#I know this meta has been done to death
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Honestly Arya does have that Persephone parallel doesn't she? And you have Demeter, Lady Stoneheart, searching for her daughter combing through the Riverlands. I have heard that the og myth was about the bond between mothers and daughters and the mothers' rage and grief at losing daughters to violence ( often of the sexual kind). No matter what the retelling of it is: be it of the romantic kind with Hades/Persephone being the subject or more in line with tradition- one thing is for sure that Demeter's rage brought on destruction that would have wiped off mankind.
When I think of Riverlands, I imagine a land associated with a bountiful of harvest and Catelyn Tully has been the daughter of its leige lord. Now the war has reduced it to a husk and Catelyn believes her own family is lost to her as well. Death-resurrection-journey to the "underworld" are so in line with the weaving of the myth in the story. Demeter rises vengeful, cold and cruel, killing mercilessly and searching for the three headed cerberus who has kidnapped her daughter from right under the nose of BwB. Arya's journey ultimately ends with the Hound and again we find the recall of greek myth of Styx/Charon when she crosses the Narrow Sea with the offering of the iron coin for the ferry. Finally she reaches the HoBaW and there to cement her right to stay she fearlessly kisses the skull and bites on the worm ( pomegranate seeds?). I also find the structure of the HoBaW interesting. You have the Temple structure sitting on the very top of the carved stone and visible but there are winding levels that descend down into the heart of the stone/earth...it kind of reminds me of Dante's description of hell- circular levels descending into the earth ( as far as I remember?).
Further you have a reflection of it in the far North ( again death-resurrection which we know is going to feature in Jon's storyline). For us Jonrya shippers, we sometimes can reflect on it as death and the maiden thing going on, but if we don't go the shippy way and see it as familial, we again have Jon wondering about Arya facing violence in her marriage bed. The theme of stealing the bride carries on both with Jon sending Mance to rescue "Arya" and after Jeyne Poole escapes, we have Ramsay asking for his bride back whom he thinks the bastard at the Wall has stolen from him ( going the shippy way, we have Jon repeating the phrase "I want my bride back over and over again" too). It's so interesting that both the characters who have gone the death/resurrection way or is going to go the death/resurrection way is looking for Arya. One terrorizing the Riverlands and the other making alliances to send armies to knock at Ramsay's door, while Arya herself is at a liminal space between life and death. I don't think Grrm has created the order of the silent sisters just for the fun of it- they are known to be the Stranger's wives and you have this imagery of women marrying death throughout. But in any case Grrm is known for his subversive tropes and if Arya has the Persephone thing going on, then instead of barreness of the HoBaW and the silent sisters there is a possibility of a full life whatever that may mean for Arya.
#arya stark#I know this meta has been done to death#and everyone and their mother knows of it but still felt like writing it
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So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.
And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.
Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.
#you can argue meta until you're blue in the face#but I can't ignore the ingerent abuse of Batman and Robin because DC is always drawing attention to it#Stephanie and Jason directly died because of Robin#Stephanie wanted to impress Bruce to live up to his idea of a sidekick and prove her worth#Sheila only sold Jason out when she found out he was Robin#Damians life certainly got worse when he became Robin/moved with Bruce#if you bring up racist retcons I'll kill you btw#how are we supposed to read children dying and being tortured and traumatized constantly#and just ignore that these are children#I can ignore the reality of child sidekicks in campy light hearted early comics#but if DC wants to deal with serious topic they're going to have to deal with some serious implications too#Also that post that's going around about “Bruce loves Jason and it's Jason who's causing all the animosity” is such bullshit#what the fuck are you even talking about#and let's not act like Jason is the ONLY one at fault and Bruce is just a poor loving father#is Bruce spreading that utter bullshit about Jason's death and who he was not an act of violence?#was he not the one to cast the first stone by disgracing Jason's legacy and using a version of him that never existed as a cautionary tale#and I know some of you are going to argue that with most of the kids there's nothing Bruce could have done to stop them#and this is the one time in which I will ignore all the very real ways that he could have#but I still think that in universe the characters have a right to be angry about it#Jason always since his debut as red hood been a vehicle for calling out Bruce#he's so heavily steeped in meta narrative because his run is when they started dealing with the real BAD cases#The Cult Garzonas onscreen murders were getting more common#AND NO ONE CAN CONVINCE ME THAT BEING ROBIN DIDN'T MAKE JASON'S LIFE WORSE#THERE WAS NO REASON TO MAKE HIM ROBIN HE COULD HAVE BEEN VERY HAPPY AS JUST A NORMAL KID#But Bruce made having a place in his home synonymous with being Robin because the narrative dictated it had to be#what was homeless orphan Jason going to do? say no?#it was basically coercion and it doomed him and he has every right to blame the adult that put him in that position#dc#bruce wayne critical#bat family
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I have been thinking on the nature of mdzs as a deliberately vague text that leaves many things up to interpretation, and how i've slowly come to understand "up for interpretation" less as "there is One True version of this story i must find" and not even as " Everyone has a different One True Version of this story inside their head be based on their interpretations and the differences don't make one wrong and the other right" but as "There is no One True Version. Even in my own subjective interpretation of the text multiple things can be true at once" specifically, in regard to Jin Guangyao and the many things which are left up in the air as to whether he did them or not, most notably killing his son.
There's evidence for this, but it's non conclusuve (jgy saying he killed him while also saying he killed Qin Su, who very much killed herself. The speculations on how he'd have killed him being sect leader yao just saying shit. ) it is, esentially, just up in the air enough that if you decisively fall on one side of the debate is probably says more about you and your general opinion of jgy than it does about the "true" events of canon.
I have, as a proud apologist, always fallen on the "he didn't kill him but felt in some way responsible for his death." Side but recently have become more okay with the interpretation that maybe he DID kill him, and that at the very least, that when he tells Qin Su their son "needed to die" he is being genuine. Which, once you look at it beyond. "Is jgy a poor lil meow meow who it is Okay to Like or an irredeemable baby murderer" becomes both INCREDIBLY tragic and deeply interesting. Because here is a man condemned for who his parents were and who wants nothing more than to live, saying that it is possible to be so cursed by your heritage that you need to die. There is no existence for you. The exact same thing that has been said to him.
Of course being born out of wedlock to a sex worker and being a product of incest are different things, but that begs the question: where is the line? What crimes of the father can mean death for the son? How cursed can you be until your existence is so incompatible with society it is you who needs to give? And if there is... where is it? Qin su clearly thought she was past it. Was his son really past it? Is he?
#warning: canon typical incest and suicide#mdzs#mdzs meta#musings on the nature of unreliable narratives or whatever#meng yao#jin guangyao#jin rusong#i know this is a controversial take#i just think! that once you let go of the idea that killing rusong is some load-bearing sin where if jgy has done it you can't like him#that there is interesting stuff to look at here!#obviously. child murder bad. jiggy has done many had things but this one is. particularly bad.#so i get it if you feel uncomfortable with it being done character you view as symapthetic despite other bad things he's done#and again! multiple things are true at once! i STILL operate from 'he did not kill him it was a secret 3rd thing' modus 90% of the time#it's just that in this one instant i find the other option really interesting#i just. non-identity problem my beloved. if rusong's suffering cannot be erased without erasing his existence is he destined to do so?#if he'd been a teen when everything about jgy got uncovered and both his parents died is there... a place left for him to go?#i just. hhhhh this poor child. we know nothing about you beyond your shameful birth and your death. is that really all you were meant to be
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btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)
tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!
but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).
rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.
my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’
it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.
and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!
(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)
again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).
and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!
and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.
so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.
that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.
i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.
#this is the most measured version of this post i was capable of fghjskdjhgfdgjhsfd#the least measured one is just the aromantic flag with the ‘we are going to beat u to death’ meme overlaid#look ik this is hardly impartial wrt very small + insular communities like nuclear families#but its fucking impossible to go into media analysis and not bring Anything from ur real life in there w u#so im trying to forgive myself for being a little hashtag Vulnerable + Opinionated on main#in the spirit of what this show could’ve been lol#if not here then where etc etc#Ted lasso spoilers#Ted lasso meta#Ted lasso critical#also just to be clear here im being dead serious abt that last point#im spiritually doing the jamie run to demonstrate to u all how badly i want gen shit#please. p l e a s e .#okay wait last ramble here but. this is also why the lack of information we got on trent was so crushing to me#like ur telling me this man went through the incredibly painful + harrowing process of breaking out of his (comfortable! safe) shell +#cynical journalist persona. came out to someone VERY important in his life. and has done nothing but face the music wrt acknowleding#his past mistakes + endeavouring to be better and kinder. and we never get to know if he has ANY support through all that? at all?#is he dating? what's his family situation like? does he have full custody? any friends from work? any friends period?????#like i can should must and will die on the beard + roy + higgins + colins are trents best friends hill but#its like the premise of the show stopped mattering just in time for him to be left in a legitimately depressing limbo#like 'yes everyone needs love + support bc life is rlly hard. but we're tired of making a show abt that so This Is All Ur Getting#+ screw anyone's personal life that u didn't already see in s1. You Know Enough.'#anyway i love u all this is a very silly show and im gonna go play t.o.t.k for a few hours o/ <3
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COMPASS
bad boy!Sanemi ��� gang AU • NSFW
A/N: Peach?? Not having any self control when it comes to writing a fic?? It’s more likely than you think.
This was supposed to be a bad boy!Sanemi takes your virginity drabble that spiraled into a meta-analysis of Sanemi’s self hatred that then blew up into a fic with plot. All of those elements are still present but surprise!! Enjoy 24k words of my brain rot.
Inspired by @homo-homini-lupus-est-1701 ‘s wonderful meta analysis of Sanemi’s self hatred and his scars.
CW: 24k • explicit sexual content • MDNI • gang-related violence • mentions of blood and broken bones • mentions of murder/death • loss of virginity • creampie • vaginal fingering • some angst
I have plenty more of this AU written, so if y’all want more, just let me know 🫡
MASTERLIST HERE
There are three rules to surviving life in the Corps.
The first is simple: once you’re in, you’re in.
Never outwardly confirm or deny rumors; let others talk, but don’t even think about opening your fucking mouth about the things you see or the whispers you hear.
And don’t be stupid enough to think you can cling onto any vestiges of your old life. There’s no splicing your life within the Corps with the one you’d had before. No separation. You’ve whored yourself to their cause, and for better or worse, you’re there until either someone important says otherwise or you end up in a morgue.
This is especially true for someone like Sanemi, so hopelessly entrenched within the organization that he’d allowed himself to be branded at the age of seventeen upon his ascension from rank-and-file street member to full-blown Hashira — the elite of the Corps, just short of the higher-ups who ran it.
The hot sear of iron between his shoulder blades had hurt like hell, but it was a welcome pain. A reminder that he’d not only outlived his father, but had actually made an impact, enough to be noticed and entrusted with more strenuous duties.
Each Hashira is assigned to a particular field. Uzui, silver haired, boisterous and extravagant, deals in bodies — mostly women, but men too, and he runs all of the strip clubs and escort services west of center city. Kocho, a child prodigy in chemistry, leads an intricate narcotics network.
And then there’s Sanemi: the debt collector.
Largely monetary debts — collecting on behalf of loan sharks, gambling debts, or that which is owed to his fellow Hashira, when their customers forget that there are no friends in business.
But the brand seared into his flesh has nothing to do with money — it is a reminder that above all, he is to ensure debts of another kind are paid.
Life debts.
In the three years since his initiation, Sanemi has only had to carry out this oath twice. Both had been scum, responsible for the deaths of innocents.
Their executions had been quick and without fuss — or much mess. A quick trip to an overpass abridging the Wisteria River. A march to the barrier in the dead of night, when no other cars were out and about to see or hear pleading sobs and bargains for their pathetic lives. A bullet to the head would quiet them, and Sanemi would let the rapids below take care of the clean up for him. Job done.
But even though the spray of their brains hadn’t touched him, their blood still stains Sanemi’s hands.
He will never be able to wash them clean.
But this is the life he chose, so Sanemi will endure the consequences — for the sake of his brother, the only living person on earth he gives a damn about. For whom he’ll do anything — be anyone — if it means Genya does not have to pick up a gun and sell himself to the very gang that owns his elder brother.
The second rule is simpler: no patterns. Patterns signal comfort and comfort may as well be a target on your back, begging for someone to come and take their shot (or several).
And finally, the third and arguably the most important rule, is don’t get attached. Keep your circle small so there’s less collateral to be used against you — against the organization that owns you.
This rule applies to both Corps members and civilians alike.
For the longest time, Sanemi Shinazugawa found Rule Three to be the easiest one to follow. He has his brother and no one else. His parents are dead; he has no friends beyond those in the Corps with him, and he knows better than to get overly invested in any of them. His inner circle is as tight as it can get.
But then he’d chosen your bookstore to hide in and that’s when everything falls apart.
“Fuckin’ Christ,” Sanemi mutters, anxious eyes tracking the large hand on his watch as it ticks the seconds by.
They were late.
The job was simple, and well within Sanemi’s capabilities. Maeda, a local dealer in stolen goods, had run up a sizeable bill at one of Uzui’s joints that he’d yet to pay. And while the slippery lech was quick to come sniffing whenever news spread that Iguro, a fellow Hashira, had managed to hijack a semi-truck full of luxury items, he was surprisingly difficult to connect with when it came time for him to pay for company he couldn’t get elsewhere.
He glanced down at his bruised, swollen knuckles and smirked. Sanemi couldn’t say he loved that his worth was measured in the number of bones he could break, or the amount of teeth he could punch out, but he’d be lying if he said he didn’t relish the chance to smash the pervert’s face in whenever the opportunity arose. Nor could he deny the rush of satisfaction he’d felt when he’d thrown open the steel door of the Maeda’s small office, crowbar in hand, and watched the snot-nosed pervert piss himself, stumbling over his words as he’d begged for mercy Sanemi hadn’t been hired to give.
The stupid, greasy fuck.
By the time he’d finished, Maeda had been little more than a quivering, helpless lump curled in on himself on the sticky, slate floor. His office had been left in shambles, drawers yanked out and emptied, only to be thrown aside (or cracked over the vermin’s back as he sobbed). But he’d had found the money, right down to the last dollar, just as he knew he would.
And that’s how Sanemi finds himself standing in the alley tucked behind Maeda’s small warehouse, Uzui’s payment split into two rolls that he’d shoved down into boots. All that was left was for the two junior Corps members he’d brought along for watch to bring the car around, and then they’d return to the abandoned factory that served as their headquarters.
Normally, this would have been a solo job, and Sanemi would already be on his bike, speeding off to safety. But he’d received an order to take along two, new Hinoe so they could get experience with higher level jobs.
Conveniently, his instructions had omitted the part the fact that the two lugs were utterly useless, bumbling idiots, contrary to what their recent promotions otherwise suggested.
Because neither of the two juniors are anywhere to be found. Nor is there any sound signaling that his getaway ride is approaching.
Sharp, lavender eyes scan the alley before him, but to his dismay, it remains empty — disquietingly so.
Leave it to a couple of rookies to set his teeth on edge.
Sanemi’s eyes drop down to follow the large hand of his watch as yet another minute ticks by. It’s been six minutes and their window had only allowed for four.
He knows how to be patient when the circumstances call for it, but now is not one of those times.
One minute, he decides, shifting his weight between his feet. They get one more fucking minute and then he splits —
A sudden screech of tires at the opposite end of the alley makes his stomach flip. Sanemi looks up just in time to see his escape car grind to a sharp halt, its rear jolting up as the driver slams on the brakes.
The passenger door flings open, and one of the Hinoe stumbles out, his feet barely connecting with the pavement before the car guns away, the side door flapping open.
The familiar howl of police sirens accompanied by distant shouts is enough for Sanemi to know this simple little debt collection has now gone tits-up.
“Pigs!” The Hinoe who stumbled out of the getaway car calls to him. “Pigs!”
“Shit,” Sanemi growls. No doubt Maeda’s bruised ego sold them out. He should’ve taken the time to smash the asshole’s phone.
He’ll be dealt with later — and with relish. But right now, Sanemi needs to get the fuck away.
Part of following Rule Three means not worrying about your fellow comrades when the cops come. None of them are stupid enough to actually risk talking to law enforcement about the Corps’ operations, but the fewer of them who get caught, the better.
So Sanemi takes off, adrenaline pumping fast and jot in his veins as he hears the swine behind him split off. He can’t be sure, but he can make out two, maybe three pairs of footsteps trailing behind him.
He scowls; shaking one cop is a breeze; having to shake off three is a bitch.
He hurtles over a pile of wooden crates and shoves a stack of delivery pallets over behind him as he runs, darting down random alleys and side streets that he knows will eventually lead him to a safe house.
The backstreet he shoots down is a fork, but only the path straight through will lead him to a rust yard of abandoned warehouses and shipping containers that Sanemi knows like the back of his hand. He could lose them there, could vanish between freights and wait the bastards out, and once clear, he could slip back into the district marking the outer territory of the Silo and get back home.
Iron pumps hotly in his veins. Almost there, almost there —
A car skids to a stop at the end of the middle ting of the alley, police lights flashing and alarms blaring.
No good.
“Fuck.” It isn’t the end of the world, but the blocking of the alley meant he had to reevaluate his escape. While he’s familiar with the path now obstructed by the police cruiser ahead, he hadn’t the chance to fully scope out his only other two options — the side streets to the left and right.
Without much thought, Sanemi darts sharply left and prays to whatever deity is listening that he hasn’t fully fucked himself.
Only one shop remains open; a tiny hole in the wall, tucked in between two old apartment buildings at the end of the street — one that borders the city’s western wing.
It’ll have to do, he decides, especially as the police sirens grow louder with each passing second.
He explodes through the front door, wide eyed and panting. Vaguely, it registers to him that this is a bookshop — a thankfully empty, cluttered bookshop.
But his abrupt arrival does reveal that the shop is not totally empty. There is one other — the store’s lone employee, who startles out of her seat behind the clerk’s counter, nearly knocking over a small cup of coffee.
He regards her for a moment, and she him, with matching expressions of wariness and shock at the presence of the other.
Behind him, the police sirens grow louder; more urgent.
It’s now or never. And, because he’s desperate enough to try, he risks a move he knows better than to take.
“You got someplace I can hide?”
——-
You blink, stunned as you stare at the frantic, pleading man anxiously looking between you and the door behind him.
His name registers dimly in the back of your mind. Here. In your store. And, evidently, on the run, if the distant echoes of police sirens growing steadily closer to your store is any indication.
Sanemi Shinazugawa.
You know him; you’d known him most of your life, even if you’d never spoken to him. You’d gone to the same school in your youth — all thirteen years of it, in fact. He’d been an abrasive loudmouth in the hallways, but a quiet, even polite boy in the classroom.
You know he’s from the Silo — a worn down, derelict part of the City that housed only the poorest residents. A cruel nickname meant to mock the poverty of its population.
But the Silo was also well known for being the epicenter of operations for the notorious group known only as the Corps.
It was the Corps who owned a majority of the City, its reach extending from the Silo, through the West and East wings, and all the way into Midtown. And, as was the case with most leeches, the Corps relied on the most desperate and hungry to carry out its biddings, offering some level of protection and security for the poor souls who needed it most.
Hence, its presence in the Silo.
So you hadn’t been surprised when you’d heard Sanemi had joined the Corps. Most kids from the Silo did; what had surprised you were the rumors that he became a high-rank member by the ripe age of seventeen, before he’d even graduated high school.
You shudder to think what he had to have done — what he’d become — in order to achieve such status and notoriety.
If he’d been anyone else, you wouldn’t have helped; you would’ve screamed, alerted the police to his presence, maybe even outed him as a suspected Hashira.
But you owed him.
Years ago, before either you or your siblings could drive, you all relied on the city bus to get to and from school.
But one afternoon, when you’d had to stay late for a club meeting, your little sister accidentally got on the wrong bus. Rather than being dropped safe and sound a block away from home, she’d ended up in a bad part of town that just so happened to have been the stomping grounds of the scowling delinquent now shoved under your cabinet, contorted between boxes of blank receipt rolls and stacks of returns.
Had anyone else found your sister, there would be no telling what would have happened to her. The Silo was not a place known to be kind to lost little girls.
But it was Sanemi who discovered her, sniffling and red-faced at the dilapidated bus stop. And though he’d been nothing more than a scrawny ten year old, he’d put your sister on his back and carried her not just the six miles back to safe part of town, but the additional two that led right to the front doorstep of your parents’ home.
You’d watched him curiously from the stairs as your parents profusely thanked your sister’s white-haired savior. They’d offered Sanemi dinner, or at least some sort of reward for his efforts, but he’d only waved them off, briskly telling them it was “no big deal.” As though carrying a six-year-old nearly eight miles was par for the course, as far as he was concerned.
His eyes had flitted over to you once during the exchange, briefly lingering before he turned and left, a single hand held up in casual farewell.
You’d been ten at the time. And now, here you are, twenty years old, running a shabby bookstore, and the opportunity to pay him back has finally arrived. The chance to show your gratitude for sparing your sister of a fate he himself, had not been able to escape.
