#I just like the concept of them teaching each other new things

[lynxgriffin]

Hi there! Just wanted to say that I love your suselle art! Do you have any cute headcanons about the two that you haven't made art for?

Awww thank you so much!! Super glad you've been enjoying the art!

And man, tough to think of something that I haven't tried to draw yet! Although I did just think of something that might be real cute...like, Noelle imagines that Susie would be all badass and cool if she had a motorcycle, only then Susie reveals that she doesn't even know how to ride a bike, since she's never owned one and no one bothered to teach her. So Noelle takes it upon herself to teach her how to ride a bike, and Susie is extremely doofy and awkward on it, but keeps insisting that she just wants to get to the part where she can learn sick bike tricks to do with it.

[augustinewrites]

just alhaitham realizing he wants a baby with you... cw: pregnancy, children

alhaitham is in the middle of reading, spending his lunch hour tucked away in a quiet corner puspa cafe when he feels a poke at his arm.

he slides his headphones off, looking over to see a child standing next to him, clutching something to her chest. 

“excuse me– mister scribe sir?”  

the scribe sighs, tucking his book away. “just alhaitham is fine.”

the child blushes furiously. “oh, um, mister alhaitham sir, my teacher says that your job is reading. could you read this for me please?” 

that was an incredibly juvenile description of his job, but he doesn't correct her. the girl slides what alhaitham recognizes as the children’s book that tighnari had written (and collei had illustrated) to teach the basics of forest safety. the storytelling was mediocre and the illustrations were average, but he supposed they were sufficient enough for children who had no higher education.

alhaitham glances at the clock. he still has a half hour left of his break, and he was nothing if not an advocate for educating young minds.

—

“the lesson is to always be prepared when traveling through the rainforest,” alhaitham explains, closing the book. “there’s always a high probability that you’ll run into fungi, especially if you're on foot like little cyno was. you’d do well to add a variety of antitoxins to your first aid kit.”

the girl considers this, brows pulled into a furrow as she sips at the sunsettia juice he’d ordered for her. 

“why didn’t little cyno just go around the fungi when he saw them? then he wouldn't have gotten the sports.”

“the spores,” alhaitham corrects. “but your point stands. common sense is perhaps the most effective survival tool.” 

children, with their inquisitive and imaginative minds, were adequate problem solvers. they didn't overthink things, instead utilizing a simple, pragmatic way of thinking. 

he wouldn't mind raising a little scholar of his own with you. 

he’d thought a normal amount about having a child before. typical musings, like when he would have one (after school, after securing a decent job). or what their names would be (esfir for a boy, laila for a girl). who would bear his children (the only person he’d ever considered was you).

but these aren’t idle musings anymore. this time, the idea hits him full force, quickly spiraling into a hope. a dream for the future. 

a boy with his eyes and your smile. a girl with your hair colour and his nose. how you’d raise them together, how they’d grow to be intelligent, inquisitive, creative, and endlessly compassionate.  

“sweetheart, there you are!” a relieved voice exclaims. 

the girl sitting across from him perks up as her mother runs up to the table, her smile widening. “mama! mister alhaitham read me a book!”

“i'm so sorry she interrupted your lunch, sir,” the frantic mother looks sheepish as she apologizes, but alhaitham dismisses it with a wave of his hand. 

“it’s alright. if anything, this experience has been rather enlightening.” 

_____

“that's quite the stack,” you comment mildly when your husband enters the bedroom with an armful of textbooks. “which new topic have you been intrigued with this week?”

alhaitham sets the books down on the nightstand and answers, “conception.”

his answer is spoken simply, casually, like he’s talking about the weather and not one of the most life-altering decisions you could make as a couple. 

“conception,” you repeat slowly. “like…”

“you’re a doctor. you’re aware of the biological process behind it.” 

“of course i am,” you say, suddenly feeling flustered. “i just– we’ve never talked about this before, haitham.”

your husband sighs, walking around to your side of the bed and sitting by your legs. “well…i want to talk about it.” 

seconds pass. seconds that almost feel like a lifetime as you watch each other, looking for any unspoken signs of hesitation.

“it’s up to you,” he finally says, gently placing a hand on your ankle. “it’s your body, you’re the one who would be carrying our baby for nine months. if you’re not ready–”

you don't need to hear the rest, crawling over to cup his face in your hands and press a soft kiss to his lips. “i'm ready. we’re ready.” 

his eyes immediately brighten, and he momentarily leaves your grasp to reach across the bed to grab the topmost book from his stack. “there are certain positions that we can try to increase our chances of conceiving. according to studies conducted in fontaine, this one has an effectiveness of 89.5%. it’s called a mating press…”

you wish you could say it’s the first time he’s propositioned you with educational literature. 

“wait, you didn’t ask me,” you giggle, threading your fingers through his hair and tugging lightly. 

he pauses. “will you try this position with me?”

“no, smartass. ask me to have a baby with you.”

your husband grins, hooking his hands under your ass to pull you into his lap. you gasp as he does so, his head dipping down to the crook of your neck. he says your name, lips brushing the shell of your ear.

“will you let me put a baby in you, dearest?”

[librarycards]

Hello! I am trying to read “the right to maim” by jasbir k puar and I am getting almost nothing out of it, bc of the depth + breadth of academic concepts :( I’m particularly frustrated by it bc it seems to talk about subjects I think about, talk about and do daily, like disability, transness, and (anti)colonialism. I’m most of the way through the intro and it’s gone almost entirely over my head except for a couple isolated paragraphs that are meaningful.

Do you have any advice for how I can get the most out of this book? My main limiter is time, bc I got it out from the library and it is highly requested so I can’t have it for very long

Hi anon! First of all, in terms of time, I recommend piracy. I recommend it in general. I'm not going to post links here in order to protect the places I use, but dm me if you want them.

If you're having difficulty with the concepts (which makes sense - right to maim is a challenging book!) I recommend going back to basics with some background reading. You can get some of Puar's rec'd background reading from the bibliography, and from the keywords she uses in the preface of the text. a few that I see (i'm looking at the PDF now) include debility, rhizome/rhizomatic, soverignty, biopolitics, homonationalism, impairment [in the disability studies sense], precarity, and neoliberalism. if i was teaching this preface, i'd have students break down each of these terms (and probably others, this is just from a skim) using outside readings. it's totally normal to feel overwhelmed when jumping into a scholarly text w/o any context, and most people who use and cite this book have past experience reading Puar's interlocutors and existing familiarity with this language.

you can get up-to-date while reading using resources in tandem with this text. For example, you can read Puar's discussion of debility at that link to get a sense of the context. You can read a decent summary of Foucault (the coiner of the term "biopower") and his thought at Brittanica. I recommend using Google Scholar for terms you're not familiar with, and taking quick notes so that you don't have to google them all over again each time. if you think you have enough context with a new word but aren't 100%, keep reading and use other clues. think about academic reading like learning a new language. the strategies are very similar! because it basically is.

I recommend using the annotation strategies i just mentioned in this post (and/or developing your own). i also recommend looking up Puar's talks on youtube - she's a well-known scholar who does a lot of events, and has spoken extensively about this book and its genealogy (especially in relation to praxis / Palestinian liberation). You can also read her talk with the hosts of Death Panel, my absolute favorite podcast.

