#I love these two bisexuals
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witchy-lexx · 10 months ago
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Korrasami art!! Sketched this earlier in the week and finally colored it!! I had to wait for my earth tone acrylic paint markers to arrive because I needed tan flesh colors for Korra!! The shuttle art set I got a few months ago doesn’t have any flesh tones so I finally ordered some:) The markers aren’t the best but they will do for now! I didn’t want to drop $100000 on markers 😅
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imsogirlkisser · 2 months ago
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jestroer · 2 years ago
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Bisexual wives of all time
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tomatoart · 1 year ago
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training montage
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seasideoranges · 6 months ago
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despite everything i love how so many just agree that sokka, zuko and suki are bisexual. no questions asked, no arguments needed, just one look at them and its an immediate “oh yeah, they’re bisexual, anyways-“
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a-star-is-here · 1 month ago
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Do you guys see it?
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muzsmocsing · 26 days ago
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No way on dianxia's green earth is Pei Ming cishet full time. First of all, he has to have at least 2 PhDs on the history and complexities of lesbianism to even qualify as a love god and second, who else would the sapphics pray to about their problems? Ju Yang? What could general shwing-shlong do for them? Nothing, that's what.
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Need an acknowledgement after Buddie goes canon of them having had latent or explicit feelings for each other for years. This isn’t a case of “oh, we were best friends for years and then one day we woke up and were in love.” This is a case of “we’ve been best friends for years, and we’ve been falling in love with each other since the day we met. We just didn’t understand it yet.” We’ve already had Buck’s realization that he’s bisexual, but his arc was chock-full of obliviousness to his attraction to Eddie, his feelings for Eddie, whose attention he actually wants. He still doesn’t really get it, but he gets that he likes men too, at least. Eddie is a whole other ball game. From the Catholic guilt to the toxic masculinity to the childhood emotional neglect to the pressure he keeps putting on himself to perform in relationships. He’s repressed as hell, and he isn’t to “I’m gay” yet, but we see hints of him understanding that how he feels might be a little different (his pause at “follow your heart, not Christopher’s” from Carla, his two talks with Bobby, admitting to performance anxiety on dates to the whole team, his talk with Buck about Marisol being an ex-nun, his acceptance that Ana and a ready-made family was the reason for his panic attack).
We know that the two of them are bad at identifying how they really feel, or at least allowing themselves to feel it. So, it makes way more sense for the show to admit that they’ve had romantic feelings for each other for years, rather than trying to convince the audience that what we’ve been watching these past seven seasons isn’t a product of two characters’ struggles with their identity and relationships. And while I’d be satisfied with a light-hearted snark from Hen or Chim about how they’ve been seeing it for years, I’d be so much happier with a full circle moment of the boys actually fully knowing themselves, acknowledging that they were never just best friends, they just didn’t understand it yet. It would show their series-long growth, as well as being an enormous tip of the hat to the audience. Because we aren’t misinterpreting it. We’re reading the queer-coding directly from the show, yes through subtext of course, but also the literal text. There have been so many moments deserving of acknowledgement in this regard, and I would hate for Buddie to go canon without it being clarified that those moments were exactly as queer and/or romantic as we thought.
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fauvester · 5 months ago
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nicktoonsunite's tigerghost haunting my brain
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temeyes · 5 months ago
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strong bois wearing the acrylic rings i bought the other day!
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ilovemesomevincentprice · 4 months ago
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Vincent Price kisses his daughter, Victoria's boo boo during an intermission backstage of his performance in Peter Pan (1964)
A little backstory...Victoria's mother took her to see her father in a production of Peter Pan and Vincent was captain Hook. When Victoria saw her father on-stage, with a hook for a hand, she says she threw an "audible" fit. So her mother, Mary Price took her backstage during the intermission to see that he's still her father. He showed her his hook and proved to her that it's only a clothes hanger and she felt better.
@citizenkampbell
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lilidawnonthemoon · 10 months ago
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bisclavret · 2 months ago
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what SICKO wrote the last scenes between gwaine and merlin is what i want to know. because even lancelot's last episode with merlin - which had to have been intentionally gay-coded since it's obvious the man is grappling with his feelings for merlin morphing from platonic to explicitly romantic - is still subtext because he doesn't have the tools to healthily express his feelings so he goes for the biggest romantic gesture he can think of: sacrificing his life to save a loved one. the writers also make sure to root this gesture back to gwen by adding a scene where she's inadvertently asking him to make that sacrifice first, so although it's very obvious that it's more for merlin than for gwen that lancelot dies for, she is there to add some plausible deniability, thus keeping his sexuality within the realms of subtext.
i don't want to delve too deeply into arthur's last scenes with merlin as there is both so much to unpack about what they mean to each other and there is also somehow nothing left to say that hasn't been said before. my point is just that there's so much at stake that if the viewer doesn't want to deal with the romantic subtext between them they can hang onto the 38 other dynamics merlin and arthur have represented to each other that the writers spent 5 years plastering on top of the gay subtext. basically, while the romance feels textual emotionally-speaking, it isn't "canon".