Quickly, you motion him to you and without explanation, you cram him under the clerk’s counter, holding the cabinet door shut with your knee just as the police burst through the store entrance.
There are three of them, and they do not bother announcing themselves to you. Instead, they begin to prowl through your aisles, flashlights out and guns drawn while they comb the quiet corners of the store, searching for signs of anything that did not belong; anything misplaced.
A bead of sweat slides down the back of your neck, but you keep your face and your stance casual. Below the counter you cross your fingers, hoping and praying that the criminal stuffed inside your cabinet isn’t stupid enough to try and shift.
One officer rounds back into the main part of the store and locks in on you, stiff and anxious behind the counter.“You haven’t seen anything suspicious?”
“I’m sorry, sir. I don’t know what you mean.”
The cop grimaces. “You haven’t seen anyone who looks out of place? Maybe seems like they’re running?”
You feign an easy, sweet smile, even as the leg holding the cabinet door shut begins to tremble. “I’m afraid you’re my first customer of the day, sir.”
The officer grumbles under his breath something along the lines of not your customer, but he questions you no further. He only waves to his comrades and the three of them shuffle out through the door, one muttering into the walkie strapped to his shoulder.
Several moments pass, tense and thick. The silence is broken only by the sound of your heart hammering against your sternum. You remain still, fingers curled tight against the counter’s edge listening for any sound signaling the cops have returned, that their stiff departure had been a ruse to lull you into a false sense of security, as they waited for you to reveal your deception.
But all remains quiet. And you cannot stomach the silence any longer.
“They’re gone,” you mutter, finally moving aside to let the cabinet door below you swing open.
There’s a faint thumping and a few, muffled curses as the scar-speckled fugitive unfolds himself and spills free from the under-cabinet.
In a way, Sanemi still resembles the boy of your memories. His eyes and hair have always been distinctive: a shocking contrast of violet framed by thick, dark lashes that do not match the mop of silvery-white atop his head. But it’s the faint scowl he wears as he stands, the tinge of annoyance that tugs at the corners of his mouth, that scrunches his pale eyebrows, that feels familiar.
That expression, a portrait of vague irritation with the world around him, was one you came to know well — at least, at a distance. One that remained constant even as you grew; his default.
However, it is still not nearly as memorable as the shy embarrassment that had turned his cheeks slightly pink, had made him cast his eyes down as your parents showered him with gratitude.
But that earnest bashfulness is nowhere to be found now.
He wears a patterned, short-sleeved button down. Though rumpled and a tad dirty, you suspect the top three buttons were left open intentionally, rather than being the product of whatever scuffle he’d found himself in before he decided to make it your problem.
You try not to linger on the very obvious hint of the well-defined muscles revealed by his open collar. Nor do you let yourself consider the bulging mass of his biceps as he runs a hand through his cornsilk hair.
He has scars he’d not had in your youth — jagged, silvery lines that cut halfway across his cheek and forehead. Yet their presence does not dull his good looks.
A scrawny ten year old no longer; Sanemi Shinazugawa is now tall and roguishly handsome. But his infuriating good looks aside, your debt to him has been repaid; now, he needs to get the fuck away.
“Can’t thank ya enough,” he shoots you a devilish smile as he straightens his shirt. “You really saved my ass —“
“Get out of my store.” You order, your voice hard. “Take your trouble somewhere else and leave me out of it.”
Sanemi’s eyes narrow at your use of the word trouble, but he says nothing. Instead, he only rounds the counter with a loping, infuriating swagger, his hands shoved in his pockets.
“As you wish, Princess,” and you bristle at the sarcasm dropping from the word. He pauses to scan the shelf marked New Releases. “Just need somethin’ for the road.”
He snags a small novel — a fantasy story, judging by the cover - and he tucks it under his arm.
“Later,” he calls, waving a lazy hand over his shoulder.
You stare after him, slack-jawed and incensed. “You have to pay for —“
But the door bangs shut behind him, and Sanemi Shinazugawa disappears into the night.
—-
By the time Sanemi returns to his shabby apartment, it is well after midnight. He’d met up with Uzui and forked over Maeda’s payment. Though, the Corp’s head pimp hadn’t been particularly pleased that his money rolls had been shoved deep down in his boots, his nose wrinkling as Sanemi dropped the crumpled, slightly damp wads of cash into his waiting, magenta-nailed hands.
As it turned out, Maeda hadn’t sold them out. Rather, one of the Hinoe had stupidly gotten into a scuffle with some brash, young teenager and in his anger, pulled his gun on the kid.
Right in front of two, marked cop cars.
One of the idiots had been caught and cuffed, and was now spending his evening locked in the damp, cold jailhouse pending bond. The other — the driver — had managed to escape, though he’d been carted off to Iguro for punishment.
There’s a reason he prefers working alone, he thinks bitterly as he kicks his boots off. He fucking loathes incompetence.
He pulls his gun free from its place in his waistband and sets it gently atop his ratty kitchen table. Sanemi then trudges over to his futon, collapsing heavily on it with a groan. A shit day, he decides, pulling the stack of cash he’d received as his cut for the job free from his pocket, thumbing through it. A shit day with shit juniors.
He shifts against a lump that sits under his ass. Frowning, he reaches into his back pocket and pulls out the book he’d swiped from your store and turns it over in his hands. Surprisingly, it has managed to remain in pristine condition despite its rather unceremonious storage in his pocket.
Your face flashes in his mind, but before he can fully appreciate it, your words echo in his ears.
Take your trouble somewhere else.
Sanemi scowls, tossing the book onto his coffee table, annoyed. The implication underlying your use of trouble and the venom with which you’d spoken it is a thorn in his side he cannot ignore.
You know what — who — he is. In Sanemi’s world, that’s a liability.
Though, in fairness, he can’t really be surprised that you do. Gossip is a free commodity in this town, and it’s a coveted one. It wouldn’t be a stretch to conclude that you’d overheard one of the rumors about him and his ties to the Corps.
What concerns him is he doesn’t know what your connection is, if any, to his world. Maybe you’re really just a girl in a bookshop who paid back a decade-old favor.
Or maybe you’ve got an in with them.
The Corps isn’t the only gang operating within the city; there is another, crueler and far more violent that had arisen west of the Silo.
The Kizuki.
In the last six months, the Kizuki have managed to overtake the Western Wing, nearly expanding their reach into center city.
Their takeover had been swift; practically achieved overnight, following the systematic execution of every known Corps members in the area. And their violence hadn’t been limited to active members; the Kizuki had brutally maimed and murdered anyone tangentially connected to those Corps members.
Neither women nor their children were spared. And now, it seemed the Kizuki had set their sights on the Silo.
There are whispers that they’ve expanded into their operations into the neighborhood adjacent to the one in which the bookstore sits. That alone is enough to make Sanemi suspicious — perhaps you’re in league with them, and you’ll hand him over the moment it’s most convenient for you to do so.
Admittedly, that theory seems doubtful. You’re a bookseller. Not the kind of girl he knows is prone to becoming involved with the seedy underground world of organized crime. And your apparent disdain for him and his trouble only supports that theory.
But that’s an assumption, and in his line of work, assumptions are precarious; risky. Too much so for comfort.
Either way, he doesn’t know, and that uncertainty is a breeding ground for the parasite that is doubt. Toxic enough that were it to take root in his brain, his judgment could be compromised, leading him to mistakes he can’t afford to make.
Sanemi doesn’t tolerate blind spots. He will keep you on his radar until he determines the threat you pose and once he knows its severity, he’ll decide how to proceed.
He eyes the book he’d swiped from your store. He likes reading, though he hasn’t had much time for it lately (or, ever). But, if he’s going to hang around you while trying to identify the threat you pose, he might as well have a strategy for getting you to talk.
Sighing, he grabs the novel from his table and thumbs to the first page as he pads into his kitchen, in search of something to quell the grumble in his stomach.
—
His inquiries into you and your life reveal shockingly little.
You work at a bookstore. Your parents sold off your childhood home and retired to some beach down south. Your siblings are spread out across other cities and don’t visit home often, if ever.
Only you remain, abandoned by your family to fend for yourself in a crumbling city with only a shabby bookshop that sits on the furthest end of an otherwise safe street to keep you busy.
Truthfully, the bookstore probably is more interesting than you, at least on paper. But it’s that dirge of information that piques his interest; makes him look at you more as a mystery worth unraveling.
Besides, the smart thing for him would be to keep a tab on you until he can confirm you are in fact, as boring as you appear.
Or so he tells himself.
The image of a ten-year-old you peering at him from your parents’ stairwell flashes through his mind once more.
He’d felt your gaze burning a hole into his head, and shyly, he’d looked back at you, only to find himself unable to look away. Only your mother’s prodding about him joining your family for dinner had broken your temporary enchantment over him.
The memory of how you’d looked at him — a mixture of curiosity and awe highlighted by a faint blush in your cheeks when he’d met your stare head on — remained fixed in his brain for years after.
And though the two of you never spoke, you always smiled at him whenever you locked eyes in the school hallway or cafeteria. A real, genuine smile.
He wonders if he ever smiled back and finds himself irritated that he can’t remember if he had. He should’ve; especially now when it seems as though he’s unlikely to ever see that gentle, radiant smile again.
Sanemi’s phone pings and all thoughts of you come to a screeching halt. The message that flashes on his screen — instructions, only by way of an address and an amount — chase away the images of you and your sweet smile, like a hand scattering smoke.
With a sigh, Sanemi dials the number for two, lower-ranked Corps members to serve as scouts. With watch secured, he shoves his phone into his pocket and runs a tired hand over his face.
He wonders what will kill him first — whether it will be a bullet or whether it will be because there’s nothing left of him to whore out on the Corp’s behalf.
Ultimately, he knows it doesn’t really matter. He won’t die as himself; as Sanemi, the boy from the Silo who wants a life that’s anything but this. He’ll die only as Shinazugawa the Hashira. He’ll die under the mask he’s forced to wear so often, he wonders if it hasn’t yet bonded with his skin.
But as long as he remains in one piece, he must continue on as a puppet in this this tedious show. So, Sanemi grabs his gun from where he’d placed it on atop the cheap plastic of his kitchen table and he tucks it into his waistband.
And by the time his apartment door slams shut behind him, Sanemi has slipped the mask down over his face, and he is Shinazugawa once more.
—
Two weeks pass before he ends up back in front of your bookstore.
Sanemi doesn’t really remember how he got here. He awoke well before sunrise to his phone chiming with orders that he go collect on a sizeable gambling debt owed by one of Iguro’s regulars, an owner of some pawn shop.
The sun was already high overhead when he finally left the pawn shop, knuckles bruised and arm aching. He’d kicked his bike into gear in a familiar daze, one that always slipped over him after he completed a job. A kind of numb quiet that settled into his bones, a dull static in his brain that did not fade until the tremor in his hands subsided.
That paralysis needs to be broken. Contrary to popular belief, desensitization was not an ideal state of being for someone like him. It made him apathetic and careless to the world around him, and that was little better than painting a giant target on his back, begging his enemies to come and do their worst.
So, when the numbness still lingered by the time his bike roars past a rusted water tower that marks the outer limit of the Silo, Sanemi knows of only one cure. His go-to.
His bike is still hot by the time he lifts his phone to his ear, just outside his shithole of an apartment.
He doesn’t know her by name — only by description, as told by the series of emojis that accompany her number on his phone. But it’s surprisingly easy to charm her, though perhaps that’s because she’s looking for an escape just as much as he is.
Less than ten minutes later, the girl pulls up beside him in the parking lot.
Her hands are already roaming down his chest and playing with the buckle on his belt as Sanemi unlocks his door and pushes her inside.
At some point between the front door and his bedroom, the girl has stripped herself of her outer clothing, leaving her only in her undergarments as she tugs Sanemi down by his neck and into her kiss. She’s licking and nipping at his lips in a way he’s not sure he likes, but he allows it because his cock is painfully hard and throbbing where it strains against his pants.
And, after all, he’s the one desperate for relief.
“I’ve only got ten minutes,” she warns, kicking off her underwear as she falls back onto his bed. Sanemi only smirks as he slides his hand down the length of her leg, gripping her by the ankle and flipping her to her stomach.
He shifts away long enough to quickly wiggle free of his pants. He grabs a condom from his nightstand and rips the foil with his teeth. Fingers toying with the girl’s clit as she moans into his mattress, Sanemi rolls the latex down his cock. Protection secured, he reaches for her again, yanking her by her hips until her backside is flush against him. One hand pushes down between her shoulder blades while the other snakes up her neck, and Sanemi nudges the tip of his cock up against her entrance.
“Don’t worry, darlin’,” he winds the long tresses of her hair around his fist and gives her a sharp tug. “We’ll be done in five.”
—-
Even an hour after he tossed the girl her clothing and not so casually suggested she leave his apartment, Sanemi still feels restless.
He cannot shake the images of the afternoon from his mind, and so, Sanemi resorts to walking.
He does so without thought as to destination or the rapidly setting sun. Sanemi only focuses on the activity itself. One foot in front of the other; pace even and quick, each step accompanied by a flash of that day’s sins.
The crash of a garage door as it slammed back against the wall. Wide eyes that quickly filled with panic at the sight of him and the flash of metal tucked against his hip.
Step.
A plea; a desperate promise to pay, one that he’d heard a thousand times from a thousand different mouths. None of them ever seemed to understand their word wasn’t worth shit when they’d already defaulted on their obligations. Yet still, they begged.
Step.
The breaking of teeth beneath his fists.
Step.
The crush of bone under the iron pipe he’d found discarded on the garage floor. The agonized futility of trying to scoot back and away from him, despite a shattered leg.
Green; the color of the money he’d found stashed in a duffel, the debtor’s desperate attempt to hoard the wealth owed to the Corps.
Step. Step. Step. All the way down the street leading until he finds himself on a distantly familiar stretch of pavement that ends at the bookstore’s front steps.
For a moment, he lingers outside the shop, hesitant. He should turn around; there is no reason for him to be here. His investigation into you is not a priority by any means, especially where whatever poking he has done has revealed so little.
The book he lifted from the New Releases shelf is tucked carefully in his jacket pocket. He doesn’t know why he’s carried it around with him, all this time. Sanemi finished the novel the very night you’d helped hide him from the cops.
He should leave; but then his feet carry him up the walk leading to the store, and he’s pushing the door open.
His arrival is punctuated by a cheerful ring of the old bell nailed above the door. At first, the store appears deserted; but then you pop up from under the counter, surprise coloring your features.
That surprise melts quickly into cold disdain that makes something in his chest flutter as he strolls toward you. With every step, that numb haze of his disperses and instead, Sanemi feels himself returning to normal the closer he brings himself to you.
“This isn’t a library,” you chide when he plops his borrowed novel back down on your counter. “You have to pay for the books here.”
It’s incredible how easily he is able to slip back into the skin of the suave, smug playboy, and your adorable glare only makes him smirk. “I brought it back, didn’t I? Look — didn’t even crack the spine.”
“It doesn’t matter,” you reply coolly, snatching the book up and tossing it on a small cart marked Restock. “That loss came out of my paycheck — which is scant enough.”
That piques his attention. “Didn’t you say this was your store?”
His question makes you turn pink, and you’re quick to put your back to him, pretending to shuffle through new releases waiting to be shelved. “I work here,” you mutter quietly, but when you turn back around, you stick your chin out, defiant. “But I am the only employee, so it is my store, in a sense. The owner doesn’t ever come by.”
You wrinkle your nose. “So yes, lost profits affect me, and me alone, you thief.”
Sanemi cocks his head, his eyes running over you in consideration.
You’re beautiful; he’s always found you cute, even as a kid, but the transition between your teen years and adulthood have been kind. Even if you’re glaring at him like you would a crushed bug stuck to the bottom of your shoe.
But your words strike a chord in him. His job is to collect money from those greedy lowlifes who waste it; who use money to carry out their bad deeds, who use it to fuck over others.
He doesn’t take it from those who need it; from those who are barely scraping. by. Sanemi knows the agony of having to choose between keeping the lights on or feeding a hungry stomach far, far too well.
“Fine, here,” he tosses a random novel on your counter and a crumpled twenty dollar note. You ring him up, eyes flicking up to glare at him every so often as you count out his change.
He only continues to watch you, the heat of his stare ignites an itch under your skin that makes you squirm.
Your restlessness boils over. “What?”
“Nothin,” he shrugs. “Just think it’s interesting that you of all people are still lingering in this shit hole.”
Your head snaps up, your task of totaling out his change forgotten. “I live here, idiot.”
He snorts. “Didn’t you want outta here? Do somethin’ different?” He leans forward, elbows propped on your counter as he rests his chin on his fist.
“I don’t see how that’s any of your business.” He’s dancing dangerously close to a sore spot of yours — that you are alone in your hometown, working at a failing bookshop, with no one and nothing to justify your stagnancy.
“This can’t be your dream life.”
You don’t have to answer; you know that. But his line of questioning is puzzling. Because, no matter how casual he manages to keep his tone, his nonchalance is betrayed by his eyes, sharp and inquisitive.
Like he’s waiting to dissect whatever answer you give him.
Sanemi continues. “It’s strange for people not to want for more — to not dream about somethin’ different.”
“And who are you to say I don’t?” You bristle, slamming your cash drawer shut with more force than necessary. “I have a dream of my own. Just because it’s not one you would pick for yourself doesn’t mean it’s wrong.”
He blinks, taken aback. “Woah, woah, I never meant any offense.” He pushes back from the counter. “My bad.”
His response feels genuine but your ego is already bruised. Stiffly, you finish counting out his change and drop it into his waiting palm.
You slide his book across the counter. “Have the day you deserve.”
His surprise morphs into amusement at your iciness. So haughty, he winks. “You too, Princess.”
You turn aside in clear dismissal. He makes a show of taking out his wallet and stuffing his change inside, but your pointed ignorance of him means you don’t see him toss another note on the counter.
He’s already halfway out the door when you call after him, urgent. “Sir, you dropped your —“
“Nah, I didn’t,” he raises his hand in farewell as the bookstore door bangs shut behind him, leaving you to stare open-mouthed after him.
Clutched tightly in your hand is his crisp, one hundred dollar note.
—
His next visit is unplanned, but not in the way that Sanemi avoids routine. It’s unplanned in that he’s annoyed and it’s partially your fault, so that means the onus is on you to fix it.
You’re in the process of double checking delivery logs to ensure all your new inventory has arrived when a large thud against the clerk’s counter startles you.
You frown. It’s him again — all ivory hair and silvery facial scars that somehow are less imposing than the irritated scowl he wears.
“This book was shit,” he scoots the novel across the counter to you with distaste. “I want a refund.”
You level his pout with a frosty glare of your own. Wordlessly, you lean over the counter and tap a single finger against a laminated sign duck-taped to its edge.
Return-exchange only. No refunds.
“But it was shit,” he repeats, as though that will somehow spur you to change a policy you didn’t create. “You let me waste twenty bucks.”
“I did nothing,” you rustle the pages of your delivery log in pointed dismissal. “You’re the one who decided to buy a book before checking it out.”
You glance down at the discarded novel. “Figures,” you scoff. “He’s not even an author. He uses ghost writers and takes all the credit.”
“Woulda been nice if you’d told me that before you let me give him my money.”
You hum idly as you cross off the log’s boxes for new releases. “I suppose I was too stunned that you even knew how to read. Guess I wasn’t really paying attention to your shit choices.”
“Oh?” And you glance up to see Sanemi smirking at you. “The Princess has claws, does she?” He leans against the counter, propping his cheek under a loose fist. “So, what are your recommendations, gorgeous?”
“I’m not your Princess,” you snap imbuing the nickname with as much venom as you can muster. “Call me by my name or call me nothing at all.”
His eyes drop to your name-tag, pinned neatly on the front of your sweater. That insufferable smirk of his only widens. “Alright, alright. What are your recommendations, Y/N?”
The syllables sound rich and honeyed and suddenly, you wish you’d let him stick with Princess, as grating as it was.
Because your name should not sound so sweet, should not roll off his tongue so seamlessly, as it just did.
You’ve never been one to indulge in rumors. But in this city, as economically fractured as it is, gossip is a currency everyone keeps in their back pocket. And though you keep your head down and mind your own business, even you have heard the rumors swirling around town about the eldest Shinazugawa child.
Rumors that he has ascended the ranks of the same Mob that claimed the life of his deadbeat father long before the bastard was shived in the back for a debt he’d owed (their words, never yours).
Rumors that he holds a unique position within the gang, known clandestinely only as the Corps, and that position requires him to do things most won’t speak about.
But the rumor that screeches to the forefront of your mind has nothing to do with his alleged status with the Corps. It’s his reputation as a flirt; a rumored womanizer, through and through, that is a splinter under your skin.
Determined to pick him out, a wicked idea blossoms. “Fine, here.” You stalk purposefully to the section marked Literature. Your finger drags down a line of titles before finally settling on one. You pull it free with a soft grunt, the book sitting thick and heavy in your hand as you dump it into Sanemi’s.
“Read that.”
His eyes flick between its cover and you, incredulous. “This ain’t a book; it’s a brick.”
