#I may or may not add more to this one day. like another chapter of rambles. idk yet

[damthosefandoms]

This old house

(ao3 link) (based on this post)

Summary:

The house will always be theirs, and nobody can take it away from them.

———

There was something so incredibly enticing about the attic pull cord. 

Maybe it was the proximity to Darry’s bedroom door; how every morning when he was younger, he’d get up and stand on the step-up to his room, and try to jump clear across the upstairs hallway, like the floor was made of lava, to the step-up to his parents’ room to wake them up. How he’d always manage to narrowly avoid that pull-cord smacking him in the face as he did so.

He still remembers his mother nagging him about it, about jumping around the tiny landing when it would be so easy to misstep and fall down the steep wooden staircase to his inevitable doom. He remembers his dad laughing and telling Mama to relax, because Dad did the same thing when he was a kid, growing up in Darry’s same bedroom, back when Grandpa Pat sacrificed a decade’s worth of paychecks to give each of his three boys their own bedroom, and built that addition onto the side of the house himself in between shifts at the factory and fighting in the first world war. Maybe it wasn’t perfect, but it was home, and Grandpa made sure of that.

Grandpa used to tease Darry when he was real little, back before he passed; he’d hold him up and show him his best handiwork, which in hindsight was just an amateur addition to the side of an old two-story cottage, and Darry would wiggle around in his arms and try to grab at whatever he could, including that stupid pull cord. He’d laugh and untangle it from Darry’s pudgy baby hands and put him down for a nap, right there in that room that never belonged to anybody except Darrel Curtis.

Darry thinks about Grandpa Pat every time he sees it, these days. He can’t help himself when he goes up there, always reaching out to hit it, like he’s a middle school boy trying to show off and touch the top of a doorway in the hall—it’s instinct. He’s still there, in that bedroom—a room built by his grandfather, and now that he works in construction, Darry thinks about that a lot. About how his grandfather put his whole heart and soul into making this place a home, something that their family could use for generations, and how he’s unintentionally letting it go.

If you pulled the cord, a drop-down ladder would take you up into the attic, and it would take up the entire upstairs landing when it was down. You could barely maneuver around it, and that wasn’t Grandpa Pat’s fault, but when Darry was seven, he thought his Grandpa built the whole house (he didn’t—just the two side bedrooms, upstairs and down) and would blame him for everything that he felt like complaining about. Darry could grab the cord if he jumped, but his mother used to nag him about trying, saying “quit it, baby, I don’t want you takin’ a tumble!” as he’d stand up on his tip-toes at the edge of the staircase trying to reach it.

But one day, Mama’s distracted, stuck between trying to convince her most picky eater that carrots aren’t going to kill him and trying to get baby Pony to take medicine for his fever. This is his chance—Darry’s been eating his greens and finally, finally he is tall enough to pull down the attic ladder. He just wants to see what’s up there, maybe find out where that roof leak is that Dad mentioned the other night, and maybe he’s a little stir-crazy because this is the era of barefoot kids playing baseball in sandlots, but it’s a summer afternoon in 1954 and it’s raining cats and dogs out there in east Tulsa, so he can’t go play outside.

His five-year-old neighbor Keith is sitting on the step-up to Darry’s bedroom door, laughing, and his laugh only gets more infectious when the attic door opens and the ladder drops down. Darry dives out of the way, crashing into Keith as they fall back through the door onto Darry’s bedroom floor. Mama yells something up from downstairs, but Darry ignores her, telling Keith to grab the bucket so he can get it up there so Dad doesn’t have to worry about it later. 

Fast forward and Darry’s twenty years old, reaching for that same pull cord so he can put away the holiday decorations. They don’t have to worry about leaks anymore, because Darry’s got a new job and has learned how to fix the roof, but that ladder still drops down like it has it out for him, and this time Two-Bit holds it steady for him. This time, Mama isn’t there to warn him to be careful.

---

The thing about living in what used to be a glorified summer cottage is that it’s nice, almost, in the summer. They don’t have one of those fancy central air conditioning units, but with all the windows and the front and back door open, a nice breeze will blow through every so often.

Darry remembers the summer of ‘57, when he was ten years old, and he was determined to send a paper airplane from the front door all the way out the back. Two-Bit told him it wasn’t possible, not with how their house was laid out (“Maybe if it was a straight shot, but there’s a wall in the way, Dar, it just ain’t gonna work,”) but Darry’s got two little brothers dead-set on helping prove him right.

Keith’s being going through a bit of a know-it-all phase lately, hence why they’ve started calling him Two-Bit—something about getting a little sister and “becoming the man of the house” as he puts it seems to have given him the idea he’s got to be the boss of everybody else, too. But Darry doesn’t care that the kid’s dad left right before Christmas right after his mom found out she was pregnant or that his best friend is no longer an only child or has to be involved in everything. Right now, all that matters is that he’s trying to steal Darry’s role as the coolest big kid in the neighborhood. 

Darry’s the oldest. He’s the smartest and the best at football and he’s been organizing their Fourth of July baseball games (because Darry might think football is better but the Fourth of July is a baseball holiday) for three years now, since enough big kids like them moved in to play. Two-Bit Mathews will run their little corner of the East Side over his dead body. 

He tells Sodapop and Ponyboy very carefully when they’ll need to turn on their little fans to make this work. He can only pray that his brothers are better listeners than Two-Bit’s five-year-old neighbor. The Cade kid doesn’t even talk! Pony can count to twenty and he hasn’t even seen his fourth birthday yet. Soda will make anything happen for a candy bar. Darry’s got the best throwing arm this side of the tracks; he’s got this in the bag.

Darry’s paper airplane takes a nosedive as soon as he throws it.

Ah, well. Bad luck. He’ll get his best buddy back at some point.

---

The downside to being the oldest in the neighborhood is that Darry gets stuck with the most boring jobs. At least mowing lawns makes money; walking his little brother to his friend’s house? Are you kidding? But Mama saw one too many missing kids’ faces posted on the milk cartons and now, in the fall of 1959, Darry’s stuck walking Sodapop down to his friend Steve’s house. 

It’s a longer walk there than to any of their other friends’ houses, which isn’t saying much because Two-Bit lives basically across the street and Johnny’s two houses down from him. Steve’s the only one whose house isn’t on a road directly facing the lot, though; it’s in the next block over and Darry figures that’s why they hadn’t met him until Soda started school. Or maybe he’s one of those kids whose parents just don’t let him out for some reason. 

It wouldn’t shock him if that was the case, not with how Steve’s mom had died. Darry remembers the day his mom told him about it, just a few years earlier. He had been sitting on the counter drying the dishes as usual, just opposite the oven in their tiny kitchen so he wouldn’t be in the way while his mom pulled out a piping-hot lasagna. 

“It’s for Mr. Randle and his son,” she’d said to him, placing it on the stove to cool while Darry carefully dried Soda’s favorite plate. “Glory, that poor little boy. He’s about to lose his mother. No child should ever have to grow up without a mother.”

He wonders if Soda knows what happened, or if Darry had just been told because he was old enough to understand it. The boys hadn’t met until after Mrs. Randle’s cancer caught up to her, anyway. He wonders if Steve ever talks about it. If Darry’s mother died, he sure as hell wouldn’t. Just the thought of losing his mother sends chills running down his spine. 

They’d walked this same way that day, cutting through the lot to deliver the food. Darry had skipped around the bases on the overgrown baseball field, just like Soda is now.

“Why’s this here anyway?” He muses, and Darry glances over at him. 

“What?” 

“The baseball field. Nobody ‘round here even likes baseball. I mean, Dally’s the only kid in town who really goes for that kinda thing, but he spends his summers in New York with his mom and prolly sees games all the time, but I don’t know nobody else who plays, so why we got a field here an’ all?”

“Grandpa Pat told me he asked the city to put up a backstop,” Darry says, kicking an old Pepsi can across the sandlot. “He got everyone in the neighborhood to go for it, hoping it would keep Dad an’ his buddies outta trouble. The socs on the other side of town got a real nice little league park and they thought maybe us greasers would be good like them if we got one. ‘Cept the city’s supposed to take care of our field too, but they don’t, so we got nothin’ to do and get into trouble anyway. If you ask me, I say they shoulda made it a football field, but I figure that was more expensive.”

Soda picks up a stick off the ground and swings it like a sword. “Everything’s expensive.”

“Nah,” Darry mutters, “we just don’t got no money.”

---

Sodapop’s favorite thing about their old house is the load-bearing crayon mark trailing from his bedroom door upstairs, all the way down and around the corner to the living room fireplace. Bright red crayon, scrawled for what felt like miles to the toddler behind the crime—probably his greatest feat to date. He doesn’t remember doing it, but Darry’s always reminding him who the culprit was.

Nowadays Ponyboy’s the artist of the family, and Soda’s crayons have been long since passed down. But the other piece of homemade artwork in the house that Soda treasures isn’t one of his brother’s. Ponyboy might’ve gotten his love of movies from their dad, but he got his artistic talent from their mother. Back before Soda was born, Mama was so deeply convinced she would be having a girl that she decorated the nursery for it, complete with pink, flowery wallpaper and little horses along the baseboard. She’d gotten a horse stuffed animal instead of a teddy bear for her baby girl and when a boy was born instead, she put her foot down and stood by it. Called him her little cowboy. 

(His horsey is named Rascal, by the way. Pony’s the only one who knows he still sleeps with it stuffed under his pillow because every time he sees it, he zeroes in on the “surgery scars” from where his mother had sewed it back together after playing too rough as a kid and he’ll run a finger over the stitches and feel close to her again.)

Soda may not have been the best academically, and maybe he couldn’t even attempt to really start reading until he was seven, and maybe he’s not the best at math but—there are 167 little horses along the walls of his bedroom. He’s named and treasures every single one of them. Admittedly, the walls of what was originally Soda’s bedroom still are covered in the pink, flowery wallpaper. It proved too much of a project to take down.

---

Seeing Paul at the rumble, for Darry, was like seeing a teacher in public. A person that you’ve compartmentalized away into being in one specific part of your life and never expecting to see outside of that. Of course, that’s where the comparison ends, and now, with Ponyboy sleeping the day (and hopefully his fever) away and Soda working a triple shift at the DX because Darry’s gotta stay home with the kid, he’s left to his own devices. 

That’s never a good thing, because free time always ends with him either stressing about money or thinking about Paul, and that’s what brings him upstairs to his old room, where now he’s trying to patch the hole Paul punched into the wall when they were seventeen. 

He’d been angry with his parents that day. Darry doesn’t remember the exact reason why, but he’d watched as Paul slammed his fist into the wall, immediately cringing away afterwards in pain. It wasn’t the first time someone’s done that in their house, and it probably won’t be the last, but it left a hole there that Darry covered up with a football poster and forgot about until now.

Now, when he can still feel Paul’s fist on his jaw. Damn. He really should’ve iced it.

Darry thinks back to that night. He’d been lucky, really, that no one overheard the whole thing. Usually, the walls between their rooms upstairs were so thin that anyone sneaking in would wake Soda up immediately, but when he tore his ACL at the rodeo, their parents made Ponyboy switch rooms with him, and that kid—once he’s really asleep—doesn’t wake up for anything. Except the occasional nightmare, or if he’s sleepwalking, which is why his room was downstairs in the first place. But then Soda got thrown off that horse and his knee has been and probably always will be fucked because of that, and so he gets priority with the downstairs bedroom. Fair enough.

(Pony moved back into that room with Soda anyway after their parents died, so it’s not like it was ever that big a deal. Darry sure isn’t complaining about having the whole upstairs to himself these days. He gets some quiet.)

Paul would show up pretty often back in those days, and here’s the thing. Darry’s bedroom was upstairs, the one on the side of the house, and probably the second-nicest room behind Ponyboy’s, because they both had a window on three of their four walls. Sodapop used to bitch and moan for hours about how hot his room would get at night, having the tiniest room in the house, right above the kitchen. The only downside to Darry’s room upstairs was that Grandpa Pat apparently missed the class where they taught him how to build a level floor. 

(Seriously, it’s a good thing Darry’s got two closets built in, because even his bed will slide down the floor if you don’t push it up against the outer wall, and he could swear it’s getting worse over time.)

That and the fact you’d have to scale the side of the house to get in, which probably didn’t help Paul’s attitude when he was already pissed off. 

Well, he was probably more scared than anything, but Darry’s been sworn to secrecy on pretty much every conversation they ever had that involved Paul’s parents, so he’s not about to question it. He knows what goes on in that empty house on the West Side. 

He punched the wall and Darry had snuck downstairs to get some ice and the first aid kit, praying Soda wouldn’t wake up and hear him. 

They don’t really talk about it, but… but Darry gets it and he’s got a way he copes with getting angry, so he talks Paul into coming with him downtown to Tim’s once his hand is healed, to borrow his punching bag, the same one he was teaching Darry to box on.

There’s a million things Tim Shepard could say about Darry bringing a soc into the ring, but he keeps his mouth shut, ‘cause he knows better.

The thing is, Darry gets angry too, and he gets angry a lot. And it’s really hard to stop being angry once you start, sometimes. His parents have reminded him time and again about when he was eleven how he’d gotten so frustrated while playing with his brothers that he’d held Soda upside down from the monkey bars until he cried uncle, and then when Pony snitched and Mama came out to holler at him, he got so worked up yelling back that he dropped Soda.

And, you know, all those hours in the emergency room waiting for somebody to put a cast on his brother’s arm kinda knocked some sense into him. He doesn’t want anyone to get hurt just because he couldn’t control his anger ever again.

So boxing kind of helped. It gave Darry something to get his anger out on, and it was exercise, and maybe—just once or twice—he had made a few bucks off it. He never told his parents about it. They’d gotten real upset back when Soda was nine and spent a month practically begging Mama to sign him up for classes ‘cause he heard about it on tv and thought it was cool.

Dad used to tell them never to hit anything he could hurt. And Darry gets that, he does. But Grandpa Pat didn’t take the fall for nothing, and the money he’d posthumously made from it all paid off the house. Darry lost all interest in the sport after his parents died, and he pretends he doesn’t know that Soda still sneaks out to Tim’s backroom ring just like he used to, just to feel something. 

Darry doesn’t hit people or things anymore, or he tries not to. Whether it runs in the family or not, it has fully lost its appeal. 

Until a storm takes the chimney off the roof and Darry feels like punching another hole into the wall. It’s just one thing after another.

---

The post on the corner of the wall by the kitchen is cracking. Darry hasn’t cried in years—not in front of anybody, anyway, not like Soda does or Pony will under pressure, but.

But right now he feels like sitting on the floor and sobbing.

He knows how to fix it. He knows he should, and maybe there’s even enough in the budget this month to afford it. But at the end of the day it’s really just cosmetic, maybe, and the rest of the house has cracks in the walls and water damage and stains and that fucking crayon mark, and those—well they aren’t more pressing but he thinks about it a lot.

That’s not what’s killing him.

The crack in the wood, now big enough to really be noticeable, is about three feet above the ground, and it runs right through his dad’s name, written in Grandpa Pat’s shaky handwriting. 

Darrel 6/7/30 — 3 y/o — shoes on.

Not the lowest point on the Curtis Wall of Fame’s height chart, but one of Darry’s favorites. It’s dumb. But he crouches down and runs his hand over the letters anyway. He looks a little above, searching for the same date. 

In pencil: 

Patrick Jr. 6/7/30 — 10 years — new boots!

Mikey 6/7/30 —  8 years — barefoot.

Darry’s the only one of his siblings who met their grandfather, but even he’s never met his uncles. They both died in the second world war.

Mama’s on there, too. Only once, and the date reads their wedding anniversary—the day she moved in. The same date is by dad’s name up at the top. Neither of them had much more growing to do, at that point. 

Well, Dad didn’t. Mama was growing a baby at the time.

God, Darry misses them.

He looks down again.

Darrel Jr. 4/17/58 — 11y/o — shoes on.

Sodapop 8th birthday — no shoes.

Ponyboy Michael Curtis 11/14/1953 — 4mos. — sock feet.

Darry can’t help but grin at that one. It’s Pony’s first, measured younger than anybody else. Sock feet. It’s so Mama. Soda’s entries never seem to have shoes on, probably because he has never once willingly worn shoes (or socks) in his life. He hates the way it feels wearing them, and Darry swears he’s spent more of his life listening to Soda complain about his socks being itchy than he has playing football, and Darry has played a lot of football in his twenty years. Soda complains about shoes more than he complains about reading, and he used to cry over having to read six times a day. 

Their family are not the only people they keep track of. The height chart is like a welcome to the family. He knows Pony’s always looking at this wall, like he’s memorizing just how long their friends have been part of their lives.

Keith Mathews — 16mos. 10/20/50 — no shoes.

No surprise there. You know someone's family when even Darry doesn’t remember a time without them around.

John Cade — 4/13/1957 — 6 y/o — shoes on.

Steven Randle — almost 7 — 4/13/57. No shoes.

There’s a mark with Soda’s name next to it listed with the same date. It’d been the first time Johnny and Steve slept over. Soda hadn’t stopped talking about it for a month after. Darry wonders if Soda had realized why their parents hadn’t wanted either boy to go home.

There’s a few marks with names scratched out. Darry knows the one pretty high up that looks like it was carved out with a knife used to say Paul’s name. He’s pretty sure Soda scratched out Sandy’s, too.

Somebody must’ve been embarrassed and started to scribble over the next one he reads, but  they must’ve gotten stopped halfway through, because it’s still legible:

Dallas W. age 9 — cowboy boots — 12/21/58.

Darry’s still lost on how Mama pulled that off. Dally’s got only one other mark on the wall, pretty high up, actually:

Dally — 17th birthday (1966) — cowboy boots.

Soda’s also got one from that day, and it’s the only one where he is wearing shoes, actually. Cowboy boots, just like Dally. Soda had begged for them for years, and got them sixteenth birthday. 

It had been an apology gift from their dad, for banning him from the rodeo. They couldn’t afford Soda risking his health like that, but they could find room in the budget for some nice boots, right? Soda hates shoes, so begging for them was a big deal.

That, and Soda just really likes matching with his friends. Hell, Darry’s half-convinced the reason he works at the DX with Steve is because they get to have matching uniform shirts and hats.

(Well, that, and Evie’s dad owns the greasy joint and has known them for years, so he hired Soda full-time on the spot when he dropped out of school. Apparently he used to be buddies with Uncle Patrick, and Mr. Mathews, actually, back before the war, but now he’s the only one left. Darry kind of understands the feeling.)

Darry hasn’t made the gang line up since his parents died. Most of them are done growing anyway, and even if he did have time to think about it, he can’t imagine seeing anybody’s handwriting up there for his friends, other than his Mama’s and Grandpa Pat’s and maybe a few other family members Darry never got to meet. He runs his hand over the most recent mark, his Mama’s last.

Johnny 12/25/66 — 15 — NEW yellow high tops!

Pony had spent months saving up to get him those. Now they sit up on the mantle collecting dust because he won’t let anyone touch them. 

There’s a crack in the mantle, too, but this house is all they’ve really got, and it just wouldn’t be home if it wasn’t falling apart.

———

bonus inspo pics (because this fic was based on my grandma’s old house that she's since moved out of & it doesn't look like that anymore due to renovations over the years so i'm not doxxing anybody, and I miss it there so. fucking. bad.):

[jasperxkuromi]

Play ideas for chronically ill, disabled, or otherwise bed bound/low energy littles

Hi all! I am chronically ill. I am not comfortable sharing my specific diagnosis, but I am more than okay with talking about disability in general. Everything below is based on my own personal experiences and activities I like to do while stuck in bed. Everyone's body and experiences are different. I may list some things that just aren't an option for you, and that's okay. You are more than welcome to add on to this post with activities you do too!

🐛 Open the curtains and cloud watch! I like to look for clouds that remind me of animals or characters and day dream a story about them. If the weather is nice, consider opening your window a little bit and letting some fresh air into your room.

🐦 Bird watch! I have a bird feeder outside my window that I painted myself from a kid's kit. There are also bird feeders that have suction cups that can be stuck right on your window. You can also make your own seed ornaments. You could pick yourself up a kids book or two on learning to identify birds.

🌷 Get a window planter. You may need someone's help to set one up, but once they are in place they are fairly easy to care for. I like pansies and marigolds because they remind me of childhood, and they are low maintenance and do well in containers.

📖 Audiobooks are great for middles who want to read chapter books. If you have a library card you can borrow tons of audiobook, ebooks, and comics through hoopla and Libby for free. There are some audiobooks for younger kiddo books, but honestly I think YouTube is better for that.

🖼️ Scrapbooks and journals! Being penpals with another little is also an option, but I do recommend using basic internet safety and common sense. (I don't think you should do this if you are under 18). You could always scan/take pictures of your letter and send it digitally to your penpal instead.

🛏️ If you spend a lot of time in bed, and have the money to do so, I really recommend getting items to make your time in bed more comfortable. Extra pillows, or even a reading pillow can be helpful. Lap desks or bed tables can give you space to color or set up play scenes with small toys.

🌟 You can also decorate the area around your bed to make it more child like! Fairy lights, glow in the dark stars, bed canopies, posters, and the like.

🪑 I have a floor chair I use for times I am playing outside of my bed. Being close to the floor helps me feel small, but not having back support hurts after a short while. I have an adjustable one that I can lay flat on the floor as a sleeping mat. Very helpful for the times when I need a quick nap after playtime.

🎨 Check the seasonal and kids sections at dollar stores and Five Below. I usually find fun craft kits that can keep me occupied for a bit for really cheap.

🧶 Do your own crafts! I like the knit and crochet. Some people can do them in bed, but I find it difficult to find a comfortable way to do that. However making friendship bracelets in bed works out pretty well. They make great gifts, even for non little friends. Or you could make matching ones for you and your CG or favorite plushie!

🪀 Make your own sensory bin! You can find tons of tutorials and ideas online. Bonus is you can get most of the items you would use at the dollar store. There are tons of other DIY sensory toys you can make as well if you look around. Glitter/shaker bottles are pretty popular too.

🐇 Cuddle with your stuffed animals. Tell them stories. Play pretend. Read to them. They will appreciate all of it.

🎮 If you have an old 3DS stuffed away in a drawer somewhere, pull it back out. 3DS are fairly easy to install homebrew and there are toooons of kiddo friendly games you could get (check 3ds.hacks.guide for this, do not follow tutorials on YouTube or random websites as they very well could be outdated)

💊 Decorate your medicine organizers with stickers. If you use mobility aids you can decorate them as well! Fake flowers are great for decorating mobility aids and there are tons of ideas you can find online.

🍼 I have stomach problems that makes it hard for me to eat enough. I often drink Ensure to make sure I am getting enough calories/nutrients. I get the strawberry flavor and sometimes put it in my sippy cup and pretend it is strawberry milk 😋

😴 If you need rest, rest! You deserve to get as much sleep as your body needs. Babies and toddlers take naps all the time! Trying to just exist with chronic health issues is difficult enough. You don't need to push yourself.

[truelovepolinator]

Nicola and Luke are ABSOLUTELY TOGETHER and have been all along and here’s how I know

(Friends, I’ve just finished this and it is INSANELY LONG. Like, two looong book chapters long. But I PROMISE it’s worth it. I was gonna cut it into multiple parts to make it more readable, but I’m going to be super busy over the next few days, so I wouldn’t have a chance to post subsequent parts until probably Christmas, so I’ve decided to drop it all now so I don’t delay the final victorious conclusion. Sorry, it’s so long, but I don’t really have time to rethink it and try to tell the story in a more concise way. Again, I think you’ll be glad you stuck with it if you want to feel as thoroughly confident as I am that Nic and Luke are absolutely together.)

(Also, I have to run now, but I'll come back to add relevant photos/videos as time allows. But I'm sure you're all familiar with them anyway.)

So I want to start by saying something I’m sure I’ll repeat. This is, of course, just my opinion and supposition based on the evidence available to me. But I also want to say, I am absolutely, positively sure now in a way I have never been. Genuinely not a doubt in my mind, and I think you’ll agree by the end of this.

It’s also worth noting that this may be nothing new to some of you. I’ve only been on this platform for a week and have barely scratched the surface of the great content here. So this is how *I* came to the final, joyful conclusion that everything is right with the world where lukola is concerned. I had long been sure they belonged together, but was afraid to embrace the theories about them actually being together now for fear of heartbreak, plus all the confusing signals about A & J, etc.

But all that changed a couple nights ago when I finally got the last piece of the puzzle I needed to see the big picture. There were just too many things that didn’t make sense, until they did! I literally couldn’t sleep that night (seriously only got about 2 hours) and then spent next day telling my husband the story for hours (in 20-30 minute increments as he could spare them during his slow, Christmas time work day).

My husband has been a patient, long-suffering skeptic through all of this. He’s put up with my rants and constant videos I just had to share, but he’s been completely convinced from day one that they simply leaned into their friendship to turn on faux relationship vibes for PR. He was absolutely sure it was all just make-believe for the fans. No matter what I showed him, he could not be convinced.

Until yesterday. Yes, I convinced the toughest skeptic in town.

I think it’s important to start with my journey into the Lukola fandom for context. I was a casual Bridgerton watcher until this season, and had never read the books. I liked season 1, I loved season 2, and I was looking forward to watching season 3.

I had planned to wait to watch the first 4 until the second half was about to launch (so I wouldn’t have to wait for more), but I realized after about a week that we needed to watch it immediately before everything was completely spoiled by timeline gifs and clips.

Needless to say, I was beyond hooked. Instantly. Season 3 was another level for all the reasons you all know. Finally I could engage safely with the fandom, but the process from occasional Polin/Lukola content to nonstop immersion took some time. So even following the second half, there was a TON of footage I hadn’t seen.

All of this to say, I basically missed all of the World Tour stuff as it was happening, and it took well into the summer to finally see so many amazing clips and edits that I was absolutely fucking sucked into the lukola wormhole. However, I was well behind many of you on the curve, and even to this day, I’m still catching up on things.

But by late summer, I was all in. I was sailing high on USS Lukola (or I suppose that should be the HMS Lukola!) because I saw exactly what you all saw. This was clearly real, their feelings were indisputable, and everything about their behavior and much of what they said was so far beyond PR, even “faking couplehood” PR.

They were real. Even if he had this dumb girlfriend. (I say that only in the good-natured, abstract sense that I wanted him with Nic, not in a personal “actually about her” sense. In fact, I’ve never said anything hateful about either A or J and I hope I never will.)

WHY AREN’T THEY TOGETHER???

I couldn’t resist the mystery.

It drove me absolutely crazy for months trying to understand why they weren’t together. Nothing made sense, but I mentally explored literally every possibility. They’re afraid of ruining their friendship? They’re afraid of disrupting the production if it goes wrong? These possibilities at least made some kind of sense and seemed to be the only explanations I could find. But in my mind, they weren’t good enough reasons to resist what these two so obviously had. Still, I’m not them, so that was easy for me to say. I had nothing to risk in this.

One or both of them is/are secretly gay? Soulmate besties instead of soulmate lovers? I didn’t think this was the case and nothing made me believe this. Yet, I was attempting to allow for every possibility. Still, with Nicola being the super vocal “gay icon” that she is, it was hard to imagine she wouldn’t live out and proud if that was the case. And apparently she lived with an unknown man for two years. Though she does always keep her private (romantic) life super private, so I suppose who knows? And, of course, Luke had two very public past relationships with women, but again, who knows, I suppose? This option doesn’t ring true at all, but it does exist in the universe of possible explanations for this inexplicable situation.

They love each other in a soulmate way, but somehow one of them just isn’t “attracted” to the other? Certainly, if the stories about Antonia were true, that might suggest that Luke might be attracted to an entirely different physical type than Nicola. But that didn’t ring true either because LOOK AT THEM TOGETHER! He can’t take his eyes off of her, let alone his hands. And the same for her. They are magnetized to each other. If that’s not attraction, what is?

One of them has baggage and isn’t ready for a real, serious relationship? This one seemed possible. People can have hang-ups or wounds for all sorts of reasons, and letting someone in – especially someone who might actually be your soulmate – can be terrifying. Self-protection by avoiding relationships and/or distracting yourself with less meaningful relationships is a natural way of coping with baggage. Yes, maybe this one? Neither of them seems obviously wounded, but what would I know? Most people don’t wear their wounds on their sleeves, least of all during a PR tour. Still, the energy flow between them seemed anything but wounded. It seemed like the healthiest, happiest thing in the world.

People kept saying, they’re blind and they don’t see it yet. But I don’t believe anyone can be that blind. Especially after watching all the countless edits and clips of their tour, which we know they did because Nicola is chronically online and sharing with Luke the best of it all (and sneaky Luke is likely lurking also).

So at the end of the day, I had no good explanation. It just kept not making sense.

Then those music festival photos of Nic and Jake (I’ll abbreviate sometimes for ease, but I do say their names) showed up. The fandom erupted into chaos with full reactions across the spectrum including a bizarre, almost immediate burst of (not yet named) jakolas, which felt like a disproportionate response to a few photos.

Admittedly, those photos did look quite friendly, and touchy, and yes, they stood arm-in-arm. But lots of friends stand like that at concerts. And Nic is known to be touchy-feely, so let’s not go overboard, I thought. However, I did acknowledge (in my head, I didn’t weigh in online at all) that it suggested that it COULD be romantic. I opted not to freak out, because either way, Nic’s love life is her own and I want her to be happy.

And it’s worth saying here that both of their private lives are none of my business, none of any of our business, and even writing this is completely at odds with that truth. I acknowledge that. But what I told myself, and actually meant it, was that I was going to stay out of it unless and until NicLuke got together. That was the only place I would invest my energy since they’ve both said they think it’s sweet that fans ship them. If they dated others, good luck to them. Be happy. But when the time comes…

Yes, friends, the time has come!!! But back to my story.

