#I mean definitely a rant

[yoinkschief]

now do it again with adventure time and its related medias

You don't know what you're doing to me yOU KNOW I JUST FINISHED THAT SHOW YOU ASSHOLE !!!

Fuck, I don't even know where to start with it really, it hasn't festered in my brain long enough to accumulate the agressive love that I have for things like the M(arkiplier)CU and Eddsworld, but truly it's getting there

It's one of those shows I went into thinking "I'm gonna watch this so I know what's happening in Fionna and Cake :3" and came out of it actually crying over the finale that shit was so good

The show was NOT a kids show and I don't at all regret waiting until now that I'm an adult to watch it, it handles topics surprisingly very seriously, like the idea of finding out who you are as a person and what it means to be alive in a world we don't actually understand

Watching that show I thought Marceline and Bubblegum was a last minute thing the show runners thought of with how it was framed to me when their kiss happened in the finale, how I was told about it was from people with homophobic values and incel like behavior but at the time I didn't think of it as anything to write home about, I saw it as just another show trying to have last minute queer representation, a rushed "THEY WERE GAY THE WHOLE TIME!" moment

But watching the show, seeing their first interaction together, truly it clicked that it WAS planned from the beginning, the way that PB had explained that yeah ofc she kept Marcy's shirt, it meant a lot to her, the way that up until that point and even way after, they haven't blushed at anyone else - maybe embarassing things, but not something sweet and meaningful like that, only to each other

And when I learned about Finn having a crush on PB it was, again, before I watched the show from people who were young at the time and naive, explaining it as their OTP or "a really cute will they won't they" and watching the show, seeing how it was explicitly said that PB was too old for Finn, how PB never lead him on or even tried to give him the impression she was into him, just Finn being a kid and having a crush cause he likes women and is friends with one, trying to figure out how hormones works as he goes through puberty, it's crazy I love how the show handles relationships

Like Flame Princess and Finn's relationship - WOW, like actually WOW, I vaguely remember watching some episodes of Adventure Time in my youth but nothing substantial, like I watched some from the first few seasons and then I remember hearing and seeing talk of FP and Finn's breakup and the aftermath of it, but not much of it actually happening, and last thing I remember is the "Elemental" arc and being really intruiged by it but never being able to watch it

But the way Finn later properly apologized to FP ? How he feels guilty all the way up until FP forgives Finn for properly apologzing ? That was so rewarding to watch, the writers really care about it's characters, it truly shows

But, I also wanna infodump about what I'd mentioned in my tags of the Markiplier rant, how I made the connection between The Cask of Amontillado and Season 9, Episode 14 of Adventure Time, because I think that was one of my biggest brain moments I've had in a while

I'm too lazy to rewrite it all out though having just written TEN THOUSAND WORDS SO instead I'm just gonna copy and paste what I wrote to my partner about it (who loves the Cask of Amontillado, too :) I really love Poe's work fuckkk)

In the episode beforehand we see Fern (Grass curse version of Finn) struggling with the fact that he, being made from Finn's time loop self preserved in a sword that was then taken over by the curse of Finn's old grass sword, is different than Finn himself

He believes that since he shared all of Finn's memories and is a version of Finn (again, time looped version of Finn from Prismo's plan B shenanigans which if you're confused or curious about I would gladly explain) he is no different than Finn but still feels like he's falling short and losing to Finn, like he's a lesser version of him (having naturally violent tendencies, being in Ooo while Finn was away and failing to protect it from the "Elements" arc, failing to win against Finn in even rock, paper, scissors after a series of draws, etc.)

