#I have to do that at the theatre during the show because I'm coming in late

[themagicoolcat]

sorry for my lateness in responding to this but thank you so much for the contributions oh my gosh!!

i love your labelled diagram of all the actors i definetily was going to struggle with finding those odd ensemble kitties trying to dig around for the names. it's also nice to see that we do actually have a cat that's cassandra which does obliterate my jellicle theory of jordy's cat being cass but i don't mind because at least i was aiming in the right direction and the production still has a) cass and b) a really cool design for cass. i'll try and see if i can dig a name up for gus' actor considering that featuring gus the theatre cat the song seemed to appear frequently in the promotional descriptions for the production i don't doubt they've said gus' actors name somewhere!

it's nice to see the great rumpus cat in the production! despite having an image from the show featuring rumpus i completely forgot about him. with this confirmation of rumpus cat's existence it actually explains some images which i had initially deemed to be part of the gumbie cat number due to the use of some props (i'm not exactly sure if the production featured the cats doing the beetles tattoo or the cats cleaning the junkyard under the instruction of jenny) that i know realise are probably from the battle of the pekes and the pollicles! also having an unmasked appearance of the rumpus cat as one of the ensemble cats there are four possibilities as to who this cat could be outside of playing the great rumpus cat during the battle of the peakes and the pollicles. most often it's the tall ensemble cats who are cast to double as the rumpus cat and depending on the production it could be alonzo, plato (unlikely in this case because of tori-cat) or george! there could also be the possibility that the perth/mandurah production took the shiki cats initiative and has an ensemble cast member called rumpus cat. whatever that case may be it's a win for the few males in the show!

i would like to give a personal thank you for solving my victoria confusion because it never would've dawned on me that that could be avie's drag persona. it makes absolute complete sense that it's the same person!

i am so incredibly intrigued by this tori-cat to plato transition. femme!platoria is so real to me now i absolutely love this information and will be drawing fanart of the pair. this also makes a whole lot of sense to the facebook comment i quoted, it was not in fact a piece of social context that i was missing it was a piece of the show lore. it makes a lot of sense why they'd have assigned the roles of the tom ensemble cats to the mollies of the ensemble because well, it's a female dominant cast, and just knowing of tori-cat plato fills me with joy. as much as i love calling her tori-cat (which i will still most likely do out of affection for her character) it's nice knowing she has true name!

i don't know a whole lot about the art of aerial performance arts but a quick search and video or too of what an aerial cube is has made me come to the conclusion that that's cool as hell and perth/mandurah bomba is even cooler for doing that as well silks. no idea where in the show she's preforming this by the way (the leading theory is the jellicle ball now that taking over the platoria dance is out of the question because tori-cat is plato) but she's cool as hell!!!

oh sick we love a transition!!!

i love the fluffy coats of this production but i can only just begin to imagine what a nightmare they would be to preform in during any time of the year. preforming in the jellicle ball for 10 minutes straight in coats like those doesn't sound very fun. i can also see them being removed as a safety precaution as the long coats could become a hazard while dancing as an actor could trip or fall or get seriously injured or again overheat. it's the same reason why when misto changes from his ensemble costume in productions to his costume for his number his tail becomes shorter (notably loosing the white tip also) as it could be a hazard for the preformer during the number with the amount of tricks and spinning misto does during his number. it's much like how they wouldn't get old duet to preform any form of heavy dancing during the show because of his massive coat that he wears and also because he's really old, kind of irrelevant to my point, if they were to get the performer for old duet do dance he wouldn't be wearing the big coat he'd be in his ensemble outfit seen at the start of the show.

the promotional material for cats perth/mandurah is odd because even after they had started preforming and had their professional photos shot for the show they were still using the shots from their early promotional materials with the early costume designs. i'm really not sure why they continued to use the beta designs after the fact but they did and i love the early costume jemi and jenny they're very silly. that's also a neat thing to know for future reference that it was joanna appearing as jenny in the promo materials! i love the jemima design the most out of any design in the production so i'm very glad she got to keep her coat!