Below, I'm going to give you an example of how I close-read, annotate, and analyze a paragraph from Right to Maim (and, by extension, other academic texts. This strategy may not work for you 100%, but hopefully it gives you some solid suggestions. Overall, remember that learning to read scholarly work takes time. A long ass time. Even when it's about things you've experienced yourself! Academia has its own conventions, verbiage, knowledge base, etc, and it's a learning curve for everyone. Don't expect yourself to read as fast or get as much as someone more familiar with the conventions of academic writing - anticipate reading all of these works many, many times, and getting more with each reading. Progress is more important than perfection, and improvement, even if slow, *will* happen, as long as you don't give up. <3

Below is a quote from the preface to Right to Maim, where Puar lays out her argument. I recommend everyone highlight/remember paragraphs like these (pretty much every ac text will have something like this in the beginning as a roadmap) to anchor their reading practice and help them get the most from a book (emphasis mine):

In The Right to Maim, I focus less on an impor­tant proj­ect of disability rights and disability studies, which is to refute disability as lack, as inherently undesirable, and as the sign, evidence, or fetish of injustice and victimhood. I am not sidestepping this issue. Rather, I centralize the quest for justice to situate what material conditions of possibility are necessary for such positive reenvisionings of disability to flourish, and what happens when those conditions are not available. My goal ­here is to examine how disability is produced, how certain bodies and populations come into biopoliti­cal being through having greater risk to become disabled than ­others. The difference between disability and debility that I schematize is not derived from expounding upon and contrasting phenomenological experiences of corporeality, but from evaluating the vio­lences of biopo­liti­cal risk and metrics of health, fertility, longevity, education, and geography.

In the bolded part, Puar outlines what she's not doing: she's not taking a mainstream (white, colonial) disability studies approach, which is, in her words, to refute disability as "lack." She's stating that her goal isn't simply to prove disabled people as equal to able-bodied people, or to claim that disability can be good and liberating (though it is/can be!). Her point is to look at the conditions in which people become disabled, and stay disabled. Often, these conditions are violent and unjust. Acknowledging this injustice kinda throws a wrench into western models of disability pride.

So, if she's not interested in just arguing that disability ≠ badness, what is she arguing? she's looking, in the latter half of the paragraph, to how people become disabled in multiple ways. One, using the verbiage in the book, she's interested in how people become debilitated - physically incapacitated in a way that may not line up with the social category of "disability"). She's also interested in how "disability" as a social identity is constructed - that is, why do disability rights groups look at Palestinians maimed by the IOF and see an injured civilian, but not a disabled comrade? words and context matter immensely. she's looking at why, and what are the implications.

that last sentence sums up the distinction she's making: "The difference between disability and debility that I schematize is not derived from expounding upon and contrasting phenomenological experiences of corporeality, but from evaluating the vio­lences of biopo­liti­cal risk and metrics of health, fertility, longevity, education, and geography."

the difference, she argues, between disability as western disability studies sees it and debility as experienced by people under colonial occupation isn't because we experience our bodyminds differently, or because Palestinians (for example) magically aren't as hurt by occupation as their white/western counterparts would be. rather, the reason she's using debility over disability is because the category of disability isn't objective: it's informed by biopolitical forces such as the ones she listed. her meta-argument is that what we call "disability" can't be divorced from its settler colonial context, not because colonized peoples are immune to disabling violence, but because the category of disability (and health, and violence) is itself affected by settler colonialism.

in "right to maim," Puar is offering a major shift in the way we collectively discuss disability, because the category is not applied equally across sociopolitical, geographical context. it means Palestinians and others living under occupation are either left out entirely, or unsuccessfully co-opted into western-/colonizer-centric disability discourse that doesn't acknowledge the different conditions under which they live. ultimately, "right to maim" means to make that difference, and its implications, visible.

Let me know if this makes sense! it's wordy and tedious, but lots of academic texts are. i hope that breakdown helps you make some more sense of Puar's main argument/the architecture of the text, and maybe serves as a model for future engagement. :)

[doodle-pops]

Elrond With A Modern Medical!Reader in Valinor

Request: Not sure if this is fic or just headcanons but: Modern!reader in middle earth who was a neurosurgeon in her old life and is now in Valinor working with Elrond to translate medical concepts to elven language before she dies and help advance their medical practice. Some differences between elven and human biology are found out in the process, it’s all quite fascinating to them both. She assists in a few operations but I imagine they don’t have many surgical operations to do in times of peace because people just aren’t getting injured like they used to during the famed battles against Morgoth and Sauron in middle earth. She helps on occasion but them elves are graceful and not injury-prone. - Anon

A/N: I was having trouble turning this into a fic, and since you gave me the option, not minding if I did a headcanon, I went with the latter. I had fun writing this, I also made their relationship ambiguous. Enjoy!

When you happen to arrive in Valinor, dazed by its eternal beauty and tranquillity, Elrond, with all his calming presence and wise demeanour was the first to greet and help you settle down. He was kind to welcome you into his new home.

During your time there, you and Elrond spend countless hours in his extensive library, trying to translate complex medical texts and concepts into Quenya, while he marvels at the intricacies of human detail in neurosurgery. To him, the ability to heal the brain by getting so practical and up close was fascinating.

“You humans certainly love your precision and details,” he would say as he smiled while reading through a description of a delicate brain surgery. You on the other hand would laugh and tell him that not all humans are so meticulous, following up your comment by sharing more medical mishaps from your world.

It is when you discover the biological differences between elves and humans, that things in the work become all the more interesting. You discover that elves’ regenerative abilities allow for healing preparations to be cut down and rushed to the healing wing, unimportant. Just knowing this, leaves you speechless as he casually mentions recovering from an injury that would have left a human incapacitated.

“So you’re telling me that you can heal from a stab wound in a matter of days?” you ask, incredulously with jealousy lingering. Elrond would simply nod along with a serene smile as he continued to translate the prewritten text on the paper you provided. “I wish I had that. Would have saved me all those trips to the ER.”

Assisting in medical practices in Valinor is rare but rewarding. Elrond’s precise, yet holistic approach to medicine complements your surgical expertise perfectly. Together, you manage to save a few elves who came in with nasty injuries, mostly from hunting trips gone bad.

As time passes, you are further blown away when Elrond teaches you their famous art of healing through song and rare herbs, enchanting your understanding of medicine. You do find the elves’ ability to enter healing trances particularly fascinating.

“So you just…sing them better? Like kumbaya and poof! Healed?!” you asked one day as you attempted to wrap your head around the concept, prompting Elrond to chuckle. “In a manner of speaking, yes.”

As time passes, your collaboration deepens both your understanding and respect for each other’s knowledge and expertise. Elrond is continually impressed but your surgical and modern techniques, while you are captivated by the elves’ natural form of advanced healing practices. This welcomed late nights in the library often turning into philosophical discussions as Elrond is thrilled by your stories of modern technology, and you are equally captivated by his tales of Middle-Earth.

You even meet a few of his family members during your stay as words of another human dwelling in Valinor. “Wait, you all fought a literal Balrog? Those fiery beasts?” you asked one evening as you sat around a table chatting with those who encountered the creature. “If you all were in my world, you could have used a fire extinguisher to put the flames out, or just douse water on them.” You leave most of them in laughter and confusion.

Due to meeting other elves beside him, you get the opportunity to practice your healing methods on them, though, they rarely allow you to since they usually appear fine even when injured. “So you couldn’t have hit your head a little harder for me to have something to examine instead of magically healing?” you disappointedly asked one of Elrond’s family members.

That has been the relationship for most of the encounters when an elf decides to come in sporting an ‘injury’. “You said you cracked your skull four days ago while hunting but I’m not seeing any injury. Do you mind if I hit you so I can have an actual injury to work with?”

Like you, even Elrond has his moments of being light-hearted, despite his dry sense of humour, when things don’t go according to plan. If the technique is too complex, he’ll jokingly say, “Of course, if all else fails, we just use magic.” Of course, you blink at him wondering if he was being serious or joking.

The partnership between you and Elrond as your work in Valinor developed certain areas of elven magical was tedious but also worthwhile. Even the relationship between you brought each other comfort and upliftment. “I suppose I’ll be remembered as the strange human who brought surgical scalpels to the Blessed Realm and threatened to beat people in their heads,” you joked.

Elrond usual response is filled with a sense of gratitude as he makes a toast in your honour. “You will be remembered as a pioneer and someone we are grateful to have encountered. I am glad you were brought here,” he fondly cheered.