Note that (because again, I was still catching up), I hadn’t yet seen the swimming in Sorrento photos and had missed that piece of the puzzle at that point. Throughout this time, I’d see people refer to things on Twitter like everyone already knew what they were talking about, but hardly anyone ever took the time to explain. So I got lots of glimmers of things that others felt were notable, without actually knowing any details. Those pictures were an example. Another was the Claddagh ring.

I’m very grateful to some amazing deep dive blog entries by @threeacttragedy that explained the ring, “Bless the Telephone,” and other meaty, important history that I’d previously only heard mentioned in passing. In fact, one of her blogs is what first brought me here by referral from Twitter. And if you don’t follow her, you should!

In the past week, as I started reading blogs that broke down past dates and clues, I finally started looking them up one by one and trying to put the pieces together in my head. I’d seen the swimming photos by then, but I revisited them. I dug in to try to understand the references to a “New Year kiss” from the night the friend group (Rory, etc.) posted photos together from a Soho House party. I reviewed Hot Boy Summer, I rewatched the incredibly emotional video of Luke meeting Nicola’s mom, I looked at photos of the Claddagh ring and went to Chupi’s website. I learned about the LA photos from April, both Antonia’s version and the InStyle Polaroids. I reviewed all the photos of Luke and Antonia that I could find. And I reviewed all the photos and videos of Nic and Jake that I could find. Also, I listened to “Bless the Telephone” about one hundred times. Lol.

Regarding Luke and Antonia, I had the same response in this deep dive I’ve had every time. Weird. I mean, if I didn’t feel so strongly that Luke was in love with Nicola, and if I knew nothing about him except he was some hot actor, could I see him dating someone like A? Sure. But the fact that there are almost no pictures of them posing together, alone like a couple, is weird. Even if it’s super casual and she was just his date to some stuff. The fact that Luke looks grumpy in both sets of pap photos (premiere night and swimming in Sorrento), but A is smiling happily in at least one of the premiere night photos is weird. The fact that after the Sorrento pap photos, Luke seems to leave his friend group to come home early, and then stops liking any of his best friend Rory’s photos from there on, weird.

The fact that in the fall, she posts pictures harkening back to a place and time they were apparently together, but without any actual photos together, weird. And the continual drip, drip of Likes from Luke is weird. And then when a photo of Luke in a restaurant in Rome is posted by the restaurant, she immediately follows with a video story of someone making pasta in the same restaurant, weird.

Perhaps weirdest of all, the fact that she pre-posted the LA pictures, and then he gave other versions of the same shots to InStyle. Especially the switching seats thing. If my husband and I were taking pics of each other at a café, I’d take his picture in front of the traffic, and he’d take my picture in front of the restaurant, because that’s where we’d be sitting. Across from each other. So why switch seats to take the photos? It’s not like that street with traffic was such a fantastic backdrop that we’d each need our turn with that shot? And they’re the same, with the same table number, but different. Sure, traffic moves, but weird coincidence that they each had a white truck, but a DIFFERENT white truck. So, like I said, weird. Always implying they were together, but never actually saying/showing it. Weird.

I read all sorts of theories from pragmatic (we just have to accept that they’re dating) to hateful (they’re not together/never were, but she’s obsessed and keeps inserting herself in a pathetic, desperate plea for attention and followers) to seemingly far-fetched (some sort of NDA that means for some reason Luke is obligated to Like her photos). Only the first of these seemed plausible. I maybe didn’t like it (not maybe, I didn’t like it at all), but I thought, “Yes, I guess we just have to accept that they’re probably together until they tell us otherwise.”

(Though I held out a small sliver of “but we don’t know anything for sure until L and/or N tell us themselves” hope, which remains true even as I write this.)

Now, let’s talk about Nic and Jake. First, there were those shots from the concert (discussed above). Then, I believe, were the NYC shots (if I’m not confusing the order). In the NYC shots, they were both there, but they weren’t especially intimate in any interpersonal sense. Then, the pap shots on the street posted on DM, ostensibly catching them walking home together, holding hands and arm-in-arm after a night at the pub. With those photos came an onslaught of fandom fury and gossip site reporting about how “Nicola Coughlan confirms her relationship…” Same story runs across a bunch of trashy sites, all saying the same thing and citing an unnamed source talking about how besotted they were, or whatever the quote was.

Admittedly, I was among the furious fans. Not because of what the pictures showed. Again, I was trying to be serene and Zen about them and their private lives. I believed with all my heart that NicLuke belonged together, but if now wasn’t their time, I’d have to wait. I didn’t love that I’d heard he was only 24, but I was trying to balance my efforts to be a non-judgmental person with my discomfort over that issue and reminding myself that her choices are none of my business (unless she chooses Luke!).

So I did my best to refrain from judgment, even as I saw the fandom erupt into toxic madness about whether it was true, whether he was gay, whether the age gap was wrong, whether DM lied about the date, and if they did (which they did), why? But I figured, unless the photos were very, very old, things weren’t likely to have changed in their relationship over a couple weeks, so I wasn’t overly concerned about the date.

However, I was angry about all these stories (basically the same story across the board) announcing that she’d “CONFIRMED” the relationship. It made me very angry that they said she confirmed something when she’d done nothing of the sort. I wasn’t prepared to argue that she wasn’t dating Jake at that point, but why would they all run this story, with this headline, when what actually happened was a paparazzi photographer snapped shots and sold them, then the media drew conclusions from what they saw?

Nicola never confirmed a damn thing. So why were they running this headline so universally?

I was also angry that the photos existed at all. Photos in her neighborhood could reveal her location and put her safety at risk. Also, how did they happen to be there to take those photos late one specific night? Felt like they must have received a tip. But I moved on and forgot about that part.

Time went on and I saw more and more discussion of Jake’s sexuality. I don’t really want to get into that here because I don’t really feel comfortable speculating about anyone unless they choose to explicitly come out, but I did finally start poking around his page, Douglas’s page, etc. and began to understand why people were saying what they were saying. However, I reminded myself that bi/pan-sexuality exists and I wasn’t willing to partake in bi-erasure, so I held my tongue and kept watching.

Now, at this point, I want to remind us all that Nic has always been extremely private and uttered nary a peep in public about her romantic/sexual life. And fair enough. It’s none of our damn business. Also, she’s talked extensively about how women are not just men’s girlfriends and her feminist take on many things and how it doesn’t feel nice to know that people are more interested in her love life than her work. She’s worked freaking hard to achieve the success she’s now enjoying, and she certainly should not be reduced to a woman in a relationship. No matter who is on the other end of that relationship.

(Again here, I feel the need to acknowledge my hypocrisy in writing this, but I really do genuinely love Nic’s work and spirit and activism, etc. as well.)

So, in light of her position on all of that, we wouldn’t expect her to go public with a new love interest. The fact that she was papped with this guy (if indeed he was a love interest) was just an indication of how much her celebrity and profile have grown. There’s greater interest now and she’s more recognizable now, so it’s to be expected that she’d have a harder time keeping her love life private now than in the past. Not so strange then, that she got caught a couple times in paparazzi photos at this point.

However, would she really then go public with that guy? That would mark a radical change in her behavior just when you’d think she’d want to be the most private because the glare of the spotlight is brighter than ever. Still, she allowed a public photo with him, Camilla, and Evan Ross Katz to go out shortly thereafter. If one believed they were dating, that could certainly be interpreted as a launch. Yet, as I said, would she really do that if she were dating him?

Then he started popping up everywhere. I won’t get the chronology here right because I don’t want to research the dates right now, but there was the Charlie xcx concert, in which she appeared with Jake and Dylan, who is out and proud. The Queer premiere where he was just caught in the background of a fan photo. The simultaneously released photos from the red and gold restaurant (with a mysterious third person taking the photos). There was the apparently brunch-time photo of her with Jake and two others, taken by Dylan. And most recently, Louisa’s photo with Jake and Douglas (who is also openly gay and close friends, if not more, with Jake).

I’m not mentioning all the players in all of these because it’s not critical to the story, and I may be forgetting some photos, but there is a point to all of this. First, there’s potentially a notable shift in what she’s allowing to be shared here. Again, historically, she’s never shared anything about her love life. Suddenly, she’s letting him be photographed everywhere. Also, at most of these events, there were other queer participants and/or queer content (the movie premiere).

And while she’s never allowed her romantic life to be shared, you know what she has often shared? Photos with all of her platonic friends, including her huge friend group of many, many gay men. So this trend in what she’s allowing to be shared suggests that she’s telling a story and clarifying Jake’s role in her life.

But then there’s that one mystery release, the simultaneously timed restaurant photo drops. Clearly coordinated, clearly indicating they were there together. No indication about the third party. Why? Just enough to hint that there might be something going on, and to continue wreaking havoc in the fandom.

Because remember that toxic fandom bickering over all of this? The jakolas swearing they’re in love and soon to be engaged and furious at the lukolas for “being blind and refusing to accept the truth and it’s so disrespectful to Nic ('who you claim to love') by disregarding her feelings and treating the love of her life so badly. They keep showing you they’re in love and you won’t listen!” Etc., etc.

Meanwhile, the lukolas fall into a couple camps. By this point, most have decided Nic and Jake aren’t dating, but some remain circumspect. Some scream back at the jakolas, ostensibly in defense of Jake, saying very similar things about “Jake and his friends are doing everything in their power to show you the truth and you refuse to see it.” And a variety of other responses. Everyone’s mad at everyone.

And all of it, every bit of it, keeps us ALL talking about Nicola Coughlan and Luke Newton. Nonstop, every day.

Now, we are nearing the big mic drop of all of this, and I want to say at this point that we need to remember that Nic and Luke are HUMAN BEINGS who have a right to privacy. And they are celebrities living in a world that has an intense interest in their love lives. And sometimes, we might not feel good about the measures they must take to protect their privacy. We might hate those measures. We might feel manipulated, and we are. But if we love and respect them as much as I hope we all do, we can also understand and forgive them for taking such measures.

A quick review of important factors in all of this:

THINGS THAT TELL US IT’S REAL

The Galway trip and that very emotional introduction to Nic’s mom, which looked for all the world like a woman meeting her future son-in-law

The Claddagh ring and how she’s been wearing it

The things reporters, cast, and crew have said in passing and/or posted, not to mention recent open shipping from Ryan Wheeler and Shondaland’s IG

Everything we saw with our own eyes on the world tour, not to mention everything we’ve seen in the BTS

Little droplets of NicLuke over the recent months like Bless the Telephone and (not yet mentioned above) the S4 selfie and the photo of them in costume that Nic said she thought she’d shared, but now it’s ours (while she hasn’t posted any Jake)

The absolute consistency of all of this as a story that makes sense

THINGS THAT MAKE US DOUBT IT’S REAL AND/OR KEEP US GUESSING AND DISCUSSING

The premiere night pap photos (and though I didn’t mention it earlier, the fact that Nic went home that night so she wasn’t around for A’s attendance)

The friend group photos at Soho House with Luke, A and others

The weird LA InStyle photos

The Sorrento swimming photos

The multiple sets of pap photos of Nic and Jake, including grainy night-time neighborhood photos (with a woman walking a dog in the background)

The way every gossip news outlet ran the same “Nicola confirmed her relationship” story with the same headline and the same anonymous quote

The weirdly devoted, intensely defensive jakolas/Jake stans that seem to care about nothing but Jake/jakola out of nowhere and love screaming at and stirring up shit with lukolas

The chaos and constant discussion of all of this over the past 6+ months

The absolute inconsistency of any of this with anything in the top group

So, this mystery just gets deeper and deeper, and none of it makes sense. Every time I’d try to accept that they were just seeing these other people, something would bump in my head. There were just too many weird things that didn’t quite make sense and the biggest, weirdest one of them all was that NICOLA AND LUKE ARE CLEARLY IN LOVE WITH EACH OTHER.

So while the pieces would always almost fit, the puzzle never quite took shape. Until two nights ago when I stumbled on @lukolafan ’s page after they liked one of my posts. I scrolled down their page and found a link labeled “Lukola PR Strategies and Fake Narratives.” I cannot scream this loudly enough. GO VISIT THAT LINK!!!!! (I’ll add the links myself later if I have time.)

I did and it led to a series of Reddit posts taking an academic approach to teaching us, the general public (and lukola fans) PR Media Literacy. Among the various topics it discussed were things like:

“PR Firms and Entertainment Media: Coordinating “News” Across Gossip, Entertainment, and Official Publications,” which talks about using anonymous sources, more about staged paparazzi, and repeated narratives (“outlets echo identical stories, reinforcing PR-approved messaging, for example, multiple outlets platforms describing a celebrity ‘rising above’ a controversy, quoting the same anonymous insider” – Sound familiar?)

“The Invisible Hand of Celebrity Privacy: How PR Fabricates Narratives and Manipulates Fans,” which includes ways that PR strategies intentionally manipulate fans to fight/debate celebs faking relationships, and more (sound familiar?)

There’s honestly so much meat in all of these (there are a couple others as well) that they are ALL worth reading. There is definitely some repetition, but still, the content is super insightful and revealing and can help us all be more savvy consumers of media.

But I want to focus on two CRITICAL posts, in particular.

“The Role of Staged Paparazzi and Gossip Outlets in Celebrity PR Campaigns”

The first part of this piece talks about the method for staging fake paparazzi photos to create narratives. Two items of particular note (and I’m excerpting directly):

Quality Control of the Image: While professional photographers use high-quality cameras, staged paparazzi photos are intentionally manipulated to appear grainy or blurry. This adds a layer of authenticity to the photo, making it look as though the photographer stumbled upon the celebrity by chance.

Extra Figures in the Background: Another key tactic in staged paparazzi photos involves the use of background extras—people who might be walking with dogs, pushing strollers, or simply in the vicinity.

Think of Nicola’s photos walking home with Jake, a woman walking a dog behind them. Some of them are clear, but some are quite grainy, despite the fact that professional photographers have great equipment and are more than capable of taking a night-time shot.

Another excerpt…

Gossip Outlets: DeuxMoi and the Symbiotic Relationship with PR Firms

With the rise of user-generated content and anonymously submitted tips, gossip websites have become integral to the modern celebrity PR machine. Sites like DeuxMoi thrive on rumors and speculation, providing a platform for fans and anonymous sources to share celebrity gossip. PR teams exploit these platforms to feed their desired narratives without appearing to directly control the flow of information.

How Gossip Sites Like DeuxMoi Work:

Anonymous Tips and Leaks: PR teams often send anonymous tips to gossip outlets, offering details about celebrity activities or sightings. These tips are deliberately vague, leaving room for interpretation and speculation. Once posted on sites like DeuxMoi, the stories tend to snowball as they are shared across social media and republished by larger outlets.

Fueling Speculation: These posts generate buzz and speculation, keeping celebrities in the public eye without any direct confirmation. Gossip sites become a key player in amplifying the narrative, as fans, influencers, and media outlets continue to discuss and spread the information.

Mutual Benefits: While gossip sites operate independently, there is a mutual benefit to the relationship between them and PR teams. Gossip sites thrive on traffic and engagement, while PR teams can ensure their client’s name stays relevant in the public discourse. By subtly feeding stories, PR teams maintain control over how their celebrity’s narrative unfolds.

The piece goes on to give specific examples like Kendall Jenner and Bad Bunny, Tomdaya, Gigi Hadad and Zayne Malik, etc. then talks about fake fan interactions and how to spot them.

It offers key questions to ask about the photos you see (like what story is it telling and why and who benefits?) and then it gives this example. If your ears aren’t already fully perked, this will do it:

Example: 37-Year-Old Famous Actress and 24-Year-Old Lesser-Known Celebrity

Narrative of Romance or Distraction: In this case, the 37-year-old actress is likely fueling rumors of a relationship with the 24-year-old to either distract from something else in her personal life (like a real romantic partner) or to refresh her public image. The younger celebrity could be hired to play a temporary love interest or interest figure in the media, leading people to speculate whether they are more than just friends.

Creating a Romance or Mystery: The photo of them walking arm-in-arm, laughing, or holding hands might suggest that a romantic connection exists. This could be used to make the actress seem more relatable, desirable, or single, even if there is no romantic involvement behind the scenes.

Diverting Public Focus: If the actress is privately in a relationship with another celebrity or involved in an ongoing controversy, the staged photo with the younger celebrity helps to deflect attention. By inserting a "mystery romance," the public is more interested in who the new partner is, leaving the actress’s real partner or issues to stay out of the spotlight.

PR Stunt to Revitalize Publicity: The actress might not just be looking for romantic gossip but also fresh exposure. A curated paparazzi shot could serve as a PR tool to keep the actress's name in circulation—be it through romantic rumors, new partnerships, or simply new media content to fuel speculation.

Potential Body Double for Real Partner: If the real partner is shying away from the public eye or trying to avoid the media, the younger celebrity might act as a "body double" or decoy. This helps maintain an image of the actress being in a public relationship, while allowing her to keep the real relationship.

Don’t think I need to explain the relevance of this very specific example. There’s a lot more in the post, but I’ll move on for now to the next key post.

“Breadcrumbing and Coordinated Campaigns”

In this piece, they offer first some key breadcrumbing tactics, many of which sound awfully familiar.

Common Types of Breadcrumbs:

Cryptic Social Media Posts: Celebrities post vague messages or abstract references, sparking fan theories. Example: Harry Styles posts cryptic images or quotes, prompting speculation.

Coordinated Social Media Timing: PR teams synchronize posts to create the illusion of a shared narrative. Example: Taylor Swift and Karlie Kloss posted similar content at the same time, fueling relationship rumors.

Accidental Social Media Interactions: Liking posts or commenting on ambiguous tweets creates intimacy and speculation. Example: Kendall Jenner engages with fans on social media, fueling rumors.

Seemingly Innocent Photos: Casual photos subtly hint at a larger narrative. Example: Zendaya and Tom Holland posted photos together, teasing their relationship.

Cryptic? Like Bless the Telephone? Or a mysterious left-handed guy holding a phone in the background while Nic gets ready?

Synchronized like Nic and Jake at that restaurant? Or as far as that goes, like Nic and Luke with the S4 selfie?

Accidental social media interactions? I didn’t go into that here, but we’ve seen lots of odd likes and things, lots of Nic interactions, oh, and those RW and SL likes of late.

Seemingly innocent photos. Like very happy looking S4 pics and the “now it’s yours” BTS photo?

Perhaps most of this could be interpreted as just genuine fan interaction and fan service, which I think it is to some extent. It’s a natural part of the business. But it’s also very often done with intention.

But here’s the more important part of this piece. It gives some case studies (Ben and JLo, Shawn and Camila), then it gives two “abstract” examples.

YOU’LL LOVE THIS. Note that the second example changes to an actor and a musician, but don’t let that fool you. Keep reading for some unmistakable specifics.

Breadcrumbing with a Fake PR Girlfriend: Case Study of Celebrity 007

For Celebrity 007, breadcrumbing is used to create a false narrative about a relationship with a PR girlfriend. This helps maintain fan interest while deflecting attention from the celebrity’s true personal life.

How It Works:

First Breadcrumbs: The PR strategy begins with posts from both the celebrity and the PR girlfriend, hinting at a connection without confirming it. Example: Celebrity 007 posts a picture from a Paris restaurant or cafe in LA and the PR girlfriend shares a similar post from the same location but from a different day with different white trucks in the background (double check the Instyle Stunt images!!!)

Expanding the Narrative: Shared travel posts and indirect interactions continue the illusion of a relationship. Example: Matching geo-tags in posts from Rome suggest they were there together.

Indirect Engagement: Likes, comments, and ambiguous interactions increase intrigue without confirming the relationship. Example: The PR girlfriend comments, “Great to be here with you! 💖,” on Celebrity 007's post.

Paparazzi Shots: Carefully timed candid shots further reinforce the illusion of a relationship. Example: Paparazzi photos of Celebrity 007 and the PR girlfriend walking hand-in-hand, fueling speculation.

Note:

Café in LA, same location, different trucks?

Matching tags in Rome?

Likes and ambiguous interactions

Carefully timed (say at a premiere party) candid paparazzi shops w gf walking hand-in-hand

And then there’s the next one. In the interest of length since this is already hella long, I’ve removed some less relevant parts, but I encourage you to read it yourself.

Breadcrumbing to Hide a Real Relationship: Case Study of Celebrity 009

Why Hide the True Relationship?

In celebrity culture, the decision to keep a relationship private—or hidden—can be a strategic move, driven by a mix of personal privacy and professional interests. Some celebrities may choose to share their personal lives openly, but for others, particularly those who value their privacy or wish to control their public image, keeping a relationship private is key. This is especially relevant for two celebrities who are romantically involved but prefer to maintain discretion, despite public curiosity about their relationship.

Whether it’s a high-profile couple like Beyoncé and Jay-Z, or a less conspicuous pairing, the decision to hide the true nature of a romantic relationship often involves balancing personal desires with career strategy. In this scenario, let’s explore why two celebrities might choose to keep their relationship under wraps and the complex PR considerations that lead them to do so.

Media Scrutiny/Escaping Constant Surveillance: Navigating the Spotlight Together (I’ve combined two sections here for length)

When two celebrities become romantically involved, the media will inevitably take notice. The relationship can quickly become the focal point of constant headlines, paparazzi photos, and gossip columns. For celebrities who value their privacy, this level of scrutiny can feel overwhelming, as every public appearance or moment shared can quickly turn into speculation, even if the couple doesn’t wish to attract attention.

Romanticized Expectations: The Pressure of Perfection

Media scrutiny often creates an unrealistic, romanticized version of a celebrity relationship. Fans and the public tend to project their fantasies onto famous couples, imagining them as the perfect, unbreakable pairing. The real complexities of a relationship—differences, compromises, and struggles—often don't fit neatly into the idealized narratives created by the public.

For a couple like Actor A and Musician B, the pressure to live up to these idealized expectations can be exhausting. By choosing to keep their relationship private, they can avoid the constant pressure to fit into a preconceived mold. Hiding the relationship from public view allows them to keep things grounded and avoid being turned into a media spectacle.

Brand Control: Managing the Image of "Singleness" or "Availability"

For many celebrities, their public image is closely tied to their brand, and that brand may depend on their perceived "availability" or their status as desirable, unattached individuals. The way the public perceives a celebrity’s romantic life—whether they are single, dating, or in a long-term relationship—can have a significant impact on their professional success and marketability.

Creating Room for Desire: The Allure of the Single Celebrity

Consider Actor A, a leading man known for portraying romantic heroes on screen. The public’s perception of Actor A as a single, unattainable figure is key to their marketability, both in the media and as a brand. If they were to publicly reveal a relationship with Musician B, it could diminish that aura of unattainability. Similarly, Musician B may want to maintain a flirtatious public persona, which could be undermined if they were publicly involved with someone. By keeping the relationship private, both celebrities retain the allure of being desirable and unattached, feeding into the fantasies of their fans.

Avoiding the "Couple" Brand: Risk of Being Reduced to a Package Deal

When a high-profile couple’s relationship is made public, they may become known less for their individual work and more for their collective identity as a couple. In some cases, the couple's public appearances or shared brand messages may overshadow their individual projects. Think of Beyoncé and Jay-Z, who have an incredibly powerful couple brand that often eclipses their solo endeavors in the media. For celebrities like Actor A and Musician B, the fear of being seen as a "package deal" might drive them to hide their relationship. This allows both to maintain their distinct identities, keeping their projects and brands separate and preventing the public from viewing them solely as a pair.

Respecting Boundaries: The Vulnerability of Celebrity Relationships

Even when two celebrities are involved, the vulnerabilities of a relationship can become the focus of media attention if they go public. Romantic relationships—especially those in the high-pressure world of celebrity—are often fraught with ups and downs. The public might demand to know every detail, fueling rumors of breakups, infidelities, or relationship drama. By keeping their romance under wraps, Actor A and Musician B can avoid becoming the subject of constant gossip and can maintain some semblance of normalcy in their private lives.

Avoiding Disruptive Publicity

Celebrity relationships often attract media scrutiny not only about their romantic lives but also about how their relationship affects their careers. The public and the media often delve into the smallest details, speculating about how the relationship might impact their professional trajectories, previous relationships, or future projects.

Career Disruption: The Challenge of Balancing Love and Work

For celebrities like Musician B, a new relationship can take attention away from their upcoming album release or concert tour. The media’s obsession with their personal life might overshadow the launch of a new professional project. Similarly, if Actor A is in the middle of promoting a film or preparing for a big role, the press could focus more on their relationship than their craft, disrupting the flow of their work.

I won’t bother reviewing the relevance of all of the above. I’m sure you can see it plainly for yourself. The examples are absolutely, positively referencing Nicola and Luke, and the reasons for hiding it are super relevant. Especially boundaries, disruption, pressure to be perfect, and being reduced to a package deal.

Now at this point, it’s worth asking the question, do we trust this source? I don’t actually know who posted this content, so I can’t verify their credentials. Perhaps this is yet another PR person’s tricky efforts to continually confuse us and keep us guessing? That seems unlikely since the entire purpose is to help lift the veil on all the other tricks. If you wanted the other tricks to be effective, you’d hardly be revealing them to your target audiences.

But even setting that very logical assumption aside, the reason I know with every fiber of my being that it’s true is that this is literally the only version of events that makes sense of absolutely everything.

All those mysterious and confusing signals, all those weird photos and changes in behavior, all the inconsistencies between what we all saw with our own eyes (they are IN LOVE) and what we saw subsequently with the adjacents, all the tiny Lukola crumbs keeping us hanging on, and all the fandom bickering, especially from bizarrely rabid jakolas.

Every bit of it makes complete sense if we accept that Nic, Luke, and their PR teams have been using a classic PR handbook to distract us from the very real truth that they are together and in love.

Does it hurt to know we’ve been manipulated? You bet it does! But I quickly accepted that because I was so happy to have the truth verified at last. And because I understand why they would do it.

Relationships are hard enough when lived in private. No relationship, no matter how much people love each other, is without challenge. Even soulmates have issues to navigate. Can you imagine the pressure on them if the whole world was watching?

And their lives have added challenges. Travel and separation. Long work schedules that may often be at odds. Possibly romantic scenes with future co-stars that could stir up uncomfortable feelings. Career ups and downs that may not always synch up. Fans and media watching their every move, dissecting them, judging them, rooting for them, and just putting massive pressure on them. What if they fail? They’re letting down the whole world, not just themselves.

And what about Nic’s longstanding demand for privacy? And her emphasis that no woman is just some dude’s girlfriend. She wants to be known for her own work and achievement and passions, not for who she dates or marries. Even if it is wonderful Luke.

Likewise, Luke is just now achieving a newfound level of success. This is a moment for him to seize and make the most of. Being a hot, sexy, ostensibly single guy is good for his brand right now. Even if we know he loves Nicola, his stans need to be able to fantasize about him, which is easier if his relationship is unconfirmed.

And let’s face it, if they come out as a couple, IT WILL BE LUKOLA all the time. That will be the story. Certainly if they’d come out during the World Tour, every question at every stop would be about them and their personal “friends to lovers story.” It would be irresistible to reporters. Too good a story to ignore. And they’d spend way more time talking about their personal lives than about their work. Does that sound like something either of them would want?

And one last thing. Back to their changes in behavior. Does it make more sense that Nicola, who has always been super private about her love life, would suddenly be willing to be photographed constantly with her new bf Jake? Or that Jake is not her bf and she’s keeping her actual bf (or fiancé or husband) secret?

Meanwhile, Luke, who has always been open about his relationships in the past suddenly decides to tighten up and share absolutely nothing about his private life? Well, that makes complete sense if he’s now in a relationship with a woman who is famously private and shares not one word publicly. Suddenly, literally everything makes sense and is entirely consistent.

So there it is, folks. To me, this is the Holy Grail. There’s not a doubt left in my mind about them. They’re together and everything else – literally everything else – is a decoy and a distraction, and every bit of it comes straight from the PR playbook.

I’d like to maintain a sliver of hope that they’re leaving much of it to their teams and they’re not in on the worst of it, but in any case, I don’t blame them one bit for trying to protect their love. It’s too special to let it be destroyed by public consumption. You gotta do what you gotta do.

Given that I don’t actually know them and haven’t confirmed anything directly, I’ll leave 1.5% room for doubt, and adjust my certainty to 98.5%.

And you may dismiss all of this and draw very different conclusions, which is okay, too. But if I’m being really honest, I’m actually 1,000% sure. And I couldn’t be happier for them.

What do we do now? That’s up to each of us. Personally, I’m going to be blissfully happy for them, not sweat any of the distractions, let them live as quietly as they like, and patiently await the day (whether it’s very soon or far in the future) when they finally go public. I hope you’ll do the same.

And until then, I’m going to keep watching Lukola videos on repeat.

