#I wasn't really thinking about it but also the frustration was getting to me

[t-a-a-1]

More Than Meets The Eye

TFA Optimus! X F!Reader

6k

Summary: Being a rising journalist is difficult. Especially when you have to live a secret criminal life. Things get worst when you start to fall in love with your enemy, Optimus Prime, leader of the Autobots and hero of Detroit City.

You believe the feelings can't be mutual. Yet, he slowly starts to notice that you are more than meets the eye.

A/N: Lots of yearning. Jealously. Enemies to lovers?? You are a journalist who is also a criminal. Idk. Takes place between Season 1 and 2 of TFA.

Chapter 1: Ride or Die

....

Detroit City could be ugly, nasty, unhygienic, gentrified and many other things.

But never boring.

Especially with robotic aliens patrolling the streets.

    Bots that you didn't trust fully nor liked very much.

Even more, that Optimus Prime that everyone seemed to like so much.

With his red and blue colors, his helm that looks like he is always wearing a cap and straight posture that was too authoritative for your liking.

    While everyone was excited, taking pictures of the Autobots, you were there to ask the real questions. Your job as a reporter was to tell the truth and that's what you plan to do by exposing the leader of the Autobots.

"Mr. Prime, I have a question for you."

    You raised your hand, not really sure if that matters but you wanted to keep being respectful.

"Oh, yes, how can I help you, ma'am?"

    Optimus sees you walk through the crowd of people and paparazzi. Press conferences weren't unknown to him. The citizens, the reporters, the speechless mayor and his assistant that probably did everything for him.

"I've done some research and Detroit's oil supply has plummeted since your arrival to Earth. This has created a tax increase for all of Detroit's citizens. How do you respond to this?"

"Well, we do need to eat to keep helping the city," Optimus bends down to be able to speak on the mic. "But we apologize for any inconvenience this may have caused."

"If you were sorry you and your team would have already found all  the fragments of the AllSpark and departed Earth."

"How do you know about–?"

    You didn't let him finish his question as you striked with another statement.

"But no, you and the Autobots are too focused on wasting Earth's resources and playing heroes to even think of recovering your world's most powerful energy source."

"What? No, we–"

    He keeps getting interrupted by you. Although he tries to keep his cool, he wasn't in the best of moods either. Each statement you were making was ticking off his clock.

"Without mentioning that you have been spotted entering nearby natural reservation islands without the proper permissions or documentation."

"Well, yes but I thought it was fine–"

"Why would it be fine?" You look up at him. Even when you weren't very fond of the alien robots, you had to admit that they were a spectacle to look at. But you quickly shook the thought away.  "Just because you are big and dangerous you think you are entitled to cross human law?"

"Look missy, I don't know what's your problem but–"

"My problem is that you are not answering my questions."

    There's a bit of laughter coming from behind Optimus. If he had been smart enough, he could've said something along the lines of 'you aren't asking any questions, you are just saying statements.' Instead, he lashes out on you, giving you the exact reaction you wanted.

"If only you gave me time, I would respond to them!" Seeing his mistake, Optimus stands away from the pod, clearly frustrated at the situation.  "You know what, we don't have the time for this."

    Smiling Autobots was the first thing he saw as soon as he turned to look at them. He ex-vents, not wanting to deal with it.

"Autobots, transform and roll out."

.

.

.

    The abandoned building had become their home. It was big enough to have rooms for everyone. Each catering for every bot's needs. But not even the vastness of the building could sparse the leader's rising annoyance. Walking from side to side of the hangar, looking down and with a servo on his chin, he questioned the previous interaction.

    He doesn't remember seeing you before. Either that or your existence wasn't important enough for his processor to remember.

"How did that lady know about the AllSpark?" Optimus keeps walking as Bumblebee and Sari play video games on the sofa. "We haven't told anyone about the fragments."

    Hearing something being dropped, Optimus quickly turns to look at the little girl who has taken long-term residence at their base.

"Sari?" Optimus questions, getting closer to her. "Is there anything you want to say?"

"Sorry, I thought yall were going to release that information to the public soon," she plays with her thumbs, moving them in a circle in between her hands. "So, I thought, why not sell the information to a reporter? Save you guys the time!"

"Why would you do that?"

    Bumblebee questions her, he didn't know about her actions either.

"Because I need the money! If I don't have money, I can't afford food. If I don't eat, I'll die!" Sari feels threatened, especially when she sees the rest of the bots gathering around her. "And all my credit cards have been frozen ever since my dad disappeared."

    It was as if everyone had a spoken agreement. Her explanation was a very good one. Feeling shy and maybe like a burden to them, she did what any little girl would. As best as she could with the current circumstances. No one was angry at her, just worried for what this could bring to the team.

"What else have you told her?"

    Prowl asks this time, sounding as calm as ever.

"Nothing, I promise!" Sari exclaimed. "Actually, ever since I told her about my situation, she never fails to send me some money in the mail."

"Probably to gain your trust so you could later tell her more information about us," Ratchet always assumed the worst of people. A trait that no one could blame. Being a war-veteran, distrusting others was the best for survival.

"I don't think so, she just sends money. No notes, no letters, nothing."

"Whatever the situation is, we can't have her spreading misinformation about us," Bulkhead is the last to speak his mind.

"She wasn't lying, bulkhead," Optimus remembers your statements. Each of them had truth in them. "She was right. We did everything she said we did."

    As much as he wanted to reprimand the little girl, he couldn't do it. Instead he takes a few seconds to think.

