat.

The anime also decided to incorporate the first volume poem which is the thematic beginning and a great establisher of the mood/themes of Bleach, which roughly translates to: 

我らは 姿無きが故に それを畏れ

“We fear that which cannot be seen”

And then they curiously add a line to this poem? 

姿無き故に敬う

”We revere that which cannot be seen"

A/N: Which, initially seems on brand with the spiritualism of that “which is not seen” - the shinigami, DEATH itself if you will. However, unlike the themes of “fear” and “fear of death/the unseen”, “reverence” is not really a theme prevalent or definitive for bleach. Reverence is not particularly reserved for death or death gods, but antagonists with themes of divinity/the Soul King himself, but I digress.

Next off the bully scene has a couple of missing/reworded lines, as well as some of the delivery changed, but overall it’s not significant enough to mention.

I also wish they’d kept Ichigo’s shit yourself scary face from this moment right here, since it really underlines how serious and personally invested Ichigo is in bringing small justice to the souls of the departed, but I can only pray a future remake does include it.

^ I am disappointed in y’all :/

vs.

v Karma delivery, bitch

Then for some reason the next scene is changed significantly:

In the manga, it builds up slowly to Ichigo’s reveal of supernatural abilities with the iconic TM character profile intros (which I can see why weren’t recreated in the anime, but I sure wish they put them in....)

with him spooking the bullies off with the ghost girl right behind him

Versus his scary face doing the job instead.....

It’s a small change, and I can see why it would be opted for - we don’t really know if they even saw the ghost in the first place (then again you could argue that would spook them anyway). There is a tonal difference in the long run though. The manga emphasizes once again *why* ichigo is scolding them in the first place - he sees the people disrespected by them knocking down the vase, he wants them to acknowledge their actions *because* in his mind, there are real victims he knows from it. While in the anime, since the ghost is not yet introduced, it feels more like “you are disrespectful to the dead” in a more generalized way vs. him actually being acquainted with the dead and treating them like the living. 

(Again, not sure why change it so much at all........the suspense and reveal are in the manga just the same.... but ok)

As well as cutting off this small moment where you can see Ichigo’s very human (and cute!) interactions with the ghosts. To him they’re just as real as the living, and he lends them a hand whenever they ask for help.

Also lmfao this 4kids level of censorship.....

It goes on rather faithfully for a while, no significant omissions, then Pierrot decides to randomly replace Yuzu’s lines with Karin??

Manga:

Anime: 

Which is an odd choice, given that not only does Yuzu sense ghosts just fine (albeit at a much lesser level than her family) and that later comes into play with Fishbone & Grandfisher, but Karin literally later admits that she doesn’t even want to acknowledge their presence, so why the change....?

They also cut short Karin’s little talk about Ichigo’s stats, which is a fair change for screentime’s sake, but mentioned for the record.

There’s a bit of a divergence with Yuzu lore, when the manga explicitly states she sees them, but not “clearly”, the anime focuses on her barely sensing them. I guess it doesn’t matter that much in the long run, since she is not that prevalent in the story, but it’s here for the record nonetheless.

Anime: 

vs. 

Manga:A

Also this next bit was removed, probably for the sake of pacing (which, totally fair!!), but it’s funny and I love the Kurosaki family so here it is:

It does make the flow a bit better in the manga, since this talk of selling his talents distracts Ichigo and creates an opening for his father to strike, in the anime, the same is done with Ichigo just randomly saying 

and thats where his father attacks him, which isnt really an issue, just kind of funny of how the manga is like:

Ichigo’s distracted by his sisters plotting to sell him out and hence Isshin has his chance to strike back

vs the anime being like:

Ichigo randomly thinks about dinner mid convo about ghosts and thats what distracts him from play-fighting with his dad 

gfdkhlgfdg okayyyy....moving on 

In the manga this scene is interspliced with Ichigo’s inner monologue about the nature of his powers (with hip jargon like “for real” courtesy of Viz ) 

(but my beef with Viz translations are for another day)

Also the line about “He told me more ghosts than ever have been haunting me” has been given to Karin for some reason, probably to make her feel more included in the scene/Ichigos life.

Notably, Isshin’s response is changed from “What?! He talks about stuff like that with you (Yuzu, singular)” to “What?! He talks about stuff like that with you guys?” as well, again probably to include Karin more into the dialogue. (Mmmm ok....)

Minor detail, but Karin’s lines has been changed to more “boyish” speech structure in the Japanese dub, which may seem insignificant, but ...... that is for later. 

.....

This little exchange

 is replaced with: 

Which, seems innocuous adaptation differences, but Yuzu’s lines keep decreasing and it’s a short enough moment to like....include and establish how motherly Yuzu is acting towards Ichigo.....but ok...huh. 

And now we get into the big boy changes.

So, probably for the sake of grounding the supernatural element of the series, the anime decided to skip time to the next morning and introduce the hollow attacks with a news report.

Which.....is an interesting choice. I am assuming this is addressing how the real world perceives the hollow attacks, which Bleach doesn’t put too much effort into addressing, but very soon after this we learn about stuff like memory replacement and other various technology to keep things under wraps so this is either redundant or implying that shinigamis have not been doing their job, which hm......

Next off is the bizarre choice to paint Isshin out of the picture for the night

Not sure why, but ok

Again, where’s the shinigami with their Kikanshinki (memory replacement devices)??? Pierrot where’s the lore coherence......

Anyway, Ichigo goes to replace the girl’s vase, but suprise-surprise she’s gone-zo. Wonder what happened to her.....

(And....again, people vehemently don’t want a reboot when the anime looks like this? )

So Ichigo hears a scream and a hollow scream and follows the sound (Ok?).

Totally random hollows attack. Which Ichigo somehow has never seen so far? Mind you, this isn’t like in the manga, where Fishbone was sent by Aizen specifically after Ichigo to make him aware of it. These are random-ass hollows attacking people, so how come Ichigo suddenly sees them. Ya coulda played it safe Pierrot, and stuck to the book, but we got plot inconsistencies episode one so let’s party.

The girl is, of course, not eaten and they run away.

She trips at the most inconvenient moment. (can ghosts trip? Ghost don’t even have legs in japanese lore and Kubo draws them floating around so okkkkkkkk)

(ok ok, im just being petty, bUT YKNOW)

(convenient tripping on deadass levelled ground is convenient)

(also God I really want that bag Ichigo’s got on his shoulder, it looks so nice)

Random-ass hollow closes in and 

BOOM

Rukia

(Now, if the rest of Bleach and the manga didn’t exist I would like this moment. We get a glimpse into Rukia’s abilities, into shinigami as a concept and we don’t really get to see her slice and dice hollows that much overall so the moment itself is rad in isolation.

Now, unfortunately for Pierrot’s screenwriters, Bleach manga exists and so does it’s lore, which again, would not be inconsistent with each other if the adapation was faithful. Now, Ichigo sees a shinigami, for some reason, for the first time in his 15 years of life. All of a sudden. 

You could argue, that much like in the manga, this is all part of Aizen’s plan TM, but like, she literally leaves right after leaving Ichigo gaping in awe ghfkjgdf. Why’d Aizen give him an appetizer, I really don’t understand how this change is benefitting the narrative in any way. It’s ....dare I say....generic.)

Rukia yeets the hollow

(why is this kid suddenly not wearing shoes?)

and goes off on her merry way, leaving Ichigo shooketh

ALSO RUKIA MA’AM THERES A FUCKING STRAY GHOST RIGHT AT YOUR RIGHT????? ISNT IT YOUR LIKE....JOB.......... TO HELP GHOSTS MOVE ON??? i know killing hollows is the fun part, but like ghjkfdlgfd ??? are you gonna ignore her???

( his fucking face ghfjdkgdlfgfd)

So after this wholeass pointless detour (you’ll see why it’s pointless in a moment)  we timeskip again (the filler is strong in this one. These 6 minutes were worth not coming up with something cohesive and removing scenes that actually make sense ah yes)

Ichigo is in deep thought TM about who tf is the stranger he’d just seen. Likely mulling over the monsters and how this person was able to slay said monsters. Probably thinking how unusual they are.

and as if on cue

the stranger makes their presence once more

(my God these faces gfhgkldfg)

....

Now let’s briefly address what happens in the manga instead.

Instead of the whole timeskip scene with the fight, Ichigo simply returns to his room on the same day, and oddly enough recognizes the species of the butterfly he sees? (nerdy boi! nerdy!! boi!)

rukia arrives much the same

(With the little text emphasizing how he’d never been aware of soul reapers, which is unsurprising given their secrecy, and makes sense in the long run since their first meeting is specifically orchestrated by Aizen. Two species that werent meant to interact brought together by his schemes.)

Back to the anime:

Ichigo pauses to ponder who tf they are and why the fuck they’re there.

and then the anime has the gall to suddenly revert to sticking to the manga, which like.... Ichigo kicks her for no reason? I guess because she isn’t answering? Even though Ichigo knows she has a sword and can wield it? Reckless boy.

Manga Ichigo thinks she’s a burglar, therefore, unsurprisingly, is comfortable kicking her outta his house. It’s a silly moment, but it also shows how accustomed or stupidly brave he is with the supernatural.

In the anime Ichigo asks her who she is instead of all that, and she responds pretty similarly to the manga

AND THE NEXT SCENE IS WHERE IT CLICKS WHY THEY WENT OUT OF THEIR WAY TO REMOVE ISSHIN FROM THE HOUSE.

(Ichigo and Rukia addressing the pointless filler, this leads nowhere)

Rukia check him out like she’s checking if the oranges on sale dont have mold on them 

slapstick ensues

and Rukia decides to answer his question.

Vs. the manga in which Isshin doesn’t leave his children home alone for some random conference and is actually used very efficient for two reasons:

1) building up on the burglar gag with actually funny slapstick that is based on a previously established joke

2) Instead of Rukia just saying “oh usually people can’t see me”, we get an actual demonstration of it, the reader gets to see “oh Isshin can’t see her - she must be a spiritual entity,” which further clicks with her surprised reaction at him being able to kick her in the first place.

The next scene is the classique Pierrot censorship.

Ghost girl runs away from what I’m assuming is Fishbone.

Aside from not showing her get eaten, the scene is pretty much delivering the same message, 

bUT

BECAUSE OF THE STUPID ASS FILLER WITH THEM MEETING RUKIA BEFORE THIS, I CAN ACCUSE RUKIA OF NEGLIGENCE.

UNLIKE THE MANGA, where Rukia arrives the night before and is specifically seeking Fishbone, therefore having no time to help this girl pass away, 

This vvvvvvv

could have been prevented if SOMEONE DID THEIR FUCKING JOB THE DAY BEFORE VVVVVVV

(I rest my case. Thank you Pierrot for making Rukia either negligent or an idiot. Awesome, And mind you, these changes were unnecessary. The manga’s pacing is fine. They could’ve extended scenes. But nope, had to go for making them meet beforehand.)

Anyway, we get to see some actual stakes in the manga

The next scene which is this in the manga 

has two changes to it. Firstly, obviously Isshin being consoled by Yuzu isn’t included since he isn’t home in the anime, and even if he were, I can see why that would be removed, cute as it may be.

And secondly, due to them having met prior Ichigo asks two additional questions:

And Rukia nods at both, which means she acknowledges that she had seen the girl the hollow was after and yet did nothing to help her pass on. 

(Reminder the Bleach anime was in production WAAAAY past the first 4 volumes, which gave a good general idea of the series, which y’know, was fine to adapt as is.

You’ll see these changes add up into becoming inconsistent with further Bleach lore. There’s a reason people call Bleach a hot mess, and I’m afraid Kubo ain’t really it.)

(Volume 14 Note from Kubo where he talks about the anime being announced)

Back to the series

Pet peeve time: Wish the anime was half as expressive as the manga

These scenes are supposed to represent

This panel:

(Nitpicking? Perhaps, but idc)

So uh, this scene is odd

Again, because of the addition of that filler with the hollow

Ichigo has seen her in action

And they even added Rukia trying to convince him 

even though, yknow???

LITerally the previous day???

Anyway  in the manga, where Ichigo has reason to be distrustful of her and her claims since y’know hes never seen her or a shinigami in action, but has enough proof that she’s a ghost bc his dad didn’t see her, he simply dismisses her before she can reply, and instead of just getting angry for being called a pipsqueak

she shows both Ichigo and the audience proof of her spiritual powers by binding Ichigo and forcing him to quietly listen to her explanations.

(To reiterate - Anime Rukia  has to verbally try to convince Ichigo WHO SAW HER FIGHT A HOLLOW THE OTHER DAY that shes no ordinary ghost. And because of that, she has no other reason to use Sai on him other than that shes mad she was called a pipsqueak bc she just tried to verbally convince him shei is a shinigami. When they could just adapt the manga and have her both demonstrate her powers and put him in his place at the same time. Wild.)

Also CRIMINALLY BORING SHOT, WITH CRIMINALLY BORING RUKIA

#NotMyRukia

LOOK AT THE MANGA

LOOK AT HER SMUGLY OWNING ICHIGO’S IGNORANT ASS #FuckYeahRukia

Also the subs may not show it if you’re watching it on Netflix, but anime Rukia says “I am not allowed to lay my hands on humans outside orders,” which like, you ARE LITERALLY DOING THAT. Manga Rukia is fine with bullying Ichigo, but she draws a line at killing him, but man Anime Rukia, you give no fucks about the laws huh.

why so cheerful?

(also Rukia be right tho)

(specifcally compared to hell you could say Soul society is a resftul place lmfao)

Also anime salary man gets to rest in peace, even like, pray and shit

Meanwhile the manga

YEET TO SOUL SOCIETY

(also notice how we’ve been robbed of ichigo’s silly socks

I swear the anime knows how to suck the soul out of the manga 

Get it? Soul! haha ....moving on.)

Really Rukia? One of your jobs?

GUESS YOU WERE OFF DUTY HERE!!!!!!!!!!!!!!

(I’M SORRY BUT LIKE, SEE HOW POINTLESS THIS FILLER IS UGH!!!)

(Again pet peeve but look at how ugly this screen is COMPARED TO THE MANGA)

(What have they done to you, queen)

(also they never mention the name Konso ( or as Viz calls it here -”soul funeral”, thanks Viz)

Next on, not a pet peeve, but an observation:

Anime Rukia keeps her sketchbook in her kimono

Manga Rukia keeps it at the titty

Yep, which you neglected to do the day before,

she literally says “With the konso I did just a  moment ago” like she used the word before. Like you can contextually get it, but why cut that line out of the dialogue if you don’t change the next line it’s referenced in?

There’s also a dialogue change from the manga’s well, Viz uses “vaporize” which is not a bad choice given the specific wording Kubo uses, but the original says 

昇華 • 滅却

sublimate/convert • extinguish

which is a clever little nod/foreshadowing to the nature of souls in bleach and that they can be “converted” in and out of a hollowfied state. 

While the anime just says “to slay hollows”, and albeit it lacks the little nod the manga has to offer, I can’t see how they’d include it in the anime at that stage so I’m fine with them simplifying it to like, an exorcism.

