#I need to ramble on about this somewhere

[ilivingonmyway]

I also have other where he and the other ninjas switch places and one more where he becomes one with Lightning after the fusion.

If anyone is interested just comment.

[cubbihue]

What would Peri’s power level be if he didn’t have his inhibitor/stabilizer wand and just went apeshit?

While Cosmo deals with too much magic in his body, Peri suffers from a slightly different issue. Cosmo has the greatest amount of magic in Fairy World. Peri is incapable of regulating his magic.

Peri cannot, not then as a child and not now in the present, control his magic. Without his inhibitor, he can easily destroy an entire realm- just as he nearly destroyed Earth as a baby. This fact has not changed, although it is less plausible today than back then.

Peri's taken extra measures in the present-day to ensure it cannot happen.

Bitties Series: [Start] > [Previous] > [Next]

Instability: [4/11]: [Start] > [Previous] > [Next]

[necrotic-nephilim]

I think what I love the most about Reverse Robin AU TimJay is the absolute potential for hero worship with Jason toward Tim. In canon we often forget that Tim didn't really care for Jason as Robin, meanwhile as I never shut up about, Jason has been weirdly respecting and obsessed with Tim since finding out about Tim's existence. So if you flip their order, make Tim Red Hood and make Jason Red Robin, there's so much room for hero worship from Jason.

As Robin, Jason has always teetered that edge of being pro-murder or not. Whether you believe he killed Felipe or not, even in his Post-Crisis introduction as Robin, he almost kills Two Face. Those concepts of lethal justice have always been brewing inside him, just reigned in by Bruce. So if you have Robin!Jason witnessing Red Hood!Tim start killing people and quickly making noticeable change in the landscape of gangs in Gotham, Jason would take quick notice. I think Tim as Red Hood would still be lethal, but there'd be a different application than Jason's Red Hood. Heads in duffle bags isn't Tim's style, even if he kills. I think you'd see something much more akin to that time Tim almost killed Boomerang, where it's such an elaborately thought out set up, it realistically doesn't even look like Tim killed anyone. It'd take months for Bruce to connect this string of deaths as anything other than coincidental, let alone link them to Red Hood. And Jason is wickedly smart, even as Robin. Jason, putting those pieces together before Bruce does and witnessing the undeniable positive change for Gotham it's enacting? Robin!Jason would be incredibly drawn in by that, and then even more-so, a Red Robin!Jason who has to grapple with being replaced to make room for the next Robin would I think, in anger, turn to Red Hood. And Tim would push him away at first, his plans don't have room for a scorned teenager who's trying to get back at Bruce and Nightwing!Damian like this- but I think Jason would wear him down. Prove to Tim that Jason can think on his wavelength.

Slightly related, what interests me about Red Hood!Tim is how it'd implicate his closeness to Ra's. Jason is taken into the League by Talia in Lost Days and Ra's doesn't necessarily approve of Jason's presence, especially not of Talia dunking him in the Pit, but Ra's has always canonically been A Little Weird about Tim. I think in a world Tim dies as the second Robin, it would be Ra's who dunks Tim to preserve his mind that Ra's thinks shouldn't be wasted, and you have the potential for 'apprentice of Ra's' Tim wrapped up in it all, even without him experience the Red Robin arc. So when it's Jason as Red Robin, instead of him going to Ra's when he's scorned by the Batfamily, he goes to Tim. The person he once idolized, because I think Tim would've been Jason's Robin. Smart, competent, a strong legacy to live up to. And now he's back, and he's pro-killing, an edge that Jason has always teetered on and would feel even closer to when he's replaced by a young Dick. I think Tim wouldn't ever be able to get rid of Jason.