"But we can't have her writing negative articles about us," he says as he takes a moment to look at his very little friend. "Especially if we plan to ask for some monetary compensation for Sari."

    He really didn't want to ask for any kind of payment from the humans. Everything he did, he did in the name of goodness and to further improve Cybertronian-Human diplomatic relationships. But Sari was part of the team and his duty as leader was to take care of everyone. And she was a helpless little girl. He needs to take care of her properly and for that he needs human currency. Not much, just whatever is needed for a human to survive. Food, maybe clothes? Water. Oxygen? Medication ... Education? Did she need that? He is not sure but maybe Sari could make him a list later.

For now, there is a reporter he needs to find.

.

.

.

    You weren't new to doing undercover work. You enjoyed it, pretending to be someone else, getting the information you needed, then going home as if you had lived another life.

    Tonight, it was one of those nights. Where you wore heels, a skirt and a revealing top. Loose hair and lip gloss and a wing to cover your real hair color.

    During the day you were a reporter. Tonight you were a car enthusiast.

"So, would you take me?"

"A beautiful car needs a beautiful woman,"

    You had been talking with a man for fifteen minutes. It's stupid how easy it was to get a man. Just listening to them talk for ten minutes straight without talking usually does the trick.

"And you know, racing is not the only thing I am good at."

    Smiling, not because of his suggestive comment but because you were about to get what you wanted, you were about to make your way inside the car.

    Until bright lights pointing at you ruined the moment.

"What does that freak want?"

    There is a loud sound of engine coming from the large truck. Although the light was bright, you could see a few shades of blue and red.

"This is the police, stand down."

"Shit."

    The man who you were talking to didn't hesitate to turn on his car and speed up. Letting off a train of fumes and leaving you behind.

    Great, now you had to explain that you weren't a hooker but an undercover reporter to the officer.

    Except that this wasn't a cop. It wasn't even a person. But a driverless car. A bot you tragically knew too well.

"So you have come for your revenge after today's press conference?" you ask sarcastically as you begin to walk away. You raised your hand and waved from side to side."Well, you got it. Now leave me alone."

    You can hear the little 'click and clack' of your heels as they impact against the concrete ground. But close by you can still hear the roaring engines. Headlights were still pretty bright and you wondered if he understood human cues. Because this just looks like some guy harassing a woman.

"Not even a 'thank you' for saving you from that guy?" Optimus follows as he drives next to you. "I thought you would be more educated."

"Well, I didn't ask you to save me," you wanted to take bigger steps but you've been walking for so long with your heels that you can't do it anymore. "Is butting into other people's business an Autobot costume?"

"Look I am not going to fall into your tactics," he says. "I just came to say that I think we started off with the wrong pede."

"Oh? Really? Why do you think that?"

"Well, for starters, I think you have the wrong ideas about us," Optimus takes a closer look at you. Wearing a different style than what you wore this morning. "Yes you are right, sometimes we don't do the right thing. But we are new here and we don't know any better."

"So you should be excused for all actions just because of your ignorance?" you feel like you are being observed. Not in a desirable manner but rather a curious one. Optimus didn't have 'eyes' but optics. His vision is probably more enhanced, being a bot and all.  "Is that what you are saying?"

"No, I am saying that maybe you could try and understand us and be more ... lenient whenever you write about us."

"And why would I do that?" you began to feel self conscious. Miniskirts weren't your thing, you liked them but Optimus heavy optics on you wasn't the most comfortable. Maybe it was all your imagination. Besides, you doubted that Optimus could feel attraction towards a human. "Are you going to hurt me if I don't?"

"What? No!"

    You stop walking and suddenly turn to look at him.

"Then I won't change anything."

    He doesn't want to think about it too much but he feels his something inside him short-circuit. Now, he realized he had been staring at you for too long. Particularly interested in your skin. As far as he knows metal and skin don't react the same way to cold. Your material being more sensitive to climate change. He was studying you and all he concluded is that you were cold.

"Why do you care so much about what we do and don't? How does it even affect you?" his engines roar louder.  "We help the humans with crime, cleaning the streets, repairing buildings and other humiliating things without any type of compensation but I don't see you writing about that stuff!"

"Do you know what happens when you and your crew destroy a building?"

"The city repairs it."

"Yes, they do," you walk towards him, aggressively placing your hands on his door. His truck form was too large for you to reach his window. It's not like you were planning to punch him but rather make your point. "But who's money do they use to repair those damages?"

    He stays quiet and you proceed.

"The people's money," using your index finger, you keep poking at him each time you make a statement. "Ever since you and your Autobots got here, things have become way more expensive. Food, gas, bills. There are families who will be homeless because they can't afford to pay rent. All because the city is raising taxes to pay for all the damages you cause."

    His headlights blink every time you keep touching him, with every word that escapes your lips.

"It's already hard enough being a journalist in Detroit and now I have to focus on surviving too. I need to contribute good stories to the newsroom or I won't even have money to buy cigarettes."

    Then, you point off into the distance, the road is clear but dark. Only the city lights illuminated the path but everything had an eerie feel to it .

"And that guy you just scared off? He was my ticket to have a warm meal tonight and you ruined it for me."

    You take your hands off him. His headlights stop blinking.

"So, I am sorry. I am sorry I won't write about how the Autobots are Detroit's heroes and how good they are because they pick up some cans."

    You walk away. Now thinking of whether to spend your last $20 bucks on food or a taxi to take you home.

