#I might do an Oni version

[astro-nomaly]

Decided to fuck around on picrew and came up with this little guy

TKAL Lloyd, everyone! He is officially the silliest of boys

[arolesbianism]

Y'know I know I've said like a billion times I don't want to know shit abt Jackie's past but erm. Hi klei. Please just tell me if Josephine and Alan are her parents or some miscellaneous relative this is so important. Did Jackie seriously come from a household with a colonel and another person with a doctorate or does she just happen to be related to them this is so important for how I decide to move forward with my Jackie hcs and with my aus in general I need to know so bad tell me right fucking now

[sunarc]

it might be too late, but 36?🫶🫶

A/N: I got so many request for 36 lmaooo i didn’t realize it was so popular

The way your body trembled was honestly a sight he never wanted to forget. The look in your eyes pleading telling him you weren’t sure if you could handle it left him so achingly hard. His eyes looked at you mesmerized by the way your words seemed to contradict everything your body was saying. He was holding a vibrator against your core watching as you spread your legs grinding your hips in circular motions trembling and mumbling incoherent words. 

“So pretty baby, you can keep going right?” his condescending voice seemed to break you from your trance. 

You nodded your head faintly, eyes still closed focused on the umpteenth orgasm arising in you. The soaking sheets beneath you spoke volumes as to how much you were enjoying what would have sounded foolish to call a punishment. 

“That's it, so good for me aren't you making a mess on the sheets.” he cooed watching your eyes roll back.

He was falling in love with this fucked out version of you. You could barely speak, could barely say his name the only thing falling past your lips being 

“Please, please, please” 

He could only laugh at the endless pleads falling past your lips

“My dumb little baby, you don't even know what you're begging for '' his condescending words were enough to have you moaning so loud you didn’t care who heard. 

The vibrations of the vibrator flowed through your body. He rocked the vibrator up and down against your core. You were sure what to do with yourself. Your hands gripped the sheets clawing to find anything to contain yourself. 

“You can do it baby, it's okay just breathe for me” he said in a soothing voice. 

You could feel yourself growing closer to your release and all you could do was beg him to let you cum. 

“Not yet Angel, just a little bit longer. I want to see if i could break you” he groaned

The look in his eyes was dangerous. He wanted to see how far he could take you. You whined at his words desperate to reach your release 

“I need it so bad please let me have it please” you slurred.

He laughed in response, finding your desperations amusing

“So needy aren’t you. You can't help yourself though can you? Just a good little slut desperate to cum aren't you” his words were paired with a smile so innocent you almost couldn’t believe it was coming from his mouth. 

“Look at me” he demanded “I want to see the pretty look on your face when I finally let you cum”

The vibrations were growing stronger and you couldn’t help yourself. You really wanted to hold out and follow his instructions but your release wouldn't wait for anyone. It felt so good coming over you. Your body was shaking so hard the bed was beginning to move. You called out his name, gripping onto his wrist with all your strength. He stared at you with wide eyes practically drooling at the sight.

“Your so gorgeous baby” the words were filled with desire. He pulled the vibrator away, giving you a break “But when did I say you could cum?”

He tilted his head to the sight with a confused look plastered on his face. 

“How about we try that again. This time i’ll fuck you while I rub your clit with the vibrator, maybe if i fuck you good enough you’ll learn how to listen”

Suo,Choji, Kuroo, Tsukishima, Suna, Osamu, Gojo, Getou, Eren, Ony, Sabo, Ace

[manochulios]

MY NINJAGO DESIGNS (UPDATED)

Ok FIRST OF ALL!!! follow me on tiktok and AO3!! I'm posting my art there and I have a fanfic project centered on Nya (and Morro) that I started writing, I think you might be interested!

Secondly..... YES! After less than a week of posting the first designs, I decided to change some things!!!!! If you compare it to the old post you'll see that there weren't any very drastic changes, but there were a few things that were particularly bothering me and now I feel like I'm satisfied (for now.....)

Obviously, as you can see, I haven't changed a lot of things. Maybe I shouldn't have made this update in a new post, changing the main one would have been more than enough but.... nah.

Colors of the gold armor - I gave them a brighter tone, the old one was very dull

Zane and Nya's boots - brother wtf were those, now they are sooo much better

Zane gloves - I totally forgot about them in the first version, but now he has them!!

Kai and Nya eyes - in the old version they already had matching eyes (main color in their own color palette and pupil in the color of their siblings), but I made Nya's eye color more towards gray and Kai's towards brown, instead of the dark -cyan-almost-green and amber that they had)

Nya's hair and sleeves - I left her hair a little closer to her original hair, I felt that in the old one I ended up giving her a hairstyle more similar to mine in real life..... oops? I also changed the flowing sleeve to a more well behaved one similar to Kai's, I don't know if I totally like this change to be honest

Marks on their body - Lloyd now has marks from the oni transformation!! although they are not that visible from far; Nya and Cole's marks are better done than before and Zane has more robot features (although these three in particular are more visible under his clothes *wink wink*)

Jay has goggles now :D

Some close ups (I swear I don't know what I'm doing wrong for the images to be saved in SUCH poor quality)

Some headshots

So I guess this is it? NOW I'm gonna leave these designs alone. I already posted on my tiktok too, so if you can stop by and give me a boost I'd really appreciate it!! I'm already working on the individual images of each one with some headcanons and more specifications on the details of each one's designs, but it will probably take a while. I also plan to do a part two of the designs with some secondary characters, but that totally depends on my willingness and willpower LOL

see you soon <3

[nionom-art]

Hi!

I really like Luka and Kagami🙂.

A few things😃

1. Is Luka's lip piercings something he has in your version of normal form, or that's the Turtle Miraculous doing?

2. I love Kagabee. A few ideas for her, since you felt it might need something;

I love how Zoe gave her wings, so I'm also loving your version (not to implay yours not original, contrary, it's just I love the idea her having some short of wing flowing behind her, gret idea👍)

I also love her hair now and antena, great designe. But the previous headband also was fitting, maybe a combination?

But for her stripes, they being sharp, combined Kagam being a sword girl would be fitting (like how you sharpened them with Alya's). Oni-chan had interesting stripes, maybe could you reference that? And her pants feels a bit... Empty now. Not bad, but if I may suggest Ripost's waste piece? That both looks like scabbard and as a thorax of a bee, also sharp...

Again, these are just my brainstorm, if you like any of this, feel free to use, but if not, not, you do you, I think the designe is already great like this, 💛🖤💛 ☺️

Thank you for your advice!!

Here are some quick sketch ups- I did sharpen the stripes like you suggested :)

I also decided to use the bow as a “scabbard” for the spinning top as one person in the comments section suggested.

[chimyku]

"The two of us were connected with our hands held together."

Jelsa siblings AU?!

(Guys hear me out xD)

I recently rediscovered one of my favorite vocaloid songs, "Adolescence" by producers Signal-P and Orange, and I also remembered that some people said Jelsa looks like siblings, so here's an illustration based on that! Go listen to the song as well: https://youtu.be/u-YH22ijXhs?si=GN6U2xPPZw2b3ROv

I like this version better though: https://www.youtube.com/watch?v=nHglIaco2fE

I often hear/read about how Jack and Elsa can pass off as siblings because they supposedly look alike. I personally don't think they do (or maybe that's the shipper in me talking lol) just because they are both light-haired, blue-eyed, and have a pale complexion. I mean, both their hair and eye colors are different shades anyway, that has to count for something, right?! XD

If you haven't heard of the song before, there are basically two major interpretations to it: it can either be viewed as a platonic or romantic relationship between twins. The overall idea is that, as adolescents, they realize that they're growing and that things are no longer the same. By that, no longer the same physically—as in their once similar facial features, hand sizes, etc. are all different now— and from a social standpoint, where it is no longer acceptable to do some things that were so normal for them as twins, such as sleeping in the same bed together (like I said before, you can view it however you like; be it either as the innocent indignance of close-knit twins who were suddenly made to distance themselves, or a tale of forbidden incestuous love). Most vocaloid songs, including this one, are up to interpretation anyway. I might be slightly off though, it has been quite a while since I've delved into the meanings of vocaloid songs. Whether or not to consider this jelsa piece as platonic or romantic, it's also up to you hehehe.

