#I want to believe they chose him in that role specifically for reasons.

[nightfall-1409]

Im mentally chewing on the fact it's now Commander Scorch on his own working for Hemlock.

Like it'd be really fucked up if the reason he stayed and the others either didn't (as in they took a path similar to the books and got out altogether, they're some of the first clones eligible for retirement after all given their service records) is Sev and having to leave him behind. Or maybe the other's have since died. and he's the only one left to keep going. hooooo

[creantzy]

Defying God - a parallel between Fyolai and Stavrovensky

The Demons brainrot is taking over, and you know what happens when I acquire a new interest: my brain WILL find a way to connect it to my other interests, whether I like it or not!! And this is essentially what it's about xD I've come here to present a parallel I found between Fyolai (Fyodor & Nikolai from BSD) and Stavrovensky (Verkhovensky & Stavrogin from "Demons" by Dostoevsky). Before I start I want to clarify a few things:

• I don't think these two pairings are similar, I just love picking up any crumbs of connections I can find between my interests, even if it'd count as reaching.

• This interpretation (in either character's case) is in no way "the only true way of looking at it". It's merely one interpretation out of many and I chose to focus on just a few aspects out of the many others there are to explore in these complex characters. 

• Feel free to add onto or disagree with anything I say! I'm interested in your thoughts :D

WARNING: There will be spoilers for Bungou Stray Dogs and Demons.

The reason Nikolai wants to kill Fyodor is because he feels affection for him. Emotions are a prison to him, and he basically seeks the opposite of what his emotions make him want to do. Thus, in the face of affection, which makes you want to be closer and wish the best for your friend, he does the opposite and decides to kill said friend, going directly against his feelings in an attempt to prove free will. But here I want to focus more on the "You want to defy God in order to lose sight of yourself" part, specifically the bit about God.

One part of my interpretation is that Nikolai associates God with control. If there is a God who controls all, how can there be a free will? He wants to go against Him and His creations (the human mind, morality, etc.) to prove that it's possible. But God is very abstract - the idea of God is influential but varies depending on cultures, etc. For this point, I'll use the example of the biblical God, or, more specifically, some attributes commonly assigned to the idea of God:

• omnipotence (all-powerful)

• omnipresence (all-present)

• omniscience (all-knowing)

What I am leading up to is the fact that these traits can, in one way or another, be applied to Fyodor. Fyodor's character represents everything Nikolai wants to defy. Nikolai hates control; he wants to fight the idea of God and prove the possibility of complete independence. Fyodor (though not in a "direct" way) could be seen as a symbol for God. He knows everything, he is always present (metaphorically and sometimes literally, the way he spawns sometimes I swear-), and he seems to control everything. Only few people actually see him, but he pulls the strings behind the scenes, and his power is felt everywhere. For Nikolai, to kill Fyodor is not just a protest against his feelings of affection, but can also be a symbolic act of defying "God", of killing "God", by killing Fyodor.

This is supposed to be very symbolic and not taken literally. I feel the need to repeat this because I personally dislike the notion of Fyodor as a literal God (and disagree with the idea of him having a God-complex), so this is merely about the God-like traits he possesses, like a "substitute" for the idea of God, and how it interacts with Nikolai's philosophy. (I've also exaggerated some points for the sake of simplification - for example, I don't actually believe Fyodor is in control of absolutely everything, etc.)

Moving onto Demons:

Pyotr Verkhovensky grew up religious and (assuming based on Stepan's description) with a fear of God.

Now he's an atheist and very anti-religious. He plans to overthrow society, and destroying religion + everything it preaches is part of that plan. But interestingly enough, he picks not himself as the official future "ruler", but someone else: Nikolai Stavrogin. He chooses Stavrogin to be the role of the leader in Verkhovensky's ideal society. But not exactly the "leader" in the traditional sense, because he wouldn't necessarily give Stavrogin all the power. He would simply use him as a "pawn" (for lack of a better word) while himself pulling the strings behind said society. With that, Verkhovensky puts someone else above himself, in a God-like position, but he wants to do it while still keeping full control over Stavrogin. By doing so, he would overcome his childhood fear of God because instead of being controlled by God, *he* will control God.

(Same case here, not the literal God, but the character who he assigns God-like traits to.)

I am undecided (with both Nikolai's and Verkhovensky's character) whether this could be read as a solely subconscious intention or if it would make sense as a conscious one as well. Given that both have a different "main" goal (Nikolai focuses on emotions and Verkhovensky on the revolution) I lean more towards thinking it's subconscious (if present at all - like I said, just interpretations!)

It doesn't help that Verkhovensky describes his vision of Stavrogin's leadership as "hidden": Everyone believes in him and his power, but only very few people are said to actually have laid their eyes upon him. When I first read this part, I was honestly reminded of Big Brother from Orwell's 1984, but eventually realised that similar things can be said about God as well.

While these are parallels, they don't come without differences. Nikolai needs Fyodor dead, Verkhovensky needs Stavrogin alive. Nikolai wants to kill Fyodor for a sense of freedom, Verkhovensky wants to keep Stavrogin for a sense of control. Yet both symbolic goals are bound to fail:

Fyodor turns out to be unkillable, and Stavrogin ends up dead.

At the end, "God" stays untouchable.

[linkspooky]

I WANT YOU TO UNDERSTAND ME

It's not surprising to me that Gojo's dying monologue he spent more time talking about his fight with Sukuna than any of his students. Gojo's priority from the beginning isn't to save Megumi but to fight all-out against a strong opponent, the line is: ""The Absolute Strong. The loneliness that follows. The one who will teach you about love is..."

This fight is basically the climax of Gojo's identity crisis which has been a long running issue for him throughout the manga. He's simultaneously a self-confident individualist with an overpowering sense of "ego" and a person with little idea of who he is outside of the role in society that was given to him. Gojo went into the fight looking for someone capable of understanding him, the fight is about Gojo seeking an answer to who he is, that's why he fights and that's why he loses.

Gojo is Not Normal

Nanami's statement is misinterpreted I think.

"You live for Jujutsu. You don't wield it to protect something. You use it solely for the sake of satisfying yourself."

A lot of people took this to mean that Goo didn't care about anyone but himself, even though Gojo directly contradicts this earlier.

"I love everyone and don't feel lonely snow, but somewhere along the way there was a line I drew, not as a human but as a living creature."

He states he does love other people, if only from afar, he just doesn't understand them. Gojo can't make other people his reason to fight, because he only understands himself. He only sees himself. He can only fight for what's inside himself.

"You can make a flower bloom, you can admire it, but you can't tell that flower 'I want you to understand me'

Gojo's students are the flowers. Itadori, Fushiguro and Nobara are all named after flowers. He's raising them up to be as strong as him, he's fond of them, but he doesn't think they relate to him because he exists in a different category of other people.

A lot of people want Gojo to be a more traditional caring mentor figure like Kakashi or Aizawa they're missing what's really interesting about his character. When Nanami says "Gojo only cares about being the strongest" it's true because his entire character is written around the statement "I am the strongest". He is conceptually about what it is like to be the strongest man in existence. That is the character concept, and Gojo's entire identity crisis revolves around that he's built up his personality around being the strongest at Jujutsu and nothing else.

Gojo can only fight for his own ego and self satisfaction as Nanami says, because he has nothing else, he has no identity outside of that.

However, before I get into why I want to point out that Gojo is not normal. It's not because someone on his power level is fundamentally incapable of relating to other people, but Gojo himself...is not right in the head. He's making an active decision to choose not to empathize with people whatsoever, it's not just that it's hard to understand him, it's that they can't understand him.

Gojo talks about his students like they're members of another species. They're flowers. They can't relate to him on a human level because he's something other than human. A friend had an interesting reading on why specifically it's flowers Gojo chose for his metaphor.

Plants are less sentient than insects, they don't contemplate anything they are just taken care of by their gardener and grow towards the sun. That's how differently he sees himself from others.

I wanted to include this take from @kaibutsushidousha as well.

Gojo's not from the planet mars he's a human who has human emotions and human psychology like everyone else, so that's simply not true, but Gojo believes it is and that belief influences how he interacts with everyone.

Gojo can't see himself reflected back in other people for some reasons that aren't his fault and some reasons that are. Gojo has been from birth, treated as different from everyone around him, not for anything he really did but because he was born with a really strong jujutsu ability. He's a literal chosen one. He always seen as the six eyes user, the strongest, before he was seen as a person. His entire life has been defined entirely by the abilities he was born with, he was born to be a Jujutsu Sorcerer so of course that's what he builds his entire identity around.

Not only is he told that he's categorically different from others, but he also believes it. We know little about his early childhood besides Gege's statements that he was spoiled, but we do see later on in childhood there are people who are willing to treat Gojo normally despite the position he has as the strongest. This is when it starts being Gojo's fault that he continues to see himself as different from other people.

Shoko, Gojo's closest confidante in his schooldays after Geto's days basically tells him that. She's been with him for years and yet he still has the audacity to act like he's all alone in the world. Even when people try to treat Gojo normally and relate to him on a personal level, Gojo actively ignores their presence in his life like he did Shoko because he's not only been told he's different from other people because he's stronger, but he believes it and he's built his entire world view around it.

This is why the only person that Gojo ever let in was Geto, because Gojo believed that Geto was someone who could stand on top with others. THe only person who could believe the strongest, or teach them about love was someone equally as strong. Gojo just happening to meet another sorcerer who was special class as a teenager not only allowed him to have a friend, but fit perfectly into his narrative that he was separate from others and only someone as strong as him could understand. There are people like Shoko and Nanami who treat Gojo normally despite the fact he's the strongest, but Geto was the only one Gojo met in because he met the qualifiaction of being someone equally as strong.

This isn't really the case for Geto. Geto comes to see weak people as inferior yes in the sense he sees Non-Jujutsu Sorcerers as inferior, but Geto is capable of making connections to other Jujutsu Sorcerer. Geto has his family, he has Nanako and Mimiko and the rest of his followers who he all cares about equally. Geto met all of them and chose to relate to them, he even tells Gojo after killing his biological parents that he's choosing who his real family is now.

"It wouldn't be fair if I made an exception for my parents, now would it? Besides my family now consists of more than just them."

Geto demonstrates someone as powerful as Geto can make a choice to relate to other people. It's shown in the way that Geto treats Nanako and Mimiko, he is their father and he raised them as his daughters. Compared to how Megumi is just a student to Gojo. Gojo's only invested in making Megumi into a strong Jujutsu Sorcerer, because Gojo doesn't fathom connecting to someone weaker than him. He's only their to raise up a strong sorcerer, whereas Geto who's capable of connecting with people in other ways is raising up Nanako and Mimiko and they're connected as parent and child.

Geto and Gojo are similiar in a lot of ways, same level of strength comapred to the rest of humanity, same god complex (and yes it is a god coplex, there's a reason the two people Gojo relates to are Geto who has constant religious imagery associated with him and Sukuna who's literally satan) and yet Geto shows someone roughly Gojo's power level can make connections to others Gojo just chooses not to.