Then on Tim's side, I think his reaction to being replaced after his death would be a complicated one. Objectively, being the Robin who believes Batman needs a Robin, he'd respect the logic and know Bruce was always going to replace him eventually. But still, there's always going to be that instinctual emotional reaction of betrayal and replacement. I think he'd view Jason at first with anger and distance, but then, seeing Jason as this street kid with begrudging potential, I could see Red Hood!Tim testing Jason. Constantly throwing things at Jason, seeing how he reacts, if he lives up to being Robin. Tim has a need for analyzing people, understanding their strengths and weaknesses. And he seems the Robin mantle very uniquely, he'd need to have it proven to him that Jason can handle it.

So you would have this dynamic of Jason hero worshipping Tim, slowly believing in Tim's methodology. While Tim is at first dismissive of him, but then starts to test him, see what makes this kid tick. And I think the TimJay potential of Jason trying to prove himself to Tim could be Neat.

[fruitsofhell]

I used to be one of those guys when I first joined the Kirby fandom, but everytime I hear a discussion of the series writing that starts with "So the Lore is InSaNe-" and not like, "Kirby has a fun writing style that takes advantage of its cute exterior to tell cool stories that reward player's curiosity and leave lots of room for imagination-" I cringe so goddamn hard.

I kinda just hate that people approach things that encourage investment when they don't expect it as inherently absurd. Like it is fun to joke about how absurd Kirby lore can be, but it really often comes with an air of disrespect or exhaustion rather than like, appreciation that these games are made by people who want to tell interesting stories when they could easily make as much money just making polished enough fluffy kiddy platformers. And when it's not met with exhaustion, it's met with - like I said before - that tone that it's stupid for a series like this TO have devs who care about writing stuff for it. Which is a whole other thing about people not respecting things made to appeal to kiddie aesthetic or tone.

Maybe the state of low-stakes YouTube video essays just blows cause people play up ignorance and disbelief for engagement, but like I STG I hear people use this tone for like actual narrative based games sometimes. Some people don't like... appreciate when a game is made by people who care a shitton in ways that aren't direct gameplay feedback. And they especially don't appreciate it when it comes from something with any sense of tonal dissonance intentional or not.

Anyways, I love games made by insane people. I love games made by teams who feel like they wanna make something work or say something so bad. I love that energy, especially when invested into something that could easily rest on its laurels or which obviously won't be taken seriously. I love this in a lot of classic campy 2000s games, I love this in insanely niche yet passionate fanworks, and I love it in the Kirby series and its writing. Can we please stop talking about it like it's an annoyance or complete joke?

[batw1nggg]

hi. im here to kamukoma ramble. ok so i reeaaly hate how all kamumeshi Fan Content (which is basically all kamukoma content) waters down izuru to being the dominant one and servant to being his cute little dog like i feel like its so much more complex then that.

izuru was created to be subservient, to be smart enough to see through manipulation tactics and yet not care enough about himself to do anything to stop them, always doing something to serve someone else’s interests - and even when he does do one thing in his own interest (the killing game), it was largely because of his obsession with junko, so we see her still pulling the strings on him from beyond the grave (emphasized by his convo with her in his udg cameo). he doesn’t have power and he’s been designed not to want it. he’s been robbed of his humanity over and over again and been taught to accept it. he even explicitly states all of this in talent dev plan with taka

komaeda, on the other hand, is always framed with such heavy control over the narrative - he heavily influences dr2’s ending and takes that same puppeteering role in udg too. although he has that inferiority complex, he still holds so much power over everyone else, manipulating them like chess pieces. he is just as dangerous as izuru is, considering he has not only the intelligence but the motivation to act out like this, something izuru lacks.

and so this creates a really cool complexity where servant believes he’s meant to be subservient to izuru but this may not be wholly reflected in the way he acts, and izuru most definitely does not care for/about controlling servant. and, if izuru does take a domineering role, it’s because that’s what servant wants (especially after junko’s death, when he has no one left to place himself beneath), and so izuru’s still letting himself go with whoever the people surrounding him want him to be. he’s not with servant for the power trip, that goes completely against everything he’s ever been - because, in reality, IZURU is the one who exists to serve. to serve his creators, and then junko afterwards, even after her death. his purpose has always been assigned to him, not created by him.