“It’s a classic,” you counter. “One that examines age-old question of destiny versus free will, generational curses.” Your head cocks to the side, a challenging smirk tugging at the corner of your mouth. “Love and lust.”
His eyebrow raises and you cross your fingers. If he falls for it and ultimately ends up hating the book, then perhaps he’ll decide your taste in reading material is indeed shit, and maybe then he’ll leave you alone.
Sanemi considers you for a moment but then he takes the bait. “If you say so,” he sighs. “But if it’s shit, I’m taking my refund.” And then he leans in close, so close that you can feel the warmth radiating off his body.
His breath is hot against your ear. “Regardless of your shitty little policy.”
You refuse to let him see how much he’s knocked you off-kilter. “So I can expect to be robbed? Will it be at gun or knifepoint? Just so I’m prepared.”
His chuckle, low and dark sends goosebumps skittering down your arms. “Worse,” he promises before he draws back. His grin is wolfish, all teeth and feral hunger. “You’ll owe me a date.”
He looses a low, appreciate whistle as he steps back and takes his eyes over your rigid form. “Though, I might just take you out anyway.”
“You assume I’ll say yes — or are you planning on kidnapping me? I’m sure you’re rather proficient at it, given your occupation.”
Something dark flashes across his face, and it’s enough to make you step back, a sudden fear creeping up the back of your spine.
Stupid, you chastise yourself. You never know when to keep your mouth shut.
But the shadows in his features recede as quickly as they appeared, and Sanemi’s mouth eases back into that same, cocky smile.
“You’ll say yes, Princess. You won’t be able to resist the temptation.”
“Temptation?” You force out a laugh. “And what makes you think I can’t?”
Sanemi’s eyes find your current read, open flipped over on the counter, marking your current page.
It’s a mystery novel. Your third of the month, born of a new hyperfixation on the genre.
You want nothing more than to wipe that smug grin of his clean from his face. He gives an affectionate snake of his head as he turns and makes his way toward the door. “Habits, Y/N. It all comes down to habits.”
You should throw it at his head, but Sanemi exits the store before your hand can find its spine.
——-
Over two weeks pass without so much as a whisper from the enigma that is Sanemi Shinazugawa.
Loath though you are to give him that sort of credit, you cannot deny that he utterly confounds you. He is everything you expected while simultaneously nothing at all what you’d imagined. He is brash and cocky, and he struts around with an insufferable self-importance that can only come from years of being at the top of his game (no matter how he got there).
Yet, he also reads. Enough to have opinions, even decent ones, about certain authors, and he’s open minded enough to accept your recommendation even if it feels as though he has an ulterior motive for doing so.
And, he’d been bothered by the dock in your pay as a result of his mischief; so much so, that he’d slipped you more than enough to make up the loss. That is the action that puzzles you the most, even weeks later. You’d assumed that someone like him, so used to ensnaring people into various schemes, wouldn’t have given two shits if he’d stolen money from some broke girl at a bookstore. After all, his business was all about money — and the lengths some would go to keep it.
Yet he’d paid you back — paid you more than you needed, if you were honest.
Since that day, you’ve had your ears tuned to any mention of his name, any whispers of the mysterious, scarred gang-member who has occupied nearly all the open space in your head. You’ve managed to glean small things here and there. That he’s a Hashira, and Hashira means he’s only one step below what is known ominously as the Master Family — the heads of the entire organization.
That he’s rather feared, even among seasoned Corps members; that he’s known for his swift brutality.
That he’s more than just a flirt; he’s a virile lover. Not picky in the slightest about who warms his bed, though no one has ever been able to pin him down longer than a handful of one-night stands.
You stop poking around after that particular revelation, embarrassed that you now know exactly what makes him so popular.
Apparently, his flexibility pairs well with his near inhuman stamina. And he’s said to be very well-endowed.
It’s more information than you care to know, but you can’t deny that your curiosity lingers.
You brush aside your inquisitiveness as nothing more than a natural side effect of your own inexperience. And you’ll be damned before admitting that your interest in Sanemi Shinazugawa isn’t limited to rumors of how good he is in bed. That, perhaps your curiosity stems from something deeper, from a desire to know if that bad boy persona is authentic or a mere facade, and boy on the stoop still lurks somewhere beneath his mask.
—
“You look like shit.”
You startle up from where you’d been resting your head on your arm, wavering between consciousness and sleep.
You know that gravelly voice before you lay your eyes on him, and your irritation is quick to flicker to life.
Nearly a month has passed since your last encounter, and for a moment, you’d thought you’d been freed from his nuisance. But now, Sanemi stands in your store, wearing a half-amused expression on his stupidly handsome face.
“Is that the only descriptor you know?” You ask miserably, hands working quickly to smooth down your mused hair. “Is everything either shit or not-shit to you?”
Sanemi shrugs. “Pretty much,” and he holds something out to you, waiting. “Here.”
It’s a to-go bag from a cafe two blocks away. One known for their almond croissants, for which you have a particular penchant.
Your stomach grumbles fiercely. You’d foregone eating breakfast when you realized you’d overslept your alarm, and had to rush out of your apartment to ensure you’d be here in time for the weekly delivery truck.
The sweet scent of butter and sugar wafting from the bag makes your mouth water.
But this is Sanemi Shinazugawa, and you should think to know better. “Is it poisoned?”
He rolls his eyes. “If I wanted to drug you, sweetheart, I’d pick a far more convenient way to do it — and one that didn’t involve me getting up at the ass crack of dawn for some overpriced pastries.”
Warily, you accept the paper bag, and Sanemi surprises you again by handing you a to-go cup of coffee. He watches as you, ever the dramatic, sniff tentatively at the lid and frown, apparently dissatisfied that you can discern nothing but the rich, aromatic scent of espresso.
Sanemi takes a deep drink from his own cup. “It’s a thank you. For that book you recommended,” He smirks. “It wasn’t shit. It was good.”
You fish a pastry out of the bag, and nearly drool as you behold its buttery, flaky goodness. “You sound surprised.”
“Maybe I was. Your success rate was only fifty-fifty. I had every right to be skeptical.”
“You’re the one who grabbed that last book,” you take a large bite out of your croissant and you fight to keep yourself from moaning. “That had nothing to do with me.” You swallow thickly before taking a large sip of coffee to wash down the pastry. “So, no date, then?”
The smile he gives you is almost apologetic. “Sorry, beautiful. I don’t actually date.” And you nearly double over at the bewildering taste of disappointment creeping sourly up the back of your throat. “Gotta keep things casual in my world.”
The once-over he gives you is razor-sharp. “And you don’t look like a casual girl.”
You resist the urge to cross your arms. “You seem awfully certain, Shinazugawa.”
“Experience,” he offers easily. “I know casual women.” He turns his head away before quietly adding, “And you ain’t one of ‘em.”
It’s odd; you know of his rather wild reputation among women, and yet he seems almost embarrassed by its acknowledgment. But as you’re slowly learning, Sanemi Shinazugawa is a conundrum you haven’t yet been able to pick apart.
You could throw it in his face; you could spew some barb about his experience, rub your salt right into his obvious wound. You have no reason to spare his feelings, not when he’s been such a consistent pain in your ass.
Your eyes drift to the empty pastry bag and coffee cup before they find him again, and suddenly, you don’t see the swaggering, cocky Corps member with a reputation for being just as dangerous and violent as he is flirtatious.
You see only the boy on your stoop; the one who’d gently removed your sister from her place on his back and handed her back to your tearful, relieved parents.
And it’s because you cannot stop seeing that boy, that you offer before you lose the courage to ask, “So, friends, then?”
Sanemi whips back to you, surprise coloring his features that quickly melts into a smile — a real, genuine smile.
And thus, Sanemi Shinazugawa, ruthless member of the Corps and a ranked Hashira, befriends a girl who runs a bookshop.
—-
In retrospect, Sanemi knows he’s probably fucked himself.
His only intention in visiting your shop after that first day had been to discern what level of threat you posed to him, if any, and to address it accordingly. Befriending you was never his goal. After all, he prided himself on his staunch ability in following the unspoken Rules of the Corps — number Three, in particular.
But he has always interpreted Three has a warning against forming bonds within the Corps. And though he knows it’s good practice to keep his circle outside its operations small as well, he rations he’s entitled to indulge his curiosity in you. He doesn’t have friends, not really. Just Genya, and his little brother lives well over an hour away, enrolled in a school in a far better — far safer — city.
It would be nice to have someone a little closer to home that he could relax around.
Yet, he can’t recall whether Rule Three would bar him from associating you outside work hours. Caution would dictate he shouldn’t, but Sanemi never claimed to be a careful man.
He never visits the same day or at the same time. Rule Two says no patterns, and though he’s steadily blurring the lines of Rule Three with each passing day, he convinces himself that as long as he abides by the first two, he won’t be in as deep shit as he, in theory, could be.
It starts out slow; tentative. Despite what he’d thought otherwise, you’re not nearly as prim and haughty as you’d tried to make him believe.
You’re sweet. Genuine, in a way that’s rare for him to encounter in his world.
Gradually, he begins spending more time with you. At first, your relationship is confined strictly to discussions of books. You swap favorites, debate which author is at the top of their genre, and you occasionally needle each other over your respective guilty pleasure: yours, bodice rippers. His, fairytales.
He spends a great deal of his free time at the bookstore, though he’s never consistent with his visits. You never ask him about it, and for that, he’s grateful. But eventually, your conversation turns to other interests — movies, shows, music — and each new mutual interest only further enamors him with you.
And when you invite him over one day after you close the shop to watch an old movie you’d swiped from the store’s limited collection, he can’t find it in him to tell you no.
The first time he visits your apartment, he is appalled.
For starters, the neighborhood you live in isn’t the safest. It’s not the Silo, by any means, but it’s an area he frequents as part of his job and that fact alone sets him on edge. He knows what kind of people linger here; knows that they tend to borrow cash that ends up in Uzui’s business — another Hashira.
And when he sees the shoebox you live in (a studio, you’d proudly boasted, as though the distraction of exposed brick and industrial piping made up for its shit location and shit security), Sanemi finds himself clutching his proverbial pearls.
He supposes he can see its appeal — you’ve certainly turned it into a home.
You’ve made a small living room out of a single couch, thrifted coffee table, and a faintly stained rug. Your TV is laughably small, but he supposes it gets the job done.
A small kitchen stands to the right of the entryway, and there is a bathroom to the left. You have a wall of closets with folding doors, and the wall directly opposite of him boasts three large, arched windows. Sanemi supposes during the day, they provide enough natural sunlight to negate any need for any overhead lighting, of which you have none. But he can’t tell if they open from the outside, so he resolves to furtively check once you’re distracted.
Your bed stands on the furthest wall, tucked into a corner and laden heavy with colorful pillows and plush throws. Books are stacked everywhere — in shelves, in corners, by plants and furniture. All well-worn and loved, their spines cracked and covers stained.
It’s lively; warm. And it has you written all over it. That alone is enough to slightly endear the place to him.
But it’s still a shit apartment in a shit neighborhood.
Worse, your door is little more than a flimsy piece of wood that latches with a single turn lock — the easiest to break, if someone was determined enough to try. He tells you as much and you roll your eyes, brushing aside his concerns as though he’s not precisely aware of what kind of filth might linger around the corner.
The next day, he brings over a deadbolt, a chain, and a drill. He bats off your indignant protests as he installs it on your door. And, because he’s petty, he forces you to sit through a painfully detailed demonstration of how to properly latch and unlatch the chain once he’s finished.
The weeks blend seamlessly into months, and Sanemi finds himself spending more and more of his free time with you. It doesn’t matter whether you’re working at the bookstore or enjoying a night of brain-rotting entertainment on your shitty little television. He just wants to be near you, and he finds himself unable to stay away.
Four months into your friendship, you start a weekly movie night, though the date is always subject to change. Still, Sanemi finds himself craving more of that precious time with you. The hours spent in your store or at your apartment fill a void in his chest he hadn’t realized he’d been harboring, and it’s a fullness he quickly becomes addicted to.
It is an odd thing, this new ritual (never routine) of his. The alternation between visiting the scum indebted to the Corps, to feel bones crush and snap beneath his hands or the iron of a spare crowbar, or blood griming to his knuckles, only to return to your bookshop or apartment, cheap beer and greasy takeout in hand, isn’t the kind of switch he imagined he’d ever make. But you make taking off his Hashira mask so damn easy, and every time he leaves he finds it more difficult to slip back on.
With each passing day, he learns you more and more. He gathers information like a dragon hoards its jewels, each new tidbit a precious gem that he tucks safely away in a mental box labeled with your name.
He learns that, while he prefers tea, you prefer coffee, but you’re picky about your order. If it’s hot, you want it black or with only the faintest splash of cream. If it’s cold, however, you want every sweet syrup and topping known to man, even though it only makes you crash like a freight train once the sugar high wears off.
He learns you think cooking means pouring yourself a bowl of cereal and calling it a day, and it’s a revelation that makes him have to walk away and collect himself, lest he start lecturing you on the importance of proper nutrition, just as he does with his brother.
In exchange, he opens up about the more sacred aspects of his life — namely, Genya. He confides in you the great pride and adoration he has for his little brother, and admits his deep-seated fear that Genya will somehow be pulled into his violent, hostile world of his. And each time Sanemi begins to feel that anxiety rear its ugly head, threaten to settle into the marrow of his bones and send him into a spiral, you’re always there to pull him back.
Sometimes you ask questions, and Sanemi tries to answer them as best he can. But there are some subjects he can never touch. Never wants to.
He can’t tell you whose blood stains his knuckles or is splattered across his shoes. He can’t tell you where he goes when his phone vibrates late at night or at random during the day. He can’t tell you what his fellow Hashira do; the specialties they oversee.
Sanemi does make a point to assure you there is one sacred creed by which they all abide: no kids. This seems to put you at ease, as though this tepid moral line somehow absolves him of the other shit he’s guilty for.
It’s selfish, this thing he has created with you. He knows that. And his blossoming friendship with you likely breaks more than one of the sacred precepts of the Corps. But you’re the first person he’s met since his initiation who knows what he is and doesn’t cower in fear, and that makes him desperate to cling onto you. You know what an ugly, beastly creature he is, and yet you do not run away from him. Even when you probably should.
So, he makes a promise. He won’t show you the Shinazugawa who belongs to the Corps; a formidable member of the Hashira, known because of the things he can do to others to make sure they pay their debts. What he does to them when they don’t.
With you, he wants to be Sanemi; only Sanemi.
And so it goes, for the better part of a year, the two of you learning one another, pretending the ease you feel in the company of the other is merely the product of two people relieved to find a friend in a city that cautions against such ties, and not something in danger of becoming more.
As though the metamorphosis hasn’t already set in.
—
“You never told me what your dream was, y’know.” Sanemi says one night while you finish up inventory at the store.
“What dream?” You hum as you scan the shelves reserved for non-fiction releases, your lips pressed into a firm line as you run your pen down the entries of your log.
He leans against the bookshelf, arms folded across the considerable mass of his chest. “Your big dream — the one you bit my head off for insulting that one time.”
You look up long enough to roll your eyes at him. “Where’s this coming from?”
“Dunno. Curious.”
“Thought you’re not supposed to ask questions in your line of work.” And you shoot him a sly grin. “You ought to be careful.”
Sanemi snorts but he nudges your foot with his. “I’m serious.”
Your eyes dance back and forth between him and the log before you. There’s no real harm in it, you decide. After all, he’s the only friend you have. “I want my own bookstore.”
“Yeah?” He raises a pale brow and waves his hand vaguely around behind him. “Aren’t you practically running this one? That ain’t enough?”
“I don’t own it, though.” You frown, setting your clipboard down. “I just work here. You’ve seen my paycheck.”
And he had, having found a paystub when he’d gone snooping under your counter. You would’ve been furious at his invasion of your privacy had you not been so mortified at the way he’d stared in horror at the pitiful figure reflecting your earnings after two, grueling weeks of work.
His insistence on bringing you meals at any and every opportunity afterward only compounded your embarrassment.
“I want something that’s mine — that I own.” You continue. “I’ve begged the owner to let me organize author meet-and-greets as a way to promote the store for months, and he always says no. If I owned my own store, I wouldn’t need anyone’s permission.”
You pull your bottom lip between your teeth. “I wouldn’t have to live under anyone’s thumb.”
Something shifts in the way Sanemi watches you, a certain profundity creeping into his eyes.
Your cheeks heat. “I know it sounds stupid —“
“It doesn’t,” Sanemi says earnestly. “Wanting your freedom can never be stupid.”
You soften then, as understanding passes between you. Of course he would know all about that — arguably better than anyone you know.
Sanemi clears his throat. “So, a bookstore?” And he gives you a broad smile as he pulls out his wallet and tosses you a twenty dollar note. “Consider me your first investor.”
—
Sanemi spends the rest of the evening watching you work, fascinated by the way you meticulously organize your store shelves, and count the cash in your register. When it comes time for you to heave boxes of excess inventory to the back storeroom so they can be shipped back to their distributors, Sanemi plucks them from your hands, batting off your protests as he carries them for you.
By the time closing arrives, every new shipment has been unpacked and its contents have been shelved.
You flick off the overhead lights in the main store, relying on the backlight of the exit door to light your way out. You tug on your coat and find him watching you, expectantly. “Are you walking me home?”
“Tch. Don’t I always, when I can?”
You grin and it’s enough to chase away some of the sourness twisting in his gut. He shouldn’t do it, as often as he does. He’s risking enough as it is by constantly redrawing the lines around Rule Three to justify the way he’s beginning to bend the parameters around the rule against patterns. But it’s dark and late, and you don’t have a car, and he’ll be damned if he lets you brave the walk home alone.
Better he’s there to protect you from the dangers he can anticipate and see than to stick to his code and risk your harm from those he cannot.
Thankfully, the journey back to your apartment takes no more than fifteen minutes, even when he stops to thumb free a cigarette from the spare carton he keeps tucked in his jacket. You wrinkle your nose at him in mock-disgust as he lights it, the smoke curling out of his mouth reminiscent of a fire-breathing dragon.
He wouldn’t do it if he knew it truly bothered you. But you’d once shyly confessed you liked the faint smell of tobacco that clung to his jacket, especially in cold air like this. So he only shoots you a wink as he brings it to his lips and takes a long drag.
Besides, he thinks as he looses a slow exhale. He needs something to help him take the edge off; to guide him in making that transition between Hashira and Sanemi.
He escorts you all the way to your front door, the two of you trading quips and jokes. And Sanemi savors how utterly extraordinary something as ordinary as walking you to your door feels. Almost as if he’s ordinary, the way he so desperately wishes he could be.
You fidget with your keys, sliding them into your lock. “Did you finish that series I recommended?”
Sanemi grins. “Last night. I think it was your best suggestion yet.”
You duck your head, a bashful smile spreading across your pretty lips and its sight fills him with a golden warmth.
Your door gives way and you turn back to him. “‘Til next time?”
It was what you always said; you never asked him when you could expect to see him again, and he appreciated it. Appreciated not having to explain himself, when most outside his world would likely demand he try.
“‘Til next time,” he confirms, returning your smile with one of his own.
You hover in your doorway, fingers drumming on the frame, eyes roaming his.
“You never told me yours — what your dream is.”
He should leave. You’re treading in murky waters, ones made dangerous because he almost wants to tell you — tell you the truth, at that.
That he dreams of more. More life. More stability. More everything. He’d settle for anything, really; anything at all.
As long as it was more than this.
But Sanemi only responds with a wry grin. “To wake up in the morning, Princess. That’s all I can ask for.”
———
Sanemi’s answer lingers with you long after you emerge from your shower, warm and toweling your damp hair.
To wake up in the morning, Princess.
He’s full of shit and you know it.
Over the course of the last year, you’ve learned a handful of crucial details that make up Sanemi Shinazugawa.
You’ve learned he loves matcha, but he really loves the expensive kind. While you can’t afford to buy the high quality powder, you make do with what you can afford at the grocery, and you make it for him as often as you can.
He drinks it every time, bitter dregs and all.
More importantly, you’ve learned what it means to have a friend involved in the Corps. Not that he’s merely involved with the notorious gang — at least, not any more than the two of you are just “friends.”
Town gossip aside, Sanemi’s affiliation with the Corps is made obvious by his own actions. Like the way the two of you only ever hang out at the bookstore or your apartment; how he never invites you to visit his place, over in the Silo.
Or how he insists on scoping out your apartment every time he comes over, his eyes alert and sharp as his hand lingers at his hip, ready to pull out the gun you know he keeps tucked into his waistband at all times.
It’s evident in the way Sanemi never sticks to a consistent schedule. He varies the days and times of his visits at random, never allowing himself to settle into a routine, even if that means going an entire week or longer without seeing you.
But perhaps the most significant detail you’ve learned about Sanemi over the year of your friendship is this:
He wants out. Dreams of it, even.
This revelation does not come from the scarred Hashira himself. It is the product of months of observation, of studying how his face darkens when his phone pings! while you’re watching some sitcom on television, or when he sees a familiar face pass by your shop window, and suddenly he has to leave because he must be Shinazugawa again, and you won’t see him for the rest of the day.