thank you thank you thank you for the misto telethon link!!! i hadn't scene the clip before it's a shame they were adamant on showing everybody but misto but i love it nonetheless!! another one for the collection!

hi i know you had posted about perth cats back way back in march but i was wondering if you knew anything more about the production? i’ve went down a rabbit hole trying to figure out who is what cat and who plays who using your list as a base to go off of and several hours and a good little stockpile of images later i still haven’t found anything more.

what i have found though is jemima’s actor’s full name is charlotte louise, victoria’s actor was an actor called avie grey (though i don’t know what cat is victoria) and other actors of unnamed cats include: lisa williams, tori brown, ella tweedle, rebekah wilson, lavina monk, caitlin atherton, jordy andrews and jaxon coke (all found through tagged images and birthdays posts by platinum productions on facebook) i can provide images of each of these unnamed actors so there is a cat face to attach to them just not any names still - @themagicoolcat

Not weird! I haven't looked much into Perth lately but I took another peek around with the names you listed. I didn't find much (but I did stumble upon some of those birthday posts you mentioned, I don't know how I didn't find them the first time).

It looks like Avie Grey played the clown cat, so if she's Victoria that means Vicky is the clown?

Plus Tori Brown would then be straight-haired pink cat, but I didn't see any names for that character.

I did find some of costume pictures of Sooz Bennet/Bennett? who plays Skimble, so based off of my (poor) sense of facial recognition, I think the orange long-haired one is Skimble

(Ignore the crazy person pin board vibe of my notes lmao)

Only other thing I really came up with is that I think (think) Tara Lynette Elliot mightve been on the production. Specifically and only bc she's been employed by the same company for other musicals + she looks a hell of a lot like the half pink-half orange jacket cat, which could mean nothing but I'm choosing to believe.

Given that it seems like none of the ensemble characters have ever had their names posted (by official or cast accounts) I honestly wonder if theyre just not named characters. Notably this cast skews heavily female, and quite a few of the usual Cats ensemble characters are male. So it's very possible that they just weren't named if their role wasn't 1-1 to some replica character's role (Demeter, Bomba, Victoria, etc).

I feel like the cast members would say something in the caption alongside a picture of their role ('had fun playing Alonzo in Cats this year!' or whatever) if they did have names and yet I have yet to come across anything of the like. Which is the lame disappointing answer unfortunately, but this production wouldnt be the only nonrep (or rep honestly) with a handful of unnamed ensemble or swing characters.

[pisshandkerchief]

it's gearing up to be another absolutely hellish day tomorrow and I am actively making things worse for myself

[marybeatriceofmodena]

What did Andrew Lloyd Webber do to make Patti Lupone upset? Sorry, saw your tags and i was curious

Oh.

Oh honey.

You sweet child.

Anyway, get ready for one of the most infamous showdowns in all musical theatre history, with the guy who writes the straightest musicals on Broadway (derogatory) and the one and only, the matriarch, the queen, two three-time Tony award winner Patti LuPone.

So, Andrew Lloyd Webber was basically kind of a boy genius in his prime - he met his future collaborator Tim Rice when they were 17 and 20 respectively, he wrote his first big hit, Jesus Christ Superstar, at 22, with Tim Rice writing the lyrics. And it was kind of a big deal at the time because the topic was controversial (you know, the Passion with rock music), but also because Broadway wasn't that far off from its golden age and let's just say the music and style were very different from, say, My Fair Lady. Or The Sound of Music. Or Funny Girl. It was basically the Rent/Hamilton of its time. (Yeah, Stephen Sondheim was around at that time, he worked on West Side Story which was revolutionary in of itself, but he's kind of an oddball in this case. You'll understand why later.)