This is where I'm stealing from a friend's post a bit. @theanimepsychologist points out that Geto notices the beginnings of Gojo's identity complex soon after it started with Toji.

I always thought of the panel above as Geto being jealous of Gojo surpassing him in strength but, in retrospect, I think Geto’s disappointment had more to do with Gojo’s sense of self over-identifying with the title “the strongest” and how that made him harder to relate to, which is one of the main themes in this chapter. I’ll come back to this in a sec. But first… Quick depth psych segway. I think I’ve said this before, but it bears repeating again that an overwhelming sense of self is all ego. There’s nothing wrong with ego per se. The problem is that an over-identification with ego means inherent separateness because, as an organ of the psyche, the ego sense of self is what gives us a separate identity from the collective.

Geto notices that Gojo is drawing a line between himself and other people, and pulling away because of that because people in the second category of weak can't possibly understand the strong and he's reacting to it. Geto is also the only person to underline to Gojo himself that he's unsure about his own identity.

Gojo knows he's the strongest, but he doesn't know anything about himself besides that, or even what being the strongest entails in his relation to other people. He's never constructed an identity outside of it in part because he's never had to, nobody has ever challenged him for his title as the strongest, and he also fits jujutsu society's mould perfectly. He's perfect at what he does, why would he need to change? Why would a person who reached enlightenment at seventeen need to reflect upon himself or figure out who he is? You can't really become more enlightened.

The other reason he's never constructed an identity is he's never interacted with anyone on equal terms. Metaphorically Gojo exists in a vacuum of human interaction. How appropriate is it in a way that he was sealed in a box where time didn't move completely alone for who knows how long, because that's kind of just how Gojo sees himself in relation to the rest of the world.

As Psycho points out an unregulated ego results in an inherent separateness from the collective. People don't exist in a vacuum however. We wouldn't know who we are if we were entirely alone. We are defined just as much as ourselves, as we are by our interaction with others.

Ich and Du, translated as I and Thou is a book by philosopher Martin Buber. His two main porositions is that we may address existence in two ways:

The attitude of the "I" towards "it" towards an object that is separate in itself, which we either use or experience.

The attitude of "I" towards "Thou" in a relationship in which the other is not separated by discrete bounds.

I -> It is the world of sensations. If I am looking at a chair, I say "This is a chair. This chair is an eyesore." I am seeing the chair. I don't relate to the chair.

I -> Thou can be used to refer to a relationship between human beings. You don't experience the human being., you can only relate to them and what that relationship means to you. He goes on further to say that love requires a subject -> subject relationship. To love someone means you have to relate to them as if they are another being, you can't love an object.

He's a philosopher to put forward that it's human's connections with each other and their ability to relate to each other that brings meaning to life. Gojo in Buber's terms is only experiencing the world around him, not relating to it. How appropriate of someone with the six-eyes, an ability that gives him sight far better than anyone else to see himself as only an observer to the outside world, like a floating pair of eyes.

The choice that Gojo makes not to relate to other human beings on an equal level, not only isolates him, it affects his sense of self. People cannot exist within a background. Gojo's like a vampire who can't see his own reflection. ? It's all because of this caveat that Gojo himself has set up that no one can possibly relate to him unless they were equally as powerful as him that he can't see himself in others. He can't see himself in others, he can't find anyone to help him understand himself, and therefore his identity crisis goes unresolved.

Twitter user @ det_critics pointed this out that the question: "Take away his strength and what is he?" isn't one Gojo has an answer for, and one he's actively been running from.

As I said Gojo literally doesn't have a reflection, we see that in story when the prison realm opens its eye and it's just a void where Gojo's face is supposed to be. Gojo choosing not to think of himself as the strongest is also a choice not to think about who he'd be if he wasn't. A question he evades over and over again by telling himself that he can't be understood by people who are weak b/c he categorically exists on a different plane of reality.

When he does look for an answer it's telling just how not normal Gojo is in who he chooses to empathize with: which is Sukuna.

This is who Gojo as chosen to be the only other person besides Gojo he felt he could relate to. The same person who monologues about weak people like this.

The same person who monologues that weak people shouldn't even be alive, they should be culled. Sukuna sees weak people as insects. Gojo sees them as plants.

The first person that Gojo relates to as a subject rather than an object Geto is cut short, the next person he relates to as a subject is Sukuna of all people. He chooses to see himself in Sukuna, because Sukuna validates that incorrect idea Gojo has that someone as powerful as him could never possibly be understood by other people. After all, Sukuna the strongest sorcerer of all time isn't even really human anymore, he's a curse a calamity. For Gojo who doesn't see himself as relatable to other human beings this is validation of that mistaken notion.

It's also telling of how much Gojo's own identity issues have warped him that he finds a curse personally relatable, and even pitiable because it's lonely. Sukuna, who's main problem is that he's bored because a life of killing people is unfulfilling and it's turned him into an adrenline junkie. This is who Gojo's personally chosen to relate to because they both only see the world in the category of "the strong" and "the weak."

Gojo's viewpoint of other people is mistaken for several reasons, but one interesting one was pointed out for me by Psycho. He refers to his students as flowers, but they're lotus flowers. Lotus flowers mean many things, but they're seen as symbols of purity because they rise up from the mud. Gojo is only looking at the flowers, not the mud they rise from .

"No mud, no lotus. The mud is what makes us who we are, and no one can 100% understand what wading through the mud feels like. I think people see oh shiny lotus, the outcome of wading through the mud but they overlook the self because we live in an outcome oriented society.

Gojo is someone who doesn't see the mud and therefore doesn't relate to the personal struggles of others. Which sabotages a lot of his personal relationships. Which like, to bring Megumi into this, Megumi is proof that Gojo IS NOT NORMAL.

Megumi is the kind of special genius that Gojo is, he's born with the strongest technique one capable of killing Gojo, but he doesn't become a special class at seventeen like Gojo, nor is he interested in doing that because Megumi is an entirely different person with differnt personal struggles than Gojo. He has all the raw potenital that Gojo does, but they have wildly different upbringings. Gojo was primed for success by being the spoiled child of his clan, while Megumi is an abandoned child. It proves again Gojo's maxim of people who have that much power are inhuman and don't follow human psychology is wrong because Megumi has all the potential to be as strong as Gojo, but he's just a normal kid. Megumi is still wading through the mud and Gojo doesn't see that.

GOJO IS NORMAL

Jujutsu Kaisen seems to be following Buber's logic on how identity is defined by the interactions we have with other people, because there was a period in Gojo's life where he did create an identity outside of being a sorcerer and that's when he was Geto's friend.

In the afterlife we even see him regressing to that previous state of being. There was a period for three years in his life that Gojo was something besides being the strongest, and that was when he was Geto's friend too. If Jujutsu Kaisen is about how identity and meaning are both constructed from the interactions we have with other people (subject -> subject) interactions then it's telling that Gojo reverts to his seventeen year old self because that was the first and only time in his life he was capable of relating to another person, and acted like a fully developed person outside of the role of sorcerer he was born to play.

If identities are constructed though that means they're not inherent. Gojo is not inherently the strongest, just as he's not inherently different from other people. This is different from what Gojo's been told his entire life. He was born the strongest. It's inherent to his identity, a fundamental part of who he is. Therefore people who are strong are inherently different from those who are weak, it's something internally different about them which makes it impossible for Gojo to comprehend the motivations of weak people.

Rather than just strong and weak being constructed categories. Gojo's the strongest at Jujutsu but if you took him outside of Jujutsu and asked him to work any other job he'd no longer be the strongest. He's only the strongest as long as he remains in his fish bowl that is Jujutsu Society. However, Gojo believes differently, he believes being the strongest is what he is, it's something inside of him, and something that makes him fundamentally different from others. This is the line that Gojo has been told due to being born with the six-eyes and this is what Gojo has bought.

This is also what his ability the limitless symbolizes, no one in this world can touch him or reach him, he exists somewhere else. However, the limitless can be breached and Gojo has been shown before there are others capable of touching him.

Toji is the first and only living human being to challenge him, until Sukuna comes along. However, Toji does arguably more in story than just give Gojo a good fight. Toji full on traumatized him, soemthing which Gojo refuses to acknowledge. Toji is the beginning of the end of Geto's friendship, the death of Amanai Riko sends Geto on a spiral for an entire years, and drives a wedge between Geto and Gojo's friendship when Geto self isolates and Gojo doesn't know what's wrong with his friend.

Gojo also experiences what it's like to be defeated for the first time in his life, and his response is to perfect the limitless so he runs it constantly all the time. Remember, before that he was exhausting it doing it for three days in a row, and when Geto told him to take a break Gojo reassured him he wasn't worried because he knew Geto had his back. Gojo was someone who could let down the limitless before that, but afterwards Gojo always insists on fighting alone with his shields up all the time. All to deny that feeling of vulnerability that Toji inflicted on him for the first time in his life, something he remembers years later, you know like trauma.

There are times when Gojo is reminded that it's possible he's the same as anyone else, he can experience human weakness. Geto's fall is another time, one post says it's particularly challenging for Gojo to comprehend why Geto would defect because he saw Gojo and himself as above others and therefore immune to human weakness.

gojou 100% has a god complex and thats why getous downfall hit him harder than anyone else. he saw himself and getou as above everyone else and exempt from ‘regular’ peoples flaws, he never thought either of them could be led astray and when getou finally snaps hes bewildered that something like that could ever happen to either of them. hes not just heartbroken over his best friend becoming an enemy, hes thrown for a loop because getou, the one person he thinks of as just as above everyone else and incapable of failing as he is, could ever do something wrong, could ever be wrong. hes finally put into a position where he has to face the fact that hes just as capable of screwing up as anyone else and he can’t make sense of it. gojous hesitance in killing getou isn’t just a byproduct of their friendship, it’s also him realizing that it could have easily been him on the other side of the conflict, which breaks the illusion of him being better than everyone for a second. and like that’s still not enough for him to reject this idea, personally i think that his comment about him and getou being 'the strongest’ in volume 0 is indicative of the fact that despite everything he still hasn’t grown out of this delusion.

Gojo has trauma, because he's a human being with human psychology. He makes mistakes, he has terrible past regrets like his friendship with Geto gone wrong, but he doesn't acknowledge those things because as stated above Gojo thinks he's immune to having regular people flaws. Gojo seeing himself in another category from regular human beings also allows himself to deny an vulnerability, because the strongest isn't supposed to have weaknesses. Seeing yourself as too distant to ever be touched by others also means they can never hurt you, emotionally or otherwise, an extreme form of the hedgehog's dilemna which is explored an Neon Gengesis Evangelion, an existentialist piece Gege takes obvious inspiration from.

The fact that he avoids other human beings, not because he's fundamentally incapable of understanding them but because he's distancing himself from human feelings like loss, pain, suffering these weaknesses that are part of the human experience just proves he's the same as everyone else. If he wasn't capable of feeling those things he wouldn't avoid it, he wouldn't spend ten years mourning Suguru but not killing him directly until he was forced to on December 24th, he wouldn't be trapped by the box because seeing Geto alive made him have a three minute long trauma flashback.