It is evident in the way he talks of his younger brother, who, by all accounts is a star student and athlete, with a promising future in collegiate archery.
Sanemi is saving every penny he can to send his brother — Genya — to school, far, far away from the Silo. The conviction with which he speaks of Genya’s future, full of college and internships and promise, breaks your heart, because you know Sanemi hadn’t anyone to want those things for him.
Sanemi does not speak of any future of his. You suspect it’s because he doesn’t believe he will have one.
That has to be why he answered your question with his vague desire to wake up every morning. It was an easy answer. One that relied on you making certain connections between his life and his words and deduce that he truly had nothing more to live for other than life itself.
A cop-out, is what it is.
But his reading habits betray his darkest secret — betray the truth — and that’s exactly how you know his flippant answer is utter bullshit.
The book Sanemi carries around the most is a series of classic fairy tales, bought off your sale table a few months back. He’s read the whole thing cover to cover, but he keeps a bookmark on one specific page, and periodically, you catch him flipping back to it.
He made the mistake of leaving the book on your coffee table one night when he excused himself to use your bathroom. Realistically, you knew it was no big deal to flip through it, but somehow, the thought still felt like an invasion of his privacy.
But your curiosity got the better of you so you snatched it up, and thumb quickly to the bookmarked page, desperate to know which story has so captivated him.
You opened to the first page of of a tale — an old French story, about the daughter of a merchant who is sent to life with a beast in a distant castle, as penance for his theft of the beast’s rose.
You smiled to yourself; you were familiar with the story. You know how it goes — the beast everyone believes to be the villain is saved by the woman, and revealed to be a handsome prince. And the two live happily ever after.
Your smile faded as you recalled how the woman saved her Beast. True love’s kiss, or something along those lines.
True love.
And as Sanemi returned from the bathroom and plopped down next to you on your couch to watch a rerun of some old sitcom before he has to leave for the night, you mulled over Sanemi’s apparent fascination with the tale of the beast and the beauty.
And that’s how you drew the series of conclusions which enabled you to see right through his thin facade.
He wants out.
He wants a happily ever after. He doesn’t think he’ll get it.
And, above all, he dreams of love.
—
If any doubt lingered as to the magnitude of his ties to the Corps, it disintegrates one night, about eight months after he’d first burst into your bookstore.
It is well after midnight, but you are still awake, too engrossed in a new fantasy novel to pay particular attention to the lateness of the hour when your phone buzzes on your bedside table.
Sanemi’s name lingers above the notification, which reads simply, Outside.
You untangle yourself from your blankets and pad over to your front door, hastily tugging on a pair of sleep boxers over your underwear.
You open the door and the flutter of excitement you’d felt upon seeing his text is chased away by shock at the sight before you.
There is a bruise forming along Sanemi’s cheek that you almost would have mistaken for dirt if not for the swelling. His hair is rumpled, his clothes in disarray. Though it winks away the second he sets his gaze on you, you swear you were able a cold fury in his eyes; foreign, and violent.
The fury that belongs to a Hashira, not to the friend you know.
Wordlessly, you step back and allow him to limp past you.
“You got liniment?” He rasps, plopping heavily down in your kitchen chair. “And water?”
“You mean icy-hot?” You’re already filling a glass from the tap that you set on the table next to him before you retreat to your bathroom to rummage the cabinets.
You return a few moments later, tub of minty topical gel clutched in hand. You nearly drop it when you realize that Sanemi has stripped himself of his shirt already and is now bare from the waist-up, his forehead resting against his arms where they’re propped up on the back of your chair.
You’ve known for a long while that Sanemi is well-built (obscenely so).
Once, in the early days of your friendship, you’d snapped at him to button his shirt properly if he insisted on hanging around your store, dramatizing over how obscene it was for him to prance around with his chest half-exposed.
Sanemi had only grinned at you before he unbuttoned two more, revealing a generous glimpse of infuriatingly toned abs. Your open-mouthed, scandalized stare was met only with a wink.
He kept his shirt like that for the remainder of the day. You’d hardly been able to look at him without flushing a deep scarlet that only seemed to inflate his already generous ego even further.
But, you’re only human. And as the months passed by, and your friendship with the scarred mobster grew, you found yourself sneaking the odd peek every now and then. A glimpse of pectoral here; a hint of his rigid v-line when he stretched his arms over his head there.
And now, here he is, sitting in your small kitchen area awaiting the relief of the icy hot clutched in the tub that grew more slippery between your rapidly sweaty palms, every mouth watering inch of his upper body on display.
Beautiful. Your mouth goes dry at the sight of him. Sanemi is unbelievably beautiful.
“Need ya to rub it into my shoulder, if you don’t mind,” his voice is muffled against his arm. “I hate asking, but I dislocated the damn thing and had to reset it — fuckin’ hurts, now.”
You know better than to suggest he go get an x-ray. No hospitals, he’d once explained. Not unless you’re bleeding out.
You also know better than to ask how he dislocated it, and so you only pad silently over to him, grateful he’s turned away from you so he cannot see the tremble in your hands or the blush creeping across your cheeks.
Eager to give yourself something to do besides ogling, you focus on unscrewing the lid on the jar of liniment, your nose wrinkling under the burn of its stringent odor. You scoop a generous amount of the salve into your palms and warm it between your hands.
“Motherfucker,” Sanemi hisses as your hands spread gently across his shoulder, your fingers gingerly massaging the topical into his swollen joint. “Shit stings.”
“You’re lucky it’s not broken,” you chide, carefully prodding along the joint in search of anything that may be amiss — an odd lump or gap, signaling something hasn’t been reset properly. “At least, I don’t think it is.”
“Your medical expertise is astounding,” Sanemi drolls, but he winces again as your fingers press against a particularly tender spot. You step away from him with a huff and fish your phone out of your pocket, hands still slathered with ointment.
“I’m not a doctor,” you shoot back. “And since you refuse to go see one, the best I can do it give you the advice of the internet.”
You ignore his grumblings as you search for treatments for dislocated joints. You tap on the first link that appears and scroll, eyes narrowed as you read.
“You’re in luck. It seems like you won’t die,” you say dryly. “But you’re going to have a nasty bruise.” You purse your lips, eyes scanning the article on your phone. “And this says you’re supposed to rest — not overexert the joint.” You reach to tug playfully on a lock of his hair. “I don’t suppose you’re actually going to do that, though.”
He twists and flashes you a mischievous smirk over his shoulder. “You know me too well, Princess.”
You roll your eyes and snort, tossing your phone onto your table in favor of reaching for a discarded kitchen towel to wipe off the excess icy hot from your hands.
You’re about to tell him to put his shirt back on and stop flaunting the muscles he just can’t seem to help but show everyone he has when your eyes snag on a mark that rests squarely between his shoulder blades.
You wouldn’t have noticed it but for the shiny redness surrounding it, a clear contrast to the rest of his skin. But the longer your stare at it, the more clear its abnormality. The mark is puffy and raised, but there’s a distinct pattern to it that makes the hair on the back of your neck curl.
A brand, you realize with horror. Someone has branded him like cattle.
Your finger reaches to trace over the ridges seared into his skin before you can think the better of it. Sanemi twitches under your touch, a small shudder skirting down his spine as he tilts his head back toward you.
“Ugly, ain’t it?” His tone is unreadable. “Like a collar, ‘cept it’s permanent.”
Though he tends to err on the side of caution when it comes to discussing the Corps, you at least know what is role is within it. He told you: debt collector. Mostly monetary debts.
But the brand has nothing to do with money. No, the symbol burned into his skin — the one that stands for Kill — is a neon sign of a reminder that Sanemi’s duties can and do entail another kind of collection.
A chill snakes down your spine. You’d had your suspicions, of course, you’re not stupid. But seeing it confirmed by a brand of all things is a lightning rod through your chest.
Sanemi must sense your stare against his back, and you hear his rueful smile though you can’t see his face. “Guess it’s fitting, since I’m their dog.”
There it is; confirmation of what he is, as though it were possible to forget. You don’t know why you’d held out in letting its weight settle over you. Nor do you know why your brain had refused, for a moment, to reconcile the Sanemi who brought cheap beer and greasy fast food to your apartment for a night of trash television and book reviews with the one before you now, branded with inexorable reminder of what his duties are when he steps outside and debts go unpaid; when scores go uneven.
Your eyes slide to his gun, resting atop your table. It may has well have been smoking.
“It’s barbaric,” you murmur. You never offer much of an opinion on the tidbits of information about his life he shares with you, unwilling to make him feel as though you aren’t someone he can confide in.
But the sight of the brand scorched between his shoulder blades stokes something ugly and angry within you. You’re grateful his back is to you so you can furtively rub your hand over your prickling eyes before he can see you do something stupid, like cry.
He tilts his head back until it rests against your abdomen. “Thank you,” he murmurs, his eyes drifting shut.
You freeze for a moment, your anger temporarily suspended against your uncertainty of whether you should step back or remain. You’ve touched Sanemi a thousand different ways — you’ve grabbed his arm, smacked him upside his thick head, and elbowed him more times than you can count.
But this; this is something far different from your teasing nudges of the past. This small gesture feels infinitely more tender. Gentle.
Intimate.
Sanemi has never not been the picture of cocky brashness, especially around you. His priggish smirk was a constant, only ever dampened by the occasional alert on his phone — the one that meant he had to stop being yours for the night, and go be theirs.
But this Sanemi? This peaceful, eased, vulnerable version of your best friend is wholly uncharted territory. And perhaps it’s because he looks so unguarded this way, his face relaxed and his eyes closed, that you feel so flustered.
You brush his hair away from his forehead. At the first graze of your fingers along his scalp, Sanemi leans further into you with something akin to a moan.
Hot; everything feels so damn hot, the air in your apartment suddenly too thick. Too oppressive.
Yet, you don’t stop; your fingers keep raking through his hair, surprisingly silky.
You think he may have fallen asleep in your chair, but after another moment of your hands carding through his hair, Sanemi stands. You step away instantly, and you avert your eyes while he pulls his shirt back over his head, cursing softly as he works it over his injured shoulder.
Sanemi turns to you and clears his throat roughly. “Thanks again. Don’t know what I would’ve done without ya.”
You wave him off with an exaggerated eye roll, eager to conceal the redness in your cheeks. “Oh please, I’m just your neighborhood book supplier and occasional first aid nurse.”
A sudden sobriety passes over his features, clouding over that all too familiar smirk with something heavier.
“No,” he murmurs and his hand absently lifts to tuck a stray lock of hair behind your ear. “No, you’re more than that.” His palm lingers against your cheek and his voice quiets to a hoarse whisper. “Much more.”
For a moment, you wonder if he’ll lean in; if he’ll show you whether his lips are as warm as his touch.
His eyes drop briefly to your mouth and your stomach somersaults at the thought he might be considering it, too. But the clouds part and Sanemi withdraws from you with an affection flick against the tip of your nose.
And then he turns and leaves.
You sink back against your door after you close it behind him and slide to your floor. You remain there for a long while after, your mind little more than a gnarled tangle of brambles you can’t begin to pick through. But even despite the complicated mess of thoughts and emotions knotted together in your head, one thing stands clear: you’d wanted to kiss him.
And for a moment, you swear he’d wanted to, as well.
An old rumor, one you hadn’t considered since your very first interaction with him, resurfaces in your mind. The one that had less to do with him in the Corps, and more so involved his activities outside of it.
The rumor that he cycles through the bodies he uses to warm his bed more frequently than you change the sheets on yours.
Your cheeks heat, and you shake your head to clear away the sudden, intrusive images of Sanemi tangled in the throes of passion with some faceless stranger that fill your imagination. You don’t care what those blasted rumors claim; you know him. And what’s more, you know that what you feel for him is stronger than anything you’ve ever felt toward anyone.
You’re in love with Sanemi.
It is his face you see at night before you fall asleep; it’s his touch you imagine in those secret moments in your bed or in the shower, when you’re desperate and aching.
It’s he who makes you feel most at ease; the one person you feel truly sees you, thinks you’re actually worth something.
You’ve never really known love before. But it’s because you’re such a novice that you know your feelings are true; powerful. You know what he is — what he thinks he is. And you know that you will never want anyone else; you can’t.
You won’t.
—
Three rules. That’s all he had to do, was follow three simple fucking rules.
Don’t speak. No patterns. And don’t get overly attached.
It had been easy, so easy, to follow them. If there was one thing Sanemi believed he could pride himself on, it had been his steadfast adherence to the Corps’ rules. Number three, in particular.
Until you. Until the day he’d chosen your bookstore to hide in.
Because that was when Sanemi decided that those rules were really more like guidelines; malleable. He’d let himself cast them aside out of a desperation for human connection. And he’d justified his carelessness by convincing himself that as long as he maintained some semblance compliance with the unspoken code of the Corps.
Sanemi had built his own set of rules around the foundation of his friendship with you, a wall of stone around the glass castle meant to ensure you would not be cut by its shards should it ever shatter.
He would not be your liability, nor would you be his.
But now, he’s too deep; Sanemi knows he’s gotten in way too fucking deep with you.
Until this moment, he imagined he’d managed to toe the line of this internal code that applied only to his relationship with you, save a handful of instances when he’d let himself blur it.
As it turns out, he’d been dead fucking wrong. Because he’s pretty sure you just asked him to cross the last major boundary he’d set for himself when it came to you.
So, Sanemi only gapes at you. “What?”
You huff, impatient. “I want you to fuck me.”
You say it like it’s the most obvious thing in the world — as though you haven’t just ripped the floor out from beneath him and sent him falling directly on his ass.
If he didn’t know you were dead serious, he would’ve laughed in your face. And that’s how he knows he’s fucked.
You’re a virgin; he knows that, because you’d drunkenly confessed it to him two weeks prior, tipsy on the cheap beer he’d brought over for your weekly movie night together.
Admittedly, he’d been surprised. You were beautiful — not that beauty was a requirement for a good fuck, but you didn’t seem the type to go for random hookups, unlike him. Still, he would’ve thought you’d had some prior relationship where the opportunity would have arisen.
As it turned out, you’d never been in a relationship, either.
Between long gulps of your drink, you’d asked him to fix it and he’d turned you down — his tolerance for watery beer far surpassed your own, and Sanemi Shinazugawa wasn’t the type to sleep with someone who couldn’t fully consent.
So he’d let you down — but not before he kissed you. It was only once; soft, the way you deserved to be kissed. His lips met yours and suddenly, the gaping hole in his chest felt smaller; fuller. Kissing you felt like coming home, even though Sanemi was sure he’d never fully known what home truly felt like.
And then he parted from you with an affectionate flick on your nose to cover the way his heart clenched at the visible disappointment in your eyes.
He’d boldly kissed you twice more after that night — one a quick, cheeky peck when you went in to hug him, an act done more to fluster you than to sate any desire of his, no matter how he craved more of you.
The other happened only three nights prior, and it was anything but soft and sweet.
One of Sanemi’s fellow Hashira, Kanae, hadn’t been seen in several days, and no one had been able to get in touch with her. When she’d missed a scheduled patrol of one of the neighborhoods in the Silo, he and another member, Iguro, had been sent to check on her.
They’d found her in the kitchen of the small home she’d shared with her two sisters with a hole in her head and her brains splattered across the floor.
Curled under the protective stretch of her limp arms, had been her two sisters, both bearing matching bullet wounds to their skulls.
Kizuki, most likely. They were the only ones brave enough to target someone as high ranked as Kanae.
Their blood had still been fresh, and the stench of decay and rot hadn’t yet set in, which only told them that the girls had been held for several days, forced to endure unknown horrors at the hands of their murderers.
He hadn’t been particularly close with the woman, but as his rank equal, she’d had his respect. But now she and her adolescent sisters were nothing more than smears of brain matter and skull fragments to be scraped off the linoleum of their kitchen floor and quietly buried. Forgotten.
The hours passed by in a blur once Kocho’s death was called into the higher-ups, and Sanemi didn’t remember cleaning up the scene anymore than he remembered the solitary trek back. His mind and his body disconnected, and he only snapped back to reality when he realized he was standing in front of your apartment, unsure of how or when he’d begun walking in its direction.
He knew he should turn around and go home; there was nothing you could do for him right then, he shouldn’t bother you —
His fist was pounding on your door before he could think better of it.
Despite the late hour, you’d greeted him with a broad smile and a shy hi. Your hair had been damp, and he could smell the floral sweetness of your shampoo still mixed with the steam from your shower as it spilled into the hall.
Safe; you were safe.
Your door had still been hanging wide open as Sanemi surged forward, trapping your face in his hands to crash his lips down against yours, his kiss heavy and hot.
You’d broken away long enough to ask, “S-Sanemi — what —?”
“Shut up,” he’d snarled, slanting his mouth back over yours, his teeth nipping at your bottom lip. He’d half expected you to shove him away, perhaps to even aim a knee right at his crotch, yet you’d only buried your fingers in his hair and tugged him closer.
He backed you up against the wall opposite of your entryway, though he’d moved his hand to cup the back of your head to keep it from banging against the exposed brick.
You moaned into the kiss and Sanemi lost whatever shred of sense he’d managed to cling onto. His tongue swept along your bottom lip, and the hand cupping the back of your head loosely pulled at your hair, tugging your head to the side and signaling you to open up — to let him in.
And you did. And the first brush of his tongue against yours as he licked into your mouth ignited an inferno within him that he did not know how to tame.
His hands pushed under your sweatshirt, seeking out the comforting warmth of your skin. Higher and higher they rose, until they came to rest against your ribs, and Sanemi realized you were bare — completely bare — beneath your hoodie.
That you’d allowed him to toe so dangerously close to a line neither of you could cross had clouded every bit of his judgment. The thought that he’d only have to move his hands mere centimeters to touch you in a way no other had before had sent him reeling, and his hips were beyond his control when they pinned yours against the wall and ground into you.
But your single gasp into his mouth broke the spell, and with more regret than Sanemi knew he should feel, he broke away, leaving you both breathless and panting.
Without a word, he’d turned around and stalked right back out of your apartment, closing your door firmly behind him.
He’d sent a text only a few minutes later — a single, ominous reminder to you to lock your door, deadbolt and all.
He hadn’t the stomach to explain his cryptic warning; not as the sight of Kocho remained burned into his retinas.
So, yes, he’s blurred a few lines when it comes to you. But those had only been kisses; heavy touching aside, he’d never allowed himself to go further than that.
No matter how much he wanted to.
And it’s because he knows he can’t cross this last line — can’t open you up to risk more than he already has, that he meets your expectant stare with a rueful smile.
“You’re better off asking someone else, Princess. You don’t want to get tangled up with someone like me.”
Never mind that you’re already tangled up with him — but he’s managed to uphold this last boundary, and Sanemi has convinced himself that as long as it remains in place, he can’t ruin you the way Kocho and her young sisters were ruined.
“I don’t want to ask someone else,” you fold your arms across your chest and cock your hip out, defiant. Normally, Sanemi finds your stubbornness endearing, if not adorable, but not now; not when you should know better.
A low growl of your name is his warning. “You don’t know what you’re asking —“
“It’s you I want. I don’t care what the rumors say, I don’t care what anyone thinks — including you.”
The sincerity in your eyes nearly scalds him. “And I am not asking as a friend. You and I both know this is more than that.”
He wants to throttle you. Not literally of course, he could never — but he wants to shake the sense you’re so clearly lacking back into you until you see; until you understand.
Of course he wants you. He has wanted you for months — so much so, he hardly can focus on anything else. And he’s pent up. He hasn’t had the stomach to fuck anyone else. Not since he began falling asleep and waking up to thoughts of you and your touch, of how you might look under or above him, wanton and desperate. Or how you might feel in his arms; on his tongue.
Really, it’s been quite a blow to his rather wild reputation throughout the Silo. But God knows he has tried to fill the you-shaped void in his heart, but nothing — no one — has come close.
More than anything, he wants you to be his, and for him to be yours. He longs to be the Sanemi who takes you out on dates, who kisses you freely without the compulsive need to check over his shoulder, to make sure there aren’t any enemies watching and plotting to strike him right where he’s weak. He wants to be the Sanemi you come home to after a long day at the bookstore. The one with whom you plan a future, utterly and completely yours.
But he can never be just Sanemi. He is nothing more than the property of the very organization he’s sworn allegiance to; the group whose brand he bears on his skin.
He is not good. He is a curse that will infect you, a poison to your life.
He will rot you from the inside, out.
His friendship with you is selfish. He knows that — he’s always known that, and yet he did not stop. It is selfish because he deluded himself into believing he could actually be someone else when he was with you. Someone worth befriending; perhaps someone worth a little more.
You were right to call him a thief, that day. All he does is take your time and affection when he knows damn well he won’t give you anything in return, no matter how he wishes he could.
Sanemi won’t label that thing he holds deep inside his heart which is formed in the shape of your name; not when it could so easily doom you both. But he knows his feelings for you are dangerous, and he cannot allow you to sniff them out.
Because if he does, then this only ends one or two ways: either he lets you in only for you to abandon him once you realize the truth of what he is, or you’re used as a weapon against him.