[archaeren]

Hello!! I hope you're having a good day ^^ I came across your post about writing non-linearly on Notion and I'm excited to try it out because the advice resonated with me! Though, I'm really new to using the app and, if possible, need help with how to do this part: 'where every scene is a separate table entry and the scene is written in the page inside that entry.' ;v;

Hello! Thank you so much for messaging!!! Since that post about writing non-linearly (linked for context) blew up roughly ten thousand times as much as anything I've ever posted, I've been kind of meaning to make a followup post explaining more about how I use Notion for writing non-linearly, but, you know, ADHD, so I haven't done it yet. XD In the meantime, I'll post a couple screenshots of my current long fic with some explanations! I'd make this post shorter, but I'm unable to not be Chatty. XD (just ask my poor readers how long my author notes are...) (There is a phone app as well which syncs with the desktop/browser versions, but I work predominantly in the desktop app so that's what I'm gonna be showing)

(the table keeps going off the right side of the image but it's a bunch of unimportant stuff tbh) So this is more complicated than what you'll probably start with because I'm Normal and add a bunch of details that you might not need depending on what you're doing. For example, my fic switches POVs so I have a column for tracking that, and my fic follows a canon timeline so I have a column for dates so I can keep track of them, and I also made columns for things like if a scene had spoilers or certain content readers may want to avoid, which they can access in my spoiler and content guide for the fic. (As I said, I'm Normal.) I also do some complicated stuff using Status and estimated wordcount stuff to get an idea of how long I predict the content to be, but again, not necessary. Anyway, you don't need any of that. For the purposes of this explanation, we're just gonna look at the columns I have called Name, Order, and Status. (And one called Part, but we'll get into that later) Columns in Notion have different types, such as Text, Numbers, Select, Date, etc, so make sure to use the type that works best for the purpose of each column! For example, here I'm using Select for Character POVs, Number for Order and WC (wordcount), and Text for the In-Game Date. Okay let's get into it! Name is a column that comes in a Notion table by default, and you can't get rid of it (which drives me up the wall for some purposes but works totally fine for what we're doing here). As you can see on the scene I've labeled 'roll call', if you hover over a Name entry, a little button called 'Open' appears, which you click on to open the document that's inside the table. That's all default, you don't have to set anything up for it. Here's a screenshot of what it looks like when I click the one titled 'I will be anything for you' (I've scrolled down in the screenshot so you can see the text, but all the data fields also appear at the top of the page)

(This view is called 'side peek' meaning the document opens on one side and you can still see the table under it on the left, which is what mine defaults to. But you can set it to 'center peek' or 'full page' as well.) All my scenes have their own entry like this! Note that I've said scenes, not chapters. I decide the chapters later by combining the scenes in whatever combination feels right, which means I can often decide in advance where my chapter endings will be. This helps me consciously give most of my endings more impact than I was usually able to do when I tried to write linearly. So hopefully that gives you an idea of what I mean by writing inside the table and treating the table as a living outline. The 'Status' column is also pretty straightforward, and might require a little setup for whatever your needs are. This is another default column type Notion has which is similar to a Select but has a few more specialized features. This is how mine is set up:

(I don't actually use 'Done', idk why I left it there. Probably I should replace it with 'Posted' and use that instead of the checkmark on the far left? whatever, don't let anyone tell you I'm organized. XDD)

Pretty straightforward, it just lets me see easily what's complete and what still needs work. (You'll notice there's no status for editing, because like I mentioned in my other post, I don't ever sit down to consciously edit, I just let it happen as I reread) Obviously tailor this to your own needs! The Order column is sneakily important, because this is what makes it easy for me to keep the scenes organized. I set the Sort on the table to use the Order to keep the scene ordered chronologically. When I make the initial list of scenes I know the fic will have, I give all of them a whole number to put them in order of events. Then as I write and come up with new scene ideas, the new scenes get a number with a decimal point to put them in the spot they fit in the timeline. (you can't see it here, but some of them have a decimal three or four digits deep, lol). Technically you can drag them to the correct spot manually, but if you ever create another View in your table (you can see I have eight Views in this one, they're right under the title) it won't keep your sorting in the new View and you'll hate yourself when it jumbles all your scenes. XD (And if you get more comfortable with Notion, you probably will at some point desire to make more Views) The Part column isn't necessary, but I found that as the fic grew longer, I was naturally separating the scenes into different points along the timeline by changes in status quo, etc. (ex. "this is before they go overseas" "this is after they speak for the first time", stuff like that) in my mind. To make it easier to decide where to place new scenes in the timeline, I formalized this into Parts, which initially I named with short summaries of the current status quo, and later changed to actual titles because I decided it would be cool to actually use them in the fic itself. Since it's not in the screenshots above, here's what the dropdown for it looks like:

(I've blocked some of the titles out for spoiler reasons)

Basically I only mention the Parts thing because I found it was a useful organizational tool for me and I was naturally doing it in my head anyway. Anyway, I could keep talking about this for a really long time because I love Notion (don't get me started on how I use toggle blocks for hiding content I've edited out without deleting it) but that should be enough to get started and I should really, you know, not make this another insanely long post. XDD And if anybody is curious about how the final results look, the fic can be found here.

[yourelliewillms]

the guy from the record

store wasn't a guy?

ellie williams fanfic

━━ chapter 1 wc: 1.9k

read the chapters here !!

you've recently discovered this record shop, the perfect place to find everything of the new kind of music you've just gotten into, rock. your friends wouldn't share this interest with you but maybe the cute guy from the store will.

━━ he/him pronous are used for ellie sometimes but it's for plot purposes i swear !!

BASED ON THE GUY SHE WAS INTERESTED IN WASN'T A GUY AT ALL !!!! i love that manga so much i needed an ellie version so i did it myself. of course this is going to be shorter and pleeaase go read it i swear you won't regret it <3 i hardly recommend you to listen to the manga's playlist too, i'll add some of the songs to this fanfic. literally all i want is my lesbians to have the recognition they deserve. ALSO green is the characteristic color of that manga so i'll be using it here too, everything will be green bc we love green lesbians.

another warning, english is not my first language so you may find some mistakes.

it's been a long day at school but at least the week of exams has ended and you've done pretty good. "i deserve a prize" you think to yourself while your feet guide you out of the building. certainly the exams drained you, the only thing you want to do now is take a long nap to catch up on sleep.

walking down the sidewalk, you put on your headphones which have been your best friends for the last few months when you discovered this band nirvana. it is in fact a popular band but in your friend group? no, not at all. your friends prefer other kind of music. pop, kpop, even jazz, but rock? impossible.

so you find yourself unable to share your new music taste with your friends. even if you beg them to give it a chance, they'll refuse it every time. this is definitely the worst, how are you supposed to fully enjoy this work of art only by yourself? they definitely don't understand what good music is, if only they gave it a chance you could-

just when the music from your headphones stopped, you could still hear one of your favorite songs smells like teen spirit coming from a... record store?

your mind is full of questions, since when has been this store here? this is just 5 minutes away from school and you've never noticed it. maybe this is the prize you deserve for having successfully passed all your exams. buying your very first vinyl will surely be the boost of serotonin you need.

you took off your headphones before getting into the store and quickly walked to check all the beautiful vinyls. the excitement could be seen in your eyes, all the vinyls of your favorite bands in one store and you're even considering finding a job, buying everything of this store is not a want but a necessity. this must be heaven.

after what felt like seconds but were actually 20 long minutes, you finally make your choice and find the vinyl that'll have the privilege to be your very first and most appreciated acquisition.

you turn around, walk towards the shop counter and just then realize how rude of you was not to greet the old man at the store. however, you don't care that much, he should understand that you were too excited to even speak and... was it an old man? did you even look at the person who was next to you the last 20 minutes?

"i'll take this" you place the vinyl on the counter before looking up at the person in front of you.

but now, you reassure one more time that you're not on earth anymore. this is definitely heaven, or maybe something greater because the angel in front of you isn't from this planet at all. green eyes, auburn hair drawn back in a messy bun, a scar on one eyebrow, black clothes with a nirvana t-shirt, an arm tattoo and a mask. this is the most gorgeous guy you've seen in your entire life and you were rude to him, you didn't talk to him for this entire time.

"i love this one" he gave you your new purchase in a bag "you have good taste" that raspy voice that'll live in your mind rent free for an eternity, you're sure about that.

meanwhile, your mind has been spinning for the last 30 seconds. a cute guy with a stunning style and majestic music taste, you've seen only his eyes but you can already imagine a life with him where you get married and play your favorite songs in your wedding.

"thanks, you too. bye" and just like that the conversation ended. you're definitely not the most flirtatious person but you didn't ask him anything, maybe it was too soon to ask for his number but not even his name? really? you can already hear your friends scolding you but at least you remember half of his face and that's enough to be delusional the following months until you find another crush.

8 in the morning and you've been talking for half an hour to your friends about this cute guy from the record store. of course they scolded you for not asking his name but your excitement couldn't be taken away that easily. no other boy from your school has ever made you feel like this, no one called your attention like he did.

"is there any possibility that you see your boy again?" dina, your best friend asked "and maybe ask him out"

"dina!" you frowned as if she had just said the craziest thing you've heard in your life "it's too soon for that. but as soon as i see him again i'll ask him his name" you started kicking your feet "and he'll fall in love with me."

dina and your bursted out laughing and spent the whole morning planning your future life with someone you saw once.

maybe you've been talking too loud or maybe she doesn't like you, but the girl next to you has been glancing at you and dina and she seemed a little too much interested in your conversation.

ellie. you've been classmates for almost a year but you two never spoke. she's like any other girl at school. she wears the same uniform as you, a white shirt and a gray skirt. she also wears these square glasses and she has her headphones on most of the time.

she seems like one of those nerds but one that doesn't participate that much in class. she comes to class, listens to the professors and goes home. you've never seen her talking to any other classmates but she seems comfortable only drawing on her notebook and listening to something on her headphones, it's not that you don't like her, but you haven't had the opportunity to get to know her.

but today she seemed quite distracted and instead of focusing on the class, she was focused on you. she seemed nervous, maybe she wanted to join the conversation and make some friends?

however, the bell rang. you were too busy talking about your new guy to try to figure out why ellie's been looking at you more than usual. you began to pack up your belongings; notebook, pencil case, some other books and, are you forgetting something?

the moment you're getting up from your seat, you can feel ellie's presence approaching you. you stare up at her for a few seconds and before you can say something, her hand reached your ear and put on one of your earbuds.

"you dropped this" your eyebrows furrowed, did she always had those pretty green eyes?

the song that you'd been listening on loop nothing at all was playing on your earbuds loud enough for her to listen to it "that song rocks, doesn't it?" and just like that she walked out the door leaving you completely confused. you're sure you've seen those eyes before, you think that maybe for a split second you stopped looking at ellie as your classmate and maybe... someone else.

on the other hand, ellie has been walking in silence staring at her feet while her mind is about to explode because the girl who sits next to her, her classmate and one of the most popular girls at school, has met and is interested in a guy who works at the record store. but no guy works there, just ellie.

she got a part time job and she's been working there for a few months but that was the first time she saw you there. you didn't recognize her though, since the style she has at her job is the opposite of the one she has at school.

probably the best option is to tell you the truth, the guy you're interested in isn't a guy and is actually the boring, nerdy girl from school, the girl you'd never talk to because that would only ruin your reputation, or at least that's what ellie thinks.

ellie thought that her job should be boring and only boring, she didn't want to have to deal with something else than that. and now that girl has a crush on her, or she has a crush on the person she thinks ellie is.

fortunately, ellie's job is calm. not many people visit the store so she spends her first hours of work tidying the place, not paying much attention to the store itself.

while cleaning at the back of the store, ellie heard the ring of the little bell on the door warning the presence of a client. she sighed and fixed her clothes before getting into the store again but got surprised when she noticed that the client was actually you.

if it weren't for the music playing at the store, the place would have been in complete silence. no one was on sight when you walked in so the sound coming from the back of the store scared you and you jumped. "you scared me, i didn't know you were here" you giggled nervously.

"have you been looking forward to it that much?" you were starting to stutter when the green eyed spoke in what seemed a flirty way. "no- i mean! the new foo fighters album" she interrupted herself "you were looking forward to it because you wanted to buy it, right?" she tried to hide her shaky voice, did she just accidentally flirt with you?

"i swear it's so good, you can hear it a thousand times and it'll still sound amazing. also, i know you like nirvana too because you bought the vinyl. you'll love it, i totally recommend it."

you were in a dream, did you just exchange more than two words with that guy? and he was showing a lot of interest it seemed unreal. you'd be a fool if you mess this up.

"i really want to buy it but uhm..." your pockets were empty, you spent all your money in that vinyl and being an unemployed student is not helpful to your situation "i'm a bit short of money right now" not to say that you're dry.

"i'm sorry but i-" yet she didn't let you finish your sentence "i bought this one for myself. you can have it and tell me your opinion when you return it."

he couldn't be more charming to you. only 5 minutes talking and you had already fell down on your knees. "thank you. you can give me your number so that i can bring it back." your hand sweating for you've finally made a move on who you thought was the guy from your dreams.

"no," no? he rejected you just like that, he didn't even a think a second to answer your question "it's just... i can't use my phone at work."

laying on the counter in front of you was a black ink pen which you quickly grabbed and started writing your phone number on his wrist next to his tattoo.

ellie looked at you stunned, she was glad she was wearing a mask because her cheeks had turned crimson. she noticed your hand shaking and that was the moment she realized the trouble she'd gotten into.

"i thought that if i wrote it on a paper, you'd lose it." the music playing in the background just made the atmosphere between you two dreamlike. you waved and smiled at him as you left the store hoping your burning cheeks would go unnoticed. not only did you have someone to share your interests with but also it was someone who you were crushing on really hard.

the first person on the taglist will be my editor/manager/first person who read this @ohnopoteito thank uuu 💋💋

[writingwithfolklore]

Getting Characters from A to B

Oftentimes a plot requires the characters to get from point A to B. They need to cross the wilderness to get to the next town, or climb to the top of the mountain, or take a boat to the other continent. But long paragraphs of just walking or moving is obviously not that interesting to read, so here are some elements to add to your travelling sections that accomplish the A to B and more.

1. It’s about the characters

If you’ve ever travelled with someone, you know that everything about your dynamic is amplified after spending like 72 straight hours with them. Use this with your characters—every little hidden grudge or flame or annoyance comes out when things get boring or stressful. This is a great time to really delve into character conflicts or even romance subplots, or any other way you’d like to develop the group dynamic. Also, there’s no better place to get the truth out of someone than being trapped in a car or on the road with them for days on end!

On another note, the slower parts of travel also allow for more quiet moments where your character can process what's happened so far. Especially in fast paced stories with lots of conflict, you may opt for a uneventful section of travel where they have time to grieve or plan or otherwise unpack things.

2. Switch up group roles

Travelling tends to carve out the same roles. Usually there is the leader who is driving the group forward and making decisions, the navigator who knows which way to go, the snack/food provider—who may be rationing or even hunting depending on the survival situation--and the one who has a hidden motive that is making them be difficult or drag their heels and provide conflict. These roles are a great way to force a change in dynamic between characters, and can inspire conflict between them.

3. Increase the stakes

A trip isn’t really a trip until something goes wrong. Whether the navigator was reading the map wrong, a bag of rations falls over the cliff side, someone gets injured, or there seems to be some creature stalking them, an increase of stakes raises the tension and creates opportunities for the group to work together or fall apart. For more tips on how to increase stakes, check out my post here:

4. Don’t be afraid to skip past the boring stuff

Once you’ve done what you wanted to do with the trip—broken a friendship, or a leg,, or both—don’t be afraid to skip in time for when they reach their destination. In fact, you’ll likely skip time for several parts of the trip in between interesting scenes between characters or moments where they’re facing against some conflict. We as the readers will assume that they continued on with their travels and just that nothing of note had happened in between.

I hope that helps!

[shantechni]

Natsume's Fear of Thunder

I'm gonna be honest, this can hardly be considered an analysis. It's more of a "sporadic and unnecessarily deep observation" of how Natsume's astraphobia has been presented in the series over the years, both in the anime and in the manga. So, please for the love of God take all of this with a grain of salt.

Yes, I'm using the term "phobia" very loosely, but I'm not about to get into that rn. Natsume has an irrational fear and strong dislike of thunder, that's an undeniable truth.

Before I dive in, I'd like to briefly explain why, of all the little bits of information Midorikawa has given us about Natsume, this one is the one to ceaselessly bump around in my brain like a DVD logo. This series is not in the horror genre (it's serialized in LaLa DX after all), but it does get suspenseful, and pretty disturbing depending on whatever topic it touches or the types of situations the characters may find themselves in. I don't fault anyone, particularly Natsume, for growing up with valid fears and preconceived misconceptions about most youkai; they can sound scary, they can look scary, and they can do some scary stuff if they really feel up to it.

That's why I'm so fascinated to see Natsume develop and still harbor an irrational fear for something like the everyday phenomena of storms. He's landed himself in all sorts of trouble and has come face to face with many beings, both natural and supernatural, who didn't have his best interests in mind, and yet the clap of thunder somehow keeps its spot on the list of things that has him scared stiff.

Aight, spoilers for both the anime and the manga beyond here, you've been warned👏🏽

Our first introduction to Natsume's fear is near the beginning of chapter 42, when he and Tanuma accidentally stumble across Taki's home while seeking shelter from a sudden shower. He questions how Nyanko-sensei ended up at her home as well and the youkai, much to Natsume's visible dismay, cheekily explains:

That doesn't end up happening since the rain remained light until its swift end, and the mention of Natsume's fear is glossed over rather quickly to save him the embarrassment, but it's an interesting mention made by Midorikawa nonetheless since it adds another layer to whatever image the audience has of Natsume and the series itself. Nyanko-sensei, having been around this kid long enough to know a lot of his vulnerabilities and insecurities (even the ones his dreams unwittingly reveal to the youkai), has seen and grown accustomed to a side of him that the audience had yet to be formally introduced to for once.

Right about now, you may be wondering how the anime adapted this scene. It didn't💀.

While the start of the episode (S3 EP5) is a one-to-one recreation of the chapter with virtually the same dialogue and scenery, any mention of Nyanko-sensei following Natsume to pick on him when it thunders is nonexistent and entirely skipped over so the gang can go straight to cleaning out the storeroom.

Most fans who have read the manga will tell you how notorious the anime is for excluding some of the characters' lines or scenes that take place in the manga, or just straight up rearranging or changing up those same factors. Sometimes those alterations work wonders, and other times they leave more to be desired, mainly if you know what happened in the manga counterpart of the episode. This such example is one of the times that'll leave people scratching their heads and wondering what warranted getting rid of a scene so insignificant that it'd have no effect on the plot of the episode whether or not it stayed. The only answer I can think of for that is the directors likely wanting a smoother progression of events to make for a viewing experience better tailored for an anime episode rather than a manga chapter.

Or, they genuinely didn't have enough space in the episode to squeeze in that little bit, which I highly doubt, but what would I know, I don't work for them. At the end of the day, we didn't get to see that scene in the episode.

After some more anime switcheroo shenanigans go on behind the scenes, along with an original episode pulling a retcon during a lightning storm, we receive our next moment in a surprising scene from the anime team in S3 EP10 (adaptation of chapter 28). Though the scene itself is short and not exactly an example of Natsume's astraphobia, I feel it should still be included because of its relation.

The chapter originally starts with Natsume and Nyanko-sensei searching for a tree that was struck by lightning during a storm the night before. However, the anime makes an addition of their own by rewinding time to that very night and showing Nyanko-sensei excitedly watching the storm take place while Natsume is tied up with his homework.

Nyanko-sensei goes on to tease him by suggesting that he doesn't want to watch the storm because he's scared, but Natsume dodges the youkai's mocking and begins to tell him to close the curtain before a crack of lightning cuts him off and illuminates his room.

Not only does Natsume not simply deny Nyanko-sensei's claim of him being scared, but his reaction to the thunder is seemingly more sudden than Nyanko-sensei's. Both of these points could subsequently lead the audience to interpret this entire sequence as the anime's first acknowledgement of his phobia, and it'd make for a very intriguing choice on the anime team's behalf after taking their ommitance of the previous scene into consideration. It could be a stretch though ngl, I tend to stretch like crazy, it makes sense to close a curtain when a pet is being noisy—

Finally moving on from S3, we eventually reach the most overt instance of Natsume's astraphobia, and potential origin or exacerbation of it, in the S4 finale (adaptation of chapter 46). This three episode arc is a largely intimate and heart wrenching one as it focuses on Natsume's journey to revisit his childhood home before it gets renovated by its new owners, a task he initially denied himself the permission of doing before realizing Touko and Shigeru would never deny him something so personal. Of course, he wouldn't be Natsume if he didn't attract a youkai along the way, and he's being pursued by one that seeks to feed on the tragic memories he formed while staying with the Aoi family, who was strongly implied to be the first family (if not, one of the first families) he was taken in by after his father's passing.

One of those memories shown to the audience is a younger Natsume relaxing in a shrine while memorizing where his childhood home is located, all in the hopes of gaining more discernible memories of his father and no longer being a burden to Miyoko and her parents.

Unfortunately, he falls asleep at the shrine and consequently loses track of time before having his slumber disturbed by a violent boom of thunder. He's so frightened by the ordeal that he can't even bring himself to rush back to the Aoi family's place, and his exhaustion puts him back to sleep until he's eventually found by some of the neighbors who went out searching for him.

The anime, with the natural strengths it has over the manga, goes the extra mile by not only keeping this portion relatively untouched, but further setting up the scenery and depicting just how rapidly the area goes from peaceful to turbulent. The character animation and voice acting make for a splendid combination and do a wonderful job of capturing this image of a helpless childhood version of Natsume.

What comes soon after this scene is a depressing sequence of events on its own, even more so when we can see he's still reeling from the storm and believing he caused the Aois to get into trouble by not getting back before dark. The adults obviously don't fault Natsume for getting stuck in the storm, but he doesn't see it that way in his shocked state.

The way Miyoko reacts by throwing her frustrations onto him doesn't help either.

And so, after aimlessly running off in his last unsuccessful attempt to find his childhood home, the memory fades away with a somber note as his present self recalls the moment he finally stopped calling for his long gone father.

Now, one could argue that Natsume had his fear of thunder prior to his time with the Aois since we don't have much reference material to work with when concerning his short period of time with his father, and they could be right for all I know. It's common for children to be startled by loud noises and bright flashes since they just aren't quite accustomed to those loud noises and bright flashes being customary for weather disturbances. Natsume, who we know grew up to be pretty sensitive to the things that go on around him, may have been one of those children who felt apprehension anytime a bad storm rolled in, and his father may have been the one to quell his fears back then. So, if we go with the conclusion that his fear didn't originate here, then this scene likely could've aggravated it. But I'm personally leaning a bit more towards the concept of this being the cause of it (partly due to how appealing that conclusion is to the obsessive part of my brain).

His initial reaction to the thunder is seemingly one of surprise rather than fear, and his behavior suggests that he's more concerned with making it back down the mountain before the thunder halts his progress. Although he's seen trying to talk himself down and fails to do so with how relentless the thunderstorm is proving to be, he doesn't need to have preexisting fears or anxieties over thunder to resort to calming himself down.

The dialogue differences strike me as something to consider too, but they're likely irrelevant.

Setting aside everything I just ranted about in the above paragraph, I should specify that I'm not simply pointing to the storm scene as the singular root cause for his future woes. Many psychological problems often aren't so black and white that someone can definitively point to one person or thing as the sole reason for the existence of their psychological problems. And phobias obviously don't always develop as a result of going through or observing a traumatic event; people can grow to fear or strongly dislike something merely by its association with an unpleasant memory or stressful situation. I know I'm starting to stretch hard rn, and this part of the post is getting awfully wordy, just hear me out—

Going back to that aforementioned short period of time with his dad, it's plain to see just how innocent of a time that was for Natsume. He was playful and affectionate with his dad like many children growing up in a healthy environment would be at that age. He doesn't even appear to have an awareness of youkai (if so, only slight enough for it to not become a problem for him just yet). We're shown later on that he would commonly draw around the house too, as evidenced by the nearly two decade old pieces of artwork his father never removed from the kitchen area and closet.

Natsume even proceeds to make a comment about this childhood version of himself likely being the mischievous type for him to run around drawing on surfaces without a care in the world.

He undeniably had his own troubles at that stage of his life though, with one of those troubles being his mom and the empty spot left behind by her passing away. Apart from his heartwarming portrait of a family with both parents, he's also shown lamenting to Miyoko after the death of his dad about not being able to remember his mom. We've seen with those two examples that her absence indeed left an impact on him early on in his life, but he doesn't stay too broken up over her considering how little he got to bond with her, and he doesn't openly despair about the loss of his dad until his growing sense of loneliness and longing becomes too much for him to smooth over.

The point I'm trying (and admittedly struggling) to make here is that after moving in with Miyoko and her parents, the worries on Natsume's plate increased tenfold and weighed him down far more than he was willing to accept at first. Suddenly, this kid had little to smile about in life, taking a glance at his only picture of his parents causes grief and envy to flare up in his chest, he's afraid of being a burden to those who took him under his wing, he's eating less than Miyoko because he's concerned with coming off as too greedy, he feels responsible for Miyoko getting picked on because of his relation to her, he's still learning the way back to the Aoi family's home, and now he's surrounded by all of these weird creatures that apparently no one else can see.

Suddenly, he's no longer that carefree toddler we saw sitting on his dad's lap as the two of them watched over his late mom's garden.

I feel moderately certain about Natsume's experience with the storm, coupled with this pivotal and devastating shift in his life, being the plausible cause for him developing his irrational fear of thunder as a child.

After this arc, we aren't greeted with another scene featuring or centered on his astraphobia until chapter 85 (which doesn't appear to be adapted in S7 judging from the PV😭), and it focuses on Natsume, Tanuma and Taki viewing a limited exhibition at an old inn that has a deep history with youkai. Not too long after the owner engages in conversation with Taki, Natsume and Tanuma briefly comment on how peaceful the inn is making the both of them feel, and a sudden lightning strike cuts through the tranquility of the inn.

It catches everyone off guard and, unsurprisingly, has Natsume frozen in place as Tanuma asks him and Taki if they're alright.

Much like Nyanko-sensei's first time mentioning Natsume's fear, the moment doesn't last long as the gang soon realizes they'll have to spend the night at the inn while they wait for the sudden storm to pass.

By this point in the manga though, Midorikawa has evidently decided to make Natsume's astraphobia a recurring element of the sorts. She could've easily left his astraphobia as another facet of his that we get to see once or twice and never again since it's not serviceable to the story as a whole, but she's started using his phobia as an additional means of displaying his discomfort in any given situation. Having a thunderstorm suddenly appear during a moment of serenity, immediately after Natsume tells Tanuma the place is making him feel strangely good, was a brilliant move of jarring him. And it works especially well here as a sign of the looming threat that'll find its way into the inn over night and slowly creep upon the group the longer they remain there.

Midorikawa pulls this same stunt again to slightly greater effect in chapter 117, where Natsume, Tanuma and Nyanko-sensei happen upon the Kisaragi Manor and find themselves taking part in a ritual for summoning youkai.

It starts with the trio meeting up in the evening to view the bamboo lanterns, but a woman claiming to be in search of a mansion requests their help to find it before it gets too dark, as well as to avoid getting caught in a downpour should the drizzle grow heavier. While Tanuma shows interest in the ritual, and the people they meet are treating them somewhat cordially, Natsume is disconcerted by the arrangement they've found themselves in. He's surrounded by five women he's never met in his life, is once again in an unfamiliar place that feels weird in Nyanko-sensei's own words, and is thrown for a loop by everyone's enthusiasm with the idea of meeting youkai rather than being put off by them.

The group isn't even a minute into their summoning ritual when a huge boom of thunder shakes the room and causes a power outage, sending them into a brief stint of darkness until Hitomi relights the candle.

While waiting for the candle though, Natsume answers Tanuma's question by for once admitting that he's bothered by thunder, leading to Nyanko-sensei characteristically picking on his phobia by calling him a chicken.

Again, the moment is subtle and restricted to one corner of the page, but it sticks the landing. Instead of using the lightning or thunder as a sign of things to come as she's done before, Midorikawa uses them here as an integrant of an already somewhat concerning scene slowly veering towards being disturbing. In addition to selling just how uncomfortable of a situation this is for Natsume, it also depicts how far along he is in his friendship with Tanuma to be honest about an irrational fear we know he'd rather not speak of.

Alas, chapter 117 was our last time seeing thunder scare Natsume, at least until the next time Midorikawa chooses to use his fear to her advantage, unless the anime miraculously surprises us with its own original take as we've seen it isn't afraid to do. What we've been given so far though is plentiful in comparison to many other plot points or quirks that get reused or called back to far less than this one. I won't throw a tantrum if his never gets referenced to or utilized again (which I doubt will happen knowing Midorikawa's writing), but I eagerly anticipate seeing it again should it reappear.

It's captivating to watch this minor detail frequently make it's way back into the story somehow, to the point that it eventually cemented itself as a miniscule yet effective way of shedding different shades of light on the many complexities of Natsume.

[heartsofminds]

i'm calling just to hear you scream - part ii.

“Free means “fuck.” She’s gonna fuck us, Sugar and you don’t even fucking care!” or it's your first day at The Bear (or is it The Beef still?), Richie is convinced you're a fed, and Carmen may or may not hate your guts.

A/N: well surprise, surprise! here's part two of i'm calling just to hear you scream. definitely more of a filler chapter before everything starts to implode and get more serious and downright grimey, but i hope you enjoy!

The shadows created by the awnings of the sandwiched businesses chill your bones while the Sun makes your backside sticky beneath your sweater and light spring jacket. Chicago is beautiful in March, but always full of surprises.

One day comes an icy snowstorm that adds to the gray slush collecting on the side of the street and the next a blissful sixty-one degrees that gaslights everyone into walking around with shorts on because it’s just “so warm.” 

You can’t revel in the tranquility for much longer. Not when you’re pretty sure you’re coming up on the address Natalie emailed you two nights ago. 628 West Wager Street sits prettily in between an old antique shop and a Chicago Cubs merchandise store that has definitely seen better days. Despite no sign hanging on the window and the glass completely shielded from outside eyes by brown butcher paper, it somehow looks like it belongs; the younger sibling of a once booming and vibrant street scene. 

Being outside of the door is a feeling that fills you with both anxiety and uncertainty. You know you’re in the right spot but you don’t feel like you are; not when you can’t hear any noise coming from any of the three storefronts that stand in front of you. You’re made even more uneasy when you see the five by eleven sheet of insulated foil wrap with capital letters written in Sharpie taped to the front window. 

The Beef is closed. Thank you for your patronage. The Bear is coming. 

The nerves start to hit you even harder. All Natalie had mentioned over the phone and through your frequent emails have been about needing help with a restaurant. The name of the aforementioned restaurant had never been disclosed and its location remained a mystery until this morning when you got an email with the unspoken directions that Apple Maps would omit. There’s nothing more embarrassing than doing a consult and not knowing any of the details. It’s even more humiliating when the feeling of being made a fool seems inevitable. 

Your arm refuses to move forward and yank the door open in case this is some sick prank. You half expect Becca to be hiding behind it with the “good ole boys” crew that is full of Senior and Junior partners at your law firm; their only purpose is to further humiliate and belittle you more than they already do on a day-to-day basis at the office. 