A better question then Rukia - WHY DIDN’T YOU SEND OFF HER SOUL????

also WAIT THE GIRL IS STILL ALIVE?? she’s dead-dead by this point in the manga.

BULLSHIT !!!  YOU LITERALLY EXPLAIN LATER WHY!! ACTUALLY YOU EXPLAINED EARLIER WHY!!! YOU LITERALLY SAID THIS, 1 MINUTE AGO :

Anyway, Fishbone almost grants her the priviledge of escaping this God-awful anime, but is suddenly stopped?

AND CAN TALK??

wait WHY DOES FISHBONE TALK?? GHFJD isnt this supposed to be  a juicy reveal for later when Ichigo realizes “hey theyre not actual complete monsters - but used to be humans!” Hm, ok.

Also leaves her alone? Damn ok...

Reminder:

Moooving on...

Speaking of the manga, this little moment is missing:

Since there is no pointless filler that would make him ask about the ghost girl therefore exposing Rukia’s slacking off of her duty, Ichigo realizes that there must be a hollow nearby bc in the manga he actually has braincells to spare. 

Also wiping off the Baron’s moustache moment is gone 😢

Missing and dearly missed is also this moment, which consolidates how protective Ichigo is of his family. He only needs to hear Yuzu scream to click that the hollow is nearby and his family is in danger. I feel like anime Ichigo should be even more worried since his sisters are alone but ok??

Also foreshadows their dynamic of Rukia trying to stop his reckless attempts at pushing himself to protect his family, bc yknow....she has her own Kaien trauma to process.

Next off....

This is .... a choice....

They were very eager to give Yuzu’s lines to Karin just a couple of moments ago but now this whole exchange:

Where we see a very pragmatic yet soft side of Karin

She doesn’t know what is happening, and doesn’t expect her brother to fight it - he just wants him to be safe, because she loves her family. At least warn him before it gets to him and hurts him.

is replaced with this:

Yuzu, sweetie, what do you think he can do to achieve that.

I guess at least Anime Ichigo tries to get Rukia to do her job as she looks down on Yuzu in silence. 

But compare it to the manga:

#MyRukia stops by Karin to check for a pulse and reassures Ichigo that his sister is alive.

Manga Ichigo is NUMBER ONE oniichan in town and doesnt have time to call out to a stranger to save his family - HES BEYOND READY TO GO FIGHT, RECKLESS AS IT IS, EVEN THOUGH HIS OWN FAMILY BEGS HIM TO JUST RUN. because he cant let himself be unable to protect them. He cant live with himself if he doesnt try his darnest to protect them.

*elevator music playing as ichigo tries to get rukia’s attention but she fucks off downstairs, but instead of doing shit he just does the worm on the floor*

which I guess is more realistic for a teenage boy, but Ichigo is literally traumatized by being unable to protect a family member. Y’all think a ghost he’s never seen before is gonna stop him? 

Yooo, pathetic. #NotMyIchigo

[stanharu]

beastars episode 24 thoughts!

this post got kinda long i have Many Thoughts on this one

Overall I had fun watching this ep but I could really tell it was rushed and there was so much that got cut, which makes me super sad. our fears about the finale having pacing issues due to all the added scenes & rearranging were confirmed & it rly sucks, but i'll elaborate more on that in a bit.

this week's ep covered the end of chapter 92, chapters 93-97, and included small bits of chapters 98 & 99.

so the ep starts with the ED and the latter part of the tunnel scene with ibuki and louis. i liked the visual effect they used to show that they were in the dark. louis' voice acting was also On Point. for the most part i think this scene was done pretty well but I can tell it's being rushed also. I really wish we got more buildup and narration instead of just jumping straight to ibuki telling louis to shoot him. the way it is in the anime feels less impactful imo.

also im sad we didnt get to see this in the anime

before i move on, i wanna talk a bit about louis and his relationship w/ the shishigumi and ibuki. i feel like in the anime quite a few of the lil moments that really endear you to the shishigumi and also ibuki were either cut or kinda glossed over, which is strange to me considering how much effort and care went into the ED. it's very emotional and good but i feel like maybe anime onlies are missing out only seeing the anime and the MV. but idk.

legosi and riz's fight was quite rushed as well. there's so much narration and dialogue missing from it and that really rubs me the wrong way. It wasn't all bad but compared to the manga I just don't think it's as good. I will say tho that I really liked the sequence w legosi and the moths. I thought it looked really nice and was pretty well done.

also i liked how the backgrounds had some anti-yahya graffiti, its a nice touch imo

it says "high quality horse meat"

I was happy to see legosi do the "tell me more" pose but I'm honestly disappointed that the anime took out the whole exposition about why legosi did it. like i feel like without that it's just legosi being weird when he has a reason for it!!! This is just one example of the anime taking out crucial narration during the fight.

I also think it's kinda weird how they changed how louis shows up at the fight. im not sure how i feel about riz just charging at him like that, but i liked how legosi kicked him before they ran lol.

i dont have much to say about pina's small scene but I did wanna say that during my first watch thru of the ep i was too distracted trying to read the graffiti behind him that i didn't notice him getting his phone out of the dumpster and calling the cops lmao

it says "devour yahya"

and now... here we are... the predation scene.

overall i thought it was pretty well done but, like the rest of the ep, i could tell it was also being kinda rushed. some important beats werent given enough time to really sink in, and there's a few bits of narration taken out of this part as well that i find disappointing :^(

tho i did like how the anime called back to this scene in s1 when legosi mentions utilizing his strength.

also this part where louis is remembering ibuki had me like😭

I also really liked seeing louis cry. I was crying too sjdflskjdflsjkdf. i thought that scene was really good, its prolly my favorite part of the ep tbh. getting to hear the whole predation scene voiced made me kind of a mess lol. i really liked louis' expressions throughout this whole ep too. studio orange used their whole louis expression budget on these last 2 eps lmao.

seeing legosi instantly get all beefed up was great too. he looked a little ridiculous but i kinda loved it lol. he's so huge and poofy. i love him.

big pomeranian

anyway, im also sad they took out louis' line about being reduced to a flashback character lol. instead he tells legosi "be a hero" again which... im not sure about that change. i liked the part with riz thinking back about tem tho. tho imo the way riz realizes he's in the wrong feels pretty sudden. again adding to how rushed the whole ep feels.

before i move on again i just wanna say legosi looks so cute. even all puffed up and covered in blood. how does he do that

baby boy baby. i wanna ruffle his cheek floofs.

i think one of the things im most disappointed about from this whole ep was how the fight got wrapped up. i really like how the cops show up and totally shift the tone in the manga jslkdfjskljdf. im also really sad we didnt get this interaction

tthe anime really took out most of the sillier moments from the finale, which makes me pretty sad to think about. i know the anime and manga have different tones but pls let the boys be silly sometimes!!

the next part where legosi and louis finally establish their friendship was really cute tho ❤️ even tho it was pretty different i enjoyed it a lot.

BABIESSSS 🥺😭❤️❤️

the wrap-up for this arc and this episode gave me whiplash sdjlfkjsdf. it literally speedruns thru legosi's predation conviction, being released, louis & haru's graduation, and legosi deciding he's going to drop out of school. that is SO MUCH AT ONCE. also i was holding out hope that legosi would have his new years call with haru after the fight instead but that didnt happen!! so it just got cut!!! kinda mad about that tbh. legosi and haru having a lil scene at the very end made up for it a lil bit but that's still one of haru's few moments in this arc that's just not included.

we didnt even get the part wher legosi learns he can't marry haru bc of his conviction.

ive been really hoping for a season 3 announcement once this season ended. with all the background allusions to yahya, the added plot point of someone stealing elephant tusks, and sebun and melon's lil cameos in this season, it seemed to me that studio orange was kinda teasing a 3rd season. but now, with the dismissive way the anime ended, and paru's note from earlier today, im less sure about the possibility of a 3rd season. i'd still like to see the rest of the series animated, but i guess we'll just have to wait and see if more anime is announced in the future.

if we do get another season in the future i just hope that we swing back around and actually address the things that got completely glossed over in the last couple minutes of this episode instead of charging forward w/o touching them again.

i really think the finale for this arc should've been two episodes at least. not including the tunnel scene. i think then things wouldn't have felt so rushed. people have been saying this season really would have benefitted from at least 1 extra episode and i cant help but agree. some have even suggested a whole 24 episodes just for this arc, but i think that this arc couldve been done properly with 12 or 13 episodes if there was some better prioritizing on what to include and what to cut.

like i dont mind not getting the parts about legosi's family if they can be addressed somehow in a future season (or if theres no more future anime seasons thats a plot thread that doesnt have to be worried about). i could have lived w/o seeing sheila & peach's chapter animated if it meant more time for the focus of this arc. and was the kangaroo red herring really necessary?

adaptation wise, i dont think this season was as good as the first. i still think it did fairly well, but i know that it could have been much better. ive been excited to watch this season with my friends once the dub releases, but now im wondering if i should just tell them to read the manga instead. sighs idk. perhaps it comes thru better as a bingewatch, or perhaps im being a bit too harsh. idk. at some point ill do a rewatch and see how i feel about the season as a whole, but that wont be for a while.

if you've read this far, thanks for reading my ramblings!! it's been fun to make these posts every week and im gonna miss getting new episodes every week.

[luki-fanfic]

Helluva Boss 5: The Harvest Moon Festival

Huh, Helluva Boss usually drops by mid month. Wonder why this episode is taking so long to put toget-

*Episode airs*

0_0

Oh. That’s why.

I’ll admit it, my interest in HB was waning. Episode 3 and 4 honestly didn’t do much to keep me interested. Spring Broken had a lot of plot and writing issues, and I felt the concept could have been better executed. C.H.E.R.U.B was more solid, but did have some issues, and just wasn’t that fun to watch.

Harvest Moon on the other hand? Oh boy, now there’s an episode. I am, if you’ll pardon the pun, back on this horse. World building, the action scenes, incredible animation, relationship development of the bad kind, more worlds, interesting characters! It gives us so much to work with.

Spoilers abound, so read carefully.

That said, I will start this with my biggest complaint – and it’s one I’ve had for several episodes, but this one really rammed it home due to the ‘sneak peak’ clip we had of the opening. In the black and white boards, the swearing was limited, and honestly the writing was pretty witty. Then we got the finished product – certain lines were missing, and several words had been replaced with random swearing. Considering what the scene was, it felt like the finished product was a step down – I really wish the scriptwriters would realise random swearing isn’t always funny, and they’ve given proof that their writing is snappy as is.

Anyway...onto the actual episode. We learn that I.M.P seems to be building up their business as Blitzø has 15 clients looking for a kill. Considering he had to do a sale to get a multiple kill, and the other episodes show him basically going out straight after getting the job, they’re clearly building up a name for themselves.

This is further shown with the arrival of Striker, who compliments his decision to go into business for himself, since most Imps don’t. This is new information, since we’ve seen Wally attempt to start his own business – although clearly it wasn’t going well – but if Striker is to be believed, most companies in Hell, even Imp City, don’t have Imps as the owners. Maybe it’s a financial capital thing, maybe it’s partially Hell’s racism, or maybe Imps just generally prefer to follow, which Striker seems to allude later. It’s hard to say with the information we’ve got at this point, but it does put I.M.P in a slightly different light – and probably explains why Blitzø is fairly incompetent when it comes to running the whole thing. He has literally no one to ask or use as an example, and the society he lives in generally assumes he’s going to fail by the nature of him being an Imp.

In fact, even though Blitzø owns I.M.P, he is still completely dependent on Stolas and his Grimoire. Without it, I.M.P is screwed – the reason they’re even at the Harvest Festival is because they can’t work. And that’s what Striker tells him in the final act. Their society has made sure that he can never truly be successful on his own merit, no matter how hard he tries.

I’ve seen some debate on whether what Striker told Blitzø was true or just an attempt to let his guard down. It’s hard to say, because Striker says and does some very conflicting things, but I’m going to believe it was genuine. Why?

He lets Millie and Moxxie live to have leverage over him. He does insult Blitzø to their faces, but why would he need leverage once his job was done?

When Moxxie learns the truth, he doesn’t even try to talk him round, just kill him. Millie is also tossed to the side – possibly because neither of them are ‘superior.' Blitzø gets a full on speech about their superiority and how much he respects him, even if he’s hiding a knife in his tail for if he can’t talk him round.

When he has Blitzø on the ground at his mercy, he doesn’t mock him. Instead, he tells him he genuinely thought they’d be a good team. He had the advantage, but doesn’t take the chance to continue the insult.

Like most Imps, Striker seems to dislike the demon royalty, but at the end of the day, is also working for one (and can I say that twist was brilliantly well done? It made SO much sense but I honestly didn’t see it coming). What is his end goal? Is he envious that Blitzø has some kind of power of Stolas while he has to be obedient? Is he aiming to kill Stella once Stolas is down? Maybe opening an assassination business to take out anything Overlord and above? We just don’t know.

And with that, we’ll step off this train of thought to speak about something else very important in this episode. Stolas. Specifically his relationship with Blitzø, and precisely how wrong it is.

I admit it, I future-shipped them, especially thanks to the Instagram (which become a bit of a bait and switch when the insta-accounts were declared ‘non-canon’). I acknowledged that the relationship was problematic and needed some serious work on both sides before it could really be a functioning relationship, but this episode hammered home exactly how much needs to happen in a way the other episodes didn’t. The pilot and Murder Family treated Stolas as a gag, and then Loo Loo Land made us all care about him and his actions. But Harvest Moon showed the other side of it, and I'm not sure the ship can realistically recover.

Stolas considers Imps as inferior, to a ridiculous degree, and Blitzø is no exception. He has absolutely no respect for Blitzø, and holds all the power in the relationship. We saw this a little in the previous episodes, but they were either alone, or Blitzø was working for him, and surrounded by people aware of the relationship. His actions could be somewhat explained away.

In Harvest Moon, Stolas proves he treats Blitzø this way even in public. Blitzø has very obvious issues regarding his name, so Stolas persistently using a nickname and treating him the way he does around people who aren’t aware, says a lot about how much Stolas doesn’t care about Blitzø’s opinions. Even if Blitzø does have some feelings for him – which I do suspect due to his panicked attempt to explain it as transactional. If he didn’t care, he would probably find it easier to explain. At the same time though, he’d be happier if he could get the book without the monthly visits, because what he has with Stolas isn’t a relationship, no matter what Stolas tries to pretend. Any feelings Blitzø develops puts him even further under his control.

Part of me wonders if the relationship evolved between the pilot and the first episode in planning, and that’s why we have such a disconnect between the Insta relationship and the canon one. I’m really hoping the series addresses it in the future.

Finally, lets talk about that final reveal. Stella has hired a hitman to kill Stolas – even armed him with two angel-tech guns.

(Which, also finally gives us confirmation that Imps/Hellhounds/Succubi can die from conventional weapons, but the higher ranked native demons need angel weaponry to off them).

Stella is also confident enough to scream it over the dinner table. Stolas either doesn’t care, or isn’t paying attention – if he doesn’t care, if definitely puts his motives regarding the original invite up in the air, but if he isn’t paying attention? Then it’s another point in the anti-Stolas tab.