i don't mean to say that any relationship is better than another (even though i obviously have a preference) but that in gwaine's final scenes with merlin there's just no subtext anymore. his becomes the most explicit expression of romantic love towards merlin, and therefore the most explicit acknowledgment of homosexual love and the existence of queer people on the show:
it starts out with merlin suggesting that gwaine saved a girl from the saxons and then looked after her because he has a more than platonic interest in her, and they show us that merlin is right - gwaine and the girl eira slept together - even as gwaine half-heartedly denies any interest (which, why even deny it? merlin saw them holding hands! unless the lie is part of the point). then in that very same scene and directly after this exchange, merlin needs rescuing from the saxons, calls after gwaine, and gwaine performs the exact same role for him that he performed for eira: he saves him from the saxons and looks after him (for as long as merlin lets him).
the parallel between merlin and eira with such quick cause and effect (it literally all happens within the same minute) is where the shift from subtext to text becomes undeniable. yes, there have been other moments on the show where a character's affections towards two different genders are beat-for-beat the same, but, again, there has always been plausible deniability. in this case the parallel is meant to be taken at face value: the core point of it is to show us how gwaine expresses his attraction.
then, the dialogue they chose to bookend this scene with takes it a few steps further by functioning as a textual love confession to merlin himself: the scene opens with gwaine thanking merlin for everything he did for eira, and merlin saying that there is no need to thank him as it was the least he could do. a minute later, after merlin thanks gwaine for protecting him from the saxons as both merlin and the show just concluded gwaine did for eira for romantic reasons (even as he denied it by outright lying), gwaine parrots what merlin said when gwaine thanked him: no need to thank me, merlin, it's the least i could do.
but this comes off as the opposite of dismissive: in fact, this echoing of merlin's words is meant to jolt both merlin and the audience. by saying this right after saving merlin from the saxons, gwaine has now intentionally pointed merlin's attention towards the explicitly romantic parallel between himself and eira. gwaine is directly implying he just did for merlin what merlin correctly deduced he did for a woman because he desired her sexually and romantically, and he is using merlin's own words to challenge him into seeing past the initial flimsy lie that there is nothing between them. and what's behind the lie, of course, is that gwaine has done all of this and more because he desires merlin sexually and romantically. the camera even lingers on merlin, allowing him and the viewer to absorb what just happened. that for as long as we have known gwaine, his motivations have always boiled down to "i want to be there for merlin". and now both the audience and merlin finally know for sure what was motivating him the entire time.
what's more, by using merlin's own dismissive words, gwaine also implicates merlin's penchant for repression and denial and never allowing himself to be given credit where it's due. this unfortunately never properly gets dismantled on the show, but this moment shows that gwaine knows merlin well enough to know that he goes above and beyond for people, and that merlin's reasons for this ring as false to gwaine's ears as gwaine's reasons for saving damsels do to merlin. it also bittersweetly implies that gwaine has accepted that these are the platonic, repressed terms on which he can have a relationship with merlin. but i think the way in which he explicitly points all of this out to merlin is meant to imply that he isn't entirely happy about having to accept that. or, to circle back to eira, that merlin seems to be cheering for him to enter a heterosexual relationship when gwaine would clearly rather be with him.
what's additionally interesting to me about this is that this is one of the only scenes on this show that touch on same gender attraction that isn't using magic as a metaphor - because merlin doesn't have magic at the moment, yes, but also because gwaine is the more active character in this sequence, and he's an adventure hero, so he simply fights the bad guy to protect the person he loves. there is no metaphor to wrap this in, so he just gets to explicitly state his bisexuality. in the next scene, the very last one he and merlin share, it all becomes about magic again, which is both representative of merlin's sexuality and the show's "plausible deniability" approach to gay-coding, and so neither gwaine or merlin are permitted to acknowledge it. also, and this is for another post altogether, but all things point to "gwaine knew". not least because he gets to come out as queer without the complications of the magic-as-gay-metaphor which in turn emboldens him to ask merlin for the truth as directly as the metaphor-suffocated narrative will allow it.
tldr gwaine textually and canonically expresses and then confesses his feelings to merlin in a shockingly well-written and layered scene which makes gwaine the most explicitly queer character on bbc merlin and it's entirely because he exists outside the magic-as-gay-metaphor plot while loving someone who embodies that entire metaphor and it's crazy to me that we don't talk about this more. once again i ask what SICKO wrote this and where were they for the entire rest of this fucking show
tldrtldr at least gwaine is bi. its like i always say. at least gwaine is bi. at the end of the day. gwaine is bi. dont cry ok? gwaine is bi. at the end of the day. gwaine is bi. when all else fails. gwaine is bi. we'll always have. gwaine is bi
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montaukhill · 24 days ago
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made an emma-may dixon bc I love her and I want her to get more attention from the fandom. she should be allowed to whoop stanford+fiddlefords asses respectively 💜
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art-beyond-the-stars · 4 months ago
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So I'm a nerd who has an AU where Turbo gets revived after Sugar Rush is reset and has to go on probation for his Many Crimes.
And during this time he's SO mad about Felix getting married. What do you MEAN his ex has moved on in the twenty-five years he's been assumed dead???? He's so pissed off.
(The solution is, of course, polyamory.)
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blue-shiver13 · 7 months ago
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HAPPY DEMON RIDE MOTH
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