Even as your time in Valinor progresses, you and Elrond continue to explore new ways to incorporate your medical practices into their elven healing. Each time an elf stops by for healing, you sometimes have to threaten them to come in with noticeable head injuries or you’d give them, while other times, you are lucky to have something to deal with. At least, during your years there, you managed to get a lot done.

Masterlist

Taglist: @lilmelily @ranhanabi777 @rain-on-my-umbrella @mysticmoomin @asianbutnotjapanese @batsyforyou @aconstructofamind @mcwentfandomtraveling @involuntaryspasms @stormchaser819 @addaigio @lamemaster @elficially-done-with-life

[mortal-song]

the problem with tua's ending is that it was IMPOSSIBLE to do without retconning and defacing the themes and characterizations that have been central to the story since the very first episode. if you had to end it that way, if it really was "the plan all along," then fine. there ARE good ways to do that -- so the execution should have been much different here if that was the case. take a look at "the good place," for example. everyone ceased to exist at the end of that story as well, but it was beautifully done because it ADDED to the show's core themes rather than take away from them. tua's ending was hollow and unavailing. at some point i have to commend the precision with which someone can desecrate an entire series and certain characters (looking at five, diego and lila especially) like this.

it made no sense. diego and lila formed a beautiful (albeit chaotic) relationship built upon mutual trust and authentic love that neither of them had ever experienced before. it was something they were teaching each other and learning together. that was a new beginning to them, and it was painted as such by the narrative. at no point were there hints that things would go sideways, no build up. every time they stumbled in the past it was still right back into each other's arms. at no point did their chaos look like an ending until it was shoved in our faces for... shock value? to shake things up? i fail to understand where it came from. they were relentlessly devoted to each other and the only two people who could stand each other for long. and so what became of them was very jarring. very messy.

five's ENTIRE character has been focused on and motivated by one thing: saving the people he loves. to the point that he was willing to let his own humanity become a forgone ideal, a renounced concept, as many times as it took. to the point that he essentially INVENTED TIME TRAVEL and INVENTED THE COMMISSION TO REGULATE IT. five's stoic exterior only barely concealed the claw-grip he had on every single family member, so why forget it now? why choose to go back on that? and in what world would five hargreeves willingly wait MONTHS to return to his family? because he was SUDDENLY in love with lila, no less? forgetting the very apparent fact that his age and body are not in alignment, five had never shown any interest in romance. especially not towards lila. but they do have very similar backgrounds, and so this was a chance to enrich the mutual understanding five and lila have with each other, expand the familial connections they have, especially seeing as how both of them -- in their own ways -- spent most of their life without that sort of connection.

ben's entire arc felt so, so out of place. completely and very ironically isolated from the entire rest of the series. nothing about it was fulfilling, nothing about it offered any sense of closure or even development. jennifer made no sense even as a plot device, much less as her own character. these two brought out nothing in each other.

klaus had the foundations of a good arc, but too much was introduced in too small an amount of time and none of it really went anywhere. i can say roughly the same for allison and viktor. THAT being said, of most of the scenes i did find myself genuinely enjoying this season, THOSE three were usually at the center! in fact, i really did love the scenes with klaus, allison, and claire. so that's cool. i guess. luther? he was just kind of... there?

and ray just fucked off with no explanation? okay. and reginald? until this point he had all the qualities of a potentially VERY GOOD and nuanced villain. his arc fell flat. and let's not forget all the other loose ends, but, you know, we've been here long enough. so. onto the next point.

none of these characters got to heal. none of them ever got to revel in anything meaningful, or, rather, the things that WERE meaningful across the whole series were rendered worthless because... none of it exists anymore! none of it ever existed! this is like an "it was all a dream" ending but much worse. and these characters are so, so incredible. i can only name a few other stories that have had characters i've connected to this deeply. and despite everything i could never really stop loving them. that makes it hurt more though tbh

anyways. i know i'm about to sound incredibly dramatic but the ending made me sob my lungs out. this show was really important to me. it led me to incredible people, other incredible stories, helped me live, etc. but i honestly found myself wishing i'd just never watched this series at all. the ending was eviscerating and Just Fucking Pointless. i don't think i'm ever going to be able to rewatch it. it's still hard for me to conceptualize that it was even real, that this is all we get. there's a lot more i could say about everything, but again, i've said a lot already and i'm not trying to write a fucking novel. i'll say more of what i want to in sporadic bursts i guess.

[frogcroaks]

How I deal with shapes

@spadefish @kobothesmall So for shapes, the way I work with them is from studying how things break down individually, instead of following a broader ruleset for character design that you see a lot in tutorial posts (the triangle, square, circle theorem basically).

The way shapes work in humans is different from other animals (which also differ from each other), which is different from objects. The same shape can be used for different goals depending on what you're drawing. So there's no one size fits all, and especially in styles that have a bit more of realism going on, those shapes will behave differently than extremely cartoony styles.

Process wise, a lot of it ends up happening in my head than in the canvas, because I spent years dealing with this shape philosophy of "just bang your head for each thing you're drawing", which I understand is very tedious to some people, but I love studying individual things vs following tutorials because it teaches me 1. how that thing works in a context 2. gives me a new book to my visual library which I can pull from, which is often what happens! That, and a lot of it is just staring at references too. Still, I'll try to draw something up for this.

There are 2 ways to approach shape design. You either start with the shapes and then apply a concept to it, or you start with a concept and apply shapes to it. The former is much harder to do without practice (and also comes more in concept art which is rough, unfinished and meant to be done and redone dozens of times by design). So, I tend to do the latter: I start with a concept of what I want. This can be as simple as "I just want a character that's fat/standing" or more abstract like "I want a character that feels like a river/I want this to feel like an outburst".

Let's start with a concrete concept: I want a design that looks like a pacman frog, and just a standing pose that isn't too stiff.

I grab some pacman frog references, and sometimes if the pose is complex, I'll find references for that too. Pacman frogs are pretty pudgy, and their legs aren't that long compared to most frogs, even when unfolded, and their faces have a nice triangle-ish forehead with a nice shape for the mouth.

The result is that i use large shapes for most of the body. Curves contrast with sharper lines, giving the sense of something geometric but still organic. The line of action here helps me pose these shapes in a way that gives some movement to something as simple as standing (and you'll gain a lot of mileage from learning how to rotate shapes! this is how you're able to position them in different ways and create more dynamic poses).

For something more abstract, like a crouched pose meant to be angry, I take some references when i can and start doing something like this:

Note that these shapes seem weird because I'll have a naked fullbody wip below any clothed characters to have some anatomical guidance, but for actual final shapes and silhouette, what matters is the final elements, and that includes clothes! so i try to build shapes that emphasize this droopy, closed off feeling. This sketch isn't even that good really, there's plenty of errors, but I hope it gives an idea of whats going on.

I hope this weird rambly nonsense helped LOL

[becauseheartsgetbroken-hs]

bestie i'm new to the world of fics and it would be great if you could recommend me some good iconic stories to read 🥰pleasee ❤️

OHHH WELCOME BABY! 💞💞

Hope you'll find the great comfort they offer to all of us too!

I'm thrilled to do this so I'm gonna start immedietaly! Don't know what's your taste is so I'm gonna recommend many different stories I have loved! 😊

A Toast To The Future by @narryffdreaming is one of my favorite stories ever and I truly believe it's one of the most beautifully written stories I've ever read. 🙏 The way Dani approaches the past experiences of the characters and their emotions is impressive. I am always fascinated by stories that are authentic and the way that story is written makes you feel seen even if your experiences are not exactly the same as the characters. 💞 (can't wait to read the next part)

Maisy and Harry are just friends (except they aren't) by @narryffdreaming again because I just love her work! Friends to lovers trope (i loooove this trope sm) and it has everything: angst, fluff, romance, softness, smut, everything! Everything just flows so nicely!