Their real follow up (I'm not counting Joseph and the Amazing Technicolor Dreamcoat for a variety of reasons) was a little musical called Evita, which you might know mainly because of a song called Don't Cry For Me Argentina. Or at least, your mom has probably heard it once at the very least. It's that song that's oversung from a musical while being out of context along with I Dreamed a Dream for Les Misérables. Or Memory from Cats.

Evita tells the story of Eva Peron, the wife of an Argentinian dictator, who basically screws her way to the top and ends up becoming the mistress of Juan Peron and the most beloved woman in her country through guile and deceit. Yes, I know the historical accuracy is very much debated but I know jackshit about Argentina's history except the bare basics so don't come at me. It was first produced in the West End in London, with Elaine Paige in the role, but because of Equity issues, she couldn't reprise her role for the Broadway production. So a Julliard graduate who was mostly starring in David Mamet plays got the part instead, and that was Patti LuPone.

Patti... did not have a good time during Evita, because the part is basically the kind of score where you can tell the composer is used to writing male parts, but most female singers have a two-octave range (yes, you got Julie Andrews who used to have a three-octave range, and many others, but they're exceptions), so she struggled a lot. That being said, if you listen to live recordings of her, you wouldn't be able to tell, and it got a lot easier later on. But she had this to say:

"Evita was the worst experience of my life. I was screaming my way through a part that could only have been written by a man who hates women. And I had no support from the producers, who wanted a star performance onstage but treated me as an unknown backstage. It was like Beirut, and I fought like a banshee."

This is from Patti's autobiography, which she wrote in 2007 - 8 years after shit with ALW went down. With all that said, she won a Tony Award for Evita, and she pretty much became a musical theatre household name from then on. She played Fantine in Les Misérables, Nancy in Oliver!, Reno Sweeney in Anything Goes. Meanwhile, ALW's next big hits were Cats (I'm not even kidding, Cats was a hit), and, you guessed it, The Phantom of the Opera, which he wrote in part to showcase his then wife Sarah Brightman's triple threat talents.

So, you need to understand before I continue that ALW, from my perspective, has always had a bit of an inferiority complex. He's basically associated to writing these commercially successful musicals that show a big spectacle but aren't ultimately substantial. I'm not sure I entirely agree with that, but I do think that if he didn't have Hal Prince, Maria Bjornson, Charles Hart and Gillian Lynne backing him up for Phantom, it would have probably been a Rocky Horror Picture Show knockoff people would have forgotten about pretty quickly. This is what I mean:

Yep, that was Phantom before any of the people I mentioned above (and Michael Crawford) were really involved.

Remember how I said Stephen Sondheim was an oddball? The thing with him is that his musicals weren't always commercially successful, but in general, in part thanks to being Leonard Bernstein's protégé, he was generally pretty well-respected and it was considered that his work was bringing musicals to a whole other level. Without Sondheim, you wouldn't have Jonathan Larson, and you wouldn't have Lin-Manuel Miranda. I am convinced ALW is resentful of that, and when you stop and think about it for more than 10 seconds, it's so obvious he REALLY wants to be Sondheim or at least command the same level of respect, but that's a story for another day.

So, after Phantom, ALW had other musicals that followed that either got a meh reception or outright flopped. Then there was Sunset Boulevard, which is based on the movie of the same name with Gloria Swanson. Despite all of her griefs for Evita, Patti LuPone agreed to partake in the musical as Norma Desmond, for its production in London, with the promise that she would transfer to Broadway once that production would open. And overall, after a string of flops, Sunset was actually doing pretty well.

HOWEVER. One day, while reading the gossip column of a newspaper, Patti found out that contrary to what she was promised, Glenn Close, who was meanwhile starring as Norma in the Los Angeles production, was to play Norma on Broadway. That was a complete surprise for her since no one on the production team had bothered to tell her it was happening - and keep in mind that for the news to come up the way it did in a gossip column, it probably would have necessitated a delay of a few weeks between the producers and the newspaper, which would have given them plenty of time to break the news to Patti. And Patti kind of needed the leg up because she was pretty bitter that a) Madonna was cast in the Evita adaptation instead of her; b) they actually lowered the key to fit Madonna's voice range, and she still had to expand her own to be able to sing the (lowered) score. And trust me, Patti is mad about it to this day.