    At least you can't hear the roaring engine anymore.

As he sees you struggle to keep walking, Optimus notices your shivering. How you tried to cover your backside with your bag and how ever so often your stomach would quietly growl. Although he wasn't an expert on human biology, he knew that meant you were hungry.

    He remembers your words and then Sari's. Although you were struggling to survive, you still somehow managed to help out Sari. A job he is supposed to be doing but failing miserably.

"I– " he drives up to you again. For a second, he doesn't have anything to say. Apologizing won't help you in any way. "Is there any way I can help?"

"Well, unless you can transform into a racing car and take me to do some illegal car racing, I don't think so."

    Behind you, you hear metal shifting. Driving next to you is blue and red ... Corvette? Camaro? Ferrari? You didn't know a single thing about cars but the only thing you knew is that it was a nice looking car. Dynamic, elegant and shiny. Hot and sexy. And a beautiful car needs a beautiful girl.

"Anything else?"

.

.

.

    It was 3 a.m.

A dark and isolated road on the outskirts of Detroit will be witness to your first car racing. You didn't know a single thing about cars and much less racing. But thankfully for you, your racer is a car. He should know better ... right?

    As a reporter you are supposed to blend in with the crow but with Optimus, you knew that was impossible. All eyes were on you as soon as you drove by the starting line. Wondering who had just joined the car racing scene.

"Everyone is here ... Can't we just arrest them?"

"No, I am not the police.  I am just here to report on things. To inform people this is happening."

You look around the vehicle, there was technology that Earth didn't have. There wasn't a single thing you could understand. Getting nervous, you tried to get some fresh air. Clicking a few random buttons, you hear Optimus make a few displeased growls.

"Would you stop that? You know you are touching my body, right?"

    You quickly stop, not knowing how to feel about being inside a mechanic alien.

"Can you lower the windows then? I am starting to feel a little claustrophobic."

    Optimus does as you told him and now you get a clearer view of your sides. To your right there is a white Camaro with black racing stripes. To your left, a red and white car. The fancy type which brand you didn't know nor care.

"Hey beautiful, when I win let's make out in the back of my car!"

    Hearing that comment, you tell Optimus to roll up the windows again. He quickly didn't hesitate to ask questions.

"What is make out?"

    You see another woman stand in front of the car. Holding a red handkerchief. Extremely beautiful and thin, she made walking in heels look easy. The cars start their engines and you start regretting this.

"If we win this, I'll show you."

"What do we get if we win anyway?"

    Looking at the steering wheel, you think about holding it but then again Optimus seems very decided for you not to touch him. Not wanting to make him uncomfortable, you shake the thought off your head.

"I get a good story and three thousand dollars."

"Can I have some of that money? For Sari, of course."

"Absolutely but," you look around the car, trying to look for the seatbelt. The race was about to start and you couldn't find it. "Where is the seat-"

    But the race had started, Optimus didn't listen as he sped though the road. You abruptly lay back on the seat. Making mental notes about the situation. The racers, the rules, the cars, the place.

You wished you could enjoy the excitement of the race ... if it only wasn't that your life was held by a threat.

As Optimus makes an abrupt turn, you move from one seat to the other. Almost doing a complete 360.    

"Would you care to drive more carefully?!"

    You rub your head. Feeling like a small bump on the back, you are thankful the windows are tinted dark. No one can see your humiliating falling and bumping into Optimus windows and door.

"Don't you want to win, missy?"

"I can only win if I get to the finishing line ALIVE!"

    As if he wasn't hearing you, he makes another aggressive movement. This time you end up side down, with your head on the feet rest and your legs on the passenger seat.

"THAT'S IT! I AM DRIVING!"

    You straighten up and quickly put your hands on the steering wheel, taking control of the alien mech.

"Hey, missy! Hands off the steering wheel!!"

"I'll do that when you learn how to drive!"

    You fought against his strength, as he moved himself to the opposite side. It wasn't often that you fought against an alien but if your life wasn't in danger you wouldn't do so. Watching all the cars passing by was also alarming, you weren't only going to die but also lose.

"I'll have you know my driving skills have been renowned by the Elite Guard!"

"I don't give a f–"

    He lost control, as you did. The screeching tires against the pavement could be heard as the rubber of them burned. You couldn't react as Optimus crashes against a pine tree. Hitting your head against the steering wheel, you thought you might get a concussion. However, you get enough strength to get out of the car and walk a few meters away from him. It wasn't until all the racing cars had passed you that Optimus transformed back to his robot form.

"I just got a new paint job and a polish!"

    He says as he sees some scratches on his body.

"And you almost killed me!" you put a hand on your head, it hurts as if your whole brain was pulsating. Your sight is dizzy and your body is weak. "I knew it, I knew this wouldn't work out and I still trusted you."

"We wouldn't be here if you had only kept your hands to yourself."

"No, we wouldn't be here if only you had a goddamn seatbelt?!"

    Optimus was also frustrated with the situation. Now he is too far behind to win the race and he needed the money to buy food for Sari. Not only that but after tonight he is going to have to give explanations to the rest of his team. He is probably gonna be made fun of for not having a 'leader-behavior' and they were right. Because why was he here? At first, he just wanted to help you. But it seems you don't want to nor appreciate his effort.

"And why would I? I don't let humans inside me," he points at you, unaware of your delicate state.  "Besides it's not my fault your body is so weak."