That said, this scenario does ask a question. Why don’t these two divorce? Stolas is clearly not in love any more, and living together clearly isn’t doing Octavia’s mental health any favours if she’s literally hiding behind her music rather than interact with her parents. He should be the first to offer a divorce, but he hasn’t brought it up. And if he hasn’t, maybe the reason Stella hasn’t is because they can’t?

It’s generally assumed that the two of them have an arranged marriage, and that Stella’s anger at his relationship with Blitzø is due to his status more than the cheating. But then wouldn’t it make more sense to hire a hitman to kill Blitzø rather than Stolas? Choosing to kill Stolas, even if it would hurt Octavia, suggests it’s the only option left to her.

I’m guessing we’ll (finally) get some Stella development next time Striker appears, and get an idea of what makes her tick. But for now, I suspect the two of them regularly had lovers on the side, but kept it discreet until this point. Stolas refusing to keep his relationship with Blitzø quiet is causing untold damage to their name and status. Stella wants rid of a man who not only doesn’t love her (if he ever did), but is constantly humiliating her for not hiding his much lower class lover (which we know by this episode he doesn’t even attempt), and since the rules of Hell for demons of their status doesn’t allow divorce (or perhaps their arrangement doesn’t), assassination it is.

Hell, maybe the plan was to kill Stolas, and frame Blitzø for it. Striker clearly knew about their relationship before they met (which should have been a red flag now that I thing about it), so Stella probably mentioned him. It would also put the recruiting on another level, if Striker actually did get Blitzø involved at the final moment and teamed up.

Oh, and as a final amendment? If that angel-gun that Striker left behind is not now in the hands of I.M.P and becomes a key piece when Asmodeus, Mammon and the real Fizzarolli show up? I will be very disappointed.

[moondrop04]

RWBY VOLUME 8 FINALE AFTERMATH!!!

SPOILERS!!!

SPOILERS!!!

SPOILERS!!!

WOW.......What A F***** Finale To End A Volume!!!! I was left surprised, shocked, sad, disappointed and ecstatic with the events that unfolded and also for the future of the RWBY series!!! I have so many theories and headcanons racking in my brain that I’m acting like a Giddy Little Troll 😆. So let’s jump right into the FINAL aftermath of Volume 8....

-(Tick-Tock Took Out The Vine) Before starting into this I want to give a shout out to CRWBY for starting out the episode with the “Warning” for the deaths that we were about to witness. I’m glad they were thoughtful for their fanbase’s wellbeing after watching this finale and hope they continue this trend of “warnings” in the future.

Now onto the first major character death of the episode......Vine 👀. I was fully expecting to see at least one of the Ace-Op members to die in the finale and I was actually quite surprised to see it only be Vine. Given the circumstances that Qrow, Vine, Elm, Marrow and Robyn were put into because of Harriet’s blind loyalty, it wouldn’t be too hard to have expected more characters to die in that situation.

Vine has always been the calm one within the team, so to see him willing to sacrifice himself to save his friends from death was a very touching moment. I was also honestly quite surprised he could used his semblance like that as well 😳. I kinda wished we had seen some more aspects of him extending his aura like that in previous episodes, but that’s just a bit of a small nit-pick of mine.

It’s also going to be interesting how this will impact the rest of the Ace-Op members going forward, especially Harriet. This will no doubt cause some inner turmoil for her character and only time will tell what type of effect it will hold in future dire situations .

-(Fighting For Your Beliefs) Hmmm......I’ll be honest......I was a bit disappointed with Winter and Ironwood’s fight 😓. Now I have a few reasons why I feel like this so let me explain....

1:I think the decision to make Ironwood fight with a “BFG” against Winter was a poor one. As we have seen in Volume 7 episode 11 we know that Ironwood can fight much better with his duel hand cannons. Watching him fight with a bigger weapon against a much more agile opponent didn’t feel right to me lol.

2: Having Winter win the fight using the maiden powers. Now I have no issue with Penny giving the powers to Winter, but I would have preferred if she could have found a way to defeat Ironwood without having the convenient power up. Winter is a very good fighter in her own right and I think having her defeat Ironwood with her abilities alone would mean much more before she was given the maiden powers by Penny.

3: Now I have said this before in previous posts but I would have liked it if Qrow was the one to fight Ironwood. There was indeed a bit of a build up for Qrow to fight Ironwood this volume so I do feel we were a bit blue-balled for that confrontation. Then after some time to think about it I feel the decision to make Winter be the one face Ironwood was the right one. Considering that this was the end of Atlas and that these two characters are the most associated with Atlas, made their fight against each other more fitting then leaving it up to Qrow.

The only positives I can give this fight is that it showcased more of Winter’s fighting potential and I was pleased how the animators made her fight with both Ironwood and later with Cinder. 😊

-(For Her Friends) Now onto definitely the most important part of this episode......Penny’s death. Now I’m really gonna be honest with all of you......I was not at all surprised that Penny died in the finale 😔. Ever since she gained the maiden powers she was always gonna have the “Red Flag” known as Cinder be connected to her. I more or less imagined that Penny’s powers would be taken by Cinder at some point and Penny would make some sacrificial play to save her friends while she still had her robot body. So when I witnessed her second death, as a REAL GIRL, I was shouting out “How could I be so RIGHT and so WRONG all at the same time!?” 😫

Now what has me intrigued about this second death is the part about Jaune’s involvement. I’m gonna keep my opinion about this choice from the writers neutral for now because I feel this is deeply connected to what they have already written for Volume 9. There’s is something they are planning for Jaune in the future and I want to see the whole picture of what they are drawing out before giving this either a thumbs up or a thumbs down. 😤

I have one more thing I want to bring up about this, and this is my opinion so if anyone wants to skip over this part I totally understand......so here it is. I truly believe Penny will be brought back to life in the future 🙂. When she first “died” back in volume 3 I fully believed she would be back eventually, so even if the circumstances are different this time around I am still having that same feeling that she will come back. I understand everyone else has their own feelings about what happen to Penny so I will not disapprove how everyone feels about it. It’s just how I feel about it is all 😊.....

-(The Captain Goes Down With His Ship) So.........this is the end of James Ironwood. As Atlas inevitably falls, so to does the man that represented as its symbol throughout the series and it’s aspects of strength, elitism and control.....

.......yeah I’m not buying it 😒

Something feels off if this is how he “permanently” dies..... I understand the symbolism of his “fall” parallels that of Atlas crashing down and being destroyed, but him dying doesn’t feel complete to me....

Not to mention this man has survived with half his body being destroyed in the past with what I believe to be nothing but his sheer will. So if I had to bet on anything I think he would have found a way to have survived Atlas’s crash and the flood that came afterwards....but I think he would be terribly wounded in the process....

There are also a few characters that I feel he hasn’t had a satisfying conclusion with that still needs to be addressed......Qrow, Oz and Glynda.

Also forgot to mention that apparently Arther Watts is dead too.....yeah I believe he’s not dead either 🤨. In fact I’m fully expecting Watts will survive but will be horribly burned and scarred the next time we see him. He will vow vengeance against Cinder and will stop at nothing to obtain his revenge on her. So it would be really lucky of him to find an unconscious and badly wounded general nearby that he could kidnap and experiment on to be his personal attack dog later to kill Cinder 🤔......wouldn’t that be a something to see lol

I’ll gladly wear some clown shoes and makeup in believing that we will be seeing both Ironwood and Watts again in the future, and if I’m wrong then I’ll gladly accept that L from everybody.....till then see you again next time general Ironwood and Arther Watts 🤗

-(Volume 9 and The Future Of RWBY) Alright! There is a couple of reasons why this post has taken me three weeks for me to write 😓.

First reason obviously is because of my job 😭. Some things have been happening at my work that has been stressing me out for weeks and honestly it’s been exhausting to even write anything....

Second reason is that over the course of the past few weeks after the finale aired I have been non-stop thinking of several headcannons, theories and speculations on what may happen in volume 9 and future volumes of RWBY 😆!! Don’t believe me? Here is some of the crazy s*** that came out of my head lol

-Team RWBY, Jaune and Neo meet the God Of Darkness

-The God Of Darkness gives Team RWBY power ups and new outfits to fight against Salem. Also gives Neo the ability to speak.

-Oscar vs Raven

-Salem sends Cinder to Vale to search for the Crown of Choice......but not alone. She gives Cinder 4 more experimental S.E.W Grimm to aid her and one of them happens to be Summer Rose.

-Horribly burned and scarred Watts kidnaps a wounded Ironwood and experiments on his body to change him into a complete cyborg with one objective......kill Cinder.

Believe me I have more context for each of those that I just addressed but that’s for separate posts that I hope to make in the future lol 🤗

Well that’s about all I got for that finale review and I literally cannot wait to see what happens next 😤 lol. I hope to engage with some of you in the fandom in the future and hope we get along 😎

Till next time........BUH-BYE!!!!

[dribbonart]

Steven Universe Rewatch: Volleyball

Is Deedee Magno Hall the best voice actor in the series? She’s definitely in the running. This episode is an amazing showcase of her talent. 

Playing different gems requires a lot of subtlety in the performance: You can’t just put on an accent, or some other big change. It has to be recognizably the same voice, but different enough to be a different person. Deedee does four voices here that are all great.

The animators were kind to give us a glamour shot of Pearl here. Every cartoon should have a scene where all the characters line up against a height chart in a neutral light, like a police lineup. It would be a huge favor to fan artists.

I wonder where Steven found an otolaryngologist’s mirror. (I learned that word from TF2, and I’m not going to give up on a chance to use it.)

The intro to this episode implies that there’s a running business in healing cracked gems, which implies an extreme degree of violence happening offscreen. It’s hard to crack a gem.

I like that the Rubies are still aggro about everything.

I find it odd that the Rubies have fitted suits.

This is supposed to be from playing volleyball? What could have possibly happened?

Deedee’s performance as Pearl is perfection. Actually, let’s just take it as read that she’s perfect all the time.

Pearl is so different than Pearl. They’re both trying to hide their feelings, but Pearl hasn’t even begun to address them. She wants to sweep it all under the rug and present a happy face. None of her injuries were intentional, so why should she be hurt?

She wasn’t missing much, so far as we can tell. I don’t think the number here is supposed to be precise.

I think the overarching problem with Future is that it’s all servicing Steven’s trauma. Every other issue is at least partially sidelined by the need to poke Steven. 

It’s weird to think that, were it not for Future, Pearl’s injury would be unexplained.

This is the only line in the episode that doesn’t really work for me. Pearl just started a conversation, and she’s already jumping to the theme of the episode. There’s no reason to think that Pearl’s here to become the true Pink simp.

There’s some nice volleyball animation here.

Steven is like Pink/Rose sometimes, here he’s stepping on Pearl’s identity without asking.

Pearl never agrees to be called Volleyball. Considering that she’s still in her, “I don’t want to make any trouble for anyone” mode, I don’t think calling her Volleyball is appropriate. 

I love that Pearl can say this. She knows what it’s like, but she’s found a more mature way to remember Rose. She hasn’t entirely moved on or forgotten her past, but she’s got a much better perspective.

Hey, that’s what Future is about! You’re not allowed to just say the theme! 

But seriously, this is all about Steven trying to figure out how much he is like his mom. It turns out he’s similar in some ways and different in some ways. Just like all of us.

Pearl wants to be kinda shitty to Pearl, and it’s understandable, but it doesn’t put her in a good light.

Arguably, she’s not. Any meaningful measure of “age” should subtract eight thousand years.

Hey, that’s the theme of the episode! You can’t put the past behind you! We’re all beating backwards against the current, etc. etc.

This hallway is cool. It implies a lot of stuff about Pearls. They’re decorated and given new props like Barbie dolls.

Pearl actually trying to wrestle the baton out of her hand is a bit much. I like her face though.

Pearl has been trying to minimize the damage dealt to her, but it’s still real.

I wish I could have seen a version of this episode where we didn’t know Pink did this until now. We go through the shock at the same time Pearl does.

This conversation seems to come from some Jungian bullshit Rebecca talks about in End of an Era. Apparently Jung said when people have strong personality types, it causes the reverse as well. I think that theory is one of those things where someone has an untestable idea that sounds good, and you can apply it to anything because people are complicated. 

It’s a classic examples of ideas changing our perception of the facts, instead of giving us more facts.

That being said, I absolutely believe in this version of Pink’s character arc. She lived in a context without consequences or meaning. Then she went too far. She overreacted and fell prey to self-doubt and self-loathing.

Gotta work through that trauma, kid. The writers are going to keep making episodes until you do.

This is not the pose of someone who’s only been hurt once.

They’re just saying the moral, but some morals need to be said as clearly as possible.

This line, and its delivery, vindicates Future all by itself, if you ask me. This could have been Pearl’s sendoff episode.

wooo! Cool stuff. They should have done every imaginable fusion on their checklist for Future.

I believe this is a reference to an anime? Utena? I recently read the manga, and it was not what I was expecting. I don’t think anyone could have expected Utena.

Animation costs money, and this is a cool way to save some money while having some cool kinetic action. They also do some nice perspective work when she throws Steven, so it’s not like they forgot how to animate.

One of the morals of the show is that you never really know someone. Everyone is different to each person they encounter.

Pearl’s voice has a maturity to it that I can’t quite describe. It’s subtle. It’s like she’s found peace.

Say wha-? *Shipping alarms blaring*.

I wonder what people’s final shipping charts look like. I know people like to pair off every single character, and there’s no one else to pair Pearl with. She barely interacts with anyone but Pearl and Steven.

Personally, I believe in the shipping conga line.

It’s an amazingly brave decision to never show Pearl’s wound after this. I’m not sure what they were thinking, but I like to imagine the moral is: the physical injury isn’t what’s important. What matters is that Pearl finally found some closure.

It becomes a bit of a visual gag later.

For “Rose Buds,” I said it might be my favorite episode of Future. That ended quickly. “Volleyball” I can enjoy unreservedly.

[battlekidx2]

Kipo Season 2 Review

I know this is late, but better late than never right?

Every cartoon I’ve watched on Netflix that dreamworks made has blown me away. Kipo has managed to continue their streak of fantastic cartoons. I got to Kipo season 1 late and only saw it a few weeks before season 2 dropped. I’m really glad I did because the wait would have been unbearable. Kipo has an inventive world with a lot of potential, fun characters that I enjoy every time they are on screen, a great soundtrack, and beautiful animation. There were some things in Kipo season 1 that I wish were expanded upon and I think a lot of them were addressed with the 2nd season. Kipo still has a lot of room to grow, but it has all the building blocks to be a great show and seems to be heading there. Dreamworks is probably my favorite animation company. I have been very happy with everything they have released recently.

Characters

I think I have to start with Scarlemage.  He was built up perfectly in the first season and I really liked the payoff. Dreamworks always has a knack for writing villains be it for their movies or their tv shows and they’ve once again created a very interesting and fun villain. Scarlemagne managed to be fun and sympathetic yet disturbing throughout the season. And while I’m typically all for redemption arcs I liked that he didn’t get one in this season. I think him not changing in the way kipo wanted was a learning moment for both her and her father. For her father it showed him his greatest flaw, giving up on people/things too soon, and how damaging that can be. For Kipo it showed her that as much as she may want to believe in the best in everything that’s not how it will always work out. I think these are major lessons that will effect the characters moving forward. My favorite villains are the ones who challenge the hero’s worldview and that’s what Scarlemagne does. Scarlemagne himself was very compelling this season and I do believe that while he wasn’t redeemed this season there is the possibility for change in the future. 