When Y/N dates someone, they find their soulmate…it’s never her by @jawllines is super cute and lovely and made me giggle and blushing! It's such an unique concept and I just loved it!

Harry and Y/N are in the same ballet class, and they hate each other by @jawllines again and what can I say? Pure enemies to lovers story that has you in a chokehold. Everything about it is perfect! 😍

Daddy Issues by the amazing @fkinavocado is jaw dropping, I mean it! It's one of the first long stories I read in here so it's special to me. 🙏 Dreea delivered the great combination of spicy and softness with this story.

Sex Tutor by @gurugirl ! I really liked the way she wrote about this topic and it felt like she did it with so much respect (as she always does) and I just really had a great time reading it.

404 by my pookie @freedomfireflies 💗is one of my favorite stories ever and I feel like I have to tattoo this to my skin at this point. 😂 It's enemies to lovers and you can feel the tension from a mile. Also 404rry is the most annoyingly adorable characher ever and I just adore him. 🤗💗

Teach Me by miss @freedomfireflies again and let's just say that this series is on FIRE. A friends to lovers story that makes you feel things. One thing I love about this story is that the two characters share a deep love and respect for each other and I feel like it's such an important point.

Grumpy H and

You're my Last Shot by @cupid-styles are so cute and I had a great reading them! The flow is amazing in both of them and they are so well written.

Old Grudges ,

Just How Fast the Night Changes ,

The Sun Will Rise and

Valerie by @watchmegetobsessed are litterally amazing! Loved these stories so much! I come back to them from now and then and I have the same feeling every time I read them. 🥰

Harry’s a dick, and Y/N hates him for it. by @harrys-titties is so HSHJSHSSJ I just loved it! So beautifully written and it has everything: tension, angst, smut, romance!

Hawthorn by @adorebeaa is so beautiful! I enjoyed it so much! It is not finished yet but it is worth it! Again it's an enemies to lovers story and it really plays like a movie in your head! 💕

I got carried away a little bit hehe and I'm sure that if I continue I won't be able to stop lol. I hope you enjoy these stories as much as I did! 💕

P.S Τhere are many other great authors that I didn't include in this post because I might just forgot them at the moment (sometimes when you need to remember something specific you just can't, your mind is just stuck ugh) or because I might not have come across their work yet so I don't want anyone to feel bad. Your work is always appreciated. 💗

Byeee xoxo

[zwhoreo]

thoughts on headcanons on how luffy would be with a shy gf / trying to bring the girl he likes out of her shell / not be nervous around him???? i like to envision him being the initiator sometimes simply bc i myself am so ridiculously reserved… the idea of him and his partner balancing each other out / teaching each other to be more outgoing and free spirited vs less rambunctious and reckless…. it makes me v happy ALSO i hope its ok to send another ask so soon, i love ur work !!! @ v @ ;;; no rush or pressure to answer !! :’’>

hana!!! tysm for all the support, i rly appreciate it, I’m so glad you like my writing :’) you can send as many asks as you want!! i’m pretty busy with work/school prep rn so requests are taking me some time, but yess please never hesitate to submit one if you have an idea <333

coming out of your shell - luffy x f!reader headcanons

fluff

summary in request, how your dynamic might work with luffy if you’re a bit more reserved, how he helps you come out of your shell, and the kind of balance you two give each other in your relationship

words: ~750

________________________

You love Luffy an indescribable amount, and somehow he loves you back tenfold.

This boy loves you so much that he rarely wants to be without you, sticking to you always, pulling you along with him everywhere, talking loudly in your face because he’s excited by the closeness

you’re intimidated by that love so much, you were a bit shy and didn’t know what to say

But god, there’s something about him that just changes you, makes you feel fuzzy on the inside. He calms you. You become comfortable around him so fast, eager to be in his arms

But sometimes it’s too much, his loudness. You’re trying to relax, have a break from the outside world, but here’s Luffy wriggling on top of you, so full of an energy you can’t believe, it’s all too endless.

“Hi, Lu…” you murmur softly in his mouth as he kisses you for the hundredth time.

At first it was hard, he’s so unlike you, he’s unlike anyone, really, that you’d ever met

You hadn’t imagined yourself ending up with this kind of intense extrovert

But Luffy knows you like quiet sometimes, and when you’re feeling tired and want some time to yourself, but if he really wants to hang out, you can say, “hey Lu, wanna take a nap?”

He’ll be so excited to come cuddle on top of you while you read or look out the window, going to sleep quickly, letting you soak in the comforting warmth of his body in stillness

Luffy is attached to you. If he goes somewhere, more often than not you’re along for the ride.

He squeezes your hand, his own so sweaty with excitement, running and dragging you along with him, wanting so badly for you to be as excited as he is.

He talks to people on the street, bouncing on his feet, voice loud and overflowing. You cringe at his boldness, many times, you can’t imagine acting like that.

But he’ll motion you over, and gush about how his new friend HAS to meet his beautiful and perfect and fun girlfriend, he’ll hug you and he’ll want you to talk to his friend and when your voice is small he pats your back and pulls you a little closer, he wants you to make lots of friends, just like he does, because it makes him happy and he wants you to be happy, too

And when you start to conversate, when your smile comes, he grins so proudly and afterwards he’ll reward you with a big, sloppy kiss

Because even though the concept of shyness greatly confuses him, he knows these types of things are big for you

When he wants you to speak, he’ll look at you, turning his head over his shoulder and making a small, giddy sound.

He’ll squeeze your hand which of course he’s still holding, he wants to remind you that you’re safe

But you can balance him out, too. If he comes up to someone who you know doesn’t want to talk, if he’s bothering them and it’s clear on their face but Luffy doesn’t know, then you’ll gently pull him away into a hug and whisper, “hey, looks like they don’t want to talk right now…”

He’ll be a little disappointed but you’ve helped him understand stuff like this

Luffy LOVES adventures

He wants to take you on all of them, even when you’re scared or anxious

There’s that hand holding again, or maybe he’ll link his arm tightly with yours, knowing that the closeness of his body will make you feel safer, bolder

It does help, he’s infectious, invigorating. He’s inspiring in the way he charges ahead, and you want to feel so free like he seems to, always

So you try to be like him, going out of your comfort zone, finding joy in the things you fear

When you’re scared, he’ll hold you. He’ll lift you onto his back or press you close against his chest

And when it’s too dangerous, when your anxiety is right, you can hold his arm, tell him to please just stay with you, and he’s learned (probably the hard way) that sometimes you can be right about these things, you can see what he won’t

It’s a perfect balance, you and Luffy. An unlikely pair, two polar opposites, and yet you share so much, you fit so well. He loves you for that, and he’s going to help you, always

[weirdmarioenemies]

Name: Legsit

Debut: Yo-Kai Watch 3

Look at this! Look at this!!! This is the little guy from emergency exit signs and stop signs and various more of our favorite signs, but this time you can BEFRIEND them! You can run all around town with this absolute icon of an icon! You can take Legsit for a walk across the crosswalk... and you can even teach it to jaywalk! A new thrill it would never dare to experience without your help!

Legsit is an incredible kind of design, the one that's so simple, barely a change from its inspiration, but the inspiration is what's so creative. Legsit is basically JUST the little guy from the sign, with only a little wispy head to differentiate it, but how many times have you seen it used as an actual character, with its origin tied to its gimmick? I have actually long ago had the idea of a Walk Sign Guy as a character (in the context of a boss that swings the sign itself as a weapon, and can call upon the red Stop hand to freeze its opponent) and it is so awesome to see this concept come to fruition in something big, and with its own flair!

By default, Legsit is in its iconic Static Running Pose, though it is not afraid to actually move around, too. It looks good doing it thanks to being tastefully cel-shaded! What if there was an animal that was cel-shaded in real life? Just one. Not even a translucent invertebrate like you might expect, but like, one particular species of vole. Pretty cool!