"Well, for someone who is supposed to protect life, you certainly do a great," there is clear sarcasm in your voice. You probably shouldn't be fighting against a giant robot but if he were to squish you right now, he would be doing you a favor.

"I don't even know why you are on Earth if you don't even like humans."

"Oh, I like humans, I just don't like you."

"Well, the feeling is mutual."

    You take off your heels and start walking back on the cold pavement. Feeling cold everywhere, you wonder what is going to kill you first. Hypothermia or brain damage.

"Where are you going?"

"Home."

"We are on the outskirts of the city, you'll get home by the next solar cycle if you walk."

    As much as Optimus dislikes you, he wouldn't let a lady walk alone at night.

"Let me take you home."

"No," now it hurts to breathe. You probably got a few injuries but you tried to hide the pain. The last thing you wanted was to confirm Prime's idea that you were weak. You were, but he didn't have to know. "Just leave me alone."

"Does your pride have no end?" Optimus' words weren't helping either. "Just come inside–"

    He was going to keep talking until he noticed that you had stopped walking. He sees you put a hand on your head and the other on your stomach.

    Suddenly, you lose balance and he quickly reaches a servo out to catch you. He had assumed that most humans should be warm. The coldness of your body was not common. Analyzing you, he sees that you are still breathing but unconscious. You are small on his servo and he feels as though he needs to cover you.

Maybe, you were right ... he should have let you drive.

.

.

.

    There were many questions in Ratchet's processor. But seeing Optimus' worried face restrained his voice box from instigating the Prime.

"I am not an expert in human biology but my analysis says that she is dehydrated and malnourished. She probably hasn't eaten in days."

    Ratchet sees you in the medical berth. In a deep sleep and weakend, he doesn't know when you will wake up.

"Don't you think it would have been better to take her to a human medical center?"

"I thought about it but while I was driving, she woke up momentarily and asked me not to take her there."

    Optimus had assumed that the reason you didn't want to go to a 'hospital' was due that maybe you didn't have a means to pay for it. The thought alone made him spark ache, he didn't understand why humans would charge for a basic right.

"Well then, make yourself useful and bring her some warm human fuel," Ratchet says. "And maybe some human clothes with more fabric or a blanket."

    Optimus nods, but there is hesitancy. He doesn't move and Ratchet catches on this. His optics are on you as if studying you. Most obvious, there is guilt and worry. He takes a closer look at him. Some part of his paint was ripped off and his metal was scratched.

"Did anything of importance happen?"

"I tried to help her with something but things didn't occur as I planned them."

    There was something he was keeping to himself.

"Did anything else happen?"

"It's just ...," he pauses and the longer he looks at you, the more Ratchet wonders. He has known the boy for some time now. He has seen him at his best and at his worst but this is different. It's like he wants to say or do  something but he can't. Either because he is too timid or because he can't find the right words. But Optimus' eloquence was known through all of Cybertron.

"It's nothing."

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.

    The smell of chicken noodle soup wakes up. It is an unknown place but you feel warm. Much more than your cold, small apartment. It was a bright room, and underneath was a red, giant medical bed. A white blanket covers your body and the face of a little girl stares right at you.

"Hi!"

    You slowly stand up, your head still hurting but at least you were alive.

"Hey, kid."

    You take a better look at the place around you. At least it wasn't a hospital and for that you were thankful.

"I am Sari! And you must be (Y/N)? We exchanged Autobot information before?"

    The girl was smiling, excited to see you. By hearing her name, you immediately knew what she was referring to. A few weeks ago, you had received a letter from someone, you assumed that it was a kid due to the wacky handwriting and simple vocabulary. Nonetheless, this kid was selling Autobot information to you, some things valuable, others not so much. After learning the truth behind the kid, you decided to help her as much as you could.

"I am guessing this is the secret base of the Autobots?"

    You ask the obvious. You didn't find any other logical explanation as to why there would be such big beds and medical equipment.

"Yeah ... Please, don't tell anyone," Sari says. "Or Optimus is gonna have to threaten you."

"Well, I would like to see him try," you give the little girl a head pat. "But I promise I won't say a word, just because you ask me to."

    This would have been valuable information if it wasn't due that it didn't matter anymore. You were supposed to have a story by today and the only thing you have is a headache. Another day, another non-existent payment. You are gonna have to get used to eating air at this point.

"You should eat," Sari puts the bowl of soup closer to you. "Optimus made it for you and I helped, of course."

    After hearing his name, you quickly turn to look at the little girl. You could tell she was telling the truth but she also had a mischievous smile.

"Is there something you want to ask me?"   

    You weren't about to make a meal go to waste. Picking up the spoon, you start to dig in. It wasn't bad and you wonder if Optimus actually helped at all because you can't imagine someone who is unable to taste human food, being able to make something this good.

"Well, I was wondering ... Will you be staying with us from now on?"

"No," you simply say, too concentrated in eating to think properly. "Why are you asking that?"

"Well, do you want to?"

"Thanks for the offer but I don't think the Autobots would like me here."

"But I can get so lonely sometimes!" Sari puts puppy eyes on her face and you have to admit that it was slowly working. "I need a friend."

"You can still write to me if you would like."

"That's not enough ..."

    Suddenly, you heard loud and big steps approaching from behind you. You didn't want to think about it. If you don't see it, it's not real. But then you hear mechanics moving and you are sure that if you were to turn around, you'll find a very unpleasant faceplate.

"Sari, do not overwhelm our guests," Optimus says. "She's still recovering."