So he decides he's going to take over Finn's life and become "the only Finn", in his words -which I wanna also talk about because that was dropped at the end of EP 13 (the one before the last episode, 14)

When Fern says "the only Finn", Finn says out loud "uh.. yeah. But that's a weird thing to call me" which shows that Finn truly believes Fern to be a different person than himself, which brings me to a conflict that happened in EP 14 where Finn and Fern are in this dungeon together and Finn stops to bring up his appreciation for Fern and feeling a close bond with him (already thus insinuating that Finn believes him to be separate because why would he bring this up if he thought of Fern as a different version of himself, there would be no reason because their similarities are a given, but I think Finn going to an entirely separate reality (Farmer Finn reality) and seeing a wildly different version of himself made him realize that just because he is Finn, he's not Finn, if that makes any sense)

Finn goes: "Hey, Fern! Wait up! Hey, I just wanna say that, it's really cool that you're in to this stuff, y'know? That we have so much in common! It feels almost like we're real brothers, right? Or.. even closer!" and this causes Fern to pause

Finn is very heavy handed with the whole "found family" thing, equating people he's close to as either his family member or a romantic interest later turned friend but still very close to his heart (as with Jake and now Fern being called his brothers, though Jake more literally as they were raised by the same parents, and BMO and Nepter his and Jake's sons as they both raise them and are wildly different in age or at least implied age, and PB and Flame Princess though those have wildly different things I'm not gonna get into but was handled extremely well)

But Ferm took it less as Finn seeing him as someone detached from him and who just so happens to have the same interests as him in the same way that Jake does to Finn making fun of him for being just another version of Finn and seeing himself as just that

Even MORE fucked up is how they got here in the first place in one of my favorite ways to torture someone mentally: Hiding in plain sight

End of EP 13, when Fern gives the line "the only Finn", we see that he's able to shange his grassy self into Finn's human body, and earlier in the beginning of EP 14 we see Finn talking to Jake, Nepter and BMO, all of the inhabitants of the house who are all talking about going to the market to buy a replacement trumpet for Jake who's trumpets keep mysteriously breaking (BMO is quick to give in to the guilt of this and apologizes for being the destructor of the trumpets before Finn and Nepter pull an "I'm Radio Rebel" on them)

But what we see when they leave is that Finn is actually Fern and has convinced Finn that he's able to "shapeshift" as a new ability, and shape shifted as Finn specifically to play a prank on the others. Come to find out when Fern and Finn are dungeoning, Fern plans to leave Finn in that dungeon room in the most beautiful interpretation of Cask of Amontillado I've EVER seen

Let me elaborate

In the Cask of Amontillado we see Montressor literally lead Fortunado to his death and even show it to him and TELL him about it Sure he tricked him into going along with it, but Fortunado is still confused as to why Montressor would be blocking him inside his own tomb despite having willing walked into it after repeatedly being shown Montressor's hand, his cards, his knife, whatever you wanna call Montressor practically showing him the weapon he was going to murder him with

And in EP 14 it's driven home FURTHER by the fact that Fern LITERALLY WALLS FINN'S ONLY EXIT OFF WITH STONE AFTER FINN WILLINGLY WALKED IN UNDER THE GUISE OF IT BEING A TREASURE ROOM

Fuck's sake the parallels are INSANE, I high recommend watching the on screen play of Cask of Amontillado and then EP 14 of Adventure Time because the parallels are incredibly similar Like to the point where Fern pushes out a brick in the same fashion that Montressor left out a brick to talk to Fortunado one last time before resealing the hole up and walking away from the cask

If that's really confusing, I had to explain to them AT lore because they don't watch it and also I didn't reread it when I was writing it, I wrote it in a frenzy cause that's genuinely one of my favorite episodes now so sorry for any spelling mistakes

Also I'm literally obsessed with Fionna and Cake's intro, I don't know why but THAT SCRATCHES THE BRAIN SO GOOOOOD FUCKK

like truly I'm thinking about it and it won't go away

Also L + ratio + bozo to people getting upset with Marshal Lee being black despite in canon Marceline's mom was black so really all it did was confirm Marceline's dad was black coded and she's not mixed

ALSO I LOVE DONALD GLOVER WHY DID ANYONE THINK HE WASN'T BLACK ??? I mean I know that the VA doesn't determine the race of the character, but I mean COME ON

But I will never forgive the writers for naming Prince Bubblegum "GARY"

what is he a SNAIL who lives in a PINEAPPLE under the SEA ?