Here's a lovely fanfic I've found from @oni-no-ko that has Jelsa as twins (which reminded me of this song!). Mind the rating before you read it, don't say I didn't warn you XD: https://www.fanfiction.net/s/10339919/1/Behind-Frosted-Doors

I have mixed feelings about this artwork. I haven't tried this art style in a while and though I like how it turned out, I'm not satisfied with the hands lol they're the bane of my existence xD. I also kept going back and forth modifying random parts of the artwork, so I decided to finally post it because I will never be done with it at this rate xD.

[kindaasrikal]

I know theres not much on the whole Dragonians rn since they’re gonna be shown in season 3, likely with Morro and Jay.

I’ve heard it be called the Dragonian Storm village, so it makes a lot more sense as to why both Morro and Jay would be big factors in that season seeing as Morro was previously the master of wind, which was also a part of the storm element of Wojira, and with Jay’s lightning fitting the theme.

But i haven’t heard a lot about the fact that Dragonians is literally Dragoni+ans (though, there definitely has been some stuff about it)

Its not just about the dragons.

I think this season could actually showcase Dragoni’s like Lloyd, Garamdon, Wu, and the Fsm and also show some more lore into the dragoni thing. They might just need split into groups as well, some being the villains of the season and some being the heroes.

I think if what I’m saying is true, they might just finally explore more into Lloyd’s dragoni heritage and we might get to see glimpses of oni Lloyd, and maybe even a dragon version of Lloyd too. Not to mention it may also give an explanation as to what happened to the Oni after the merge.

We’re well aware that the Dragons travel across the merged realms and live in island or whatever in groups to remain safe, but there’s bin no mention of the Oni whatsoever. Thsi season may expand on the Oni, the Dragoni’s and Lloyd, as well as introduce Morro and more content on evil Jay, as well as mentioning some lore on the Cursed and Departed realms, specifically in Part 1 of the season. Part 2 may breach more into the realms of the dead after making some ground to stand on in Part 1.

These are all theories and assumptions though, but man i do hope they talk about some of them because the way we all are practically starving for Oni Lloyd content is crazy 😭

[weepingtalecowboy]

The fierce , the short and the bad cosplay

Fanfic prompt:

Honestly triforce heroes fierce deity might actually be a deity

Because it can shoot beams and everything and is found in the den of trials

It is a genuine quest to get it not an easy to access skin that simply looks cool

So despite the toon style making it look cutesy and stuff that is in fact a deity lol

I just like to believe that Legend stays the size he was as a hylian ... short

The fierce deity and the short deity lol

And the cosplayer who has a high quality cosplay and just awkwardly stands next to them both

But like I like to believe that the fierce deity in triforce heroes is a version that Legend actually has full control over

Not because it is weaker but because he proved himself to it and then decided to mentally beat the shit out off it till he had full control over it

Which is why he can use it next to a bunch of people and in tournaments

He simply teabagged it into submission

Time trying to intimidate the chain with the fierce deity : “this is dangerous *yapping* what destroyed the demon *more yapping* blah blah … not going to use it lol

Legend : “oh, you mean that one “

Then Time watched in horror as legend did a sailor moon transformation *the way you casually change entire outfits in triforce heroes*

Legend : “yeah , it’s pathetic I know … but the beam is cool”

Time proceeded to lag and watch in fear as Legend just kept casually talking to people and stuff

Time after he stopped lagging: “Legend WTF how did you even get it”

Legend : “… broke into its house … you know the usual”

Time: “WTF man , how…,?’?!!…. Why !?!?… have you fought a god or something”

Legend *having an oracle of ages and seasons flashback* : “nah, that was five hundred years ago when I fought oni x,…on-ax ,… fire dude who possessed din and Nayru took control over the concept of time and tried to destroy the whole world… I had fun controlling time and also changing the seasons … good times”

Time : *screaming , crying, throwing hands up in the air*

The chain witnessed the exchange in concern

Time meanwhile was contemplating his existence and having a little something called an existential crisis

Time then proceeds to think that legend is the fierce deity

Because what the hell does … FIVE FUCKNG CENTURIES mean in this concept… he is meant to be the hero of time

Not ‘HIM’ … he is the hero of time ,… not the fucking hero of legends

What the hell is Legend…

THE FUCKING GODDESS OF TIME

Is that why he wears a dress

Because he surly can’t travel back in time 5 centuries… how did legend even do that

HOW…!?,.!!.!?

[jeidafei]

Hi, DGM fandom! I'm jeidafei. You may have seen me in Kougeki-scans' scanlation of D.Gray-Man.

I know Kougeki releases have been delayed for these past few chapters. And people have taken to releasing their own translations on Reddit and MangaDex as early as a few days after the Japanese release. We at Kougeki have asked people to wait if they could. People have told us to, basically, go d*e.

And of course, you are perfectly entitled to say so. You are perfectly entitled to release your own translations and not wait. After all, we at Kougeki are just fans of D.Gray-Man, similar to you. We have zero claim over the series.

I normally stay out of the fray when it comes to quarrels with these 'snipers' until now. When I saw the quality of the translations some of these people are putting out.

(Specifically, Chapter 250 on MangaDex)

Japanese is a difficult language. D.Gray-Man is a difficult manga to translate due to its ongoing status, complex nature and plot twists. I have made mistakes myself that others have pointed out. I have my own interpretations that might be different. I readily forgive mistakes I understand are due to the complex Japanese grammar, and the confusing mysteries of the D.Gray characters.

But these are not it. These are just blatant laziness and lack of basic knowledge of even the most recent developments in D.Gray-Man. Or even simple logic. These are the results of people dishing out sub-par work quickly just to get the most exposure possible.

So while we wait for Kougeki's version, I am going to point out these egregious mistakes. We need transparency so that going forward, you can make your own decisions on whether it is speed or accuracy you are looking for.

The original Japanese text says "7,000 years ago" (七千), not "17 years"（十七）. A difference any beginner Japanese learner would notice. Even most D.Gray-Man fans without Japanese knowledge would probably realize something is off based on what we know of the story so far.

The original text says "Do(es) the passion/sentiments run so deep, you must reincarnate into a human who resembles Nea?" (the word 'regret' is simply not there). I think 'passion' or 'sentiments' are more compatible here, considering earlier theories about Tyki, the Noah of Pleasure.

Jasdevi is saying they were at their limits anyway and wouldn't be able to keep restraining Apocryphos for long. When Wisely orders them to dispose of Apo, they scream "Oni!" (Demon) which is quite similar to "Onii-san" (Elder brother), but most people would probably know which one is more fitting in this scenario, even without Japanese knowledge.

When Desires asks Wisely if he is just going to set Apo free like that, Wisely explains that this way, Apocryphos (not Desires or Wisely as in the translation), can keep searching for the Heart for them. Again, basic story knowledge.

Wisely didn't say "Fine, enough already"; this bubble is a continuation of the earlier bubble, spoken by Desires. Together, he is saying "Wouldn't you just spit it out already!?"

In Japanese, many words sound the same and the meaning can only be determined by context or the Chinese characters (kanji) used. In this case, "kikai" can mean either "machine" (機械) or "opportunity" (機会) or "strange" (奇怪), among a dozen others.

Yes, it's difficult, I know. But, you see the kanji. You know the context. I'm sure you can take a guess.

There are a couple more minor mistakes (ones that don't impact your understanding of the story too much). But I'm just going to leave you with one more, the most conspicuous mistake:

The chapter is named "Curse's End" by this translator. Actually, it's the opposite in Japanese. "Owaranu" is a form of "Owaranai" which means "not ending", which fits the revelation of this chapter by Wisely that their 35-year curse has yet to come to an end.

So, there you have it.

As you can see, I'm not shaming people for not being as fluent in Japanese. Not everyone can dedicate almost two decades to learn a language. As I have pointed out, most of these mistakes are rookie-level, and should have been picked up in double-check if that someone is familiar with D. Gray-Man at all. With these nigh unforgivable mistakes, even Deepl and Google Translate are more accurate.

This is a matter of someone not giving enough of a sh*t, plain and simple.

I'm also not gatekeeping scanlation whatsoever. I'm just pointing out the mistakes and actual text because the fandom deserves to know. With the localization drama going on, it proves faithfulness to the actual text and accuracy matters.

Of course, anyone has the right to put out their translation. And I have the right to point out whether they can be trusted. I'm not passing judgment. I'm just providing evidence so the bystanders can decide for themselves.

Lastly, from the bottom of my heart, I thank everyone who has supported the work of Kougeki Scans and waited for our release. I apologize for the delays. We're working on the latest chapter and will release 249 and 250 very, very soon.