both characters are fucked up and morally grey. both characters are the man, both characters are the god.

this is what i wish people would focus more on when writing their general character development and the development of their relationship. because they barely get any screen time you get lots of creative freedom and you can take this concept in either a “they are going to heal and get better together” route or a “they are doomed to always hurt each other in their codependency” route or some weird thing in between; again, personal preference, and if you want to keep izuru and hajime separate postgame this opens a whole new plethora of dynamics and development to write about after komaeda becomes himself again. the flexibility of their dynamic is whats so intriguing to me - kamukoma is a very complex and fluid idea that i wish more people would mess around with like this join me and we can play with them like putty

[sunbloomdew]

the way to the moon is about holding on (to the promise you don't even remember making, to the person you loved, to the life you never got to live but refuse to give up). it's johnny choosing to be with river time and time again, it's johnny holding on to all the paper rabbits river made even if he didn't know their significance, it's river keep trying to remind johnny of their shared past, it's river giving up her treatment so a place that means the world to her is protected, it's eva and neil trying their hardest to send johnny to the moon, it's eva taking the risk in hopes of making it

the way finding paradise is about letting go (of your mistakes, of the unrealistically perfect life you never lived, of the person who helped you through your darkest times but who now keeps you stuck in the past). it's colin letting go of faye despite being afraid, it's colin keep replacing pages in his book with new ones, it's faye knowing that colin never needed sigmund's help, it's faye telling colin he has to let go of her if he wants to live fully, it's neil and eva trusting faye despite what it means for them, it's neil taking the risk in hopes of making it

[dungeons-and-dragon-age]

Hiii everyone, say, how do your Hawkes go go about sharing their estate? If they do it at all? Is everyone free to come and go or are they more private? Or do they only invite their LI to stay? I'm curious!! :)

[potato-lord-but-not]

man I know u had made a poll about patreon a bit ago that kinda had unfortunately low results but as someone who just got to oscar in the podcast and is going insane at the lack of blindfaith content i just want 2 say for the record UM if u ever drew spicy stuff for them on the patreon or anywhere u would have at least one very excited fan. thank u.

you see I w o u l d just find another platform to post stuff like that on free of charge (which who knows I might do anyway) but the thing is….. I’m too embarrassed to even share that with other people you’d literally actually have to pay me.

[secondstar-acorn]

can’t think of anything to say other than it was everything I could have ever expected and wanted and hoped for. seeing them perform truly is an electric experience and I am so, so grateful I got to be there. I’ve never felt such overflowing joy and love in one room before and that truly is down to what a one-of-a-kind group Starkid is. I’m so happy and a little emotional that it’s over but like it’s sung in days of summer, “don’t wanna see you go but it’s not forever, not forever” ⭐️💜

[lightbulb-warning]

so has anyone figured out WHY there is the Need To Share our Artworks™ or is it just the vibes and our Soul apparently

[bcyhoods]

steve would definitely feel a little bitter about not having the same alcohol tolerance that he used to

keg king steve has fallen from grace! and it’s supposed to be a fun little joke about how he’s matured and changed for the better, but it stings a little for some reason. suddenly, the word lightweight feels like the worst insult in the world and there’s this icky yucky feeling to prove himself to a party full of random people. now he’s doing a keg stand and when you see him, he’s drunk and being super touchy and clingy and asking “do you still think i’m fun even though i’m not king steve?”

[venriliz]

why is the concept of showing empathy for drug/alcohol addicts so hard to understand for some ppl? v.v they suffer too sis, that problem has to come from somewhere and i bet most of them would rather not be addicted in the first place. some people don't know what nuance is i swear. am i crazy for having empathy with addicts??? i don't think so.