Gojo is a normal human, with normal human emotions and human psychology, albeit twisted from the power he was born with and his unique viewpoint of the world but he doesn't believe that he is. He uses that as an excuse not to interact with others and because of this his identity suffers. Gojo is someone defined by how limited he is in the story despite having limited power.

Gojo fails as much in the story as he succeeds. As my friend @justapanda put it.

"But, it loos like being strong isn't enough..." Another point could also be made here that, regardless of being the strongest at this point, Gojo was incapable of stopping his closest friend from straying down a dark path, which is perhaps Gojo’s greatest failing in the series. This failure also comes back to bite him much later on as Kenjaku’s ace in the hole to finally checkmate Gojo involved surprising him with the now possessed body of Geto, which distracted Gojo long enough for him to be successfully sealed by the prison realm. Once again, the vast amount of power that Gojo had attained turned out to be completely useless in preventing his own sealing, which has now placed him in an inactive role for over half of Jujutsu Kaisen’s duration. Earlier in the story, Gojo once said: “Ironic, isn’t it? Given everything, but unable to do anything.” when referring to the function of his own domain. This was another intentional use of foreshadowing to describe the dilemma that Gojo was inevitably going to face himself. Satoru Gojo is no limitless man, for no one man is without his limits." Another point could also be made here that, regardless of being the strongest at this point, Gojo was incapable of stopping his closest friend from straying down a dark path, which is perhaps Gojo’s greatest failing in the series. This failure also comes back to bite him much later on as Kenjaku’s ace in the hole to finally checkmate Gojo involved surprising him with the now possessed body of Geto, which distracted Gojo long enough for him to be successfully sealed by the prison realm. Once again, the vast amount of power that Gojo had attained turned out to be completely useless in preventing his own sealing, which has now placed him in an inactive role for over half of Jujutsu Kaisen’s duration. Earlier in the story, Gojo once said: “Ironic, isn’t it? Given everything, but unable to do anything.” when referring to the function of his own domain. This was another intentional use of foreshadowing to describe the dilemma that Gojo was inevitably going to face himself. Satoru Gojo is no limitless man, for no one man is without his limits.

Gojo has moments where he brushes up against the idea that he's not capable of doing everything, that he has faults and fails like every other human being. However, that feeling never really lasts for long. He always tends to double down on his belief that he's the strongest rather than facing his faults because that's where he's comfortable. Gojo can't see himself reflected in other people and therefore is not capable of reflecting and critically evaluating his faults. Not only that but avoiding looking too critically at those losses, he also stops himself from feeling the pain of those losses and denies that vulnerability.

Gojo exists on another plane from other human beings, and therefore why would he experience human sadness and pain? All he feels is a vague sense of loneliness and unfulfillment because he's been so alienated from his own emotions and in Gojo's mind that's better than struggling with weakness. Who would deliberately choose to be just like everyone else when you can be special? Why get close to others when the hedgehog's spines are just going to stab you? However, people form connections because of their weaknesses. Humans cooperate with each other because they are a social species. All of society exists because people divide labor and help each other out. Even Gojo can't say there's no point in his life where he was weak, because he was cared for as a child and raised in a family. He didn't come out of the womb a fully formed individual. The darwinian survival of the fittest, and the black and white strong vs. weak way that Gojo sees the world just doesn't exist, especially in modern society. There's nothing wrong with individualism, but the extreme end of individualism is wrong because no one exists in this world alone you share it with everyone else.

Gojo doesn't even see that though, because he's not living in the same world as everyone else. In his mind the limitless makes it so he basically exists on another plane of reality, but again the limitless can be breached.

Detective critics basically said that Gojo's delusion was always a false one, he always existed in the same world as everyone else, he simply deluded himself into believing otherwise. There are reasons for this, his upbringing, trauma and not wanting to face the pain of that trauma, but it's still a choice he made. Gojo didn't want to live for other people, he didn't want to relate for them, so he lived for himself pursuing his own strength. Ironically, it reflects Toji's own decision to take pride in neither himself or others and live only for the sake of showing that the Jujutsu World that rejected him was wrong.

Toji chose to live a life where he only lived to fight and prove he was stronger than the sorcerers who rejected him. He chose it over his own son Megumi, abandoning him in order to continue his lifestyle as a mercenary. He even chose it over continuing to live because he stayed and fought against Gojo to prove he was stronger than the pinnacle of Jujutsu. Toji lives for strength, and he is someone even Gojo respected the strength of, but what else does he have?

Toji's identity is unstable, he doesn't really live for any purpose, he kills people then blows the money gambling, he jumps from women to women to mooch off of them, he's also mentally unstable as well he shoots a little girl in the back of the head and feels nothing. The instability comes from his isolation, Toji is rejected by everyone the same way that Gojo is lauded by everyone. But Toji goes on step further in that he fails to construct any identity outside of being rejected and his entire life is spent rejecting the people who rejected him. Why does Toji want to be strong, he doesn't know. Purpose is something you have to construct for yourself, because there's no inherent meaning to life. Identity is something that's constructed by both yourself and your interactions with others because people aren't born inherently one thing or the other.

Gojo and Toji just refuse to do this, and only focus on themselves and the goal of being stronger. In Gojo's case I'd argue he doesn't fight for other people because he doesn't feel that connection with other people or rather he doesn't let himself. Hedgehog's dilemna to the extreme. Gojo only fighting for himself isn't Nanami calling him a selfish person who doesn't care about others, it's sad because Gojo never found any other reason to fight or meaning to his life but by getting stronger for its own sake.

Gojo only fights for the sake of satisfying himself, but here's the clincher, he's unsatisfied. Not only did he fail in his goal of giving Sukuna the fight of his life, because he knew Sukuna was holding back on him, but also admits to Geto that what would have really been satisfying is if Geto was there with him to pat him on the back.

He's failed on both fronts, he's failed at being the strongest and he's failed at making a connection to the people in his life. Gojo and Toji die in pretty much the same way, they die standing up in the middle of battle, but their last thoughts aren't of disappointment that they lost but their loved ones.

They spent their entire lives believing they were stronger and therefore different than others, and fighting to satisfy their ego and what does it amount to? Toji lived a life of hedonism and then died abandoning the one person he genuinely loved. Gojo has failed his stated goal of revolutionizing Jujutsu Society and dies before he can see whether or not his dream of a reset Jujutsu World will even come to fruition.

They belived they were someone stronger and therefore inherently better, and are put in their place when someone stronger comes along. They die just like all the other mortals. They believed they were alone so they died alone. It's sad and it goes to show how destructive being "the strongest" was to Gojo's identity in the end. Gojo thinks he's Sukuna but Gojo doesn't want to be Sukuna, because Sukuna's alone, and unlike Gojo you could make the point that Sukuna's not a human being who has human emotions because he's a curse. If Gojo was truly someone who could understand Sukuna he would have been truly alone the same way Sukuna is, and that's not what he wanted.

It's too bad Gojo never thought seriously about what he wanted, and therefore learned his lesson too late. He was always looking for someone he could relate to, except for in the people who were right in front of him.

[sleevebuscemii]

the thing about silver and stories and silver’s story is that before s3 before he loses his leg before he becomes quartermaster before he becomes long john silver. well. i think the reason silver’s story works against him in the end and by his own hand and his own self is that it’s not really his. the choices he makes in the end are born out of a belief in a reality that doesn’t exist, that what he wants is a quiet life with madi, that madi wants that, that flint is a threat, that flint doesn’t care for madi, that flint doesn’t care for him, and it comes almost from a belief of his own lie. of the fabricated version of himself after the events of the s2 finale, the version of himself that is long john silver and that is a pirate and is a walrus crewman and a revolutionary, which was all a narrative that was bred for him by circumstances, not out of his own choosing. i think a lot about the look he gives flint when flint tells him the crew named him quartermaster. the hate and the disdain and the doom because he knows he wasnt chosen as quartermaster because of his own scheming but because of the circumstances of what happened. not because the crew didn’t actually care and want him to be quartermaster but he didn’t win them over with the charm and wit of his manipulation it’s largely because of the sacrifice they believe he’s made for them. and that wasn’t a sacrifice he chose to make. his new role isn’t a victory he’s carved for himself it’s a position he’s caged into, just like billy’s creation of long john silver. silver assumes the role but gets lost in it because it’s not of his own making and that undoes him in the end. for someone who’s identity is created spontaneously based on the situation at hand, i think the one grasp on identity that silver ever had was that at least whatever identity he would create it was His creation. which isn’t the same thing as Having an identity but he loses his identity definitively when he loses that small power. and so much of it is the disability. in the same way that flint’s conflict with identity is between who he is and who people think he is based on his queerness, based on his ‘monstrosity’, silver’s identity narrows when he loses his leg, and narrows his power of being able to become anyone from anywhere doing anything, so he adopts the identities he’s assigned because he has to, because the options for identities he’d chose for himself are limited anyway, would probably be along these lines anyway. and in the end. in the end there’s nothing anyone could do about it because there’s no real silver. flint and madi couldn’t realize or recognize or argue that this version of silver isn’t real because neither one of them knows who the real silver is! madi certainly doesn’t because she doesn’t even know who silver was before s3 and flint doesn’t because silver never tells him. it’s so much of the painful resignation that comes up in their final confrontation and why silver’s backstory, specifically lack of, comes into priority at the 11th hour. flint can’t convince silver that this isn’t what he wants because there’s nothing to reference, he has nothing to bargain with, not the cause not madi not even their friendship. in the same way that miranda worried she’d be unable to recognize who she is now and flint tells her he recognizes her. in the same way that miranda tells him she recognizes him. there’s no one to recognize silver and there is no silver to recognize.

[piracytheorist]

The Briar Siblings' Lies

It's very interesting that in the family of lies and secrets, the lies of the Briar siblings are included, and I'm pretty sure that will play a role whenever they find out about each other.

I expect Yor to be heartbroken and angry at Loid when she'll find out his lies, but I'd also expect her to be heartbroken and disappointed when she finds out how much Yuri lied to her.

Yor might have kept her own very dangerous secrets, but there are huge differences in their circumstances.

Yor took up her assassin gig when she was just a teenager, orphaned and with a little brother to take care of. Amidst the cold war brewing, there would be various criminal organizations looking for people to drag in, and a poor, desperate, kind, and almost supernaturally strong teenage girl was the perfect recruit for Garden.

Whether this is Garden's initiative or not, Yor has a strong determination to kill her targets as quickly and as painlessly as possible, along with avoiding unnecessary bloodshed. She has studied human anatomy specifically for this very reason, to be able to kill her victims with mercy. She's realistic about the situations she's in, but if talking things through is even a tiny bit possible, she'll give it a try.

Though her morals are slightly skewed for the average civilian - it's understandable to kill someone in self defense, but her main targets are situations where she plays judge, jury and executioner - she's still retained a lot of her humanity that allows her to be a kind person and a caring sister, mother and wife.