In either event, he loses you. So it is better to cut this off now, to force you away before either of you become more invested than you already are.
He will not hurt you, but neither will he allow himself to be hurt by you.
You take a step toward him, and the soft whisper of his name sounds like a holy prayer on your lips and that’s how he knows this is wrong.
Your obstinate refusal to recognize him for what he is is a needle digging into his skin, one that whittles away at every wall he has managed to build around his heart, that damnable, soft, dangerous thing that he will not allow you to find; he cannot.
You’re confusing your roles. He is the vulture and you are his prey, not the other way around. he is not here to give. He is here only to take, and you will let him and then he will leave.
And he will not be the carcass you pick clean only to discard once you’ve had your fill.
(A lie, but it’s one Sanemi almost believes. Almost.)
But Sanemi knows you; he knows you better than he knows anything else. You are a constant he has become far too dependent upon, and you are precious — far too precious to him to continue to indulging.
He knows you are too good, too loyal in your feelings to forget about him, even if he disappeared from your life entirely.
A clean break. it is the only thing that will force you to forget him and move on, find another, someone good and whole and not a broken, misshapen thing like him.
He will show you who he really is. He will show you that he could never be just Sanemi, and he sure as hell can’t ever be yours.
Better; you deserve better, so he will become worse.
He advances on you, his step heavy and imposing, and you have enough sense to scurry back from him. But he is too quick and soon he has you caged against the wall of your studio, literally backed into a corner.
“You want me?” He is scathing and he loathes himself for it, but he can’t stop. Not when he’s desperate to save you from the blight of himself.
You shouldn’t; you can’t.
But you nod, damn you. Wide-eyed, you nod and he resents the certainty reflected in your gaze.
His mouth twists into a cruel sneer. “You want to say you’ve had a taste of the lowlife, huh?“
Your eyebrows knit together. “Sanemi, that’s not —“
But he can’t stop his venom. “Bragging rights, that’s all you’re after, right? You want to be like one of the characters in your stories — the good girl who makes an honest man outta the good-for-nothing villain.”
“Stop it,” you bite, and your eyes harden. “You’re acting like an asshole.”
You’re angry. Good. Sanemi knows how to deal in anger.
“Hate to break it to ya, sweetheart, but I’m not acting like an asshole. I am one.”
Your hackles raise, and you step away from the wall and toward him, bold in your fury. “I know you want to believe you are, but you’re not —“
Sanemi’s hand shoots out to grab a fistful of your hair. “Is that so?” You yelp as he wrenches your head back, your neck straining. “Then maybe I oughta bend you over and fuck you like I would any other cheap whore. Then you can tell me what you think I am.”
Your eyes water as the grip in your hair tightens.
Good, he thinks savagely. Let you see the monster he truly was, let you know he was his bastard father’s son, and that he’d be no different, no different at all. He’s a brute, and you don’t want that, you don’t want him —
“You can do whatever it is you want,” you manage, you throat tight. And Sanemi’s eyes blow wide at the soft, watery smile that forms on your lips despite the tears that escape the corners of your eyes. “Do to me what you like; I don’t mind, as long as it’s you.”
All at once, his ire with you and your bewildering devotion to him melts away, leaving nothing behind but a deep well of guilt, bitter and acerbic.
It isn’t that you think he might take you forcefully and harshly; after all, he’s only shown you he’s entirely capable of doing so.
It’s that you would let him. Without a shred of doubt, he knows you would offer yourself to him to use however he wants, and that you’d do it with a smile not unlike the one you’re wearing right now, soft and earnest.
Fuck, you just did.
And it’s that realization that has Sanemi’s hand loosening from your hair, his eyes softening. An errant tear escapes down your cheek and he moves to brush it away, but you close your eyes the moment you spy his knuckle nearing your face.
You do not flinch, but you are steeling yourself in anticipation of expected cruelty, and the front he’s put forth crumbles to dust.
He is a monster, but not for the reasons he’s used to justify this ugly display of his. He’s a monster because he has made you believe that this treatment is acceptable — an unavoidable cost of intimacy, no matter how fleeting.
Worse, he’s done the one thing he’d sworn never to do to any woman, let alone someone as good and as dear as you.
He’d only wanted to disgust you; enrage you, so that you would kick him out of both your apartment and your life, right out on his sorry ass like he deserved.
But this is worse. He has frightened you.
He recoils from you like a kicked dog. “I didn’t mean to scare you.”
He stands awkwardly as you stare at him, wide-eyed and uncertain, and each second that ticks silently by only amplifies the oily well of guilt in his stomach.
He clears his throat. “I’ll go,” he says roughly, too ashamed to meet your eyes. “‘M sorry, I didn’t —“
Your hand grabs his bicep, anchoring him in place. “I want you to stay.”
“You don’t owe me anything —“
“It’s not about owing you,” you interject, lifting your hands to take his face between your palms. “I want you. I want this.”
You prove your point by taking his hand and guiding it to your waist. You hold it there, mouth set in a determined line as you inch closer to him.
“You deserve someone else,” Sanemi can’t stop the admission from rolling off his tongue. “Better.”
But you’re already shaking your head, as though you somehow know different. “There is no one better; I only want you.”
Idiot, he thinks as you rise up on your tiptoes, your arms winding around his shoulders as the distance between your bodies grows narrower. You’re an idiot.
You can’t possibly believe he’s as good as it gets. He’s used you as a distraction this whole time, a chance to forget the things he’s done and what he’ll be required to do in the future. Surely, you must know that.
He will hurt you; it’s in his nature. It’s unavoidable. He can’t be what you deserve.
But then your lips brush gently against his and the last of his resolve crumbles.
Sanemi melts into your kiss. He brings one hand to cradle the side of your face as the one braced against your waist shorts, until he wraps his arms around you and tugs you closer to him.
This kiss is gentle in every way the last was not. Sanemi’s lips are soft moving against yours, his hands almost hesitant in how they hold you. For a moment, he imagines himself not as the selfish, hard brute he knows he is, but instead as the gentle, giving lover he wants so desperately to be. One who is worthy of someone as kind and vibrant as you, and not the trash you’d be better off leaving out on the street.
The tentativeness with which he kisses you tempers some as his tongue flicks out against your bottom lip. You answer his silent request with enthusiasm, your fingers burying themselves in his hair as you haul yourself closer. The moment Sanemi’s tongue sweeps into your waiting mouth, you buckle against him with the sweetest sigh he’s ever heard. One of pure relief, as though you’d been burning and he was your balm.
Ironic, considering he’s only adding gasoline to this fire between you.
But there’s nothing he can do now except allow the flames to consume you both.
Soon, the shy curiosity with which he explores your mouth gives way to a mutual hunger, evident by how he feels as though he’s boiling alive while you gasp and sigh into him, your fingers tugging pleadingly at his hair.
You want more, and he needs you, too.
His nose nuzzles against yours as he bends down, his hands running along the bare expanse of your legs. The ground beneath your feet disappears as Sanemi gathers you up easily into his arms.
One of your arms is looped around his neck while your other hand cups his face, turning it toward yours as he carries you to your bed. Your thumb smooths absently over the scar that cuts across his cheek and then your lips seek out his once more. His kiss is as gentle as the hand squeezing your waist, his fingers slotting into the gap between your sweatshirt and the top of your sleep shorts, stroking your skin.
He lays you out upon your mattress, grateful you’d at least purchased a full bed rather than some shitty twin. Your hands untangle themselves from his hair and instead seek out the waistband of your sleep shorts, but Sanemi covers them with his, halting you.
“Don’t,” he murmurs between quick, messy kisses. “Let me — please.”
Before you can respond, Sanemi sits back and grabs a fistful of his own shirt, yanking it over his head.
Your pupils blow wide at the sight of him and he feels himself hesitate. Sanemi has always felt an easy self confidence when it came to stripping in front of his partners for the night. He’d always been quite proud of his physique, relying on his considerable muscles to mask his deep loathing of his scars.
But in front of you, all sense of self-assuredness goes flying out the window, and suddenly he feels too exposed. His eyes drop to scour the planes of his chest — have his scars always been this prominent? This thick?
“Holy shit,” your soft sigh snaps his attention away from the howling inside his head. For one, petrifying moment, he thinks that you are as disgusted with his body as he is, but then he sees the pink flush staining your cheeks.
Your eyes roam hungrily over him and your tongue darts out to wet your lips. You meet his gaze and your pupils are blown wide with desire — rich, hot need for him.
Your voice is little more than a sultry whisper. “Come here.”
He moves eagerly to cover your body with his, his hair rumpled and his eyes bright as his lips press hurriedly against yours. Your hands smooth over his pectorals and tease down his abdomen until he’s panting, but the moment your nails rake along the skin on either side of his navel, Sanemi moans.
More. He needs more.
He hauls you up from the bed, straddling you across his lap, his hands notched behind your knees as they press into the mattress. You reconnect your lips in a heated kiss, one hand playing with the ends of his snowy hair, the other dropping down his back, settling over the brand seared between his shoulder blades. Covering it.
Yes, he thinks as he nips your bottom lip, urging your mouth to open so he can slide his tongue in to dance with yours. Yes, this is fitting. Because in his ideal world, his life with you would come before any other — including his with the Corps.
Sanemi’s lips begin trailing hotly down your jaw, pausing when he reaches your neck. He finds a particularly sensitive spot with a nip of his teeth that he soothes with his tongue, and he hums in approval at the faint, breathy whimpers that squeak past your lips as you tilt your head, offering more of yourself to him.
The ache burgeoning in his groin in response to your display is enough to drive him insane; he has never wanted anything in his life as badly as he wants this — you.
As his mouth continues its heated path, his hands find the hem of your hoodie. With a gentleness that surprises even him, Sanemi begins charting your skin with his fingers. With every new plane of your body he explores, he pushes your sweatshirt up, up, up, until he guides it over your head.
He tosses it to the side, not caring for where it lands. His attention is focused solely on you as you fall back against your bed, now bare from the waist up.
“Beautiful,” he marvels, eyes running over the slope of your shoulder and tracing the curve of your breasts. “So fuckin’ beautiful.”
He savors every hitched breath, every chill that ripples over your skin as he explores your body with his mouth and hands. Over the years, Sanemi has become well acquainted with the magic of the female body. He’s always liked how soft women were compared to him. He isn’t a picky man; he’ll celebrate them all, regardless of their shape or size.
But you? Celebration isn’t enough; you deserve nothing less than outright worship.
“You feel so damn good,” he mutters against your breast before closing his lips over your nipple and sucking hard. You bow off the bed with a keening moan that gutters out into something more ragged as his hand covers the other, pinching and rolling your stiffened bud between his fingers.
He could spend all night like this, lavishing your soft mounds with his mouth. But Sanemi knows that won’t be enough to satisfy the hunger gnawing at both of you, so with a tinge of regret, he forces himself to move on, descending your body in alternating kisses and nips.
He reaches the waistband of your shorts and his eyes flash to yours as he tugs on it with his teeth. The hot exhale of his breath below your navel sends goosebumps across your skin. Sanemi’s fingers inch below the hem of your shorts until he loops his hands around the waistband, and he yanks them down your legs in a single, fluid motion.
His eyes rake down your body, taking in every beautiful inch. A blush forms on his cheeks as he realizes all that separates you from him is your simple pair of black underwear.
He sits back, eager to join your near-nudity. His hands are quick, if not a little clumsy, as he finds his belt buckle. The instant the metal clicks and the leather around his hips loosens, Sanemi shoves off his pants, eagerly kicking them off your bed until he is left in nothing but his briefs.
Your eyes fall to where the evidence of his desire protrudes stiffly from between his legs. Sanemi watches your throat pulse as you try to stifle your small gulp, your thighs tensing beneath him in an effort to press together.
He can sense your nerves; can see by the way your eyes dart anxiously between his and the rigid tent in his briefs.
With a gentle smile, Sanemi leans in and soothes your unease with his lips. “We’ll take it as slow as you want. I’m not in any rush.”
“N-now?” You murmur between kisses, and he nearly seizes at the hesitant, questioning brush of your fingers against the underside of his shaft.
“Not yet,” he groans against your mouth. “I gotta make sure you’re ready first.”
“I am ready -“
“Not like that,” he cuts off your protest by ghosting his fingers up the covered seam of you. Sanemi circles his finger around where he thinks your clit is, and he smirks when your head tips back against your pillow, your mouth widening in a silent o.
“Found you,” he croons, repeating the movement again until your legs begin to twitch beneath him.
He makes quick work of your underwear, tossing them over the side of your bed without much thought. The sight of you bare beneath him nearly stops his heart dead in his chest. His eyes drop to the neat thatch of curls resting at the apex of your thighs, and his mouth waters.
You blush under the intensity of his appreciative stare, and your legs twitch, as though you mean to close them.
A hand sliding between your thighs restrains you from doing so. “Uh-uh,” he tuts. “Can’t hide from me now, sweetheart’.”
He smooths his hand down the length of your leg until it hovers just outside where he’s most eager to explore. The heat radiating from sends his pulse skyrocketing.
One, tentative finger circles your entrance, testing. Sanemi leans in to capture your lips with his as he pushes in, swallowing your soft gasp with his tongue that he slides into your parted mouth.
A moan vibrates in his chest in time with a faint whimper that sounds in the back of your throat as Sanemi begins exploring you. You’re tight; almost impossibly so, clenching and pulsing around the single finger he gradually sinks inside you, pushing deeper with every gentle pump of his hand.
The thought of your tight, wet heat constricting around the aching length of him just as you were around his finger makes him dizzy with want.
He won’t go down on you, he decides. Not tonight. Not when he’s throbbing this badly after just a couple of fingers; not when your breasts are so plush and soft pressed against his chest where you’re already arcing up into him, sending his mind wild with thoughts of how you’ll move under him; how you’ll moan.
His lips are hot against your neck, trailing down past your collarbone. Left behind are a series of purplish-maroon whorls blooming beneath his mouth, your skin quickly becoming a tapestry for him to display how badly he wants this. You.
You cling to him, one hand buried in his hair, pulling and tugging at him as the other clutches wildly at his shoulder, your fingers digging hard into his muscles. Your teeth are buried into your bottom lip in an effort to stifle your whimpers, but a needy whine slips out as Sanemi sucks one, soft breast into his mouth, his tongue flicking out across your pert nipple.
Another finger slides into your entrance as his thumb works your clit, and before long, you’re vibrating beneath him, unrestrained in how you moan and cry out for him so beautifully.
“Sanemi! I think — oh, I think I’m -“ but then he crooks his fingers, brushing against a rough spot deep within you that makes you writhe. You thrash back hard against the bed, your hips grinding against his hand with abandon.
He smothers a curse into your skin. You’re close and he knows it; can feel it in the way your walls flutter and pulse around him. And as desperate as he is to study how you fall apart, it’s too soon.
“Not yet,” he pants against your breast, circling your nipple with his tongue before imparting a final nip at the soft flesh and drawing back.
Remorseful, he pulls his fingers away from you, leaving you panting and flushed under him. But the hot, searing flames of desire burning beneath his skin intensify still, as he takes your hand and guides it between your legs.
“There. Feel how wet you are?” His voice is husky with want. You peer up at him through heavily lidded eyes as you nod, a whimper vibrating in your throat as Sanemi grinds your hand against your sensitive flesh.
“For you,” your voice is syrupy and warm, and damn if Sanemi doesn’t feel like he could get drunk on it. “It’s all for you.”
His tone sharpens into something possessive; hungry. “That’s right,” and he pushes your hand firmly against your clit and rotates it, eliciting a deep moan from you. “Because you’re mine.“
It’s not fair. But he wants to pretend like it’s true, if only for a while.
Once your fingers are sufficiently shiny with your own wetness, he brings your hand to his mouth, his tongue peeking out from between his lips. Slowly and languidly, he drags it up the side of your digits, and his eyes burn into yours as he slides your fingers into his mouth and sucks them clean.
It takes everything in him not to moan at the sweet taste of you that floods his tongue.
He’d made the right decision in not going down on you. If he had, he’d never be able to pull away; not until his face had become so adorned with your essence that he could not comprehend anything that wasn’t you. Not until you were trembling under him and begging for a break.
The first time you cum will be on him; with him. So as much as it pains him, he resists your temptation.
But not before you know; not before you understand exactly how wild you drive him. How much you threaten his sanity.
“Jesus Christ,” he rasps as he pulls your hand away from his mouth. “Here.”
His hand his gentle but firm as he grips your chin, squeezing your jaw until your mouth parts. The question in your gaze dissolves, your eyes instead rolling back into your head, as Sanemi slides the two fingers he’d just had between your thighs, still covered in your wetness, past your lips.
“Go on,” he orders, his other hand brushing your hair from your face. “Taste how fuckin’ perfect you are.”
The moan that slips free from your lips is one he wishes he could bottle up as your tongue caresses his fingers, your cheeks hollowing so fucking perfectly around him as you dutifully clean yourself from him.
Fuck, you’re trying to kill him.
But some of the burning he feels ebbs as the sobering weight of what’s to come settles over him; the magnitude of what he is about to do. Because no matter what happens after, nothing between you will be the same. Whatever else you are after tonight — whether that’s something or nothing — you will never be just friends again.
Sanemi supposes the punishment fits his crime; this is what he gets for getting in too deep with you, even if it means losing you entirely.
He chases away those thoughts by running his hands down your sides before he pulls back, leaving you in favor of shucking his briefs down his thighs.
Finally bare, he’s quick to drape his body over yours once more, his hands smoothing up and down your sides, unable to quench his need to feel your skin against his. But a foreign uncertainty stills him, and his eyes flash to yours, hesitant.
“Are you sure?”
You answer only by reaching to grip the back of his neck, tugging him down to meet your lips, your kiss feverish and urgent.
He doesn’t have a condom but he’s in too deep now to stop. In a way, what is about to happen is new to him as well. He’s never fucked anyone raw before. No matter who he’d had in his bed, no matter how much they begged him or assured him they were on birth control, he’d always been sure to have protection on hand.
Children are a gift, but he’d be damned if anyone tried to come after him and demand he raise one in his fucked up world. Either Sanemi got out or he never became a parent; there was no middle ground.
But once again, he is blurring boundaries where you were concerned, and Sanemi doesn’t think he knows how to stop himself from having the full taste in the indulgence that was you.
“It might hurt a moment,” he admits against your mouth, his voice raspy. “But I promise I’ll be gentle — as gentle as I can.”
You stretch to kiss him again, your lips soft and warm and everything he loves. “I trust you.”
You shouldn’t, he wants to say. You shouldn’t, and you should run far away from this — from me.
But Sanemi knows you won’t just as much as he knows he doesn’t have it in him to try and chase you away, and so he only kisses you back, slow and indulgent.
He breaks away from you with a soft groan and sits up on his knees. His back straight, Sanemi’s hands curl around your hips and he tugs you forward until your backside is flush against his thighs.
The heat radiating from you pulls him in like a magnet as he lines the tip of his cock up with your entrance. A vein above his brow ticks, the only outward sign of the battle raging within him as his self restraint wars with his tantalizing urge to impale you on the thick, throbbing length of him, desperate for the sweet relief only your body can give.
Every inch of him trembles as Sanemi presses his hips forward. “Fuck,” he exhales shakily, pushing his tip past your entrance. “Fuck.”
His head falls back and the muscles in his throat strain. Some small, needy sound leaves him and the fingers on your hip tighten nearly to the point of pain.
The noise registers in the back of your mind, and vaguely, you recognize it as a whimper. You wonder whether he makes that sound for the others; somehow you doubt it, given that he does it again, only now in the shape of your name.
The rumors always said he never asked for names; he was a one-and-done kind of man. A great fuck, but not someone to go to if you were looking for comfort; softness.
Once again, Sanemi is nothing but a collection of contradictions, especially where you’re concerned.
Sanemi hisses as he slowly eases into you. Despite your wetness, you’re impossibly tight, and your body is a live wire hell bent on pushing out his intrusion.
With a deep groan, he falls forward, one arm shooting out to land near your head to catch himself before he can crash into you. His weight carefully braced above you, Sanemi shifts, widening the stance of his knees. Your legs slide up his waist, locking at your ankles at the base of his spine.
His cock is barely a quarter of the way inside your heat when he pulls out. A whine of protest mounts in your throat, but it quickly flickers out when he presses his leaking tip to your clit and grinds. A soft moan slips out of you when he repeats the movement again, and your thighs widen, your hips tilting up to allow him easier access.
Sanemi circles the head of his cock once more against your sensitive nub, coating himself in more of your sticky wetness, before he slides back into your entrance. This time, your body parts more easily around him, sucking him in rather than trying to squeeze him out.
“There you go, that’s it,” his breath is hot against your ear, his lips trailing silkily across your jaw. “That’s my girl.”
Halfway in, Sanemi brushes against that thin barrier that separates him from the rest of you, and he stills.
He pulls his head back from your neck, and moves his hand out from between your legs to cup your cheek.
“Ready?” His thumb strokes over your cheekbone, tender and soft.
There is a tightness building in your abdomen, a foreign pressure that isn’t entirely unwelcome, but neither is it wholly comfortable. You brace a hand at your side, balling your sheets into your fist as you steady yourself, flushed and panting beneath the scar speckled man holding rigidly still above you.