[yamayuandadu]

Demon king, demigod, drunkard, dōji: exploring the archetypal oni, from Ōeyama to Lotus Eaters

By popular demand, I wrote an article covering the background of Shuten Dōji and his underlings, and how it influenced Suika’s character and the idea of the Four Devas of the Mountain in Touhou. It was initially scheduled for last month, but I’ve experienced unplanned delays. Read on to learn if you want to learn what Suika has to do with Yamata no Orochi and Mara, if it’s true that oni never lie, and more. I will also explain why making your own fourth Deva of the Mountain is entirely fair game and anyone telling you otherwise is wrong about the source material which inspired ZUN. The article contains some spoilers for WaHH and a number of other Touhou installments, so proceed with caution if that might be an issue for you.

Ōeyama, or Shuten Dōji: origins

Shuten Dōji, as depicted by Sekien Toriyama in Konjaku Gazu Zoku Hyakki (wikimedia commons)

It perhaps seems a bit silly to start this article with an inquiry into the identity of Shuten Dōji (酒呑童子, “wine-loving youth” or something along these lines). After all, while Touhou characters are often based on obscure figures, Suika is hardly an example of that category. Shuten Dōji is arguably THE archetypal oni, known even to people with limited familiarity with Japanese mythology and folklore. And yet, the matter is nowhere near as clear cut as it might seem at first glance. From a certain point of view, Shuten Dōji might not even exactly be an oni, strictly speaking. A book from Nara simply titled Ōeyama ("Mt. Ōe") offers a detailed account of Shuten Dōji’s origin. His father was not a man or a demon, but rather a mountain god, Ibuki Daimyōjin (伊吹大明神). That’s not all, though - according to a local belief, Ibuki Daimyōjin was actually Yamata no Orochi. How does that even work? Contrary to the more widespread tradition, the inhabitants of the area around Mt. Ibuki from the Muromachi period onward believed that Orochi survived his confrontation with Susanoo and hid in the mountains. That’s actually not even the most unusual variant tradition about Orochi. A widespread belief through the middle ages was that he eventually managed to redeem himself, becoming a divine dragon (shinryū, 神龍) residing in the dragon palace under the sea. In that capacity, he was sometimes associated with emperor Antoku, with the latter even claimed to be his reincarnation, for example in a local legend associated with the Atsuta Shrine, preserved in the noh play Kusanagi. In esoteric Buddhist doctrine Orochi was sometimes perceived as a local manifestation (suijaku) of the buddha Yakushi - much like Susanoo was. Ichijō Kaneyoshi in his Nihon shoki sanso (1455–1457) went into yet another direction, presenting the snake as identical with the naga girl from the Lotus Sutra. Apparently, he specifically means the version of her from Shaku Nihongi… who is identified there as Susanoo’s wife, down to being equated with Kushinadahime (this was not unusual in itself - Susanoo was equated with Gozu Tennō based on similar character, so it was sensible for their wives to be seen as analogous). This effectively created a scenario where Susanoo married his nemesis.

A Japanese depiction of the naga girl offering a jewel to the Buddha, as described in the Lotus Sutra (wikimedia commons)

Anyway, back to Shuten Dōji. According to Ōeyama, Ibuki Daimyōjin, before he even came to be known under this name, fell in love with the daughter of a local feudal lord, Sugawa. He started visiting her at night and she as a result eventually became pregnant. The identity of the visitor was unknown to her father, and out of frustration and fear that nefarious supernatural forces might be involved he eventually contacted various religious officials to perform exorcisms. Needless to say, Ibuki Daimyōjin was less than thrilled, and decided to display his divine wrath through rather conventional means: Sugawa was struck by illness. He once again summoned various Buddhist monks and onmyoji, this time to attempt to heal him. They concluded that the disease will disappear if the deity who caused it is properly honored, and established formal worship of Ibuki Daimyōjin, which apparently did indeed help. Sugawa’s daughter eventually gave birth to Ibuki Daimyōjin’s child. The child started to cause problems at the age of three: his love of alcohol manifested for the first time, earning him the moniker of Shuten Dōji. By the time he was ten, his misdeeds were too much for his family to bear with and his grandfather decided to send him to Mt. Hiei to become a novice (chigo). The monastic lifestyle didn’t really change much though, and Shuten Dōji continued to drink. Eventually he managed to convince three thousand monks (sic) to drink with him and to join him in an “oni dance” during which everyone put on masks representing demons. The festivities lasted seven days. When Shuten Dōji woke up afterwards, he realized his mask had fused with his face, and he was no longer able to take it off. The other participants fled out of fear of his new form.

Shuten Dōji’s Mt. Hiei career was subsequently cut short by Saichō, the founder of the Tendai school of Buddhism. After learning what happened, he prayed to the buddha Yakushi and to Mt. Hiei’s protective deity Sannō Gongen to banish Shuten Dōji. It's worth pointing out that presenting young Shuten Dōji and Saichō as contemporaries is basically standard, and pops up in multiple legends. There are variants where Kūkai, the founder of Shingon, plays a similar role instead, to. They actually lived some 200 years before the other historical figures who appear in Shuten Dōji narratives, but this is not an oversight. It is a given that a partially divine being would live for much longer than a human.

A Heian period portrait of Saichō (wikimedia commons) As a result of Saichō’s success, Shuten Dōji had to flee. He tried to return to his grandfather’s residence, but this was no longer an option for him. He temporarily hid on Mt. Ibuki, but eventually left for Mt. Ōe, where he finally became a veritable "demon king".

The reason why Shuten Dōji was rejected by his family is that he was recognized as an “oni child” (鬼子, onigo). In the folkloric sense, this term refers to supernatural beings which are nonetheless partially human by birth. Not necessarily part oni, though. Another well known onigo, Sakata no Kintoki, was the son of a yamauba, for instance. However, Yanagita Kunio noted that this term also referred to children born with teeth (a real, though very uncommon phenomenon), who were believed to turn into oni - much like how Shuten Dōji did. He states that especially before the Edo period this lead to cases of child abuse or outright murder. In some cases sending the child to become a member of Buddhist clergy was seen as a remedy. For example, a twelfth century monk named Jōjin in a letter relays that he suggested this to the mother of such a newborn. It is not hard to see that Ōeyama likely consciously references this custom.

The other origin of Shuten Dōji

Yet another tradition is preserved in a variant of the standard Shuten Dōji tale which switches the location of his demise from Mt. Ōe to Mt. Ibuki: here Shuten Dōji is not just any demon, but a manifestation of Mara. As in, the opponent of the Buddha and demon king of the sixth heaven, not some other accidentally similarly named figure.

Mara, as depicted by Hokusai in Shaka-goichidai-zue (wikimedia commons)

It is presumed that this portrayal of Shuten Dōji might be tied to medieval Japanese traditions pertaining to Mara. They might sound unusual today: he was both a “demon king” (魔王) obstructing enlightenment, as expected, but also a jinushi (地主), or “landholder deity”. From the Buddhist point of view, jinushi were ambivalent figures: on one hand, their presence was responsible for bestowing specific locations with holiness. On the other hand, they could resist Buddhism as demonic forces, and had to be subjugated or converted to prevent that. Mara was the ultimate jinushi, the king of the world as a whole. A role already attributed to him in earlier Buddhist sources was basically adjusted for this framework. The jinushi version of Mara originated among proponents of the imperial court and mainstream Buddhist institutions, but it curiously also gained traction among the opponents of these structures. Mara became somewhat of an anti-establishment icon more than once, essentially. A legend links him with (in)famous rebel Taira no Masakado (who you may know from SMT) for this reason.

Masakado, as depicted by Kunichika Toyohara in Sen Taiheiki Gigokuden (wikimedia commons)

Other similar examples are also known. A local legendary figure from the Tsugaru peninsula in modern Aomori prefecture, Tsugaru Andō (津軽安藤), who after a failed rebellion fled to Hokkaido, was proudly described as a vassal of Mara by local officials who claimed descent from him. Prince Sutoku, a banished opponent of emperor Go-Shirakawa, swore a vow to become like Mara. Oda Nobunaga famously referring to himself as the “demon king of the sixth heaven” in a letter to Takeda Shingen is likely another example. Reportedly a related belief that praying to the jinushi version of Mara can spare one from conscription persisted as late as the early 20th century, though generally he belongs to the realm of “medieval myths” which faded with the ascent of a new system of values in the Meiji period, in which the early imperial chronicles were favored. Even though it is largely forgotten today outside of specialized scholarship, there is much more to this Mara tradition. It led to the development of one of my favorite Japanese myths with no popcultural reception, but you will have no wait a few more weeks to learn more. It has been argued that behind the identification of Shuten Dōji and Mara might reflect a historical event of the sort which led to associating the latter with figures such as Masakado. In other words, that  Shuten Dōji in this case might be less a demon and more a demonized form of some opponent of imperial or religious authorities. 