And then you have Yuri.

Yuri fell victim to a more sinister kind of indoctrination - extremism and bigotry. Having grown up in poverty caused by the war and the deaths of his parents, and having an overwhelming wish to protect his sister, he was the perfect target for Ostania's nationalistic propaganda.

But the tragic background leading up to this choice and the want to protect his family is where his similarities with Yor's case end.

Yuri wasn't left with no other choices. Yor was already supporting him financially when he started working for the Ministry of Foreign Affairs, and that was a job that he could stay at and be independent. He was older than Yor was when she became an assassin. I can assume that some underhanded methods were used to lead him into the duties of the SSS, but even so Yuri had more control of the situation, more choices to choose from, and more information at hand. It's directly opposite to Yor's circumstances.

Yuri tortures people. The SSS specifically want him, despite his young age and lack of experience, exactly because he won't hold anything back, even when it makes him feel conflicted.

The SSS may be taking advantage of the ease with which he tortures people, but it's still something Yuri willingly participates in - and again, considering the fame of the SSS among civilians, it's almost certain Yuri knew what he was getting into. He's giving up his own humanity, going down a path of "us vs. them" and while Yor plays judge on who gets to live, Yuri plays judge on who gets to be treated like a human being.

While two similarly dangerous and demanding professions, and (at least according to what Franky says) following the same government's orders, it's two highly different cases. I think Yuri will be mostly horrified to learn what Yor went through for his sake, but Yor will be very understandably heartbroken. Yuri could understand that Yor had no other choice, but Yor will know that Yuri had all the best choices right in front of him, and yet he chose this.

And it's why I believe this is the revelation that will hurt Yor more. She could explain Twilight's lies by the fact that they didn't know each other before, she could explain Anya's secrets by her young age and innocence, but there will be very little for Yuri to stand on - and the thing is, Yuri knows that. He knows that what he's chosen to become isn't what Yor raised him to be.

Currently he may be seeing himself as a martyr for his cause, that he needed to potentially break his sister's heart in order to protect her and "the country she lives in". He'd rather have her feeling heartbroken and betrayed by him than with her life and safety in danger. He'd rather her hate him than get hurt.

How will it hit him when he realizes she's already been doing the same for him, and has already been endangering her life for over a decade for not only his sake, but for the world in general too? When he realizes all the work he's been doing to protect her was in vain because she has been walking into danger herself all along?

It's a really interesting dynamic, because the revelation could either break them or make them. They both have a very heartwarming background together, they both love each other deeply, but it's a trial they'll both have to go through at some point.

(Anime only fan here, don't spoil me for the manga)

[babyangelsky]

Back in March when I was doing the BL Challenge (brought to us by the lovely @negrowhat), I mentioned in my post about Korn Theerapanyakul that it isn't often that we get an actual villain who isn't just a love rival in a BL. The presence of an antagonist in a story doesn't necessarily make them the villain and not every story calls for one either. That being said,

Jak is a villain.

I want to break down this shot because it tells us a lot about the dynamic at play and Jak's point of view.

There's a lot going on here. The first thing my eye is drawn to is the line between them (and how Mut is just slightly crossing it since he stepped into the lion's den). Once you see that, the differences between both sides of that line become more obvious.

Mahasamut is dressed in a dark cool color and he's in shadow but his face is catching the light. The flowers, fireplace, candles, and TV behind him feel warm and homey. Fitting for a cafe. On the other hand, Jak is dressed in a warm light color and he's sitting in the light but his face is in shadow. The windows behind him and his positioning makes it feel like he's sitting at a desk in a corner office in a high rise instead of a cafe.

I weirdly wish they'd shown us when they arrived at the table because I would bet you anything that Jak sat down first. He's the older one, he's relaxed, etc. It makes sense for him to have sat first which means he chose that specific seat and the only reason I mention it, and really the only reason it matters, is that it tells us how Jak sees himself in this situation.

He's sitting there in the light in his dad sweater telling Mahasamut about wanting to fulfill his role as Tongrak's father and that he's so sorry about his behavior in the past and wants to atone for it and it's all bullshit because look at this man's face.

It is completely shadowed, just like his intentions and his agenda whereas Mut's is completely in the light.

And the difference becomes even more stark once Jak tells Mut to break up with Tongrak.

Jak is spewing nothing but ill-intentioned bullshit and Mahasamut sees it for what it is and makes it clear that he isn't going to fall for it, which is why things devolve.

Now. Just so we can get it out of the way, yes, obviously Mut should not have agreed to that meeting. He shouldn't have engaged and should've put the baby in the car and driven in the opposite direction. I was screaming at my screen for him to do just that, as were many of us I'm sure. However, I have to point out that it is not inconsistent for him from a character writing standpoint to have agreed.

Lest we forget, he said this to Tongrak last week when he was explaining why he turned Prin down when she tried to buy him.

"But Leah the dad is so much worse how could he not see—!" I know. Trust me, I do.

I'm gonna put on my baseball uniform and go to bat for my man for a second though because I think part of the reason that he agreed to talk to Jak is that he vastly underestimated him. And to be completely fair to Mahasamut, I did, too.

If I had to guess, I would say that he was expecting to be dealing with someone cut from the same cloth as Prin. Maybe a little worse since he knows what Jak has done in the past but certainly nothing he couldn't handle. Mahasamut is not a reckless or a thoughtless man. I don't believe for a second he would've even walked in the building if he didn't feel confident that he could deal with Jak.

The problem is that Jak is very much not cut from the same cloth as Prin.

I noted in my expressions post that it looked like the only time Jak was actually feeling something was when he accepted Prin's offer to destroy Tongrak but that's not entirely accurate. Having gone back to watch his scenes, there's a second instance where genuine emotion peeks through.

There's such a cold rage in his expression when he reproaches Tongrak for choosing his mother and cutting ties with him. And make no mistake, he's not angry because he loves his son. We already know that he doesn't. He's angry because in his eyes, he lost to a woman he felt nothing but disdain for.

If Tongrak and Kwan had chosen Jak over their mother, do you think Jak would be out here causing problems? No, he would've flat out ignored them. He wouldn't bother keeping such close tabs on Rak and his relationships because he would've already won and if he's doing it now, it's because he wants to win.

This is a game to him. This is fun for him.

His son is terrified and begging him not to hurt an innocent little girl and a young man and Jak's response is, "Don't be greedy."

He tries to force his son to choose which one of the people he loves most in this world gets to be safe but the choice isn't really a choice. He says he'll choose for Rak and he already has. Jak had already had Mahasamut beaten by the time he comes to see Tongrak and we know that because Mut's injuries have been treated when Rak gets home and Vivi is already there.

Matter of fact, the only reason Jak is even here talking to his son is because his attempt to convince Mut to leave has failed and he knows that going to Rak won't fail. He knows his son is afraid of him and he knows he can use that fear to get what he wants, which is why he brings up the uncle doctor.

Although we've gotten little of Jak so far, it's safe to assume that he is not a man who makes empty threats. Tongrak knows this, too, which is why he becomes so panicked when the doctor is brought up. We as the audience don't know who this doctor is but we can surmise from Tongrak's expression that he's important enough to be used as a weapon by Jak.

Until this point I don't think Tongrak realized that his father had anything to do with whatever happened to this doctor, he looks genuinely surprised. But all Jak had to do to prove how serious he is about his threat is mention the man. That's all he does. Rak puts the pieces together himself.

And here is where I bring up next week.

If you can look at this man's face as he rips the contract and think for a moment that he's going to try to push Mahasamut away for some flimsy petty reason, I am here to tell you that you are dead wrong. If I so much as SEE the words 'noble idiocy' I'm going to kick off.

Because we know that by the time Tongrak picks up this contract to rip it, Mahasamut has already been beaten twice and that Jak made a barely veiled threat to have him killed. Rak is rightfully terrified of his father and afraid for his boyfriend's life and wanting to keep Mut safe and ALIVE is not noble idiocy.

Now is it going to work? Smart money says no, wild horses couldn't drag Mahasamut away. He loves Rak too much to take any threats lying down. But as much as I understand why Mut talked to Jak, I understand why Rak wants to keep him safe even more.

Jak didn't accept Prin's offer because he wanted to help her. He doesn't give a single shit about her agenda except to mock her for it. He agreed to destroy his son because he wants to, because doing so will allow him to win and get back at his ex-wife. The money is just a bonus.

Jak is a Villain.

[general-cyno]

ehh it's just me musing but. I do find it a little curious that (depending on who likes whom I guess) cora is usually either seen as some saintly flawless goofy figure or a brainwashed cop who got killed because he refused to try and save his brother. I do think his character is not exactly easy to pinpoint, considering he appears for a very short time and in a flashback nonetheless, plus the fact that he's dead means no further fleshing out of his character - broadly speaking - outside of the people who knew him and are willing to provide insight on what he was like, though that'd still be kinda biased.

however I believe there's actually a bunch of things that were straight up shown and some that can be pieced together from what little panel/screen time he had: ie how he's seemingly more bad tempered, impulsive and violent than he's portrayed as in fanon at times, albeit motivated by his own priorities at the moment (trying to kick the shit out of law to stop him from exposing cora to doflamingo) + his sense of what's right and wrong and to whom it applies (punching medical staff and setting hospitals on fire for mistreating law, whom he'd been trying to help).

specifically about the navy and doflamingo part... it irks me a little, tbh. partly because it removes what little agency cora had during the flashbacks and sort of waters down his motivation to stop his brother. it's not just whatever crimes doflamingo was committing or planning to back then and the navy wanting to put a stop to that - the thing is that cora was influenced, at least to an extent, to oppose doflamingo based on their childhood experiences with (ofc) the more negative ones, which include doffy murdering their father right in front of him, overshadowing anything else. as he tells law, cora can't fathom how their kind parents could've borne someone as evil as his brother. and yet. that's the other thing. cora was very much a child, and younger than doflamingo at that, when the elder DQs chose to leave marijoa and all that it entailed after. between all the traumatic events he lived through and later being raised by a marine (sengoku of all people), I'll be the first to say his perception of those events, of their parents and doffy himself is not really the most unbiased or reliable. we don't see him questioning the existence of celestial dragons (beyond warning law he's in danger when cora finds out about the D) nor the nature of the WG/the marines and the antagonistic role they play in OP's universe. we didn't have him long enough for those things to be put to question deeply anyway, especially not wrt to doflamingo, so imo it makes sense that his focus wasn't on "saving" but stopping him.

that said... he does witness the worst of it, kind of. through law. law is the very reason why I don't agree with the idea of cora being simply a brainwashed cop. this guy watched how people (those who should care) mistreated, dehumanized and demonized a sick child over prejudices caused by the lies the nobles and WG itself relied on to sweep their own corruption under the rug. he saw first hand how all those doctors ran to call the WG to kill the child and how they answered to do that. and what did he do? he lied and betrayed the organization he'd been part of (presumably for more than the years he spent undercover) and the man who'd raised him like a son just to save the kid that everyone, even the so called justice, had turned his back on and would've gotten rid of if given the chance. heck, when he first brought up the topic of law with sengoku, the man basically told him not to favor him too much for it could jeopardize his mission.

