#I love all of their mess so much

[mossiestpiglet]

I hope Tom and Greg get to be villainous. I hope it’s absurd. I hope they aim so high they hit the sun and burn the whole world down as they crash land. I hope they stay scared. I hope they run around screaming for cover because the sky is falling. I hope they claw at each other. I hope they cling to each other. I hope there’s no difference between them in the end. I hope everyone hates them enough to see them as equals. I hope they never stop reaching out to everyone. I hope they end up as alone as they started. I hope they start all over again.

[soldrawss]

Something something 16yo 2k12 Mikey gets sucked into a portal and sent into the RISE universe and ends up helping raise the RISE kiddos AU

[hinamie]

ṇ̵̛̱͌̅̃͛̔o̴̮̓̀͂́̃_̴̛̲́s̷͈̋̈́̄̋͠ị̶͔̗̐͐̐̒̕g̵̛̱̘̣̑͂ņ̴̰͔̘͇̏̒̓̇͠͝a̸̜̥̩̭͋̌ḷ̶͔̖͗͋͛͛̃͆

[umblrspectrum]

3 years of this godforsaken show

[mayasaura]

Was thinking about this line because Harrow what the actual fuck are you talking about, and I realised something.

Not only does Harrow really for real not know that Gideon loves her—in the bullshit context of their lives, this is a reasonable misunderstanding for her to have.

What has Harrow known Gideon's life goals to be since they were children? Hint: There are at least two Harrow is fully aware of.

The first is to be wanted. As much as Gideon hates and wants to escape the Ninth, she also paradoxically craves their acceptance. They're the only community she's ever known. Harrow plays on that desire from the very beginning, mostly by kind of .... well, okay, by negging her about it. Ironically appealing to her sense of loyalty and duty to her house when they both know Gideon never even had that bridge to burn. That kind of thing.

Whether or not she's right, Harrow sincerely believes that acceptance to still be important to Gideon. First flower of my house, the greatest cavalier we have ever produced. You are our triumph. The best of all of us. When Harrow has only seconds left to make amends, she not only banks hard into praising Gideon, she frames it to unambiguously offer Gideon the acceptance she's always been conspicuously denied. Assuring her of her value not just as a person or as a cavalier, but as one of their house, one of their people.

The second thing Harrow knows is that Gideon wants to join the Cohort. Easy, everybody knows that. She's only been telling everyone with ears (and then some) since she was eight years old. It's the bait Harrow dangled to entice her into this mess. She wants to be a hero, to do great deeds like in the comic books. She wants to be a soldier.

Against the backdrop of all that context, Gideon's dying declaration "for the Ninth" starts to sound a hell of a lot more like "for Queen and country." Especially when you remember that Harrow is still the sovereign ruler of the Ninth. From Harrow's vantage point, Gideon could easily be playing the heroic underdog in a war movie. The soldier no one believed in until she threw herself on a grenade to save her squad. The knight errant who proved her chivalry by giving her life in service to her king.

From that perspective, Harrow's line to Ortus makes sense. She's following through on her promise of acceptance, defending Gideon's loyalty to the first Ninth face she sees. She's playing out Gideon's war hero fantasy, where Gideon's act of heroism proved them all wrong about her. In which case Ortus's response, "You are the most worthy heroes the Ninth House could muster. I truly believe that," flows very naturally as a reply. He understands what Harrow is trying to say, and affirms it.

It's not a hero's burial in the Anastasian, but it's the closest thing Harrow has the power to give her. And it's a fucking reasonable interpretation of Gideon's actions that doesn't touch on her feelings for Harrow at all. Fuck me.

[egophiliac]

Hello ! I positively adore the running joke of Idia unknowingly finding Lilia to be the coolest guy ever whenever he doesn't know it's him, like when Silver described his father, or obviously with muscle red. I can't say what'd be funnier, Idia finding out his online best friend is actually Lilia, resident spooky hyper fairy; or them both never finding out, and it'd become even more ridiculous as time goes on. How do you think it'll play out ? You're always so on point

(Also, though it makes sense, I'm still devastated bat boy didn't get a ticket for the Halloween skeleton train : ( does anyone mentions him at some point ? Like how he'd have fit right in with all those Halloween town little freaks, and how he'd have impressed them with his spooks and scared techniques; after all he's been every Briar Valley's children worst fear on Halloween for centuries. I'm on the eng server and I didn't wanna spoil myself by watching the whole thing on youtube)

Have a nice day !

you and me both, Idia and Lilia being oblivious online BFFs (+ Idia being incredibly intimidated any time Silver brings up his jock gamer dad) is my favorite running joke/subplot. 🤝 it's SO good, to the point where I also am unsure if I actually want it to ever be resolved or not...maybe, like, as a post-canon stinger or something? everyone's standing around covered in overblot ink, and Idia and Lilia's phones go off at the same time...

