#katniss and haymitch

[raspberryslxt]

Can you please do Katniss being a bitch to everyone but the reader please (this would make me fucking feral)

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Katniss headcanon

info: katniss x reader( i decided to make it female, bc I love idea of Katniss being bi)

warnings: mentions of blood, slightly sugestive content

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you and Katniss knew eachother since you were children

you both always had a soft spot for eachother but as a kids u didn’t know what love was

she always was protecting you from boys when u two went to school, you always were a pretty girl so it’s nothing new that u got a lot of attention

at the school she got a bitch reputation, but it was fine because it was for you

when u both were at the age of 13 your mum was diagnosed with breast cancer, Katniss was always there for you making sure u feel good and that u get a lot of rest

she tried to make sure you were happy even when you were going through such a rough time

at the age of 14 your mum died, you didn’t had a father do the only option was foster care

they decided to move you into disctrict 6, katniss even fought a guard when they were taking u there

there was no way someone would try to take her girl away from her

you watched katniss get tinged by a paralisator, but she didn’t even scream, she told u she will find you one day

you lived your life in district 6, it was different, but it wasn’t better because katniss wasn’t there

at 74th Hunger Games you could choosen to participate, you knew you wouldn’t survive , you were a lot of things but not a fighter

at the capitol you weren’t even trying to train, you stayed in the shadow of your district partner and hoped that at leat your ladt days will be calm

that was before the presentation, when u saw her, on flames, she beautifull, she always had been

something in you made u believe that there was a reason why you were choosen, now you know why. her.

after a presentation u saw her arguing with Peeta

the boy really tried to work with her but she was clearly not interested

the moment you both made an eye contact you knew everything will be fine, the moment she realised it’s you she runned up to you and kissed u with passion

you twospent whole night enjoying each other presence, talking, watching and even something more

she told u about all the time u two were apart, how her sister got choosen but she volunteer

you knew she was a warior, always have been

she promised to keep u safe and to teach you how to shot a bow

you tought for a little while that maybe there is a slight chance you two would survive

at the gala you tried to present yourself as good as you could, you only earned 7 points, but it wad still more than expected

you and katniss both made good apparance

everyone was watching now Peetas interview, that’s when Katniss went feral

you knew everything what Peeta said was a lie, she wouldn’t have played you

you saw Katniss beat the shit out of him in a hallway and also slapping her mentor

after that you two went to her room to spent last hours before the game togather

she told u it would be fine, but you deep down knew that it’s not true.

[s0ftand0nly]

bonus points if they’re found family

[not-so-mundane-after-all]

The Hunger Games: Catching Fire (2013)

[the-apprentice-lia]

i just watched hunger games 1 after rereading the books and i have some… thoughts.

so everyone goes on about how the movies are so inaccurate to the books, but (and i say this as an avid bookworm) i don’t think they really are. the biggest inaccuracies i noted were as follows:

a) rue and katniss don’t talk about their different districts — however, i do think this wasn’t terrible as they had to amend the plot at several points since we didn’t have katniss as a narrator, like when caesar explains what tracker jackers are.

b) the one that stood out the most to me: the mutts are just… dogs. not tributes, children, that have had their eyes gouged out and their bodies twisted and warped to be another pawn for the games, even in death. children whose families, to our knowledge, do not even receive their babies’ bodies. and this was such a big detail to overlook since this is precisely the reason katniss is so horrified, and precisely the reason the brutality of the games is made so clear to us, the viewers: because these children will always be nothing but pieces on a game board to the people in power. things to be used, warped, destroyed, and then discarded. because when katniss looks into glimmer’s (or her mutt’s) eyes, it finally hits her how insignificant the capitol views the tributes. how even when you’re winning, there’s something to be used against you. she even sees rue, the girl she saved, the little twelve year old she buried, rabid and frothing at the mouth with hate. and this is when she sees, in perfect clarity, the grotesquerie of the games.

c) key details were omitted, like when haymitch fell off the stage, when madge gave katniss the pin, when peeta threw haymitch’s glass against the wall in the train car, how katniss threw peeta into the vase after the interviews and peeta’s hands were lacerated, how the soup from the parachute was actually broth and not the infamous lamb soup with plums that katniss loves (and subsequently, the ice-breaker in caesar’s interview being different), and of course, the infamous black buttercup. i mean, all in all, these were quite annoying— but not to the point where they changed the main message of the movie: the corrupting nature of power and how this breeds cruelty and uncompassion for human life. i think they stayed true to this, and that’s why i believe the films are a worthy tribute to the books!