It’s a ridiculous thing to think that someone would care enough about you and your shame to do that, you know, but it’s the only way you can rationalize your brain warning you not to touch that door. Your eyes catch your reflection and suddenly you want the concrete sidewalk to swallow you whole. You take in how your navy blue pantsuit engulfs you and how your work bag seems to get heavier and heavier as it hangs solemnly at your side. 

You don’t belong here. 

The itch to turn around and run back to the train as fast as you could possibly manage crosses your mind, but the shattering of the quiet oasis around you interrupts that thought before it can materialize. 

“Do you ever shut the fuck up!” you hear a voice scream.

“Do you ever realize you don’t know fuckin’ everything!” another one screams back. 

The sound of a wall being hit accompanies the shouts as well as numerous other voices joining in on the cacophony the verbal altercation created. 

Call it a hunch (or just having enough common sense), but you definitely are in the right place and there are certainly people inside. The scary part of not knowing is over. The absolutely horrifying part of having to see where you fit in is pending. 

Your fingers grip the solid metal door handle and you rip it open. The resounding squeal it emits makes you want the floor to swallow you up whole. The chaos of screaming shouting and yelling start to pause before the sound of the sledgehammer hitting the wall a second time interrupts it and sends it into a full frenzy once again. 

The world seems to be moving in slow motion and your words are caught in your throat. You’ve never seen chaos like this before, but you’ve definitely felt the way you’re currently feeling every day for the past five years. Faces you don’t know, a nagging feeling of responsibility, a dire need to do the best job you possibly can and not fucking up and not pissing anyone off, and yet no idea where to even start. 

“If I already fuckin’ told you you were tearing the wrong wall down why the actual fuck would you do it again!” a strained scream bounces off the walls. 

You jolt at the echo. The current lack of infrastructure and an igloo of scaffolding tarp amplifies the sound by three thousand decibels. 

He can’t see your face because his back is turned toward you, but the temperament and the mop of curls tell you the obvious. Carmen. Natalie’s brother and shareholder that she had subtly warned you about in a half-joking, half-not tone when you had spoken on the phone the other day. 

“To prove a fucking point,” a lankier taller man scoffs back. Richie. Their cousin, not cousin (which you don’t really understand, but you chalk it up to a deduction that not everything is meant to make sense), and the absolute bane of Natalie and Carmen’s existence at times. She had also warned you about him on the phone. “Even if I’m wrong you never fail to always think you’re fucking right like a – like a fucking baby! You walk around here pissed the fuck off and fucking changing everything and makin’ it everyone else’s fucking problem –” 

Carmen lunges at him and two other men from the crowd almost pick him up from the floor to prevent him from tackling Richie. 

“Everyone else’s prob – You’re my fucking problem! You’re my fuckin’ problem and all you know how to do is fuck up and make everything fuckin’ worse!” 

“Fuck you! Fuck you! Fuckin’ pissy ass pamper cry baby.” 

Carmen tries his hardest to wrangle himself out of the hold he’s currently in. Sydney, a genius and the Lord’s prayer (according to Natalie, also), clumps herself near him as he remains twisting and turning like a toddler fighting a parent’s protective hold through a temper tantrum. 

“Chill, chill, chill. Stop. Just stop,” she gently coos. Her hand claps the shoulder of one of the men holding him up. You can see the gentle squeeze it gives to provide silent comfort, but you wonder if the softness in her tone is to deescalate the situation or to help regulate herself. 

He’s dragged out to what you can assume is the backdoor and it slams with a cadence that demands attention. A sharp thud can be heard five seconds later accompanied by various, “Yo, what the fuck, dude?”’s. 

He must have kicked the door. He definitely kicked the door. 

Your body continues to stay frozen in the bare entryway. The survival skills you’ve adapted kick into full effect. Don’t make a move. Don’t make a sound. Do not piss anyone else off. 

The aftermath of commotion and chatter fills the room and leaves no space for you. You have half the mind to put your hand back on the handle and dip out before anyone notices. You’ve been here all of three minutes and you feel as if it’s been a year. The shouting and the hurtful insults and the frequent use of the word “fuck” send a blush down your chest. You’re embarrassed because you’re starting to think that you can’t handle it. You’re not good enough. You’re not strong enough. 

What the fuck were you thinking even coming here? 

The push of your thigh against the door causes the rusted metal hinge to groan again. The sound is indiscernible from relief or protest; staying or leaving. Either option makes your skin crawl. The sudden redirection of eyes casts a dome of silence and everyone zones in on the thing that wasn’t there before: you. 

No one moves and for a second, you don’t think anyone blinks. The realization of someone infiltrating a rather robust and rage-filled argument occurring at nine in the morning sinks in before the vein of awkwardness begins to bleed. You know the logical thing to do is to introduce yourself; to force a plaster-like smile on your face and extend your hand and ask how everyone is doing. 

But you don’t. 

You can’t. 

Natalie can feel the alarm bells going off in her head when her eyes float to your figure. You look worried; a flash of pensiveness and subtle fear floods your facial expression and she starts to panic. Opening a restaurant is beyond humbling and asking Becca Cantor for her help was a last-ditch effort to contain the smallest bit of confidence she had left. Besides, she would rather roll over and die than you to walk out that door, tell Becca about how they’re sledgehammering walls with a gang of lunatics at the restaurant, and somehow get a call from Uncle Jimmy that turns into a stern talking to about how they’re just dicking around with his money and how it’s a waste of time. 

You absolutely, positively can not walk out that door. 

She’ll make sure of it. Even if it’s the last thing she ever fucking does. 

Her feet carry her faster than what her brain is aware of. Her eyes have to catch up with the scenery passing her in a blur as she walks up to you. Seeing her face calms you down in a way that is small but not unnoticed. She has kind eyes and a calm demeanor. This is the kind of client that gives you confidence. This is the kind of client that brings you joy. This is the kind of work you were made to do. 

“Oh, hey! You found it!” she cheers. Her hand brushes against your bicep in a welcome. 

The pool of spit inside your mouth gets swallowed as you curtly nod. “Yeah! Yeah, I thought Apple Maps led me astray but I was definitely in the right spot.” 

Pretending not to notice the curious gazes behind your interaction proves difficult, but it’s not something you’re not used to. Working in an office means there’s always someone in your business and you always feel like you’re under constant surveillance. 

At least this time, the threat of humiliation seems considerably low. The obvious danger of being chased out of here with a sledgehammer is considerably high though. 

“How are you doing?” you ask quietly. A conversation of niceties always makes things less awkward and gives you some leeway for at least learning who the owners are of the staring eyes. 

“Yo, who the fuck is this, Suge?” Richie asks, wiping his plaster-covered hands on his shirt. His face still harbors a flush that had yet to dissipate. He also has kind eyes but you know from the moments you witnessed prior that he can turn his kindness off and on instantaneously. 

Natalie rolls her eyes and huffs. The damage control that she’s doing is not going to plan. She had grown up around cursing and incredibly forward questioning and knows that not everyone else had, and from the disastrous commotion you stumbled into five minutes prior and the way your eyes show more of the whites than the irises, the crudeness needs to take a backseat. 

At least enough of one to ensure that you’re not about to turn around and bolt out of that shitty ass door that she had been bitching at Richie to oil for the past two months. 

She moves to stand next to you and puts her arm around your shoulder. Natalie knows that the second they find out that you’re an attorney all hell will break loose. Something about accusing you of being “fed” and coming to rip the “fundamentals of democracy” out from under them brews in her mind and she gags a little at the thought of having to diffuse yet another shit show before ten in the morning. 

The unwelcome taste of acid tinging the back of her tongue makes her take a mental note to ask her OB about being so nauseous. 

“This is our attorney,” she starts and begins to ignore the groans coming from the crowd in front of her, “She’s gonna help us with some...things.” 

Richie scoffs and throws his hands up. He wipes at his nose with his forearm and some of the plaster residue makes a home on the tip of it. 

“You brought a fuckin’ fed in here, Sugar?” His eyebrows rise to his hairline and it doesn’t take a genius to know how he doesn’t want you here at all. “I told you I had this under wraps. The fuck do we need a fed up our ass for if we’re just tearin’ down walls and shit.” 

You sigh and Natalie can feel the anxiety radiating off of you. She’s starting to absorb it, but the fight in her to make this right persists. 

“Well, first of all, the fed has a fucking name, you dick,” she snaps, “And you’ve been slinging beef sandwiches your entire adult life so the fuck do we need you for?”  

Richie exhales as the rest of the people around him start to snicker. 

“Damn, Papa. You need to pipe down,” whom you guess is Tina from some of the people who had been mentioned to you through the phone calls (and there’s so many goddamn people in here for it to be out of business and you’re sure you’ll need to start doing flashcards every night to remember who they are). 

“Thanks, T,” Natalie and Richie chirp in unison; their voices capturing the different emotions of annoyance and triumph differently. 

Some more harsh words and excited chatter served with a side of frustration occurs and you’re so checked out that you don’t even realize that no one has asked you directly what your name is. The animated voices and exaggerated body movement swell the room even more; pushing you outside and three blocks away so vividly through emotion that you have to check to make sure your feet haven’t moved. 

No one has asked who you are and which firm you came from. No one has asked how you are. And still, no one has asked you what your name is. 

They continue to talk and joke and yell and you start to feel yourself shrinking in. 

Smaller, smaller, smaller. 

Gone. 

You know that it’s not personal. It’s almost never personal, but the mind tends to conjure up ideas when it can’t make sense of the feelings it detects from the body. 

Maybe it had just gotten thrown to the wayside. Maybe they were making room for direct conversation with you to occur later when things weren’t so awkward. Maybe they don’t hate you and think you’re the worst and may actually like you.

But then maybe they don’t. 

Maybe they just don’t give a fuck. 

In your catatonic daze, you hear an offhanded remark about how you look like a high schooler who just waltzed in after a Model UN convention and that Natalie has no idea what the fuck she was doing. The laughter that follows highlights those who actively agree and the agitated huffs of frustration show those who silently concur. 

In any other circumstance, you probably would have joined them in laughter or returned a smart-alecky response or accompanied them in making fun of you, but this isn’t a different circumstance. You’re in a construction zone on a Saturday morning, overdressed with a pantsuit on, and have not a clue on how hospitality law works, and the facts leave a non-disputable conclusion. 

You’re the odd one out and you can’t get an invite to be even no matter how hard you try.

You truly don’t belong here. 

“Richie, have you ever considered that maybe we need to do it right this time?” Natalie asks, her tone dripping annoyance, “Her being here clearly doesn’t affect your ability to be an idiot, so you can go fuck yourself because she’s staying.” 

Richie narrows his eyes at her. His lanky limbs flail as he attempts to make his emotions seen without having to verbalize them. Natalie has had it with his stubbornness and she knows that she might be puking her guts out in about fifteen minutes. The great debate has to have an ending in sight soon. 

Besides, she knows that Richie’s apprehension toward the whole thing is because he’s resisting change and trying to get under Carmen’s skin. It doesn’t matter how great she knows her brother can make something. Richie will try and put a pin in it before it becomes something he no longer recognizes. 

Just like their dad. Somewhat like Mikey. Especially like Carmen (even though she knows he doesn’t recognize his own stubbornness yet). 

“Jesus, that’s fuckin’ horse shit if I’ve heard it,” he sneers, “And I happen to be very intelligent and very charming – and FYI – I also know how a fucking business works and all this “foo-foo,” “high dining”, microgreen shit –” 

She holds up her hand to him and rolls her eyes. She’s surprised she hasn’t been able to see the back of her skull yet. “It’s fine dining, but whatever.” 

“Fuck all the way off. Fine dining, microgreen shit is a dishonor to our roots and I will not stand for it.” 

Natalie’s hand smacks down on a metal rolling table with a rusty toolbox and a wrinkled pad of Post-it notes. The sounds of clanky metal snap everyone’s attention to her. Natalie was never mean. She was always sugary sweet and ooey gooey; trying to be in everyone’s good graces at all times and forever attempting to fix things before they had the potential to be broken. But she could also brush the sugar off and leave a bitter and tongue-curdling hurt if she got pushed to her limit. 

She’s not had a full night’s rest since she got asked (more like begged, but she’s not one for bragging) to be their project manager, she can’t bare to stomach anything nowadays without wrestling the urge to puke it back up, and the fucking pregnancy hormones are filling her with unexplained bouts of rage as of late. 

She is not one to be fucked with and Richie knows that. He just always wants to poke the bear. 

“Well that’s fuckin’ sad that your “roots” are tied to an Italian beef shop, but that doesn’t change my mind whatsoever,” she pushes past him with more force than she intended, guiding you along with her to wherever she had in mind, “You can bitch and moan and holler all you want but you’re not the one losing your fucking mind over fucking paperwork so whatever other unhelpful and extremely negative shit you have to say can get shoved up your ass and you can get fucked because I’m not putting up with it.” 

Richie is rendered speechless – a phenomenon that does not occur very often. 

She turns to you and gives you a friendly smile. Her hand rests softly above yours that are bawled into anxious fists. “Let’s go into the office so we can talk some more. Are you okay with that?” 

You’re still frozen in equal parts shock and fear; too scared to say no. 

“Umm. . .yeah. Yeah, we can go to the back,” you swallow and she brisks you away to what you assume is where all the paperwork is housed that they need help making sense of resides. 

You arrive outside of a closed wooden door and Natalie steps in front of it, her arms coming down to hug the hinges of it in a way that makes you slightly worried. “So I know that you’re not a hospitality attorney and I know that you’re doing this for free and you’re totally at liberty to say you want out the second you say the word,” she speaks softly. 

You know that she’s starting to panic. Your feelings and her feelings are starting to merge into one; two halves of the same whole – people pleasers. 

“But it’s. . .a lot and I don’t know even know where to start and this is legitimately driving me insane so –” 

Her anxiety starts to break your heart. The pang in your chest makes your decision for you. No matter how uncomfortable you are, you know you need to do the right thing out of the kindness of your own heart. 

“No, it’s fine!” you cut her off, “I’ll take a look and we’ll figure it out. Nothing you have here is too much. I can promise you that.” 

Ocean blue irises engulf you with sentiment and appreciation through their gaze. Natalie’s shoulders sag before her hand finds the gold doorknob. A deep breath adds to the noise of chatter and squeaks of the faulty fire alarm in the hallway. The oak door opens with a wheeze and a groan; stuck because of the swell its wood causes from the constant fluctuation of temperatures in Chicago. 

“Well,” she begins, “Here it is.” 

The mountains of cardboard boxes all labeled with acronyms and doodled with nonsense send the pit in your stomach down to your toes and through the center of the Earth. 

Holy fucking shit. 

Natalie notices your shock and starts to go back into “fix-it” mode. She hasn’t eaten at all today, but she figures that the emotions bubbling up and down at a fixed and constant rate are what fill her insides and are making her nauseous. Bile starts to make its way up her throat but she forces it back down. 

She’ll be damned if this goes even more sour than how she knows it has. 

“It’s a lot and it’s more sorting things and making them make sense than doing actual work? Like you’re gonna be doing work but it’s not rocket science. . . Not that being an attorney isn’t hard! My husband is one and I. . .need to shut up now,” she word vomits. Despite the apparent fact that she’s panicking, the sound of her voice is soothing and the gentle hand she places on the junction between the base of your neck and your shoulder does wonders to ground you. “And there’s no rush to have all of it done. It’s a work at your own pace kinda thing?” 

You both know that she’s fibbing about the last part. 

The frantic text at 11 PM last week and the hour-long phone call debriefs you had yesterday and three days before say otherwise. This is her compromising and making her needs smaller. This is her being like you and you being like her; being like each other. Digging yourself into holes to help others no matter the effort – no matter the pain. 

“No, I’m doing this because I want to. Just let me know exactly what you need and we can get to it as soon as possible.” 

You know that you must have said the golden word because as soon as the statement leaves your mouth, Natalie whips out her phone and starts reading off a list she had compiled of all things that have some link to the legal world. 

Contracts. Permits. Tax revenue sheets. Paystubs. Workers Compensation. Equal Employment Opportunity Commission. City Ordinances. Chicago royally fucking anyone who dares to open a business, really. 

The sad part is that this should scare you. This should make you want to run out of here and never look back and purposely take the long way to get somewhere if you knew where you were headed would cross paths with the restaurant. 

But you don’t do any of that, and the buzz of finally doing something that you know is helping people overpowers the migraine of stress you can feel looming over you the second you agree to help them out. 

“You’re amazing,” she says, eyes twinkling with admiration. 

Your cheeks turn a shade of baby pink that you hope she can’t see. You’ve never taken well to flattery. 

Richie’s knuckles give a soft knock on the door and it opens before either of you can think to welcome another presence. His gaze finds both of you fist-deep into the first box labeled “Cocksuckers: For IRS - 1987.” You already know that he’s not related to the Berzattos by blood, but the beautiful blue eyes make you question that fact. He gives a sheepish smile almost to apologize for his interruption and you think he’s about to apologize before he opens his mouth and says, “Suge, your dashing baby brother is bout to blow a fuse because the fed is here.” 

Natalie stops what she’s doing. Her hands come to rest on the flimsy cardboard box and she throws her head back to eye the ceiling. If she can count the row of six vertically, maybe she can slow her breathing and calm herself down enough to spare Carmy the chewing out of a lifetime. 

One. 

“Sugar!” 

Two. 

“Get the fuck off me!” 

Three. 

“I said get the fuck off me! I need to see my fuckin’ sister!” 

Four. 

“Sugar!” 

Five. 

“Leave me the fuck alone!” 

Six. 

“Natalie!” 

Her brother appears in front of her disheveled and angry. Even though she’s only five years older than he is, she always sees him as the little baby she used to put in her strollers and push around for years until he got too big and too “grown” to think playing with his older sister was cool. Years spent with him also meant years studying him; knowing his ticks down to the smallest one and learning how he expresses every emotion. 

It was the only way she survived living in that house until she was eighteen. 

Dealing with an angry Carmen is nothing in comparison to dealing with an angry Michael or even attempting to console a slightly agitated mother. 

Besides, Carmy’s anger, while often misguided and very explosive, was never unexpected. He always has a tell and there’s always a few seconds before he completely comes unglued. Adult temper tantrums are shit shows, and quite frankly she’s fed up with having to diffuse one of his every couple of hours as of late. 

Her face starts to fall when she sees Carmen’s left eye begins to create that deep crinkle it does when he gets pissed. He starts to wrinkle his nose and she knows that he’s about to start screaming. 

Richie lets out a whistle before pushing Carmen’s head in a playful yet agitated manner. Before his hand can be swatted at, he jumps out of the way and joins in on a distant conversation about his daughter’s last dance recital. 

He has a smug grin on his face that Carmen wants nothing more than to slap off him. He knew that touching him would provoke him even more.  

Richie always has to poke the bear. 

Always. 

Carmen tries to contain his anger the best he can. Even though he’s totally against the idea of having you in the building, he knows there’s jackshit he can do about it now. Sydney said yes, Natalie sought you out, and Uncle Jimmy thought the idea was brilliant. The vote was three against one and he knows that all he can do is go fuck himself. So much for everyone promising not to make decisions about the restaurant without his okay. 

It’s not like his credit will be the one that’s fucked if this place turns to shit. 

His arm stretches to hold the side of the door’s hinge and supports his body weight as he leans to the right. “You hired a fucking attorney and didn’t tell me?” he snaps. His face pinches in a way that brings his nose, eyes, and mouth closer together; a face their mom used to make before she came totally unglued. 

You have your back turned toward the door he’s looming in. Something about being targeted makes you want to be blind to it; to shut your eyes as tightly as you can and will it away. You know that the way he’s acting has everything to do with him and nothing to do with you, but you can’t help it. When you feel out of place, every action to push you further out feels personal. 

“She’s doing it for free,” Natalie scoffs, putting a lid back on one of the boxes and crossing her arms over her chest. She would offer up more information, but what would be the use if Carmy is as wound up as he is? 

“Free means “fuck.” She’s gonna fuck us, Sugar, and you don’t even fucking care!” he screeches, seemingly uncaring that you’re right in front of him and that he’s biting his sister’s head off as if it’s nothing. 

You start to pull files out of the boxes faster than you were before. The distraction is needed because you know that if you listen too intently to what else is being said, you’ll start internalizing it later. 

Nothing with you. Everything with him. Nothing with you. Everything with him. 

“No. She is not gonna fuck us,” she pushes a finger into his chest and her nostrils flaring, “You’re gonna fuck us because you’re being so stubborn and stupid and can’t have a goddamn conversation like an adult.” 

His chest pushes deeper into his sister’s finger. “You calling me a baby? You calling me a fucking baby?” 

Carmen usually isn’t one to pick a fight in his everyday life, but once he gets started he refuses to back down. The rational part of his brain knows that he’s going overboard but he can’t help himself. The rage inside has nowhere to go and this whole thing is really pissing him off. He’s so fucking sick of everyone acting like he’s too immature and irresponsible to handle things.

Natalie’s finger comes out to become a full palm. “Well then stop the yelling. Stop the pissy pamper attitude. Stop wasting our fucking time and just admit that you’re way over your fucking head and don’t know everything.” 

Carmen balls his hands into fists and licks his lips to prevent him from saying something really fucking mean. He knows that Natalie is just trying to help but she always is, and it fucking sucks when she always saves the day even when he doesn’t want her to. The restaurant was supposed to be theirs; supposed to be all him and Mikey and everyone who made them into the people they are. It was never supposed to be his. It was never supposed to be his when he has not a goddamn clue what he’s doing and Natalie driving herself borderline insane trying to proactively fix everything before it turns to shit. 

He doesn’t know what to say because she’s right. Sugar is always right and Carmen is always wrong and he wishes Michael was here to balance them out; to add a third option so it wasn’t so split. 

But he’s not here. He won’t be here. He never really was here. 

“Fuck!” he yells at the top of his lungs. 

“Fuck!” Natalie shouts back. 

Argument over. 

His shoes slide on the floor with ease and he tries to steady his breathing. His arms let go of the door frame and his head hangs with the dissatisfaction of still housing a boulder of anger. 

“Jesus fuckin’ Christ,” he whispers, voice growing smaller as he walks away. A loud clash of hollowed metal is heard shortly after. “Fuck!” 

“Punching the lockers doesn’t get rid of the fact you’re a little bitch, Cousin.” 

Richie has to poke the bear. 

Always.

[sugarlywhispers]

ex!b.katsuki x reader ; m.izuku x reader — bakugou cheats on his gf, with midoriya's girlfriend.

☆– warnings; ANGST. mention and description of panic attacks, swear words, cheating (bakugou to reader; uraraka to midoriya), description of a fight. But it ends in fluff~ c;

☆–a.n; honestly, i don't know if i'm going to add another chapter... i still have a bit more of ideas for this, but i don't know ._.

in the meantime, i hope you liked this new part! <3

also, i hope ya'll have a wonderful beggining of 2024!!! may this new year bring lots of good thing for everyone, lots of love and adventures, new amazing things and wonderful people to your lives!

love ya'll so much, wish you all ALL the good things life can bring; no more tears, except happy ones. <3

A few weeks go by, and Midoriya and you keep in touch, texting almost everyday. Talking about random stuff, important stuff, whatever the mood is. But it's mostly cute, random stuff, getting to know each other kind of feeling. It's funny how you both have been around each other for so long and did not actually know one another. 

The texting was cute. Like a picture he sends one afternoon, when his shift is calm and almost finished, when the sun is setting, taken from up high in a building. A beautiful sunset picture that you use as a lock screen wallpaper on your phone. Or that one selfie he sent when he shared patrols with Hero Shoto; you remember thinking how cute he looked posing next to the hot and cold Hero, with two fingers of one of his hands pulled up on a peace sign. Or a picture of a little puppy Hero Deku found on a rainy morning shift. He took it to the closest vet so they could help the little animal, and you find that so fucking heroic it makes your heart jump from the cuteness.

"I wonder… who has you smiling like that? Oh , I know… Mister Greeny," Mineta mocks, his eyebrows shaking up and down suggestively.

"Shut up," you bark and hit him on the upper arm strongly. He simply laughs.

Three months pass faster than you actually realize. You're better, you feel better. You haven't had a single panic attack since Midoriya Izuku entered your life. Which is good… it means good.

He is good.

Since that first Friday you grabbed coffee together, you both decided to make it your day. Each and every Friday morning, Izuku and you would go to grab coffee at that same shop you went to the first time; then he would walk you home as the gentleman he is.

It's Friday and you're waiting for him, it's a bit late already, but you know he is coming. He had a night patrol but he insisted to not break the new tradition - his words. You found it cute, so you didn't protest.

But now you're worried, because it's almost 30 minutes since you have been waiting and he hasn't come yet. Then it becomes 40, 45, 50 minutes. You feel your neck itchy, but you try to ignore it, looking at your phone. Waiting for a notification, waiting for Mid‐ Izuku to contact you. But nothing.

It's already been 1.10 hours long and no sign of him. You sigh and decide to go home, it's been more than an hour already. Probably he had something coming up at the last minute, or he simply forgot. He probably had a rough night and he didn't have time to meet you. You're not as important as his job, obviously.

You grab your things and exit the place, the kind girl behind the counter smiles sadly at you and waves her hand as goodbye. You smile, or at least try, in her direction and leave the coffee shop.

You feel itchy all over. This… This is… weird . Why are you feeling like this? You have no right to feel… disappointed, hurt . He's a Hero. He's freaking Number One, pro hero Deku. His job will always come first. But you can't help it. It's like…

You're not my priority, Y/N. Understand that you'll never be. I have to concentrate in my job if want to fucking be Number one.

You haven't heard his voice in your head for a long time now. And hearing it again is… painful. Hurting. Choking .

Every sound around you feels a hundred times louder as you walk, every light blinds you and you don't realize you're bumping into almost everyone around. The pressure on your neck is getting stronger and you can't breathe. You can't think. Your vision is turning black, like that night at the ramen shop with Mineta. A panic attack . You're having one in the middle of the street. How embarrassing . How pathetic . 

You want the blackness to finally evolve you, and don't let go.

And then you see it, you feel it. Green eyes and strong hands grabbing your shoulders. You know those green eyes, you have seen them before. He's moving his mouth but you can't hear his voice. He looks worried; why is he worried? You feel rough hands that grab your face as softly as he can, and they are cold. You aren't used to the cold, but you like it. It's refreshing.

"...hear me? Y/N, please breathe, okay? Breathe with me," his voice is comforting, so you follow him, you breathe with him. "That's it… You're okay. We are okay."

The sight around you starts to clear, the blackness dissipates and you see clearly. His face is the first thing your eyes find. You know him. "Izuku?"

" Yes! Yes, it's me… Hi, love," he smiles relieved. You look around realizing you're in the middle of a circle, with him. People are watching, some worried, some annoyed. Embarrassing .

You realize then that Izuku's hands are around your face, holding you with no intention of letting go. "Izuku…"

He blinks, realizing then probably your surroundings and nods. "Yes, come one, let's go…"

Izuku helps you stand, his arm surrounding your waist pulling your weight on him so he helps you walk. Everyone starts clapping, clearly recognizing hero Deku even in his civilian clothes.

He walks you to your apartment in silence. Until you walk into the building, "There's no elevator?"

"No, it's been broken since before I got here," you know your voice sounds throaty, and the expression on his face says it worries him.

He sighs looking at the long stairs ahead. He knows you live on the fourth floor. "Okay, then," he says before picking you up, bridal style.

"Izuku! I can walk!"

"No, you can't. You have been putting your weight on me the whole way here."

"Still, I…"

"Shut up. Let me help," his tone it's so authoritative you have no other option than to do that. Shut up and let him help, because you know you wouldn't be able to climb those stairs up on your own even if you tried.

On the way up, you can't avoid watching him. He looks… angry . You have never seen him like that, or better said, you have never experienced his anger, you have seen him angry on the TV, fighting villains.

"I'm sorry," you say, and he stops midway, his eyes traveling to your face.

"You're apologizing for having a panic attack?" He's frowning, his tone incredulous, but serious. It makes tingles run your body.

"I'm… Yes, it's embarrassing ," you feel your voice crack a bit, and you hate that.

"Y/N, it's not embarrassing. It's a trauma response. And it's okay to go through it. But you need to heal…"

You look away from his face, tears already burning your eyes. You can't help but hear his voice again.

Having panic attacks in public is embarrassing, Y/N. You have to control them. Don't be fucking weak.

" He said… he said they were embarrassing."

You know you shouldn't be saying this to Izuku, but you said it even before you could actually think it.

" Who said-…" Izuku stops mid sentence. Takes a deep, deep breath, and continues climbing the stairs in silence. You don't dare look up. He's so tense and angry, you don't really have the courage to witness that right now.

When you arrive at the fourth floor you signal him which one is your apartment. And even when you are in front of the door, he doesn't put you on the ground. He stands there, waiting patiently, as you search for the key card on your bag and when the door is open he enters with you in his arms. He of course takes his shoes off at the entrance and walks inside.

He doesn't say anything as he sits you over the small couch and sits next to you, his arm touching yours and taking almost all the space around you. His smell is around and you like it.

His face is even closer to yours when he asks, worried, "When were you going to tell me you have panic attacks?"

"I… I don't want to bother anyone with them." You tell the truth. You can't lie to him.

"That's what he told you? That they are a bother?" You simply shrug, not really wanting to answer. "Y/N, I'm not angry or feel like this is a bother. I'm worried, you need help."

"I am going to therapy. I've been going since I'm five, Izuku. I had a handle on them, they weren't recurrent until…"

"Until he left you," he finishes for you, slightly shaking his head and you nod.

Izuku sighs, standing up and you watch him. Is he going away? Is he embarrassed and going away, deciding not to involve or do anything with your broken self?

"Do you mind if I make us both tea?"

You shake your head rapidly in answer. He smiles and walks towards the kitchen. You follow his every move, being a small apartment it's easy to do it.