It has been argued that the Ibuki version was the result of combining an original oral narrative, a precursor of the textual versions we are familiar with today, with the memory of the death of a certain Kashiwabara Yasaburō, a bandit leader, in 1201. It has in fact been argued that even the mt. Ōe version might simply be a particularly fabulous reinterpretation of a punitive mission against bandits robbing and murdering travelers. Such rationalist explanations are not exactly new -  Ekken Kaibara already argued in the Edo period that the legend of Shuten Dōji must have been the reflection of the downfall of a real bandit who perhaps wore the mask of an oni while committing robberies.

It’s important to bear in mind to not go overboard with this speculation, though. Ultimately the Mt. Ibuki version has a more pronounced religious character than other variants in general: Shuten Dōji’s nemesis Raikō’s is identified as a manifestation Bishamonten or Daiitoku Myōō (in the latter case, Bishamonten and the three other heavenly kings correspond to his four retainers), emperor Ichijō with Miroku (Maitreya), and Abe no Seimei, who plays a minor role in vanquishing the demon, with Kannon. These equations reflect the idea of honji, or “true nature” of Buddhist figures, who were believed to take various guises through history to help people reach nirvana, for example these of local deities or historical figures. The best known example of application of this doctrine in Japanese Buddhism is obviously the historical phenomenon of honji suijaku, which was focused specifically on kami.

A Kasuga mandala representing the correspondences between Buddhist figures and local kami (source; reproduced here for educational purposes only)

The legend of Shuten Dōji

Regardless of which mountain is identified as the residence of oni, and of whether the dramatis personae are identified with Buddhist figures or not, the plot of the various versions of the legend of Shuten Dōji surprisingly does not vary all that much. While it is reasonably well known, I figured it won’t hurt to summarize it here anyway, especially since the information above should make it possible to view it from many new angles.

The oldest surviving version, Ōeyama Ekotoba (“Illustrations and Writing of Mt. Ōe”), presumably based on preexisting oral sources, comes from the fourteenth century, specifically from the Nanbokuchō period. However, the story only reached the peak of its popularity a few centuries later, in the Edo period. This was a part of a broader phenomenon: preexisting tales about warriors matched the sensibilities of the new ruling classes and were kept in circulation by them, but eventually they also became a part of urban popular culture. Many adaptations were produced, including noh plays and ukiyo-e. To put it very colloquially, the heroic warriors and demon quellers from the previous periods became the Edo period counterpart of contemporary superhero media. This is a genuine comparison employed in scholars, for clarity, not a joke. As remarked by Bernard Faure, the most widespread version is basically framed as if it was a tabloid story from the Heian period. In 995, young women (and in some versions men too) disappear whenever a particularly violent storm occurs, and nobody knows how to stop it. Not even the power of Buddhist exorcisms is enough. Seeing as in the portrayed time period that was pretty much the universal solution to supernatural problems, this is a big deal.

Abe no Seimei (right) in the Fudo Rieki Engi (wikimedia commons) This is a source of distress for a certain official, Ikeda Kunikata (or, in some version, Kunitaka), whose only daughter is among the kidnapped women. He decides to seek the help of the Heian period superstar Abe no Seimei, arguably the most famous onmyoji in history. Alternatively, the expert contacted is a certain Muraoka no Masatoki, who to my best knowledge is a fictional character and doesn’t appear anywhere outside of some variants of this tale. Either way, thanks to this intervention it is possible to identify the culprit as a demonic being residing on Mt. Ōe (or alternatively on Mt. Ibuki). In one of the versions featuring Seimei he specifically identifies him as a tenma (天魔), “heavenly demon” - a term commonly used to refer to tengu (as ZUN does in Touhou) and to servants of Mara (overlapping if not identical categories, really; stay tuned for a future article exploring this). However, onmyoji arts are not enough to stop the crisis; all Seimei can guarantee is that Kunikata’s daughter will survive, but he has no way to confront the demon directly. Kunikata therefore decides to bring the case to the attention of the emperor, Ichijō. He holds a meeting with various ministers, who note that in the past a similar case was solved by Kūkai (recall his already mentioned association with Shuten Dōji). However, there are no monks of equal skill left, so his feat cannot be repeated. 

It is then concluded that the only way to end the demon’s reign of terror it is to send the strongest warrior they were aware of, Minamoto no Yorimitsu (Raikō) and his four retainers, Watanabe no Tsuna, Sakata no Kintoki, Taira no Suetake, and Tairi no Sadamitsu, on a mission to kill him. Raikō is also assisted by Fujiwara no Yasumasa (Hōshō) and his anonymous attendant, but these two never gained much prominence as characters in this narrative. Additionally, in some versions other figures from the same period - Taira no Muneyori, Minamoto no Yorinobu (Raikō’s younger brother) and Taira no Korehira - are namedropped as potential candidates considered by the emperor, but they all reportedly decline to partake out of fear.

Raikō and Kintoki, as depicted by Yoshitoshi Tsukioka (wikimedia commons)

Preparations started with prayers in Sumiyoshi, Kumano, Kasuga and, in some versions, Hie shrines. They did not go unanswered. Raikō and his retainers subsequently encounter a group of shugenja (mountain ascetics) who turn out to be the manifestations of the deities they paid honor to: Sumiyoshi Myōjin, Kumano Nachi Gongen, Hachiman (here addressed as a bodhisattva) and, if the Hie shrine is included in a given version, Sannō Gongen. They explained that to safely enter the fortress of Shuten Dōji, Raikō and his men must disguise themselves as shugenja (that’s because the legendary first shugenja, En no Gyōja, famously had an entourage of demons). They also provide him with supernatural wine. They state the oni will inevitably drink it due to their fondness of alcohol, only to end up poisoned as a result. In some versions they vanish afterwards, but in others they continue to accompany Raikō. The protagonists then encounter a woman washing blood stained clothes. In some versions she is described as elderly, and states she has lived for 200 years as a servant of Shuten Dōji. In the most widespread Edo period version, she is young and says she was only kidnapped a year earlier, though.

Encounter with the woman washing bloody clothes (NYPL Digital Collections) Regardless of her age, she reveals some additional information about Shuten Dōji, though that also varies depending on the version. In some, she explains that he looks like a human during the day, but takes the form of an oni at night. His human form is specifically that of a dōji, literally “child”, but we’ll get back to the full context of this term later. In any case, I think it's safe to say the shape and size changing is where Suika'a ability came from. In another variant, the woman warns the heroes that Shuten Dōji is enraged by Abe no Seimei’s actions, as the onymoji apparently figured out in the meanwhile how to keep the people of Kyoto safe by employing a number of shikigami (a standard part of his repertoire). There are no further stops on the journey, and shortly after the encounter with the woman of variable age Raikō and his men enter the mountainous land of the oni. Especially in the older versions, it’s a place completely out of this world, with all four seasons occurring at once. Once they enter the fortress located there, they instantly encounter Shuten Dōji… and ask him for a place to stay for the night.

Distinctly human-like Shuten Dōji, as depicted by Yoshitoshi Tsukioka in One Hundred Ghost Stories from China and Japan (LACMA; reproduced here for educational purposes only)

Rather unexpectedly, he instantly agrees. He then tells them about his past; this largely a shorter version of the legend already discussed earlier, though with nothing predating the Mt. Hiei section mentioned. We also get a specific date for his arrival on Mt. Ōe, 849. This doesn’t last long, though, and soon he invites the protagonists to partake in a feast with him. This is obviously not a regular party, and while the individual versions can be more or less graphic, it is clear that the oni are consuing the flesh and blood of their captives. Despite various horrific sights, Raikō maintains composure. He uses the opportunity the feast presents him with to offer Shuten Dōji the sake he received from the three (or four) deities earlier. As expected, Shuten Dōji gets drunk, and leaves to rest in his chamber.