I got chills every time his musical motif played. I loved the logic behind his obsession with classical music and clothes. How it initially stemmed from his innocent wonder. I think it’s fascinating how in one episode everything we knew about Scarlemagne was flipped on its head. There was a sort of tragic inevitability to his “villain’s journey”. It was all born from one choice on the side of Kipo’s father that was completely understandable from his perspective, but heartbreaking from Scarlemagne’s perspective. (I’m also a big fan of tragic villains where there’s one choice or factor that makes it so that them and the hero can’t see eye to eye)

Kipo: 

I like Kipo as a main character. She isn’t my favorite main character and I chalk a lot of that up to the fact that until the second half of this season her worldview wasn’t really challenged all that much. She was constantly proven right again and again which I think was framed really well for a large part of the first season. It’s because she doesn’t have any preconceived biases against mutes that she is able to find common ground and see the best in everyone, but this view that everyone is good and that everyone can change isn’t challenged in any meaningful way until Scarlemagne and even then we won’t get to see the fallout of that until season 3. More experienced humans like Benson and Wolf are show to have distrust of mutes and we see in Wolf’s backstory exactly why and yet despite having much more experience with mutes and living on the surface the second Kipo comes along everything they previously thought and experienced is proven wrong. I wasn’t the biggest fan of that. Again I think with this season we are starting to see a shift away from that. Kipo has just seen that her philosophy isn’t always correct with mutes and I would assume with how the season ended next season will deal with her coming to that realization about humans as well.

I think Kipo has a lot of room to grow as a character. And they seem to be taking steps to address the problems I had with her. I want to once again emphasize that I do like her. There are just things that I would like for them to address in the future. (also it’s nice to hear Glimmer’s VA again)

Wolf:

Wolf is the character I am intrigued by the most. Her past, while only briefly explored in flashbacks, was hard hitting. The fade from her attacking the mother wolf to the wolf skin she had on her head was chilling. Everything we learn about her childhood is fascinating because I like hearing about how she survived on the surface alone. It’s an interesting concept because unlike Kipo she had to adapt from a young age to survive, but she was left with little to no people skills and attachment issues because of it. She was the main character who had the most room to grow in my opinion and, while her arc may be predictable, I like how it has been handled so far. I do want more information about her past and maybe a run in with some of the wolves that betrayed her (I have a hard time believing that she killed all of them). I just think there is a lot of untapped story potential with her character and I was a little sad that outside of episode 4 and the finale she took a lot more of a backseat compared to the first season. Though it was understandable considering how much they had to cover in a 10 episode timespan.

Benson:

Benson was given more to do this season, but still took a bit of a backseat. His relationship with Kipo isn’t given nearly as much attention as Kipo’s relationship with Wolf. I would like a Benson backstory because there is still so much left up to the viewers imagination about everything he went through pre-series. He’s a really fun character that I wish were utilized to his full potential. He has a fun dynamic with just about every character he interacts with and I look forward to seeing more of him in the future. I also like his blooming romance with Troy. It was really sweet and funny.

World

Kipo’s world is actually what drew me to this show in the first place. It was a unique take on the post apocalyptic mutant world and I was excited to see where they would take it. I really liked the worldbuilding and how unique each mutant society was and how they managed to very even the burrow cities. This world is just rich with so much wonder and potential. There are still a lot of questions like “What caused the apocalypse?”, “Did the mutes cause the apocalypse or did the apocalypse create the mutes?”, “How did society evolve the way it did?”, “How can it evolve from here?”. I am so intrigued by everything about it. The worldbuilding is probably the strongest point in the show. 

Music

That being said, the music is a very close second. The score and soundtrack of Kipo is one that you can just pop on and listen to whenever you want. I don’t think there’s anything I can really say about the music other than it’s great and reminds me of spider verse with how the music is used in the story and how each type of music associated with a character tells you a lot about who they are. It does just about everything that I feel music should do in the audio-visual medium. It’s really amazing.

Overall

I’m a really big fan of this show. I have a lot of fun anytime I put it on. While it isn’t my favorite of the dreamworks cartoons I still find it to be amazing. It manages to have moments and episodes that hit me hard even on a rewatch. There’s just so much creativity and heart put into this show. I really want to see more of it because with how the show is going and growing I believe that a lot of my questions and problems will be addressed. I hope others can find the enjoyment out of Kipo that I do.

[lattereadsra]

I don't think this is an ask but I wish we got a Ranger's Apprentice animated series/movie instead of a live action

I would love an animated series! I’ve been watching the Tangled TV show and it has this neat storybook style art. I think something heavily stylized like that (or like Spider-Verse 👀) would be amazing

I’ve also been saying for ages that it would work better as a miniseries or a full length show, a la GoT or Good Omens. I think the people in positions to make these things happen are too caught up in the idea of movie adaptations. RA, especially early on, feels more episodic. The pacing would be awful for a movie, even for a series of movies.

Season one would be books 1 and 2, culminating in the duel with Morgarath and Halt just barely missing Will. During the training, throw in some lines about the Temujai warriors, maybe about the Scotti at the border to help set up future seasons

Season two is book 3 and 4. The alternating viewpoints in book 3 would make for great A and B plots in episodes

Season three is book seven. Out of order books are a lot easier than out of order episodes in a TV show, so I think it would have to be chronological. After Will splits off, he spends the episode getting lost until he collapses. There are two options—either the last moments are the other rider finding him, or the beginning of the next episode is that. Depends on if you want a darker tone. Also, Will being separated allows for easy A and B plot structure

Season four is books 5 and 6. I would adore Malkalam’s interrogation fully animated. Can you imagine the effects? And Grimsdell wood in general. So spooky, I love it. I forgot to mention that prior to now, Alyss is made a more important character. She shows up to more things (welcome home parties, downtime, etc). As fans of the book, we know she’s going to be the love interest and we also know that she’s kind of forced in, so we can avoid that with hindsight. (I would also be okay with a bigger adaptations change to make Hill canon, but for the sake of argument, I’m trying to stick as close to the books for this as possible.)

Season five is books 8 and 9. I think at this point in the series you could argue for the books to be split because of length but I like how cleanly the arcs break up. You could either have the same VA for Halt and Ferris and let the actor have fun with it, or have two different VAs who sound similar. I could honestly argue for either way. Both have merit.

Season six is book ten. If we made it this far, the show will hopefully be popular enough that they can pull in some really good consultants on historical Japan so that everything is respectful. Imagine the landscapes, though. Animated, stylized Japanese topography. I’d die

Lost Stories is an odd duck. I would love to include them, but it’s hard to find where they’d fit in a way that doesn’t ruin the flow. We could make the seasons longer, a little more flowing, and split the books up further, but I personally like this structure. If someone wants to figure that out in more detail, I’m happy to see it work, though. Maybe a miniseries between seasons, animated by different people in different styles to give newer artists a chance to work on a bigger project?

Adapting the story now that it’s complete lets us address issues and ideas to make the new version better. More diversity, clearing up the timeline a bit, making minor characters more defined early on, etc. The biggest thing, in my opinion, is the magical elements. I would love more magic in RA, but there needs to be a careful balance because we have arcs later on that are explicitly about fakers, both arcane and divine. But there are also moments that are undeniably magical—the Wargals, The Kalkara, and the hypnotism in book 6. That’s not how real hypnotism works and is borderline magical in its effects and application. I think if more magical elements are added to maintain consistency, they should be grounded and treated as natural. Beasts that come from mythology but are just more weird animals, for example. Maybe give the Rangers a more magical connection to nature that Halt has to sever when he’s banished. The Bedouin live around springs and oases that extend their lives a bit and give them stronger bodies that can withstand the desert. No spells or transformations or anything really flashy. That way, there becomes a distinction between “real” magic and what Malcolm and Tennyson do. The Wargals aren’t treated like fantasy monsters. No one really questions how they’re real. Magic like that is just part of the world.

That would be the biggest change. (And canon Hill if half the fandom wouldn’t be upset over losing Willyss.) I’d love to see an otherwise faithful adaptation of the series. I think structurally and stylistically, it’s already set up for a great TV show. And making it animated like anon suggested would be absolutely amazing, particularly if the producers allow a more unique look rather than trying to mimic classic Disney CGI style. It looks great, but it’s so boring and they all look the same. Give me Tangled the Series style, or Into The Spider-Verse, or even a more traditional comic book style (think Teen Titans or Batman the Animated Series) or something inspired by anime or more recent Western cartoons.

I’m not going to tackle BB and TRR because I haven’t read most of them, but they would most likely be spinoffs/sequels. Same with TEY, though I don’t know if there’s enough there to make a full, satisfying show. (I haven’t finished TEY either whoops) I also didn’t mean for this to get away from me like this, but here you go. All my RA adaptation thoughts in one place

[gofancyninjaworld]

OAV 2 Review: Fishing with the old boys

This was an excellent story that ties into many other developing themes in OPM.  Sorry, that means it’s going to be a bit long.  

Ah, and heroes are officially made of adamantium.

Story

It’s set a week after the catastrophic destruction of City A by the aliens (may there be an afterlife for Boros to be tormented forever in) with Atomic Samurai and Bang trying to fish in a lake. It quickly focuses on a key concern that both men have: they’re getting older and in the light of the ever-increasing threat monsters pose, who is going to take up the mantle?

They get to talking about their disciples with Bang asking after Iain’s health.  We cut to Iaian practising (after one week?!!!!! Yup, adamantium) his one-handed iai in a bamboo grove. Here we see the effect of JC Staff animators merely being worked hard as opposed to worked to death: they can start to bring life and care for the telling detail.  Not only is it beautiful, but there’s that moment when he starts to sheath his sword as he used to, realises, flips the sword and then completes the motion.  Perfect!  It’s things like this that are the strength of animation rather than manga or words!

There’s an interesting flip side to this that I’ll go more into in the meta. When Atomic praises the attributes that Iaian has that he is so proud of, it brings to mind the things that Bang loved in Garou and how bereft he felt when Garou turned on him. 

Atomic changes the subject to something that I again will be going more into in the meta: heroes.  And how weak the majority are.  They single out the Hero Association’s points-based system for especial censure, both being of the opinion that it encourages heroes to focus on the minutiae of progressing at the expense of truly being heroic.   Fair enough!  It’s something the story will be addressing and it’s interesting to see their perspective, but what they say next is much less fair -- mocking heroes who wear costumes.  

We cut to one such costume-wearer, Chain Toad, on the shores of the lake where he’s tracked a monster.  He’s accompanied by Mumen Rider.  Together, they unwisely decide that they have to try tackle the monster themselves so as not to disturb the fishermen on the lake.  Mumen Rider is particularly motivated to try more because he’s seen what the Class S heroes can do.  

Their valiant attempts to subdue the salamander monster are beautifully, beautifully animated.  Hard to pick a single moment I liked, but if I’ve got to make a still, let it be of Chain Toad throwing his chain, sending his chain past the monster, who thinks it’s dodged, only to send it looping back to snare it. 

Once things get too hot for our valiant heroes (Mumen’s underwater battle has to be one of the best sequences this season), the two fishermen finally see fit to intervene. Atomic hands Bang his rod and citing the need for strength as well as guts, casually cuts the monster up, freeing Chain Toad in the process. 

Then they carry on fishing.  As you do. 

Meta

Before I get into the meta proper, a point of order.

WAIT A COTTON-PICKING SECOND!  JC STAFF KNOWS HOW TO USE SOUND EFFECTS AND MUSIC APPROPRIATELY?  SINCE WHEN?  WHY WASN’T THIS ON SHOW IN THE MAIN SEASON?!!!!   Sorry, the shoddy, hastily-slapped together effects and disjoint music took so much away from the season it was painful. I’m still salty about it! 

Ah, that’s better.  We continue. 

1. Time waits for no man, and neither do monsters. 

A theme that we see come up more than once in OPM. It’s one that is particularly heavy on Bang’s mind -- this isn’t the first time we’ve seen him worry about it.  No matter how strong he and his fellow heroes are, they are indeed growing older, and against a threat that isn’t getting better, where the heroes who are strong enough to share and eventually going to take over their burden will come from is a real issue. It really sets into context the fight with Centichoro, when Bang simply wouldn’t countenance the prospect of Genos self sacrificing -- Bomb explains that his youth is needed for the future.  

2. Will. Skill. Strength. Pick all three.

FUCKING FINALLY someone criticises Mumen Rider.  It’s been long overdue.  Even as Atomic praises his guts and willingness to do his utmost, he points out the absolute need for strength.  Mumen wants to do great things, but to this very day has not invested meaningfully in even trying to be physically stronger.  I love Mumen, but the dude has to change if he wants his dreams to become reality. The skill and dedication Chain Toad and Mumen Rider showed in attacking the monster so as to keep it from disturbing the fishermen they mistook for ordinary civilians was utterly admirable, but without the strength to see that will through, it was futile. You can’t launch a rocket from a canoe, no matter how much you will it otherwise. 

Ultimately, if a hero is serious about being a hero, they have to worship and chase after strength like a fanatic after their idea of God: there are too many vicious monsters for a hero to be less than the very strongest they can be.  Anything less is a betrayal of both the people the hero fails to protect and of the principles the hero is trying to live by.   OPM is just too brutal a world for good intentions to survive without solid backing.

 3. Games Games Everywhere

One-Punch Man is only partially a parody.  At times it is a satire, and in the instance of the points-based system the Hero Association uses to manage its heroes, it is a sharp one on the subject of gamification.   While treating non-games as games has been around since the 19th century, the 2010s is when it really took off, round about when ONE started writing OPM.  SInce then, it’s only become more pervasive: you can set objectives, quests, and get rewards for just about anything.  Eating, sleeping, completing in-work induction, delivering packages, you name it, someone has gamified it. It delivers regular little hits of gratification, bigger hits when you rank up, and rivalry when there’s a leaderboard.  It also means that failures can be individualised -- it’s your fault if you’re struggling rather than the system as a whole.  The way the Hero Association has implemented it, it’s a straight up gaming system.  It means that the Hero Association can leave heroes to motivate and push themselves without actively knowing too much about them.The distortions that Bang and Atomic discuss are the same that Saitama identifies.  Rookie crushing, refusing promotions if they mean more responsibility and less recognition, factions, chicanery, showboating to try to gain points through popularity, discouraged and crushingly lonely heroes  -- we’ve seen Swim, Glasses and Saitama -- all are to be expected.   Their idea of how to manage heroes is looking for people with qualities such as honour and dedication and nurturing them is much more hands on -- and represents longer-term thinking.

But before we go praising their sagacity, the episode casts an unforgiving eye on their own shortcomings.