[ccherrybloom]

Ashtrays & Antihistamines Pt. 1

oc, m, hayfever, wc: 2.8k

Part 2

CW: foul language and allusions to gay sex lol

~~

a.n. + summary: i don't think i've ever posted a snzfic on this blog, but there's a first for everything, right? featuring my lovely little ocs and their stupid dumb little band. i don't normally write them in snzcerions, but...every now and again i can’t help myself and one slips through the cracks lol. This particular one centers around my absolute shithead of an Irishman, Peter, as he deals with a hayfever flare up for the first time in like…twenty years, lol. of course, ever the lucky one, this begins to happen during the band’s first mini-tour. Cue shenanigans. I hope you all enjoy!

~~

“hH’RRSHhiue!” Peter fell into himself with a harsh sneeze, the band’s rundown van jerking sporadically with its driver’s sudden movement. “Goddamnit!”

“Bless.” Geoff offered lazily from the passenger seat as he turned a page of his book, unbothered by the vehicle’s erratic veer. “That’s like the tenth one since we’ve left Dublin.” The bassist pointed out, shooting the guitarist a pointed look from the corner of his eye. “You alright?”

“Fuckin’ hayfever,” Peter answered as he scrubbed his palm aggressively against the underside of his nose, careful not to put too much pressure against his nose rings. He followed it up with a drawn-out sniffle. “I’m fine. Christ.”

“I don’t remember ya being like this before,” Maurice quipped from the back of the van, leaning forward to join in on the conversation. “I mean hell, ya lived in Dublin fer how many years…?”

“Longer than you, Frenchie.” Peter retorted as he thrust a tattooed hand backwards to try and shove the singer away. Maurice easily dodged with a laugh, swatting at Peter’s hand as Geoff instinctively reached out to steady the van as it began to swerve again. “You can piss right off.”

“Look, I’m just sayin’, yer born and bred Irish — who knew all it took was a few months in London for yer own country to turn on ya.”

“I said piss off.”

“Who gives a shit!” Chris suddenly interjected as he pulled his headphones from his ears, a curly lock of the drummer’s dark hair falling between his eyes. “Just keep your bloody eyes on the road! I dunno ‘bout you lot, but I’d like to get there in one piece.”

Maurice backed off with a snicker, hands up in surrender as Peter quickly flipped Chris off in the rear view mirror before returning his full attention to the road.

After Peter and Maurice had both left Dublin for London a few months shy of one another, the four men began to pour almost all of their free time into their passion project, The Undergrounds. Much to their genuine surprise, people seemed to really enjoy their band’s sound and performances, so much so in fact that they’d hit a point where pubs across the UK were beginning to reach out to them, asking the group to come play for their open mic nights, with some even offering payment. With the requests getting further and further away from their homebase in London, the band finally decided to bite the bullet and buy themselves some transportation, namely their shithole of a van lovingly referred to as Van Halen. Despite its old clunkiness, it really did do the trick, and allowed the men to head across the border on their first ever ‘Let’s-Not-Call-It-A-Tour’ Tour. Realistically, with two of the four members being from (or as close to ‘from’ as one could be, in Maurice’s case) Ireland, the band had picked up quite a bit of traction across the small country with the men getting many open mic night requests which they normally had to turn down, much to Peter’s dismay.

At least until now, that is.

Peter had noticed something was off after their show in Dublin the night prior. At first he just assumed he strained his voice singing backup vocals — a product of over-excitement from getting to play in his old stomping grounds. But by morning the scratchiness in his throat lingered and was now accompanied by faint itchiness in his nose that forewarned him of worse yet to come. 

By the time the men packed up their gear and filed into the van late that afternoon, the unwelcoming prickle that had been festering in his nose demanded more attention, and his eyes began to itch in a maddening way that he hadn’t experienced since he was a kid back in Belfast. Initially he tried to ignore it, chalking it up as a residual reaction to dust from the old pub, or that it had been awhile since Van Halen had gotten a good clean. But as time slowly passed on their nearly three hour drive to Cork, and the itchiness in his sinuses progressed into full-blown sneezing, the reality of the situation began to dawn on him. He was immediately thrust back to Belfast, memories of summers spent constantly sneezing thanks to the fields near his old home, his eyes watering, his nose running, each summer spent absolutely miserable. He hadn’t had a hayfever flare-up in years, thinking it was something he had thankfully outgrown once his mum had moved them to Dublin, but yet here it was, back to rear its ugly head once more all these years later. The familiar lush scents of the countryside that used to conjure such vivid memories of home were now turning every intake of breath the guitarist took into a gamble. 