The other oni continue to party. In some versions, some of them try to approach the protagonists by disguising themselves either as a group of courtly ladies or as a dengaku troupe, but Raikō’s glare is so intense they quickly relent. Eventually all of the oni give up on attempting to engage with the alleged ascetics and end up drunk. That’s when the heroes decide to free their captives. These obviously include the women from Kyoto. However, as it turns out, Shuten Dōji’s rampages actually extended beyond Japan, to India and China, though only captives from the latter area actually appear. Multiple versions additionally mention that one of the prisoners was a young acolyte of the Tendai abbot Ryōgen, who was protected by assorted deities. This doesn’t really come into play in any meaningful way, though. Once everyone is freed, the heroes draw their weapons and enter Shuten Dōji’s chamber.

Sleeping Shuten Dōji (National Museum of Asian Art; reproduced here for educational purposes only)

The protagonists finally witness Shuten Dōji's oni form. He is five jō (around fifteen meters) tall, has fifteen eyes and five horns. His head and torso are red, his right arm is yellow, his left arm is blue, his right leg is white and his left leg is black. This might be a reference to the five elements. Alternatively, he could be described as entirely red, which might either be yet another way to reference his love of alcohol, as in the case of the shōjō, or an indication he was comparable to a “plague deity” (疫神, ekijin). The manifestations of the deities from earlier show up again, this time to hold Shuten Dōji in place so that Raikō can strike. He cuts off his head, but to his shock it rises into the air and starts talking.

Confrontation between the heroes and the floating head of , as depicted by Yoshitsuya Utagawa (wikimedia commons)

Shuten Dōji actually mocks the heroes: “How sad, you priests! You said you do not lie. There is nothing false in the words of demons.” Needless to say, his final words are pretty directly referenced in Touhou. Oni, at the very least, claim they do not lie. Mileage of course varies, though. ZUN is not the only author drawn to this element of the legend. It would appear that even the Japan Oni Cultural Museum has advertised itself with the words “there is nothing false in the words of demons” in the past. As noted by Noriko T. Reider, emphasizing this apparent honesty (or naivete) sometimes serves as a way to make oni sympathetic or even relatable for modern audiences. However, it's worth noting that in the noh version, Raikō pushes back against Shuten Dōji’s words, and points out even the claim oni do not lie is a lie. He has a point, considering some versions outright establish oni capture their victims by disguising themselves as people close to them, imitating their voices. It probably also should be pointed out that in Konjaku Monogatari, oni are said to be scary precisely because they can tell apart right and wrong.

Anyway, oni ethics aside, it turns out that to kill Shuten Dōji for good, one has to gouge out his eyes. Once that is accomplished, Raikō's mission is finally complete. After killing the other oni, the protagonists take the head with them to Kyoto. Obviously, they also take the freed captives with them. The young women return to their families, and the Chinese men head for the coast to find a ship which could take them home. They promise to let the emperor (the Chinese one, for clarity; that would be Zhenzong of Song in 995) about Raikō's heroism. In the versions where the woman washing clothes was elderly, rather than simply one of the young captives, on the way back the protagonists learn that she has passed away in the meanwhile, since her lifespan was unnaturally extended by Shuten Dōji. Once he died, so did she.

Transport of Shuten Dōji's head to Kyoto (NYPL Digital Collections)

Before the head can enter the capital, a purification ritual has been performed. Abe no Seimei thankfully knows how to do that. Thanks to him, all the relevant authorities can examine it. The emperor decides it will be best to store it in the treasure house of Uji. This location pops up in multiple legends. The severed heads of the two other equally famous malign entities, Ōtakemaru and Tamamo no Mae, were also stored there according to legends focused on them, in addition to various Buddhist relics and mundane treasures. In an alternate version, the head never reaches the imperial court. Raikō and his retainers encounter the bodhisattva Jizou, who tells them it is too impure to be shown to the emperor, and suggests burying it. The location selected, a hill on the northwestern limits of the city, came to be known as Kubizuka (首塚), literally “head tumulus”. Shuten Dōji actually came to be enshrined there as Kubizuka Daimyōjin (首塚大明神), and in this divine guise developed an association with learning and ailments of the head.

The Kubizuka shrine in 2019 (wikimedia commons)

There is yet another variant tradition about the final fate of Shuten Dōji: after his death he became a vengeful spirit, and then turned into a tsuchigumo, just to be defeated by Raikō and his retainer Tsuna for a second time.

Raikō and Tsuna battling tsuchigumo, as depicted in Tsuchigumo no Sōshi Emaki (wikimedia commons)

Interestingly, it has been argued the tale of Shuten Dōji was at least in part based on that of the tsuchigumo Kugamimi no Mikasa (陸耳御笠), who resided on Mt. Ōe according to Tango Fudoki Zanketsu (丹後風土記残欠). The tale is not preserved fully, though, so all we know for sure other than the location is that the hero opposing him was Hikoimasu no Miko (日子坐王), a stepbrother of emperor Sujin (he is also attested in other sources). A second tsuchigumo, Hikime (匹女) is successfully defeated, but the fate of Mikasa is left unspecified in the surviving sections. This obviously makes further comparisons difficult. The topic of tsuchigumo cannot be dealt with here due to space constraints, but I promise I will return to it in a future article.

The supporting cast of Shuten Dōji

Shuten Dōji in his human form and his oni henchmen (NYPL Digital Collections)

Something that requires further discussion is the matter of the underlings of Shuten Dōji, since it is a topic directly relevant to Touhou. You might have noticed I actually avoided referencing them in any meaningful capacity in the summary of the legend. That’s because they actually do not play a major role. There also wasn’t any consistent view regarding their number or names. However, the version which came to be standard in the Edo period lists four of them - an obvious mirror of Raikō and his entourage. As a matter of fact, both groups even share the same moniker, Four Heavenly Kings. 

This idea predates the Edo period, though. An earlier variant based on picture scrolls created by Kanō Motonobu already lists four servants of Shuten D��ji: Gogō, Kiriō, Ahō, and Rasetsu (yes, an oni named Rakshasa). However, two additional oni at his service are also listed, Kanakuma Dōji and Ishikuma Dōji. They are described as his personal guards, and as, well, dōji. It is clear the term is used in a literal sense here - they are said to look like “overgrown adolescents”. Two different subordinates are mentioned in another picture scroll: Kirinmugoku (麒麟無極) and Jakengokudai (邪見極大). However, they do not receive any characterization, or even physically appear in the narrative. Shuten Dōji shouts their names when he is about to die, and the very assumption that he’s referring to his oni subordinates is conjectural. The same version states that there were at least ten oni in the fortress so it’s not like it’s an implausible assumption.

The group of four oni returns in the standard Edo period version, where their names are Hoshikuma (“Star-bear”) Dōji, Kuma (“Bear”) Dōji, Torakuma (“Tiger-bear”) Dōji and Kane (“Iron”) Dōji. There’s also a fifth oni who is not a member of the group of 4, but shares the same naming pattern, Ishikuma Dōji. He actually gets a handful of lines, though they do not really provide him with much of a character beyond establishing he likes sake, that he eats humans, and that he is loyal to Shuten Dōji. Kane Dōji also gets a single line… explicitly alongside Ishikuma and multiple other nameless oni, though, and it boils down to announcing they will go down fighting because without their leader they no longer have a place to go.

Defeat of the oni (NYPL Digital Collections)

Ibaraki Dōji: Shuten Dōji’s only equal?

Watanabe no Tsuna battling Ibaraki Dōji (wikimedia commons)