(legit I do think this is part of why Idia couldn't be present for Lilia's dream, because for some reason Lilia decided he was going to just. embody his past self online. he probably quotes his own battle strategies or whatever in the middle of boss fights. Idia didn't pick up on the whole "oh how weird that we both live on a super remote island" thing, but he would spend thirty seconds listening to General Lilia describing siege warfare and be like "w-wait")

all that aside, however it does end up happening, I do see Lilia being very blasé and all "oh! cool!" about it. y'know, taking it very much in stride! and Idia...very much not.

(can't tell if tumblr is going to chew this into illegibility or not, this will be a fun surprise ᕕ( ᐛ )ᕗ)

as for Lilia sadly missing out on Halloweentown shenanigans...he does get one little mention as part of an offhand reference to the light music club, but so far no one has brought up how this basically is just Lost In the Book of Liliatown (Sebek's been too busy yelling about not getting to be in the same group as Malleus). 😔 honestly though, it's probably for the best that he got left out, because he would just settle right in and refuse to ever leave. canon would shatter. we would miss out on all the delightful angst of episode 7 because Lilia is too busy eating poisonous shrubbery inbetween practicing his very best screams, and no one can pull him away from it.

(I can hope for a sequel next year though...)

[hotdogmchiggin]

DOODLE DUMP!!!!!!!!

No real rhyme or reason to it just felt like drawing Daisuke and the big Swan. Having fun figuring out how I wanna draw ‘em 😎👍

[kitamars]

lovey dovey (alt ver of the first one under the cut!)

[wistfulwatcher]

emily prentiss + her waning tolerance of getting close to killers

[chrisbangz]

Happy Bang Chan Day (2024) ♡ insp / template

[poorly-drawn-mdzs]

Gaslighter? I hardly know her!

[First] Prev <–-> Next

[maythedreadwolftakeyou]

thinking about Lucanis again (always). and how so much of his narrative boils down to the theme of "control". and of course also about how this applies to the Rook x Lucanis relationship.

like the first scenes with him in the game are, in theory, about freeing him from the Ossuary (although he seems to have an escape attempt already in progress at the time, they certainly weren't just letting him keep those knives on him for enrichment purposes, Rook just provided an opening/distraction he could take advantage of and crucially Rook has A Way Out of the whole place not just a cell). but ACTUALLY the purpose it to put him right into a new contract for Us, one set up by his own grandmother and first talon no less, and the person he has the MOST trouble saying no to. He's escaped torture and the Venatori for sure but he still isn't free, which I think is part of what leads to Spite's confusion/the Inner Demons plotline. He agrees to the contract but you can tell it's in many parts out of a sense of duty/mourning vs something he actively wants to do for himself. And then the FIRST real heartfelt conversation you have with him, where he tells you "even before I was captured, my life was not really my own. So much had been determined for me." But he's chaffaing at that! He thinks "to live truly is to live fully" and so directly tells you he doesn't think he's lived a life true to himself. He's been constantly smothered by the weight of expectations around him, even though he longs for more.

And then once you get him to the Lighthouse you see how this Big lack of control in his life comes out as all these smaller frustrations. He's terrified of sleeping and downing 11 cups of coffee per hour because sleeping means he will lose control to Spite, even though Spite is shown to flee rather than fight when he feels threatened, and once calmed down, is more drawn to just benign curiosity/mischief than anything actively malicious. Like if Lucanis loses control and sleeps for a few hours he is not going to wake up surrounded by bloodshed, he's going to wake up to a belly full of candle wax because he wouldn't like Spite taste one while they were awake. Which is the other half of this--he constantly denying Spite's impulses for reasons that in some ways make sense (HE doesn't want to eat candles), but not in a way that's actually satisfying to either of them (why not just take a bite, chew for a bit, and spit it out so Spite knows they kind of suck actually?). But he CAN say no to Spite and so he does. Over and over. Spite's one of the few people he can deny things without feeling bad about it, because it's HIS body he doesn't like that has to share now (<- this is what he thinks about it at first anyway, but he's wrong, it's both of theirs and it's useless to try to hold those kind of boundaries forever. but the "no its mine" spiteful instinct is very beautifully ironic and reflective of them both and their early relationship).