The itchiness in Peter’s nose only seemed to increase in urgency as Van Halen bumped its way through the Irish countryside. The landscape blurred past the windows, a mix of greens and greys under a sky that threatened rain.

“Nearly there.” Geoff hummed, taking a peek at the map app on his phone. “About another twenty or so.”

“Thank fuck.” Peter grumbled with a sniffle, his eyes squinting past the relentless itchiness. He adjusted his grip on the steering wheel and pulled his glasses up slightly before slamming his wrist into one eye and scrubbing hard.

“I think we could all do with a pint,” Maurice chimed in, trying to lighten the mood. “Especially you, Peter.” He added, gently poking the man’s shoulder.

Peter managed a weak chuckle in response, his wrist still pressed hard into the corner of his eye. 

“Just keep it steady Pete, yeah?” Chris leaned himself forward and rested his elbows onto his knees, eyes scanning the road ahead. “Not much longer and you can go ahead and drown yourself in whatever local brew you fancy.”

Peter opened his mouth to reply, but the van hit a particularly bumpy patch of road, jolting everyone inside. Instead he just swore under his breath, turning his full focus back towards the road as Cork began to appear on the horizon.

“There she is.” Geoff whistled, pointing ahead. “Welcome to Cork, lads.”

Peter managed to manoeuvre Van Halen expertly through the narrow streets of Cork despite battling his allergic reaction, the van’s tires crunching over cobblestone as he pulled them into the parking lot of their dingy motel.

“Home sweet home.” Maurice hummed as he clapped a hand onto Peter’s shoulder, a smile tugging at the corners of his lips as the other two members filed out. “At least fer the next few days.”

Peter leaned back into the driver’s seat and let his eyes drift closed as he exhaled deeply, shutting off the engine. He only cracked an eye back open when he felt Maurice give his shoulder a gentle squeeze.

“You alright?” The singer asked, his voice low and expression soft.

“I’m grand, Mur.” Peter grumbled, his voice heavy with sarcasm. The real truth of the matter was that he was miserable, itchy, and absolutely dying for a cigarette — not that he cared to say any of that out loud. 

The guitarist pulled off his glasses to give his watery eyes another scrub before continuing. “Just got a fierce bad dose of this nonsense…This shite best be all said and done before our show or I’ll–hh! hH’ITSHHhiue!”

“See, but that’s what we don’t wantcha doin’, actually.” The blonde teased as he patted the guitarist’s shoulder before the other quickly slapped it away as if he were swatting a mosquito.

“You fuck right off, Murry.” Peter sniffled hard, dragging the backside of his hand beneath his nose. “Just get yer shit and get goin’.”

Maurice did as he was told and hopped out of the van with Peter not far behind as the pair hurriedly began to help the others unload. With the sky steadily darkening the four moved quickly, eager to avoid the potential rain. Luckily the unloading and reloading of Van Halen had become more and more familiar with each passing gig, and it didn’t take them long to have all the necessities laid out beside the van, ready to go.

The motel itself was a shabby vintage looking two-story building, its neon sign flickering with an almost uncertain intermittence as if it were clinging onto its last shred of life.

Maurice and Geoff took the lead, carrying the group’s heavier equipment while Chris and Peter followed suit with their four bags. They bustled their way to the reception desk where they were met with a disinterested looking clerk who simply handed them a single worn key with a faded plastic tag attached.

“Yer in room 107.” He mumbled, barely looking up from his magazine.