Your eyes flick up once, and you see the tightness in his jaw; the tremble in his limbs as he fights against the urge to relief the friction mounting where you are joined.
You swallow around the lump of anticipation lodged in your throat. Your breath is shaky, but at last, you manage a single “Please.”
With a groan, he grips himself around his base and slowly, he presses forward. There is a sharp prick that shoots deep in your lower abdomen as Sanemi surges past that thin inner wall.
You cannot stop your cry of discomfort from ringing out anymore than you can stop the surprised tears which escape the corners of your eyes as the sharp pain between your legs intensifies.
But then Sanemi’s lips are there, kissing away your tears, and the hand he’d used to guide himself into your body skims along the outside of your thigh, hiking your leg higher up his waist before it drops to rub gentle circles into your hip.
“I’m sorry,” he murmurs between soothing caresses of his lips against your cheeks and across your eyelids. “I’m sorry. I’m sorry.”
He coos his string of apologies as his cock continues to push into you. On and on he sinks, his length endless, and you begin to think your body will split in two before you find the end of his.
Just before you reach your limit, Sanemi stills, fully embedded in your heat. He pants through gritted teeth, his jaw locked against the way you’re constricting around him so tightly it’s nearly painful.
It’s unreal; not only does Sanemi realize how much fucking better sex feels without the restriction of a condom, but he’s also bashed over the head with the realization that you were made for him. For nothing, no one has ever felt as incredible as you.
Nothing in his life has ever felt so right.
Sanemi has always been someone who fucks fast and hard. He’d had no objective other than to escape for a few, blissful moments in the body of another as he pretended not to feel the hollowness in his chest, or the throb of his own self-loathing.
With you, however, he wants nothing more than to relish every movement of your body against his, to savor your every gasp and sigh; to learn what makes you lose control.
You are no temporary distraction; he wants to know you.
He drops his forehead against yours and waits, allowing you to adjust to the intrusion of him.
He trails his lips across your collar bone and down to the twin swells of your breasts, sucking softly at your plush skin as you fidget and squirm beneath him. One broad hand skirts down the outside of your thigh until he finds your knee, and gently he guides your leg around his hips. The other he leaves relaxed against the bed, your foot resting somewhere against his calf.
When your eyes flutter open and find his, he knows you’re ready. So he moves his arm out from between your bodies and winds it instead around your waist, deepening the arch in your back until his chest is flush with yours.
His lips press to your forehead, a silent warning that he is about to move.
And then Sanemi begins molding your body to the shape of his.
He starts slow. He doesn’t withdraw far from you, instead focusing on rolling his hips against yours. Each churn of his groin pushes his cock deeper into your warmth, and soon, your timid whimpers melt into soft moans as your initial discomfort gives way to pleasure.
Encouraged by the way your body starts to relax in his embrace, Sanemi tests drawing his cock out a few inches before plunging back into you.
Before long, the room fills with the lewd sounds of skin slapping against skin, and Sanemi’s moans join yours as he rapidly becomes lost in the euphoria of your wet, tight heat.
One of your arms jumps to lock around his ribs, your nails sinking into his skin as you anchor yourself to him.
His hand snakes across the sheets in search of yours. When he finds it, fisted against your sheets, he pries your fingers loose, winding them with his and he wraps your arm around his shoulders.
“Tighter,” he gasps. “Hold me tighter. Please.”
Your fingers dig into the muscles of his back and Sanemi groans his approval.
And then he’s rolling to his side, pulling you along with him until you’re stretched out across the length of your mattress, chest to chest.
His hand grips under your thigh, tugging it over his hip as he rocks harder into you. “Talk to me, angel,” the hand under your thigh moves to splay across your rear, pushing and pulling your hips in time with his as he grinds. “Tell me how you feel — tell me what you want.”
You cry out, mournful, as Sanemi draws out his cock nearly to its tip before he plunges back into you.
The fullness you feel is overwhelming. You can’t stand that empty feeling, even for a moment. So you hitch your leg higher around his hip, and dig the heel of your foot into the firmness of his ass, limiting his movements.
“Closer!” You gasp. “I — I need you closer.”
He needs that too, he decides; craves it. He doesn’t want to feel any space between your bodies. He wants — he needs — to be so enraptured with you that there is no point in trying to separate. That way, he might get to keep you for just a little longer.
Sanemi’s hand massages your backside, his cock throbbing with every push into you. “Deeper,” he confirms between throaty groans. “You want me deeper?”
You bury your face into his shoulder. Your teeth sink into his skin and with a moan, you nod.
He can do that; is more than happy to, as a matter of fact.
So, with a faint snarl, Sanemi grips the fat of your ass and spreads you wide, and he begins thrusting, hard.
The new angle allows the tip of his cock to bump up against a sweet spot deep inside you. Sanemi’s eyes narrow at the way your head drops back, a loud cry tearing from your throat.
Determined to hit that point within you again and again, he shifts his hips under you while hiking your leg higher up his hip, his fingers digging into the curve of your ass.
It’s a success; soon, your wails echo throughout your studio, punctuated by every punishing slap of his skin against yours.
Really, he can’t give less of a damn at how thin your apartment walls are. The sounds pouring from your mouth are the prettiest fucking thing he’s ever heard.
Something hot and electric mounts quickly in your stomach with each of his frenetic movements. You’ve come before with your own hand, but this — this is something different. Something far more intense, something that threatens to rip you apart from your very sanity until you know nothing but him.
You try and tell him you’re losing control but all that comes out is a pitiful whimper.
But he knows; he knows exactly what you need.
“I’m here, baby, I’m here. I’ve got you.” And with that, Sanemi rolls you back underneath him, settling into the cradle of your thighs and pushing his cock faster and deeper into you. His arms gently unwind yours from his shoulders, and he brings them up over your head, one large hand pinning them down.
“I’ll take care of you, sweet girl,” he promises, and he weaves the fingers of the hand keeping you pressed against the mattress with your own. “Just keep your legs around me.”
Your thighs squeeze his waist in silent answer, your mind far too suspended in the throes of your pleasure to do anything else.
With his lips trailing along your neck leaving hot, open-mouthed kisses in its wake, his free hand slides between your sweat-slicked bodies. He wedges it between where his groin is pressed to yours, and he searches along your sensitive, swollen folds, seeking the spot between your thighs that made you tremble and whine for him earlier.
You jolt under him as his fingers find you again, that foreign, electric sensation sparking deep in your abdomen. “Sanemi —“
“It’s okay,” he murmurs sweetly, pressing down on your clit until you arch further into him with a gasp. “It’s gonna feel so good, baby, I promise. Just focus on me.”
Each rotation of his hand against your sensitive bead matched the deep, pointed roll of his groin, with Sanemi capping the end of every powerful thrust with alternating pulses of his thumb. The pressure he uses mounts with every churn of his hips, and the moan vibrating in your chest as another surge of sticky wetness gushes from your thighs is the sweetest sound he thinks he’s ever heard.
A broken chant of please please please stutters its way out of you, spurning him to go faster; hit deeper.
And Sanemi only knows how to oblige you.
“You’re doing so fucking good, sweetheart. Just keep letting me take care of you —- that’s it.” He curses as you clench down around him, crying out in approval at his praise. “Yeah, yeah. You’re my fuckin’ girl, aren’t you?”
A single wail of his name is your only response, but it’s enough of a confirmation to damn you both.
“You are,” he affirms, his voice taking on the timber of a growl. “Mine. You’re fuckin’ mine.”
His thrusts grow sloppier with every second, though each is punctuated by a silent, recurring chant of mine, mine, mine. Though your eyes are closed, Sanemi can spy a faint sliver of white peeking out from between your eyelids.
You’re close; he can feel it. And he knows, as the walls of your cunt flutter and tighten around him, that your climax will be his undoing.
The hands he has pinned against the mattress over your head flex as you twist and writhe beneath him. your head tosses from from side to side, and the vibrato of your cries rises octave by octave. Every muscle in your body is tense; you are a live wire thrumming with a need to come apart that he knows you do not fully understand.
Sanemi grunts as he fucks you harder into your bed, no longer concerned with keeping his weight off you. He will show you; he will show you how to shatter, and then he too, will break.
But he needs to see you, first.
“Look at me,” his voice beckons you back from the precipice of ruin. “Look at me, Y/N.”
Your eyes open to meet his and suddenly you’re right back at that edge, only this time, you’re falling freely over it, plummeting down a drop that has no end.
“S-Sanemi —!” It’s all you can manage before the knot steadily building in your stomach unravels. Your back arcs sharply away from your bed, and Sanemi ducks his head to smother his own cry against your breast as he takes its tip into his hot mouth.
Your hips jerk and twitch against his, your cunt seizing around him with force that threatens to squeeze the life out of him. Above you, your arms strain and pull against his grip as you writhe and sing for him.
“That’s it baby, that’s it,” Sanemi’s praise is muffled against your sternum, though it is strangled as he nears his own end. “Fuck!“
He’ll have to buy you the morning-after pill tomorrow, he realizes as you continue to come apart so beautifully on his cock, a soft chant of his name the only thing on your lips. He will not force you to bear the consequences of his own selfishness; he will not saddle you with his burden.
But he’s also not strong enough to pull out; not when your body feels like it was made for him, not when your sweet cunt is gripping him this hard, is this wet — all because of him.
He is selfish and he is weak; it’s a toxic combination, and yet he knows cannot stop.
Sanemi’s hips snap a final time against yours, pushing them up and away from the mattress, pressing deeper than he thought possible. His eyes roll back as his own orgasm rocks through him, powerful and blinding, and the growl that built in his throat melts into a strained groan.
He holds you in place, his cock pulsing in time with your cunt while the two of you ride out the waves of your climax together, his cum steadily filling you with his warmth. Your hands skirt down the length of his arms, blindly searching for his hips. When you find him, you pull and tug, a faint whine sounding from the back of your throat. Sanemi answers your plea with a broken moan of his own and he rocks against you, your hips circling with his until he finally lets you collapse against your mattress, limp-limbed and exhausted.
He follows you down, smothering you with his weight as he clings to you like a lifeline, his face buried in the crook of your neck.
“Fuck, you did so good, sweetheart. So fuckin’ good.” He moans into your ear before he pulls back, his eyes searching your face as he pants.
One hand cradles your jaw and his thumb strokes repeatedly over the flushed curve of your cheek. “You okay?”
You don’t answer right away, your eyes shut tight, and Sanemi feels panic bubble hot in his stomach. The hand cupping your face tightens with his worried call of your name, his fear rearing its ugly head, ready to rip him apart, to turn him into the horrid monster he’s always known he was —
“I love you,” and then you’re peering up at him, eyes round and shining with emotion he does not deserve to feel. “I love you, Sanemi.”
It would’ve hurt less if you’d shot him.
Whatever wall remained around his heart cracks and crumbles under the weight of your confession. Sanemi does not answer, cannot find the words to adequately capture the depth of his feelings.
Instead, he snatches you up into his arms, crushing your body against his.
He kisses your lips and then your cheek. One hand cups the back of your head, his fingers burying into your hair as he presses your face into his chest. His arms tremble as he holds you close, every hard ridge of him cradled against your soft curves. He feels your smile against his collarbone, and the way your fingers dance up and down his spine that makes him melt.
It hits him, then. You aren’t waiting for an answer — you said it only so he would know, and you’d not expected anything in return.
All you’d done was give while he took and took. Your body. Your love.
He doesn’t deserve any of it.
Whatever or whomever came after this would never compare to you. Truthfully, Sanemi doesn’t think it would be worth trying anything different. Everything now began and ended with you — including him.
He twists his head to kiss you again and again, your lips meeting his with a sleepy enthusiasm.
He pants as he breaks away. “‘M gonna pull out — might be uncomfortable for a second.”
You wince at the sudden stab of cold left behind by Sanemi’s retreating warmth. He shifts back onto his knees and slides his hands down your thighs, parting them.
A low whistle blows past his lips. “Damn, I made a mess outta you.”
For a moment, Sanemi can’t tear his eyes away from the sight between your legs; the sight of him trickling out you, staining the sheets below. But some of that hot, possessive pride that wells in his chest tempers at the small smear of blood staining your inner thigh.
His fingers massage your legs in silent apology. “Let me clean you up.”
Your hands shoot to grasp at his shoulders, a pleading whimper on your lips. “Don’t leave — not yet.” You bite your lip, your eyes wide and anxious. “Please, can you just hold me for a bit?”
Sanemi’s eyes soften and his heart throbs painfully in his chest. He can’t imagine leaving you; not now, not ever. No matter how stupid and selfish that makes him.
He’d be lying if he said he didn’t know the source of your anxiety — or that you didn’t have reason for it. Sanemi isn’t known for lingering.
But this is different — you’re different. You’re not some temporary distraction. You’re everything. His everything.
“Shhh,” he maneuvers you easily atop him, settling you in against the length of his torso, his hands smoothing up and down the column of your spine. “I’m staying right here, sweet girl. I’m not goin’ anywhere.”
He seals his promise with a gentle kiss against your forehead before laying his cheek against your temple, cradling you to his chest.
Finally, you relax against him, convinced. He lays with you for a long time after, one hand on the back of your head, his fingers rubbing against your scalp until you fall asleep on against him, safe and sound and warm.
Minutes pass, or maybe hours. But Sanemi’s head does not quiet, not even under the soothing sounds of your deep, slow breaths as you dream.
He must have lost his mind. There is no other explanation for the way he’s disregarded every rule, every boundary he’s ever made sense of, all in the name of you. In a single evening, you managed to obliterate every last defense, every barricade he’d safely cowered behind, and now that the castle has fallen, he isn’t quite sure what he’s supposed to do with the rubble.
What he does know is that there’s no putting things back to how they were.
His eyes search your sleeping face because if you were able to make him question nearly everything that made sense in his life, then surely you must also have the answers he needs to re-strike balance in his tilted world. Maybe they lie among the lashes that tickle your cheek, or in the occasional twitch of your mouth between your deep inhales.
But Sanemi is only left feeling more confused the longer he watches you. Because, despite the way he feels vulnerable and exposed at how easily he has been stripped of his guard, he can’t quite bring himself to believe it was entirely your doing.
His eyes widen. There’s his answer.
Perhaps you are not trying to sink your nails into his flesh to peel it back, to demand he be stripped to the bone for you to inspect, to scrutinize and use as you please.
Perhaps that is what you’ve done to yourself, and you’re waiting to see if you will join you; to know if he can volunteer his vulnerability, rather than wait for someone to come and force it from him.
He cannot make any promises. He has spent so much of his life cowering behind the armor he crafted out of his scars and his sneers and barks that were always more ferocious than his bite, that he does not know how to take it off. He does not know how to navigate the world without its weight, both his safety net and his chain. And there is an understanding in your eyes that signals you know that, too.
But he can try.
He mouths I love you against your hairline — he does not voice it, not yet, though it’s what he feels. But your love is a compass that just might point him down the road the leads to a life he so desperately wants; to you.
And he’ll get there, maybe.
In time.
LIKES, REBLOGS, COMMENTS APPRECIATED!
#demon slayer#sanemi shinazugawa#kimetsu no yaiba#kny#kny x reader#kny fanfic#kny sanemi#sanemi x reader#kny fic#demon slayer fanfic#demon slayer smut#kny smut#shinazugawa sanemi#sanemi x you#sanemi smut#demon slayer sanemi#kimetsu no yaiba sanemi#sanemi x y/n
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I’m the anon who sent the pregnant Reader ask! And omg Sugar Baby! Reader is such a delight. Imagine the absolute 😦😧😨 journey on Bruce’s face upon realizing this man who is closer to him in age, old enough to be his daughter’s dad not only MARRIED but had the audacity to knock her up to. I can see little menace Damian asking Husband plenty of indiscreet questions and being straight up rude. Bruce lets him, and he has plenty of questions for the husband, too. How dare he seduce Bruce’s young, impressionable and sheltered daughter, has he no shame?
And of course they offer for Reader and husband to stay at Wayne manor while she recovers. All the hotels in Gotham are suddenly booked so they have to stay over, right? Husband can go right back to work too, Reader will be fine with her family. And why don’t they look at midwives or some of the best hospitals in Gotham, consider giving birth here? Not that they all wouldn’t track the rest of her pregnancy and fly out when she gives birth, but it keeps things simpler.
The sad thing about this concept, fun as it is, it’s that the Batfam is absolutely going to ruin Reader’s relationship either by sabotaging her husband, his business, maybe plant cheating evidence for her to find like Meta! Reader’s prom date. Obviously they will all be there to help pick up the pieces and aid Reader in recovering as well as caring for the baby.
Bruce holding his grandchild and Damian as an uncle too! Wholesome despite the circumstances.
Adding to this and adding a slight NSFW warning for at the end!
☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️
See, I feel like the counter to this would be Husband having a begrudging Alfred in his corner. Like, Alfred isn’t happy about this guy being married to Reader. But, unfortunately, this is the healthiest relationship anyone in the family has ever been in and he doesn’t wanna ruin that for Reader.
Although, the petty passive aggressive bullshit Hubby’s gonna go through at the manor will probably escalate to the point of them sabotaging his business or making Hubby and Reader snap at the family together.
☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️
Reader’s not stupid enough to fall for planted cheating evidence. They know their husband (man’s too old to be trying that nonsense and they also take good care of him themselves.) Plus, they probably told Hubby about how neglected they were by their family. Hubby’s gonna be prepared mentally for the bullshit, even if it does eventually overwhelm him.
But, if you want angst, which I’m guessing you do. I’d say Hubby could tragically die. The family either went to far with the sabotage or an accident happened at work.
(Or, because the dude I imagined Hubby being is Philip Graves, he has to fake his death temporarily for work reasons. Oooo, hubby can grovel and show the Bat family how it’s done when he comes back.)
Either way, you have a distraught Reader. But, I would also add Reader has a difficult pregnancy . That’s why hubby was spoiling her so much.
Imagine the bat family dealing with a hormonal pregnant reader that blames them for their husband’s subsequent death while also being in pain?
☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️
Also, if the family ended up insisting y’all stay at the manor you KNOW your husband would fuck you on every available surface without fucking care. He’d clean you and the place up right after, but everyone in that house would know how good he’d be dicking you down.
Alfred don’t care, he dealt with horny Bruce. Bruce, though, he just sit in his bed silently screaming in his own personal hell. Everyone else is traumatized. Especially when you be calling hubby daddy when he be hitting it just right.
☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️
(I’m tagging this as SugarBaby!Reader and this is going to have to be a series at this point. One day, one day.)
#yandere batfam#yandere batfamily#batfam x reader#batfamily x reader#platonic batfam#yandere dc#yandere batfam x reader#yandere batfamily x reader#sugar baby!reader#anon ask#answered asks
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Speaking of Fingon, I like that Maedhros calls Fingon "Fingon the valiant" when he asks Fëanor if he is going to send the boats back to get him.
Because I can see three possible reasons for that, and I like every single one of them.
A funny one : at this point in time, what has Fingon actually done to deserve that epithet ? They're just on their way out of Valinor. Was he known as "the valiant" for his fearless rock-climbing prowesses ? His sartorial daring (first recorded Elf to have matched stripes with tartan) ? That one time he publicly told (to everybody's surprise, shock, amazement, relief) Fëanor to shut up as Fëanor and Fingolfin were having one of their customary shouting matches ?
A dark one : we know what Fingon has done to maybe deserve this epithet, at that point. He rescued his cousins' host in Alqualondë. That was valiant. If they ever called him that afterwards, that must have been a very bitter title to bear indeed.
A meta/angsty one : of course the events recorded in the Silm are not supposed to be happening in real time, but to be told, much later on, based on later records and songs and lore established in Beleriand. So the narrator calls him "Fingon the Valiant", because that is the name under which he is known in songs in ME. And that also involves that the audience intended for these songs is already supposed to know, at that point, that that Fingon that Maedhros is asking his father to go and get is the same Fingon that will eventually make his way to ME through the Ice, the one that will rescue Maedhros from his torment on Thangorodrim, the one that will chase Glaurung away, the one that will die a horrible, valiant death during the Nirnaeth.
#tolkien#silmarillion#tolkien legendarium#fingon#fingon the valiant#maedhros#feanor#silm meta#kind of
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Emmrich's Terrible, Horrible, No Good, Very Bad Fear of Death
spoilers ahead! this is about the conversation with emmrich right after When Plans Align if you're romancing him.
(edit: please click this link for the extended version of this meta)
so that argument, huh? there's something so amazing, effervescent, and spectacular about a writer who knows there's something left on the table and they come back to it in a big way.
i talked about this in part one of my sacrifice of souls meta; about how while a decision re: emmrich's mortality had been made (one way or another), nothing had actually been done about his fear of death. and this is truly the perfect time for it to come back—it is the eve of battle against gods, and the likelihood of everyone making it back unscathed is low, to say the least. it absolutely makes sense that emmrich's fear of death is rearing its head now.
what's fascinating, of course, is that depending on which path he chose, the precise fear that he brings up changes. if he's human, he's afraid of his death. if he's a lich, he's afraid of yours.
big thanks to @/maxwellhousebrandcoffeefilter for providing me a clip of the argument when emmrich is still human, so that i can talk about both sides!! let's get into it.