A further unique case is that of Ibaraki Dōji, who actually acquired some fame as an individual character, and today is sometimes cited as an example of an oni equally archetypal as Shuten Dōji. Despite being portrayed as a close associate of Shuten Dōji, Ibaraki Dōji to my best knowledge isn’t counted among the Four Heavenly Kings in any version. The character of the connection is evidently more nebulous. I know an assertion that a tradition presenting Ibaraki Dōji as Shuten Dōji’s wife is attested is repeated as fact on wikipedia and various at least semi-credible websites, but there is never a citation provided, and no version of the narrative covered in articles and monographs I have access to includes such an element. I am not claiming it is impossible, though I do feel the fact it doesn’t come up in any paper or monograph discussing either figure I have access to doesn’t mention to might indicate it’s either a recent reinterpretation or a very obscure local variant. Note this is not meant to be an argument against any Touhou ships. What I can say with certainty is that Ibaraki Dōji’s gender is actually a matter of occasional academic dispute. In the versions of the basic Shuten Dōji narrative which mention this oni, he is pretty firmly male. However, he is said to be capable of taking the form of a woman. Noriko T. Reider argues that on this basis it can be effectively assumed that at the very least this specific oni can be considered genderless or capable of freely changing their gender, though she tentatively extrapolates this ability to oni in general. While Ibaraki Dōji’s gender changing adventure is technically its own legend, a reference to it was incorporated into the basic Edo period version of the Shuten Dōji narrative. During the feast, the latter mentions in passing that the former, his trusted ally, lost his arm in a fight with Watanabe no Tsuna during one of their Kyoto raids, after failing to abduct him while disguised as a woman. He clarifies that the arm was later recovered, but not particularly many details are provided. The rivalry between Tsuna and Ibaraki Dōji subsequently comes into play after Shuten Dōji’s death, when the protagonists are about to exterminate the other oni. Ibaraki charges him and they two fight without a clear winner for a while, until Raikō intervenes and kills the oni. I would argue that despite him being responsible for dealing the killing blow, it is Tsuna who should be considered Ibaraki’s nemesis, though. Interestingly, at some point ZUN considered featuring a character based on him in Wild and Horned Hermit (source). That obviously did not come to pass, though. Tsuna already fights an oni in Heike Tsuruginomaki, and many other variants of the story were written subsequently, with the noh play Rashōmon being the most famous. Curiously, the oldest version makes no reference to Shuten Dōji, and the oni actually resides on Mt. Atago, but by the Edo period the two were regarded as allies operating from Mt. Ōe. The details are otherwise generally similar across all of the sources. Raikō sends Tsuna on an errand. He encounters a woman on the Modoribashi Bridge in Kyoto, but as soon as he offers to take her with him she turns into an oni. Thinking quickly, he cuts off the creature’s arm, which is enough to make them flee. He keeps the severed limb as a trophy. Some time later, he is visited by an old woman who he assumes is his aunt... but who turns out to be the same oni, who uses a brief moment of confusion to recover the arm and fly away.

Transformed Ibaraki Dōji, as depicted by Tsukioka Yoshitoshi (wikimedia commons)

The legend of Ibaraki Dōji was evidently reasonably popular in the Edo period, and could even be utilized to comedic ends. One example is an Edo period satirical pamphlet, Thousand Arms of Goddess, Julienned: The Secret Recipe of Our Handmade Soup Stock, written by Shiba Zenkō and illustrated by Kitao Masanobu. Here the one-armed Ibaraki Dōji is one of the figures interested in leasing one of the now detached additional arms of the Thousand-Armed Kannon, who has apparently fallen in dire straits (“business slumps are inevitable, even for a Buddha”, comments the narrator, alluding to the financial conditions of the 1780s). As we learn, after making a purchase Ibaraki is disappointed by the lack of hair, and promptly hires a craftsman to add it:

Original translation by Adam L. Kern; reproduced here for educational purposes only. I am not responsible for the typesetting.

In my recent Ten Desires article I’ve already discussed the oni of Rashomon as a character in legends about Yoshika no Miyako, which I won’t repeat here. It will suffice to say that this conflation effectively made Ibaraki a penchant for poetry and fine arts, and that it indirectly put him in the proximity of the pursuit of immortality. Whether this is why ZUN made Ibaraki’s counterpart a wannabe immortal (“hermit”) is difficult to ascertain, but it does not strike me as impossible. The oni of Rashomon actually appears in at least one more legend which similarly portrays him as an enthusiast of the arts, though to my best knowledge this one never came to be reassigned to Ibaraki Dōji. It is centered on a famous biwa player, Minamoto no Hiromasa, who has to resolve the case of mysterious theft of an instrument from the imperial palace. As you can expect, it is revealed to specifically be an exceptional biwa, which bears the name Genjō. Hiromasa surveys the city in hopes of finding it, and eventually hears its distinct tones while passing near the Rashomon gate. He quickly realizes an oni is playing it. He politely asks if he can have it back, since it’s a treasure of the imperial court… and the oni eagerly obeys, thus bringing the story to a happy end. However, we are told Genjō acquired supernatural qualities in the aftermath of the theft, and only played when it felt like it, as if it was a living being. There is a variant which reveals that the oni of Rashomon was in fact the ghost of Genjō’s original maker, a craftsman from India. In this version, Abe no Seimei has to intervene to recover it, and the oni only agrees to return it after being promised a night with a woman he fell in love with who resembles his deceased wife. There is no happy ending here, though, as the woman’s brother convinces her she needs to kill the oni. She fails, and meets such a fate herself instead. It seems that the reader’s sympathy is actually supposed to be with the oni in this case.

Conclusions, or why you should make your own Deva of the Mountain

Obviously, there is nothing novel or clever about stating that the two figures this article is focused on, Shuten Dōji and Ibaraki Dōji, correspond to Suika and Kasen respectively. You can learn that from the official media itself, after all. Funnily enough, it seems this might have been even more blunt, judging from unused ideas for referencing the legend to an even greater degree in WaHH, with the defeat at Mt. Ōe as the explanation why oni reside… well, elsewhere (source). Granted, it would also be a disservice to ZUN to say he only created anime girl versions of the classic oni. He effectively created his own versions of both Shuten and Ibaraki - for every similarity between the irl background I’ve described and Touhou, there is also something brand new. That is part of what makes Touhou compelling, I would argue. Naturally, the fact that the group Kasen and Suika belong to is referred to as the Four Devas of the Mountain shows clear inspiration from the Edo period version of the original legends. However, Suika and Kasen are counted among the four, which is obviously an innovation. Additionally, while Yuugi is naturally named after Hoshikuma Dōji, who you were able to meet earlier, save for the name she is effectively a fully original character. Her ability references the Analects of Confucius, rather than anything directly tied to Shuten Dōji. And, on top of that in all honesty, she has more character than any of the additional oni appearing in the real legends. ZUN, as far as I am concerned, created a more than worthy addition to the classics. What about the much discussed fourth deva? I think it’s safe to say that in the light of the discussed material there simply isn’t a single most plausible option. As I stressed already, there’s no consistent group of oni appearing alongside Shuten Dōji, and it cannot be said that the Edo period version is clearly what should be treated as true in Touhou. ZUN picked what he liked from many versions. For what it’s worth, so far all of the oni forming the Four Devas are based on those who share the moniker of dōji, so that’s the closest we have to a theme. As I already said earlier, this term can be simply translated as “child” (or “lad”, though I think a gender neutral option is more apt since we are talking about Touhou here, ultimately). However, it has a more specific meaning when applied to supernatural beings. In this context it refers to a category of ambiguous figures characterized by “vitality, (...) hubris, and (...) unpredictability”, as well as fondness of violence, as summarized by Bernard Faure. Shuten Dōji, and by extension his underlings,  are obviously the dōji par excellence. However, the term could also be applied to benevolent, or outright divine beings. That, however, goes beyond the scope of this article. I personally think despite the possible dōji theme the fourth slot will never be filled, ultimately. ZUN likes leaving gaps in established groups - there are types of tengu which were a part of the background for well over a decade, for instance. I think these are left as paths to make ocs with an instant excuse to interact with canon characters. Despite ZUN’s generally pro-fanwork stance I do not think I’ve ever seen anyone make this point. As far as I am concerned, the conclusion is clear: it’s entirely fair game to invent characters to fill the empty spot. There’s even a solid case to be made for reinventing oni from other legends as members of the Four Devas - remember that much of Ibaraki Dōji’s character was borrowed from a nameless oni from a legend about the Rashomon gate, as I discussed last month. 

Bibliography

Bernard Faure, Rage and Ravage (Gods of Medieval Japan vol. 3)

Michael Daniel Foster, The Book of Yokai. Mysterious Creatures of Japanese Folklore

Adam L. Kern, Thousand Arms of Goddess, Julienned: The Secret Recipe of Our Handmade Soup Stock, written by Shiba Zenkō and illustrated by Kitao Masanobu (translation and commentary), in: An Edo Anthology: Literature from Japan’s Mega-City, 1750–1850

Keller Kimbrough and Haruo Shirane (eds.), Monsters, Animals, and Other Worlds. A Collection of Short Medieval Japanese Tales

Irene H. Lin, The Ideology of Imagination: The Tale of Shuten Dōji as a Kenmon Discourse

Michelle Osterfeld Li, Human of the Heart: Pitiful Oni in Medieval Japan in: The Ashgate Research Companion to Monsters and the Monstrous

Noriko T. Reider, Shuten Dōji: "Drunken Demon"

Idem, Japanese Demon Lore

Idem, Seven Demon Stories from Medieval Japan

also check out the scans of an amazing Shuten Dōji picture scroll from the NYPL collection here!

[radaverse]

Wow those ocs looks amazing did you made them?