Izuku is… staying . For tea. He's not leaving. He's not leaving you alone after a panic attack. Like Mineta. But he's your best friend, Mineta has always been there; like you have been there for him even after the war he had to be part of at such a young age and he tried to push you away. Izuku doesn't have that obligation. Izuku… is your friend? Well, that's how you like to think of him since you got to know him this past months. But the category of best friend was not there for him yet. You were just getting to know each other. So, why is he here? Why does he stay?

"It's ready," he suddenly says, sitting back next to you with the two mugs of tea. He gives you one and you accept it a bit startled.

The sudden smell of lemon with honey tea that invades your nose as you bring it closer to drink immediately relaxes you. You smile after taking a sip.

You look back at him and he's watching intently at you, like he's waiting for your reaction.

"You remembered," you say and you really want to cry now.

He smiles, a hand flying to the back of his head to scratch it nervously, "You said it was your favorite."

You did. On a text message, when the topic was favorite drinks . But the fact that he remembered that you said it, it is… overwhelming.

Silence again. On your part it's more relaxed, but you can feel him a bit anxious. You decide to give him space, time to say whatever it is that it's inside his mind.

Until he does.

"You're not the only one… struggling still… with all that happened." He says as he sets his mug on the little coffee table in front of you. It's very small, mostly for decoration. Only space for the two mugs you're using at the moment. Izuku then lays his elbows over his knees, fingers fidgeting in the middle clearly showing his nervousness. "I have nightmares. Very bad ones, since the war. Uraraka used to help a lot, she was always there for me when I needed her."

This is the first time he talks about her this willingly, so you just keep silent and give him the space he needs to say whatever he wants.

"I was finally getting better… and then… she wasn't there anymore…"

"The nightmares came back?" He simply nods. You can't help yourself but to direct your hand towards his shoulder in a form of comfort, which he accepts with a small smile.

"I guess… we are two broken people, trying to pick up the pieces left. Aren't we?"

His eyes shine with tears he refuses to set free, probably also what your own looked like. He smiles sadly at you, before patting your hand that still holds his shoulder.

You both stay in silence for a little while before Izuku breaks the silence again.

"I'm sorry about today. I had…" He sighs. "I had a discussion with a partner."

Partner? You know Izuku doesn't have many partners. One is Hero Shoto, who also is his best friend. You doubt he had a discussion with him, you couldn't actually see Shoto in a heated discussion at all. And the other one is… Oh .

"What did he do now?" You don't even have to mention his name. You and Izuku know who you're talking about.

The green-haired man rolls his eyes. "We have been civil. For the sake of everybody around us. And if I'm being honest, we work well together. In fights, we understand each other perfectly. So we decided to just be professional and not bring up anything that happened."

You know this. Izuku had already told you this once, when he called you on his lunch break to talk to you about a cute little butterfly that he would send you the picture of when he was less busy and you heard Bakugou's voice on the back calling for Izuku. They had been on a mission together.

"Until…" Izuku continues, "Until this morning, when he decided to bring up our Friday morning's coffee."

" What?! " You frown. How did he know? Nobody knew, besides Mineta and probably Shoto on Izuku's side. Nobody else knew… unless…

"Paparazzis discovered us. I don't know how. I'm always careful when meeting you. I take a lot of turns and I disguise myself the best I can so they don't recognize me. But they found out." He sighs, a hand sliding his green and black curls back. "They released an article yesterday. About us."

Izuku takes out his phone, searching for something before showing it to you.

NEWLY BACHELOR, NUMBER ONE PRO HERO DEKU, FOUNDS NEW SWEETHEART?

Yes, my readers, this is apparently what it looks like. A young, pretty lady like this caught the attention of the Symbol of Hope quite fast, if you ask for my humble opinion.

We don't have much information about her, sadly. Only that this lady has our favorite Pro Hero on her clutches... Look at the way he looks at her in the following pictures!

Isn't it cute? Let me be honest, as a fan of Deku myself, I can't avoid feeling a bit heartbroken, but I also think that this man deserves all the happiness anyone can give him. Don't you agree? And after that sudden break up with Pro Hero Uravity that caught everyone by surprise, makes me think… Does this lady have anything to do with it? Did she catch Pro Hero Deku's heart from before, causing the break up? Mmm, so many questions, readers, that we don't have the answers yet! But no mind, we will try our best to find them! Be patient, and in the meantime, show a bit of support for our favorite Number One Hero.

You feel like vomiting. Your picture, clear as day, has never been on the front page of a magazine. Bakugou has always protected his privacy so meticulously, and that included you. The media and his fans knew he had a relationship, but he never let anyone get a glimpse of it.

And here you are now, on the front page of Go-zzip Hero magazine, the picture showing you sitting in front of Izuku in that coffee shop, talking so close to his face it practically looks like you're kissing. Oh, shit . You do that? You actually speak that close to him??

You swallow thickly, looking back up at Izuku.

"I am so sorry, Izuku, I didn't know."

"Of course you didn't know. None of us did. But I'm sorry I wasn't more careful…"

"Don't be silly. This is not your fault."

"Yours either."

You both smile shyly at each other. This is… chaotic. Being involved with him is… OH, SHIT.

"What? What is it?" He asks as he sees your eyes open wide in fear.

"Your fans are gonna kill me..."

"No, they aren't…"

"Yes, they are! Oh my God!" You stand, after putting your mug over the table next to his, a bit wobbly on the legs which makes him react fast to hold you if you fall, but you don't. You start walking one way to the other of your small living room. "I'm so food for the fishes… they are going to kill me!"

Izuku chuckles. "No, they aren't, Y/N…"

"Don't laugh! Yes, they are! Especially after what that journalist said! They even hinted that probably I was the reason you broke up with Uraraka!"

"Which is not true. I'll call my manager and PR team and ask for an interview with the magazine and clarify this. You don't have anything to worry about. Neither does Mineta. I'll clarify that we are just friends…"

That makes you freeze in place, frowning. "Mineta? What does he have to do with this?"

Izuku frowns too, looking confused at you. "Aren't you… Isn't he… Aren't you dating ?"

"WHAT?!" By Izuku's flinching, you realize you raised your tone a bit louder than you intended. "Sorry…Mineta is my best friend, Izuku. He's like a brother to me."

Izuku looks so confused, "But… But you always speak about him. He cooks for you, he is… he is here almost everyday for you, and he did all that stuff to piss off Bakugou for you, like a…"

"Like a brother would." You smile. "I do think that somehow our souls are connected, because I know I could leave apart from anyone, except him . He's that annoying sticky thing you get used to living with and don't want to unstick, because if you do something will miss. Because he's my brother. I wouldn't be able to live without his annoying ass." Izuku laughs with you. You walk back to sitting next to him as silence comes back. Then, you keep talking, "Mineta has been there when I had no one. Even when we were five years old and my parents died in a car accident, provoked by a hero-villain fight." Deku tenses, but keeps his attention on you. "We used to play heroes when we were kids and fantasize about how we were going to be Number One. Both of us, together. And then the accident happened. I was left alone. I didn't have much family around, only my old great-grandma that was barely suitable to raise a child. So I was given to the state. I went to an orphanage."

You don't know why you're baring your soul to Izuku like this. This was a painful, very intimate part of your history nobody knew but Mineta. Not even Bakugou knew. He never insisted for you to tell him. He simply accepted that you were Mineta's best friend, end of sentence. He never questioned anything. Now you wonder if that was a good or a bad thing.

"That's when your panic attacks began?" He asks a bit timidly. You nod.

"It happened that same day, when I was given the news about their deaths. A kind lady had been there with me, explaining what it all meant. She was kind, but she didn't have much experience. Imagine walking into a room as a kid where your parents are lying dead in two stretchers and being told these are your parents and you're not gonna see them anymore ." Izuku flinches again, a chill clearly running down his back. "A few hours later, I had my first panic attack. I lost consciousness for almost an hour. It was the longest one I ever had and doctors were worried not enough oxygen had gone to my brain, considering that even when I woke up I wasn't talking to anyone."

"Until Mineta and Auntie Asiki came to see me at the hospital. The second Mineta lay down next to me in the hospital bed, I started crying, and he held me. We were kids, not knowing anything about life, and he still understood that I needed him. Auntie Asiki offered to bring me home with her and Mineta, but the forms to the orphanage had already been filled and accepted. It would take a lot of money, lawyers and procedures to let her, a single mother, take my custody. And while her heart and intentions were hugely appreciated for even thinking about it, it was impossible."

"I didn't know Mineta's mom was a single mother." Izuku frowns, probably guilting himself about it, because of everything they, as class A, had been through their years at UA.

"He doesn't like speaking about it. He really has to trust you to tell you about it."

Izuku nods, instantly respecting that decision. He then scratches his neck again. 

"So, you and him are not…"

You chuckle. "Not even if he was the last man on Earth." Izuku laughs too.

" Ouch , that wounds me so deep, bun," Mineta's voice is heard from the entrance as he walks inside your apartment.

Shit , you haven't heard him at all. The worry on your face is visible, because you have been talking about him, about his private life, and you hadn't consulted him before. You feel so bad, so worried he'll get mad at you.  

Mineta sees you and simply shrugs, "It's okay, bun, I trust Midoriya." He then winks at you and you feel the worry disappear completely.

"Thank you, Mineta. I promise I won't speak about it to anyone."

"It's okay," Mineta answers Izuku, pulling his thumb up in his direction. You smile watching their interaction. "I'm not here though to have this conversation." Your best friend gets closer to where you are, a worried expression on his face. "I was told you had another one, in the middle of the street.." You sigh, looking down at your hands that lay in your lap. "Was it because of him again?"

You nod and Mineta is the one who sighs this time.

"About Bakugou?" Izuku asks then, frowning.

You nod again. "My therapist is helping, but yes, they appear after I remember something, random things he once had said to me."

"Why it doesn't fucking surprise me…" Izuku barks as he stands from the couch and walks, just like you had moments ago. Mineta opens his eyes wide, watching amused at Izuku's reaction.

"He's such a fucking jerk… But we already knew that, didn't we?" 

Izuku immediately agrees with Mineta.

"I should have punched him harder," Izuku's comment makes you choke on the tea you were about to swallow.

"You what?!" Both you and Mineta speak at the same time. You look worried about the whole situation, the discussion clearly hadn't been a simple one if there had been fists involved. Mineta looks like a kid given the awaited present on his birthday.

"What really happened, Izuku?" You ask, worry clear on your tone.

"He saw the article, clearly. I came back from night patrol and was changing in the locker rooms, the whole night shift was there preparing to go home at the same time the morning shift was getting ready to start their patrols. And he started making comments about you and me, about how I apparently like his leftovers, about how you are a gold digger and now went for me."

"He did not fucking say that!" Mineta stands up, ready to beat some ass, Bakugou's, specifically.

"He did! I couldn't not do anything. I tried to be civil and only told him to stop talking about us, that he didn't know anything. And I told him to stop playing the victim, because he was none. The only victims in this story are you and me," Izuku looks at you like he's assuring you, "They don't have the right to even comment on this." 

"Hell yeah, Midoriya!" Mineta cheers, raising his hand for Izuku to high five him, and the green-haired does, animated. You shake your head trying to hold your smile back. "What did corn-head say then?"

Izuku laughs at Mineta's nickname for Bakugou, bumping his fist again with the man in agreement.

You roll your eyes. Jesus , men are such idiots with nicknames. 

"He then said that… I don't know if I should repeat it…" Izuku and Mineta both look at you, Mineta already intuitively knows.

"He talked… he talked about our sex life, didn't he?" You ask after a minute of silence.

Izuku nods.

"Tell me you did punch him hard though…" Mineta is fuming, you can see the smoke coming out his ears, metaphorically. 

"Of course I did. Twice, before someone pushed me away."

"Well done, man." Mineta high fives Izuku again.

"You shouldn't… you didn't have to…"

"I won't let him or anybody speak about you that way, Y/N. Now that I know all you've been through, I won't even give them a chance to."

You move before you think, again. One second you're seated on the couch, and the next you're hugging Izuku. Arms around his neck strongly, as your face hides in your arm and his shoulder. It takes him a second, but he reacts by hugging back, strong arms surrounding your waist as delicately as he can, but also firm and securely.

You heard Mineta walk out of the living room towards the kitchen to entertain himself with anything.

And you feel… safe . You feel so safe in Izuku's arms, it's so comforting and nice.

You feel him take a deep breath over your head, as if your smell was comforting to him. You like that idea. That at least in something so insignificant like your smell, he finds comfort and peace. Relax and ease.

"Thank you, Izuku," you whisper only for him to listen.

He shakes his head, "You have nothing to thank me for."

"I do, though. Not only for those punches," you say backing away just a bit so you can see his face. He smiles proudly at the mention of the punches. "But because you helped me with my panic attacks… Twice."

"Twice?" He asks confusedly, but you nod.

"The first Friday we went to have a coffee, remember?" He nods, "I was waiting, and because it was my first time out of my apartment without Mineta I was feeling overwhelmed and… and then you appeared at the door. And all I felt was relief… I felt safe with you there, so it stopped even before it began."

You are looking at his eyes, and you can see the emotion in them as you speak. He then rests his forehead on yours and takes a deep breath, clearly pushing his emotion back in so he can speak.

"I'll be there for you… I want to be there for you, if you want me…"

"I want you," you immediately answer, "I want you to be here."

"Then I will."

"I also want to be there for you," you scratch the back of his head softly, as he bites his bottom lip, taking a deep breath. He looks like he's trying to control himself from doing something then and there, and that makes you smile.

"I want you . I want you to be there too." He repeats your exact same words, making you feel tingles all over your body as you feel his fingertips caress lightly, timidly, the bit of skin showing at your waist.

"Then I will."

You feel him moving, his nose caressing yours in a cute manner. Slowly getting closer, lips barely touching and…

"Sorry to be a cockblock, but your phone is ringing, Midoriya."

The bubble is popped , so you both back away, clearing your throats and fixing your clothes out of nervousness.

"Oh, yeah, ummm…" Izuku walks back towards the kitchen to search for his phone. "It's Shoto. He's probably heard already about the fight this morning. I should pick this." You nod, signaling to your room for his privacy and he thanks you as he walks there.

Your eyes follow him until the door is closed, and then they go towards the kitchen, where Mineta is standing, hip against the counter and a bowl of snacks in his hands he found somewhere, eating them slowly as he looks at you accusatory. A knowing smirk in his face.

"Shut up."

"I didn't say anything… yet."

You roll your eyes. "Spit it out." You walk towards him, picking some of the snacks on the bowl and eating.

"I have nothing to say, Y/N."

That's impossible, he always has something to say. 

"Or should I call you Ms. Midoriya from now on?" 

Ah, there it is.

You punch him in the arm and he laughs out loud.

PART I - PART II - PART III

[pandora-writes-one-piece]

The Meet Cute - Ace's Story - 1

Source for the pic

Firestarter 1

Word Count: 3056

Tags For The Whole Story: Fem!Reader, slight NSFW (It's mature, not explicit), slightly sugestive behaviour, flirting, jealousy, frenemies, sexual tension, miscommunication, unresolved tension, slight angst, slow-burn, romantic comedy vibes, alternate universe modern setting, swearing, drinking, fluff, feelings realisation, denial of feelings.

Special Warning: English is not my first language, I apologise for any possible spelling or grammar mistakes.

Special Warning 2 : Below the summary is the masterlist. I advise reading the introductory chapters first, as they give a sense of the story, introduce characters and locations and, this chapter starts off immediately after the Sanji chapter.

Summary: After moving away from the hustle and bustle of Grand Line City to help your father around the property following a horse-riding accident - and in the hopes of healing your broken heart after your asshole ex-fiancé cheated - you settle into the country calmness of the Calm Belt. You intended to have some alone time, to reflect and heal, but your childhood friend's older brother, Ace, seems to be there just to upset that fragile peace you're striving for. He's a flirt and a womaniser. But why does he also have to be so handsome and perfect? And how long can you resist his charms?

Notes: Here's the first chapter of Ace's story. I've been having a blast writing this, I do hope you enjoy it as well. If you want to be tagged when I post a new chapter, let me know! Also, don't be shy, I'd love to read about your thoughts! Thank you! ❤️

Masterlist for previous introductory chapters.

Next Chapter

After lunch you take another quick stroll through town and ask around for some part-time jobs, but nothing’s available so you return to your car, ready to go home and hoping Nami and Robin can help you find that job, like they promise they would. 

But the car doesn't start. 

You try to do what your father said, as silly and idiotic as it may seem. You pet the dash of the car and the steering wheel and coo at them in a soothing voice. 

“Hi, sweetheart. You're going to work for me now, aren't you? You're a pretty little girl, aren't you?” 

Rolling your eyes and inhaling deeply, you turn the key again and the engine sputters and chokes almost catching but it doesn't and you grunt. 

You spend the next fifteen minutes alternating between spewing pretty words at the car and shouting ugly insults, but the car is dead. Finally you give up and call your dad. 

“Dad, the stupid car won't start!” you whine like a teenager, not caring because you're annoyed and upset. 

“Have you tried-...”

“Yes!” You interrupt. “I've tried everything! I've tried being nice and petting it, and I've tried being mean and hitting it. None of it is working!”

You hear Ace's loud guffaws in the background and instantly blush. “One of those options usually gets me started!” He shouts and you ignore him. You hadn't realised you were on speaker. Shanks starts to go into detail about what you should do but you just sigh in exasperation. 

“Can you come help me, dad? Please?” You add another little whine to your voice because that might do the trick. He sighs on the other end and concedes so you tell him exactly where you are parked. 

You still try to get the car to work while you wait, but it only makes you more and more frustrated. On your last attempt, you make the engine overheat and smoke billows everywhere, so you get out of the car, open the hood and wave your hands around to disperse the smoke. 

The smell of burnt oil and smoke is overpowering, and you are soon assaulted by a coughing fit before the cloud dissipates and you manage to take a look inside. Supporting  your weight on your hands, you lean inside, certain that you can find whatever is wrong with it despite having zero knowledge of mechanics. You have absolutely no idea what you are looking for. 

“Princess, you wanna kill me?” Ace's voice is deeper than you've ever heard it, and he manages to surprise you enough to elicit a small gasp. 

“Ace!”

He's leaning against the hood of his jeep, legs crossed, a hand on his chest and a smirk on his lips as his eyes drink you in. At least he has a shirt on for once, which is a first since your reencounter. “You can't lean like that while wearing a tiny dress.” He emphasises with hand gestures so you get his point. “Someone might see more than you intended.” His smirk grows. 

Your eyes pierce his without any hint of amusement. “Are you saying that you saw my butt, Mr. Someone?”

His laugh bubbles up in a sweet sound as his freckles dance along with the vibrations and you have to force yourself not to get dragged along into laughter as well. 

“I'm not saying that. I just don't want someone else to see it.” You can't control the small blush that fills your cheeks with embarrassment. The way Ace manages to make you flustered is almost infuriating. 

“Where's my dad?” You ask, deadpan. 

“Couldn't make it.”

“Meaning?” You are proudly becoming Ace-fluent and understanding that everything he says has a double meaning. 

“I volunteered.”

“That's what I thought.” You sigh and he laughs. “Can you actually help?”

He moves away from his jeep and approaches you, supporting one hand on the hood and the other on his hip while casually glancing over the engine. “That's totally fried.” He points at the engine and shakes his head. “You'll need to come with me.” With another languid smirk he points at his jeep. 

“You're bullshitting.”

“I resent that.” His hurt-boy act almost convinces you. 

“No you don't!” 

“I don't. I just like to see you mad at me.” 

You huff and place both hands on your hips while glaring at him. “Be serious, Ace!”

He sighs and this time actually leans properly into the hood, starting to mess with some parts. You have no idea if he's just touching things for the sake of it or if he actually knows what he's doing. 

“I know what I'm doing.” Is he a mind reader? “I help Franky at the firehouse all the time. He's the mechanic, but I know a few basics.”

“Firehouse?”

“Yeah, I'm a firefighter!” He exclaims as if it's something you should've known by now. 

“I didn’t know that.”

“Luffy works with me there as well. It’s hardly a job when we have as much fun as we do.” He chuckles softly. “I guess we’re lucky firefighters since there are barely any accidents where people get hurt. It’s mostly forest fires or small car accidents.”

You nod. “The perks of a small town.” You mumble as you lean closer to see what he’s doing and your shoulders bump and brush together. He’s warm and taut but you focus your eyes on his hands, paying no mind to your closeness. You notice that he’s screwing some oily nuts. He uses just the tip of his middle finger to turn the nuts, and the precision with which he does so is insane.

And he smells nice. How can he smell so good if he’s been working with your father all morning? He smells like…  nature! Some sort of sandalwood or cedarwood with a fresh hint of pine. It’s intoxicating and you try to breathe as little as possible near him.  

“Yeah, and that’s why I have time to help your dad and learn new stuff. Franky’s the genius mechanic, but I’ve got a few tricks.” You can practically hear the smirk in his voice, but you don’t look at him.

You're still distracted by the nuts and the amount of oil making his fingers glisten as he twirls them. You’re not usually a very carnal girl, but Ace does things to you and your body. Uncontrollable things. Inadvertently, you wet your lower lip and let it catch between your teeth, humming at his answer, or at his actions, you can't quite tell, except that hum sounded quite close to a low grunt. “That's… interesting.” 

Wow. Awesome brain power. You almost kick yourself for that but he immediately catches on and stops his motions, his eyes looking at you hungrily as they pause on your lips and the way you're biting them. Then travel up to your eyes and it’s almost as if he leans into you, like magnets being pulled close together. So close. 

“You alright there, princess?” He exhales sultrily as his warm breath tingles near your face, and you gasp, coming out of your bliss and scratching your head with nervousness. 

“Yes, yes. I'm fine.” You train your eyes back on the car’s insides. “So, is it overheating?”

“Damn right it is.” He mumbles making you look up once more and his eyes never leave your lips. Your breath catches as you pull away from the hood to gain some distance from him. 

But as you do, you take a step back towards the open road, just as a car is going by. 

“Watch it!” He yelps as his oily hand grasps your forearm with a strong grip, that’s sure to bruise, and he pulls you towards him making you collide with his chest with a sound oomph. “That was freaking close!”

Your heart is banging against your chest in an insane rhythm, the adrenaline of almost being hit by a car making you tremble and gasp for air. Ace’s hand is still gripping your forearm tightly and it’s starting to hurt but you can’t seem to find your voice. 

“Drive slower, asshole! You’re in the city” He screams at the car, his other hand wrapping protectively around you and settling on your head, pulling you flush against him. It’s a weird dichotomy, this feeling. One hand holds you tightly with a deathly vice while the other protects and soothes you with a soft caress.

You take a deep breath, inhaling his scent - that strong wooden scent - trying to ground yourself and will your heart to calm down. 

“Are you alright?” He mutters your name softly, trying to shake you out of your slight shock. 

Nodding fervently you pull back, away from his warmth and his intoxicating scent. You find your voice and force it out with a shaky breath. “You’re hurting me, Ace.”

He eyes you quizzically for a moment before realising he’s still holding your arm as if you’re about to be taken away from him. His grip relaxes instantly and he raises his hands releasing a string of apologies. 

“Ah, crap, sorry. I didn’t realise I was still holding you that tightly.”

Your arm hurts and will definitely bruise, but you don’t want him to feel bad about saving you, so you give it a quick massage and dismiss the subject with a smile. “Thank you, Ace. That was quick thinking.”

His face seems deadly serious and you had yet to witness this side of him. “It shouldn’t have to be necessary. The asshole was driving way out of limits. I should’ve gotten his plate number to give to Zoro.” He sighs as his eyes leave the road and finally settle back on you. “You sure you’re alright?”

The slight edge of his voice makes you realise he was also scared, despite not showing it, and you are deeply grateful. “I really am.”

“Oh, shit. I smeared oil all over your arm, hang on.” You look at the arm he was gripping and it is, indeed, covered in greasy oil that transferred from his hand, but you’re fine with it, you’re about to go home, anyway. Yet Ace doesn’t relent, he seems to be looking for a rag or something to wipe your arm with.

“I think I have some wipes in-... no, Ace! That’s not necessary!” But you’re too late. Off with the shirt he goes and now you start to think that he might be allergic to any kind of shirt since he’s always so keen on having his torso bare. 

“I’ll clean you up in a second.” He uses his shirt to wipe your arm and you sigh, knowing full well that this is a useless fight and you can’t win, so you just let him do his thing. 

A string of giggles and high-pitched squeals makes you turn your head to the sidewalk. Sure enough there are two girls giggling in each other’s arms, ogling Ace’s form and you frown.

“Hiiiiii, Ace!” They say in unison, their voices hitting a note that would’ve been able to shatter the finest of crystal glasses. 

Ace’s job is thorough, though, and he only turns when there’s no trace of oil on your arm. But when he does turn, it’s with a cheeky smirk and a tip of his hat. “Hello, ladies!” He leans his hand back into the hood of the car so he can give his full attention to them.

They giggle some more and you roll your eyes to the back of your head. “Pathetic.” Mumbling curses between your teeth, you close the hood with vigour, making Ace yelp because you almost caught his hand in the process. “Sorry.” You scorn, not sorry at all. 

Then you reach inside and take out your purse and car keys, locking it in the process, and walk towards Ace’s jeep.

“Let’s just go.” You state coldly.

Why are you acting so jealous? It’s not like Ace is anything to you. You’re not special, you’re nothing to him. 

And you don’t want to be anything to him. So maybe get a grip and stop acting bitchy?

The girls wave goodbye at Ace and one of them tells him to call her because she misses him. You’re not quite sure how your eyes don’t fall out of their sockets from the force with which you roll them. 

Acting bitchy it is, then, you decide as you settle into the passenger seat.

He finally climbs into his jeep and you’re about to ask if he’s seriously going to drive without a shirt on, when he reaches into the backseat - leaning towards your side and making you turn to the window so you don't have to face his naked chest right up your nose - and retrieves another crumpled shirt, putting it on in a swift movement. 

Your eyes follow his earlier movement, to see if there’s an infinite pile of shirts back there, and you release a light snort through your nose at the sight you discover. There’s a folded duvet and a pillow, and thinking about the size of the bed of his jeep, your head instantly makes the assumption on why he keeps that in his car. 

You don’t want to do it, you don’t want to think about it, it just happens. Your mind is stronger than your will and, in a split second, pictures of you and Ace in the back of that jeep course through your head.

The open night sky above you, shining with stars, little dots that act as sole witnesses to your acts of passion;

Languid kisses that trail from your neck, to your chest and end in your lower belly, promising more;

Feather like touches that start on your entwined hands, where he places them above your head. His fingers trace the inside of your raised forearm, tickle your armpit, and follow along your side to your ribs, settling on the bone of your hip, stealing your breath away;

His body slotted above yours, his knee between your legs, keeping them open for him as his chest lowers above you and his lips claim yours;

You shake your head vigorously, mentally chastising yourself for what your mind conjured. He’s a player! You don’t need another fuckboy in your life. Hell, you don’t need another man in your life, period!

“Do you want me to call Kid? He owns the mechanic shop and he can tow your car.”

“It’s okay, I’ll take care of it later. Just take me home, Ace.” You realise how cold you sound and you’re pretty sure he realises that too because he keeps looking at you with his eyebrow raised.

“What happened to your mood, princess? I’m sure Kid can fix your car in a heartbeat.”

He’s seriously that clueless? Figures.

Setting your sight on the open window and the view outside as he starts the jeep, you shake your head.

“Sure. Don’t call me princess.”

Ace settles an arm behind your headrest and turns his body to look back as he reverses the jeep and you force your head to stay still and your eyes to stay glued on the post office signpost across the street.

Fuckboy, player, womaniser. Fuckboy, player, womaniser.

You keep repeating that mantra without fail until he finally faces forward and drives the car. There are few things sexier than a hot man reversing the car like that and you’re not about to add that image of Ace to your already scrambled brain. You refuse. 

“Are your panties in a twist, princess?” He chuckles.

“Two things, Ace. Three, actually.” You raise your fingers as you go and this time you actually look at him. “Don’t talk about my panties, don’t talk to me the rest of the way, and don’t call me princess!” You emphasise the last sentence and end with a hiss and a huff followed by crossing your arms over your chest and turning back to the window. 

You can almost hear the cogs turning inside his head. You’re pretty sure he’s reliving every interaction with you up until this moment and why you’re acting pissed. But you’re not about to admit to him the real reason. 

It’s a freaking stupid reason!

You’re not entitled to be upset. You’re not even entitled to be jealous or pissed. Yet, here you are. So you might as well just roll with it. But you’ll never admit it. Ever.

The ride is tense and it seems longer than it actually is, so you can’t wait to jump out of the jeep as soon as he parks it outside your house, but he presses the button that locks the doors and you sigh while turning to him with a raised brow and pursed lips, waiting for him to speak.

“What did I do?”

“That’s a good start. Always admit to guilt. Men are always at fault.” You snort and try the door, even though you know it won’t budge. 

“Princess, look at me. I really don’t know what I did wrong.” The uncertainty in his voice almost makes you cave, but there’s that freaking nickname again. And it’s getting under your skin. 

“Don't. Call. Me. Princess.”

“That’s it? Is that why you’re upset? ‘Cause I can stop. I don’t want to, you’re my princess.” He jokes but you’re not in the mood for jokes. 

“You know what I think, Ace?” Your angry stare bores into his eyes as his smile suddenly dissolves. “I think you call all your girls princess, or sweetheart, or gorgeous or another stupid, infantile pet name, because you can’t be bothered to learn their actual names!” Your hand grips the handle and you try to open the door again, this time with more force, yet it still doesn’t budge. “At least that way, you’re safe when you actually forget their name because they’re just another notch in your freaking cowboy belt!”

He just stares at you, jaw slack, while his hand grips the wheel. 

“Open this door, Ace! I want to leave.”

You huff again but it takes him a moment to react. Downcasting his gaze he nods and unlocks the door without another word. 