“Cheers, mate.” Geoff scoffed as he shot the others an exasperated look and snatched the key. He led the group down the dimly lit hallway, their feet dragging against a carpet that had clearly seen better days. When they reached their room Geoff wasted no time unlocking the door and shoving it open, revealing a tightly packed space with two queen beds, a small television, and a bathroom that looked like it hadn’t been updated in at least two decades.

“Alright, how we doin’ this?” Chris asked as he tossed the bags he had onto the closest bed.

“By drawing straws, of course.” Geoff instructed as he pulled a set of straws he had prepared earlier out of his pocket. “Shortest straw shares with the other shortest straw.”

The others agreed on this being fair enough and drew their straws, quickly comparing them.

“Well, it’s you and me, innit?” Chris said as he held up his short straw next to Peter’s. He gave the other a playful nudge and smirked. “Just don’t go tryin’ nuffin, yeah?”

Peter sniffled thickly and shoved Chris away before pinching his nose between his thumb and forefinger, careful to avoid the rings, and itched it aggressively. “I got enough of ya the first time.” He moved from rubbing his nose to scrubbing his eyes, trying to ignore the way Maurice bristled at the mention of their one-off fling. “Won’t be doin’ that again.” Chris flipped him off and called him a wanker, but he went ahead and ignored that too.

“Hey, Pete,” Geoff called out as he tossed his bag onto the other bed. “Why don’t you take a shower? Might help clear up a bit of that hayfever.”

Peter, who’s eyes had started to glaze over, did his best to nod in the ginger’s general direction. “That’s the best ideee-hha I’ve heard all d—hh! hhUH’DITSHhhiuew! ‘IGKSHhhiueww!” He doubled over hard into cupped hands, his entire body tensing violently with each sneeze before he groaned thickly against his palms. “—all damn day.” He finished on an exhale, voice cracking. “-snf- Jaysus…”

“Bless you.” Geoff offered, a twinge of sympathy in his voice. “You know you really ought to—”

“G’way outta that.” Peter interjected with a dismissive wave of his hand as he trudged his way to the bathroom, eyes half-lidded. “Last thing I need is yer bloody mother hennin’, Geoffrey.” He added before pulling the door closed behind him. 

Flicking the light switch, Peter had to wait a full second before the dull fluorescents sputtered to life, illuminating the unsightly bathroom as he dragged his feet towards the shower. The tiles were cracked and the floor was splotchy, but he didn’t care, he just wanted some relief. 

The pipes whined in protest as he turned on the taps before water began to sputter out from the shower head. The water pressure seemed abysmal at best, and Peter cursed to himself as he leaned his weight against the sink, waiting for the water to warm. As steam steadily started filling the small space, he could feel the tightness in his sinuses ease up slightly, making his nose run. The liquid caught on his septum ring and trailed rapidly down towards his upper lip. Blowing out an annoyed breath, the guitarist took a second to wipe his nose haphazardly against his sleeve before stripping and stepping into the tub, letting the warm water cascade over him with an appreciative sigh.

Outside of the bathroom Geoff and Maurice were seated on each side of their shared bed as they sorted through their bags.

“Think he’ll live?” Maurice asked as he pulled out his plastic toiletry bag, setting it to the side.

Geoff gave a small shrug in return, glancing towards the bathroom door. “I reckon it could go either way with that dumb git.”

Maurice snorted at this, but his knit brow betrayed his feigned air of nonchalance. “Just hope the shower helps, I s’ppose. Don’t think we can really afford to have him down fer the count.”

Chris, already sprawled out on the other bed, headphones back on, piped up. “Eh, he’ll be alright. Just needs to wash off whatever’s settin’ ‘im off. It’s no big, yeah? You French people are wound too tight.”

Maurice rolled his eyes at this but chose to ignore the drummer’s comment. “I just don’t want anythin’ to screw this up for us.” He murmured as his eyes fell onto the bathroom door. “That’s all.”