but perhaps the biggest proof is that he lied to law about being a marine when the latter directly asked if cora was one. as he later admits, cora lied to him about this because he didn't want law to hate him - and knowing all law lived through (flevance), seeing some of it himself (their hospital shenanigans) and what law told him as well, cora knew he had plenty of understandable and justified reasons to hate anyone ever slightly associated with the marines or the WG, including cora. to me, someone who's completely blinded by the navy/WG propaganda and follows their every order to the letter without thought wouldn't have denied his own affiliation nor been so determined to ditch being a marine and make an enemy out of those institutions (even if that also meant betraying his father figure) just to save, protect and do right by a child who'd been clearly failed by them. at no point did cora ever try to argue that Not All Marines, much less express any other sentiments of that sort to law.

on a similar vein, despite insisting doflamingo was evil and an agent of destruction - law is also the proof cora was somewhat aware that his brother (and people like doflamingo) normally don't pop out of nowhere and do Terrible Things just because. that maybe in other (better) circumstances, doffy might've become someone different and/or made different choices. after all, cora is the one who points out the similarities between doflamingo and law, and eventually does his best to turn law's life around so that he won't follow the same path. should he have tried to save doflamingo as well? when? how? would it have worked? who knows. and if you ask me, regardless of their similarities at that moment in time, doffy was already a grown ass man compared to law and cora himself was just an even younger kid when shit hit the fan in their childhood. I'm not sure doflamingo (as an adult) would've been particularly receptive of "help" either, considering his disdain for the kindness in cora and their father that he saw as a weakness. not to mention waaay too many other factors that come into play also (trebol and co's grooming and influence for example). still, one of them did pull the literal trigger in the end and it wasn't cora, so there's that.

all in all, for a character with such a short lived amount of time in the story - cora is quite the complex one and so very compelling. characterizing him as just strictly one thing or the other can be a little reductive but the fact that his character can be explored beyond that in the first place (once more, despite his lil bit of alive and onscreen moments) is what's fun and says a lot about the writing itself.

[deathsbestgirl]

okay @calimanc i think i can finally do this!!

first, i tend to think of their relationships in phases. like:

season one: building trust and bonding. they genuinely like each other but it's a process! it takes time to create that bond & partnership. they really create such a good foundation naturally. they don't force it.

seasons two & three: BEST FRIENDS. they trust each other, they love each other, they rely on each other. their roles are set, their bond just gets stronger. season two really sets the tone for true friendship & personal value, not just work.

seasons four & five: it's a Struggle. their relationship is shifting but they're not there yet. it makes things hard but their partnership & friendship are solid. that is not the issue. (although, bad blood is also peak best friends)

season six: tension. surrounding their feelings, trust and getting their shit together lol (genuinely the season of them figuring it out)

season seven forward: THEY ARE IN LOVE. they are all in. s7 they're putting s6 lessons into practice, their communication is improving. s8&9 are hell for them but their love is never the question. coming back to each other is also a process (season seven is them putting the lessons into practice)

iwtb: married. everything is good & terrible. they are haunted, always haunted.

revival: coming back to each other, learning they can be together again despite everything. they never let go and they never will.

i think there's been a lot written about their characters and journeys, at least somewhat related to this. i think i'm recalling some of @randomfoggytiger meta posts about their different struggles, characters, trauma, etc. (the ones i think about a lot: scully teaches mulder to hug, milagro, how the ghosts stole christmas, mulder + s5, mulder / scully family in depths, mulder / scully typing, mulder / scully fight flight freeze — highly recommend, i think foggy puts a lot of things into words that are behind my reasoning)

in the beginning, mulder believes scully is sent as a spy. he's kind but he needles her about aliens, her thesis, her science and she gives back as good as she gets. but scully is so genuine and earnest. she cares about the truth and victims and justice. i've always thought she was excited to work in the field and specifically with mulder. whatever she thought of his spooky moniker, she also knew he was a brilliant man & a good agent. she was prepared to learn from him, regardless of what their cases would be. i don't think she believed all the rumors, i think she's intimately familiar with the rumor mill. and scully always had more of an open mind than anyone gives her credit for.

SO she spends the pilot trying to solve their case and get as much information out of him as possible, she wants him to trust her and she's trying to show him that he can. scully's got him chasing after her on their second? day on the case. she shows him real vulnerability, and imo, a tendency to believe despite her skepticism. and that's when he starts to give her a real chance. mulder's smile when she runs into his arms says sooooo much. AND THEN!!! he is vulnerable with her. he tells her about samantha & it's all he cares about. and she takes him at his word.

to me, this is something that sets the tone for most of their relationship. scully follows him because of his passion and belief, because she believed him when he said the truth was out there. she accepted that work was what mattered most to him and despite her crush, she chose to stay and follow him. she makes that decision over & over again. even when he makes her crazy, even when he gets himself into insane situations. and season one is all about building their trust, radicalizing scully. already before the end of season one, they trust only each other. mulder may show that trust slowly, taking bigger chances with her as time goes on. sharing the personal, letting her know about his informants, introducing her to his friends & eventually deep throat...he listens to her advice, her skepticism, her science and he genuinely appreciates it even if it frustrates him a lot. like when he thanks her in e.b.e., he's frustrated but it's real. he was listening. he recognizes her value to the x files and himself by season two. that conversation in sleepless about 'oh yeah, it's great. i don't know how i put up with you for so long' and 'i learned that from you' and 'i still have my work, and i still have you. and i still have myself.' and this is the "safe" territory for them. they know how to work together and they understand what that means. or they think they do, until scully is abducted and the stakes are raised. (kae wrote about mulder recognizing love in loss once. that's always really stuck with me.) mulder's guilt complex runs high. it's a huge part of his reaction in never again, scully's "my life" and 'we're not even going in circles, just an endless line' and "not everything is about you" is piercing in a very specific way to him. in that moment at the end, they choose silence and it persists for a long time. as does the way they talk around their feelings, their relationship. and mulder specifically is very avoidant. he makes several comments throughout their partnership about her leaving, not wanting to ruin her record or hold her back. and it's just so crazy, because scully eventually tells him that she holds him back, he doesn't need her. scully wants to be needed, and mulder wants her to stay but he 'doesn't want to see her hurt.'

the whole point is they put the work first, their partnership. it was a conscious choice. eventually we learn they both had relationships with people they worked with. i really do think it would make both of them hesitate to get involved with a work partner. generally speaking, scully is a "rule follower" but she doesn't have a problem breaking rules when she thinks it's justified, when she believes it's the right thing to do. no matter who's instincts she's listening to. that's a pattern we see very early on.

THEN they get so comfortable in their roles, believer mulder & skeptic scully, that later on as those things start to shift, they're afraid to change. mulder tells scully her science saved him over & over and in season six she clings to that (completely misunderstanding what he ~really meant, like kae talked about). season six is all about them figuring out what a relationship between them would mean.

but by that point, they had started to figure out some of their own issues. like in never again, scully is struggling with her patterns. so she does something she doesn't do often (i don't think one night stands are ooc, but they're not necessarily her norm. it seems like a periodic thing she may do when she gets That feeling.) scully needs to know she matters, she needs to see her impact. in never again, after paper hearts & el mundo gira, i think she's really hurting in that respect. she doesn't see at this point the impact she's had on mulder or as an agent. you can't tell she works in that office -- no desk, no nameplate, barely any personal items. just some books. initially, they're having two conversations and only partially aware of it. at the end, mulder doesn't seem to understand the issue, but at the end of leonard betts, mulder validates scully. verbally!! directly to her!! he starts to get it. they're not very good at talking directly, that's why never again and the cancer arc, and after, are so difficult. they talk about everything with metaphors, or they're okay sharing little pieces of them. their trauma & pain when forced to.

and season five is ... fraught. as so many other times, but scully nearly died and mulder feels guilty. randomfoggytiger talks about mulder in season 5 here. and the thing about these two, they're traumatized over & over again and they just keep going. but they are deeply affected. i've talked about how not okay scully is, and it takes her so much time to freely lean on mulder. she relies on him & their work, but she doesn't necessarily let him in too far. she holds people at a distance, she's so aware of loss & death and the effects of it, like she talks about in emily. and it isn't really that they need to work through their trauma. it's so much more about letting someone help shoulder the burdens, see them vulnerable. they do that and they do it for each other freely & often. but...for scully, she's always the strong one. she isn't really, but she thinks she has to be. she doesn't want to be another crusade for mulder, someone else he needs to protect. but at the same time, that's what partners do. she takes that "job" very seriously and so does mulder. (but so early on, it isn't because it's part of their job. i think that's extremely clear with scully in tooms & e.b.e., mulder's reaction in lazarus, to her abduction. you can see the progression so clearly.) but they can't protect each other from everything. mulder couldn't save her from being abducted, getting cancer, emily, or being burned alive...scully can't protect him from what happened to samantha. and that's a hard truth. it's something they accept for themselves as fbi agents, but is nearly impossible for them to accept for their partner. it's why scully threatens boggs, why mulder wants revenge on the men responsible for her abduction, why they go as far as they do for each other. they are relentless. (for mulder, he's always blaming himself. often, he wants to protect scully from himself even though he isn't the danger. he isn't the one harming her and he knows how far scully would go. like in endgame 'why didn't you tell me?' 'because i knew you wouldn't let me go through with it' and he runs off on his own because he doesn't want her to risk her life for his crusade, for the answer he needs & seeks.)

and season six!! it's so special because scully knows she's important, he gave her a whole speech about it. they nearly kissed. but they don't talk about it, the silence is maintained in favor of their partnership. and season six is a special brand of putting them in situations. at certain points, their partnership & trust are tested and leading up to those points, they tend to show how solid they really are. like in drive, when their communication is cut off but scully can understand that mulder is avoiding the police traps for a reason and he knows she'll catch onto the clues he manages to drop & that she's working hard to figure out the science/medicine, that she's doing the legwork on their cases that she always does. scully's asking him to get out of the car, but not to abandon it and they spend most of the season slowly putting together a blueprint for a relationship between them. knowing there are feelings between them, on both sides, completely reciprocated but it's a struggle. they learn something, and it's erased. or like the lesson in the unnatural, it takes a while for them to really get it. to put it into practice more consistently. there's a new freedom after one son too, with most of the syndicate killed at the hands of their own stupidity. and literally, neither of them can actually let go because the x files is both of their lives, they both have a very significant stake in the work and that will always connect them. (no matter how they're forced away from it at different points, no matter how they hesitate sometimes.) but it's also always deeper than that. because "you made me a whole person" wasn't just true of mulder. scully is never more herself than she is with mulder. i've said it a few times, but the x files was scully's dream job lol not only does she get to use everything in her arsenal, but she cares & she can be weird & a little mean. mulder gave her a very special kind of safety. scully loved teasing him for his beliefs, she always found it endearing and i just. think that's for a reason. he believes what she can't, and she believes what he can't. (you know, my usual)

i just think about the difference between all souls & all things. mulder is terrified of scully's believe in all souls, but in all souls, he interprets her words through her faith. he wasn't afraid. it was from a distance in all things, but she's also talking about a man she considered the love her life & might have married. but scully's sitting on his couch telling him all about it.

in the revival, scully comes back to the x files for mulder. but she's the one loving the case in mulder & scully meet the weremonster. and where mulder's disbelief & cynicism in the patient x/the red and the black scare her, she's not afraid of it weremonster. she kindly tries to guide him back to it, or rather, gives him the opportunity to find it himself. like he helps her light the candles & talks to god through her in nothing lasts forever. they're not really together but they're always together. it's always about working through something, understanding themselves & each other, and accepting/embracing some truth. like in all things, "what if there was only one choice?" in a way, there is only one choice. the one they made over & over. scully in squeeze & tooms & little green men, mulder in one breath & redux & requiem. all their choices lead to the other, and they almost mourn other choices. but scully would do it all again, she wouldn't change a thing. mulder can't do it alone and there's hope. the truth they both know. the only one they know.