"Don't mind me, I was just leaving."

    Like an animal, you drink the last of your soup and put it next to you.

"Hey um ... About last night, I ..." He pauses and struggles with his words. "I wanted to apologize–"

"No need."

    You stand up and let the white blanket covering you slip off your body. It gets cold immediately and you are tempted to ask if you can stay with the blanket.

"Wait! If you really need to, you can stay here,"

"And become your charity project? No, thank you."

    His faceplate was still very close to yours. Now you can take a closer look at his optics.  You didn't want to admit it but they were quite beautiful. A type of blue not found on Earth. Maybe not even in the entire universe. It was unique to him and you were a bit jealous of his own individuality.

"I am just trying to help."

"I think you have helped enough," you weren't about to fall for his kindness. It was his own stubbornness that put you in this situation. That and that you haven't taken care of yourself properly but he doesn't have to know that. "If I let you help me again, then I'll for sure die."

"If only you would put your pride away, we could help each other–"

"You want to help me? Why? Because you like me? Or to subside your guilt?"

"Because it's the right thing to do."

"The right thing to do?"  You can't stand his righteousness. Pretending to be this all-good creature when you know that can't be. How good can he be when he is the cause of your misfortunes? Not only yours but to a lot of more people. The worst part of it all is that he doesn't seem to want to do anything about it. "Why don't you start by leaving my planet first then?"

    Optimus stares at you and you look back at him. It was a few seconds but to you it lasted minutes.

    He doesn't say anything but slowly moves apart from you and walks away.

You turn to look at Sari who was still sitting close by.

"Sorry you had to see that kid."

"It's alright, but can I tell you something?"

    You didn't want to be here. The sun was probably about to rise and you just wanted to go home. But you couldn't say no to the girl, she seemed too sweet and her situation was still lamentable. You nod, confirming for Sari to continue.

"I've known Optimus for a time now and I can tell you that he is not very well-versed with the ladies," she says.  "He rescued a woman once and she asked for his phone number."

    Tilting you heard, a lot of things crossed your mind. You have so many questions, especially about the kind of woman who would want a machine as something more than a friend.

"And what happened?"

"He gave it to her and she texted him," she raised a small hand, pointing up. "The text said 'Do you think I am pretty?"

"And Optimus texted back saying 'I think you look soft and squeezable. And she never texted back."

    You stopped yourself from laughing. Although a small smile left your lips. You look away for a second and then look back at the young girl.

"Optimus is good at hiding his feelings but you can tell he was sad she never texted him back."

"Why are you telling me this?"

    You finally ask, curious about the story but mostly about Sari's intentions.

"Just so you know that he can be an idiot sometimes but he has a good heart ... Well, spark," Sari's voice becomes more gentle and this caught your attention. This wasn't supposed to be a funny story and now you feel a bit shameful for laughing.

"And I think he just doesn't know how to tell you that."

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.

.

The sun was starting to come out.

You took off your heels for a little bit until the cold pavement was too much to handle for your skin.

    You weren't expecting for things to go this way. Wanting to start a new life, away from everything. It was all going smoothly until they arrived. Now you find yourself on a bench, cold and hungry. Waiting for the first bus to take you home.

How much longer did you have to endure?

    You cover your face, ashamed of yourself. Of every decision you have made in your life. This is your reality now. About to be kicked out of your apartment, without a stable job and nowhere to go. No one to talk to.

Your cellphone rings.

    Not recognizing the phone number on the screen, you were hesitant to answer but lastly, you picked it up, things can't get worse anyways.

"It was harder to get a hold of you than I thought."

You recognized that voice.

"But I am glad you are doing fine. How's the city life treating you?"

"How did you find me?"

    You ask as you look around you. No one was out yet. Just a few cars passed by and the tweets of birds could be heard.

"That doesn't matter. I called thinking you may be interested in a job."

"I am not. No matter what you say, I won't go back there."

"Are you sure? I can send you over the first half of the payment right now."

You were in desperate need. He knows that and is taking advantage of that. Your instincts  were begging you to say yes. To just do one more job, to get enough food to survive for a little while until you can get back on your feet. But ...

"I appreciate the offer. But I have to decline."

    There is a long pause.

"We'll keep in touch."

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.

.

"Still thinking about that woman?"

    When Ratchet says things like that, it's difficult not to notice the subtle hits in his voice box.

"Perhaps."

    Ratchet can tell many things from the Prime's actions. He wasn't drinking his fuel and in deep thought. At least he wasn't denying the question.

"I am sure you'll see her again," Ratchet says as he pat's Optimus' shoulder plate. "Next time ask for her number."

"It's not like that."

    His cheeks have a slight blue. Very minimal but Ratchet knows better than that.

It was a lively evening in the Autobot's base. With Bumblebee and Sari playing video games while Prowl and Bulkhead stand next to them. Optimus and Ratchet usually watch from the sidelines, never participating but just treasuring the tranquility of the moment.

"If it's not that then what is it?"

"I just ..."

    Optimus hesitates not because he didn't want to tell Ratchet but because he couldn't understand his own feelings. Was it guilt? Curiosity? It's strange and yet both emotions are something he wishes to not feel. He should be worrying about the things he can fix, people he can help.

He shouldn't think about you.

About yesterday night. About the drive back to the base. You laid on his seat, unconscious. Yet you mustered the strength to say three simple words.

"Don't leave me."

And just like that. His spark ached.

Damn you.

    He doesn't have time for this. For all he cares, he hopes to never see you again.