So of course, she trashed her dressing room, the cast and crew weren't even mad about it because they were as shocked and angered as she was by the news. Patti sued Andrew Lloyd Webber for breach of contract, namely for 1 MILLION DOLLARS (yup, those are the real numbers), won, used the money she got from the lawsuit to get a swimming pool, which she called (and I SHIT YOU NOT) the Andrew Lloyd Webber Memorial Pool. Since then, Webber is dead to her, to the point rumor has it she had part of a building blocked during an event so she could get out of it without coming across Webber, because she hates him so flipping much she doesn't even want to be in the same building as the guy.

(There's also drama that happened with Faye Dunaway who was supposed to replace Glenn Close after she went from Los Angeles to Broadway, except they abruptly closed the show down after Close left, but that's a story for another day)

So with all the bad press, and with ALW forced to pay 1 million dollars for Patti's lawsuit, that led Sunset's productions to close earlier than expected. ALW has stayed around since, with... mitigated output, so to say. The lowest point for a lot of people is Love Never Dies, the sequel to Phantom, which some people love, and that's fine, but it didn't do well with either critics nor fans of the original show, which ALW is EXTREMELY BUTTHURT ABOUT. And like, there are so many stories I could tell about LND alone, but I will share my own crack theory about it, since it does relate to the ask.

Anyway, buckle up.

So. There have been jokes going around for years that the Phantom in LND is basically ALW's self-insert, where he displays to the world that he's totally not over Sarah Brightman leaving him (in part because making Phantom kinda ruined their marriage lmao), despite, you know, having married since. (Aaaaaakward.) So LND basically becomes this really uncomfortable therapy session where a man writes a self-insert musical about how his ex-wife made a big mistake of leaving a sensitive artistic soul such as himself. The characters from Phantom who appear in LND are all more or less unrecognizable as a result, and one who gets it worse (in my humble opinion) is Meg Giry, who was basically Christine's sweet and loyal ballerina friend who basically went into the Phantom's lair on her own to save her friend despite the danger. In LND, she's basically a bitter hag (because ALW hates women, guess Patti was right about that), who really likes the swim and even has a stripping vaudeville number about it, written in universe by the Phantom, no less.

For comparison, here's Don Juan Triumphant (the Phantom's opera in the original):

And here's Bathing Beauty (the vaudeville number):

Yeah, so... do you see why people hate LND already?

And that's not the only thing with Meg! She's also pining for the Phantom to pay attention to her and threatens to drown the Phantom and Christine's secret love child when he makes it clear that he's gonna love Christine for EVA AND EVA.

So, with everything we learned today about ALW, would someone like him view someone like Patti LuPone as some sort of crazy, bitter diva who's obsessed with him for whatever reason? Absolutely. Would he be petty enough to insert Patti LuPone into his self-insert musical, which gave us the version of Meg Giry we got in LND? Of course. Why does Meg love to swim so much and why does she drag Gustave out ostensibly for a swim? Is it a dig at Patti's Andrew Lloyd Webber Memorial Pool? Maybe.

I kind of hope we find out one day if that theory is true. And maybe start a kickstarter so Patti can add this painting from the 2004 movie in her collection.

Fun fact: during the process of casting for the 2004 movie adaptation of POTO, ALW allegedly suggested Patti LuPone to play Carlotta... only for Joel Schumacher to have to awkwardly remind him that they were not on speaking terms. The idea was therefore promptly dropped.

[lovelytsunoda]

the scaredy cat support group | logan sargeant

summary: much to her dismay, y/n's friends have dragged her to see the scariest film of the season. luckily for her, the blond sitting next to her in a darkened cinema seems to be just as petrified as she is

pairing: logan sargeant x female! reader

warnings: scary movies & scaredy cats, implications of fear and gore, logan being a sweetie.