Such Years Between Us
Even under the best circumstances, you will outlive me, Rook. You've... grown to mean much to me and... I care for you, Rook! Deeply. But there are such years between us, I shouldn't heap you with that burden.
this side of the argument is so interesting, because it actually has very little to do with the upcoming battle and is basically entirely about emmrich having to actually reckon with the fact that he's significantly older than rook for the first time. for so long in this romance i think he saw the lichdom as this like, beacon on the horizon. he didn't really think about the reality of getting involved with someone younger than him because he always had the option to become a lich. no getting older, no slowing down, no dying.
and now that it's no longer an option, he's stuck with it. he has to think about it. he loves rook, and as he says, there are realities to the circumstances of their relationship that need to be considered! the only difference is that... rook already did. at the beginning. which is when these types of concerns are usually addressed.
which of course is why this turns into a full argument when emmrich insinuates that it's rook who couldn't possibly understand his concerns about fairness "at their age."
i'm so, so, so happy that rook gets to call him out on this path, because frankly, it is wildly unfair to them, just not for the reason emmrich thinks. he's so concerned that it's unfair because they're going to have to mourn them, but he doesn't consider that maybe rook has already considered that, and bringing it up now is a dick move. they can point-blank ask if they're having this conversation "because you're worried about me, or insecure about you?" and it's so good.
Like a Thread of Diamond Flame
I can see the life course through you, my love. Like a thread of diamond flame. Yet... I will lose you to time, Rook. What if I can't bear that for eternity?
the argument with lich!emmrich actually is partially about the battle ahead.... because he opens with asking rook to stay back and not throw themselves head first into the fight. he's concerned for their safety, and seems to have forgotten that in a fight against gods, no one can afford to hold back.
man, i love it when i'm right. i knew he hadn't properly considered the consequences of lichdom, and i knew he wasn't prepared for rook to die. but seeing it said so plainly? absolutely delicious.
this answers my question of why he'd been "moping" around, as harding said. because he's been overthinking things and imagining the future where rook gets old and dies and he has to live on afterwards. i think the full impact of mourning manfred has hit him and he's realized that the depths of his feelings for rook are such that it will be so much worse when it's them. "I'm afraid I'll mourn you forever." not remember them, not love them. those were a given, guarantees he made before he ever even did his rites. but he's afraid he will mourn them forever, too. and that's... unimaginably heavy. a weight he hadn't considered, but should have.
the way this argument ends varies, including a path where you call him on overthinking and sabotaging his own happiness. but my favourite? when you tell him he can't act like this every time danger looms, and rook says "I'm not going to be afraid of dying just because you are." there's something so powerful in just that one line—it cuts right to the heart of the issue. this is about emmrich and his fears. nothing else.
my only complaint with this scene is there's no opportunity to call emmrich out on the fact that he should have thought about this before becoming a lich. of course, i knew that he hadn't—it was obvious he was rushing things so that he didn't have time to get cold feet, but i wish rook could say so. especially since it's been all my rook could think about since the jump.
#word count: 887#emmrich#emmrichmance#dav#dav spoilers#dragon age#veilguard#veilguard spoilers#corentin pt#mine#da meta#my meta#emmrook#emmrich x rook
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Putting the Meta in "Metatron"
(couldn't resist the pun, sorry)
Ok, this has been tickling my brain for a while. I've been thinking about how The Metatron designed his role and discourse specifically to manipulate Aziraphale into the end result we saw in the last minutes of S2. I become obsessed with it because… well, I'm a bit obsessive, but also because there were many really smart writing decisions that I loved (even when I despise The Metatron exactly for the same reasons. Hate the character, love the writer). If you haven't watched Good Omens Season 2, this is the moment to stop reading. Come back later!
We already know that in Book Omens, the role of Gabriel in the ending was occupied by The Metatron. Of course, the series introduced us to Gabriel and we won a lot by that, but I feel that the origins of The Metatron should be considered for any of this. He is not a "sweet old man": he was the one in charge of seeing over the operation of Armageddon; not just a stickler of rules, but the main promoter for it.
However, when he appears in the series finale, we first are primed to almost pass him by. He is in the line for buying coffee, using clothes that are:
obviously not tailored (almost ill fitted)
in dark tones
looking worn and wrinkled
This seems so important to me! All the angels we have seen are so proud of their aspect, wear clear (white or off white) clothes, pressed, impeccable (even Muriel), even when they visit the Earth (which we have already seen on S1 with all the visits to the bookshop). The Metatron chose a worn, comfortable attire, instead. This is a humanized look, something that fools all the angels but which would warm up someone very specific, can you guess?
After making quite a complicated coffee order (with sort of an affable and nervous energy), he makes a question that Crowley had already primed for us when asking Nina about the name of the coffee: having a "predictable" alternative and an unpredictable one.
This creates an interesting parallel with the next scene: Michael is discussing the possibility of erasing Aziraphale from The Book of Life (a punishment even worse than Holy Water on demons, because not having existed at all, EVER is definitely worse than having existed and ceased to exist at some point) when The Metatron arrives, interrupts the moment and signals having brought coffee. Yup, an amicable gesture, but also a "not death" offering that he shows clearly to everyone (even when Michael or Uriel do not understand or care for it. It wasn't meant for them). He even dismisses what Michael was saying as "utter balderdash" and a "complete piffle", which are the kind of outdated terms we have heard Aziraphale use commonly. So, The Metatron has put up this show for a specific audience of one.
The next moment on the script has Metatron asking Crowley for the clarification of his identity. Up to this moment, every angel has been ignoring the sprawled demon in the corner while discussing how to punish Aziraphale… But The Metatron defers to the most unlikely person in the room, and the only one who will push any buttons on Aziraphale: Crowley. After that, Aziraphale can recognize him, and Metatron dismisses the "bad angels" (using Aziraphale's S1 epithet) with another "catchy old phrase", "spit spot", while keeping Muriel at the back and implying that there is a possibility to "check after" if those "bad angels" have done anything wrong.
Up to this moment, he has played it perfectly. The only moment when he loses it is when he calls Muriel "the dim one", which she ignores… probably because that's the usual way they get talked to in Heaven. I'm not sure if Aziraphale or Crowley cared for that small interaction, but it is there for us (the audience) to notice it: the sympathy the character might elicit is built and sought, but he is not that nice.
After that, comes "the chinwag" and the offer of the coffee: the unnecessarily complicated order. It is not Aziraphale's cup of tea (literally), but it is so specific that it creates some semblance of being thought with care, and has a "hefty jigger" of syrup (again with the funny old words). And, as Aziraphale recognizes, it is "very nice!" (as The Metatron "jolly hoped so"), and The Metatron approves of him drinking it by admitting he has "ingested things in my time, you know?". This interaction is absolutely designed to build a bridge of understanding. The Metatron probably knew that the first response he would get was a "no", so he tailored his connection specifically to "mirror" Aziraphale: love of tasty human treats he has also consumed, funny old words like the ones he loves, a very human, worn, well-loved look. That was the bait for "the stroll": the moment when Aziraphale and Crowley get separated, because The Metatron knew that being close to Crowley, Aziraphale would have an hypervigilant soundboard to check the sense of what he was going to get offered. That's what the nasty look The Metatron gives to Crowley while leaving the bookshop builds (and it gets pinpointed by the music, if you were about to miss it).
The next thing we listen from The Metatron is "You don't have to answer immediately, take all the time you need" in such a friendly manner… we can see Aziraphale doubting a little, and then comes the suggestion: "go and tell your friend the good news!". This sounds like encouragement, but is "the reel". He already knows how Crowley would react, and is expecting it (we can infer it by his final reaction after going back for Aziraphale after the break up, but let's not get ahead of ourselves shall we?). He even can work up Muriel to take care of the bookshop while waiting for the catch.
What did he planted in Aziraphale's mind? Well, let's listen to the story he has to tell:
"I don't think he's as bad a fellow… I might have misjudged him!" — not strange in Aziraphale to have such a generous spirit while judging people. He's in a… partnership? relationship? somethingship? with a demon! So maybe first impressions aren't that reliable anyway. The Metatron made an excellent job with this, too.
"Michael was not the obvious candidate, it was me!" — This idea is interesting. Michael has been the stickler, the rule follower, even the snitch. They have been rewarded and recognized by that. Putting Aziraphale before Michael in the line of succession is a way of recognizing not only him, but his system of values, which has always been at odds with the main archangels (even when it was never an open fight).
"Leader, honest, don't tell people what they want to hear" — All these are generic compliments. The Metatron hasn't been that aware of Aziraphale, but are in line with what would have been said of any "rebel leader". They come into context with the next phrase.
"That's why Gabriel came to you, I imagine…" — I'm pretty sure The Metatron didn't imagine this, ha. He is probably imagining that the "institutional problem" is coalescing behind his back, and trying to keep friends close, but enemies closer… while dividing and conquering. If Gabriel rebelled, and then went searching for Aziraphale (and Crowley, they are and item and he knows it), that might mean a true risk for his status quo and future plans.
Heaven has great plans and important projects for you — this is to sweeten the pot: the hefty jigger of almond syrup. You will be able to make changes! You can make a difference from the inside! Working for an old man who feels strangely familiar! And who recognizes your point of view! That sounds like the best job offer of the world, really.
Those, however, are not the main messages (they are still building good will with Aziraphale); they are thought out to build the last, and more important one:
Heaven is well aware of your "de facto partnership" with Crowley…
It would be considered irregular if you wanted to work with him again…
You, and you alone, can bring him to Heaven and restore his full angelic status, so you could keep working together (in very important projects).
Here is the catch. He brought the coffee so he could "offer him coffee", but the implications are quite clear: if you want to continue having a partnership with Crowley, you two must come to Heaven. Anything else would be considered irregular, put them in a worst risk, and maybe, just maybe, make them "institutional enemies". Heaven is more efficient chasing enemies, and they have The Book of Life as a menace.
We already know how scared Aziraphale has always been about upsetting Heaven, but he has learned to "disconnect" from it through the usual "they don't notice". The Metatron came to tell him "I did notice, and it has come back to bite you". The implied counterpart to the offer is "you can always get death". Or even worse, nonexistence (we have already imagined the angst of having one of them condemned to that fate, haven't we?)
When The Metatron arrives, just after seeing Crowley leave the bookshop, distraught, he casually asks "How did he take it?", but he already knows. That was his plan all along: making them break up with an offer Aziraphale could not refuse, but Crowley could not accept. That's why he even takes the license to slightly badmouth Crowley: "Always did want to go his own way, always asking damn fool questions, too". He also arrive with the solution to the only objection Aziraphale would have: Muriel, the happy innocent angel that he received with so much warmth and kindness, is given the opportunity to stay on Earth, taking care of the bookshop. The only thing he would have liked to take with him is not a thing, and has become impossible.
If God is playing poker in a dark room and always smiling, The Metatron is playing chess, and he is quite good at it (that's why he loves everything to be predictable). He is menacing our pieces, and broke our hearts in the process… But I'm pretty sure he is underestimating his opponents. His awful remark of Muriel being "dim"; saying that Crowley "asks damn fool questions", and even believing that Aziraphale is just a softie that can be played like a pipe… That's why telling him the project is "The Second Coming" was an absolute gift for us as an audience, and it prefigures the downfall that is coming — the one Aziraphale, now with nothing to lose, started cooking in his head during that elevator ride (those couple of minutes that Michael Sheen gifted to all of us: the shock, the pain, the fury, and that grin in the end, with the eyes in a completely different emotion). Remember that Aziraphale is intelligent, but also fierce. Guildernstern commited a similar mistake in Hamlet, and it didn't go well:
"Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my compass, and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me."
I'm so excited to learn how this is going to unfold!! Because our heroes have always been very enthusiastic at creating plans together, failed miserably at executing them, and even then succeeding… But now they are apart, more frustrated and the stakes are even higher. Excellent scenario for a third act!
*exits, pursued by a bear*
#good omens#good omens 2#good omens meta#good omens spoilers#aziraphale#ineffable spouses#ineffable divorce#narrative analysis#character analysis#the metatron#and a casual Hamlet quote#just because I love Hamlet
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A fun, happy dc story for a change
Look I can be very critical of Winick's writing because I'm so ambivalent about it but damn if it isn't, on a meta level, a really satisfying spite story.
At the core of this story, there is Jim Starlin. Now Starlin's writing has many flaws, not least of all the blatant racism and sexism. And if there's one thing Jim hates, it's Robin. He wants to kill that little boy so bad, oh how he hates that bright coloured child in tights that's just holding Batman back from reaching his true potential as an absolute badass... And hey, good news! Dc, in trying to bring a second Robin after the first got a new identity, has dropped the ball, and the new boy is unpopular amongst the fans who miss the previous iteration! This is his opportunity to kill Robin, definitely!
But how? People may not have voted him dead yet, but Jim is already planning, setting up plots and trying his damndest to get him killed. And the thing about Jim- the thing that makes him a good writer, you see, the thing that separates him from those losers who fail to see Batman's true potential, is that his writing is gritty. He's not afraid to write a true dark knight facing the grimdark horrors of a town laden with crime, to shy away from the real dark, gritty topic that are mature and dark like rape. And uh, sexual violence against women. And uh, serial raping and killing women. (I'm kidding, of course, I didn't forget the native american cult leader who bathes in blood to prolongate his life. Or about the kgb agent Batman straight-up kills after he tries to kill Reagan. Or about the suicides, god I haven't forgotten about that. Don't worry.) But anyway, sexual abuse in general is a big theme for Jim. It shows how serious and dark and gritty he can be. So he has an idea: why not make Robin a child sexual abuse victim and give him AIDS? That way that's a justification to write Robin unlikeable (by making him emotional when exposed to situations of sexual abuse, unable to restrain his anger when defending a prostitute...) and at the same time it's the perfect way to kill Robin! DC has been considering giving a character AIDS, it's perfect! It will show everyone how dark and gritty Jim's writing is, he can make Robin even more unlikeable on top of how people are upset about the transition between Robins, and then he can finally kill Robin! It's perfect! Jim is a genius!!!
Now, of course, we know that plan failed: first because dc rejected Starlin's idea for Jason to die of AIDS, and second because as soon as Jason (as a character, which is what DC apparently had a problem with) died, they fired Starlin as a Batman writer and introduced a new Robin, making Starlin's vehement campaign against a fictional fifteen years old completely vain.
So that's it, right? Crisis avoided, we almost had some even worst writing that what already was, everyone sigh in relief and go home?
Enter Judd Winick stage left.
Now, remember how DC wanted to give a character AIDS? In 2003, Green Arrow #43 reveals that Mia Dearden, Oliver Queen's ward and a csa survivor of underage prostitution, is HIV positive, and in #45, she takes on the mantle of the second Speedy, becoming, according to Wikipedia, the most prominent HIV-positive superhero to star in an ongoing comic book. (And also one of my favourite comics characters, but that's unrelated.) An important thing about Winick, who wrote those issues, is that he is personally invested in education about AIDS, continuing his friend Pedro Zamora's educational work after his death of AIDS-related progressive multifocal leukoencephalopathy. (He also wrote a graphic novel about it, called Pedro and Me: Friendship, Loss and What I've Learned). So kudos! We finally got someone who has done research and actually holds respect for HIV+ people writing HIV+ characters. And Mia is so cool, man- but not only is she a really interesting character, she is, first and foremost, a survivor. That's how she characterizes herself, sees what happened to her: she did what she had to do to survive, and now she's a fucking superhero and she's here to help others and you know what she's not gonna do? Die "of AIDS."
Yeah, I haven't forgotten Starlin's terrible writing. And, if Winick's writing is any identification, it seems like he hasn't either. The idea of making the second Speedy a parallel with the second Robin isn't groundbreaking, but it's cool that it's there (and also, incidentally, a reminder that parallels are interesting and fun and backstories are not a finite resource characters can run out of or steal from eachother.) Anyway, this includes Winick altering Mia's backstory and making her a street kid to make it more similar to Jason's, as well as Mia's on-screen murder offering a nice parallel to Jason's ambiguous murder in Starlin's Diplomat Son (a parallel I can't help but regard with vindicative snark, because that's how you handle a teenager who has just caused, directly or not, a man's death out of hopelessness in a situation that felt impossible. A little snark of See? Now this is how it's done. Yeah, Starlin's Bruce isn't winning any parenting against Winick's Ollie, that's for sure.) So there it is! Our fun spite story, Winick taking on Starlin's terrible ideas, a teen vigilante and survivor taking on a hero identity to mirror a teen vigilant's loss and death, a good old fashioned schooling. Cool? Cool!
And then, in 2005, Winick buries Starlin's last remaining impact on DC by bringing back Jason Todd, in a move so audacious in the back-then landscape it would be kinda akin to bringing Ben Parker back to life in Spiderman's life as a villain (please don't tell me this happens in the comics I don't read Marvel and if someone wrote that I would honestly prefer not to know). Now, of course, the impact of Jason's death on the narrative can't and shouldn't be undone by that move, but that's not important, because that's not what Starlin wanted when killing Jason - he wanted to kill Jason/Robin, not give everyone grief-induced hallucinations where Jason/Robin had an incredibly salient place in the narrative, so he didn't get what he wanted anyway.
Personally, my view on Winick's writing of Jason is contrasted (and the fact that there are some elements of Starlin's characterization of Jason that I prefer to Winick's deeply amazes me, incredibly ironic situation. Which only serves to point that even Starlin' goal of making us hate his version of robin failed drastically, as me and my jaybin fan mutuals can attest. Sucks to suck!). But as much as some of the decisions frustrate me, do you understand how much of a power move it is to take this child, this victim who has been victim-blamed for years, and bring him back to life with a vengeance and a demand that his life mattered, that his death was a bad thing that shouldn't be tolerated? Do you know how good that story feels, especially to victims when reading it and see that indignation validated, that rebellion against the status quo and victim-blaming, how good it feels to see a "bad victim" that refuses to stay down ? And in the context of Starlin's intent to write Jason a CSA victim, Winick writing Mia, the HIV+ plot for them both- do you understand the genuine and violent glee I feel, that it's Winick that wrote Jason coming back to life and hunting down the narrative with a machine gun?
So yeah. This is the context in which I talk about acknowledging the csa subtext in Green Arrow: Seeing Red, but this post isn't about lecturing you to accept it as canon or imply that you're bad for not sharing that interpretation. It's about spite -towards Jim Starlin specifically. And it's about that interpretation, but the context in which it was written in general, is not just a victory against Starlin, that guy lost long ago, but the narrative equivalent of that Green Arrow meme about taking a funny selfie over a gravestone. In Seeing Red (specifically in the line that's discussed when questioning the csa headcanon), Jason tells Mia they are similar because of what they had to do to survive, framing the sexual trauma on Mia's part (and thus allegedly also on Jason's) again firmly on the side of survival rather than victimhood. Whether it's by becoming a villain or a hero, there's this rebellion against being an object to the violence, which is at the core of Starlin's treatment of sexual violence. This is fun. We're having fun. I'm repeating myself, but do you understand how satisfying, electrifying it is? I'm filled with unreasonable amounts of glee. You don't always need the context in which a story was written to enjoy it but in this case, doesn't this make it so much more enjoyable? (And on top of that, kudos to Winick for killing Captain Nazi, I hope it was as satisfying to write as it looked.) Anyway, Mia Dearden and Jason Todd, the characters that you are. I love them so much.
#mia dearden#judd winick#speedy#speedy ii#red hood#robin#robin ii#jason todd robin#mia dearden speedy#dc#dc comics#jason todd#batman#green arrow#dc meta#jason meta#mia meta#jason mia duke steph... i have a dc character type and it's “defiant” i'm afraid#it's so satisfying
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Navigating the Conflict in My Stand In: Surrender and Softening in Love
(Disclaimer: Ming/Joe is an incredibly toxic relationship; I fully realize and acknowledge that, but Poom makes a critical distinction in Joe's reasoning, and I think it's interesting to dissect. Also, this is fiction.)
It's been some time since I've written any meta, but I can't stop thinking about the video @poomphuripan shared of Poom making the distinction that Joe isn't giving in to Ming, but rather, his heart is melting for him.
It makes so much sense that Joe would melt at the littlest semblance of 'love.' He was so alone for so long. His parents have been dead for longer than he had them, he has no siblings, and his extended relatives don't care about him. I forget if it's mentioned in the show, but in the novel, Joe had a pretty big crush on Sol, and Sol rejected him quite brutally. Even without meaning to be, Joe is always alone at the end of the day.
Yes, Joe has friends, and yes, Joe made his own found family. But at the end of the day, Joe would return to an unlit, empty home. Everyone else would return to their wives or families, while Joe could only return to the pictures of his parents. Meanwhile, for all of Ming's bs and frightening behavior, he was the only one that made his dream come true.