In terms of gameplay it's very straightforward. Its specialty is to make itself and allies faster like they gotta get outta here. I'm done talking about gameplay already, it's really about the visual novelty there. Now I will talk about its anime appearance, because yowza!

The anime reveals that inside the exit sign is a whole other world, one populated by a whole civilization of Legsit! They each take turns posing in the sign, but when not doing that, they just Hang Out. Some of them play on 3DSes, some lounge about, some play guitar, and some barbecue various meats that are most certainly radioactive! Would you eat Legsit's Famous Toxic Kebab? I sure hope not! Because they were saving it for me.

Legsit represents the creativity and wonder that can be found everywhere in the world, and NOT just if you know where to look! I can assure you that anywhere you look, you will see at LEAST a few things that are waiting for someone to appreciate them in just the right way. Maybe you will be the first to discover the potential of something overlooked, and if you're not the first, then that's great too! It means the world is full of beautiful minds!

[hunnymisworld]

How Haikyuu Characters would respond to you:

When you ask them for help in making the homework.

SFW | Fluff | Crack | Short AU

[READ ME FIRST]

C O N T E X T: You are a 1st year transfer student in Karasuno and you've already adjusted to your new environment as well as the new people you met whom you made friends with. You were having a hard time with a homework and decided to ask for help in your fellow classmates/seniors.

DAICHI SAWAMURA

A P P R O A C H A B L E yet he is kinda intimidating because everybody knows he's the volleyball captain.

He'll show a small smile when you tap his shoulder to call his attention. "Hey y/n, how can i help you?"

Would offer to teach you the homework with every d e t a i l so you would understand. (He doesn't mind if you ask multiple times about the same thing)

A PATIENT MAN (and understanding too)

"Don't hesitate to ask for help anytime okay?"

He sees you as a younger sibling and finds it cute when you ask him for help.

BIG BROTHER ENERGY (best senpai fr)

Kinda serious when he teaches you the lesson, he's eager for you to learn.

Would ask you follow-up questions to make sure you really understood.

The type to even stay-up-late with you when you ask for a tutor in the upcoming exam ( FOR FREE?!?!? - yes. )

Gives you his phone number cause he does not use social media that much. In case you needed any help with academics or whatsoever.

YOU ACED THE HOMEWORK!

YU NISHINOYA & RYUNOSUKE TANAKA

You can easily find them near the vending machine playing rock-paper-scissors to know who's going to pay for who's snack/drink. (tough battle - Who do you think pays most of the time? You can leave a comment.)

"Stop messing around noya! A junior is here to ask something"

"Ow! Did you really have to hit me- **gets hit again** Oh- Hi Y/n how can your seniors help you?"

Would gladly help you and buy you snacks too!

They lead you where they usually hang out during free time and scan what your homework is about.

"Here, can i see?" Nishinoya offered to look at the homework first and you handed him your noteook.

Ryu was beside him, he was also trying to see what your homework is about.

Scan....scan... Read.... Read...

"What is this? Did we even learn this way back? Do you remember any of this ryu?"

"GIve me that! Stupid-ass. That's what you get for cutting classes. Good for you that you were able to be a senior" (Yes, ryu just snatched your notebook from noya)

BRO WAS OFFENDED

"HEY! That was- fine! It's true. Why would i argue with an even dumber person like you"

You were literally just standing there while they bicker like 🧍‍♀️ T.T (poor y/n getting flustered - wondering how to react)

"Can you stop Noya, let me handle this. SHHHH i can't focus"

Noya really said 😧😑🙂 (bro was GAGGED)

After a while.... yes they indeed remembered the lesson and eventually stopped bickering.

They summerized the lesson for you and explained the concept of the lesson. You were then able to answer all the questions which they checked.

"There all done!" Noya happily said while Ryu was having his moment being the best senpai ever.

"Easy peasy" "Lemon squeezy"

You were relieved and thanked them after. You also offered to get them ice cream next time you bump into each other to thank them for helping you (Literally ATE UP your free time from all that bickering T.T nevertheless, you were grateful)

2 MISTAKES! NOT BAD!! (You got 4 thumbs up from them both and they congratulated you)

SUGAWARA KOSHI

He would be the one to approach you since he noticed you were having a hard time since the morning recess. Brows furrowed while you were scanning your note book.

"Hey Y/n! How are you? I noticed you were having a hard time since the morning. Do you need help?"

You were on the verge of crying for being frustrated at not understanding the lesson. He noticed it and patted your back as he smiled at you warmly.

A COMFORT PERSON FR (he's such a sunshine)

Makes you calm down first so that you'd be able to clear your mind for you to understand the lesson completely.

"How are you feeling? Do you feel calm now? Don't worry, anything can be learned. Don't pressure yourself too much, you just have to give yourself enough time to learn it okay? Let yourself be a beginner too."

You smile warmly at his words. He seems to always know what to say to make a person calm down.

He explained the concept to you as simple as he can and gave you an outline of the lesson so that you have a guide.

He bought you your comfort food to help calm your nerves and walked you back to your classroom cause he was worried.

"Just approach me if you need tutoring okay? Your mental health matters, don't be too hard on yourself. Don't doubt yourself and your capabilities, you are an amazing person who is also capable of making mistakes. You're human too."

You hugged him as you felt how sincere he was and he patted your back.

YOU ACED IT YEY!! (our soft-hearted y/n awww)

KIYOKO SHIMIZU

IS YOUR BESTFRIEND!! (sees you as her little sibling)

Left her notebooks on your desk with a cute note saying:

" Don't be upset, you'll get it i promise you. Here are my notes from 1st year and it's concept is described there in the simplest form. I know you'll be able to understand it when you read it. If you have any questions just text me, i'm arranging the boys' volleyball team practice match with Nekoma right now so i was not able to hand it to you personally. Take care xoxo!

PS: let me know if you want to watch the match, i'll get you a ticket"

SHE IS THE SWEETEST

You understood her notes pretty easily as she said on her note

You texted her and said thank you for the notes and offered to buy her snacks when she's not busy anymore.

She replied with:

" You're welcome 🩷. Sure!!"

She's the best sister fr.

KEI TSUKISHIMA

Will turn his back on you as you approach him T.T

"No. I know what you're going to ask for"

Damn :((

As you walk out of the classrom to ask others who can help you with the homework, he secretly puts his notebook in your bag for you to have a guide for the homework.

"dumb-ahh."

Yes, he left a note and stick in inside his notebook saying:

"Everything is here. You better not text or annoy me. Study on your own. I need my notebook back by tomorrow"

You were surprised and touched that he knows how to show he cares.

OFC YOU ACED IT!!

SHOYO HINATA & TOBIO KAGEYAMA

Before you even have the chance to ask them, THEY WILL ASK FOR YOUR HELP FIRST T.T

They don't understand the lesson either

"Hey y/n, do you understand the lesson? Can you help us?"

BOTH OF THEM LOOKING AT YOU SO HELPLESS AND SHOYO IS ABOUT TO CRY T.T (poor baby)

You looked at them shocked and said "I'm surprised and flattered that you think that I understood the topic but I ALSO DON'T KNOW T.T"

You and HInata cried while Kageyama left you both to ask for help (don't worry he intends to teach you the concept of the lesson to after he learned it from someone who can help)

You ended up having a mini group study with them and Kageyama was able to explain the concept sucessfully.

"Woah Kageyama, i have this much respect for you now. Didn't know you had this side in you" the orange haired guy said.

"Shut up, i'll never set for you again if you manage to fail this homework"

ALL OF YOU ACED IT!!

E N D

Note: You can comment for other character request.

[dedalvs]

I was studying up on SLIPA and I'm kind of curious how one would go about performing sound changes (hand position changes?) with a signed language? Do the concepts translate over to SLs similarly? Like, how would you express assimilation or metathesis or umlaut through a SL? Or do they just have their own completely unique set of changes separate from spoken languages?