Because how dare you play with his feelings like that?

"I'm going for a drive."

    There was nothing else to do but ride or die.

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A/N: Here is a new story I am working on. It was really fun to write this. Thank you for all the support you have given me this far! I'll continue to write. For any ideas, comments, concerns, comments you can always message me/or inbox me here. Thank you. Also sorry for any mistakes I made. I don't proof read. Regardless, I hope you enjoy and I'll be answering comments soon!

See you in the next story!

[scoobydoodean]

We’ve communicated about some of this over DM’s, where I said that I disagree with a lot less of this than I think you probably believe I do, but I’ll clarify a few things. 

I don't agree that there is a any way in which relationships and  forgiveness 'should' function. I think love is a relationship in which we don't owe anyone anything, but where, out of our own freedom, we choose to give everything.

I’m not sure what lead you to believe I would disagree with this, but I’m not the one saying there is one specific way that relationships and forgiveness should function. It’s Cas who I think leans into the notion that forgiveness should function in a very specific way in The Trap, by cutting off not just Dean but Sam as well over Dean’s lack of forgiveness, and explicitly communicating a timetable for Dean’s forgiveness that Dean failed to meet. This was what Laura’s post was about yesterday (at least from my perspective). I added that this expectation makes Cas’s dialogue feel cold toward Mary, and I blamed Berens, not Cas, as my criticisms of this episode have always predominantly been directed toward dialogue writing. In general though, I think Cas has a somewhat tragic tendency to see relationships as transactional, and I think The Trap leans into this, unwittingly or not.��

In Absence, when he blames Cas for not telling him something wasn't right with Jack when Dean knew FULL WELL that something wasn't right with Jack? I just felt that was not fair, full stop, and I think Dean knew it! 

On Dean's side, his anger is also legitimate problem, and more importantly, it's also a lie he is telling himself, because he is not really angry, he is grieving, and he is broken-hearted and the pain and never-ending horror of everything that follows is overwhelming him.

I agree that Dean’s anger is destructive. I agree that Dean is grieving. I agree that Dean throws an unreasonable amount of blame on Cas, and that he’s also projecting some of his own feelings of guilt. I do not agree that Dean is simply substituting grief for rage, or that the anger he feels is entirely explained by projection. I think there is a very obvious thread through the entire divorce arc about Dean’s frustration at Cas’s perpetual secrets. It is a function of almost every conflict they ever have. Cas repeatedly and intentionally withholds information from his loved ones and tries to handle everything completely alone. This is one of the things he  talks about in the conversation you describe as vulnerable. And yet, Cas doesn’t stop keeping secrets from his loved ones after acknowledging it as a problem. He continues to withhold The Empty deal. Cas has been doing this for a decade, and it has blown up in all of their faces dozens of times, and Dean’s anger is tied to that pattern of behavior. Cas's secret in isolation feels small, but it's a mistake to let that small straw trivialize the larger pattern into a non-issue that isn't a part of Dean's feelings at all. Cas's secrets blowing up is intentionally written as a function of their strife for a decade, and is mentioned during the divorce arc by both of them, but isn’t addressed in The Trap, and then isn’t addressed in the rest of the series. 

I think you can give the person you love grace out of your own exigency and freedom, and I think that's what Dean does, and it's also what Cas does.

For me, The Trap is not about absolving Cas, it's about Dean getting right with Dean, not because Cas is owed an apology, but because Dean has to give one for his own sake.

I agree. And maybe I would be able to enjoy it if they hadn’t built the divorce arc into a fight that would address strife in their relationship as a whole instead of just Dean’s anger. The problem is, even the way Dean’s anger is addressed is deeply underwhelming and uninspiring to me because as a viewer. “I don’t know why I get so angry”  isn’t an interesting comment on Dean’s anger at Cas or in general. It’s a cop out. And I do not feel Dean’s anger at Cas can be meaningfully addressed without actually addressing Cas’s biggest most signature flaw.

For me, the episode is deeply satisfying as a Dean Enjoyer because I love when Dean's beautiful, loving, gorgeous heart wins, and I love watching him speak it, and tell the truth about what he feels, both to himself and to Cas. 

That’s great. I have no problem with people liking The Trap. I do have a problem with people building me disliking it into something it isn’t just because they happen to like the episode. We all love Dean’s heart, and there is no zero sum game here where having Dean’s heart and freely given love precludes a meaningful discussion on Cas’s issues. One never had to happen at the expense of the other. It's okay to like The Trap. It's also okay to think it's a badly written disappointment.

What you say: The Trap is a dissatisfying episode that presents some questionable narratives about the way relationships and forgiveness should function, and never meaningfully addresses any of Cas’s problems. Instead, it legitimizes Cas’s repeated tendency to keep secrets as a reasonable behavior that Dean needs to get over.

What people hear: Dean did nothing wrong and nothing he ever said about Cas was ever unfair. Cas is entirely and solely responsible for the breakdown of his and Dean’s relationship and Mary’s death is all his fault. Cas should die. Destiel is dead and Cas killed it. I hate him and he smells. Also I killed at least three of your dogs.

[cha-melodius]

May I ask you about your writing??? First of all and possibly most importantly, how do you do it? How do you find inspiration and such? How do you make it happen? Because I sat down with a really juicy idea not long ago and I was excited and it was incredibly hard. I deleted it, I was embarrassed. So how do you first, come up with a great idea (which you do you write such cool stuff!) and then bring it to fruition? I’ve always been a decent writer but I was really frustrated with the fic I set out to write!!!