“hh-Hh! hH’dDZTShiueww!” Peter sneezed loudly and openly, his head snapping downwards as the shower’s stream continued to steadily pelt against his tattooed back. He blinked hard, eyes bleary as the need to sneeze lingered in his nose like an unwelcome houseguest. Instinctively he brought up a hand to hover over the lower half of his face as his breathing began to come out in shuddering, shallow gasps. “hah…Ha’TdSHhhiuew!” This one bent him double and he swore immediately afterwards, more than a little frustrated as he blew his nose harshly into his hand. Had his hayfever always been this maddening? He couldn’t remember. It had been a long time since he’d had a flare-up, probably pushing two decades at least. The thought that it had come back now during the band’s first tour just pissed him off further.

Sighing, Peter turned off the water and stepped out of the shower, reaching out for one of the worn threadbare towels from the hotel rack. He dried himself off quickly before wrapping the towel dangerously loose around his waist – the only member who had yet to see his dick was Geoffrey, and the guitarist couldn’t give less of a shit if today was the day that changed.

Wiping a hand across the fogged bathroom mirror, Peter allowed himself a moment to peer at his reflection as he dragged a hand through his damp, dark hair and threw on his glasses. His green eyes were still red-rimmed and watery, his nose and cheeks were decorated with a soft dusting of pink…he looked pathetic, but at least the shower was helping him breathe a little easier.

Residual steam billowed out into the cooler room as Peter made his way out of the bathroom, catching the eye of Maurice.

“Peter,” The singer looked up from his bag and offered the dark-haired man a small smile, taking in the other’s lean frame. “How ye fairin’?” 

“Bit better, I’d say.” Peter hummed, though a small sniffle still escaped him as he wandered over to his bag, making Maurice frown.

“Reckon you’re up for a drink?” Geoff asked, not looking up from his phone. “We were thinking of checking out this pub nearby. Interested?”

Peter mulled it over for a moment, turning his back on the others before dropping his towel and pulling on a pair of boxer-briefs. “Yeah, g’wan then.” He finally affirmed, clearing his throat against a fist as he fished an old t-shirt from his bag. “Pint’ll do me some good.”

“Are ya sure?” The singer asked, chewing on his lip nervously as Peter wiggled into a pair of jeans. “If yer not feelin’ up for it–”

“Sod off, Maurice, will you?” Chris suddenly retaliated as he pushed himself up onto his elbows. “Actin’ like you’re his bloody mum or somefin’ just cos you’re shaggin’. Prat.”

Peter couldn’t help but snort as Maurice glared daggers at Chris, his face turning a delightful shade of crimson. The fact that he and Maurice slept together on occasion wasn’t exactly a secret – their initial one-night stand was how the two had met in the first place, after all – but it wasn’t something that was often discussed amongst the group. Peter personally didn’t care, but Maurice clearly did.

“You don’t see me actin’ like a bloody bellend even though I’ve also sucked his–”

“Ça commence à bien faire!” Maurice shot up suddenly from the bed, cutting Chris off as his native tongue spilled rapidly from his mouth. “Fer the love of God, no more, thank you!” 

The singer hurriedly made a beeline for the hotel room door, grabbing his coat as he rushed past the others, his face absolutely aghast as the others snickered. “Just…hurry up, then! Christ, I need a feckin’ drink…”

“I think we all do.” Geoff huffed as Maurice stepped into the hall. “C’mon, lads. Let’s go.”

[outersyourwilds]

(Ramblings below contains big Outer wilds spoilers)

Gnawing on a metal pipe, my brain is full of ideas for gijinka designs of the astral bodies in the Hearthian solar system in outer wilds. Quantum Moon being blindfolded or its attitude changes depending on how they are perceived (playful moon, wandering moon, mysterious moon). Or or the hourglass twins being depicted with like a long scarf that they share.

Planets like ember twin and brittle hollow having lots of Nomai motifs bc those two are where the Nomai crashed and settled. Or! Or! Timber hearth having more Hearthian motifs woth a smidge of Nomai motifs.