[asthmaticplushiedragon]

Torah class touched me very deeply today, and I really want to share my thoughts

We were reading the beginning of Shemot, specifically Ma'amad Ha'Sne. And something that caught my eye is that Hashem never once tells Moshe that he is the creator of the world or the one and only G-d. He just says "אנכי אלקי אביך, אלוקי אברהם אלוקי יצחק ואלוקי יעקב", "I am the g-d of your father, the g-d of Avraham, Yitzhak and Yaakov". Hashem calls Bnei Isra'el "עמי", "My people". And it's not just the one time, he repeats it again and again: he tells Moshe to tell Bnei Isra'el that "the g-d of their encestors" sent him. "The g-d of Avraham, Yitzhak and Yaakov will save you". He's to tell Pharoah "i come in the name of the g-d of the Hebrew People". Hashem keeps calling us his people, and himself the g-d of us and our encestors. Not even once is he introduced as the creator. "I will be who I will be", his name is not important. His role here is being our personal g-d and guardian, not convincing the Egyptians of his g-dhood.

Our bond with Hashem is so much deeper than just worship. The reason he saved us from Egypt, the reason he wants us to worship him, the reason we are important to each other, the reason we worship him in the first place, is all because of his bond with our encestors. Hashem remembers his promise to Avraham - not just to a worshipper, but to a true believer. He chose us because of our faith in him, faith that is thousands of years old. Hashem says it himself: "זה שמי לעולם וזה זכרי לדור דור", "that is my name forever, and that is how I will be remembered to generations to come". We are HIS people, he is OUR g-d, and both sides take pride in it. The pride is so deep that this is how both sides are called, over and over again. This is the greatest bond we could ever ask for, and there is nothing anyone can do to break it.

[ilikekidsshows]

Do you think Kagami’s introduction foreshadowed her character’s role in the story well? Also, what’s the best use of characters of her archetype in a show like miraculous ladybug?

---

Okay, so, Kagami’s introduction, outside of a couple of comments from Marinette, reads a lot like a regular “Victim of the Day” episode. I was actually really surprised that this was how they chose to introduce one of the major love rivals. It was actually good writing from the crew, since it allowed us to learn about Kagami as an individual first and foremost, before getting her entangled in the romance.

I still believe that a lot of the show got retooled between seasons 3 and 4. One of the reasons I think this is specifically the 180 Kagami’s character made in season 5. Kagami’s first ever friend was Marinette, and she befriended Marinette after Marinette showed her kindness. Her first love is Adrien, the kindest character in the cast. And then season 5 comes along trying to tell me the jackass Félix is suddenly her type when he literally kidnaps her? Yeah, I don’t buy it. Never mind her taking her breakup with Adrien so badly she didn’t want to see him, only to be totally okay with constantly seeing and macking on his identical cousin.

Said breakup was also written in a way that completely disregarded the original dynamic between Adrien and Kagami, downright reversing their roles. Adrien was the one who taught Kagami how to go against her controlling parent’s wishes and pursue what she wanted to do (I was so delighted how he was paying along what Plagg taught him so I was so pissed when the show ignored that). But, in season 4, Kagami is suddenly the perfect rebel pulling Adrien along. Never mind how Kagami used to be so oblivious about social cues that her idea of a friendly smile was more like a grimace, but, as of season 4, she’s suddenly more emotionally astute than Adrien, who used to be a master of empathy and sympathy (when people weren’t lying to him). And yet, despite this supposed new emotional intelligence, she dares to victim blame Adrien for the abuse he suffers, when she of all people should understand how difficult parents like theirs can be.

Frankly, Kagami’s utility as a character in the series got crippled every single time she got close to having some. Like, she was the first rival for Adrien’s affections we’d seen with an actual shot, Adrien was actually really into her, but, as soon as they got together, Adrien was suddenly completely uninterested. The writers terminated that relationship so quickly we might as well call them Agent 47. Then she stops being as much as Adrien’s friend, and instead joins Marinette’s girl posse and starts shipping Adrinette because she had the realization that they were “made for each other”. Except we also have the rest of the non-villainous kid cast only caring about Adrinette as of season 4, so she completely uses her uniqueness as a character.

Then, of course, she becomes Félix’s “reward” for turning into a good guy. Suddenly all she cares about is defending the Writers’ Pet from suffering consequences for his various crimes and telling him Ladybug’s secret identity and helping him with his asinine plans.

No, I don’t think Kagami’s first appearance foreshadows her future role as the trophy girlfriend of the writers’ new favorite side character in season 5.

Instead of using her for cheap drama that doesn’t actually amount to anything meaningful in the show, Kagami could have been utilized for so many different lessons about socio-emotional proficiency, something I thought Miraculous was going to be teaching to kids due to its focus on dealing with negative emotions specifically. Kagami is a character with a lot of baggage, she has a controlling and demanding parent, she has no friends, and she doesn’t really understand the boy she’s crushing on and later dating.

Kagami is a blunt enough character that she could have been used to teach Marinette about her very damaging tendency to butt into other people’s family relationships and project her own family dynamic onto theirs. Kagami could have been the one to tell Marinette: “no, my mother doesn’t just let me do things I really care about just because I care about them and talking to her about it will just make her mad.”

If the show had decided to focus on the hero team properly, Kagami could have been a very fun addition. She tends to get very serious in the few hero situations she’s in, and those types are always funny when the villains can have really wacky powers. The overly serious character being forced to deal with tomfoolery is a riot every single time.

Kagami’s lack of social skills and lack of friends could have also been used to showcase different ways of making friends. The reason Kagami latches so strongly onto Adrien despite her not knowing much about him is because he’s the only person she’s met who’s similar to her. He’s also one of her only two outside of family bonds, which makes her extra reliant on him. This is not a healthy dynamic, and the Adrigami breakup could have had something to do with that, with how Adrien shouldn’t be everything to her and she needs friends more than she needs a boyfriend. And then they could both make more friends together. Or, they could make more friends first and then realize they don’t need each other that much after all. (Of course then the show decided codependency is actually a good thing and obliterated all of Adrien’s friendships to make him reliant on Marinette. Oh, the irony.)

Frankly, I think the choice to make it so that Adrien wasn’t actually into Kagami after all was such a copout way of dealing with the Adrigami breakup. Yes, sometimes your feelings with someone else don’t match, but that’s not what the episode teaches the viewer. The episode instead tries to hammer it in that Adrien is Marinette’s, no one else’s. It’s just Lovesquare pandering instead of the episode trying to say anything about love or relationships.

[strlitetheatre]

MARK CHASITY THOUGHTS !!

thank you @biscuits-spooky-diner [ sorry for the tag again lol ] for reminding me w ur reblog i went fucking bananas w this LMAO

a lot of these are heavily headcanon-centric and i wanna preface that before i get into it bc i know some people may not agree!! thats fine!! i just like thinking these silly lil things

thoughts below the cut because its a Lot and i may add to this but idk?? shrugs we'll see

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starting off strong, i really am a sucker for the 'two [ or more ] characters that one actor/actress plays are related on some level' concept and i believe mark and duke are cousins bc CAN U IMAGINEE

theyre cousins on their moms sides but their moms dont really get along due to differing views and ways of parenting, but mark and duke are pretty close. theyre each others favourite cousin

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mark and karen are both gay in opposite directions but they were very close friends growing up due to overlapping social groups (their parents, church groups, most likely abstinence camp goers, etc), and because of their respective families and being unable to be true to themselves, they got married and had grace very early after they graduated highschool

mark loves karen very much, but purely platonically. he is the type to tease her, sometimes poke fun at her, and he respects her immensely! they both work insanely well as a duo, and they hold down the fort of their picket fence home extremely well, but they are not in love

he n karen live a very domestic life, they can even be pretty physically affectionate at times [ hugs, cuddling, kisses to the head, cheeks, hands even ] and share quick 'i love you's before separating for the day, but something about it was always just slightly askew from romantic love and affection

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circling back to highschool, mark and ted definitely had a secret on-again-off-again relationship for at least a few months to a year.

they inevitably fell out because ted was sick and tired of being kept as a secret [ i have so so many thoughts about the spankoffskis too dont get me started on that tho ] and ended up giving mark an ultimatum: either choose to stay with ted and become public, or choose his family and run away from himself

i think its clear which mark chose. they dont talk much anymore

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his middle name is anthony :33 no reason for this i just think it fits. mark anthony chasity :3333

he is a very sensitive man! growing up was extremely hard for him between an overbearing and coddling mother, and a hardassed and pushy father, and being heavily sheltered on top of it all

he wasnt shown a lot of genuine love and affection growing up (his mother would lovebomb him, his father didnt believe he needed it, and they were both pretty strict considering he was their only child) and he tries to do better with grace but still ends up unintentionally repeating cycles out of wanting to keep her 'safe'

he truly does love his daughter, he loves grace s o fucking much, but he n karen didnt have many positive role models to base themselves off of parenting-wise, therefore carrying a lot of fabricated truth into their relationships both separately and together with grace

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mark has an architecture degree and he would love to be an actual architect but alas. realty was what he could get into

hes the one in charge of most of the chasity homes interior decoration! he has an eye for colours n specifically he really enjoys pastels, but his favourite colour overall is actually green

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MARK CHASITY IS THE MARK FROM WORKIN BOYS [ getting forcefully pulled off stage, gripping the mic ] PLEASE P[LEASE JUSR HEAR ME OUT

before mark began working in realty, he worked at a bank. golden parachutes bank [ 'golden parachutes' is something mentioned in show stoppin number w like no context?? this concept is my gfs idea tho ] [ **I WAS INFORMED ITS A BUSINESS TERM but atp i feel like hatchetfield Would have a bank named after a business term lmfao ]

mark met greg through duke when he was about 20 or so [ I ALSO FIRMLYY BELIEVE THE GREG FROM WORKIN BOYS IS MAXS DAD BUT MY JÄGERMAN FAMILY TREE IS A WHOOOLEE OTHER CAN OF WORMS ], began seeing him, and greg was the one to bring mark into the polycule around 23-24

all of them worked at the bank! henry hidgens was one of the younger executives there