Hey anon! Sorry for sitting on this for a while but it came in the night before a big academic conference for me, so I've had almost no time for anything, sadly.

First off, thank you so much for the compliment on my writing! A lot of the direct answers to your questions are not very satisfying, tbh. Ideas come to me from everywhere—things I watch, read, random internet things—and how I bring it to fruition mostly involves a lot of planning. I got a lot happier with my work when I started making outlines for my fics, so I always know where I want to go with the story and how I'm getting there, versus meandering around aimlessly.

I'm guessing that there was something about your idea that was particularly challenging, since you said that you've always been a decent writer but found what you produced frustrating. Since I don't know the details I'm gonna give some advice that will hopefully cover a few different aspects. And first, a short list, and then the details under the cut because I'm a wordy bitch.

Just keep writing. It can take a while to find your voice.

Get help. Seek out 'subject experts' and people who you think are good at writing the kinds of stories you want to write.

Read a lot, and broadly, especially in the genre you want to write.

1. Just keep writing. It can take a while to find your voice.

I started writing fanfic (or, re-started, because I wrote when I was young and then took a looooong break) to get the stories out of my head, and my first fics were not great lol. They were also for a rarepair and approximately 5 people read them, so there wasn't much pressure I suppose. I was just putting them on AO3 because I figured why not? And then I just kept writing, off and on for different fandoms, until the writing bug really caught me and I started producing a lot more, about five years ago. But it probably took me ~20 fics (several of which were quite long) before I'd consider my stuff to be decent. Whether you share your early works or not is up to you, but in general I'd recommend it because there's a good chance someone will love it (even if you consider it to be substandard) and that can help you feel better about your own writing. I didn't start out good at writing action, but I wrote (and read, see below) consistently in a lot of action-heavy fandoms, so I got a lot of practice. I also feel like the more I wrote, the more ideas I got, and the more unique ideas I got.

You occasionally see someone in fandom who's like "this is my first fic!" and it gets really popular or and lots of hype or whatever, but that's not the typical experience. Most of us start out writing like crap. It's ok. It gets better.

2. Get help. Seek out 'subject experts' and people who you think are good at writing the kinds of stories you want to write.

Ok, so you wrote a first draft you were disappointed in. Ask yourself what was disappointing about it? Do you feel like the beats aren't hitting, or the action is wooden, or the language is awkward? The great thing about fandom and fanfiction is that there are so many people that are willing to help out as beta readers or even just someone to talk to. I understand that getting a beta reader can seem daunting. You don't want someone to criticize your work, or it might seem embarrassing to show someone else a work you feel bad about. But if you get someone else to read it, you'll have the chance to both hear good things about it and also get advice about things you're uncertain about. People come to fandom from all walks of life and I'm a big fan of asking for help if you're writing about something you're not super familiar with. I've never actually been to therapy, so getting help from @celeritas2997 was absolutely critical for me to feel good about my couple's therapy AU. Also you can ask people for advice if they write the kinds of fics you want to write—I've had multiple people ask me for help with their action scenes, and I'm always happy to lend an eye and give advice.

Also, related to this: it's ok if you don't like your first draft. But don't delete it! Put it aside, whether you ask someone else to look at it or not, and come back to it a while later with fresh eyes. It may not be as terrible as you thought! Or maybe there are parts you still hate, but there are other parts that you can work on and revise.

3. Read a lot, and broadly, especially in the genre you want to write.

Want to write sci-fi? Read a lot of sci-fi novels. Read a lot of sci-fi AUs. Break out of your fandom and read fics in fandoms you don't know—I used to do this a lot and it was one of the most important steps in my process of finding my own voice as well as understanding how stories are built. When you read in only one fandom, you get used to a lot of the same voices and types of stories, but there is SO MUCH out there. I've been known to scroll through the 'Enemies to Lovers' tag on occasion, but also I will go into fandoms for media I know but have no strong connection to, don't want to write in but know the characters, and read those. I spent a lot of time reading X-men, Good Omens, Witcher, even MCU juggernauts like Stucky even though I don't really ship them. I know it probably sounds crazy to tell you to go read other fandoms when (I'm assuming you're RWRB) there's so much in this one, but I do think it's valuable. This one is not only for getting exposed to a lot of writing styles, but also lots of ideas. I've definitely gotten a lot of ideas that spun off from something else I read.

I feel like none of this is particularly revolutionary advice, but I hope it at least gives you (and anyone else who manages to read this far lol) some confidence to keep going and go after those stories you want to write. Everyone—me, popular fandom writers, professional authors—started out just writing a lot, and they improved over time.

Most importantly: just keep going. You can do it!!

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[bitchthefuck1]

you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.

There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.

[00fairylights00]

P-Man has evolved to Peabrain after my play through yesterday, because I am bad at video game

My friends and I refer to P from Lies of P as “P-Man” (my best friend came up with the name) because we have a friend who’s nickname is P and I was starting to wildly confuse people.

So I’ve just been referring to him as P-Man and I feel like this is information that should be shared.

[ohsweetflips]

my neutral dragon age trait is that 50% of the time i'm like "the more i critique the games, the more i love them. i can appreciate each game for what they are but my criticism and frustration over what they could be are a sign of love" and the other 50% is like "this is the writing of the dragon age series. sure. why not. this may as well happen."