[acornered]

I've never really self-identifed as butch because my style sensibility leans more toward effeminate gay man/eccentric grandparent but while my girlfriend was visiting, the clasps that held the shoulder strap of her handbag kept breaking (thanks temu), and finally I got fed up and fixed it by

a) wrenching off the old clasps with a pair of plyers and

b) replacing them with the only clasps I had on hand, which were 2 giant carabiners

and yeah, now that I think about it, that is incredibly butch lesbian behavior.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[anime-potato-san]

I SEE ONE MORE FIC OR BLURB OR WHATEVER DEPECTING ARKHAM JASON AS MEAN, ABUSIVE, OR PRACTICALLY ASSULTING THE READER, I'M GOING TO FUCKING SNAP!

MY MAN IS NOT LIKE THAT.

He is traumatized and not going through a good time, but he is shown to actually care about his men, even when he's harsh on them. And do people forget how he treated Barbara? Think about it: after everything Jason went through, would he really treat the person he loves like shit and abuse them?

NO, HE WOULD NOT.

[julia-loves-cupcakes]

His route really cannot come soon enough, I need to know more about my husband :'3

Also some different hand designs because I liked them too much to discard and a nice yellow background so I can pretend he's not incredibly sad

[mephoj]

late night chat

[nebulo-philiac]

Browsing the megastar tag is so funny because there's always one or few posters with "PROSHITTERS DNI" on all the posts and it always amuses me like ah yes, megastar, the most universally healthy relationship dynamic in all of tf and definitely not problematic and absolutely not considered a proship by 80% of the fandom

[pineconnie]

last night i had a dream where evbo said pvp!evbo was intended to be like 14 and i spent the rest of the dream just thinking “oh my god that’s so fucked up what the hell”

[thefrogdalorian]

A little love letter to Din Djarin writers... 🤍

I love that some of you write him as soft and gentle while others focus on the darker, harsher parts of his personality. I love that he can be both a quiet, kind man caring for his child or an intimidating, terrifying bounty hunter who is a lean, mean killing machine... depending on what the fic warrants.

I love how you write him with other characters from The Mandalorian or even with those who would never cross paths with him in canon, from Star Wars or elsewhere. I love how you write him interacting with yourselves and us, and some of you even create your own original characters to exist a long time ago in a galaxy far, far away alongside him.

I love that some of you ship him with that one other special person, while others recognise how desirable he is and ship alllllll the ships. Not forgetting those of you which are here for none of those ships and/or even headcanon him as ace. I love that any of those options allow you to explore your own identities and sexualities through him.

I love that you can write the most tooth-rotting fluff or filthiest smut, and all of those things in between. Whether it's for general audiences or explicit and strictly 18+ ... all of your fics have an audience and someone out there who appreciates your writing.

I love how differently you can interpret him, but there are also so many common themes and tropes running through your writing. I love that there is room for all of your Dins here.

I love that he means so much to you and that all of us here hold him in our hearts a little bit. I love that we can all watch the same episodes and come to entirely different conclusions about him. I love how much we love him.

Getting to be a part of this wonderful community and interact with so many people who love the space tin can man as much as I do has truly been one of the best things that happened to me recently. I'm so glad I made this little blog... It reminded me just how good fandom can be. I am blown away by the number of talented people here!

So, I just wanted to take a moment to express some gratitude towards all of you! Thank you for writing your Dins and please don't ever stop. Finally.... last, but not least:

I love Din Djarin!!!

[yeetushaitus]

MORE ace attorney sketches oooo beware of spoilers ooooo

i might like her a little bit

i came up with like 90% of these while i was half asleep so theyre not very funny but whatever

anwyas calisto yew brainrot!! tbh i like her more when shes yew like idk... as shih-na shes kinda boring ngl and shes not NEARLY as funny in the present even when she does reveal that theyre the same person

the stupid sunglasses gag with lang is hilarious though like what are those 💀

no but actually shes hysterical and her laughter is infectious she literally never fails to make me laugh with her

also i love that it seems to be genuine?? like its not the typical "mwhahahahaha im evil" or "hehehe im planning something devious" like shes actually laughing at edgeworth whatever she finds funny because she genuinely thinks its absurd or hilarious or whatever and i LOVE that as a character quirk

i havent gone back to aai1 let alone i-4 in SO LONGG tbh might get the collection to play aai again(or maybe not.... idk if i can get through i-3 without throwing myself out of a window)

in conclusion bring her back capcom you cowards /j

[milquetoad]

of the many injustices put forth toward the show by fans i think the most overall damaging and telling of a complete lack of critical viewership is the idea that sam riegel builds his characters with nothing more than the bit in mind. like you are only telling on yourself if you think characters like scanlan shorthalt and veth brennato are one-dimensional and depthless