Or!!!! The Eye having Hearthian motif to reflect how Hatchling is the conscious observer. And how maybe at first it towers over hatchling with such a grand and imposing aura but by the end it presents itself as roughly the same size as hatchling. A comforting memory before the new universe

[thisiseditsandstuff]

forever thinking about Venom putting a jacket around both Kaz and Quiet when he takes them back to mother base

[crescentfool]

i've been doing a bunch of tartarus runs in reload lately, and it got me thinking about how i miss certain ways FES's clunky gameplay can characterize minato… (ramble about the great clock mechanic + leveling up party members in reload vs fes under the cut)

when i got to yabbashah block in tartarus (block 3), i remember commending the developers for adding the great clock mechanic. it's a much more convenient way to keep party members at the protagonist's level- so when you think about p3 from the perspective of trying to make it easier for people to play, the mechanic succeeds in this respect.

but now that i'm in adamah block, and that i've done lots of my once-a-month tartarus runs… i think that i got a little too dependent on it, and the way that i played through reload feels like a vastly different experience from how i played FES.

in reload, my party's levels are very lopsided. minato, yukari, akihiko, mitsuru, and fuuka are all level 90+, meanwhile junpei and aigis are at level 79, and then… poor ken and koromaru are at 71 and 64 respectively. (i never got to have a great clock for them…)

meanwhile, in FES, my party's levels were much more evenly distributed and were at least level 90. i did all of this manually for every monthly tartarus run because i enjoyed having options available for the taratarus guardians and monthly operations.

with how i perceive minato, i feel that the way i played FES feels more in-line with his character than me dawdling around waiting for the great clocks in reload.

FES's gameplay loop left me with the very strong impression that minato has to work twice as hard as everyone else in SEES does. it makes sense because, yeah, he's the leader, but something about having minato run through tartarus multiple times with different groups of people just to make sure that they are adequately prepared speaks volumes about his character, to me.

and while the tired mechanic is present in reload to some degree, most notably with allowing you to freely raise your courage stat when you visit edogawa after school… the tiredness system doesn't hit the same way that FES does, i think.

the way your party members in FES will call it quits when they return to the entrance floor at tartarus when they're tired, versus minato, in spite of all his tiredness and sickness, still pushes through tartarus because it's his responsibility…. idk!!! i miss that! i feel like this really hammers home the difference between minato and the rest of SEES, how minato doesn't really see himself as a human with needs worth respecting as long as he's useful to someone.

i don't think that tartarus being tedious (in FES especially) is not what most people would describe as fun, and i can respect people thinking it's a slog. but, regardless of how it feels to play, it doesn't change that FES's gameplay loop is a fundamental building block in how i perceive minato…

of course, i do recognize that you can just opt to NOT use the great clock in reload (and it's great when players are offered the choice to not partake in mechanics)! i definitely think that if someone really wanted to, they could manually level up party members, but i do feel that kind of playstyle isn't necessarily "incentivized" to the type of people who are into playing games for Having a Good Time. it's kind of like… "why would you do that when there's a much more convenient option available to you."

in any case! despite my woes, i do want to emphasize that i'm glad that reload has a much more smoother gameplay loop than the original P3 did, because it does make the game more accessible to people. having played both FES and reload, it feels very strongly apparent to me how the core gameplay formula of persona has really been refined in the past 18 years (to think og p3 was 2006 and reload is 2024.. time flies!). and reload has made revisiting a story that i love so dearly much, much easier because the gameplay just bops!

at the same time, due to my "i miss characterization informed by weird and dated FES gameplay quirks" woes, i still think that playing FES is worthwhile. (really, i feel this way about all iterations of p3! i think it's worthwhile to see what each version and side media has to say even if it doesn't Land™ for you.) but i also understand why people wouldn't want to play it, so i will keep writing posts about things i liked from FES's gameplay because i'm still very fond of FES (especially in respects to minato. these mechanics are so telling about him!!!) 💪