[blujayonthewing]

being perceived as stupid by people who are as smart or smarter than me sucks because it genuinely sucks to feel stupid, but being perceived as stupid by people who are, at least in some ways, dumber than me makes me insane

[rawliverandgoronspice]

trying to assign instruments to gerudo characters for thralls' soundtrack. Nabooru is getting the sitar so far, as I think she's good at representing the gerudo side that's closer to the Wild Era in terms of long-term vision for gerudo prosperity, not to mention that it works great for a more laid-back character; though Iftaah could also get that aspect, even though her perspective is a little bit more desperate and a little less actually strategizing about diplomacy and commerce in the way that Nabooru's is... not sure I have nailed down the perfect instrument for her yet though? Maybe a duduk, for its plaintive quality and capacity for softness? But I don't know, I feel like there could be something better out there. Saeruk and flamenco guitar seem pretty great fit for the versatility of the instrument, both harsh and defiant, playful at times, but also extremely sad if needs be, and the fact that she represents more the "older" kind of gerudo works well with more hispanic/romany inspirations. And then there's Aveil, who I feel represent the best the connection of the gerudos to their land, and I'd love an instrument that really represents that. Still looking for that one.

There's a bunch of fun things for Ganondorf that can be done, but I think he'll get... bigger instruments, in general. And church organs are quite versatile too it turns out. :) I like the marimba from his first phase boss battle, but it's a little too... I don't know, I feel like it lacks the roundness and depth and imposing quality that we could get with other picks. But Ganondorf so far has about *eight billion* leitmotifs going on with what I have selected for him (him and Ganon's, as they are... not exactly separate entities in the story, but sort of, it's kind of weird), so it might be more a case of actual melody rather than instruments, or maybe on top of instruments that swap in and out depending on what we want to invoke...

Sorry, rambling, but I would really love to compensate for my lack of voice actors with a pretty meaningful stab at the soundtrack. I feel like I kind of have to honestly. ;;

[famewolf]

i will genuinely never understand my dad!!! and i feel guilty for being confused and angered by him!!!! i don't know what he wants and i doubt i ever will

i guess he's known that he's had cancer for over a month now but never told me. and i dont know if it's because he wanted me to reach out/pay attention to him, as he's done in the past or if he just didn't think to, or if it's some other third mysterious reason that i can't think up

we aren't close since he was rarely in my life but i feel like that's something you tell your kid.

and the only reason i found out is because i went to go check and see why he hadn't replied to my message about asking if he wanted to hang out for the thousandth time without getting a response

[keeps-ache]

now annoying my brother by making up tunes and making him think they're real songs lmfshvjhs

[tyrannuspitch]

i think. i should read more comics.

[sskk-manifesto]

!

[commsroom]

Happy belated birthday! Just wanted to hop in again saying I love your posts about Wolf 359. They’re all so good.

I’m on a relisten again and am at the end of season 3. And I’m thinking about how fascinating it is that Hera remembered the Thanksgiving with her at the table physically. And in a post if yours I read recently or you posted recently you talked about Hera getting a human body and I think that scene kinda hints at maybe wanting to be physically there? Idk.

If you’re up for it you can share your thoughts on this. I just wanted to wish you a happy birthday and leave you with some of my Wolf 359 thoughts.

Sending you good vibes over the internet.

thank you; you're always so sweet!! 💙

we're absolutely on the same wavelength here, too!! that scene in particular is a big reason why i feel like hera would want a body - what it says about her self-perception, sense of physicality (even without experience to contextualize it), and... as a result, that she experiences physical loneliness. and, notably, that all of those things are subconscious framing in what she misremembers. i've posted about that scene before here, and in my... way too long essay about hera here, which i'll try to paraphrase a bit. and in other places, too, probably! i think about it a lot.

so: i think there's a big difference between existing differently (which can be isolating in itself, but... through lack of understanding) and feeling like she's always being kept away from the others - somewhere else, physically. she clearly conceptualizes herself in that space as within the hephaestus, separate from it and the systems she runs, the same as everyone else. that's the difference between "other people need to change their attitudes" and... well, other people still need to change their attitudes, but there is also something fundamental about her circumstances that she's unhappy with and needs to change.

(and, obviously, like... because you know i see hera as a trans woman, i think some of the parallels you could make to medical transition are pretty clear in that framing, too.)

minkowski says “you weren’t here with us [...] we were over here, and you were over there” but minkowski would never actually say that - from her perspective, hera was as there with them as she's ever been. but if hera doesn't feel that way - if - like the sound design suggests - she's always hearing their voices the way they hear hers... if she's always felt that she's somewhere else... then it's hard for me to imagine there's a way to resolve that without giving her the autonomy to physically interact with the others, to be seen the way she sees herself - and that's something i think is really highlighted in the finale, too.

[collar-shocked]

//Great time to remind everyone IF YOU ARE UNDER THE AGE OF 18, YOU SHOULD BE NOWHERE NEAR HERE. You're only a kid for so long, you get to be an adult forever. MAKE IT LAST. FRIGGIN' WAIT TO ENGAGE IN CONTENT LIKE THIS.

//No one can protect you if you refuse to let them. These games and this fandom and content have 18+ tags on them for a REASON, and it's to PROTECT YOU. You're not cool, you're not edgy, you're not special, you're not grown up for ignoring warning signs that are set there to KEEP YOU FROM HARM, you're just an idiot for exposing yourself to that ON PURPOSE.

[roseofcards90]

Made some pie crust tonight for my apple pie tomorrow!!! :3