Remember that when we write things like C[-cont] > [+voice] / V_V that these are shorthands for descriptions, and they're not necessarily consistent across the discipline. There are absolutely changes that occur in sign languages—both synchronically and diachronically—and there are linguists who have studied them. For example, in the history of ASL, signs that were signed in the periphery have moved closer to the center; signs where two hands were doing non-parallel actions have switched to parallel; and two handed signs have shifted to one handed signs. These are long-term, general trends, but there'es plenty of assimilation that's quite explicable.

For example, consider the verb TEACH, signed up at the top of the forehead. In TEACHER, where TEACH is followe dby the two hand PERSON suffix, the hands rarely get so high as the top of the forehead. This makes sense, as the place of the TEACH sign is farther from the usual place where the PERSON suffix happens, and so its shift to be closer to the place of PERSON is a kind of anticipatory assimilation, akin to nasal place assimilation. You could describe this with SLIPA, or you could describe it in words, as I've just done, or you can describe it with video augmented by words, etc. The concepts are the same; only the articulators are different.

A lot of sound changes (synchronic or diachronic) boil down to two major factors:

While it is possible for human beings to be precise in their actions (to say the same word the same way every single time; to sign the same thing the same way every single time), it's not convenient, and so humans take shortcuts, where they can (i.e. where they can get away with it without sacrificing the whole enterprise, i.e. conveying a message).

While it is possible for humans to pay careful attention and decode a message precisely as it was intended—and even to inquire when there is confusion—it's not convenient. We will often make false assumptions about what we see and hear. Furthermore, we will often assume that when what we perceive doesn't square with what we expect, it is our expectations that were incorrect, not the sender of the message. If in replicating the error the message doesn't suffer, the error may propagate, leading to change (i.e. errors in perception that don't interfere with the transmission of a message can be replicated and become largescale language changes).

These two factors account for the majority of sound changes (not ALL of them, of course, but the lion's share). Notice that neither of them require that the language be either spoken or signed, because they deal exclusively with transmission and reception. Only the details are different when the medium changes. For example, there's nothing similar to a velum and how it works in sign languages. It's too specific an organ with too specific a function in spoken language. But that doesn't meant that some of what it's involved with (e.g. various assimilations, blocking, etc.) won't have analogs in manual languages.

To offer a more concrete analogy, I was born with six fingers and no thumbs (two index fingers on each hand). I had surgeries to turn one index finger on each hand into something that approximates a thumb, and it functions fairly well most of the time. When I learned ASL, I discovered there were certain things I simply could not do. In signing numbers, for example, 6 and 7 are very hard to form on my right hand, and impossible on my left. My new thumbs simply don't connect that way, and furthermore, there's some connection to my other fingers when I try to move the thumb, and so I can't raise my other fingers while I'm trying to make that connection. This is what the number 6 is supposed to look like (signed with my right hand):

You can see my thumb is making contact with my pinky with the other three fingers extended upward.

Now this is what happens when I try to make that sign with my left hand:

You can see my hand is basically forming a claw. If I thought about it, I could extend my index and middle fingers, but I cannot continue to stretch my thumb to my pinky while extending my ring finger. Furthermore, that is the very furthest I can stretch my thumb. It simply will not extend anymore. i can use my other hand and push it, but what I'm doing is pushing my pinky closer. That's the furthest my thumb will go.

As a result of this, the way I sign is always noticeably distinct. There are things I simply cannot do that the majority of signers accomplish with ease.

Even so, the way my hands are does not and has never interfered with my ability to speak any oral language. Why would it? It's not relevant to speech.

Having said that, what if instead of hands it were my tongue? Or velum? Or lips? Or teeth? If I'd been born without front teeth, for example, it would impact the way I sounded when I spoke English. Consider that [f], [v], [θ], and [ð] all crucially involve the front teeth.

So back to the original question, there is no direct analog for the way my hands work to speech, in that my hands will affect a sign language in the same way that some change in the mouth will affect an oral language. But the CONCEPT! That is analogous. That is, a change in your physiology can affect your ability to produce an oral language int he same way your physiology can affect your ability to produce a signed language. The concept is the same; the instantations will differ. That means the specifics will crucially differ, as well.

In other words, yes, sign languages do have their own specific sets of changes, but, no, the basic concepts are the same as spoken languages, because both of them are nothing more than human patterns of production and perception.

[contumacious-arcadia]

Hello! I'm aware there is a lot of discontent around shipping Alastor with anyone since it's been stated that he is an asexual character and I would also like to throw my two cents out into the void pertaining to the issue. I *really* like radioapple. My lizard brain spouted "they gon' fuck" as soon as I saw "Dad Beat Dad". I find it super charming and enemies-to-lovers is naturally hella entertaining in my opinion - so I started reading radioapple fics and **they may have actually taught me something about myself. ** I'm on the older side (37), and have always just referred to myself as bisexual. I never really considered anything else because when I was younger and learning my own identity, all of the super specified language just wasn't available to me. It didn't really cross my mind to reexamine those conclusions as time passed, because I was under the impression (as many others also seem to be) that asexual meant "ABSOLUTELY ZERO SEX OR SEX-ADJACENT THINGS FOREVER, NO, NYET, NINE" and aromantic meant "ABSOLUTELY DEATHLY ALLERGIC TO ROMANTIC RELATIONSHIPS, NEVER EVER, NOPE". ...I am definitely not the only one, as this does seem to be the sticking point people argue about when shipping Al with literally anyone. After reading many, many radioapple fics written by people within the asexual and aromantic spectrums, I feel like I've gotten a better handle on the categorization and shockingly (to me, at least) it seems *I* am actually also very aromantic and moderately touch averse (though I would not consider myself asexual). Who would have thunk that fanfic would teach me a very important fact about myself? It was like I was given a key to understanding why my relationships are always so troubled and why I seem to HATE being in relationships, despite repeatedly diving back into them. I literally give each new partner a whole-ass speech about how *incredibly* uncomfortable overly romantic crap makes me feel and how if they start badgering me/guilting me about the whole 'love' concept incessantly, I will likely freak out and end the relationship... and EVERY TIME they pull that crap and then try to guilt me by claiming that they "didn't think I was serious". If I had the language to explain I was aromantic and touch averse (when not specifically gettin' down), I think I could have avoided a lot of damage. Maybe. Anyway, I just wanted to state that shipping an ace or aro/ace character and writing fanfic that actually explains their thought process and feelings can be a SUPER beneficial thing. I don't know why it wasn't obvious to me that nothing is ever 100% black and white, but again, I don't seem to be the only person who believed that. I would gently urge some of the fans who are hardcore (and vocally) *against* shipping Al with anyone to read some of the fics and maybe it can help them adjust their perspective a bit too - just like it helped me. BUT - this *IS* the internet, so if you just want to shout angrily into the void, you can do that too! Two cents complete.

[bambi-slxt]

lovelanguage!triplets:

✨a concept✨

🍊𝕔𝕙𝕣𝕚𝕤🍊

acts of service

he's a problem solver. “chris i can't get the dishwasher to work, can you-” and he's already ordered a new one, set up the installation, and made sure you'll be home for it. he hates the idea of you floundering alone, and is always quick to take on whatever tasks he can, even if it's as small as running a bath for you before you get home.

words of affirmation

chris is the type to look for things about you that other people don’t seem to notice and compliment you on them. “you’re so well-spoken, like the way you word shit, it's just incredible.” he also likes to hear about your goals and how you're achieving them, and enjoys affirming your choices in life.

quality time

he's SO BIG on quality time. chris loves to be near creativity and one of the ways that manifests is with music. lil skies drops a new album? chris is gonna call you first so you guys can listen to the whole thing together and yap about it.

gift giving

he has such a squirrel brain. chris will see something at the store that reminds him of you and put it in the cart, forget about it, do another lap around the store, see it again, and put it in the cart. he just wants to make you happy.

physical touch

chris doesn't feel the need to be possessive. he shows his physical touch kind of love through soft touches on your back when he's walking behind you (“i'm here, don't get startled”), tapping your thigh in the car to the beat of his music, and standing so close to you when y'all brush your teeth that your hips graze each other.