furthermore, to compensate for the loss of katniss’ inner narrative spelling out key details for us in the books, the film does actually come up with pretty clever ways to work around this. like, as previously mentioned, when caesar explains on live television, to a capitol audience, what tracker jackers are and why they’re so deadly, which is key to the scene where katniss cuts the nest down. or, when the parachutes come with little notes; since we can’t see katniss putting together that a good kiss = a reward, we are actually told by the note in the soup parachute. “you call that a kiss, sweetheart?” we also have further insight into seneca crane’s death, which is so breathtakingly poetic, and symbolic, in my opinion. well, at least as poetic as a death can be. in addition, even though the books do mention it, we see in real time how haymitch flatters and strokes and fights for sponsors for katniss and peeta. this is so significant, as a man who has been forced to mentor years and years of tributes, to watch them die over and over again, and to gradually lose all hope that they’ll survive— this man is the one that is fighting so hard for katniss and peeta. we can see that better in the film. so the inconsistencies, in my opinion, can be overlooked as we will never truly have a film that is 100% loyal to the books. (unless it’s lord of the rings but shhh)

but what really sealed it home for me was something that the books actually didn’t do: we have the sense as viewers, a lot of the time, that we are intruding upon a profoundly personal moment. like with katniss and peeta in the cave. but that’s exactly what the film is trying to drive home. and that’s what makes it so fantastic. because we are intruding. we shouldn’t be watching such a deeply personal and vulnerable moment for katniss, who never shows her feelings if she can’t help it, and peeta, who shows his like an open book. it’s wrong on both accounts because in addition to these children being forced to fight brutally and bloodily to the death, they have to put on a pantomime as they do! i mean, what could be more unjust than a girl who’s being put to death being forced to give everyone a show on the way out? when the camera is just a bit too close, when there is no soothing filler music, when we can see them, raw and real, two kids afraid to die in an unfamiliar forest far away from their home, we feel uncomfortable. because why should we get to see this? how can this be fair? surely, they can have just this one thing. but that’s the whole point. they can’t. and we— watching from the same perspective as the capitol audience, i would like to emphasise— feel complicit in robbing these two kids of a brief moment of respite. that is what the film tries, and succeeds brilliantly, to convey.

i’m sure there’s still more to cover, but this is just what i noticed and felt the need to write about from my first time watching ‘the hunger games’. in conclusion: the film was actually fantastic if you don’t nitpick the small details. i think it’s a raw and real and fantastic tribute to the books, and should be treated as such.

[infpbrwriter]

Daddy Issues

What is the level of your daddy issues?

Mine is between Haymitch Abernathy and Joel Miller.

[oddlylonelyflights]

Rewatching The Hunger Games series and I have so many thought I will not be sharing

[peetapie]

Completely agree with this. I don’t think Katniss would ever consider Haymitch anything close to a father figure and it kinda bothers me when people say otherwise. Just because she doesn’t have an active father in her life doesn’t mean she sees just any adult man she has some sort of relationship with as a father figure. She had a wonderful father and a really good relationship with him and I really don’t think she would ever wanna replace that. I also think Katniss has a really high standard of what a father should be because of her father, and I don’t think Haymitch even comes close to meeting it. No hate to Haymitch, I love Haymitch I just really disagree with the idea of him being a father figure to Katniss. I think katniss would be extremely offended at the idea of anyone taking the place of her father in her life, especially Haymitch of all people (I love him I just think that’s how katniss would feel about it). She clearly cares about him and loves him just not in that way.

Katniss sees Haymitch as family, but not as a father. The only man she sees reflecting her father's care is Boggs.

And frankly Haymitch doesn't want that responsibility, either.

[logicalbrina]

what makes Snow such a formidable villain within THG universe is that nothing he does was set in stone. there was no sense of inevitability about his actions and his brutality. Snow had enough perspective of poverty, capital cruelty, district hunger and not to mention his own arena experience’ and yet he actively chose at every moment to stray from natural goodness. its even more terrifying in the sense that he had the ability to care. Snow is not a mindless sociopath, he displays feelings to others such as sejanus, lucy grey and tigris but ultimately he will always choose himself. his ability to betray those he cared about in order yo advance himself makes him so much more than the stereotypical villain who is forced into his actions.

[thequietesthing]

Suzanne Collins was really pissed when she saw all those edits of Snow as ‘daddy’ and whatever other bullshit after the TBOSAS movie, sat down at her laptop again and started typing “let’s see if you get the message now when HE KILLS 47 CHILDREN”

[sherwood-scribblings]

Thought this was a necessary measure because we all know that surge of clueless thirsty tiktok fans is gonna happen.

[woah this post blew up how,,,,, psa that i have indepth analysis + theories on my feed if you crave more sotr content]

[ringtoned]

suzanne collins is such a genius... the cultural phenomenon of her series leading to the hanging tree house remixes, mockingjay being milked for two (bad) movies, the capitol-inspired makeup palettes, the halloween costumes, the explosion of the market for dystopia, the butchering of her characters and removal of disabilities, disfiguration, and racial tension + representation to sell more tickets, the extra gale scenes to fuel discourse, and the audience showing up to cinemas to watch what was pretty honestly marketed to them (the jacob vs edwardification of the symbolic love story and also to watch children fight to the death) it's just so ridiculously ironic i would say you can't write this shit, but she did write about it... in The Hunger Games published 2008

[daydreamer-in-reverie]

Started rereading the Hunger Games series and I feel like it’s so overlooked how in 74th and 75th Hunger Games, we don’t know every Tribute’s names, with Katniss only referring to them by their District numbers but in TBOSAS, we knew every single Tribute by name. We associated them with the clothes they wore on the Reaping Day and Suzanne even goes so far as to describe how they looked, however briefly. We see these Tributes and we’re familiarized with them by the little tidbits provided to the mentors and to Snow and Lucy Gray. But we never get this in the original trilogy.