4. The Tyranny of ‘Fit’

Precisely because it is so hands-off, the HA makes no direct judgement on what a hero should be like, leaving it up to the observed results to be the proof of the pudding, so to speak.  This has meant that some real mavericks and oddballs are legitimately heroes in good standing.  We see that the old boys have a much narrower definition of what a good hero can be like.  A ‘good’ hero can’t wear a costume in their eyes.  We can see that’s grossly unfair to those who do: Chain Toad’s heroism has nothing to do with his wearing one. But the problem with their  is more pernicious than judging heroes by their dress sense. Implementing their ideas would formalise a system whereby it would be all but impossible for an up and coming hero to get anywhere without belonging to a school or at least having a sponsor able to vouch for them.   

What’s wrong with that? The thing that’s really noteworthy is that the people that Atomic and Bang champion (and not merely teach or support) are also the people who most remind them of themselves. It contributes to Bang feeling personally rejected by Garou. It goes beyond teacher-student relationships: in the main season we come to learn that Kuseno sees much of himself in Genos.  It goes beyond the page: it’s why many fans wish that Glasses would be Saitama’s disciple and feel he should be his ‘true’ heir.  It’s an uncomfortable truth  that much of what is called ‘fit’ is more familiarity than suitability. And this is particularly relevant because no one, not one of the masters praising Saitama would ever, ever have given him the time of the day had they met him before he became strong.  He doesn’t fit. And neither do a lot of other good heroes.  It’s perhaps most fitting that the ultimate misfit, Saitama, has the most blatantly misfitting disciple... :D

It’s almost like how best to recognise, support and nuture heroes isn’t a simple problem with a singular answer!    

I suppose I’d better wrap up

As you can tell from the length of this review, I’ve really enjoyed this episode.  Two old boys pondering the future, their fears and their hopes and along the way being both entertaining and deeply thought-provoking. 

I suspect that OAV 2 is going to be the best of the lot, but I live in hope of being wrong! 

[adoranymph]

That’s right! It’s been far too long, and I need to do another discussion of, what remains to this day, my #1 anime: Fate/Zero. Oh darling, how I’ve missed talking about you.

First off, I’m probably one of the few people on the planet who, for the most part, doesn’t take too much issue with the concept of prequels. I get why such stories are flawed and inherently so. Going into that kind of detail on something that was only mentioned in passing as a previous event in an original work can be detrimental to that work, punching in plot holes and whatnot. Plus, it takes away the mystery that some find more appealing about the “story before”: giving a detailed account of that takes away that mystery.

Speaking for me personally though, I kinda like it. I mean, I’m the kind of person who squees on the inside at stuff like Thranduil at the end of the third Hobbit film telling his son Legolas that he might want to look into finding a Dunedain ranger named “Strider”, a.k.a. Aragorn, son of Arathorn, a.k.a. the once and future king of Lord of the Rings, timeline consistency be damned! I love Easter Eggs in all their forms.

Which means perhaps I’m biased on this opinion, and to a degree, I am. But, I still think objectively as well as subjectively that Fate/Zero really does work well as a prequel.

Why?

A few reasons, but:

The short answer? It’s a tragedy.

In both the classical and the emotional gut-punching sense.

In the classical sense, we’re talking about actions that have consequences that are inevitable. In the emotional gut-punching sense, it’s that those consequences utterly destroy our heroes and heroines in their feels.

Anyone who’s experienced the original Fate/Stay Night, either in anime or visual novel form, or both, already knows that the consequences to many of the actions taken by the characters in Zero are inevitable. At the same time, for anyone who’s watching it before watching any of the other Fate material as a stepping off point for the franchise, it still works as a strong story of characters who sabotage their own goals through their own flaws, made tragic by how earnest they are in endeavoring to overcome them. Not to mention the sheer number of feels and brutal deaths and OMG this anime. (They didn’t give its original light novel writer, Gen Urobuchi, the sobriquet of “Urobutcher” for nothing.)

Sure, in the end, some plot threads are left frayed and fluttering in the breeze because the main Stay Night plot points are all set up here at Zero‘s conclusion (though that does produce the disadvantage of no longer making the story twists in Stay Night…well…twists). Despite that though, there is still a completeness to the ending.

Somehow the loose ends are written so they don’t feel loose. Sure we find out in the Heaven’s Feel route of Stay Night that Illya is Kiritsugu’s precious daughter that he was unable to save. Sure, in the Unlimited Blade Works route, Kirei gets his just-desserts for that little infraction of killing Rin’s father, Tokiomi Tohsaka. Sure, in the Fate route, the revelations that Saber was a gender-bent King Arthur and was Kiritsugu’s servant in the previous Grail War come to light.

And knowing those things, or lack thereof, can affect how you watch Zero. Knowing them can fill you with excitement when you see these addressed in the prequel (at least for me, since again, this is something I actually like about prequels). Not knowing them gives them their own fresh and engaging life in the flow of the narrative.

When watching Zero, we last see Illya waiting hopefully in the snowy Einzberns’ castle for her beloved father Kiritsugu to come back to her, only to learn that because he’d tried to destroy the Grail (because it’s corrupted), the Einzberns considered him a traitor and shut him out, preventing him from seeing her ever again.

We last see Rin at her father’s funeral. Kirei (who presided over that funeral no less) gives her the ceremonial dagger that her father himself had gifted to him for being his pupil in magic, only to immediately use it to literally stab him in the back. It’s only upon receiving the knife and learning that it was her father’s, that Rin finally allows herself to cry, Kirei secretly relishing her tears and the knowledge that he just gave her the weapon he’d used to murder her father as a present, and she’s none the wiser.

We see Sakura resigned to her fate as a future vessel for the Grail while carrying the weight of the Matou Family crestworms inside slowly killing her, despite her “uncle” Kariya Matou’s efforts to save her by winning the Grail for his wicked father. Efforts that were, for lack of better term, “ill-fated“.

We see Saber summoned at the conclusion of the first episode, with Kiritsugu believing that King Arthur was well a King, only to learn right off the bat that she was a woman in disguise the whole time (and that becomes a thing).

Regardless of knowing these things prior, the writing itself gives the scenes that are meant to allude to these later plot points a gravitas of their own worthy of praise. I am in a bit of a weird position where I started watching Fate/Stay Night (2006), which followed the first story route, the Fate route, with Saber (Arturia) as the heroine. Then I dropped it about a quarter of the way and bypassed straight to Zero. I was just too excited to wade through the lackluster production values of F/SN ’06. So I both knew and did not know things going into Zero. I had the opportunity to see certain things with a well-crafted setup in Zero, and still be engaged by both them and by things that were new to me in the sense that I wasn’t aware of their relevance not only to the Fate route, but to Unlimited Bladeworks, and Heaven’s Feel routes respectively.

Though I knew that it was going to come up that Kiritsugu was Saber Arturia’s Master in the Fourth War, I was still jarred by how frigid their relationship was pretty much from the word go. And it was interesting seeing someone as openly passionate about justice as Saber was getting stonewalled by someone like Kiritsugu, seeing as how his own passion for justice turned out to have been just as great. It’s just that he’s already let “reality” turn all that into a cold, calculating fire that’s compelling to watch burn so slowly, that struggle between that BBC Sherlockian sense of “Will caring about them [people] help save them?” and caring too much being the whole reason for what he does. That idea of wanting to bring the world salvation through an end to conflict, weighed movingly against how much he cares for his own family. It’s something that craftedly underpins his whole character. And anything like that will never be boring for me.

Rin meanwhile, even at a tender age, shows great potential as a mage, having started her education in magecraft in Zero. There’s an entire episode in there dedicated to how far she’s come and how far she still has to go. And it’s still exciting for those who already know that she’s going to be the capable Master of Archer in the Fifth Holy Grail War of Stay Night because of how well those parts showing such are executed in Zero, as equally exciting as it is to see it as someone going in blind.

Kariya Matou is motivated by the purest of things, love, to save Sakura Matou (formerly Tohsaka as Rin’s little sister) after she’s adopted into the Matou family simply to be used and abused in the worst ways. But for all that, it isn’t enough for him to succeed and failure is one of the most brutal things to watch.

Just about one of the most precious things I’ve seen in anything, never mind anime, is the scene of the walnut-finding game Kiritsugu and his daughter Illya would often play, because we see them play it one last time before Kiritsugu leaves for the Grail War at the beginning of the show. Even without being aware that this is the last time that they will ever see each other again, the hug goodbye that Kiritsugu gives Illya is still bittersweet because of how Kiritsugu’s character has been set up as this sober and reserved man carrying the heavy burden of his wife’s inevitable death, the cost for his wish to save the world, beautifully and poignantly juxtaposed against him acting playful, happy even, with their only child. (That, and well, there’s me who’s outed herself as a sucker for daddy-daughter relationships in fiction.)

Being a tragedy then, not only are all of the characters’ fates inevitable, and consequences of their own flaws, but they all end up spiraling apart into ultimate despair, with just the tiniest ray of hope at the end (which is the tease for Stay Night‘s continuation of the story, all three story routes accounted for). So what we’re left with is characters who either died broken, or survived broken, and for those who survived broken, we see that despite that, they find some reason to go on living (even if not for very much longer, and or even if not for the best of reasons). Just the same, it’s inspiring. Very Bluthian, actually. Despite all the trauma, it’s given worth of its own in that very last scene with Kiritsugu and his adopted son, Shirou, the protagonist of Stay Night, promising that things can be turned around for the better. That always gets me. From the very first time I watched it, I knew I had watched something incredible. An unduplicatable experience in the vein of finishing Harry Potter or Avatar: the Last Airbender.

It’s also something of a reset button where the anime adaptations of the Fate franchise are concerned. Somewhat ironically, the anime was produced so that the later adaptation of the Unlimited Blade Works and Heaven’s Feel story routes from the visual novel would work as sequels. Sequels to the prequel, as it were.

Then there’s the bottom line. It’s just a damn good show. Beautiful animation, beautiful music, beautiful character writing. Of all of the adaptations, it’s the one that works best as a standalone as probably Fate fans are ever going to get, given the nature of the source material. And with it being so good, it also has considerable rewatch value, which means that those “twists” that get “spoiled” are worth watching in the same regard that anything that has a known twist going in it is still worth watching.

And that…is why Fate/Zero actually works as a prequel.

Keeping this link up!

Why Fate/Zero Works As A Prequel That's right! It's been far too long, and I need to do another discussion of, what remains to this day, my #1…

[psyga315]

Fixing RWBY Volume 3

Volume 3 is most likely not going to receive a lot of changes due to how this is the lynchpin for which all other RWBY volumes make or break. It is because of Volume 3 that people were either turned off or were re-engaged by the tonal shift and it is because of Volume 3 for which people compare all other finales to, as well as scenes that were clearly made to recapture that feeling from Volume 3.

So, instead of going episode by episode in trying to change plot elements, I’m going to go in broad strokes with this.

Like before, I’d recommend Celtic Phoenix’s Fixing Volume 3 video, though only for the Vytal Festival Tournament and Cinder’s overall plan. After that, all bets are off.

Though, we need to address the Goliath in the room. Midway through Volume 3’s production, Monty Oum passed away and, if Shane Newville is to be believed (which, given how they used Adam’s V3 fight footage for V6, might be more likely), a lot of stuff was changed last minute, much to Shane’s chagrin. Now, some rewrites would simply go for “let’s go with the original plans” route, but I find that would be not only too easy, but would go into the route of “this is what Monty wanted”, which is not only a stupid complaint in more ways than one, but a real slap in the face to his friends.

Instead, I want to go with a somewhat more… meta route. I understand that this is a little more controversial, so if you wish, you may skip this. The long story short is that we’d be getting a 2.5 where we see the Vytal Festival Tournament and its ulterior motive is to get animators that hopefully would not lead to the fight scene drought of Volumes 4 through 5. Also, Jason Liebrecht is Qrow instead of Vic because Vic was busy in another role by the time RWBY finishes up with 2.5.

Those Who Treasure Monty

We begin in our world, on February 2, 2015, news of Monty Oum’s passing breaks out onto the web and a long, lingering shadow is cast over RWBY’s future. Even with multiple confirmations that RWBY will continue, it’s clear that without Monty Oum’s animation, RWBY would eventually slow to a crawl in fight choreography.

So, RT is forced to make a decision. They need to put RWBY off for a year while they figure out how to proceed. To ensure the RWBY fans stay sated and to search for talent that could either replicate or even succeed Oum’s, they create short, five-minute fights set during the Vytal Festival tournament that anyone with an animating talent can use. While some used Poser like RWBY, the fact that Maya is used more gets RT to thinking… Perhaps they should make the switch to Maya.

It’s been stated that Monty insisted on Poser when Maya was a superior option, and I wanted to reflect that in this meta-arc. This would also pave the way for animators to get RT’s spotlight.

In the middle of this hiatus, we’d also get Grimm Eclipse, which, given how not a lot of attention is given to RWBY proper, means that RT would funnel more support into the game’s first year than they did originally. This might also get Gray to try and put his name out by doing Gen:Lock, or at least releasing teasers for it, much like how Monty hyped RWBY through the four trailers.

The fights are in a purgatory of “semi-canon”, where it technically happened, but don’t expect RT to actually call back to it. Much like the DC Comics. HEY-O!

By the end of this hiatus, RT will most likely get their new talent and will definitely cut ties with Sheena and Shane, much like they did originally, but hopefully with less resentment given the cooldown. RWBY would get an October 2016 premiere which would be predated by RWBY vs. ABRN, JNPR vs. BRNZ, and SSSN vs. NDGO being the final three fights for Volume 2.5, done by people who would end up being lead animators for RWBY going forward. The last of the fights will end on a familiar scene.

“Wow, now that was a match!”

“Pheh, that was a mess…”

The latter of which being delivered by Jason Liebrecht. I reason that, in the time RWBY took to process the passing of their brainfather, Vic would most likely have been in another role and be too busy to do Qrow. This would also avoid the… unfortunate circumstance of which we shall not name.

With that, we shall properly proceed to…

RWBY, Volume 3, The Vytal Festival Arc

By the time 3 kicks off, we’re already done with the first round, having already seen most of it from 2.5. We instead open up with Ruby talking to her mom, the final moments of RWBY vs ABRN, and Ruby and her friends celebrating their victory, much like V3. What changes is that JNPR is also celebrating their victory over BRNZ.

However, it’s clear that not everything is bright. Ruby’s still scarred over the Breach, Blake is frustrated with the lack of closure they got and believes that the case is still not over, and Yang is thinking back to what Raven said, to which we get an extended flashback of Raven explaining that she saved her once and that Yang should not expect her to save Yang again and also how Summer was a pawn in a larger game. She doesn’t say much, but she leaves enough information for Yang to know who Summer was a pawn for: Ozpin.

We end Episode with a ship entering Vytal and Qrow deliberately going over to face it as Weiss looks on in a bright smile. Episode 2 kicks off with Qrow vs. Winter, now being a lot more vicious as Qrow believes Ironwood to be putting his jackboot over Vale and strangling what free will the people had remaining. We get to see his bad luck be put into motion as bystanders get attacked by debris and getting injured in the process. His Semblance is literally uncontrollable. However, the trick is to not show that this is his Semblance until Volume 4.