For the first time, with Ming around, Joe would come home and be greeted by the warmth of another living, breathing person. Joe craved to have a human bond, and Ming was the one who was willing (albeit for his own interest) to give it to him. And he cooked for him. He took up space in his home! He remembered the very things Joe had told him he longed for. They had a lot of good times, a lot of good memories, and a pretty set routine that really integrated Ming into Joe's life. But then they fight, his blissful reality breaks, and Joe dies.
But Joe wakes up from what feels like a day's nap when, in actuality, two years have passed. And what does he find? Ming has cared for his apartment since his death and is unwilling to change anything just in case Joe returns. Ming continues to fulfill Joe's dream of returning to a warm home. So he turns on the lights, and he cooks the same dinner that they used to share for two years. And even in his rightful anger of wanting Ming to leave him alone, he's still seeing that. In the two years since his disappearance, someone still thought about him and hadn't fully grieved him. Ming's brother only confirms that.
Giving in would mean that Joe wanted to end the fight with Ming, when no feelings had changed. It'd be him emotionally surrendering himself, compromising his feelings of being just a double for Tong, and fully conceding himself when he still thought that Ming only saw him as a replacement. While Joe might have given Ming access to his body to pay his new mom's debts, he was still blocking Ming out as much as he could. But that's not why Joe forgives Ming; it's not for a superficial reason to stop the feud. There's a visible shift in how he perceives Ming, the guy who waited two years for him, who protected and filled his home with warmth, just in case he wasn't really gone. His motivation was rooted in the slivers of positive feelings he had for Ming, which allowed him to move past the anger that he held for him.
A quote that I've seen floating around the internet for years comes to mind. "And when nobody wakes you up in the morning and when nobody waits for you at night and when you do whatever you want. What do you call it? Freedom or loneliness?" Joe has had that freedom for the majority of his whole life. It's no longer freedom for him. But even his found family isn't fully aware of the loneliness that would wash over him when he would return to an empty home.
After all is said and done, he sees that only one person knows him intimately enough to understand and learn even the most mundane of his desires. Ming, even with all the toxic shit he has pulled, stood by his word of not letting Joe return to an empty home. For Joe, that was enough. It changes how he sees and understands Ming.
It's also why Sol and Joe would have never worked out.
As Poom said, ultimately, it's not that he gives in to Ming but rather he lets his heart melt when he sees exactly what Ming has done for him in his absence.
Even after everything, Joe still loves him.
#i make fun of them and say joe is the sacrificial lamb so ming can never fuck anyone else up#but I also completely understand why joe would fall back in love with him#first time writing meta since the penultimate dff ep so thought organization is a lil wack... apologies lol#my stand in#my stand in the series#up poompat#poom phuripan#joeming#mingjoe#joe x ming#thai bl#thai actors#bl meta#bl actors#thai bl meta#thai meta#ming x joe#professional body double#porsche tanathorn#uppoom#mek jirakit#my stand in joe#my stand in ming#my stand in spoilers#steph rambles#syrena-del-mar meta
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Through the Looking Glass
From fairytale in Season 1 to stark reality in Season 2 of Our Flag Means Death- meta ported across from this Twitter thread by popular demand!
This thread contains spoilers for the entirety of OFMD Season 2
First OFMD S1 rewatch since S2, and holy shit, if you haven't done that yet... do that. A thing that it made instantly clear: they told us *all along* where this was going, but there was a reason we didn't see it. Because we were living in Stede's world then. Now it's Ed's.
I know that a lot of us have felt that the tone shift at the end of S2 was... jarring, compared to what's come before. This felt like a show that wouldn't go there. One where being run through was a temporary hiccup. We've travelled all the way from this to this.
But we haven't jumped there without a journey in between. And from the minute we started hearing about Blackbeard, the show never tried to hide what Ed's world and his specific life was like. Not once. In fact they told us over and over and over.
But Season 1 told us a lot of those things through song and story and fuckery. It blended reality with fiction.
Stede met the Blackbeard he knew through books and tall tales, and the real man was even more wonderful than he'd imagined.
We, along with Stede, were comfortable thinking that all those other tales were exaggerations and misrepresentations, and a lot of them very likely were.
The Ed Stede got to know was a person who was capable of whimsy and silliness and loved soft things and doing something weird. Yep, he was also capable of violence and rage, but when he was with Stede, he didn't feel it so much.
This was a vacation from that life.
To Stede he was absolutely lovely... oh, and also a bloodthirsty killer. And Stede loved (and loves) everything about him, and both of those things can be true. This is a perfect example of a spot where (in watching Season 1 without the benefit of hindsight) I assumed that everyone else in that pub was wrong, and Stede was simply trying to protect Ed's fearsome reputation by agreeing on the bloodthirsty bits. And I think from Stede's perspective that was largely true. I think that's how they wanted us to see Ed, through his eyes. Now, after watching both seasons, I think it wasn't the whole picture.
They told us, we heard it, we saw glimpses of it. But we (and Ed) were in Stede's run-away-to-sea fairytale the whole time. It wasn't until Stede left that we saw the reality- the Ed we knew had been, to a degree, a fictional character all along. I always saw this scene as Ed putting a bit of distance between himself and reality; it always felt like the Blackbeard of Stede's storybooks was the fictional one. But now it feels like the softer Ed that Stede knew was much the same- neither of them the whole story of who Ed was and is.
The one person who refused to live in Stede's fairytale was Izzy. I've seen people say it before, but he always gave off that vibe of the only human in the Muppets movie, or the guy who was in Black Sails while everyone else was in Pirates of the Caribbean. He saw the real risks clearly.
And in that light, the end of S1 has shifted an inch to the left for me, and I'm seeing it at a slightly different angle.
Izzy ripped away the healing Ed was doing, but in some respects he did it by tearing away the fairytale we'd all been living in, shoving Ed back into the Blackbeard story.
And that's where we pick up again in Season 2.
The fairytale reference came back in S2 in two notable places, those being Jim carrying that legacy forward in the darkest times, and in Izzy invoking the wooden boy against Ricky's efforts. Stede's made himself into a real boy. Ricky, nope.
Now that I've watched both seasons together, the tone shift doesn't feel so jarring at all, actually.
It feels like sliding through the looking glass, out of Stede's world, and into Ed's- a world that existed all along; we were just seeing it, la vie en rose, through Stede's eyes.
At the beginning of S2, Stede's gone, and we're seeing it unfiltered through Ed's reality.
But Stede wasn't lying when he said he loved everything about Ed. He made a promise to come back and find him- he went down into Ed's darkest place and reminded him that no matter how bad things got, there WAS someone waiting for him, ready to love him.
The contrast between S1's fantasy and S2's reality (excluding mermaids and actual bird guys and cursed coats) is stark, but it really is that.
We have the same settings, the same people, and very different ideas and outcomes at different times.
But it was always there.
Things do come back to a state of (precarious) balance once they're all together. Apologies are made, whether they're spoken out loud or through actions. Things go right, things go wrong. Healing happens. Izzy continues to have the steadiest, most real through-line in the story as he tracks toward redemption, finds acceptance, and to an extent finds himself.
Once again, I hate that they went here with the ending and I wish they hadn't. But it got a fraction easier for me looking at it not as a continuation of Stede's fairytale, but of the grounded-in-pirate-reality arc Izzy was always on, even while we lived in Stede's world.
Where does that leave us? We're not going back to the fairytale, but we're not going to be living in Black Sails for S3, either. We've hit a fusion point where S1 ended with each of them going to separate, miserable homes, but S2 ended with them in the same place, ready and willing to make a go of it.
Season 3 is going to give us their world, together.
I LOVED the moments in this season where the deep emotions were in balance with the silliness I've always adored about this show. Eps4-6 were wonderful like that. Clearly we're not done with drama, either, but like Ed and Stede, I think we'll find a middle ground.
Anyway in conclusion, a rewatch of S1 after S2 somehow made me love the first season even more, which felt impossible? It's now gained /even more/ layers of depth than it had before. No matter how you feel about S2 I think it's worth that rewatch.
Adding one more bit of clarity for myself: I think we got a bit (intentionally) seduced in S1 by the idea that the Ed of the storybooks, the Vampire Viking Clown with the nine guns, was a version of him that others saw, when Stede saw the REAL person who 'worked' for Blackbeard.
In hindsight I think it's clear the Ed Stede go to know was also not the complete version of himself- the reality is, there's a whole spectrum between the two, and they've landed in the middle of it now. Ed intentionally leaned into the unlovable Kraken image to protect himself.
It very much didn't work, just like being just... Edward hadn't worked to protect himself, either. This season has been very much about pulling those two extremes together and finding all the parts that make up Ed overall (another thread on that here on Twitter, which I'll also shift across to Tumblr soon!)
And I think one of my favourite things in S2 has been seeing the way Stede SEES that- he knows what Ed's done, everyone's told him, but he still loves Ed. sees his trauma and how it affects him, and believes he's a good man regardless. He IS lovable; he's not forever broken.
And together, they can heal.
#ofmd#our flag means death#gay pirates#ofmd meta#unreliable narrators#fantasy vs reality#ofmd spoilers#ofmd s2 spoilers
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STORIES TELLING: NED LOWE AND THE DEATH OF POOR REPRESENTATION IN OUR FLAG MEANS DEATH
In history, Ned Lowe was one of the most sadistic and violent pirates in the early 18th century, so he’s an obvious choice for a villain for season 2, episode 6 – Calypso’s Birthday. What is interesting is what the OFMD writers chose to do with him.
Lowe announces himself to the crew of the Revenge with great fanfare (cannon ball attack) and gets right to the point.
Ed is thoroughly unimpressed.
Cut to Ed and Stede tied up while Ned attempts to set the mood so he can monologue about why he wants to kill Ed.
Ed knows what’s coming. He is going to suffer but he still can’t be arsed to meet Ned with anything but vaguely bored dismissiveness (and Stede is happy to play along).
Up on the deck, Ned prepares the crew for his big, dramatic moment of symphonic torture.
Note that the Revenge crew is tied down, braced by vices and generally unable to protect themselves from imminent torture and possible death, but their spirits are up. They don’t seem terribly fussed.
Then Stede uses his people positive management style to happily orchestrate a worker uprising in Ned’s crew.
Ned’s crew responds instantly; severing their allegiance to Lowe and telling him off.
The crew sails away and talks profit sharing while Ned dully threatens to hunt them down.
Ned is now a prisoner of the Revenge crew and seems entirely disinterested in his own survival.
And Ned sinks to the depths, without struggling at all.
There is a lot going on in this episode: pay and labor equity direct action, gay love engagement bliss, kink humor, Stede being a hero and saving his crew by playing to his strengths, then having to decide whether to kill in cold blood and feel the consequences of that choice. Ed having one more reason to be done with piracy (while being so impressed with and fond of Stede), and then watching his man make a fraught choice and having to deal with the fallout from that. (And, damn, I haven’t even mentioned the passionate sex bit.) Anyway, back to the point.
Now for the the meta part
The Ned Lowe sequences are perfectly in keeping with OFMD’s signature blend of madcap violence, humor, and big emotional gut punches. But something about Ned Lowe just strikes me as off for this show.
Ned is seriously threatening the crews’ lives, so why don’t they take him seriously?
Why does Ned have such a boring, throwaway backstory?
Why is Ned so nonchalant about his own death; like it’s a foregone conclusion?
Why does Ned have a silver violin and silver spurs on his slip-on dress shoes?
Why is Ned sartorially monochromatic?
And then I realized who Ned reminds me of.
This guy,
Earnst Stavro Blofeld in the James Bond film Diamonds are Forever (1971)
And this guy,
Scar in Disney's The Lion King (1994).
And this guy,
Xerxes, 300 (2006).
And it sure seems like Ned Lowe isn’t just an episodic villain. He is an archetype of the one-dimensional, stereotypical queer-coded villain that has been endemic in film and television throughout history. The OFMD writers have a lot to say about what to do with this kind of character:
Don’t respect him.
Feel free to openly mock him.
Don’t let him take your joy, even though he will hurt you.
He won’t disappear on his own. You have to throw something at him (take action) to make him go away.
Once he’s in the water, he’s content to drown. He’s not into what he’s doing any more than you are.
Oh and, just to be clear,
The LGBTQIA+ community has a very long history of turning shit media into better stories. So, hey, big media, prepare to have your crap characters wrecked (improved).
Now, back to our transformative pirate show with rich, complex queer characters and a multi-layered plot that surprises me every week and makes me feel big feelings - most of all, joy.
Final thought: I do wonder if Ned Lowe is monochromatically silver as a tribute to/poke at, Hollywood and the silver screen.
This meta was written before OFMD season 2 has fully aired. No idea what’s going to happen in the finale (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after episode 8 airs.
#JFC the OFMD writers have game#OFMD writers do not like stereotypes and know what to do about it#One-dimensional stereotypical queer-coded villains#OFMD meta#Ned Lowe#Thank you David Jenkins#Thank you Alyssa Lane#Thank you Alex Sherman#Thank you Eliza Jimenez Cossio#Thank you Zarye Ferrer#Thank you William Meney#Thank you John Mahone#Thank you Jess Tom#Thank You Natalie Torres#Thank you Simone Nathan#Thank you Adam Stein#Thank you Yvonne Zima#Thank you pocket friends for being awesome and keeping me curious and inspired#Our flag means death#OFMD S2 E6#Calypso’s Birthday#OFMD S2 spoilers#OFMD S2 E6 spoilers
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I just love it when death note adaptations get meta. When they point out that this story has already been told before. Deep down, L and Light know they're bound to their roles, that they've done this all before, and that this story can only and will only ever go one way for them.
#death note#death note musical#death note drama#death note jdrama#light yagami#L lawliet#in the musical it works as light 'writing' their game to an end while also meaning their story already has a pre-written end#I know this is mostly the musical but “this is the only way we could have met” was such an atom bomb of a line from the jdrama#if they do this in any other adaptation too please let me know#I've watched a bunch of them but the musical and jdrama are my favorites so they're on my mind all the time I might be biased#musical and jdrama supremacy sorry (not really sorry)
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Calling all lovers of darkfic, grimdarks, creepypastas, and scary stories! I had yet to see a monthly writing event themed around horror, so I made one! The event will occur in September, so you have plenty of time to get ready.
If you feel like participating, tag your fills with #horrortember2024, and I'll reblog as many as I can! Fanfic is strongly encouraged, but original fiction is accepted as well. And, depending on how many people join, I'll post a list of completionists or participants at the end of the month!
A written list of prompts is under the cut:
1. AND THIS HAS ALWAYS BEEN WHAT I DESERVE, FOR MY TEETH TO JUST FALL OUT: body horror, parasite, gore
2. BUT THEY SAW SOMETHING THAT’S REAL: pretending to be human, identical, visceral
3. WHO’S AFRAID OF THE BIG BAD WOLF: vampires, zombies, werewolves
4. IT’S ALWAYS BEST WHEN THE LIGHTS ARE OFF: music, silence, echoes
5. BURIED ABOVE THE GROUND: dust, overgrown, forgotten
6. WHAT HAVE I DONE: losing memories, possession, cursed
7. DREAMLESS SLEEP: sick, survivor, injury
8. NOW ONLY DOGS WILL FOLLOW ME: cannibalism, eaten alive, maggots
9. HAVE YOU HEARD THE STORY OF THE RABBIT IN THE MOON: meta, cosmic horror, forbidden knowledge
10. WE DIDN’T GO IN THERE ALONE: hunted, solitary, darkness
11. YOU CAN’T RUN FROM ME FOREVER: obsession, yandere, overpowering emotions
12. I WEEP AND SAY GOODNIGHT, LOVE, AS MY ORGANS PACK IT IN: doomsday, apocalypse, certain death
13. WHAT DO YOU KNOW: nightmare, prophecy, inevitable
14. I CAN MAKE THE WORLD SEEM SLOW: polaroid, motel, record player
15. DON’T KNOW WHO I AM ANYMORE: doll, reflection, facet
16. NEVER SHALL WE DIE: immortality, decay, cyclical
17. WHAT DID YOU BURY BEFORE THOSE HANDS PULLED ME FROM THE EARTH: oops, self-made monster, playing god
18. SHE’LL SAY SHE LOVES YOU, EVEN THOUGH SHE ONLY WANTS TO STEAL YOUR SOUL: haunting the narrative, inseparable, devotion
19. ARE YOU ALIVE, AM I AWAKE: chills, hallucinations, paranoia
20. IN THE RED, YOU’RE BETTER OFF DEAD: hunger, craving, unconventional needs
21. HOW DO I BREAK YOU BEFORE YOU BREAK ME: unreliable narrator, serial killer, manipulation
22. THERE IS NO END: help isn’t coming, final girl, trauma
23. LIFE CAN BE LIKE A DREAM: gone wrong, descent into madness, distrust
24. HEAR THEM LAUGHING UNDERNEATH: hollow, below the surface, remnants
25. I’LL SAY GOODBYE SOON: timeloop, lesson learned, consequence
26. NO CURE IS COMING NEAR: animals, rabies, primal fears
27. WHY DON’T YOU LET ME BE FREE: hanahaki, soulmates, trope inversion
28. AND THEN HE STARTED LAUGHING UNTIL HE CRACKED HIS JAW: butterflies, roses, sunshine
29. WHERE LIFE IS BEAUTIFUL ALL THE TIME: man-made, perfection, out of place
30. YOU ARE CALLED TO THE TREES: climb, descend, mass migration
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Okay so I saw this post about dark percy (really him reaching his Limit and fighting full strength with everything he had) and I was imagining the potential fallout of that. Pretty bad, as you can guess.
The thing is a lot of percys strongest moments happen out of view of the olympians, especially in hoo. The hurricane atop the glacier in alaska, the poison scene in tartarus, bending the depression river and the one in the palace of nyx.
Stuff like the St Helens eruption got him washed up on an inescapable island literally removed from reality until calypso gave him the OK, the achillies curse he got tricked into losing by hera. Smaller moments, the minotaur, fighting ares, the stolen pirate ship, walking on water vs hyperion, freshwater sources, him knowing both Latin and Greek, they're more easily brushed off or at least mostly due to cunning, sword skills and sheer luck and grit.
But basically the olympians don't actually know the full extent of percys strength and divine power. They have hints - percy standing on the throne, winning against ares, his many victories - but what they aren't willing to brush aside in the heat of (an important) battle there have been pretty strong consequences for.
Heck, just look at Frank, he's no prodigy with weapons, he's polite and respectful, but his distant relation to two olympians letting him inherit shapeshifting earned him direct divine meddling and his life force tied to a hunk of half toasted firewood. Man is a honey bear with lactose intolerance and he was punished with a mythical death curse for being too strong.
If Percy's true strength came out, he would risk losing everything. His freedom, most certainly. If he wasn't straight up executed he might wind up in a Greek myth style imprisonment, the way of atlas, prometheus, calypso, or something like the myriad of ways Greek heroes met their end. Good scenario he survives a dozen curses and gets on with life with a dozen new disabilities, best case scenario he's stripped of every inch of divine power and dropped back to the mortal world, not even clear sighted. Total separation from the Greeks and Romans. Oh, annabeth would marry him either way, and his friends would hardly abandon him despite the gods wishes, but they'd hardly be able to see him, and no long range contact without the ability to IM him or vice versa.
All of that to say Percy is hiding his true strength from the gods themselves - maybe not consciously, and it's not even power he particularly wants - but if they ever find out?
It's game over.
But why is he so strong? I don't know. What I do know is that the half bloods of the books are so much stronger than the ones of myth. Used to be that divine blood would get you divine favour and a great fate whether you liked it or not. Maybe some cunning and bow skills. A spot of spell casting if you were really lucky. Achillies got his curse after he was born, Perseus had a dozen magic artifacts, orpheus had something going on but hercules is to my knowledge an outlier. Now? Everyone in camp has some special power. Flight, fire, necromancy, hypnotism, dream walking etc. However it's happening, half bloods are slowly but surely getting a lot, lot stronger every century that passes. Meta? I mean I guess. But.
What no one has done before is something that their godly parent couldn't.
Except.
Except Percy.
Except Percy, in tartarus, at his mental, emotional and physical limit, controlling poison with his mind, overpowering the goddess of poison in her home, making misery choke on misery. Feeling something in his chest crack. Doing something poseidon could not, and doing it better than the person who could.
Down there, hidden away from the gods, he evolved. For that brief moment, he did something, was something new.
And that was how the gods overthrew the titans.
And that's why they must never find out.
#In terms of extrapolating meta 'percy Jackson unknowingly being maybe the first of a new generation of increasingly powerful#Half bloods that would be in line with overthrowing the more powerful but complacent olympians as the next in the long line of toppling#Ancient and established lineages of divinity' has to be one of my favourites. Give it a few more centuries and they might actually be in#Danger lol#And the olympians would NOT be happy but would they solve the issue at its roots and stop having kids? Doubtful :)#Even just three of them who barely had anything to do with land or mortals couldn't keep it in their pants for more than half a century#Hestia and chiron remain the mvps as always lol#I got distracted from a story idea with lore dang it#pjo#pjo hoo toa#pjo series#pjo fandom#percy jackon and the olympians#heroes of olympus#percy jackson#Pjo dod#hoo series#pjo hoo#the heroes of olympus#perseus jackson#pjo meta
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