“Thanks for the help.” You tell him before slamming the door and climbing the steps to the porch. This was not how you had envisioned the end of this afternoon. 

At all.

[feyhunter78]

the way your jon snow fic has the most VICOUS hold on me. like i love it so much you have no idea. please please add me to that tag list! also whens the next part coming out i beg to know.

I can do that, and I'll do ya one better and drop the next chapter right here!!!!!

Chapter Eleven - Another marriage, and now a few moons later Queen Margaery has settled into her throne and it is time to celebrate her nameday with yet another feast, this time in Highgarden.

Ch 12

When your Uncle Jamie—really your only uncle now, as your Uncle Robert is long dead—slips back inside your aunt’s solar, he seems different, withdrawn, and pensive. You blame it on the death of his eldest child, wishing to not worry about whatever he and Jon spoke of. Though you know he is not so broken up about Joffrey’s death, he never truly liked the boy.

Your aunt is calm now, only a few stray tears and sniffles, Tommen curled in her lap. Your grandsire sitting in a chair his back ramrod straight, your father standing by your side as you lean against the table, your eyes on the large windows overlooking the Keep.

“We must uncover the assassins and hold a proper funeral for the king.” Your aunt says, her arms wrapped tightly around Tommen.

“We must write to Myrcella first; she needs to know of Joffrey’s death from us, not strangers.” You argue.

“No, we must secure the safety of all members of the royal family.” Your uncle says, his arms folded across his chest.

Your grandsire sighs. “You are all wrong, first we must arrange for Lady Margaery to marry Tommen and place Tommen on the throne, we cannot waste time, every second he does not sit on the Iron Throne more schemes to take it from him are hatched.”

“He is barely half her age.” Cersei protests.

You look at your father, this must be part of the plan, though you do not understand how, it must be. Besides, Tommen is a sweet boy, he will not harm her, nor will Margaery harm him.

“Grandsire is right, we cannot allow the Tyrells to slip from our fingers.” You say, earning a look of approval from your grandsire, one you so rarely get.

So now you stand in the crowd once more, dressed less lavishly than you were for Joffrey’s wedding, watching as Tommen and Margaery say their vows. The affair is duller, quieter, Margaery of course looks beautiful, but you cannot find it in yourself to be joyous. Your father has not explained how this is part of the plan. The wedding has happened, the vows were said, how is she to marry Robb while Tommen still lives? Perhaps an annulment? It would make sense; Tommen is far too young; no bedding will happen until he is of age. But it does not make sense in terms of succession.

You wring your hands, trying to piece together some way Robb can take the throne while Tommen still lives. Then the ceremony is over, the feasting and dancing commences, and Tommen seems…happy. That is truly all you want for him, happiness, but there is a cloud hanging over you that you cannot shake.

As you disperse with the rest of the crowd, a tall, dark-haired, olive-skinned man steps into your view, his fine clothing colorful and cut in a distinct fashion.

“Lady y/n, may I have this dance?” Lord Oberyn Martell extends his hand, and you take it, giving him a gracious smile.

Myrcella has written of Oberyn, of his quick wit, of the way he dotes on his daughters, how he cares greatly for nieces and nephews, and though he still holds her at a distance he is not unkind to her. Despite all that she still warns you to be wary of him, that he earned the name Red Viper for a reason.

The song is familiar, the steps easy, and you fall in line with the other dancers, gliding and turning on beat, the melodious strings accompanied by clear toned woodwinds invoking the image of young lovers enjoying a spring day.

“Your cousin speaks highly of you.” Lord Oberyn says, his words far more accented than Jon’s, but still clear as day.

“I do miss her.” You twirl then return within his arm’s reach.

“Trystane takes good care of her I can assure you; I have never seen a young man more smitten than him” There is a look on his face, one of mischief, and he gracefully inclines his head towards Jon. “Though your White Wolf could put up a fair fight.”

“He is devoted, as a sworn sword should be.” You say nonchalantly, before attempting to turn the conversation back to Myrcella.

Oberyn stops you, dipping you low, a devilish smile on his handsome face directed towards someone you cannot see, though you imagine it is Jon. “If that is the case, then perhaps, I shall take your aunt up on her offer of further betrothals in Dorne.”

You stumble, catching the Dornish prince’s foot with the edge of your heel. “My apologies, My Lord.”

“No harm done; I expected such a reaction.”

“I think it would be best to speak with my father, not my aunt, if you wish to marry me to one of your nephews or cousins.” You say primly, curtsying to him once the dance has finished.

He presses your hand to his lips. “And if I wished to marry you myself? Would I still need to speak with your father.”

Your face burns and you snatch your hand away. “You have daughters younger than me, Prince Oberyn, and I do not think their mother would take kindly to another woman attempting to take her place. Nor would I want to. I mean no offense, but I cannot enter a marriage where I must share my husband, especially not when the other woman has had him first.”

He laughs, the sound warm, banishing the tension from the air around you, lifting the weight from your shoulders. It reminds you a little of how Jon laughs, the comfort it brings. Is this how all Dornish men laugh? If so, you can understand why Lyanna and Myrcella did not find it hard to fall for their own Dornish lovers.

“She would not, but she will appreciate your words.” He takes your hand gently, kissing it once more, then releasing you.

You give him a smile and gracefully take the arm of your next partner, then the next one then the next one, until finally Jon is able to steal you away, leading you back to your father.

“I have just turned down Oberyn Martell’s proposal, Father, I wished to let you know.” You say, a weary smile on your face as you slump in the chair next to him.

“Oh, did you? How bold these Dornish are, asking a girl for her hand without first consulting with her father.” Your father says, a ghost of a grin on his lips.

Jon stiffens from his place behind you.

“I reminded him he has daughters younger than me. Also, that I would not share my husband, it is too…unsavory for me, though of course I did not phrase it so.”

Your father snorts. “You told the Red Viper that you will not play the whore in your own marriage?”

You can hear Jon shifting his weight, and he hates when others use what he deems foul language in your presence. Though, you always remind him that Theon had given you quite the course in how to speak as a proper sailor does.

“No, I said I would not like to take the place of another woman.” You take a cube of cheese from his plate and pop it in your mouth. “Though perhaps I should have said lions are far too possessive to ever share their mates.” You catch sight of Jon in your peripheral and flash him a teasing smile.

He clears his throat and looks away, his arms clasped behind his back.

Jon has been oddly distant since the night of Joffrey’s death, and you fear it has more to do with whatever your uncle said to him than the death of the so-called king.

“Do you not think I spoke right, Ser Jon?” You ask, unable to resist drawing him into the conversation, though you know he would rather not participate.

“I think it is dishonorable to take more than one wife, or to have a mistress. It sullies not only the marital bed, but the house itself.” He says, his posture stiff, his words stilted.

You frown and your father shrugs before handing you another cheese cube.

The Roseroad toward Highgarden is well-kept, guards and small towns scattered along the winding road, the countryside lush and brimming with life. The air is cleaner here, sweet smelling compared to the unwashed filth that permeates the air of King’s Landing, and you are once again thankful that no one allowed your Aunt Cersei to take her gargantuan wheelhouse on this trip.

You are divided into smaller groups, within smaller wheelhouses, with windows that allow air to flow through. Your aunt is in one with her ladies, your father, uncle, and Tommen ride their horses alongside the guards, while you and Margaery were able to snag a wheelhouse to yourselves. Margaery claims she needs the extra space to prepare for her nameday festivities, and no one could deny their queen.

“We are a few hours out from my home, I cannot wait to show you the grounds, they are especially beautiful this time of year.” Margaery says, looking out the window, her face lit with a radiant smile.

It has been a few moons since her wedding to Tommen, and you have grown closer to the older girl, you and she are in fact Tommen’s favorite people and in turn spend much time together with or without him.

“I have heard tales, but I am sure words cannot compare.” You say, joining her at the window as she points out places she used to ride to with her brothers.

After a while of you two quietly enjoying the countryside, Margaery clears her throat delicately.  “Speaking of words.” She draws back from the window and pulls the curtain closed. “Have you heard anything from our dear redheaded friend?”

You scoot closer to her, lowering your voice to a whisper. “She writes to say that all is well, her home has fallen back into routine and regrets she is unable to attend the celebrations but holds out hope she will see us soon.”

“And what about…” Robb, she means Robb, she wishes to know if he thinks of her.

You reach into your satchel and dig out a letter, “I had been hoping to save it as a nameday present, but I guess I could give it to you now.”

After her and Tommen’s wedding your father roped you into secreting letters between Margaery and Robb, the seals were Hawthorne coming in, and Lannister going out. In truth, it made you feel part of a romantic story, playing the kind maid that helps the young lovers sneak away to be together.

Margaery rips open the letter and devours it, a soft smile on her face, her hand coming to cover her lips as her eyes begin to water.

“What, what did he say?” You ask, suddenly alarmed by the tears in your friend’s eyes.

She hands the letter to you, “he—he is so sweet.”

My dearest Lady Margaery,

I cannot tell you how delighted I still am each time your letters arrive, though I must admit my joy is dimmed by the continued reminder that you are wed to another. That I cannot speak freely of my affections for you. I know it is in name only, and that I should not be envious of a child no more than eight nearly nine namedays, but I am. To think that I, a man grown, is envious of a child for the mere fact that he is allowed to hold your hand. That he is allowed to call your name, to dance with you, it is shameful, but I would bear this shame and many others for you. There will come a day soon that we will be united, that I will take your hand and let all the realm know that you are not only my queen, but my heart’s desire.

I shall not drag on with sentiment lest I embarrass myself, so I will get to the meat of this letter. Sansa informed me it is to be your nameday soon, and that you will be traveling to Highgarden to celebrate. Part of me wished to set out for Highgarden the moment she said so, surely, I would be able to disguise myself well enough, but Sansa squashed that scheme quite quickly. Nevertheless, I am hopeful that Lady y/n will be able to present you with my gift. And if it is not too forward, I would ask that you wear it during the celebrations, and know that I am with you, that you carry my heart in your hands.

I have had your latest portrait replicated, made smaller, and set within a locket so that I might carry it around wherever I go. Theon teases me quite mercilessly about it, but I care not. While we are parted, I wish to do all I can to keep your visage beside me. The curve of your smile, the light in your eyes, and the soft blush that adorns your cheeks, they give me strength, and I will draw on them until we meet, and I no longer need drawn or painted images.

The Gods smiled upon the realm the day you were born, and I swear to you, when we are finally together, I will spend every moment I can making up for our time apart, especially your namedays.

-          Ever yours, Robb

“This is quite sweet; he has a way with words I would not expect.” You say, handing her the letter back.

“Why would he not? Even the way Jon spoke to you when he helped you into the wheelhouse was full of passion.” She bristles, holding the letter close to her chest.

You need only call for me, I will not be far. Perhaps have Ghost stay with you, it would ease my mind. He had said, before trying to force a very resistant Ghost into the wheelhouse. You thanked him but told him to let Ghost run free, knowing the direwolf would grow bored on the long journey.

You reach out and squeeze her hand. “I meant no offense, it is only that Jon has spent much time here, and Robb has not. I imagined they would speak differently, but it seems there is a hidden romantic streak in House Stark.”

She smiles, a pretty blush decorating her face, then she smooths out her expression and holds out her hand with the air of a queen. “My gift please?”

“Of course, My Queen.” You say, bowing your head ridiculously far as you hand her the small velvet bag.

She pulls the drawstrings open, gasping as she carefully pulls out the gift. It is a necklace made of gold and citrine, arranged in an elegant yet sturdy way, the gems draping down, the gold perfect and glowing against Margaery’s skin. “It is as he has described Grey Wind’s eyes.”

“Is there anything else?” You ask curiously, smiling as she holds it up to her chest once more.

She digs in the bag and finds a golden ring, engraved with the letters M and R in curling script, hidden within the rose emblem.

You hold out your hand for it, and she gives it to you. You fiddle with the edge of it until it pops open. Inside reveals a small, detailed portrait of a bright blue eye. “I wondered if he would go through with it.”

“Is that his?” Margaery asks, tracing the edges of the ring longingly.

“From what I remember it is, and Tommen also has blue eyes, so if anyone discovers it, they will be none the wiser.

She carefully replaces the gifts in their bag, and you feel a pang of sadness. You cannot imagine what she must feel like, married to a child, in love with a man she must keep secret, unable to even pretend they are merely friends, unable to freely send him letters.

A knock on the wheelhouse door pulls you from your thoughts. “My Queen, My Lady, we have nearly arrived.”

Highgarden is beyond beautiful, set upon a hill overlooking the Mander, built with clean white stone, and narrow towers that seem to scrape the clouds. Rows and rows of briar hedges, fields of flowers, and works of art tastefully scattered about the halls and grounds, complete the fairy tale look of the Tyrell’s castle, and you cannot wait to see more.

“And you must see the Three Singers, our Godswood is known throughout the realm for its beauty.” Margaery says, as the wheelhouse finally grinds to a halt and the door is pulled open.

“Sister,” Loras says, holding out his hand to her. “Welcome home.”

Margaery takes his hand, gracefully exiting the wheelhouse, her excitement radiating from her like rays of the sun. Then Loras goes to help you, but Jon’s hand is already there.

“My Lady, the Dowager Queen requires a word with you.” Jon says, his face unreadable, his eyes never lingering on you for too long.

“Thank you, Ser Jon, I will go to her once we have settled into our chambers.”

You sit and wait for your aunt, fiddling with your sleeves, birdsong, and the sound of harps playing floats in through the open window.

She sweeps in, head held high, and closes the window, plunging the room into dead quiet. “I know your father has been lenient with you since your poor mother died, but as your aunt, the only motherly figure in your life, I can no longer stand by and watch you waste away your future.”

“Beg pardon?”

She takes your hands, her expression soft, caring, one you have not seen since you were a little girl. “Y/N, we must find you a husband, a good man, who will provide for you, for your children.”

“Father said—”

“I know your father has filled your head with stories of freedom, and true love, but that is for children, and you have not been a child for some time now.” She takes the seat across from you, her ruby gown looking harsh and garish among the soft colors and fabrics of the guest chamber she has been given.

“You are right, I am no longer a child.” You agree, trying to give her an answer that betrays nothing of true value.

She brushes your cheek with her knuckles, her eyes looking for something, in your own. “Your mother was a great beauty, with a kind heart, far too kind. I do not want you making the same mistake she did. Not that you are a mistake, my darling girl, you are the only worthwhile thing that has ever come from my brother, but your mother did not examine her prospects wisely enough.”

“I do not have any prospects.” You tell her, torn between feeling comforted and wounded by her words.

“At tomorrow night’s feast there will be many lords from all across the realm, and you will dance with them, you will talk and flatter, and laugh at their jests even if they are not humorous.”

“But if I dance with so many, how will I know who is good?”

She gives you a smile and smooths down your hair. “Allow me to take care of that, I want you to enjoy yourself, and show the realm how delightful you are.”

“I will try.” You say, giving her a weak smile, hoping she believes it is born of nerves and not a complete lack of interest.

“You will do more than try, you will succeed.”

TL: @mostclevermiss, @solacestyles, @2valentines, @sharknutz, @idohknow, @bdudette, @pluraldoggo, @legolastheleafyelf, @faerie-film

[prettieinpink]

CREATING A STUDY SCHEDULE/ROUTINE 

PLANNING/SCHEDULING

LIST YOUR ACADEMIC STRENGTHS AND WEAKNESSES. This is so you can allocate time accordingly and avoid wasting any time. 

PRIORITISE ANY SUBJECTS. These may be subjects that will help you in your future career or just a subject you especially want a good grade in. Anything for these subjects then becomes the most important on your to-do list.

DIVIDE TIME EACH DAY. Not all days you are going to be able to sit down at your desk at the same time. Instead, according to your energy levels and planned activities, divide your time.

E.g I have cheerleading after school and I'm going to be so tired, so I’ll do my studying in the morning instead. 

ESTABLISH BREAKS. Depending on how long you can study for, place a suitable break in between. This helps make studying more productive, but only if your breaks are. 

CREATING

USE YOUR TIMETABLE. On days you don’t have a specific subject, dedicate more time to that one. 

CONSIDER YOUR LEARNING STYLE. This helps to be a bit more specific when creating it, instead of winging it and just doing anything. Having a consistent way of studying helps us learn better. 

E.g I’m a visual learner, so I’ll watch animations. I'm an auditory learner so I’ll watch a video of someone explaining it. 

KNOW WHAT YOU WILL DO DURING STUDYING. Do not just wing studying, it’s unproductive and you’re more likely to waste time instead of using it.

 Before you start studying, write a to-do list of everything you need to do during that session and how you will do it. Less time time-consuming and allows you to use time productively. 

SAMPLE – this is Lanny’s daily study routine without any upcoming tests, as an early bird, kinesthetic learner and needs breaks to think with clarity.

Morning

Review my flashcards in preparation for any test. 

Write/note any flashcards I'm struggling with. 

 Afterschool

Check seqta/school website to access my courses, in which I’ll write down which subjects I had. 

Do a few quick blurts on paper of everything I learned in those subjects with prior reading. I only do this for HASS, math and science + any electives that require it. (blurting method)

Then I recheck my blurts, add in anything that I’ve missed and correct with a different coloured pen. 

After, I push those papers aside but I do not discard them. I’ll then complete my online science homework + class workbook. If I happen not to understand anything I’ll watch a video on it and then complete some questions on that. 

I’ll take a break around now because, on an estimate, it has been around 20-40 minutes since I started depending on how my science homework is. I usually eat something and then get back to it. 

Math is next. I’ll complete any math homework, then I’ll practice doing math questions on my own. What I like to do is watch a math video, pause the question without the answer then watch to see if I got it. Effective because they explain it and I can see where I went wrong without analysing my working out which is rather time-consuming. 

I take another break. Math stuff usually takes around 20-30 minutes. 

I then do HASS, which is the easiest. I usually read an article or watch a video on hass then apply that knowledge by answering questions OR doing assigned chapter work. 

I do not study English after school, but I usually read an assigned passage/book and then try to apply any techniques/knowledge by taking that paragraph apart and analysing it. Sometimes, I write my paragraphs using any taught techniques and then mark them. 

Then, I redo my blurtings again but without prior reading then recheck and correct. Then I am finished for the afternoon!!

Evening

Review flashcards then watch a video/read an article on what I was struggling with in the morning but I do not do anything to consolidate this knowledge. 

That is all, please feel free to ask me about any questions about studying as I don't really post much about it, I'll love to help out any fellow students! 

[hwasoup]

Tale As Old As Time

playlist

art credit: marbipa hey guyyyss im backkk!! I had a great break and I even had fun with it as well, the loooonngg awaited Chapter 6 has finally arrived. Now to continue I also have created a discord server for us Miguel lovers out there, the only requirements are to simply be 18+ and that's it !!also you may get to chat with your favorite ff writers on the server !!

click on this and you'll be redirected to the server !

enjoy reading guyss !!

and dont forget to ask me to add you to the taglist !!

Warnings: some angst and lots of rotting fluff Words: 1.9k

Chapter 6: La Belle et La Bete

Later that night as the beast takes a bath…

“YOU SAID WHAT ?!” “I KNOW I KNOW…I well… we were sitting outside out at the rose garden and well.. I said that she made the world look more beautiful and if I could have a dance with her.. I NEVER expected she would say YES ?!” Miguel said as another bucket of warm water got doused over his body. He sputtered some of the water away from his lips as he wiped his face from the water. “What was I thinking Peter…” Peter chuckles “No, Miguel… It's perfect, you know that the rose has a few petals left which means that by the time the dance shall be held, you can confess your feelings for her”. Miguel gets up from the tub and looks over the curtain “I feel like an idiot…she won't ever love me anyways” Miguel shakes his body from all the water, splashing Peter in the process.

“You know she is the one”  “Oh quit it Peter..” Miguel said discouraged…”i shall see you in the morning” he said as he put on some clothes and retired for the night. Peter on the other hand smiled and left his bedroom to meet with the rest of the staff.

As Peter arrived at the kitchen,Jess was in the kitchen as always directing the dishes, forks, and knives to their respective drawers. Miles was simply watching over little Mayday, Gwen was dusting the shelves with her plumes, and Lyla was simply just chatting away with Pavitir

“Everyone, we have work to do, Miguel has finally and formally asked Y/N to a dance…. it's finally time to make this castle shine!” 

Miles cheers “and we’ll be human again !!” Jess sighed as she envisioned herself as her ladylike self “human again indeed…” Peter smiled, “When I’m human again, I’ll be good looking again, and I’ll be able to hug my baby in my arms again!” Miles cheers “when I’m human again, I’m going to run out into the garden just to feel the blood rush to my feet!” Jess chirps in “we’ll all get our chance to do what we miss when we’re human again, but for now…we have a dance to prepare!”

The entirety of the staff who lived in the castle cheered in excitement as they could finally tend and maintain their home. Pavitir, who was in the ballroom, started playing music on his keys to compose enough songs for Miguel and Y/N to dance to. Hobie, in y/n’s room, started picking and choosing fabrics in his cabinets and deciding which color suited Y/N the most as well. The brooms started sweeping, the mops and buckets started to work together to start cleaning the floor as well, the coat hangers helped pulling down the dilapidated curtains throughout the castle and replacing them with new curtains, the candles started organizing themselves onto the chandelier, and the cook had started picking and choosing courses for the dinner that will be eaten. 

______________________________________________________________

A week later…The day of the dance has arrived, and here Miguel is taking a huge bath in the tub. Soap is constantly lathered onto his fur, and dirt is removed each time until the water turns clear.

“I-I I’m not so sure I can do this…” Miguel says hesitantly. Peter scoffs “Oh please, Tonight is the night you’ll be able to confess to her, It’s now or nothing!” Miguel looks down as he has a bucket of water thrown over his body “b-but…what can I do?” Peter rolls his eyes “oh please, you have to be bold, daring, and smooth” Miguel nodded as he took note of what Peter was telling him. 

After his bath he was taken to his vanity and sat there as Peter kept on babbling in excitement “There will be romantic music, candlelight provided by Lyla and Miles and when the moment is right, you profess your love to her” Miguel sighed “oh please… how would I even know when the time is right?” Jess, who was standing on the vanity with Miles, Gwen, and Lyla all looked at him as they saw his nervousness. “Just some tips from a woman, all you gotta do is woo her with the music” Gwen pitches in “I think you’ll get nauseous when telling the truth...” Miles tries to encourage him “I think you’ll do fine sir…”

Peter looks at him and sighs “stop being so nervous and just tell Y/N how you feel because I swear you will be drinking cold tea for the rest of your life!”  Miguel gulped a little and nodded. The hairdresser finally arrived and immediately started working on Miguel’s fur, Others who worked in beauty polished his claws, brushed his teeth, cleaned his horns, and added perfumes onto him. Gwen used her feathers to add foundation onto his face and add his makeup. By the time they were all finished, they turned him around to look at the mirror and everyone’s face dropped .... clearly…the poodle looking updo and white makeup did not look great on his fur. “Ok…I-I can fix this" Peter says.

On the other hand, at the east wing, Hobie was helping Y/N getting into her golden gown. The two of them worked together as Y/N picked the design and Hobie used his magic to make the gown come to life. After Y/N got into the dress, Hobie looked at her and hummed “There sum missin ‘ere” He then looked into his drawers one more time and pulled out some gold accents. The wardrobe smiled at Y/N as it decorated her gown and added sparkle and shine “now yer ready Dovie” he says softly. Jess arrived at her door and cleared her throat “it is time...”

Y/N stepped out of her room and stood by her side of the stairs, on the other side she spotted Miguel, his mane was tied with a ribbon in the back and wore an extravagant blue suit. Y/N blushed a little at his appearance, seeing how his arms bulged out a bit from his suit and how tall and gentlemanly he stood. Miguel on the other side saw her and his heart melted, she was truly gorgeous and seemed extremely precious in his eyes. The two slowly descended from each side of the staircase and met in the middle. “Join me for dinner?” Adenira smiled and nodded as she held onto his arm and walked alongside him for dinner. The two sat beside each other and enjoyed a nice 3 course meal, the two laughed and dined and enjoyed a pleasant meal together. Eventually Pavitir arrived with a small ensemble and started playing music. Y/N heard it and smiled and got up and grabbed both of his arms “come, dance with me “she said excitedly. Miguel was just too enamored by her and got up with her to the ballroom. “Pero…no sé cómo bailar…”  Y/N smiled and brought his arm around her waist and held his hand on the other side “then learn with me” She then started waltzing with him. Miguel was a little awkward but eventually figured out how to dance with her and confidently led her and twirled her around the ballroom. Y/N was just so happy to be dancing with him and laid her head against his warm furry chest. The two waltzed and waltzed until both of their feet hurt. Once the two danced their hearts out, Miguel led her out onto the balcony and looked at the stars with her. He sat down on a ledge and nervously rubbed the back of his neck as he built some courage to speak to her.

“Y/N?” Miguel says tenderly. Y/N looked up at him and smiled as he got closer and held her hands. “Estás feliz conmigo ?” Y/N smiled at him and nodded “claro que si” she said softly but then she suddenly looked down. Miguel noticed and frowned “what’s wrong?” Y/N sighed... “Well…it’s just that…I wish I could just see my papa…por solo un momento…I miss him dearly...”  Miguel looked disheartened for her and thought about how to make her wish come true. Then he remembered…the magic mirror, He smiled at her and held her hands tightly “there is a way, come follow me!” 

He excitedly took her all the way to his room in the west wing and took her to where the rose was on the table. On the side there was the mirror. He took the mirror into his hands and handed it to her “this mirror can show you anything you wish to see” Y/N took the mirror into her hands and whispered, “I’d like to see mi papa…please” The mirror glowed yellow and revealed to her the current state of her father. In the mirror it showed Mauricio lying in bed weakly with what seemed to show that he was ill and with a fever. “No…papa…” she said worriedly “Esta Enfermo, h-he may be dying and he’s all alone” she said looking up at Miguel. Miguel looked at her with worry as well, he didn’t want Y/N to feel so anguished over her father’s current state. He took a look at the rose and looked at it with all the pain in his eyes…. he knew what to do…he knew the consequences…and he knew…that this could be goodbye... “Then...you must go to him.”

“Que?” Y/N looked at him surprised and approached him. “I release you… you’re no longer my prisoner...” Y/N looked at him with relief and with much empathy towards him “I’m free?” “Yes…” 

Y/N approached him to return the mirror to him. “No…keep it.. So you could at least have something to remember me by” Miguel looked at her lovingly and also with much hurt in his eyes. He had to take in her appearance one more time before she left, caressing her hair and watching as the locks fell from his paws. “Thank you for understanding how much he needs me now.” she said softly. Y/N’s eyes were filled with gratitude and with so much tenderness…she was afraid of never seeing him again, but at least the magic mirror would give her peace of mind if she wished to see him again. Y/N caressed his face one last time and left the room. Miguel reached towards her but stopped himself. His ears drooped and he sighed.

Jess noticed Y/N walking away from the room and she peeked in to talk to Miguel “I hope I can assume that everything went perfectly” she said with a smirk. “I let her go.” “What? But why? how could you do that Migs ?!” Jess said in shock. Peter walked in and his heart dropped as well watching the scene before him. “I had to Jessica…I did it because…I Love Her...”

Jess sighed and walked out of the room to break the news to the rest of the staff. Little Mayday sniffled “so I won't bwe a whittle girl again?” Miles hugged her tightly as he comforted her. Lyla sighed “but we were so close!” Peter chuckled to himself as he looked down dejected “After all of these years, He’s finally learned to love.”

Heartbroken, Miguel watches Y/N ride Felipe out the palace gardens and to the gates And he roared….

taglist:

@cupcakeinat0r , @miguelhugger2099, @mcmiracles,@xxsugarbonesxx,@codenameredkrystalmatrix,@deputy-videogamer,@lxverrings,@miguelzslvtz,@itsameclinicaldepression,,@ricekrisbris,@loser-alert , @thedevax, @uncle-eggy, @m4dyy, @freehentai, @synamonthy, @razertail18, @s0lm1n,

@badbishsblog, @faimmm, @texanadmirer, @stargirrls, @itzsab,@delectableworm,@jadeloverxd @pinkmistart, @kishimiest, @beabfleab

[peggyao3]

Relic - Pt. 14 "A World in a Grain of Sand"

PAIRING: Feyd-Rautha Harkonnen x Unnamed Ambiguous FMC

SUMMARY: ✧ Dreams are messages from the deep ✧ A woman from the unknown comes to Feyd in his dreams and his nights become his days as he flees to the dreamscape to escape the nightmares that haunt his waking hours.

TAGS: Third person POV, she/her AFAB FMC, explicit sexual content, smut, vaginal sex, vaginal fingering, oral sex, Porn with Plot, Feyd-Rautha's black cum and big cock, Praise Kink, Body Worship, angst/hurt and comfort, drama, fluff, plans within plans, implied/referenced child abuse, implied/referenced abuse, Trauma, mentions of suicidal thoughts, Healing, Strangers to Lovers, falling in love, Vulnerable/ Emotional/Possessive Feyd, Feyd is a sweet baby who did nothing wrong and I WILL pamper him, nurture not nature, Stockholm Syndrome but in a consensual way, lucid dreaming, Implied/Referenced Cannibalism, murder, teaching the universe about feminism, female rage, Frank Herbert would frown, No actually he would kneel in front of me, putting the science and the porn in sci-fi, angst with a happy ending

WORD COUNT: 5.4k

A/N: Giving you the eyebrow 🤨 because no one seems to have picked up on a tiny, little, important detail that was to be found in the last chapter, or at least no one mentioned it 😌 Finally I can write what I really crave to write. IT'S SCIENCE TIME 💖

Reposted from my Ao3 💕| Masterlist | Relic Masterlist

Dividers by @saradika-graphics

← Previous Chapter, Next Chapter →

Day 31

"I have one last question, little slave," Vladimir Harkonnen drones from his afloat position, a celestial body of massive dimensions in front of the somber backdrop of his throne room, black within black with only a single glow globe illuminating the back of him. He prefers to shun the black sun these days, as glorious as it may be, it brings out the myriad of spider veins beneath his frail, aged skin.