Ohh! You mean the ones from the Samurai Jack AU? (Paws of Magic ✨)

The SJ Kids

I didn't do everything, I made Mai but the other two are made by my comic teammates, @tireddovahkiin and @darknadaworld respectively. Their lore is all made by the 3 three of us yapping and brainstorming hehe

These OCs are pretty much here to make this Samurai Jack Gen2

Mai

Mai is Jack's adoptive daughter, she's a 8 year old Chiyuchilla (extinct species that looked like colorful chinchillas with (minimal) healing powers), She's a samurai like her dad bestie

Cheerful, happy-go-lucky, very stubborn and resilient. But also a bit of a scaredycat.

Roni

Roni is Aku's first son (aside from Ashi cuz nobody knew she existed atm). He's a 11 year old tiny Oni (or whatever Aku is lmao). He was created by Aku and he's the world's best and fastest machine builder.

Stubborn, determined, tough and stoic, definitely not talkative, but secretly kind.

Muran

Muran is Aku's second son (and Costar's only son). He's a 4 year old (later 5) mix of an Oni and Star folk. He looks like a dragon wiwi.

Curious, silent, excited, affectionate (with his fam) and a bit mischievous 😈

If you came from the Smile animatic part I posted, what you saw there was their adult versions.

(Muran wasn't in that exact part but you'll see him later ✨)

A little thing to add about Muran:

Like Aku, he can shapeshift easily so his height always varies. What you're seeing here are his small forms.

As a child his default height was 5'1/154cm. As an adult it's about 50 feet/15m. Scarily close to Aku. He might often make himself way smaller to interact better with his fam.

Another important OC of the au comics is Costar. She's not one of the kids and isn't present in the animation but it's still really worth mentioning.

She's a Star being that got thrown to earth, now living there with Aku and becoming his most beloved servant. Then some sort of empress of the earth. (cosku moment)

(Art by Darknadaworld)

Costar's full ref and info here

So yeah, these four are super important for the au!

The AU comic (only 2 pages so far but we're cooking lol)

[arolesbianism]

hey, me again. I finally managed to beat the jorge questline and made quite the realization- the log about the sandwich being stolen and something tracking dust everywhere is most likely actually referring to jorge, considering the context you get it in and the fact that we know jorge is from pre-earth-explosion.

The log in question-

I think this does give some sort of idea as to how big a dupe is, because obviously he'd have to be small enough to not be noticed in his sandwich thievery... ik youve probably combed thru these logs dozens of times by now but as a fellow lore enjoyer i feel like you'd find this interesting

Ive never thought of the idea that dupe Jorge could have been the one stealing the sandwich, that's a cool theory! I personally always assumed it has something to do with one of the previous logs for the hermit story, but looking back on it, it is called a pod entry, which would imply the crashed thing they're extricating resources from was a printing pod related vessel, which means that dupes might have been on board. As such, it would make sense if one of them survived, and was sneaking around stealing food to survive. I had always assumed that B577 was Jorge's doner, explaining Jorge's relevance, but that's actually a rly good point you made and this has helped me understand this log a lot better! I will say though, on the topic of dupe size I tend to be pretty iffy on size speculation given that a lot of ppl tend to ping them as Much smaller than they likely are, as while they're definitely smaller than normal humans they're most likely not like teeny tiny, more likely being roughly half of their donors height based on the very few direct pieces of dialogue we have about duplicant height in relation to human height. I do imagine that a small height likely played a role in his ability to stay hidden, but I think it'd be a rly neat detail if B577 was Jorge's donor and that also contributed to him staying under the radar, with him looking similar enough to get away with being caught at the edge of someone's vision for a moment, especially since he seems to have actually been kind of attached to Ren and Banhi, given the toolbox description and the description of it holding sentimental value to Jorge. Perhaps he was lonely there, and saw the others as friends in a strange way?

Either way this actually lines up a lot more with my initial idea of what his deal probably was, I had thought of him as smth of an escaped dupe who was in hiding before everything went down. Neat stuff!

[magicxc]

Holidays

Pairings: Survey Corps - their fave holidays

Word Count: 871

Warnings: none

A/N: I considered Japanese holidays for this bit but then laziness got the best of me. Like most pieces I create with these characters a lot of how I envision them will relate to western/modern culture in some way or another. Though they probably won't celebrate half of the holidays I'm about to list, I want to reiterate that this is my idea of the traits these characters possess and also they are not real. 

Headcannons Masterlist

Eren  - Christmas

Eren is big on family, especially the family he’s made with Armin and Mikasa. It’s clear that he stands ten toes down behind them and when he gets his own family, it’ll be much the same. I actually think having kids will bring out the fluff in Eren and he’ll be that obnoxious holiday parent that's doing the most with decorations and presents. But it's honestly the atmosphere that gets him going. The holiday cheer, the kindness, the emphasis on giving - he loves it all. 

Levi - New Years

The new year signals a new beginning but also the close to another chapter. Each time Levi makes it to a new year he’s thankful but mostly shocked. From life underground to humanity's biggest threat, he never knows when disaster might strike. But, when the clock strikes 12 it's a moment of relief, one where he can sit back and relish in the thought that he’s made it to another trip around the sun. 

Erwin - Fathers Day

Lmaoo I'm not tryna make Erwin sound egotistical at all, but I was also running out of popular holidays. The day the Scouts headed to their mission to plug wall Maria was the first time we saw them get a standing ovation and it was also the first time we saw Erwin express such vocal excitement. Even though he can come off a bit aloof, I thought it was fun to see him in that way. That being said I think he’d enjoy being celebrated and can even play up the wowwwws at the macaroni necklaces and handprint construction papers lol. He would love and take care of his family obvi but it’d also make him feel good to feel that admiration in return. 

Connie - Thanksgiving 

You feed this man and he’ll love you forever. It’s his favorite holiday because it has back to back benefits. There's tons of food, a four day weekend off from work, and the opportunity to spend time with his family. He’s the type to pitch in money but over the years Connie has been more inclined to learn how to cook and has even started bringing in a dish. He’s most excited to try a Friendsgiving as he considers them family as well. 

Jean - Valentines Day

I firmly believe that Jean is a romantic. I don't think he’d be the most creative at gift giving lol but it’s certainly the thought that counts. On valentines day he goes all out - teddy bears, flowers, chocolates, etc. ya know, the usual. Although his gifts are very on the nose and sometimes he needs to be spoon fed the information, what he lacks in creativity, he'll gain in experience; learning to step his game up as the years go by. Again, sweet guy. 

Onyankopon - Easter

He more so likes the spring break aspect of it. With the flowers blooming and the sun making regular appearances, it was usually the first sign to what summer would be like. Ony enjoys traveling, meeting new people, and experiencing different cultures. So although spring break was meant to party, which he did, Ony always made the time to immerse himself in the customs of whichever country he visited. Now as an adult, he still indulged in his version of spring break as he always enjoyed the mini relaxation that it brought about; thinking of it as his summer outside of summer. 

Reiner - Independence Day

Reiner is over the whole patriotic thing, however he can't help but enjoy the events that take place because of it. There’s literally a bbq happening on every corner so he’s for sure house hopping for a plate. There's all sorts of sales and Gabi is making him put that wallet to USE hunnie. And while he doesn’t mind, he more so enjoys their time spent together. There's also the beautiful fireworks that light up the evening sky. And at the end of the day he gets to spend his remaining time with family, gathered around over good food and even better vibes. 

Armin - Mothers Day

Armin is def the type to dote on his wife. Hard day at work? He’s rubbing the stress out of your shoulders. Hungry? He’s cooking and prepping lunch for the week. Overwhelmed at work? He’s booking you a spa day. Armin literally adores his woman and enjoys any chance he has to celebrate her and Mothers Day is no exception. Expect him and the kiddies to hand make you some arts and crafts, cook you breakfast, and plan the holiday around your desired interests; with him making sure, at the end of the day, to show you why you celebrate the holiday in the first place. 

Floch - Halloween

He’s big on the spooky vibe but not to a concerning extent. Like many others he just enjoys the activities surrounding it. This is actually where Floch flourishes in creativity and fun. He’s making spooky themed treats, decorating to upstage the next door neighbor, and enjoying all the movie classics. Let's not even get started on the lengths he’ll go through to make the most life-like costumes and the parties where he shows it all off?? Top mf notch! Bonus points for getting some action at said parties.