And personally I think this is where his fear of his own desires and intimacy is coming from, at the root. I don't think he's afraid of the concept of being in a romance or having feelings (even if they're unusual and rare for him, this is by no means incompatible with him being demi) but I DO think he is afraid of the kind of power it gives people over you. Getting something you want means there's something else that can be taken away. Admitting your desire means the other person has the opportunity to deny that. The more you have, the more you have to lose, and he has lost again and again and again in his life--his parents, his childhood to the crows, his independence, even his future--he doesn't aspire to be first Talon but he knows the rumors. He knows his grandmother wanted it for him, not Illario. His life path has been laid out for him by others and up to this point he has simply been going along with it anyway, even though it bothers him. He COULD argue and fight Caterina and push for Illario who actually wants the job to be First Talon instead, but from The Wigmaker Job we know he doesn't. He just ignores it and pretends maybe it won't happen, without him having to do any of the work. Which is why in the end Illario is the one who has to make a move about it (and even warns Lucanis of this!!!!). Lucanis KNOWS all this makes him a target but is neither taking charge or getting off of the train tracks, just closes his eyes.

And I think THIS context is what makes the almost kiss scene in the pantry make more sense to me. Rather than being afraid of having feelings (and then NEVER addressing this in game with a Rook who pursues him anyway) or not knowing how to finish what he's started via crow seduction training, it's more like this is a pivotal moment where he can actively choose to step off the planned path of be given a job -> kill the gods -> enact revenge -> go home. even if he doesn't at that point realize that a relationship with Rook could be something that lasts long-term, the very act of doing something just for himself is what's foreign and scary and hard. It's that first step off the tracks, and even if he were to keep walking in the same direction, it means he's making a choice about it. he's accepting that one way or another it IS in his power to go along with everyone else's plans or not. Hence the hesitation, and drawing back, and needing to clear his head.

And then the rest of Rook's role in his narrative IS about giving him more and more control for himself. Inner Demons, dealing with Illario, his questlines move less towards revenge and more towards just... not being locked into one fate. Which of course Caterina comes back and immediately tries to overturn by declaring him First Talon after all, even though she and him and everyone else knows she's not ACTUALLY ready to give up her rule/decision making power yet. Which in a way is maddening because cmon I did all this work here so this sad man could have some agency in his own life just to watch him get sucked right back in (which, at least we get many directions to headcanon from here), but there's no denying that THIS version of Lucanis at least is actually going in with his eyes open now. THIS Lucanis has had a taste of life outside the Crows, and seen the politics and power dynamics in other places/organizations, and finally has emotional ties to the big picture state of the world now, both in relationship and friendship paths with Rook. He's not just hyper focused on each contract as it's given to him now, he's looking at the whole thing.

Anyway of course the beautiful culmination of all this within the romance is the lighthouse scene with Rook, where he finally is willing to let himself be vulnerable (emotionally and physically), and fall asleep without fear of what Spite's going to do in the meanwhile. He also (depending on dialogue choice) finally talks about his feelings directly with you for the first time instead of in roundabout ways (the dessert being "not enough" is it really the dessert you mean, Lucanis. is it.). Even though he is STILL reluctant to verbally admit his feelings or let Rook share their own at this point, I think that's more a narrative choice about saving those last emotional dialogue options for the big final battle. but it is another point where he does have to stop just following along and ACTIVELY choose that yes, yes sometimes loving is worth the risk of losing it. Even if someone takes it away from you later, even if you don't survive it, sometimes the love alone makes it worth it.

I have like another 5000 words I could add into about how Spite ties into all this, about how having the demon in him is something he both fears AND how it forces him to acknowledge that actually yes he DOES share the same base feelings/instincts Spite does in terms of not wanting to be told what to do. And how this in a way is part of what gives him permission to act on it since he can no longer just shove it down out of sight. but this post is long enough already so i'm just going to take the rest of this and gnaw on it all day like a chew toy I guess.

anyway. AHG. it is kind of frustrating that the culmination of his arc seems to be "and then he got the job he never wanted anyway" but I do think at least all this prepares him for it in a way Caterina actively failed to actually do on her own. He NEEDED that step away from his straightforward path. Whether he stays first talon or not, and with or without rook as a romantic partner, he's finally been able to explore ideas outside the expectations of others.

[avocadoraisin]

Sawville PD reporting for dooty

[thimbleb3rries]

This show gives me so much to think about omggggg

Kuro Neko....... 😃cat walker.....

I drew him with his hair loose for two of the doodles because it gave me trouble when it was tied back shhhhh

Also??? The weird little stray pieces of hair that just kinda float around where his hair parts??? I had to simplify them, I couldn't figure them out 😭

[sysig]

Blind side (Patreon)

[lesbians4armand]

once again i really do think armand’s morality and view of his own morality is summed up by “i tried to be good, am i no good?” because he KNOWS he’s not, but he so desperately wants to be good in any way he can be, so that he can be desired. and this in turn means he is deep in denial about any bad he has done other than the deep seated feeling that he is simply “bad” as a vague concept and not the sum of his actions. anyway who’s up thinking normal thoughts about characters.