"Yes, Lord Baron?" The unremarkable slave's voice echoes from below.

"What is this… ancient piece of metal in my dear nephew's toy's room?"

"I believe you must know more about it than I do. I assume you had it examined before it was unloaded and brought inside?"

"Naturally!" Vladimir raises his voice. The slave with her bowed head can't see the way the aged Baron squints to get a clearer picture of her. Afloat as he is, she is little more than a splotch of white against black, and an unwelcomely blurry one.

The examination had revealed a human shaped mold, cushioned with gel pads, thick tubes for coolant, a recycling system with residue nutrient solution, solar panels for energy harvesting. No traces of radiation or explosives. It almost seems like the metal box is exactly what the sisterhood had made it out to be. A hibernation chamber for a fossil from another time. However, it wouldn't be the first myth created by the Bene Gesserit.

"I know you are looking for something substantial, my Lord, and so was I," the slave speaks after the Baron's elongated pause. "But I'm afraid the truth is as embarrassing as it is mundane. I've come to believe that she keeps it close out of raw sentimentality. She's a sentimental creature, that woman."

Lilia has always loved danger and the long, twisted inkvine scar on her shoulder from girlhood days is just one proof of that. Perhaps that's why she so effortlessly serves the Baron velvet lies.

"Ah-h-h, like my Feyd-Rautha then. It doesn't surprise me," the Baron drawls, lungs expanding with a raspy heaviness to each intake of air.

In all his years as Giedi Prime's sovereign, Vladimir Harkonnen has never learned that the promise of a kind embrace outweighs the threat of violence tenfold and that a spark of human goodness can sway a servant's loyalty quicker than a snap of a whip.

"She calls it her sarcophagus," Lilia adds with a tiny scoff that doesn't go unnoticed by the Baron now that he has lowered himself and sinks back into the much more comfortable seat of his throne. The intimidation tactic has fulfilled its purpose.

He bellows. "So, she's got good humor too! A pity she's not a boy. I could have borrowed her sometimes."

The obedient set of Lilia's shoulders and her lowered gaze don't betray the noxious clench that has her stomach convulsing. Perhaps this is the only advantage of being a woman in the Harkonnen palace pyramid.

Day 45

The lack of color that had once bothered her into the throes of a slowly crawling depression is now a pleasure. The blackness of her abode has come to serve as the perfect desktop for columns of text and equations, formulations and simulations and hand-written notes that have her mouth moving and her eyeballs racing.

Her sarcophagus leeches the day's sun, side panels open to give way to rotating cooling fans. The Central Processing Unit of the computer that makes up half of the machinery inside buzzes from the strain she puts on it.

Astronaut M2-84 has finally come home and picked up the work of her own, chosen destiny.

Talking to God, Mikhail had whispered to his wife, is what the Lady is doing. But what she really does is think, read, calculate. Engineers born on the cusp of the astronautic age don't have their oily hands in tool boxes. Most of the time, they tell machines how to build other machines, and to do so, one needs to understand the laws of physics. 

This is how Feyd-Rautha finds her each night. Sometimes sunken against the cushions of her bed, or slumped over her desk, staring at the wall with dancing pupils. And other times, like tonight, she sits right by her Sarcophagus, shoulder pressed against the humming metal. She claims the connection between computer and chip is quicker this way.

Silently, Feyd's stride carries him across the room towards his precious engineer. Movement catches his attention at the right and the sight he finds causes a slow tilt of his head.

One quarter of her bed is filled out by a misshapen form, tucked under duvet and whalefur. Glugo lies prone on its stomach, limbs folded tightly against its covered body. Only one front arm-leg peaks out and cradles her plushie against its innocent pug face. Something glossy-white with small handles on each side is held in front of Glugo's mouth by tiny face-hands with liquid sloshing inside.

She has tucked Glugo in like a toddler. And, from the looks of it, she has printed it a sippy cup.

Feyd-Rautha feels all sorts of warmth filling out his chest. If because he wants to be tucked in like a toddler, or because his only friend is finally receiving the gentleness it deserves, or because of a different reason entirely, he can't tell. He raises his hand to wave at Glugo who gurgles softly in return, one tiny face-hand unlatching from the cup handle to wave back.

Glug glug glug.

"You're losing weight." Feyd approaches his beloved slowly. "I don't like it."

"One second, I'm at ninety-eight point five. Seven. Ninety-nine."

"Have you found out anything interesting today, my darling?"

He is long past asking what exactly she's doing, why they aren't simply figuring out a way to get his uncle to take his shield ring off so they can get a blade between his ribs. Or rather a sword, to pierce the obscene, fatty flesh costume he calls his body.

"Your spice—" His darling slurs with a concerning jump to her pupils.

"I don't take spice anymore." Feyd tilts his head and squats down before her, lifting his hands to cup her cheeks.

"No, no, that's not what I meant. Ah, wait, what do you mean, not anymore?" Finally, her eyes regain focus and her arms fill with tension, fingers moving up to encircle Feyd-Rautha's strong wrists.

"There's my darling," he smiles with pretty, full lips and glinting teeth, stroking her cheeks. "So, what about my spice?"

"Not your spice in particular." Her hand flings out to gesture at the universe above. "Your spice shares a few molecular compounds with the medication I took to prepare for the cryo sleep." 

Feyd-Rautha's features slip into disbelief, a fresh frown carving deep into the smooth expanse of his forehead.

"Why does this surprise you?" She wonders.

"Spice is unique to Arrakis. Power over the spice means power over everything. How could you have had spice back on Earth without sandworms?"

"First of all, spice, much like anything else, is just protons, electrons and neutrons. With the right tools, you could, in theory, synthesize any molecule."

"And you have such a tool in your Sarcophagus?" 

"No! God, no." She laughs out loud and curls her arms around Feyd-Rautha's shoulders in a much needed embrace. Her very eyeballs ache and her spine feels calcified from leaning against the sarcophagus.

To him, it must seem like the solution to just about anything might be hidden in her cryo pod or in her precious chip, but it really holds only a fragment of the technological advancements of Old Earth. The last generation before mankind had embarked to the stars was an ingenious one. They had to be, and their knowledge is safely tucked into the 80 Billion terabyte hard-drive of her supercomputer. She may not have all the tools, but the knowledge to build them — in theory.

She taps the top of the cryo pod and hums. "Building molecules from scratch is not like building houses out of toy blocks. You need to accumulate tremendous amounts of energy in a lab environment to trigger complex chemical reactions."

"You've already built a chair from scratch, and a gun. And now a sippy cup for Glugo?" He states with an incredulous rasp of his voice.

"I couldn't bear seeing it drink from dog bowls anymore. And it struggled so much with cups and glasses, Lilia had to change the sheets twice because the poor thing kept spilling everything."

"You… You are fascinating, my darling." She doesn't miss the spark of arousal that lets Feyd's eyes half disappear under a fan of long lashes. "My point still stands, you've built other things before."

"Yes, but the materials were already there, I just had them pressed into the shape I desired." Feyd tilts his head and she cradles his jaw, stroking across the plushnes of his cheeks. "Were you not taught about chemistry?" Slowly, he shakes his head. "Ah, well, I will explain it to you another time then."

Feyd slides his mouth into her palm, groaning softly. "You know so much. How is it possible that you had spice 24 millenia ago?"

"Not spice. I said my pre-cryo medication shares a few interesting enzymes with spice." She slides one palm around Feyd-Rautha's nape of the neck and softly brings their foreheads together. "My people also used to think their own civilization was the pinnacle of all that has ever been. It was unthinkable that maybe the Aztecs or Sumerians were more advanced. That's how you are too. 

   You think spice is unique to Arrakis and the technological advancements you have derived from the Holtzman effect are the peak of what is achievable, because it suits you so nicely. But human evolution has never been a linear incline. You have fascinating medicine, Gholas and space travel… But who knows, maybe my people were smarter than yours. Maybe our engineers and chemists were smarter."

"You know so much," he moans again and she knows better than to keep boring him with details. One day, when the many other fires in his heart have settled, she can stoke his interest in science. Feyd is smart. He will come to be fascinated by it. 

"This universe is devouring itself because there is no innovation," she softly murmurs. "No one dares to go further, look further, break out of the pattern. Maybe they don't want to, because the consequences scare them. Mentats only do as their Lords bid…"

When Feyd's lips close in on hers, with half-lidded eyes and a dreamy stare, her ramblings subside into grateful, blissful silence, choosing to welcome his tongue in her mouth instead.

Day 59

"Silence!"

The Reverend Mother Gaius Helen Mohiam's voice ripples in the shape of a waveform pattern across the engineer's interface, recorded many decades ago by Baron Harkonnen himself and transferred to the House archive for research purposes.

Other lines of the same encounter, she is certain, were deliberately removed. Such as when the Reverend Mother, then a young woman, had ordered the Baron to hold still so she could mount him and steal the seed out of his body that would sire the Lady Jessica.

She only knows of this story because of Feyd-Rautha, and what it had cost him to learn it, she doesn't even want to know.

"Silence!"

She can only imagine that Piter de Vries' research on the matter might have consisted to a considerable amount of snide mockery, going by Feyd's recountings of the late mentat, hence why the files were so perfectly abandoned and ready for her to pick apart.

Carefully, she separates the impressive cluster of different wavelengths that make up the audio fragment, finding portions all the way from the high-frequency to the low-frequency audible spectrum, some even so low that they are no longer perceived as sound by the human ear.

The astronaut remembers how the Reverend Mother had tested her in an archaic show of deference, forced onto her knees with her hand in a box while the older woman addressed the pain receptors in her brain via an inaudible wavelength. She may not have moved her lips, but that doesn't mean she didn't cause the air molecules to oscillate.

Technically speaking, this renders the mysteriously omnipotent sisterhood into little more than ventriloquists. That image of demystification offers at least a little comfort to the humiliation provided by the memory of searing pain in every nerve.

She reclines in her chair, swallowing against the dry itch in her throat while she strings together a few fairly simple lines of code.

Curiously, the voice doesn't affect her physiology when played from an artificial source, such as the micro speaker soldered onto her chip's tiny board.

She can only assume that by manipulation of the larynx, wielders of the voice can propel pressure waves in a way that a speaker can not. How exactly this forces the human brain into submission, the engineer cannot tell, but she doesn't need to, to tinker on some offensively simple counter magic to the Bene Gesserit's seemingly almighty tool of control.

Noise cancellation is as simple as letting a speaker emit a sound wave with the same amplitude but an inverted phase. The sound waves cancel each other out in destructive interference.

As much as this scientific victory entices her, it frustrates her endlessly that all of the side research she picks up to take her mind off the real problem bears more fruit.

"Refreshments for you, my Lady!" Lilia's voice snaps her out of her brooding thoughts. The maid slips through the door, bringing a tray of fresh fruit and the stimulating citrus drink that her Lady has come to enjoy as of late. "It's been three hours, it's time to take a break."

"Ugh, three? Felt like one." That explains the dry throat. The relic arches her spine and presses her knuckles against her closed lids until tiny flashes prickle across the dark.

Lilia's footsteps close in at her side along with four other pairs of hand-feet. She sets the tray down on the desk.

"And have you made any progress today, my Lady?"

"Not with the one thing that matters, but yes." She reaches for the pitcher but finds her hands gently shooed away by Lilia who insists on pouring the glass for her, tiny bubbles fizzing in the lemon water.

"Oooh! Have you thought about these visions, my Lady?" The handmaid's ears perk up with interest, enamored with the story of how Feyd and her Lady had gotten to know each other in dreams ever since she had indulged her.

Lilia regards the phenomenon of their getting acquainted with the eyes of a romantic. For the engineer however, this is the only topic that frustrates her more than finding a workaround for the Holtzman effect to get past the Baron's shield.

"Dreams, visions, I don't fucking know. I don't even want to think about them because they drive me fucking crazy." The engineer reaches for her glass and drinks with big gulps, making the maid flinch by how forcefully she slams it back down.

The crescent shaped scar she herself had created on Feyd's clavicle when grappling for his blade is the same that had decorated his skin in their lucid dreams. So, visions? But the topics they had discussed during their shared nights are events of the past. It defies logic, it's paradox. The thing that scares her the most, however, is the fact that the Baron's abuse was still real in those dreams. If they truly were visions of the future, does that mean her research is in vain and he will live?

There is no phenomenon that can't be explained, not even prophetic dreams. But not by her, and not yet.

"Sorry," she apologizes and rubs her temples, finding Glugo staring at her with big, milky eyes, one hand-foot clinging to Lilia's skirt. The engineer's heart softens at once and she leans towards her insecure looking friend. "Aw, I'm really sorry, I didn't want to scare you both, my poor, little— Aw!"

Glugo curls four out of its eight limbs around her calves and rests its chin on her knee, pearly eyes aimed unerringly at the pitcher of sparkling drink on the desk.

"That's citrus," she explains. "I don't think you'll like citrus…"

One of the Tleilaxu creature's oily-black hand-feet clutches the table's edge, another incessantly reaches for the glass container.

"Okay, fine, but just a tiny sip. Where's your cup?"

Glugo glugs cluelessly, looking at Lilia for help. Still, both women are uncertain if the being has any grasp on human language, or if it simply recognizes a question by the inflection of one's voice. 

The handmaid locates Glugo's cup in the folds of the duvet and quickly washes out the remnants of pink liquid over the sink in the bath before filling a finger of citrus inside. The creature's hand-feet tippy-tap on the tiles, reaching for the shiny container to take its first curious gulp.

Glugo's pug face puckers into a scrunched up grimace at once, face-hands releasing the sippy cup with an indignant noise.

Glurgh!

Day 93

It is a few weeks later, while Feyd and Mikhail are out brawling, that she figures it out.

"M'lord, I really am sorry," Mikhail laments, his flesh stripped of color as the black sun roars down on his bare torso. The na-Baron and he are prowling around each other in a tight circle, unarmed aside from their fists.

"You told me already." Feyd-Rautha's grating voice cuts through the sweltering air. The training ring's roof is retracted, giving way to blazing white skies and a heat that Giedi Prime's life forms have adapted to. "Five times. Another time, and I might just cut out your tongue."

"Ya know I had to take yer Lady to them bath chambers. Baron commanded it, and I can't just—" 

"Shut up, boy!" Feyd's boots crunch in the sandy gravel, shoulders rolling. He is stronger than Mikhail, rounded arms and pectorals contrasting a powerful, slender waist. The guard's physique is more wiry, taut muscles stretched across visible ribs. The glorious sun brings out an overabundance of gray scars.

"Boy, eh? Ain't any older than you, my Lord!" Feyd is surprised, tilting his head at the deceptive edges of the guard's features that make him look closer to 40.

"Fine, then shut up, brother!" Feyd bares his teeth and clenches his fists hard, veins rippling across his forearms. "What are the rules?" 

Mikhail's fist springs forward and punches Feyd-Rautha in the guts. He nearly doubles over, groaning in pain. Spit drips from his open mouth into the sand. 

"Rules?" The guard quips and aims his elbow for the na-Baron's nose. Feyd dodges with a semi-graceful dive to the side, taking the blow to his ear instead. He tastes blood on his tongue.

This man is bold. He has no manners. Feyd likes him. 

Mikhail is smaller, thinner, but he fights like a mongrel, like someone whose ferocious survival instincts have carried him from across the svart valta all the way to the royal palace in Barony. And Feyd struggles.

And by the black sun, he loses. Few things have ever excited him so much. After nearly an hour of grappling in the scorching heat, Feyd-Rautha finds himself on his back in the gravel, panting for dear life, ears ringing from the last punch square across his jaw. He barely hears Mikhail's voice when he praises that he had fought well, but he feels the brotherly smack on his sandy chest, right on top of a wicked bruise.

Every bone and muscle burns when he drags himself to his personal bath chambers. It was, undoubtedly, the best fight of Feyd-Rautha's life.

"Lilia! I've got it! I fucking got it, do you see this?!"

Pixelated particles give way to a bullet that cuts through them like a harpoon through water.

"What, my Lady? See what?" The maid dashes into the bedroom from the antechamber with flying skirts.

"It's so simple, I'm so stupid." The relic has jumped up from the desk, fingers twisted like claws around the back of her chair while her chest heaves with laughter and a threat of tears. Lilia, of course, cannot see the baffling results of the simulation on the engineer's interface.

The Lady lurches over to the cryo pod, leaving the tilted chair swaying and falling down on the tiles with a bang. She mutters something along the lines of 'must build it', before her voice dissolves into foreign, ancient tongues and a shiver runs down Lilia's spine. Her voice so alien, her ways so enigmatic, she truly is a relic cracked open, pouring her forbidden knowledge into the world. 

But she is also a human and Lilia feels her Lady's voice and shaking body teetering on the edge of a nervous breakdown as she snaps open several compartments of the sarcophagus.

"You figured it out, that's wonderful!" This barely gets the engineer's attention, so she curls her fingers around the woman's shoulder, gently forcing her away from the compartments. The relic slumps down with her back to the sarcophagus.

"I need to build it. I know there's laser diodes in there, I only need to—"

"Please, my Lady, you need to breathe deeply. Why don't you explain it to me first?" Lilia squats in front of her, holding her wrists in her warm hands. Her Lady is trembling, her breath too shallow and fast.

"It's so simple, I could build it in an hour."

"Please, do me the favor," Lilia insists and brackets the woman's trembling knees between her own. Finally, her Lady exhales a long sigh and lets her head sink against the humming metal.

"Alright," she agrees and starts with a jittery voice. "So, you're aware of what the Holtzman effect is?"

"Ah, yes, I think so?" The maid hadn't really known the term before her Lady had started rambling about it. "Shields and heighliners?"

The one discovery that has shaped the entire human universe and kept it shackled since then, and the average commoner barely even knows its name. The relic doesn't hold it against Lilia. In a world where “eat or be eaten” takes on a literal meaning, the last thing to worry about is science. So, she wills her voice into calmness. If she's going to try and explain it, she at least wants to do it well.

"The Holtzman effect is responsible for the four major technologies that have made the world into what it is today. The first one — shields. No fast-moving object can pass through a shield, so guns like these?" She points towards her nightstand. "They've been useless for millennia. That's why you've resorted to close combat weapons."

"I was wondering why you went for a gun and not a blade." Lilia tilts her head. Close combat weapons are all that she's ever personally encountered. She knows that lasguns exist and that each Great House has an arsenal of atomic warheads, but every soldier has a sword on their hip, not a gun.

"Melee weapons seem so…" The engineer struggles to find a corresponding word in Galach. "Medieval to me. Archaic. Warfare on Earth was nothing like this."

"What was it like?" Lilia whispers in awe, noticing her Lady's shaking abate second by second.

"You could obliterate entire cities within the blink of an eye. A million different ways to set a home on fire and kill a population from a thousand miles away. It was terrible." Which is why what she has discovered is just as terrible.

The relic continues. "The other three technologies derived from the Holtzman effect are suspensors, glowglobes and space travel. You know why I was in that metal coffin here?" She taps against the sarcophagus. "Because a journey within our own solar system would take several years. You however can travel to the other side of the universe within the blink of an eye, through a quantum tunnel."

Lilia has never left the planet, but to imagine trade and travel without space-folding almost strikes her as ridiculous. All of humanity, reduced to just one, single planet. The cradle of mankind. The thought humbles her.

"And all four of these are based on one single effect?" Lilia considers herself an intelligent woman, but she doubts she can understand what took her Lady weeks to figure out.

"The essence of the Holtzman effect lies in how subatomic particles interact with each other."

"Subatomic?"

"Any type of matter is made of smaller building blocks. This metal for example is made of all kinds of molecules, which are made of atoms, and every single atom is made of protons, electrons and neutrons. These are called subatomic particles. Protons and neutrons make up the nucleus of an atom, and you can imagine the electrons orbiting the nucleus almost like planets a sun."

The handmaid quite enjoys that mental image. It's like the smallest particles exist in a cosmos of their own. "So, the Holtzman effect has something to do with protons, electrons and neutrons?" Lilia imagines, if she could have gone to school like she wanted as a girl, it may have been something like this.

"Almost. It gets even smaller. Protons and neutrons are made of quarks, tiniest quantities that cannot be divided any further. I could go into more detail and talk about quantum physics," the relic pronounces a word that is just guttural enough for Lilia to imitate without all too many struggles. "But that won't be necessary for now."

Even though her Lady has stopped shaking, Lilia doesn't want to release her wrists yet. She is glued to the engineer's lips, soaking up what sounds like forbidden knowledge, like having a peek through God's microscope.

"What is a Holtzman shield made of? What do you think?" The engineer wraps her own fingers around Lilia's slender wrists and the maid sinks from squatting on her soles to sitting down on her bum, stretching out her legs on either side of her Lady's.

"I don't know, my Lady. Uh, something that repels?"

"Yes, that's right," she nods encouragingly. "There are several forces in the universe that attract and repel. The most well-known force of attraction is gravity. And electro-magnetism— Opposite poles attract, equal poles repel each other. But there are other forces that work on a subatomic level."

The engineer pauses without urging her and Lilia takes a moment to think.

"I'm guessing there's a subatomic force that keeps these, uh, nuclei together? The protons and neutrons? Because if not, everything would just be falling apart?"

It almost frightens her to imagine what her very own body must look like on its deepest level. A cluster of tiniest quantities, held together by forces as invisible as her Lady's interface.

"That's perfectly true!" The woman from Old Earth beams, fingers clenching around Lilia's wrists. "The force responsible for that is called the strong nuclear force. On an even smaller scale, the strong force holds together the quarks that make up the neutrons and protons, but you already said it just right."

Warmth fills out the handmaid's chest and she slowly begins to understand the feeling that had her Lady nearly panicking earlier. Her own heart drums against her ribs quick and hard.

"Okay, so now what about the Holtzman shield and how can you get past it?"

"For that, we also need to take the other subatomic force into consideration. It's called the weak force. Isn't that creative? Despite its name, the weak force is technically stronger than gravity, but it is only effective at very short distances and it can change one quark type into another. What do you think happens when such a change occurs?"

"Hmmm," the Harkonnen woman ponders. She doesn't want to disappoint her Lady who is putting so much effort into her explanation. "If quarks are the smallest quantities that make up anything, I suppose when something changes on the lowest level, this change translates to the highest level as well?"

"You're a natural, Lilia." Upon that, the maid blushes purple and finally releases the relic's wrist in a sudden burst of shyness. "Such a change can turn one element into another. It happens all the time, in every sun. And also in radioactive decay. This is important."

"How so?"

"Imagine if that radioactive decay was amplified. Imagine throwing a huge amount of energy at a substance that is already sporadically decaying. Imagine a whole chain reaction of it. This is what triggers a nuclear explosion, the kind that obliterates an entire city."

Lilia's eyes grow wide with understanding. "So, that's why, when you shoot a lasgun at a Holtzman shield, it triggers a nuclear explosion?"

"That's right. I believe shields are made up of nuclei and rely on both the strong and the weak force to repel incoming objects on a subatomic level."

"All of that was fascinating, but how does it help us get past the shield?" Suddenly it's us, not you. Lilia has clutched the fabric of the relic's trousers over the knees in both of her fists. What the engineer's poor Feyd-Rautha currently lacks in fascination, Lilia makes up for a hundredfold.

"Oh, that was just the prelude." The engineer's lips twist into an almost mischievous little grin. "It's just what I need to take into consideration, so I don't accidentally blow up the shield and the city instead of passing through it."

"Just the prelude? My Lady, I think I'll go insane if you don't get to the point!"

The relic bursts out laughing. "We're almost done, I promise! Imagine you're riding in a groundcar and next to you drives another one with the exact same speed. When you look at it, it seems like you're both standing still, because the relative speed between both cars is zero." Lilia nods and the engineer smiles knowingly. "Now imagine you're a bullet and you want to pass through a Holtzman shield which only allows slow-moving objects to pass."

"Then I'd need the shield particles to move in the same direction as I do, only a tad slower, so that my relative speed is like that of a slow blade."

"Congratulations, you've just figured out how to trick a Holtzman shield."

"That is absolutely genius, my Lady."

"No, it's actually so simple." The woman shakes her head. "The difficult part is how to put the shield particles into motion, but I've figured something out." She summons the pixelated particles that are only for herself to see once more, nuclei that make up a Holtzman shield, accelerated by a burst of calibrated laser light, and how they give way to a bullet that cuts through them like a harpoon through water.

"Now I only need to build a proper gun," the engineer concludes.

Lilia has never cared much about the rest of the universe, and the universe has never cared much about her. Why would she care if her Lady, who has always been good to her, sets everything on fire?

When the door to Feyd-Rautha's personal bath chamber rushes open, he knows it can only be his darling, because the scanner only recognizes her handprint when he is inside.

The na-Baron is submerged to the jaw in oily-black liquid to soothe his bruises, a diluted version, heavily scented with the essence of exotic fruit and spices. He cannot breathe the unadulterated variant without gnawing memories of horror.

Her hectic footfalls cause him to spin around in the tub with worry, but before he can even utter a greeting, he finds his woman sagging down on her knees in front of him and his face captured in her palms.

"I've found a way!" She sobs.

"You've found a way?"

Tears spill down her cheeks as she nods, bringing her forehead against his. She's found a way. To kill the Baron and destroy the universe.

She is so elated, her joy could make a star rotate, it could set the world on fire. She kisses Feyd hard on the lips, melting against the wet expanse of his chest when he embraces her in his strong arms. His muscles break into tremors just like hers had an hour ago. 

All of her doubts have flown away like comets in the sky of a fiery dawn.

"Feyd-Rautha, would you be my husband?"

To see a World in a Grain of Sand And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour

— Auguries of Innocence by William Blake

A/N: Pretty much none of the physical concepts mentioned are made up. I've tried to use real physics to offer explanations for Frank Herbert's fantastical inventions that make the Dune universe so unique.

I'm not even close to the level of genius that I admire in my favorite sci-fi authors, but all of this was so insanely much fun to come up with. I have more ramblings about space travel, suspenders and glowglobes, but they weren't really necessary for this chapter. I hope you enjoyed this as much as I did. I'm very proud ❤️

FEYD TAG LIST

@nostalgichoya, @forgedfromthestars, @sweetiee-o, @missbingu, @minedofmoria

@sebastianswallows, @charmingballoon, @flower-frog, @welliah, @aoi-targaryen

@coastalcowgirl35, @esolean, @szapizzapanda, @tatertooted, @sunny747

@ughdontbeboring, @meetmeatyourworst

[todofics]

Off The Market | 3/6 | Todoroki Shoto x Reader

♡ Summary: The Todoroki name had always borne a heavyweight amongst even society’s finest. When the family’s youngest son, and heir to the title, is forced into the marriage market, it’s no surprise that he quickly becomes the season’s most eligible bachelor—hoping to avoid marriage for at least one more season, who better than to circumvent the ton other than his long-time friend, you? 

♡ Content: regency au, fake-dating trope, aged-up characters, age gap (4 years), mutual pining, fem reader, fem pronouns, mature content in future chapters 

♡  Author notes: Fair warning, but I did not bother to reread this before publishing - something possessed me, and I sat down and banged this out in one sitting. Yeah. Sorry for the delay, but I've been working 6 days a week to make up for the fact that it's flu season (health care is not for the weak). Hopefully, this is still understandable enough for you to enjoy!

♡ 2.5k /est. 15k words (chapter 3/6)

ˋ°•*⁀➷ Main Masterlist ♡  MHA Masterlist ♡ Previous ♡  Next

Shoto left minutes after your agreement with hushed promises to see you later that night, your face only slightly warmer and his with a sly grin gracing his captivating features. God, you could stare at that smile for hours - wait. You shook your head rapidly, lightly slapping your cheeks as you tried to calm your racing heart. Bad (Y/n)! This entire thing was supposed to renew the interest of others in you, not give you fluttery thoughts about your long-time friend.    

Fanning yourself in an attempt to cool down, the sound of your mother clearing her throat caused you to jump in your seat; right, she was in the room. In the midst of these new bubbling feelings rising in your stomach, you’d just… forgotten. It wasn’t like you to be so ditsy, but you weren't entirely used to having a chaperone for you and Shoto. It may have been the norm to have a chaperone for young girls and their potential suitors, but the two of you never had that kind of relationship, and your parents trusted you enough to be alone (at least as long as you were out of the public’s eye).

Until now, you had never even thought of him in that manner. Sure, you knew he was attractive - everyone did, and it wasn’t like you were blind - but the thought of anything more than that just never crossed your mind. Although you had been childhood friends, your families were simply leagues apart: you, a lowly untitled noble, and him, a future Duke. That type of pairing was uncommon (if not nearly impossible) in society.

Nevertheless, you knew your mother would have dozens of questions about the seemingly out-of-nowhere courtship; not once since your debut had Shoto shown an ounce of interest in you (at least not in that way). Indeed, it didn’t look good to anyone that suddenly, with an arranged marriage on the horizon, he was showing up to your estate on the premise of being a “caller.” Your mother was old, but she wasn’t dumb; anyone with half a brain could see the potential scheme the two of you were whipping up. Even if she was becoming desperate for you to finally make a match, this was fishy at best. Hopefully, the two of you seemed interested enough to put those potential rumors at ease; after all, everyone longs for a love based upon the foundation of friendship. With a raised brow, she finally ushered you over, drinking her tea calmly as if today was just another day. 

“Explain.”

You knew you could never lie to your mother, but you had to at least try. Continuing to fan yourself, the nervous sweat dripped down your forehead - was it hot in here, or was it just you? (It was just you; the full effect of the Summer heat had yet to hit, and the morning time was quite cool). “Explain what?” you asked, tilting your head slightly to add to the picture of naivete. 

She sighed, taking yet another sip of her tea; your mother, thankfully, was never the pushy type. 