🦋𝕞𝕒𝕥𝕥🦋

acts of service

matt doesn’t like showing off the things he does for you, so often you’ll find that things get fixed or chores get done in the quiet background of your day. he fixes the leaking sink when you’re out shopping, and cleans up the kitchen before you get back so he can help you put groceries away, all without bringing it up once. he enjoys helping you out and taking some of the mental load off of you, but hates the idea of being appreciated for it - matt feels that it’s just his job as a partner.

words of affirmation

he’s big on writing notes. since he doesn’t have a typical 9-5, he’ll make your lunches and put a little post-it note on the inside. “i’m so proud of you, you’re gonna have an amazing day.” on your birthday or anniversary, he always has a hand-written letter for you along with any gifts or celebratory activities.

quality time

matt likes to body double, which means that the two of you don’t necessarily have to be doing the same thing to be engaging in quality time. he’s perfectly content to work on his personal brand or account while you read or play his games while you’re doing homework. he also loves teaching you Fortnite and other FPS’s, or trying new things together like cooking or making crafts.

gift giving

he enjoys giving practical gifts, things that will help make your life easier. it’s his way of saying he notices you’re struggling and he wants to help however he can. this also connects back to his words of affirmation - matt knows that words are powerful, and many of his gifts involve written sentiments of love, pride, vulnerability, or compassion towards you.

physical touch

matt was never big on physical touch. he’s always very aware of his body and someone else coming into contact with it only exacerbated the problem. but soon he came up with a solution for the two of you - ‘three taps means i love you’. soon he taps you all the time, even in his sleep.

👾𝕟𝕚𝕔𝕜👾

acts of service

nick is never afraid to confront your problems head on, and he feels no apprehension taking time out of his day to do things for you. one of his favorite ways to perform an act of service is to help you manage your days and be as productive as you can be - he wants nothing more than to see you succeed and achieve your dreams.

words of affirmation

he doesn’t always show love this way, but when he does, nick could talk about you for hours. he calls attention to all of your wonderful traits, cute quirks, and special interests, making sure to bring up how amazed he is by all of what makes you, you.

quality time

quality time with nick can look like a lot of different things depending on his mood. some days he wants to go get aćai bowls, thrift, go on a walk by the harbor, and visit the farmers market and some days he wants to stay in bed and talk or watch movies until 3pm.

gift giving

nick is incredibly good at getting gifts. he tries his best to pay attention to everything you like and all the hobbies and interests you have so he can go look them up later and find you presents based on that. he also really enjoys diamond paintings, crafting, or any other artsy, homemade gift he can give you, because to nick, those feel the most authentic.

physical touch

he’s always been a bit jumpy when other people touch him and he’s not expecting it, but once nick knows it’s you, he doesn’t mind at all. when he’s in the mood for it, he loves detangling your hair, hiding his hands in your hoodie pocket, or just brushing up on you as much as he can. 

thanks for reading!

bambi <3

request to be on the taglist under this post right here

tags: @pinksturniolo @malirosee @st7rnioioss @nonat-111 @cindylcuwho @evie-sturns @h3arts4harry @fanficsbymia @dazednmatthews @sturniolo-rat @mattsmad @sturniolo04 @bellasturn @blahbel668 @yomamaslays4lyfe @stasiesturn @pleasantlycrazyworld @solarsturniolo

[pinksturniolo]

could you write a hc for chris x writer!gf? i can't find one anywhere and we're literally all writers/readers here 💀

chris x writer!gf headcanons 🩵

a/n: thank you for requesting this, it’s so cute!! <3

sorry it’s a little short!

✰ chris and his writer girlfriend would constantly bounce ideas off each other! we all know chris has a wild imagination, so he loves to come up with different concepts or plots when you’re stuck in writer’s block and you love to listen. and you return the creative ideas, helping him when he needs motivation for his brand.

✰ whether you write for a blog, you’re an aspiring/established author, or you simply do it for fun, chris would always be interested in what you’re creating. okay, he could even admit himself, he’s not the best reader. in fact he even has a hard time spelling certain words or using the proper grammar. regardless, he’s constantly asking you to give him a sneak peak of your newest work.

“grandiose?” he finally says after the fifth time of trying to pronounce it correctly.

you nod, trying to hold back the smile of amusement from how cute he is when he’s learning.

“what does that even mean?” he says, annoyance laced in his voice but deep down, he loves when you teach him new words.

“it’s another word for impressive.”

he scoffs, returning to the page you wrote, a slow shake of his head. “you writers and your fancy words.”

✰ chris would come back from a day out shopping with his friends with things he bought for you. whether it’s something that you briefly mentioned you wanted the other day or he was just simply thinking of you when he saw it. a new bookmark because the flimsy one you’ve been using forever finally tore or your favorite flavor of red bull you like to drink when you know you’re gonna be up for a while, a bout to write for hours striking you.

✰ according to chris, the most romantic thing he’s done for someone is write them a handwritten letter. and he would do just that, most likely nervous for you to read it. he doesn’t want you to secretly judge his penmanship. but you appreciate it more than he knows, the gesture and thoughtfulness of it sweet and innocent.

✰ and of course, he’s curious to know the exact subject of what you’re writing. “what do you think about when you write your characters?” he’ll randomly ask you, as you type on your computer in his bed next to him, his head resting on your thighs. his fingertips trace the skin below the hem of your shorts, making it hard to stay concentrated. “do you think about me?” he would tease, and you can practically hear the cheeky smirk on his face, as you reach down to playfully tug on the roots of his hair. “shut up chris you’re distracting me.”

☆彡

can you tell i ship chris x writer!gf a lot lol

(✿ ♥‿♥)

taglist! <3

@christhopersturniolo @sturniolopepsi @tillies33ssss @whicked-hazlatwhore @riasturns @junnniiieee07 @seahorsie11 @inveigledvex @mattslolita @certifiednatelover @glassesmattsbae @eryismum @sturncakez @wh0resstuff @ribread03 @sturniololoco @75sturn @mattscoquette @jnkvivi @h3arts4harry @chrizznmetswife @bambi-slxt @streamermattsgf @mattspolitank

[crystal-moon-101]

A while ago I had made up a Zak for each day of the week to match Zak Saturday and Monday for fun, and because I wanted to give Zak some more AU similar to how Ben gets a lot of them. So not only do they all have different last names, but each have their own backstories and colour theming! So I hope you enjoy my little AU concepts.

-Zak Saturday-

Classic original Zak. I decided to draw them all when they're 11, start of the series vibes. So that's why he doesn't look like the ways I normally draw him currently, since those are when he's 14. Nothing different with his design here, beyond still giving him those vivid orange eyes.

-Zak Sunday-

Also known as Zak Argost, having been taken in by the man after he had a certain encounter with Zak's parents, resulting in their deaths. When Argost found the young toddler, seeing the start of Zak's power, he was happy enough to take the child with him and use his powers to his benefit. Due to being taken when he was very young, Zak doesn't remember his parents at all, fully believing in anything Argost tells him, the only family he has. So he happily helps his guardian in keeping cryptids tamed during Weird World shows, or during trips to learn about them, even if Argost puts Zak in more danger than he should. Due to his appearances on Weird World, Zak is a celebrity of sorts, even if he doesn't get to go out often. Argost also gives him a lot of gifts, keeping the child in a positive mood to keep him under his thumb. So Zak truly believes that Argost cares about him.