In two generations, President Snow alienated the Districts from each other so much that Katniss didn’t even care to know all the names of the Tributes sent into the Arena with her, with the exception being those who posed great risk against her safety and those she felt great compassion for (e.g. Cato, Thresh, Rue, Mags, Betee, Wiress etc.). Katniss even went so far as to call the D6 Tributes in the 75th Hunger Games morphlings, for their affinity to imbibe in the drugs that help them forget their own traumas (an incredibly hurtful description, in my own opinion, to be known by the qualities you hate the most about yourself). We never know the real name of the 74th D5 girl, with Katniss only referring to her as Foxface and we don’t even know Marvel’s name until we get to the second book and he was Katniss’ first personal kill. Katniss even kills the D4 girl in the books with the same tracker jacker venom that killed Glimmer and yet still, we don’t know her name. We are so removed from the identity of the other Tributes that we don’t even know what some of them looked like beyond brief descriptions of mangled bodies and dead Tributes in the bloodbath at the Cornucopia.

And, the thing is, Suzanne established the importance of names in the series. Even in real life, we recognize the importance of being named. It is a fundamental aspect of being human. If you’re ever in a perilous situation where a person might be placing your life in danger, we’re told to remind the person that you’re human. “Keep saying your name, how old you are, where you came from. Remind them you are a human being just like them.” Before any propaganda can work against a group of people, refusing to recognize a person’s name is the first step to dehumanization. And just like the people of the Districts, we don’t care enough about the other Tributes to even want to know their names. Their propaganda worked on us, the readers.

In two generations, President Snow completely wiped out any sense of familiarity and camaraderie the Districts may have shared with the other. In two generations, Snow sowed the seeds of distrust and division into the Districts so deeply that even we, the readers, were affected by the effects of Capitol propaganda. In two generations, the Districts ceased to genuinely care about the others beyond the vague sense of injustice they feel for their shared plight. It’s why Career Districts don’t seem to care about killing the other Tributes. How can you care, to show your compassion and humanity, when you can barely see them as people? Yes, they may have been in the Arena with you. Yes, they may have been starved and beaten and forced into labor like you were. Yes, they might be children just like you. Yes, they might be subjected to the same deplorable system that turned you into virtual slaves. But they are not your friends. They are not your allies. They are strange, with different customs and traditions that you have. You do not share the same values. They do not care about you. At the first chance they get, they will kill you with your bare hands and they will do it with alacrity if it meant their survival. There can only be one Victor and it can’t be them. It has to be you.

[not-so-mundane-after-all]

The Hunger Games (2012)

[incubationformadness]

Sorry but the Haymitch's dynamic with his final two tributes. will never not fuck me up.

Katniss: He hates hates hates her for being the same as him. He can communicate with her because she is the same as him. He's her mentor, of course he cares about her. He should be a father figure to her but he's too stunted by his own trauma so they exist like teenage allies in the never-ending arena which is a victor's life. He wants to keep her safe but she must also be a pawn in the rebellion. She makes him make promises he cannot keep. She is all that he could have been and he is all that she might be.

Peeta: The sacrificial lamb. The one Haymitch knows he can't keep. The boy who is better than the rest but must be condemned to die time and time again. Who demands that Haymitch saves Katniss, as Katniss demands that he saves Peeta, but Haymitch could not save Maysilee, or his family, or his girl. Everyone Haymitch has ever lost compressed into a single body and placed beside Katniss, so he is forced to look at her as his mirror.

[magpieanalysis]

I love that every victor from District 12 won by breaking the rules.

Katniss was proficient with a bow and in a forest because she went past the fence and hunted game illegally; Peeta survived because Katniss threatened for the games to not have a victor after the promised rule (presumably influenced by Haymitch?) if he wasn’t saved; Haymitch won because he used the capitol forcefield against his opponent, bringing their weapon into his game; Lucy won because of rat poison brought into the arena and Snow feeding her scent to the snakes.

There was not a victor from twelve that didn’t backhand the Capitol with their survival. lmao.

[thesweetnessofspring]

I've been obsessed with how the first ten Hunger Games were in an actual arena, like with seats and an event floor and turnstiles and everything. Something that was so clearly human-made, without so much as a weed growing inside of it.

Then Coriolanus goes off to Twelve and has his own private Hunger Games with Lucy Gray in the middle of the woods and comes to the conclusion that humanity is violent, and it must be contained by the Hunger Games. Some point after that, the arenas are still human-made, but mimic nature like Snow's own Hunger Games with Lucy Gray. Some are deserts or tundras or jungles, but all are made to appear like a natural environment. Only they're nature that's been constructed and manicured by humans, just like the Games are.

Fitting, then, that the first hit against this arena is made by a boy from District Twelve. Then a quarter century later, this arena is destroyed by a girl from District Twelve who learned to shoot arrows in the very trees that saw the future dictator of Panem emerge from it with his worldview now set against the natural world.