"this is such a bad idea."

the theater was packed, groups of people passing by them to get into the auditorium, eager to see the latest blood-soaked halloween killfest on screens. y/n, however, just couldn't get her feet to move. her friends stood just in front of her, worried looks on their faces as they looked back at her.

y/n loved halloween, make no mistake. it was her favourite holiday by leaps and bounds. she loved micheal meyers and ghostface and even freddy krueger.

but she absolutely hated being scared. she was a sensitive soul, and that was why she preferred older horror movies that were limited on the level of blood and guts.

"are you sure you don't want to sit this one out? we told you you didn't have to come." her friend said gently.

"no, no. i came here to spend time with you guys because i love you. and no scary movie is going to keep me from doing that."

she was reassured by the group of college guys that came in after her, with an athletic looking blond hanging back to stare at the film poster with a similar queasy look to the one that she was sporting.

"alright, let's get this over with. but if i barf up my popcorn, it's on you guys!"

they filed into the dark theatre, previews already beginning to play out on the big screen in front of them. their group of five took up most of the row, which, being in a small cinema, only held ten seats.

she sat in the middle, next to gloriously empty seat as she tried to steel herself for what was to come, with reminders to herself that it was all made from special effects, and she could walk out of that theater and into the real world whenever she wanted.

"is this seat taken?"

she look up and towards the soft speaker, who was using his phone flashlight to try and find his ticketed seat. it was the same blonde who had stopped to stare at the poster outside, and he looked a little pale in the face as he sat down next to her.

"not a fan of being scared?" she whispered, offering him some popcorn. "me neither."

"oh good. that means i'm not going to be the only one shaking like a baby." he laughed. "god, i would much rather have gone to see fucking joker or something."

"i wasn't given an option. they just told me that this is what was happening and i was invited if i wanted to. i'm y/n."

"logan."

"will you two be quiet?" the man behind them hissed. "some of us are trying to watch a movie.

logan shrugged, typing something on his phone before showing her the screen.

a movie that hasn't even started yet? i didn't realize that the advertisement for jackass was so interesting

"and turn your damn brightness down!"

y/n stifled a laugh as she watched logan pretend to give the guy the middle finger before slipping his phone into the pocket of his hoodie. the lights in the theater dimmed even further, the feature presentation beginning to unfold on screen.

to her credit, she lasted about half an hour before she jumped, knocking over her bag of popcorn and spilling some slippery buttery kernels into Logan’s lap. she was mortified, but the massage logan typed out on his phone reassured her that everything was fine.

it’s all good, squeeze my hand if u get 2 scared

no points for grammar, but five for being a sweetie.

naturally, it was logan who reached for her hand first, during a particularly gory on screen kill that had y/n squeezing her eyes shut and physically turning away from the screen while logan clutched her cold hand in his.

despite herself, she found Logan’s touch to be comforting. what did that say about her that a little scary movie had her seeking out comfort from strangers? (don’t tell her mother that or she would start singing the jamie walters song and everyone would be miserable) for a minute, she almost forgot that she’d come with a group of friends and was only reminded of that fact when one of them messaged her.

getting cozy over there? see, horror flicks are a great place to pick up guys! just make sure his favourite isn’t american psycho.

she giggled, looking over at her friend, who flashed her a thumbs up before turning back to the screen. that scene had long since passed, but logan continued to hold her hand, and she could feel his muscles tense as a scare drew nearer and nearer on the big screen.

she squeezed his hand reassuringly, only to be clutching it in terror moments later, one hand clapped over her mouth to stifle a scream. Logan reached over her body, almost as if he was gallantly and protectively trying to shield her body with his own.

she was going to fall in love with him at this rate if she wasn’t careful.

the movie finished, winding down in a way that much much calmer, if not eerie compared to what they had seen throughout the course of the film. she was relieved to see the end credits roll, although displeased at the idea of leaving logan behind.

she followed her friends out of the cinema, dropping her empty popcorn container in the trash as she went.