Though things start to turn when Argost finally decides it's time to hunt down Kur and take his powers, hiring Van Rook and Doyle on the mission. This leads to Zak and Doyle getting to know each other, with Doyle feeling protective over this random kid for some reason. Eventually this leads to him taking Zak away when this whole Kur business gets out of hand. While Doyle can't seem to convince Zak that Argost doesn't care about him, the pair do at least agree to try and find Kur first, Zak worried that even Argost shouldn't handle such powers. However, only time will tell if the pair discover the truth behind their unknown family history.

-Zak Monday-

The good old twisted gremlin of a child, Zak Monday and his family were a result of the smoke mirror. They come from a world that twists the very nature of people, a poor reflection of their negative aspects. If you're naive, then your mirror self is incredible dumb. If you're a bit of a perfectionist, then your mirror self is a control freak. And Zak Monday represents the twisted doubts of Zak feeling like a monster, so why have any doubts when you can be the monster?

I decided to change Zak Monday a bit to have the green eyes and green shirt with his own logo, cause I liked the idea that after his first appearance, they switch back to what they're suppose to look like. But other than that I kept the concept of him looking just like Zak, minus the inverted hair colour.

-Zak Tuesday-

The young naga is the son of Rani Nagi. Born solely to have Kur's soul enter and be a host, but whoops! Looks like Kur's memories aren't there, but that wasn't going to stop Rani Nagi, who thinks if she keeps at her plans, eventually her son will become the old cryptid king she once knew. Even going as far as to solely call her child Kur, who secretly calls himself Zak due to him often watching humans in the shadow, curious about them and wanting a name for himself. Zak Tuesday has a lot of identity issues, not helped by his mother's teachings towards him, ignoring all his dreams and personal thoughts. Eventually he just got really good at lying rather than convincing Rani Nagi.

However, the young cryptid prince is suddenly kidnapped by Argost one day, as he figured out where Kur's soul was currently living. Zak knew he would have died that day if not for Drew and Doc recusing him, having been chasing Argost over this Kur situation. Though they're a little surprise that upon meeting the new Kur, they find it's just a young naga who really doesn't know who he is. At first Doc and Drew didn't know what to do with him, but Zak begged them to not send him back home, and let him stay at their place until he could figure things out. He wasn't foolish, he knew the nagas were planning a war, and he wasn't keen on being the face of it all. So now the Tuesdays just have a snake living around the house, but they can't exactly complain as he is a well mannered guest at least. And perhaps the house doesn't feel so lonely with him around either.

-Zak Wednesday-

Some of you might recognize this one, but this Zak is from my old Zur AU, where Kur was reborn via the Kur Stone due to it being an egg, and Zak is a dragon that shapes between human form and dragon form. I decided to update him, making him Zak Wednesday now, with a pink theme! I also decided that instead of Kur being reborn, I wanted to shake things up a bit and have it that Zak was directly Kur's son. His mother is unknown, and as Kur saw how the world was at the time, he put Zak's egg into a stasis situation until it was discovered again. After saving it from Argost, the egg hatched among the secret scientist, leading to them chasing the child of Kur. But upon using his shapeshifting abilities to look like a child of Drew and Doc, they just couldn't help but adopt him on the spot, siting there was no sense in blaming Kur's son over what happened years ago.

The growing dragon is very playful with a cheeky personality. He exhibits a lot of draconic behaviors, with a wild and free spirit. He is aware of his family history, but he doesn't like to think about it, unsure in how to view his father based on the stories he's heard. Besides, Doc and Drew are his parents, and that's all that matter to him. Though perhaps this sudden appearance by Argost, claiming he was going to far Zak's father, has been a bit rattling to deal with.

-Zak Thursday-

When Kur knew he was going to die, and also knew his soul wasn't able to live the mortal realm, he made plans to make it so his reborn self would both be born in hopefully a better time, and be without his memories. It was better that way, so that his new self could live a lovely life without the sins from his past. But that didn't exactly pan out properly, as Kur was reborn and sadly remembers everything. It took him a while to understand this growing up, his young human mind not processing it until he was roughly 7-8, and even then he needed time to think about it. And now he's a depressed 11 year old who now has to be stuck with the fact his plan didn't work, unable to run away from the person he once was. Doc and Drew found out the truth when Zak tried running away one day, their son sitting them down and telling them the truth in hopes they'd just leave him, it would be better that way. But to his surprise they disagreed, as he was still their son, Kur or Zak, and it would be too dangerous to leave him alone.

So now Zak lives with his parents? Are they really his parents? The family keeping this dark secret to themself, even from the other scientists. Doc and Drew still reach out to their son, doing their best to connect with him, but he can't help but push them away. He doesn't deserve this, and they deserve better. However, their secret might come out after Argost stole the Kur Stone and now hunts for Kur, not realizing the truth right in front of him. So now the family tries to get the stones back, wanting to protecting Zak/Kur from others finding out. Doesn't help that he has to go through being a child again with such dark memories lingering in his head, feeling tired and overwhelmed with the world. Hasn't he suffered enough?

-Zak Friday -

In a world where Kur and cryptids successfully wiped out humans, the king ruled the lands for a while after, before one day he mysteriously vanished. Many concluded that he had died somehow, the details unknown, but this lead to a prophecy that one day their king would return, leading to many claiming to be him, or praying that they will be him for the power and wealth. In this universe, Zak and his family are all cryptids, with Zak being a a Chuvash Dragon, Drew and Doyle are Epimeliads, and Doc is a Gargoyle (Other characters are also cryptids in this timeline). Zak is a serpent like dragon that breathes fire, as a very twistable body, and can freely shapeshift. He's heard about the legend of Kur returning, but frankly he thinks they don't need him, even if the cryptid world has been shattered without a king for years now.

But when a yeti named Argost claims that Kur is back, being backed up by the Nagas, everyone starts to gossip and run around trying to figure out who the new Kur is. So maybe it's best that Zak doesn't tell the whole world about his sudden new powers to control and communicate any fellow cryptid is walks by.

[shikariiin]

HIII HELLO I would like to apologize for disappearing a-lot for this past few weeks??? I had some issues going on and momentarily fell into depression where I went to the hospital for a while??? But uh urm yeah I'm okay now!!!

Going off number because in order to upload Henry's I need to explain the classes and how they work, but for the sake of continuity I decide to release James! With a new concept art format and him being a biological class, RAMBLES BELOW!

I made James as an imported engine from indonesia set to work for Sodor, It's more of my bias and I kinda see him with the ethnicity where I am from, his story might be close to home for me.

James is a vain, arrogant, petty and an absolute pissbaby cringefail of a man.

He's A biological class, meaning he is made like how humans are made (yes I will feature his baby photos in the future), he's only 2-3 younger than Henry and Gordon. This also means he have a family back at his country, a (late) father, a mother, and 2 Younger brothers, both of which have one year difference to each other.

He's the primary cook in Tidmouth's shed, his Top-notch culinary skills can be thanked by his father used to teach him cooking when he was little, after his father died he treated cooking as something personal to him, I think James would be the type of person to when they have something they like, they would grow personal to said things.

Batik is also one of those hobby he have, making new patterns for future projects or just something he does to bide time, during this he would be out of character-ly quiet. Though Keeping all of his original personality I would just add that when he likes someone he tends to be more gentle to them, and more caring (difficult with his high standard).

Never touch his coat. <- this is important

Old uniform! Yes I based it on indonesia's most common uniform leave me alone HAHA

When he first arrived he was getting used to new surroundings, also funfact, he's multilingual!

Language he have learned :

Indonesian, English, Chinese, Japanese, Korean, Russian, and Spanish !

He used to be a-lot slimmer, used to be a twink if you may, but now he's Sodor's most famous Himbo, why he bulk up is, by his own admission, to withstand whatever shenanigans he would get into, basically becoming his own human shield to any dumbfuckery he put himself in.

Also to my indonesian followers, yes I laughed my ass off when giving his last name, thank you for asking.

Lmao okay bye 🤭🏃‍♀️