[pillowmints4lloyd]

HAVING 10000 THOUGHTS ABOUT YOUR EVIL LLOYD AU HE JUST DRAGS HIS DADS CORPSE AROUNS??? help I'm vividly imagining him like. taking his dead father to the amusement park and going on a rollercoaster. like you look at the pictures the coaster took and it's just this kid having the time of his life with a corpse strapped in next to him 💀 WAIT WOULD HE SHOW THE PHOTO TO GARMADON AFTER HES REVIVED LIKE "dad look at this!!! we had so much fun!!!! ^w^" AHHHH. Quick question, what would Lloyd do if he perceived Garmadon wanting to leave (again)? Like, if Garmadon wanted to go to another area (alone) to try and find a way to fix something w/o Lloyd there (I imagine he's looking for a way to "fix" Oni Lloyd, or do SOMETHING, but doesn't think Lloyd would be very receptive,) and so asks Lloyd to be Somewhere Without Him for a while? Would Lloyd like. Let him? what would Lloyd do if Garmadon tried to separate from him (I don't think Garm would up and leave leave, but I imagine he might slip away to get some kind of help from any living Allies w/o his son's knowledge because. Y'know. his son Isn't Really Himself,) without Lloyds knowledge? If he tried to sneak away? How would Lloyd react?

HEHE IM GLAD YOUVE TAKEN AN INTEREST TO MY AU :D. I just really wanted to write an AU with an insane + overprotective Lloyd and Sensei Garmadon because he's my favorite Garmadon version.

He's overly paranoid, and swears he won't let his father get hurt again because he's died TWO TIMES! So he mostly keeps close at all times, unless Garm asks. Lloyd let's Garmadon be on his own for a short period of time, his confidence mostly stemming from the fact he has a heightened sense of smell due and would be able to track his father down. But he doesn't really like doing that, preferring to spend time with Garmadon.

If Garmadon tried to sneak away, hmm. Lloyd would be slightly upset. Not at Garmadon, but at himself. He must've done something wrong, Lloyd would think, maybe the food isn't to Garmadons liking or something and then try to add some new stuff here and there. He would probably stick to Garmadon like hot glue, setting up some extra of his warriors around. Also would get highly suspicious of random citizens passing by Garmadon.

If Garmadon were to sneak out though, Lloyd would have to be asleep or on an exhausted sugar high.

[oracleofdiscord]

just realized i've never shared my Garmadon Lives AU idea with you guys

it's something i came up with while watching season 5 with @destinysbounty

you know how in season 5, sensei garmadon is trapped in the cursed realm by unbreakable chains? it got me thinking - what if there was a way to break those chains, but it was just beyond what an individual (like lloyd) could do and instead needed to be more of an act of fate?

basically the premise for this au is that morro isnt content with just possessing lloyd, but instead finds a way to actually steal his powers/destiny, becoming the green ninja

but a version of the green ninja who's never actually...fought the Ultimate Battle from the prophecy. and garmadon was kind of a key part of that battle

so destiny itself causes the chains to break in an attempt to set the Ultimate Battle back up for morro to fight, which means that lloyd is able to successfully rescue his father when he goes to the cursed realm

so sensei garmadon comes back! i was picturing him coming back fully because he physically went to the cursed realm, body and all, but i could also seem him coming back as a ghost although in that case i'd need to rename the au

so lloyd and sensei garmadon go to confront morro together (basically the chase-through-the-realms fight from the end of the season), and the fight being 2-against-1 helps balance out the fact that now morro has the green ninja's power

they're able to take lloyd's power back during that fight, and the rest of the season pretty much plays out the same as the original

now, i haven't really decided how this changes season 6 (probably not much) and season 7, but i have absolutely thought about how season 8 exists in this universe.

the sons of garmadon still exist, and harumi is still their leader. but rather than wanting to bring garmadon back from the dead, she wants to bring garmadon back to his old evil self

basically, she thinks this version of garmadon is weak (pretty sure that actually is something said in Garmadon Rulez!) and wants him to go back to what she sees as his stronger self

she still ends up hearing a voice from the mask, but rather than lord garmadon's voice, it's more a general personification of the evil magic in the mask. it promises that it can help her restore the version of garmadon that defeated the devourer

rather than a resurrection spell, harumi gets her hands on a spell that can essentially re-awaken the darkness in an oni's heart

(the reason i say specifically an oni's heart is that i'm picturing the spells being from the same source, and it's all oni-related magic. and also for another reason we'll get to later.)

although having garmadon around and actively trying to stop her once the truth is revealed does make things more difficult, she succeeds in the end, turning sensei garmadon back into lord garmadon

(i'm picturing that playing out in the same order as the resurrection - it's assumed she failed, she gets taken to prison, but then the spell does in fact start working)

from there, everything plays out pretty much the same as in the actual show, with one exception:

surprise! this is also a Mystake Lives AU now!

basically, instead of getting killed when she gets caught by emperor garmadon, she gets the same spell used on her, turning her evil

however, after the oni trilogy, she basically does the same thing as garmadon of going off on her own adventures and vanishing, rather than enacting any grand evil plans

so in season 11, during that part in the ice chapter when sensei wu and p.i.x.a.l. are trying to reach the ninja but don't have enough traveler's tea, they decide to try and track down mystake to see if they can convince her to help

this turns into a little adventure of its own. they do eventually find her, but are unsuccessful in convincing her to help them

however, there are some hints that they might be starting to get through to her and the evilness induced by the spell isn't neccessarily permanent, foreshadowing garmadon's arc during crystalized

and also leaving mystake as a possible future character because it's what she deserves

[emeraldhazeart]

Oh hey thank you for following XD I am curious since you like tmnt 03 and Leo is your favorite I was wondering what’s your opinion on Raph how do you feel about him?

Hiya. Thank you so much for your ask 💚

Oh stars, I love all the 03 boys! Every one of them is just perfect, as far as I'm concerned. They will always be the version of the turtles, for me. 😅

This got long, so I've put it below a Read more 😅

I must admit, though, I didn't really vibe with Raph when I was growing up. You're right: Leo is my favourite, but in terms of personality, I'm much more like Donnie. So, I found it difficult to connect with the brash, "count on [him] to throw the first punch" Raphael.

That said, I've really grown to appreciate Raph as I've gotten older. Fanfic is always a powerful empathising tool for putting you into the mind of a character you might not have otherwise gelled with, and there are so many fantastic explorations of his character out there!

In addition, I guess my own worldview has evolved as I've grown wiser. So now, I'm much better able to see his hot headed temperament and gruff exterior for what they really are: Ralph's own unique way of expressing his love for his family.

I love how he's the Red Oni to Leo's Blue. I love how they're two sides of the same coin. I love how they each take up the mantle of the Responsible One™️ when the other is going through it. I love how there's no denying they love each other as brothers, even when they're at each other's throat.

I love how considerate he is of Donnie. I love how they've got this unique bond where they can come together and talk machines as equals. I can definitely see why they're often portrayed as twins in fanon.

I love how clearly the push and pull between him and Mikey is a way they show they care about each other. I love how ready Raph is to give Mikey outlets, even if he hides it beneath a frustrated growl and a slap on the back of the head.

I love how he seeks out Splinter for guidance in the rare moments when he's lost. I love how you can tell his Dad means so much to him, even if Raph will only ever say so through actions rather than words.

I love how Raph is always the first to jump to any of his brothers' aid. I love how it's clear that, even though he may talk tough, at the end of the day, his family is the most important thing in the world to him, and he's not afraid to show it. I love how his Number 1 priority is always and forever to his family.

(I know that seems a bit redundant - they'd all put their family first. But I feel like Raph is perhaps the only one that would choose to save his brother's over the rest of the world.

Leo would be bound by honour to do the Right Thing, Mikey's compassion wouldn't let him save his brothers over an innocent, and Donnie would be forced to choose the most logical option. None of them would like it, but they'd all feel compelled to act for The Greater Good, even if it meant sacrificing their family.

But Raph? I honestly can't see him making any other choice but his brothers. Sure, he'd lay down his life for them in a heartbeat, but to paraphrase the words of Amy Rose in Sonic 06, if Raph had to choose between the world or his brothers, he'd choose his brothers.

And I don't mean that in a negative way. It's an impossible Trolley Problem choice, and there are no right answers. I don't think Raph is any less noble for making the "selfish" choice. If anything, I respect him more because he would make that choice, and he'd defend it to the end.)

Wow, that got long, sorry 😅 I didn't realise I had that much to say about Raph. Then again, that's the beauty of the 03 turtles for you: they're such goldmines of exploration and characterisation 💚