“I do not know what exactly the two of you are planning, but whatever it is, you need to be careful,” she urged, her tone serious as she looked at you suspiciously as if to gaze directly through you and into your mind. You gulped, flashing her a half-hearted grin in an attempt to reassure her. Typically, besides Shoto, your mother was your closest confidante, but perhaps it was best if she didn’t know about this. You already knew that if she did, she’d give you an earful and forbid you from seeing the boy (and that was a fate you’d rather not be forced into). 

“I promise you, mama, we aren’t planning anything,” you swore, setting down the fan and opting to raise your hands defensively. She continued to give you that pointed look, only humming in acknowledgment at the promise after a moment of pause. She knew you better than that, but pushing was never the answer with you (she couldn’t change your mind once it was made up anyway).

You knew she meant well with her concern, but you were a grown woman - seriously, you had been out in society now for four whole years - and you could make your own decisions. You were more than capable of protecting yourself.

With one last look over, she sent you away, commenting that you were dressed far too casually for a calling with the future Duke and to dress better for the ball tonight. With a groan, you merely nodded, allowing yourself to be whisked away by a maid to be adequately showered and dressed; even if your mother was suspicious, she still found public opinion far too important (at least to your taste).

Later that evening, dressed to the nines in one of your best gowns and fanciest pastes, you stood with your back pressed to the wall again, swirling a glass of champagne around as you stared aimlessly at the crowd. Although you’d typically be talking with the girls, you couldn’t quite bring yourself to join the conversation tonight, instead choosing to listen to the bits and pieces of gossip they seemed to be so entranced by. This time, however, appeared to be a bit different; although you’d have to really be looking for it to be obvious, you could feel a few glances being cast upon you. It seemed rumors surrounding you were already being spread. None of the other girls seemed to notice the rhythm of the conversation continuing without a lull. 

Although you weren’t quite sure what to expect from a “proper” courtship with Shoto (you hadn’t been seriously courted in years now - especially not from someone of high standing), you couldn’t help but look for the man in the crowd. Spotting him wasn’t difficult; his lean stature and peppermint hair made him stand out against just about anyone. It was still early into the ball, and he hadn’t quite made his way over yet, still greeting others of higher status as was expected. It wasn’t until about half an hour into the ball that he approached your little group as others in the area marveled at his presence. It wasn’t often that he found time to stop at the edges of the ballroom - especially not recently -  as he was often stuck directly in the center with his family, growing increasingly acquainted with the duties that came with being a future Duke.

“I hope I’m not imposing,” he started, his gaze resting on you as the girls seemed to move to allow room for him. “I was just going to steal (Y/n) for a moment,” Shoto finished, offering his hand to you expectantly. It was well-known that the two of you were childhood friends, so the event didn’t seem to stick out too much to your friends. That, however, didn't stop their apparent excitement.

“Not at all,” Mina chirped happily, the rest of the group nodding along. “Feel free to take her!” 

You offered him a weak smile, taking his hand as the girls seemed to giggle at the event (they never once believed you when you said you didn’t have feelings for him). “I hope your dance card isn’t full,” he mumbled, leading you to the center of the ballroom. Your eyes narrowed at the taller man; he definitely knew it wasn’t full. Was he daring to make a jest at you now after his promise? You hadn’t made an effort to dance in so long, nor had anyone made an effort to invite you. Maybe this was part of the reason why you had no prospects. 

“It isn’t,” you confirmed, grasping onto his hand a little tighter as the crowd grew denser toward the center of the room. Even if you had longed for someone to finally look at you, this was a bit much. Being with Shoto, in the center of the ballroom, you could feel the piercing stares of everyone in the room; all eyes were on you. 

To the strumming of orchestral instruments, Shoto wrapped his free hand around your waist, his other hand never releasing yours as he pulled you close - closer than you were ever accustomed to being. “I know,” he laughed teasingly, starting to sway rhythmically to the song in the background.

You puffed your cheeks out, pouting just a bit at him. Cute. “I knew it, you jerk,” you replied, following his lead; although you hadn’t danced in so long, the footwork was muscle memory. Maybe those dance lessons your mother forced on you weren’t so useless after all. 

“Just teasing,” Shoto chuckled, flashing you that boyish grin that seemed to be reserved for just you (at least you hoped so; you never truly saw him smiling as often with anyone as he did with you). You scoffed, allowing yourself to be dipped by the taller man as you moved together in perfect harmony.  It was as if you had done this dozens of times.

“And if anyone were to hear you?” you questioned, voice barely louder than the music. No one would hear, of course, but you still had to remind him that you were in public. 

“They wont.”

The song came to an end, but Shoto didn’t seem to want to separate, his grip on you tightening as you attempted to step away. “You want this to look real?” he asked, voice hushed as he continued to pull you along as the next song started. If anyone wasn’t looking before, they sure as hell were now. Shoto hadn’t willingly danced for more than one song in ages. Even Shoto, forced by his family, had only danced once throughout the entirety of the last season (and even then, that was with Fuyumi). With this, Shoto was making his intentions loud and clear for anyone to see - you were his. 

“People are staring,” you mumbled back, not doing much else to refuse. It was hard to refuse when he was looking at you like that. The intensity of his stare caused you to look downwards, focusing on the movement of your feet.

“Ignore them,” he said, momentarily releasing your hand to take your chin in hand as he directed your gaze back at him. He was quick to take your hand back into his, ignoring the way your (and many others) jaw dropped. “Just focus on me.” Rumors were definitely going to circulate after that. 

Although you were usually nervous about being the center of attention, the people staring seemed to fade into the background as you became entranced by Shoto’s eyes; something about being close to him was just so… relaxing. You could easily forget about all of your worries this way.

Shoto seemed to relax as well, letting his guard down as the two of you danced around for many more songs despite the whispers; although he wouldn’t admit it aloud, he was most comfortable with you. Conversation with you was easy - simple. You didn’t flourish your words with the many niceties others in society seemed to; it was refreshing. In exchange for that bluntness, you got to see a side of Shoto he didn’t let others see - the teasing, fun, boyish side. People often forget that he, too, is a person - not just the future duke.

Throughout the various songs, your conversation with Shoto continued in that easy-going manner; you talked about everything and nothing at all. It had been so long since you had a chance to do this. To just… talk. 

“I missed this,” he interjected during a lull in your conversation, his eyes looking at you with a sort of fondness you weren’t familiar with (or did he always look at you this way? You hadn’t noticed). 

“What?” you asked, the aching of your feet starting to make itself known. You had to have been dancing with him for at least an hour now, and for someone who hadn’t danced in years, that in itself was a feat. 

“Talking to you like this,” Shoto finished his musing, a more gentle smile replacing that usual stoic expression on his face. Although the two of you were close, the last season had done a number on your friendship; his father, especially, had pushed him to focus on the family business, seeing his friendship with you as trivial. As of late, it felt like you could count the number of times you’d had an actual conversation with Shoto on one hand. 

You could feel that same fluttering feeling of butterflies starting again in your gut as your heart raced, “I missed it too.” God, he really knew how to make a girl’s heart race, didn’t he? A matching dumb grin colored your features.

“Hopefully, we can still talk like this after you find your future husband,” Shoto said, his expression almost wistful as he thought about the future. You were just such a good friend. Your smile immediately fell, reminding you what this plan was truly about. 

“Right,” you mumbled, gaze leaving his as you finally broke away from his grip, turning immediately to leave. That was enough for the night. Stupid Shoto and his damn bluntness. Stupid Shoto and his inability to understand anyone’s feelings but his own. “It’s getting late, and I’m tired. It’s about time I retire.”

He nodded in understanding, "Let me walk you out." You shook your head, opting to not respond verbally for fear that your voice would waver. "Then I'll see you tomorrow," Shoto resolved, staring at your retreating figure.

Hopefully, you’d turned around in time to not let him see the beginning of tears pricking your eyes. Hopefully, you were able to mask the hurt in your voice as you bid him goodbye. Hopefully, he couldn’t sense your urgency to get outside that suffocating ballroom.

Fuck. You had feelings for Shoto. Real, concrete, romantic feelings. 

Finishing out this deal would be more complicated than you thought. How could you possibly think you could avoid growing feelings for Shoto and his stupidly handsome face? For years, you knew Shoto had never intended to marry, so you had guarded your heart. You had been so careful. Now, here comes one little proposition, and you let your guard down. Stupid. This was so stupid. You were stupid.

Perhaps you should’ve set more ground rules and allowed for more distance between the two of you. It wasn’t like he was trying to make you fall for him. He was far too dense for that - far too dense to understand the effect that he had on people. He was clear from the beginning with you what he wanted, and it definitely wasn’t whatever this was. It wasn’t fair to him that you were upset at him over something he had no control over. 

You willed yourself to walk at a normal speed, your pace only increasing once you reached the outdoors. As you continued to run into cover of the evening, you felt like you could finally breathe. Wiping your tears, you took a deep breath and stepped into the carriage. He didn’t deserve this.

So, you steeled your resolve. Feelings be damned, you’d go through with this plan if it was the last thing you’d do.

ˋ°•*⁀➷ taglist: @niineau 

ask to be added

[buckets-and-trees]

Chosen, Part 3: Consideration

Characters/Pairings: eventual Bucky x curvy Millennial Female!Reader, Natasha Romanoff, Yelena Belova Word Count: 4.4k Summary: You have quite a lot to consider over the course of the afternoon as Natasha wants you to decide whether or not you'll accept an offer with the Foundation. An unexpected discussion with someone you trust helps you sort out some of your thoughts.

SERIES Content Warnings: SOFT!DARK STORY, cult themes, explicit smut, dubious consent and enthusiastic consent, veiled truths, gaslighting

CHAPTER Content Warnings: hints of manipulation - flattery

Notes: New and familiar faces, and a line of insight into at least part of why you may consider accepting a very mysterious offer to join The Winged Heritage Foundation.

Previous: Lunch | Series List

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

Back on the move and without Natasha’s piercing gaze on you, you still can't shake the continual feeling that you're venturing into something far more complex and mysterious than you'd initially imagined.

Stepping back into the grand foyer, you’re approached by a young woman as impeccably dressed as Natasha, with blonde hair styled into an intricate braid that’s pulled over her shoulder. Although her stance is official - a tablet in her hands, seemingly waiting for the two of you - her expression is playful, a mix of warmth and sarcasm, if sarcasm could be deemed an actual facial expression.

"Ah, perfect timing,” Natasha says, then turns to you. “Allow me to introduce you to Yelena Belova, one of our HR liaisons and your escort for the afternoon."

“And her adopted sister,” Yelena adds, stepping forward and extending her hand with a spirited grin. "Nice to meet you," she says, her voice a melodic blend of Russian and American accents. "I hope Natasha hasn't scared you off yet with all her intensity."

Natasha rolls her eyes, but there's a fondness in her expression. "Yelena will be taking over from here. I think you could use a break from my – as Yelena put it – intensity."

Yelena's grin widens. "Oh, I have many words for it, but 'intensity' is the polite one."

You can't help but laugh.

“Well, I’ll leave you to it,” Natasha says, “and I’ll see you again for afternoon tea.”

As Natasha excuses herself, Yelena gestures for you to follow her upstairs. You feel instantly at ease, Yelena’s playful demeanor a refreshing change of pace after the first half of the day. You ascend the sweeping staircase, your footsteps muffled by the plush carpet runner. The upper floor is just as impressive as the ground level, with high ceilings adorned with intricate moldings and chandeliers that sparkle like cascading diamonds.

Yelena leads you down a hallway, passing doors of rich, dark wood with brass handles polished to a mirror shine. She regales you with amusing anecdotes about life at the Foundation as you go.

"You wouldn't believe the things that happen around here," she says, her eyes twinkling with mischief. "Last week, Tony Stark accidentally set off the sprinkler system in the east wing while testing some new gadget. You should have seen Roger’s face when he walked in, soaked to the bone, looking like a very patriotic drowned rat."

Yelena's stories have you laughing as she leads you to a door at the end of the hallway. She opens it, revealing a cozy sitting room that takes your breath away – yet another thing that’s done so today.

The room is circular, with floor-to-ceiling windows that offer a panoramic view of the estate's grounds. Plush armchairs and sofas in rich jewel tones are arranged around a central fireplace, its mantle adorned with intricate carvings of flowers and vines. Bookshelves line the walls between the windows, filled with leather-bound tomes that look ancient and valuable. It seems to be an oasis away from the larger library you saw this morning.

"This is the Starlight Room," Yelena explains, gesturing around. "It's one of my favorite spots in the whole mansion. You've got about twenty minutes to relax before the first of your afternoon meetings. There’s a powder room attached to this sitting room,” she points to the corner, “so I’ll leave you to yourself, but if you need anything, I’ll be just down the hall.”

You thank Yelena and sink into one of the plush armchairs, taking a moment to absorb the stunning view and process everything you've experienced so far. The room is peaceful, with soft classical music playing from hidden speakers. You close your eyes for a moment, letting the gentle melody wash over you, relishing the moment of quiet after the whirlwind of the day so far.

When you open your eyes again, your gaze is drawn to the bookshelves, and you can’t resist the opportunity to explore freely. Rising from your seat, you approach the nearest shelf, running your fingers gently along the spines of the ancient-looking tomes. The titles are in various languages, some you recognize and others you don't. One book in particular catches your eye – a slim volume bound in midnight blue leather with silver lettering that seems to shimmer as you look at it.

As you carefully pull the book from the shelf, you feel a slight vibration, almost like a pulse of energy, and you pull your hand away immediately.

You shake your head and take a deep breath, urging yourself to pull it together. Your mind is getting caught up in the shrouded secrecy of the day. There’s nothing magical in this library, you think.

You reach for the book again, and there’s another surge of vibration, but you laugh, feeling both relieved and a little silly when you realize it’s coming from your phone in your pocket.

It’s a text from your best friend saying she hopes things are going well and that she’s wishing you the best possible outcome.

You smile, and then hit dial on her contact.

She picks up almost immediately. “Hello?” her voice is clearly excited and surprised.

“Hi,” you breathe, feeling relief at hearing her voice on the other end of the line.

“Is everything okay?” she asks immediately.

“Yes! Yes,” you reassure her instantly. “I just have a break, and you apparently have perfect timing, so I thought I’d call. Are you good to talk for a few minutes?”

“Sure,” she replies. “I’m just having toilet time in the company bathroom.”

You gasp. “And you took a call? Isn’t that against your code of ethics for what happens in a public bathroom?” you mock.

She laughs. “I make exceptions for best friends who are on insane day trips for big time interviews. Besides, no one else is in here right now. Now spill! How’s the day been so far?”

“I had to sign an NDA-”

“An NDA?” she exclaims, then sighs. “Of course they had you sign an NDA.”

“-but I’ll try and tell you as much as I can.” You launch into a rundown of how gorgeous the house and grounds are, that most of the morning was spent touring the facility, and you say that the work is fascinating and impressive - though you can’t go into more detail than that. You mention that you met some very interesting personnel - one with a lot of personality, even though you can’t mention it’s Tony. You can’t expound in much detail what you discussed over lunch with Steve and Natasha, but you paint broad strokes. Since they are the Executive Director and the Chief Recruitment Officer and that knowledge is publicly available on their website, you do feel you’re safe to at least say who you had lunch with. Your best friend reminds you she has a huge crush on the Natasha, having looked up as much as she could about the Winged Heritage Foundation as well, and ultimately finding little more than you had, but falling down a rabbit hole of a thirst trap for the redhead.

“So, I know you can’t tell me what is it that they do there, but do you feel like you know what they do and what do they want you to do?” she asks when you reach a pause in your recounting of the day.

You sink down into one of the armchairs next to the window and pinch the bridge of your nose.

Apparently you’re silent too long, because your friend nudges you from the other end of the line, prompting you earnestly with your name.

You sigh. “I still don’t know,” you confess.

This time your name is exclaimed in disbelief on the other end of the line.

“I know! Trust me, I know.”

“You’ve been there for hours, had a massive tour, spent time with their top executives, and you still don’t know?”

“I know a lot more, and I have meetings set up this afternoon with more people – basically informal interviews, me getting to talk to them, and them getting to know me, and they’ll probably report back their impressions in the final notes that will be considered, but…” you trail off, hesitant to say more.

“But what?” she presses.

You don’t know if sharing this detail will put you in breach of the NDA, and you’re also wary of the reaction it will get, but this will directly affect your life, so you decide to tell her anyway.

“But Natasha said she essentially wants me to commit to whether or not I’ll accept an offer by the end of the afternoon.”

“What? That’s insane!”

She can’t see it, but you grimace all the same.

“I swear to god,” she continues, “the only thing keeping this from being a straight up cult is that they’ve been transparent in offering you a compensation package and at least gave you time to consider that. This is like some Goldman Sachs level secrecy.”

“Yeah,” you agree.

“And I’m still not thoroughly convinced they’re not a cult.”

You huff.

“They’re probably not a cult though,” she backtracks slightly. “You’re the one who’s there, trust your gut. You have good instincts.”

You sigh, leaning back in the plush armchair. "You're right, I need to trust my instincts. It's just there's so much mystery here. I feel like I'm only seeing the surface and I know there’s so many things that go so much deeper."

"Well, what does your gut tell you?" your friend asks.

You pause, considering. "Honestly? It's telling me that this is an incredible opportunity. The people I've met are brilliant and passionate. The work they're doing, even if I don't fully understand it yet, feels important. And there's this energy here, this sense of purpose that's hard to explain."

"But?" Your friend prompts, sensing your hesitation.

"But there's also this underlying current of,” you are pinning down the question marks in what you’re seeing as you speak to your best friend, as you so often do, “I don't know, secrecy? Power? It's kind of thrilling and but also a little unnerving."

Your friend is quiet for a moment. "Look," she finally says, “you’re a trooper, you try not to let things get you down, but I know you’ve been pretty unhappy lately with work. For a long time now. You’ve been looking for a new job for a while, so if you feel like this could be it, take it. No job will ever be perfect, but the wardrobe allowance they want to give alone - hell, the fact that there is a wardrobe allowance - is worth putting up with any number of sins! And if it’s god awful, either you’ll complain about it to me and I’ll continue to make jokes about them being a cult or you stay long enough to have the nest egg you need to quit, and then we find you something else.”

You laugh. “Thank you,” you say, sincerely. “I needed that.”

“You’re my clever best friend and you can do no wrong in this world ever,” she gushes in a rush.

“Not true! Bye!”

“Bye!” she laughs as you cut the call.

You check the time and see that you have just a few minutes to refresh in the powder room. You use the toilet, straighten your clothes, touch up your hair, and make sure nothing is in your teeth from lunch. Returning to the Starlight Room proper, you have just enough time to rub some lotion onto your hands and pop a mint into your mouth, before there’s a soft but brief knock on the door.

Before you can answer, Yelena bursts into the room with what appears to be her characteristic energy, a mischievous grin playing on her lips. "Ready for round two?" she asks, her eyes twinkling.

You nod, feeling a renewed sense of purpose after your phone conversation. "Absolutely," you reply with a confident smile.

"Excellent," Yelena says, gesturing for you to follow her. "As you know, we've got a series of meetings lined up for you this afternoon. Think of them as informal chats rather than interviews. We want you to get a feel for the different aspects of our work here and the broader culture of the team at large."

This confirms almost exactly what you surmised over the phone.

You walk with Yelena down the hallway, and she continues, "First up is Dr. Bruce Banner. He heads our research division. Brilliant mind, a bit intense at times. Don't worry if he gets a little caught up in the science - it's his passion."

“If Dr. Banner is head of research, what’s Tony’s role?” you ask.

“Head of development,” Yelena explains. “As a pair, Tony pushes Bruce, and Bruce reigns Tony in.”

You laugh softly, eager to meet the personality Tony would respect enough to find scientific and philosophical balance with.

The afternoon passes in a whirlwind of meetings and introductions. You speak with department heads, researchers, and other key personnel. Each conversation provides tantalizing glimpses into the Foundation's work. While you still feel like you're only in the shallow end, you reason that you’re an outsider and the meetings are fairly brief, so there’s neither the time nor sound reason for them to go too deep with you. Plus, they each have questions of their own for you to answer that take up their own portion of each appointment.

Yelena shepherds you around dutifully, managing to time all your meetings and travel time from area to area with precision. She’s also irresistibly engaging herself as she speaks with you during each break, and you can easily see yourself grabbing lunch with her or drinks after work. She’s exuberant, but she seems naturally attuned to reign in her energy to the level that makes others feel comfortable, and you appreciate that.

As the day winds down, Yelena finally leads you back to the Starlight Room, where you find Natasha is waiting. The late afternoon sun casts a warm glow through the windows, bathing the room in golden light. A tea service has been set up on a small table between you, the delicate China cups and saucers another relic of the past to contrast with the high-tech facilities you've seen throughout the day.

Natasha pours the tea with simplistic grace, the aromatic steam rising between you. "So," she says, her green eyes studying you intently, "what are your thoughts after this afternoon’s meetings?"

You cradle the warm teacup in your hands. "It's been illuminating," you begin carefully. "Everyone I've met has been incredibly passionate about their work. The scope of what the Foundation does is impressive, to say the least."

Natasha nods, taking a sip of her tea. "And do you feel you have a clearer picture of what we do here?"

"In some ways, yes. I have a better sense of the different departments and the general areas of focus.” You pause, considering your words. “I feel I’ve gotten a great sense of the people here, and they’re all extremely passionate about their roles. But there's clearly so much more going on beneath what I've been shown."

A small smile plays at the corners of Natasha's lips. "You're right – there is much more to our work than what we can reveal in a single day. And as we said earlier, some aspects of what we do require… discretion."

You nod, taking a sip of your own tea. The flavor is complex and soothing, with notes of bergamot and something else you can't quite place. "I understand the need for discretion," you say. "But I still feel like there's so much I don't know. About the Foundation, about what my role would be here. It's a big decision to make on such short notice and with gaps in knowledge like that."

Natasha sets down her teacup, her gaze intense. "I understand your hesitancy. Once you’ve officially accepted, I will be able to tell you so much more. So, ask the questions you need to make a decision.”

You frown, knowing you won’t be given answers to your most burning question, but you try and set that aside. In your previous jobs, you hadn’t drilled down to their core philosophies, and you weren’t giving your soul to the organization, so you could reframe what you needed to make this decision.

“In the compensation package, it lists that a housing benefit is available on the premises. What does that entail, and it says ‘available,’ but is that expected, or…?”

This was one of the points that set off your best friend initially to the cult theory.

“Great question. Key roles in the Foundation are offered accommodations here at the estate in one of two wings that we did not see during our tour today - and that was only to respect the privacy of anyone who may have been in their living quarters. There are shared rooms, single rooms, and some small suites for a few positions at the top. If you forego the housing benefit, there isn’t a payout, but a number of our team stay here during the week and then return to their personal residences over the weekends or holidays.”

“Oh,” you’re pleasantly surprised at this explanation. It seems perfectly reasonable.

“Living on site also allows for a flexible work schedule, with some people working a few hours on, a few hours off, and then heading back in - typically with our researchers and scientists who benefit from taking true mental breaks between putting in concentrated work on their projects.”

“In that context, it makes a lot of sense,” you say.

“And then some people just appreciate not having to make the commute every day, we as an employer feel like we’re doing a little something to cut down on commuter emissions, et cetera.”

You laugh, and she smiles.

“What else?”

“This morning you said you were considering me for two opportunities. Do you know now which one you want to see me in?”

Natasha sets down her teacup. “You will be working directly with our founder, James Buchanan Barnes.”

Your jaw drops, but you quickly pick it up. “I – I only applied for an entry-level admin position. I can’t possibly–”

“I train my team to keep their eyes open for certain qualities and alert me to candidates who may seem to have them. You were passed to me with multiple indicators. This is your fourth interview, and an extensive one at that. I couldn’t be more sure I have the right candidate sitting in front of me.”

“But shouldn’t I know what the Foundation does, or, at the very least, have met the founder before I work with him?” you ask, your query perfectly serious, but also tinged with a bit of shock and sarcasm that you can’t stamp out in your current headspace.

The smile on Natasha’s face only grows, and she arches one eyebrow. “If you accept, you’ll meet him tonight, and I’ll work with you so you know everything you need to know and are completely prepared to meet him.”

“How can you be sure I’m the right fit?” you can’t help asking.

She tilts her head slightly. “You met how many of our people today? I know potential when I see it, and I do my homework when I have a hunch. I put that team together, and I’m damn good at what I do. Why would my instincts be off with you?”

You purse your lips together, but her words settle over you in a way nothing else has so far in the weeks this process has taken place from the beginning to now.

Maybe that was the only question you had needed to hear the answer to all along.

You had applied in the first place because you were feeling boxed in at work, hardly noticed, definitely not appreciated – at least not until extra projects or extra work needed to be taken care of, only then did you seem invaluable.

But not here.

Here, it seemed, you would matter.

You’re quiet for another moment, relishing the total calm that has finally settled in your gut. Then you say the two simple words that will alter your future. “I accept.”

Natasha's face lights up, her eyes sparkling with excitement. "Excellent," she says, her voice warm with approval. "Welcome to the Winged Heritage Foundation. I'm thrilled you’ve accepted our offer."

She reaches across the table, grasping your hand in both of hers. Her touch is warm and surprisingly gentle, yet you can feel the strength beneath her soft skin. "I have no doubt you'll be an invaluable asset to us, and to Mr. Barnes specifically."

The late afternoon sun streaming through the windows seems to grow brighter, casting a golden glow over the room. The air feels charged with possibility, as if the very atmosphere is celebrating your decision.

"Now," Natasha continues, her voice taking on a note of anticipation, "as Steve and I mentioned earlier, we have a special event taking place this evening. It's not often that we extend invitations for this specific event to anyone outside of the Foundation, but now that you’re officially joining our ranks, that includes you.”

You grin, but then your face falls. “I don’t have anything to wear for a special occasion.”

Natasha stands and tuts at you, “I said I’d make sure you were completely prepared for tonight. Do you think I haven’t already thought of what you’ll be wearing?”

Heat rushes up your neck, and she chuckles, standing up. “Now let’s go. I’ll show you to your living quarters and you can rest and relax for a couple of hours while I take care of some things with our event and sort out final details on your contract.”

You follow Natasha out of the Starlight Room, your mind reeling with excitement and anticipation. The hallways of the mansion seem to glow with a new vibrancy as you pass through them, as if the very building is welcoming you as one of its own.

Natasha leads you to a different wing of the mansion, one you hadn't explored during your earlier tour. The decor here is slightly more modern, though still in keeping with the overall aesthetic of the estate. She stops in front of a door and produces a key.

"This will be your quarters," she says, inserting the key into the lock and opening the door. "At least for tonight, and possibly longer if you choose to take advantage of our housing benefit."

You step inside and your breath catches. It’s a corner room, and it’s spacious and beautifully outfitted, with a large four-poster bed, a sitting area, and floor-to-ceiling windows on two sides. The room is bathed in the warm glow of the setting sun, casting long shadows across the polished hardwood floors. The decor is a perfect blend of classic elegance and modern comfort – antique furniture paired with state-of-the-art electronics. Plush rugs cover the hardwood, inviting armchairs and a couch flank a small fireplace, and a sleek desk sits in front of one of the windows, offering a stunning view of the estate grounds.

"This is gorgeous," you breathe, turning slowly to take it all in.

Natasha smiles, clearly pleased by your reaction. "I'm glad you like it. The bathroom is through that door," she gestures to your left, "and the closet is here." She opens a door to reveal a walk-in closet that's larger than most of the bedrooms you've had in the past.

"Now," she continues, her tone becoming more businesslike, "I suggest you take some time to rest and refresh yourself. The evening's events can run quite late and be… intense, to say the least. You'll want to be at your best."

Natasha walks over to the windows, her slender fingers tracing the intricate patterns on the heavy velvet curtains. With a fluid motion, she draws them closed, plunging the room into a soft twilight. The sudden dimness makes the room feel cozy and intimate.

"These curtains are specially designed to block out all light," she explains, turning back to you. "You'll find they're excellent for getting quality sleep, even during the day."

She moves to the bedside table and picks up a small remote. With a click, soft, ambient lighting comes to life around the room, casting a warm, golden glow that's easy on the eyes.

Natasha sets the remote down and turns to face you, her expression a mix of excitement and something else you can't quite place. "Tonight is the full moon," she says, her voice low and rich with anticipation, "and that always makes our gatherings extraordinary."

"For tonight's event, I've selected something I think will suit you perfectly, but don’t worry about that until later. For now, I really do suggest you try and sleep. I’ll be back in a few hours – enough time that legal should have your contract sorted, so I’ll bring that for you to sign, and then we will focus on getting you prepared for tonight.”

You nod, feeling a wave of exhaustion wash over you as the adrenaline of the day begins to fade. "Thank you, Natasha. For everything."

She gives you a warm smile. "It's my pleasure. I have a good feeling about you." With that, she turns and heads for the door. Just before she exits, she pauses and looks back at you. "Oh, and one more thing – try not to overthink things. Tonight is about new beginnings."

With those cryptic words, she's gone, closing the door softly behind her. You're left alone in the dimly lit room, the silence enveloping you.

You take a moment to explore your new quarters, running your hands over the soft fabrics of the curtains and bedding. The bathroom is a marvel of marble and black chrome, with a large soaking tub that looks incredibly inviting. But the pull of sleep is too strong to resist.

You slip off your shoes and lie down on the bed, sinking into the plush mattress. The sheets are cool and silky against your skin. As you close your eyes, you take a deep breath, tying to process everything that’s happened – the grand tour, the mysterious conversations, sealing your fate by accepting the position, and now this enigmatic evening event ahead – but before you can think for long, you’re overtaken by sleep.

...CURIOSER AND CURIOSER!

Did you make the right decision?! Too good to be true?

GUESS YOU'LL FIND OUT MORE ON THURSDAY!

NEXT PART: SEMANTICS

↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

I do not do tag lists, but FOLLOW @buckets-and-stories and TURN ON NOTIFICATIONS to be updated any time I publish a new work!