[gib-mir-gift]

in the aftermath of s6e11 im convinced most of these people saying that theyre disappointed with the ending(s) are only saying that cuz only one scene changed across all three, some plots that were left open werent concluded (lets be real here. no show has ever cleaned up n finished all its plotlines), and nandermo is only happy ending hypnosis canon (again. we knew they were never actually going canon since like series 2) and almost nobody dislikes it for any reason beyond that. literally the only major thing that stuck out to me as being bad is the guide somehow being anti-immigrant

theres a reason why ive largely distanced myself from the wwdits fandom until recently and its cuz yall dont seem capable of just. accepting that canon wont be perfectly everything that you want it to be. as much as i understand being disappointed in how it ended and it not really meshing w your tastes, acting like the finale was gonna be this big perfect thing even though the cast n crew have been taking the piss out of the 'perfect ending' idea for A Very Long Time (EVEN THE EPISODE(S) DO IT!!!!!) is just setting yourself up for even more disappointment imo

[celestialrealms]

I just noticed Mephisto matches with Barbatos (who is matchy with Diavolo) in the anniversary outfits in his SSR memory card

These three were also the only three who had half masks in the masquerade event!!!

Anyway, The Royals with Mephisto chat group when? We got one for Purgatory Hall with Raphael..... it's just fair !!

And one for Mephisto and Diavolo as well, but also one for Mephisto and Barbatos too. because you can't tell me their relationship isn't deeper than the devs portray when Mephisto has lines like this about Barbatos's room:

[castleofravens]

“Fintan isn’t a twink” “calling fintan a twink reduces/degrades his character” im gonna hold your hand while i tell you this…

[the-way-astray]

alright everybody can we please stop tagging me/talking about me in the notes of pro keefe/sokeefe posts. i know strieefe has made it so that it's really funny to talk about how much i love him and how much i'm in denial when i say negative things about him under those posts (and that's all in good fun and not the problem), but we have to think about the fact that the ops are just trying to make a positive post and probably don't want a keefe hater in their notes /srs

[idjits-areus]

Okay, can we just take a minute to appreciate the chaos god that is Loki?

1. He has a case just for lollipops like people have cases for cigars.

Trickers have a sweet tooth, yes, but this? This is dedication. Commitment. Showing his love for dumb dumbs of all things.

When Gabriel was "playing" Loki, he would conjure up all sorts of sweets. He would always have some sort of candy in his hand. He was trying hard to play the part. When it comes to the real Loki though, all we see in the like 20 minutes he's on screen for, is this case of lollipops. Nothing else. No other sweets. He doesn't need to show it because everyone knows he's the real deal at this point. The excessive sweets was all Gabriel.

2. He's extravagant.

From his housing choices

to his outfit

he's extravagant. He is a Norse god after all.

The hotel/motel he chose to stay in is shitty at best. It's dirty and probably falling apart. This God though. He uses his abilities to make the room look like a 5 star hotel.

And his outfit in this episode. It's the perfect mixture of cocky and classy. And he rocks it.

That brings us to

3. He has way too much confidence and is way too cocky

From his posture

to his facial expressions (also see the hallway image above)

it just radiates cocky confidence. It's like he's amused by the whole situation. That is until Gabe drives the wooden sword through his chest, then and only then, do you see the momentary fear in his eyes as he slowly fades.

And finally,

4. He uses illusions without continuities

With Gabriel, there is always some sort of continuity error that inevitably pops up (mainly because I believe that he wants to be found out as much as he would hate to admit it). Loki though, he leaves no room for error.

Sure, Dean wasn't looking for any potential illusions when confronting Loki, so I can't necessarily argue that Loki has no continuity errors. That doesn't detract from the fact that, from what we saw, there wasn't anything until Dean tried to stab them.

Loki knows what he's doing. He's been doing it for centuries. I'm choosing to believe that he wouldn't be that sloppy with continuities, on purpose or not.