Glynda and Ironwood arrive and chew out both Winter and Qrow for their fighting. Even though they have differing opinions on Ironwood, Qrow is explicitly told that his drunken fits only help to cause fear, something Ozpin does not want in the Vytal Festival. Qrow brings up that Ironwood’s army is bringing fear and while Ozpin agrees, also agrees with Ironwood that it also brings some form of safety. Bottom line with how the scene plays out is that Qrow, while a valuable asset on the battlefield in more ways than one is outright a liability in social situations, made apparent when he hangs out with his niece(s) and only makes a bad situation worse by making his “cut one Taijitu head and now the other one calls the shots” speech sound way worse than it sounds.

However, there’s also subtle nods that imply that the only reason he’s such a drunken wreck with social skills so bad that he’s actively making things worse is because of the trauma he received from his days of being in STRQ and serving Oz. Basically, downplay the comedy of Qrow being drunk and show off that Qrow being drunk is a bad thing like in Volume 6.

Winter also has her hangups. Because of being raised by her abusive father, Winter inherited a bit of that. Think the DC Comics version of Willow. Weiss notably sees just how much like her father Winter’s become and Winter tells her that her ambition of being a Huntress has done more harm than good, bringing up her scar. Winter then tells her why she came. Not just to oversee the deployment of new robots, but also to warn Weiss. Jacques cutting Weiss off and constantly calling her is his way of saying “Okay, this is getting out of hand, come home or I will take you myself.” This kinda worries Weiss quite a bit.

The doubles match are the ones that are a major focus for episodes 3 & 4, showcasing Yang and Weiss vs. Neon and Flynt, Nora and Pyrrha vs. Sun and Neptune, Mercury and Emerald vs. Coco and Yatsuhashi, and Penny and Ciel vs. some random members of CRDL. Not a lot of changes here. With a whole episode to ourselves, we can spend that to see our cast one final time before the plot throws them into hell. Weiss talks to Ruby about her father, she assures her that RWBY will not leave her side. Blake tells Yang about her worries for the White Fang, especially since her name had been publicized by the tournament, even knowing that Yang is hiding something.

We end the episode with Glynda asking Ozpin if he’s sure about something and he reassures her that time is of the essence and that they have no other option. “The only one with a choice will be her.” Before we cut to Pyrrha.

Episode 6 is unaltered, except there’s a heavier emphasis of Ozpin pushing the issue onto Pyrrha and making it clear that it’s making her mentally unstable.

RWBY, Volume 3, The Fall of Beacon

Okay, the only thing that changes for Episode 7? NO BLACK SCREENS! It works for some mystery with the Grimm and Salem, but for meeting Roman?! So, no black screen. If you need to add mystery, just add dark shadows and for the Grimm, glowing eyes. The biggest change would be how Cinder interacts with Adam. Obviously, we keep how he acts in the flashback… But we get a bonus scene of Cinder talking to Adam and manipulating him into resenting Blake for leaving him. Boom. We got our transition covered.

The only change for Episode 8 is that Blake doesn’t go “lol, okay” when she gets Yang to say she’s sorry for kneecapping Mercury. In fact, she expresses doubt on Yang and does not change her mind about it, believing that the thing she was hiding had something to do with injuring Mercury. We end Episode 8 not with Ruby encountering Mercury, but Hazel.

Episode 9 remains relatively unchanged, as it’s the necessary lynchpin to cause the Fall of Beacon. Really, most of the final act can remain unchanged for the most part, save for some quality of life changes like “how come no one called out Emerald when she was in the middle of the crowd even though they were told that her team went home?” or all those tiny nitpicks that really makes Cinder’s plan fall apart if you think too hard about it.

The most that changes is that Hazel fights Ruby reluctantly. Obviously, he doesn’t want to fight Gretchen’s partner. Cinder would have no idea Ruby’s incompetence led to Gretchen’s death, so Hazel wouldn’t use that to guilt trip Ruby. He does, however, rant about the flawed system that Ozpin has made and it’s clear that this is him talking about how flawed the system is, not Cinder whispering sweet nothings in his ear. He lets Ruby go just as the fight between Pyrrha and Penny ends.

Yeah, this still takes place despite Cinder not knowing, since she lacks her virus for now. Cinder is smart and is able to put two and two together when she sees that Penny is doing a lot of the heavy lifting during her fights. I mean, it was obvious to us that she was a robot from Volume 1, Cinder didn’t need no fancy scroll to tell her “hey, Penny’s a robot.”

I should add that, throughout the tournament, Cinder had been rigging the tournament so that it’d come down to Vale vs. Atlas, using the narrative of the Breach to set the stage. She’s also making sure the losses for Mistral and Vacuo sting so the Grimm get attracted sooner. How is she doing this? Via the backdoor program she had. As I said previously, the virus feigns being dead and can only be reactivated by a backdoor program. However, this isn’t the full extent. Cinder is basically using the program to activate a few nodes in the CCT to rig the randomizer enough so that no one stops and goes “wait, this is fishy”. It doesn’t help that the way the tournament is held, each Kingdom representative is guaranteed to face an opposing Kingdom once per round, so if one Kingdom was really good, they’ll overcrowd the subsequent doubles and finals. Two Kingdoms? Then you essentially guarantee that the rest of the fights can be nothing but Kingdom A vs. Kingdom B.

Penny is killed and this becomes the straw that broke the camel’s back. I also would make it so that her big speech, while imposing and setting the tone for the fall, doesn’t sound like “I’m the big bad evil guy and I’m going to announce my terrorist attack!” Also, Adam can get involved too, saying how humans are so sad over a dead robot, but when it’s a Faunus, no one gives a crap, white guilting the crowd. When the Beacon staff cut the feed, Cinder goes “OMG! CENSORSHIP!” and riles up the crowd that way. Basically, her speech causes fear and panic. The Grimm and White Fang attack, we kick off the Fall of Beacon Arc.

One major change to kick off the finale: Port and Oobleck are killed. It doesn’t have to be shown, but it would be implied as Ozpin notices that he lost contact of the two. Really, this is your chance to get rid of all the characters that won’t make an appearance in later Volumes or wouldn’t really matter. After all, there will be no rest or love. Hell, kill off CFVY while you’re at it. Hammer home that the dark tone is here to stay. Also, the backdoor is the thing Roman puts on that ship and thus reactivates the virus.

Of course, the major change is Adam’s fight with Blake, since they fought before. Blake tries desperately to ask why he’s hurting people, but Adam gives her his response: “Because this world doesn’t reward the kind-hearted people. You should know that after what happened to your father!” This puts Blake in a lot of fear and anxiety, requiring Yang to interfere. The one thing I’ll change from this is that Adam does not one-shot Yang, because that horribly unbalances him in the grand scheme of things. Instead, he relies more on manipulation to put Yang in the absolute worst spot throughout the fight, absorbing the increased blows he got from Yang before letting it all out in his Moonslice, taking off her arm.

The other major thing I’d change is the handling of Pyrrha. The bit where they’re underground changes immensely as Ozpin explicitly instructs Jaune to wait by the door, thus separating him from Pyrrha. Ozpin and Pyrrha go to the pods, but as Pyrrha begins to have second thoughts, Ozpin activates the switch as Pyrrha screams in pain.

Meanwhile, Jaune finds Cinder entering the chamber via a superhero landing (No one’s gonna acknowledge that she managed to follow the group down a longass shaft?) and as Jaune tries to fight Cinder, realizing she’s the one who organized all of this, she tells him “I didn’t cause this… I merely exposed Ozpin for what he truly is… Arrogant and willing do to anything to win.” Jaune pieces together what Cinder could possibly mean and enters the chamber, seeing Pyrrha in pain. Just then, Cinder kills Amber and takes her power.

Ozpin decides to hold Cinder off while Jaune and Pyrrha go to get help. While this will be revealed in Volume 5, it’ll be revealed that Ozpin threw his battle with Cinder so that, not only would he reincarnate quicker, but also to avoid the Council chewing his ass out. This leads to the consequence of Cinder forcing Pyrrha’s hand, however…

Like with the show, Pyrrha fights Cinder by herself since Jaune did enough. We’ll have him try to contact Glynda and the others, but they’re unfortunately busy and it’s this poor communication that causes Jaune to panic call Weiss. The fight proceeds like normal and Pyrrha is killed by Cinder, making her sacrifice seemingly in vain before Ruby, having enough with all this bullshit, Silver Eyes the fuck out of Cinder and the Dragon, turning the latter to stone and Cinder into a cripple.

Ending remains the same, but give a lot more emphasis on Ruby and Yang coping with the new change and the losses of their friends. One day, Jaune comes by and asks Ruby if she and Yang would like to accompany them to Mistral, figuring that Cinder came from there and that they’d be able to find some answers. Ruby, having had enough of moping around, leaves much to her father’s chagrin. Salem’s speech remains the same and we get two stingers, split by Divide and Cold. Divide’s credits would be for the Volume and Cold would be for all the animators who helped out during Volume 2.5 and a tribute to Monty. The first stinger is Qrow following RNJR in bird form, the second is Cinder, literally on the edge of death before the parasite Grimm begins to heal and nurture her. She’s furious that Ruby managed to hurt her and this negative emotion causes a Grimm to stalk her. She tries to sing to it, but her voice gives out a rasp.

Just as the Grimm is about to kill her, it gets killed by an unknown assailant, who just scoffs to Cinder. We don’t know who it is, but the shadow of a scorpion’s tail and the creepy voice pretty much gives those with foresight a good idea who he is: “Poor, poor little girl… Bit off more than you can chew, hmmm?” before cutting to black with him giggling.

DVD Extra

This would basically be an encore of Volume 2.5, where animators that nearly made the cut were invited to animate doubles and finals battles and even have a speculative RWBY vs. JNPR battle for ol’ time’s sake.

And that’s RWBY Volume 3 tweaked. Only two more left to go and they’re the most… interesting ones to tweak. Well, with this isolation, I might as well give a little bit of time to this…

[eisforeidolon]

Episode: Back and to the Future

I get why, thematically, they chose that song for the previouslies that kick off the final season. However, from my perspective I just do not think it actually works at all.  It is far too sedate for the action it’s recapping and the scene it cuts into.  The juxtaposition of such different paces is just ... odd.

I guess I'm supposed to feel all sad and shit from the lingering shots of dead!Jack's burned out eye holes?  Maybe if he'd had a personality other than being an amorphous shifting blob of unbelievable power and permanent intellectual infancy I was supposed to care about because of the number of times they had the other characters say he was their son/family/awesome.  As is?  ¯\_(ツ)_/¯

I wish I could say I was surprised that the veritable army of animate corpses making a beeline for the Winchesters and Cas just … somehow … let them escape and run away.  I'd have been a lot more surprised if the writers had actually bothered to do the work to get the characters out of the corner the last finale put them into, at this point.  Then there's the bit where the writers shove some nonsense into Dean's mouth to try and make it seem like this whole thing with Chuck isn't a sudden random asspull to go for the most absurdly overpowered villain they could think of for the last season.  Totally believable, oh yeah.

Although the idea of a sewer running through a graveyard including right to the wall of a crypt does not exactly seem likely to me, I do actually give the writers points for having that not actually work as an escape route.  Also awarding some points for them remembering that as an angel, Castiel should be able to see demons.

As other people have already pointed out, considering what he did to the Novak family and how haphazardly he handled Claire, especially?  Him bitching about any other creature defiling somebody's corpse is pretty fucking hilarious.  Though I'd possibly be more sympathetic if demon!Jack didn't already show a 500% more interesting personality in thirty seconds than actual!Jack did in two seasons.  So far as I’ve been concerned, the only think Jack has really had going for him is Alex, so Alex as a different character, even a demon, I’m calling a win.

I honestly do not get the decision of trying garner fan nostalgia by bringing back ghosts from previous seasons if they're just going to arbitrarily make them kill anyone at random for kicks.  Would it have been that hard to have shown “Bloody Mary” killing one person who might have had a secret where someone died?  Because I could buy it for one of those teen girls, but not both.  Or limiting the “Woman in White” to attacking men along highways who might possibly be unfaithful?  Maybe we're supposed to believe that they're all just so pissed off at having spent all that time in hell that they have completely lost touch with what originally tied them to earth and drove them to kill in the first place?  I don't mind them no longer being tied to a physical location since they were banished and unnaturally returned, but to be so disconnected to what drove them to become angry spirits seems much more intrinsic to who and what they were.  I guess even the ghosts lose their personalities to become cardboard in the hands of Dabbernatural.  

Oh, look, mysteriously, big G God's tantrum opening up hell is not actually big enough to impact the whole planet – or even, you know, more than the literal next town over.  This is my surprised face.

Then we get to the bit where the Winchesters find an abandoned car with a bloody mess inside and are all, “Look at this Woman in White kill!  Obviously it was a Woman in White!  Totally the specific one we sent to hell!  Because … car!  And, uh, blood!  And, oh, because the fucking script says so.” REASONS, YO.

Aren't all garage doors required to have an emergency pull for if the power goes out?  Obviously the script required the pair of VotW end up stuck hiding in the garage, which, uh, a ghost can't find people hiding now?  Did I miss something in there that explained that silly convenience that makes the ghost even less spooky in an episode that really really fails on that count even more later on?

I guess maybe I should be happy that it's Castiel that gets hit with the dumb characterization stick to necessitate Sam & Dean not work together to clear out the town? Look, at this point, considering the way the writers have had him act as a constant disaster zone of idiotic choices and betrayals for several seasons now, my ability to sympathize with Cas is a wee bit limited.  To have him now sulk like a toddler and refuse to work with the demon to help the Winchesters save an entire town full of people and prevent the spread of angry hell ghosts to the world beyond that? Because oh noes it's wearing Jack's face and he was just sooooo attached?  Even though all of them supposedly thought of Jack as their kid?  He doesn't even try to offer up alternatives to working with the demon with the very convenient solution, just whines about it? 

So basically this billions of years old angel somehow has less fucking practicality than the Winchesters (despite how easily he killed the shit out of his fellow angels when it suited his plans).  Not to mention that by refusing, he's saddling Dean with having to work with demon!Jack. The human guy who was just recently convinced he had to kill Jack for the good of the world after Jack killed his mother, only to have a change of heart when he saw Jack’s understanding, only for Jack to end up killed anyway – you know, emotions a hell of a lot more conflicted about their supposed kid's than Castiel's?  Castiel is just fine with that!  What a self-centered dick.

I liked Dean's conversation with Rowena on the phone and his response to her presumable demand to ask more nicely.  I laughed at Sam accidentally shooting Cas and Cas' resultant reaction.  I thought it was curious that they had the demon bring up Dean's time as a torturer in hell, though I'd be pleasantly surprised if it was anything but a way to segue into the Cage getting opened.  One utterly wasted Michael storyline is apparently not enough for Dabb!  Maybe it's just supposed to be some kind of weird demon idea of flattery, but I did find their interactions interesting.  I would be intrigued by the weird flashes when Cas was trying to heal Sam (Another angel power that actually works for once?  Wow!) … if Dabb hadn't already yammered on about what it means in an interview.  That dude is absolutely allergic to leaving any kind of major storyline an open mystery or letting it retain any intrigue for fans to speculate about.  I was not impressed with Sam getting damsel-ed to be saved by Castiel at least twice.  Come on, show.