HIS N HENRYS DYNAMIC SPECIFICALLY was never sexual i believe, but it wasnt healthy overall because there was a power imbalance between them, and i also believe mark wouldve been one of the younger men in the polycule

henry and mark had a very 'wolf and lamb' dynamic, mark being perceived and treated as 'innocent' due to how he carries himself and how he was raised, and henry sometimes doing specific things to intimidate and even scare mark

all in all things do not go well. yeah. i am Not gonna get too deep into that bc it delves into pure indulgent au headcanon bullshit [ this entire post rlly lol ] but to shorten it: i believe mark to be a sole survivor of the workin boys incident in some aus and after the deaths of the boys he quits the banking job n goes into realty god bles

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coughs. anyway. he really likes historical art and i believe mark n grace are so similar in how theyre both So abnormal about historical things [ graces general interest and infatuation w the waylon place and its history that she basically infodumps about in npmd ]

he would infodump about historical pieces and their stories to anyone that would listen, which is usually his wife or daughter

SPEAKING of historical art n bringing back his architecture degree, when grace was around 10 mark built her an exactly-to-scale miniature replica of the waylon place as a dollhouse, down to the scaffolding, lighting, wall decor, etc

it took him years and was a complete surprise. it is his favourite and most pride-inducing project to date, even more bc it was for his baby

[kanansdume]

I wanted to look at why it feels so frustrating for Sabine to have been utilized the way she was in the Ahsoka show and why it doesn't work even though the general concept behind it isn't inherently a bad thing.

Basically, Sabine only exists on this show, primarily, to be Ahsoka's crutch. She is the character through whom Ahsoka learns to grow. Sabine KIND-OF has her own journey as a sort-of sidestory, but her main purpose is to be there as a vessel to prompt Ahsoka's own growth.

And this is not, inherently, a bad thing to have done. Using a pre-established character in this way is fairly normal. And I'm going to compare this to the way Leia was utilized in the Kenobi show because on paper, the circumstances here are pretty similar.

Both Leia and Sabine are main characters in their own right in their original media (Leia in the OT, and Sabine in Rebels). Both Leia and Sabine did not really ever have a relationship with the main character of this new show prior to the show coming out (Obi-Wan for Leia and Ahsoka for Sabine). Both Leia and Sabine are SIDE CHARACTERS in this new show in order to support the storyline of the main character.

The difference for me is that Leia was explicitly chosen for this supporting role BECAUSE SHE'S LEIA. Leia is not mutilated and frankenstein'd into being basically unrecognizable in order to be someone who could help Obi-Wan on the journey he goes through in the Kenobi show. She is still pretty recognizable as Leia. She has the same stubbornness, the same snappy insults, the same passion and almost bossy personality. The Kenobi show and Deborah Chow have made it fairly clear that they chose the characters they did very carefully so as to provide a framework for Obi-Wan to grow through while never letting those other characters OVERSHADOW Obi-Wan just because they are also beloved characters in their own right. They very nearly didn't bring in Anakin for exactly that reason and clearly worked very hard to ensure that his presence on the show never pulls focus away from Obi-Wan entirely. Leia was also chosen specifically because they felt like it would make sense for Leia to be in this position. They chose Leia because what else could get Obi-Wan off of Tatooine in this state of mind but her? They chose Leia because who else might be able to break through Obi-Wan's depression and show him the hope for the future but her?

And while they had never had a canon relationship prior to this show, there IS just enough there to make it believable. We have a lot of obvious reasons for why Obi-Wan would care about her deeply and connect to her within a very short period of time. And we have plenty of reason for why Bail would only ever ask Obi-Wan for help in this particular situation. So the set-up for the plot and the relationship DOES EXIST within what we already know about the characters involved even if the relationship itself was new. We're also seeing that relationship develop ON SCREEN rather than being told that it existed elsewhere. The only relationships that are important here that happen off-screen are Obi-Wan and Anakin, and Obi-Wan and Bail, both of which exist within the Prequel trilogy that you can pretty safely assume most other people have seen. Everything else is developed on screen for the audience, which means nothing has to be explained at the audience through exposition.

Now let's look at Sabine. Oh Sabine. Poor darling Sabine.

Sabine was pretty clearly NOT chosen for this storyline at all. While we don't know the exact details of how this went down behind the scenes, we do know that there was AT LEAST two separate shows at one point (maybe three) that ended up getting compressed into just one: a Rebels sequel presumably involving Ahsoka and Sabine searching for Ezra, and an Ahsoka show looking at her journey of coming to terms with Anakin's betrayal. We don't know precisely how those two shows ended up combined into one; maybe the studio execs decided an animated Rebels sequel wouldn't do well and Filoni combined it with the Ahsoka show in order to preserve it in the only way he could, or maybe the studio execs came up with the combination idea on their own. We may never know. But I feel like it's pretty obvious that the original concept for the Ahsoka show likely included a Padawan storyline through which Ahsoka could come face to face with her fears and doubts about Anakin. This Padawan was probably going to be an original character who shared many of Ahsoka and Anakin's more negative traits (arrogance, brattiness, stubbornness, maybe even anger and fear from some kind of prior trauma) that would force Ahsoka to come to terms with what happened to Anakin in order to accept her Padawan.

And then the two shows got combined and Ahsoka's journey has to happen simultaneously with the search for Ezra. Except. Ahsoka's feelings about Anakin have exactly shit all to do with Ezra, or Thrawn, or the search for either of them. They could've just tossed in the original Padawan character to sort-of tag along while Sabine stayed more focused on finding Ezra, but this probably would've had the result of Sabine feeling pretty sidelined. So instead, they just... slotted Sabine into the Padawan role and nixed the original character.

Which means that Sabine lost pretty much ALL of the characteristics we knew about her from Rebels in order to fit into this new role. Instead of the merciful, compassionate, mature young adult she was by the end of Rebels, we get this overconfident bratty personality that feels more fit for a teenager than the 30 year old that Sabine actually is at this point in the timeline. Instead of being someone who connects very deeply to being a Mandalorian, suddenly she wants to be a Jedi and it's never actually explained why that is. An entire trauma was created to exist off-screen just to explain why Sabine is acting so radically out of character and even THAT isn't actually believable with how far she had come by the end of Rebels. Sabine was NOT chosen for this role because of characteristics she already had, she simply was the most convenient choice when her storyline ended up fused with Ahsoka's and as a result she is almost completely unrecognizable as a character. This isn't Sabine. It's an abomination and a piss poor shadow of the character most of us remember from Rebels.

And her relationship with Ahsoka is developed OFF screen rather than ON screen. Instead of showing us how these two ended up getting together and how they got closer to each other and learned to trust each other, etc, it just all happens years before our story starts. There's an entire history between these two characters that absolutely NOBODY is familiar with because it comes out of absolutely nowhere. And so instead of being able to WATCH these two characters come together as a team, we have to keep getting TOLD about it in either throw away lines or infodumps. Huyang keeps talking about how they work better together, Hera says they used to be good for each other, and their whole history is laid out by Baylan and Huyang separately (and the stories don't even match). There's no gradual development of trust, the two characters just careen between trusting each other and not trusting each other because of this history that is barely ever explained to us and then is apparently (almost literally) magically fixed by the end.

This is a bad way to handle this relationship even if Sabine had been a completely original character. I've seen stories where the relationship has developed off-screen and it's still, generally, worked. I mean, just for a Star Wars example most people are familiar with, let's look at Qui-Gon and Obi-Wan in TPM. Qui-Gon is entirely original here, nobody knows who he is, but Obi-Wan is a well-known character to the audience. It's set up fairly quickly that the two of them have been Master and Padawan for a while probably and then within the first several sequences we get an idea of what their relationship is like. We see the deference that Obi-Wan does have for Qui-Gon but we also see Obi-Wan capable of teasing Qui-Gon while in the middle of a life or death situation. We see how well Obi-Wan and Qui-Gon pick up on each other's queues and how they can team up towards a common goal. So while we haven't gotten to see their relationship develop from beginning to end, we get enough scenes of them together right off the top to give the audience a sense of what this relationship IS so that by the time you hit the Council scene, Qui-Gon's quick decision and Obi-Wan's shock at it are entirely understandable. But then so too is Obi-Wan's willingness to apologize afterwards and his grief at Qui-Gon's death.

So it's not impossible to set up a relationship where the history between the characters and the initial development of it happened off-screen. But the way the Ahsoka show handled it gives us really none of that. We don't get a lot of chances to SEE what this relationship actually is and what we do see often is wildly contradictory (for example we see Ahsoka not trusting Sabine and then an episode later we see Ahsoka trust Sabine with her life). The development that does exist in this relationship over the course of the show has to be done with the characters completely separated and they come back together and everything is just hunky dory somehow. So even without the aspect of Sabine being a pre-established character in her own right, the writing of this relationship makes no sense and doesn't allow anybody to actually invest in it or understand it.

But Sabine IS a pre-established character and a major character of a show of her own that has fans who already love her. So now this relationship not only needs to just be generally well-written and coherent, it SHOULD still feel like a believable relationship for the Sabine that fans remember and love. Those of us who knew Sabine remember that she and Ahsoka don't HAVE a relationship to pull from. Sabine cannot just be treated like an original character who doesn't have any history that fans already know about. This relationship with Ahsoka DOES need an explanation in order to make any sense and the easiest way to do that is to actually SHOW IT DEVELOPING rather than having it happen off-screen. Obi-Wan and Qui-Gon's version of this is able to skirt most of the actual details and just imply their history while showing us their current dynamic. Ahsoka and Sabine can't get away with that because everyone watching this who has even a passing familiarity with both characters is going to be wondering what the fuck this history even is and how ti led to this particular dynamic. Which is why we ended up with a bunch of infodumps trying to explain it to us rather than something more meaningful that allows the audience to actually connect to it.

And on top of that, this was a storyline that Rebels set up to be SABINE'S STORY. Ezra's disappeared so this was supposed to be Sabine's time to shine, her moment to be the center of attention. Which means it's not satisfying to see her end up as a support for someone else instead. It's not satisfying to see her character have to be warped and mutilated in order to support someone else. This was supposed to be Sabine's story as much as it was supposed to be Ahsoka's, but Sabine ended up getting the shorter end of the stick in the merger.

[ueidesign]

I’m curious as to your reasoning behind making Leona Wind/Euridition.

Does it have something to do with this?:

And the fact that he canonically loves chess, is very strategic, and is extremely intelligent?

I would have thought, with Savanaclaw’s dorm motto, the Hunt path would work better… but if you chose to go with the above clip and a sand storm as his main attacking point, then Eurdition does work better since they do better against groups, right?