As I speculated before and said above, I’m fine with the Chuckified nature of their release meaning some rules don’t apply.  I could maybe even understand the thought process that them being out in the daytime, without being limited to darkness, was scarier? I just wish anyone behind the camera was awake enough to actually look at the aesthetics of what they did here and realize that no, it's really really not.  The whole thing just looked so embarrassingly mediocre - pantomime actors in bad bargain basement costumes silly.  I think it was @hippychick006 that suggested gifs of the whole end portion looked like they should be set to Yackety Sax?  The context of the episode does not in any way negate that. Just … wow.  Like with the wire fight, I am flabbergasted that this made it to air without somebody finding the brakes.

I'm not sure if the writers actually made a failed reference by having the Woman in White say Dean was the one who took her home when it was Sam, or if they meant to imply he and Sam together had been there/responsible and Dean was the one she was addressing.  Regardless, I'm not impressed with how all the ghosts Sam & Cas were being confronted by just … stood there to be shot one by one for a while.  And then … ran … literally ran … chasing them down the street instead of doing the whole ghost teleport thing.  There are way, way too many times in this episode where the guys get away or win a fight because reasons and there is absolutely no tension in that.  Even if it didn't also look ridiculous.  Dean’s part of the confrontation was a little less absurd in that respect, at least.  And the spell effects actually looked reasonably cool.

I'm a little annoyed at myself that the obligatory brother scene at the end of the episode kind of works on me.  Though I’m not particularly impressed with Sam's conclusion that God is totally going to leave them alone now.  Sure, Chuck has a long habit of leaving when he's bored, but he isn't leaving this world because he's bored.  You guys actively pissed him off!  Yet Sam treats it like a foregone conclusion Chuck will have buggered off instead of sticking around to watch his previously favorite but now uncooperative toys suffer and die first. Though I'm not sure if that's a writer issue, actually, or just a legit choice I don’t care for.  I could see Sam insisting on trying to sell a potential positive side with no room for doubt with as fatalistic as Dean is being.  I could also see it just being one of those things Sam convinces himself must be true because he's reasoned it out in his head and refuses to consider alternatives may exist.  Like how he was so convinced it could only be God planting visions in his head back in season 11.  Still, I like the callback and I can even see why Dean is the most immediately cynical and pissed off, so hey!  There was actually one whole entire scene I enjoyed in there!

[monkey-network]

Good Stuff's Best of 2019

WARNING: Just wanted to say cheers to you for making it through another year. I send you best wishes for next year to be fruitful. Thank you, take care out there, and enjoy. (Best of 2017) (Best of 2018)

Dedicated to Russi Taylor, John Witherspoon, Rip Torn, Tartar Sauce, Caroll Spinney, Peter Matthews, and the many of KyoAni lost in the arson incident. You all did wonderful; rest in peace.

Welp, I figured the last year of this decade would be the most chaotic one by far, then again everything peak after 2012. As for now, I am counting down the best cartoons/animations/comics I’ve seen and loved this year in no particular order other than #1. Same rules apply: No sneak previews of future projects, no repeats, and this time anything goes.

Runner Ups: Superman Smashes the Klan, Marvel’s Aero, Infinity Train, Enter the Florpus, Amphibia, Mao Mao: Heroes of Pure Heart, Helluva Boss, Meta Runner, Lego Movie 2, Forky Asks a Question

Anyways, Badda boom bang whiz, let’s do this shizz...

10. Super Mario Bros GT

Nostalgia can be quite a mystery, especially one that can come out of nowhere. Super Mario Bros Z kicked so much ass as a kid that now, it still frustrates me to this that it got a cease & desist from Nintendo, even the reboot from the same person couldn’t last long. But the gods have offered a slight miracle in the form of this new spiritual successor that has heart and soul put into every pixelated frame. There is much to celebrate with Youtube animation, where many say it’s dying due to the algorithm and all of the site’s corporate bullshit, but it’s stuff like this which helps me understand why we should celebrate. Against all odds, channels like Smasher Block willfully put their works out their for the people and continues to because on top of getting a little dough, it’s what they want to do.

9. DC SUPER HERO GIRLS (2019)

Awwwwww yeah, this is She-Ra and the Princesses of Power done right. Diverse female squad, each given a quality screen time to truly shine (Beecher especially) on their which makes the episodes where they’re all together feel earned and joyous to watch. Certainly reminds me of Friendship is Magic, which is coincidental since they were created by the same woman. I’d like to think this and MLP G4 were the answers to Faust’s cancelled project Milky Way and the Galaxy Girls where multiple personalities collide to one extraordinary superhero team of girls capable great feats that are lifted from their insecurities or drawbacks. And on top of this being a fun series to kick back to all around, it’s a comforting, somewhat aspiring thought to consider.

8. JOKER

I am somebody that rarely goes to the theaters to watch a film; you have to hook my tight just for me to even think of buying a ticket, no less plan to. But honestly, Joker was worth the hype, the ticket, and the fact that it wasn’t the incel uprising that buttfuck normies tried to make it out as. It’s lower on the list because in thought, there definitely could’ve been some tweaks to the dialogue and a couple scenes that I felt didn’t work in the long run. But really, this movie to me worked because of the escalation that leads to a cathartic climax and ending that left me in actual tears. I don’t give a shit if it “doesn’t fit”, having Frank Sinatra sing the film's credits put me in shambles. Joaquin Phoenix was phenomenal as Arthur, and this movie felt authentic in its many details. This is definitely up there with my favorite comic book films of all time. Good thing, too, Spider-Man was taking up most of that shelf.

7. TUCA & BERTIE

This series being what I can’t help but say is a spin-off to Bojack Horseman, a show I respect, was enough to pull me into watching it. But it being like Bojack where it’s tight-roping between a bouncy comedy and a grounded drama was what kept me around for more. It is a damn shame this was cancelled after one season (while 13 Reasons Why gets FOUR seasons like what the fuck), because while this did feel enough like a complete series, I was certainly interested for more because I really enjoyed it all. I have my issue with a couple choices in the show, but I am sure this series would’ve addressed them later down the line. I can see why some women would find this personally endearing, it felt like the personal stories of actual people, and it deserved better. Either way, I enjoyed this series and I recommend it just as much as Bojack.

6. PRIMAL

Genndy Tartakovsky is that kind of cartoon creator where you feel he’ll go beyond if you give him the right amount of space. He’s not a perfectionist like John “Dirty Diddler” Kricfalusi, but with things like Hotel Transylvania and Samurai Jack, he certainly has proven to have the range in animation where you know how he plays. Primal showcasing his noted skill in dialogue-less storytelling and dynamic action scenes, able to convey everything clear with its ruthless yet careful protagonist and his dinosaur friend, all on top of the most luscious backgrounds. This is a series that definitely feels like Genndy’s taken what he’s used from his previous works and putting it together for a brutal yet passionate look at the prehistoric life. He truly brought us an adult series to enjoy and to look forward to more in the coming year.

5. SPINEL

Bet you didn’t expect a character to be on this list, eh? Spinel is the best thing to come out of Steven Universe in general; makes me wish she was in a better movie. The crew certainly did their darndest to make her not only an enjoyable and connectable character through and through, but a very versatile character that the fandom could take in any which way. Call it corny, but Spinel perfectly represents SU as a whole: a lovable goof that can certainly mean business but deep down is deserved of a hug because of what she’s gone through. Wish she had a more satisfying resolution in her respective debut, but really it’s the balance between those three elements mentioned that makes Spinel almost eternally wonderful.

4. MOB PSYCHO 100 II

As someone that doesn’t like reading, I’m a firm believer that the best animations or visual medias elevate the writing to a memorable degree; the visuals hook to the point where you want to think about what you saw and how it was conveyed. Mob Psycho 100, for two seasons now, does this in spades where Studio Bones throw them bones in animating one of the most dynamic animes of the modern era, providing the writing and characters a proper chance to flex its muscles. The characters are especially what makes this and MP100 as a whole work so well, the story being about a boy learning to be more sociable as well as emotionally stronger all while helping others understand maturity and empathy. For more on this, I recommend Hiding in Public’s video(s) on Mob. But with the animation, Bones was able to provide a sense of impact and immersion to the moments that matter, not making it an overstimulating mess, and putting some respect on ONE’s webcomic art style. 

3. KLAUS

Hands down, this is a great Christmas movie. Take away the animation and you have a charming, wanna say ground and authentic, story about the makings of Santa Claus. With memorable and likable characters, a nice escalation in terms of the plot, and moments that are/can be so satisfying, they can bring you to tears. A couple overdone tropes in the road that doesn’t make this the most perfected story, but those sincerely minor compared to everything else that makes this story the best. Now. Add in the animation, and you have a gold, nay a platinum animated story of the year where the visuals definitely enhance the story to a degree where they’re undoubtedly inseparable. The visuals alone is enough to check this movie out and it’s eye-opening when you learn of how it’s all done. Klaus is a film that did it’s job and then some, and I hope this will be well remembered as a classic holiday film for it deserves that status.

2. BEASTARS

I’ll be fair, I’m mostly referring to the manga and not the anime but since the anime premiered this fall, it counts. Because be it the anime or the series overall, Beastars has such well intricate world building all while offering a little something for everyone (violence, romance, slice of life). The story is well paced and even when we aren’t focusing on the main characters momentarily, Itagaki is surprisingly able to make every supporting/side character we come across memorable in their own way; like I said before, the city is much a character in this story. Oh yeah, and the mangaka is the daughter of Keisuke “Grappler Baki” Itagaki, that in itself is a treasuring bit of trivia for this. Everything about Beastars is enticing and Studio Orange certainly helped in giving this series more of a following.

1. GREEN EGGS & HAM

Well, well, well. Guess Netflix is three for three in terms of bringing its best foot forward among its few steps back each year. The best term to describe this series is surprising. Surprising that this is a Dr. Seuss story that got expanded a 13 episode series, that has fleshed out characters, fun hijinks, an easy story, lovely emotional, more quieter moments... on top of being 2D hand drawn animated. I mean, what else is there to say? Green Eggs and Ham is to Dr. Seuss what Seven was for Final Fantasy, what Friendship is Magic was for MLP, what watermelon was before a nice menthol cigarette. This definitely took the top spot because to me, it was able to bring many good elements from the previous entries and knot it all together into a well kept bow that I never knew I wanted until now. I’m genuinely glad this show got to exist the way it is and I am hoping, praying, that the second season keeps that momentum up.

That leads us to the actual number one which is

1. STEVEN UNIVERSE FUT-

Total Dramarama is now the two time World Heavyweight Champion, babey. Will 2020 give us a quality contender? Will the streak last another year?

Stay tuned, and always seek out the Good Stuff.

[snkpolls]

SnK S3E21 Poll Results (Manga Reader Version)

The poll closed with 260 responses. Thank you to everyone who participated!

Please note that these are the results of the manga reader poll. Anime only watchers are suggested not to read if you do not wish to be spoiled about certain events! Anime only viewers, click here to view your poll results!

RATE THE EPISODE 251 Responses

As usual, the episode received good ratings! A small minority could have been more impressed, but overall people were happy.

It was great, another 10/10 episode. My only gripe is that they should've cut the opening this time as well to have more time to put some great dialogues from the manga.

A bit bummed that quite a bit of lines from the manga didn't make it into the episode, but otherwise pretty damn good. 

Great one, though not as great as the previous one.

Some shots were not 1 to 1 to the manga, which was a bit sad, but overall the episode was amazing!

WHICH OF THE FOLLOWING WAS THE MOST IMPRESSIONABLE MOMENT? 255 Responses

Kruger bringing up Armin and Mikasa to Grisha was voted as the most notable scene from this episode. Behind that at 18.4% was the “Attack Titan” name drop moment. Kruger encouraging Grisha to carry out his mission came at a distant third with only 5.7% of the vote.

Everyone joking about Eren’s phase was hilarious. The lampshading of generic anime protag behaviour was great.

The end gave me c h i l l s. I loved how the outro started playing in the last little bits of krugers and grishas conversation and how the outro imagery was changed to  titan history images instead. That whole scene was such a pleasant surprise.

KRUGER SAID EVIL AND GOOD PEOPLE ONLY EXIST IF THAT’S WHAT THEY ARE CALLED. DO YOU BELIEVE THIS? 253 Responses

Just over half of respondents believe that “good” and “evil” are typically subjective terms, although there are a few who are objectively one or the other. 40.7% feel that “good” and “evil” are always subjective no matter what. A small 7.1% feel that “good” and “evil” are entirely objective with no room for argument.

Kruger's "you can be a god or demon depending on what you claim" is maybe the most overrated line in the story. He's musing on the fallibility of historical narrative and the ease with which people are deceived and made ignorant, not making some grand statement that there is no real morality.

DO YOU THINK GRISHA WAS THE RIGHT CHOICE FOR KRUGER TO ENTRUST THE TITAN POWER? 254 Responses

The vast majority of respondents feel that Grisha was a suitable successor of the Attack Titan after Kruger, while 18.5% aren’t certain he was the right choice.

WHAT IS THE BEST NAME FOR EREN’S TITAN? 255 Responses

69% percent (lol) of respondents prefer the official English name, “Attack Titan.” 18.8% prefer the literal translation of “Shingeki no Kyojin” as “Advancing Titan.” A few fans still prefer Eren’s long-time fandom label as the “Rogue Titan.” A few write-ins also had some fun takes:

American Titan, because he loves Freedom

Bedhead Titan

F R E E D O M TITAN

Crotchless sex on legs.

Elfian Titan / Elf Titan

Attacking Titan

Grisha, this titan has a name, it is Best Ass Titan.

WHAT ARE PATHS? 254 Responses

What are paths though? Like seriously? Okay, but seriously, 35.4% of respondents feel that they are metaphysical threads of fate. Closely behind at 32.7%, people are simply just confused and still can’t wrap their head around the concept of paths. 25.2% believe that paths are like an invisible highway between time periods. What are paths really, though?

As a manga reader i still don't get what paths are

By Ymir and the walls, every time I think I understand or at least accept paths something comes out of left field and leaves me shooketh.

PATHS IS NOT A SPOILER ANYMORE!!

EREN KRUGER MENTIONED MIKASA AND ARMIN WHEN HE WAS TALKING TO GRISHA - HOW DID HE KNOW THEIR NAMES? 254 Responses

42.9% of respondents feel it can only be explained as paths connecting all Eldians like a thread of fate, something unexplainable. 33.5% believe that Kruger simply tapped into the memories of either Grisha or Eren. 14.6% think that Eren sent this message back in time to Kruger. 

I think its a message passed down through the Attack Titan

Eren confused his own thoughts with the memories

I was always thinking it was someone else talking to Eren and as Eren did something, the memories were sent backwards

The Attack Titan keeps moving forward. It can glimpse further down the line into the fourth dimension.

I don't know, hopefully Isayama will explain this one day.

I noticed during this episode that Kruger looks just like Grisha as both a child and an adult. Perhaps he... is Grisha?

This conversation is a flashback alright ? Then, it’s only Eren’s wish interfering with the flashback. It’s actually Eren’s actual mind which is deforming the thing

If the theory of the time loop is real, maybe that's how the message kinda got sent, similarly how Eren got glimpses of his future when he was a kid. Maybe they've been doing this for so long now that they've tried to send messages through time so that they know what needs to be done.

Kruger was speaking as Grisha, which means he was experiencing Grisha's memory

it's the time loop guys

I have always assumed Eren's memories were mixed up with Grisha's, which is why he'd “remember" Kruger mentioning Armin & Mikasa's names, but now I'm not sure. Maybe "PATHS" really make memories a two way street.

KRUGER SAYS IN ORDER TO STOP THEIR CURSED HISTORY FROM REPEATING, GRISHA MUST LEARN TO LOVE SOMEONE. DO YOU THINK THIS COULD BE GENERAL ADVICE FOR THE REST OF HUMANITY? 253 Responses

We had an almost-tie here, but 43.9% took the lead, with respondents feeling that “love” is a primary method for breaking a cycle of hatred, prejudice and despair. 43.1% feel that while “love” is a nice, flowery solution to the world’s problems, it’s just not that simple. 8.3% aren’t sure either way, and a small amount believe firmly that “love” isn’t a reasonable approach to solving the world’s issues.

NEXT WEEK IS THE FINAL EPISODE OF THIS SEASON - ARE YOU EXPECTING A TEASER FOR THE NEXT SEASON? 256 Responses

52.3% of viewers remain hopeful that we will have a season 4 teaser will happen at the end of the episode, solidifying another season of the anime. 38.7% are confident that a teaser will be present. A small percentage have less optimism.

HOW WELL DID THE EPISODE ADAPT THE CORRESPONDING MANGA CHAPTERS? 252 Responses

This episode didn’t get as many 5/5 rankings as most previous episodes did, with quite a bit of commentary about some of the things that were cut from the adaptation:

I missed the line where Kruger said Marleyans wouldn’t exist if the 1700 years ethnic cleansing really happened. 

Felt a bit rushed and they left quotes from Kruger out which I believe are important. 

They cut way too much of Kruger dialogue. They missed some of the things that made him such an interesting character.

This episode was good as always but I'm mad that they cut a lot from the Kruger and Grisha scene (mainly the mention of Grandpa Jaeger or how marley keep the eldians in the camp as weapons). Those aren't essential but important to add layers and complexify the plot. Kruger speech was what I was looking forward the most  this season…

The Kruger conversation was cut down too harshly imo

I was missing the scene where Kruger tells grisha that his father was a smart man & that he was just trying to prevent losing more of his family.

They decided to cut some of the most important dialogue pieces from this episode, like "a doctor to falsify his blood test”

Less rushed than the previous episode but I really hate how they cropped the entirety of Kruger's involvment. It makes him look like more of a plot device than in the manga: the implications he had an agenda with the restorationists, his view on good vs evil explained (unrealistic ethnic cleansing and unrealistic miracles), how he perceived Grandpa Yeager (a smart man who didn't want his last child to walk on the path to hell)...

The anime also omitted a couple of things: Kruger suspecting Marley would no longer have any use of Eldians in the internment zone if they get the Founder and the past of the Eldian Empire, saying they used titans as weapons of mass destruction. The last one is important as the anime is really biased towards EMA's side.

Some minor dialogue cuts but it's not nearly as bad as manga readers are making it out to be.

DO YOU THINK KRUGER SACRIFICING ELDIANS FOR VITAL INFORMATION IS COMPARABLE TO WHAT EREN MAY BE DOING NOW? 254 Responses

43.3% of manga readers feel that Eren and Kruger’s actions are comparable as necessary evils in order to reach a beneficial goal for everyone. 32.3% feel that while the actions are comparable, the goals may not be. 11.8% feel that there’s not enough evidence to say either way. 7.9% felt that the contexts for both characters are completely different and not comparable.

I think what Kruger.did was more cruel than what Eren is doing now

Need to know Eren’s actual plans tbh.

They both believe that their goal is ultimately right - although I wouldn't necessarily call it beneficial

GIVEN THE MANGA EVENTS, DO YOU BELIEVE EREN IS BEING INFLUENCED BY HIS TITAN’S MEMORIES? 256 Responses

Nearly 40% of respondents feel that Eren is influenced by the memories given to him through his titan part of the time. 32% feel that it is happening always, and 15.2% aren’t sure.

This episode wonder if the nine titans had wills and personalities of their own. It can’t be a coincidence that the Attack Titan always finds its way to Eldians who desire freedom. It also makes me wonder about the way Bertholdt addressed Armin and seemed way different than usual in rts. Mikasa thought that Bertholdt was acting like a different person than they’ve seen. I think the Colossal influenced that behavior and was anticipating a new holder. Perhaps the colossal titan is always in love with the Female Titan also, forcing its holders to have feelings for the female titan holder. Which might explain Armin’s strange behavior in other chapters. This is just rambling and the concept of paths are still confusing though.

Regarding the influence of Titans: I believe everyone is being influenced. Having the memories of a differet person, their experiences and feelings is an influence. Wether they are acting different because of these is a different story. But even then, the current holder is still the one who decides to act different, based on their (now gained) own experiences. It's therefore not different from people changing after going thorugh something horrible themselves. 'influenced' is mostly used as 'being controlled' by this fandom, which I think is simply wrong. So: Yes, he is influenced. No, he is not being controlled.

HOW DID YOU FEEL ABOUT HISTORIA SEEING YMIR’S BACKSTORY THROUGH PATHS? 256 Responses

33.2% of respondents feel that it was a reasonable way to recap Ymir’s story while also giving closure for her character, while 28.1% found that it only made the concept of paths come off as more confusing. 16.4% feel that this will be touched more on in future manga chapters. 12.1% disagree with WIT’s decision to put Ymir’s backstory in season 2, as opposed to here.

Historia being able to glimpse into Ymir's memories made perfect sense to me. She's done that before with Rod in a moment of emotions running high, so Royal Blood+contact with DNA+strong emotions might have a role. Beyond that, I'm sticking to my belief that paths can be compared to the fourth dimension in spacetime terms. 

I didn't really like the execution of Ymir's letter to Historia. The paths looked kinda cool but it's also a little out of place and just ??? The letter also kind of lost its value as well since it was cut short and seems like Ymir doesn't tell Historia anything about her past as well. Yikes

Did Ymir write the letter with her blood for Historia to see her past ????

The path scene with Historia and Ymir was odd: at the same time the anime isn't at its first when it comes to plot conveniences (sleep darts, berserk Eren), but it's also not the same time Historia got an influx of erased memories at random times (her playtime with Frieda)

I lost it when PATHS activated for Historia

WHAT DID YOU THINK ABOUT YMIR’S FATE BEING IMPLIED IN THE FLASHBACKS? 256 Responses

Nearly 45% of respondents feel that WIT did a good thing by placing the implications of Ymir’s death in this episode, rather than show it as an afternote during the Marley arc. 17.2% wish the scene would have been longer. 14.5% were simply hyped to see Porco’s silhouette. 

I hated how unclear Ymir’s death was. You really couldn’t tell she died without knowing from the manga, and in the manga, it was a really impactful character moment. It really showed how little Ymir cared for herself and submitted to Marley because of her guilt for eating Marcel by accident. 

I think Ymir's death should have been focused on a bit longer, because I saw ppl did not quite catch what happened. Then again, people don't seem to care much about her anyway :(

PORCO THO!!!!

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 256 Responses

Unsurprisingly, the journey to the sea is the most anticipated moment of the next episode. There are a few who are looking forward to the moments that take place during the ceremony more, though. 

next episode, we will see Hitch again and I'm not ready for that. 

I'm honestly not looking forward anything in the next episode, all the really interesting stuff already happened

ADDITIONAL THOUGHTS ON THE EPISODE?

The pace are a bit weird, they skipped several parts but i think isn't the problem if anime onlies had critical thinking/observation. Overall it's good and i though porco inherited the jaw titan after the timeskip(because how the flashback played in manga) but the anime cleared it and his lifespan is same as armin. 

I noticed that Hanji had referred to Grisha as "Mr. Jaeger" and not Dr. Jaeger. 1) that just doesn't sound right to me. 2) is there any reason for that? I believe earlier in the series they had referred to him as Dr. Jaeger, so why the change? 

Roses are red, PATHS are confusing, this episode was very amusing. Mina's best girl PEACE OUT

I want to hug eren. Both Anime!Eren and manga!Eren. 

I didnt particularly like the way they did the Attack Titan namedrop 

There were so many mistakes with the height of the characters this episode... What is WIT doing?

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 244 Responses

Thanks again to everyone who participated! We’ll see you back in a few days.

[techouspeaks]

Precuruary: Hugtto Precure!

Starting early with Precuruary with my final verdict of Hugtto Precure. Why this season was the season we needed.

I know it’s early as I’m writing this, the final episode hasn’t aired but the final battle was done and I have a lot to say for this series. Not only was this series 10 times better than Kira Kira but it gave us a lot that we have been asking for since the dawn of the Precure Franchise. 

It gave us something more at stake, unlike Kira Kira where sweets were in danger, it’s the future that’s endanger in Hugtto. It gave us a lead cure that does have huge insecurities, realistic insecurities, something we hadn’t seen since maybe Go Princess or before that maybe Heartcatch. (Not saying all of the lead cures in between had no insecurities but they were down played most of the time.)  We got parents that actually realize they didn’t want their kids to achieve different dreams because they felt like they would be drifting apart from them, but addressing it to show it’s okay to have these feelings and to resolve these feelings in a healthy way and still let their child have their own dreams. 

We’ve had characters that experience heartache of being rejected, but again, they deal with it in a way that’s healthy, doesn’t make the character selfish. In fact, it makes her very likable and smart, showing when in love it should be wanting the person to be happy, even if it’s not with you. And also showing that heartache and happiness go hand in hand and that’s part of making a future. This is the message that kids and even adults especially need nowadays. Take note America!

With so many people getting hurt over the internet and not understanding how to deal with their feelings properly, we need this message more than ever. How to deal with negative feelings in a healthy manner. When it’s okay to be open with it and have these feelings because guess what, everyone gets hurt! Everyone knows what rejection is like, everyone knows what it’s like to be lost and not know what to do next and it’s perfectly fine! That’s being human! You can cry for a bit and let it out! That’s human! You can be angry about stuff! That’s human! It’s just how you deal with it. All the bad guys aren’t monsters they’re just people that lost their way and thus show yeah, people lose their way sometimes. You can still turn it around somehow and make it better. 

There is even scenes that show no matter how old you get, you can still achieve certain dreams. You may need a little hand and that doesn’t hurt. It doesn’t make you weak. We can’t survive just all alone in our lives. These are very very powerful messages this show addresses and surprisingly it’s done very well. The animation is very well done and we even get some good fights. 

Oh yeah and let’s not forget what else this show gave us.

All the precure from past series in the most glorious battle that puts most of the All Star Movies to shame! I don’t think they could do an All Star movie that tops the Dr. Traum boss villain episodes! And of course, OUR FIRST MALE PRECURE!

And the end if you haven’t seen it, everyone becomes a precure! Adults, kids, boys, girls, even elders, they all became a precure. THAT IS AMAZING!

So yeah, I really do like this season. Shoot, again the baby character didn’t even annoy me at the slightest. Usually the baby does but Hugtan was a sweet baby character that was actually cute and not weird looking like how they often do make the baby characters, with the exception of Haa chan. I actually wanted to hug her she’s so cute! I’m also glad they didn’t make her a main precure. She stayed a baby but was still useful in that regard. They pulled her off great!

However, there’s a few nitpicks I do wish to address. The main issue I had with this series is that I feel like there weren’t many episodes that just allowed you to breath for a bit, least mainly in the mid of the season. I feel like, while they do address morals and certain moments well, I felt that sometimes it was a little too heavy and needed a few moments of them just beating up the bad guy and not anything too deep. Each episode had a cliff hanger or something that would dive into the next episode, even when the next episode wasn’t big at all or epic. While an interesting turn, it got a little stale and kinda wish they did this mainly when something big was going to happen.

With Go Princess, they handled their light and dark in a balance even to the end and I also like this magical feel that both Go Princess and Mahou Tsukai had. Even Kira Kira, though stupid, had a sense of magic/wonder that the Precure was known for. Hugtto I felt lack that  for the most part and wanted to tell more of a serious story, which is good but don’t forget, it’s precure. It’s also supposed to be fun and full of wonder. The only time I got that was the first episodes, the episodes when we first got Cure Macherie and Cure Amour, the big Precure Fight episodes and the ending episodes. Maybe when they got their first power up, but that’s very far and in between. I guess because they didn’t go to a fairy land, that might have been partially why. It just felt like the magic associated with Precure was missing for the most part in this series.

Now this is a nitpick so bare with me. While Cure Etolie and Cure Yell were good, Cure Ange/Saaya, while not a bad character, wasn’t that interesting in terms of character. I know people will hate on me for that as fans practically worship her in the community. I felt like compared to the other Cures of the Hugtto team and their situations, I just felt like Saaya’s backstory was just another Minami/Cure Mermaid and Karen/Cure Aqua reused story. She’s another blue cure wanting to proceed a dream her parents may not like or so she thinks in the mind and that dream is to be a nurse/doctor. While it was nice that the mother actually didn’t approve at first for a change, it’s a story we’ve seen before and well, we’ve seen characters like Saaya a lot, I mean Cure Beauty and Cure Mint anyone? The whole mother being this famous star with the cure being her star protegee but maybe wanting to pursue another path. Kirara even had the same kind of story except she embraced the model side inspired by her mother.

 So yeah, Saaya isn’t a bad character at all means but we’ve seen her character before and we’ve seen her story before and aside of the mother thing, there wasn’t much else new about it. I just would have liked it if they had done more spin on it. As is it’s fine. More so it’s a nitpick on my end.

And of course the constant power up using a smart tech device...

Although I will forgive it because the music also was awesome. The soundtrack to this series I could listen to all day and I wouldn’t be bored of it. You dunno how many times I listen to the Twin Love Guitar theme over and over. I would play that scene a lone just to listen to it! I was nuts about it! I will also forgive it for the lack of original attacks, because I feel like all the attacks were just homage to the classics in their way. They were planning to put all the cures together so they said “hey, let’s pay homage to their classic attacks as well!” I felt that was the point of each one being so close to other cure attacks.

So yeah, there is a bit to groan and I felt like it could handle balancing out the heavy with some light better, at but over all, this has been one of the best series we had in recent years. It sends a positive and powerful message of hope that yeah, things will get bad but things will also get better. You just gotta stand up, brush yourself off and keep moving forward and in this day and age, we need that message more than ever. There are bad people in the world but remember, they’re people who lost their way or is suffering personal problems. Dealing with sorrow in a healthy way and it’s okay to have negative feelings as long as you deal with it in away that doesn’t hurt others or yourself. And lastly, yes! You can achieve your dreams! Doesn’t matter if you’re 15 or 50!

So I proudly give Hugtto Precure a good 8 1/2 Stars out of 10! Grab a pair of pom poms, get ready to cheer, hooray hooray! Onwards to 2019 with Star Twinkle Precure! 

8 1/2 Stars!

Level: Great!