Forgive me if I’m way off I have never played hsr in my life this is the product of a quick amount of research to figure out elements and paths etc. so I knew the barest of bare bones so I could learn more and understand more about what you’re doing here with these because I love them 💀😅

Well, hello there ! ^^

Before i start yapping, i just want to say that i love how u ended researching about the paths and elements BECAUSE THAT IS TRUE DEDICATION OVER HERE

Also you are not far from my own reasoning :0 !

Soooooooooo

Let's start by the Path

If we want to choose based on the canon, it would be Tank (Book 6), similar to Vil's

However, i wasn't pleased with it .. it felt bland ?

even Idia himself forfeited the idea immediately cause it DOESN'T MATCH LEONA'S CHARACTERISTICS

And i absolutely agree that the path needs to reflect a character behaviour and their skills !

A small detail i liked is that Leona is not only physically strong, but even his magic power is in great shape !

LEONA IS STRONG AND WELL SUITED TO BE A DPS

He might be lazy... yes, but wasn't what started it was his hatred toward the way he got treated whenever he tried his best ?

In reality He is strong and well suited in the front lines

He even has the title of a "Sunset Warrior" back in his hometown, which is a title given to the strongest fighter !

This leaves us with two options Destruction, The Hunt and Erudition

It is true that Leona's SP (Signature Spell) is a destructive one(turns everything he touches into sand), but unlike Malleus, his behaviour AREN'T that hazard !

This leaves us with The Hunt and Erudition

Comparing the two to each other, i believe that the Erudition is the perfect choice

One

is because Leona is a character that was raised as a TRUE prince he did turn into a troublesome person and very difficult to handle, but those actions of his reflect how strategic he can be

Not to forget how he managed to avoid lots of trouble thanks to this talent

Another thing i love about Leona is that he might be ruthless, but his words are based on experience and silent observation. A LOGICAL ONES INDEED

He even went to a great length with cheating and abusing his power in order to achieve what he wanted (Book 2 accidents)

Point two is more related to his SP, which can injure those around him on a specific range

I think this is a great choice for him to be a multi targeted character or, more accurately, an aoe character

Element choice

As u saw, i ended up giving Leona the Wind element and not physical

Why ?

Because relating him as physical just because he is strong and well built didn't feel right

LEONA ALWAYS DID WHAT HE WAS TOLD he learnt to fight because he is the prince

he polished his skills because he is the prince

I'm not saying he doesn't like that. But why does it feel wrong? It is as if we are labelling it as his duty as the SECOND prince

Wait, let me give an example

Remember Jack Eidolons?

I gave Jack a physical element, compared to Leona. You can see how well deticated Jack is for working out and balancing a healthy lifestyle, but Leona ? He might have cared once but completely gave up on it later on

Not to forget that Leona is a beastman. his species played a huge role in this too.

Last but not least his SP gives a veryy strong feeling for wind

Since sand storms occur when there is a strong WIND to the point it starts lifting the sand grain off the ground and blows them in the air :> (thank u google)

Hope this helps clear everything

Btw !!!

i didn't consider the gif i inserted as a part of my reasoning because u absolutely shocked me with that detail, and I LOVE IT hellooo!!!???

Little note (and a reminder)

ALL OTHER CHOICES ARE VALID. THIS IS NOTHING BUT MY OWN OPINION ON HOW I VIEW THE CHARACTERS <3

Feel free to drop me ur thoughts ! Or reply on this matter

[eresia-catara]

So I'm a pretty firm believer in the possible Virgil = Guido theory. I think the evidence is pretty legit. But that makes me wonder

....what prevented Dante from simply using Guido as his guide? Like could he not just make Guido a character? I know that this is probably impossible to answer but I wanted to hear your thoughts cuz you hella smart

Celebrating Virgil's birthday with this ask.

So the thing about the overlapping of Virgil and Guido is that it is only partial. Virgil is there as figure of Guido, but also as Virgil himself, and is important in both roles.

Specifically, Virgil as Virgil is fundamental for the story because he's able to symbolize reason enlightened by the divinity, and thus is able to guide Dante. Virgil is the man who wrote the fourth Bucolic, which in the middle ages was thought to be an anticipation of the birth of Christ, and the Aeneid which, recounting the fatality of the birth of the Empire, says, from a christian pov, that the greatness of Rome was willed by God and in the middle ages the greatness of Rome was the greatness of faith and the roman catholic Church, seeing as those territories were governed by the pope (basically they saw it as "the pagan roman empire was necessary for the future of the catholic church, Rome was chosen by God to be his own home", Dante also explains this concept in Paradiso with Justinian, I believe). So Dante saw in Virgil a pagan man (earthly Reason) who inadvertedly understood a part of divine Truth (enlightened by God). This comes in handy when his guide has to literally do that: bring him as close to God as possible. If Virgil were to only represent Guido, I believe Dante would've had to stop in Hell lmao because Guido was only earthly Reason, he could've only guided him amongst the damned who refused God and/or his teachings; it's God's light that allowed Virgil to go through Purgatory, and exactly because he's still Reason after all, he couldn't go through Paradise, because Reason cannot comprehend faith by definition. Of course, Virgil as Virgil has also many other meanings, but this one in particular is why Dante couldn't simply put Guido and why he actively chose Virgil to be by his side. Also, considering how much effort Dante put into turning upside down all fo Guido's words, it would've been strange to have exactly him guiding him towards truth, no? So Dante puts Virgil and Guido, his two most important guides and teachers, one who didn't know God but knew his Truth and one who did know him but refused it, fused together into one being, creating character-Virgil who on the one hand is historical Vergil (be it in a distorted form, but still), on the other is Guido, and neither of them are present in their full form but only in fragments. So character-Virgil, in my humble opinion, is both and neither.

Also, why couldn't he make Guido a character?? well. he is. he's Dante's the Comedy's shadow. Guido was too big to be a momentary character in a Canto, he had to wrap his ghostly form around the whole work, weave and corrode it from the inside. like a spider ahwhahhwhahw I'm so normal about this

I hope this answers your doubts :>

[mythicalcrumb]

i think it was a smart move to make eurylochus confess at the beginning of 'scylla'. when you listen to it for the first time you could think scylla is talking to him. 'you have a reason for shame', 'leaving them feeling betrayed, breaking the bonds that you've made'. it makes listening to the song for the second time even better, because not only do we realize she was talking to odysseus, but that odysseus had, by the time they get to the lair of scylla, already planned to sacrifice 6 of his men. it wasn't an accident, it wasn't a bad decision made in a rush. he had already thought about this.

and, i'm taking it a bit further, eurylochus knew about it. he notices odysseus is abnormally calm, 'you're quiet today'. he should have looked like he was thinking of a plan, because surely if he had one he would have shared it with the crew, right? instead he looks resigned. and when scylla appears, he just calmy orders eurylochus to grab 6 torches (specifically 6, because he had already thought about it).

eurylochus didn't want to believe it. he kinda offers odysseus the benefit of the doubt, 'tell me you did not know that would happen', 'that you did not just sacrifice 6 men'. and when odysseus doesn't refute it, eurylochus is forced to accept that odysseus did plan for 6 men's death, 'then you have forced my hand'.

i see a lot of people call eurylochus a hypocrite for being so eager to abandon his men on circe's island but drawing the line at odysseus sacrificing 6 men. he didn't resent odysseus either for the friends they lost to polyphemus. but if we look at it from a slightly different angle, maybe it's not about the deads but why they died. if 6 men had died in scylla's lair because of lack of strenght, bad luck, being unprepared, i don't think eurylochus would have reacted the same.

epic is written so that we feel for odysseus. it's meant to make us love him. he's portrayed as everything most love, he's smart and strong but also funny and a little bit pathetic and everyone went wild over his 'you know i'm too shy and terrified' bit. but even if he has a lot of bad luck and the gods are against him, he's still in the wrong.

'mutiny' was never about the death of those six men, but because odysseus had failed them as a captain. and for once eurylochus plays his role as second-in-command when he challenges odysseus for the crew's sake. i'm not saying odysseus could have avoided what happened, but he knew what to expect and chose to keep it from his crew.

as scylla predicts it in 'scylla'

[yuri-is-online]

More asmo thoughts:

angels are all focused on "inner beauty" etc (or at least this is what makes sense to me) so generally all angels are considered beautiful no matter what and it didn't matter what asmo looked like because his soul could harmonize with basically everyone (also a hc for why hes one of the more helpful & agreeable brothers generally)

but now, as a demon, other demons are more selfish, cruel, etc. and value appearance and what you can DO for them, how you benefit them, and newly fallen asmo feels up shits creek in terms of his appeal.

so he gradually recreates his niche in hell (in a more corrupted version of it) by just forcing himself into whatever form he needs to be to be most appealing.

ENTER THE HUMAN who yes, humans can also be selfish, but this isn't a guarantee the same way it is for demons. and This Human doesn't like ANYTHING he's doing to gain their attention! hes saying all the right things, telling them all the ways he can be of Use to the human, spends so much effort to try different pleasing forms, all because it has been So Long since he's been around people who just want him to be there as himself that he can't FATHOM it.

Anyway anytime something genuine slips through his mask and the human reacts POSITIVELY?!?! absolutely bamboozled. he either thinks it's a fluke or that he has to lean into whatever they saw to an EXTREME because they can't just... like when hes real with them right???

so in the original ask I answered I was talking about a personal project of mine that's completely unrelated to Obey Me, but I do believe that is what you are talking about and because this is a very nice headcannon you chose to share with me I am going to talk as if I am thinking about Obey Me! Asmo and not my own o.c. Asmo.

I feel like an angel's soul would be less focused on beauty and more focused on taking on the appearance of what a person would find trustworthy. "Be not afraid" is the constant mantra of an angel's soul and Asmo is especially good at clicking with people and putting them at ease.

Like I said in that original ask, Lust is about projection of desire, so as a demon his soul can't reach out to other demons in the same way. It's not enough to simply put people's inner turmoil at rest, he has a role to fulfill, a million and one separate fantasies that are not interested in how he feels about things so he becomes hardened against being accepted for himself. After all if that's a lie then he has no reason to want it.

I had this idea jotted down for a fic I never wrote (for a fandom I have ever mentioned being in to on this blog) where a character essentially did what we are saying Asmo is doing here, but it was not something they could control. That character was under the impression no one had ever seen what they truly looked like, could not see it because who would want to see them for who they were? It's the same with Asmo, he's so used to playing a role that when the human mentions they love how he doesn't feel the need to hide how brown his eyes are he chokes.

What do they mean he doesn't need to hide it, how did they even see it in the first place? And when he angrily asks them to describe how he looks they enthusiastically describe and praise every plain, boring, hidden feature he has almost forgotten he had as if it was one of the forms he had specifically crafted to tempt someone to sell their soul.

"A person is at their most beautiful when they are most like themself!" There isn't a shred of irony in your voice, or a lie in your breath. He doesn't know what to do with you, really. Do you mean that or is it just that his truest form is what would please your tastes best? He doesn't know but he's so exhausted from trying to break himself into pieces, please say you will find him beautiful if he rests a while with you, won't you?