"y/n!" a voice called after her.

she paused, turning around to see logan standing just near the door. she glanced back at her friends, smiling when she saw their excited faces, gesturing wildly towards logan.

she walked up to the blonde, hands tucked nervously in the pockets of her flannel coat.

"hey," she started, rocking back and forth on her heels

"hey." logan grinned, scratching at the beck of his neck. "so, i think you're really cute." just out of her range of vision, she could see logan's friends standing behind him, sticking their thumbs up and whistling in encouragement. "and i was wondering if you wanted to go and get a coffee with me?"

she beamed, looking back to her friends for approval, one last time.

"i would love to. after all, you were my protector in there."

logan smiled. "is now okay with you? there's a little place in the plaza just across the way."

"sounds perfect."

[churipu]

omg hi! can i request jjk men with a girlfriend who loves acting! she goes to a drama club and all that (๑>◡<๑)

thanks I love all your posts (๑❛ᴗ❛๑)

JJK MEN AND A GIRLFRIEND WHO LOVES ACTING 𓏲 ๋࣭  ࣪ ˖

featuring. gojo satoru, nanami kento, toji fushiguro x fem! reader

warning. gojo being dramatic

note. hi nonnieee :< sorry for the late update on this, and i appreciate you saying that, it means so much to me <33 i hope you like this one! and believe it or not, i'm like — sick again??? i don't get it, i swear i was just fine an hour before and now i'm sneezing like five times after every ten minutes. pls save me. okay and ngl, this gave me ideas of musical actor! gojo and reader.

GOJO SATORU. he will absolutely be thrilled, and he is your number one fan. he gets very giddy when you tell him that you'll have a performance — but gets upset when he realizes that your character has a love interest (who isn't him).

but gojo doesn't try to ask you to switch or quit, because he knows this is just acting. as much as he hates to see other people touch you intimately, even for an act; the male knows how much acting means to you. it's your dream to perform for people for gosh sake.

gojo will make sure he gets the front row seats to be able to see you act. and the male drops by your practice to see how you were holding up, and sometimes, he helps you by going over the script together. the male finds your acting very very delightful, there's this flutter in him whenever he sees his girlfriend performing on stage.

proud, euphoria, love. everything all at once. he cheers the loudest when the performance ends, giving a loud clap and telling people beside him that you're his girlfriend. as soon, as people starts leaving the theatre, he finds you and tells you how proud he is of you.

as the rowdy theatre soon turns empty, gojo and you would spend some time performing the same act. where this time, he's your love interest — performing rather perfectly since he knew the script from going over it with you before.

"this 's the part where you jump into my arms and i twirl you, right, princess?" he asks, taking off his suit, tossing it aside so he could move better.

you nodded, "ready, 'toru?"

"'m always ready for you, baby," he opened his arms towards you and you laugh freely, throwing yourself onto him.

the male wrapped his strong arms around your waist and twirled you around on the stage inside the empty theatre, both of your laughs echoing in the large room. it's always a routine to end the day like that after every performance of yours.

"maybe i should consider acting, hm? so i could be your love interest instead of some . . . guy." he murmurs into your neck as he puts you down onto the ground gently.

"you could try, baby. i'd be glad to act with you."

gojo tries out, and he miraculously landed an act after his first audition (and he gets to be your love interest).

NANAMI KENTO. doesn't like crowds. but when it comes to your performances — he'd push that aside, because it isn't about him, it's about you. he promises to watch you, and he kept his words.

the first time he finds out about your passion for acting was when he sees you go over a script on your third date with him. of course he wanted to know what you were doing, and when he finds out that you were going to be performing for an act, he was astonished. he just needed to be there to see you.

believe it or not. nanami even went out of his way to cancel a meeting to go watch your show, and the first time he saw you live on act. he just gets so entranced by the way you move and act on stage — how you stayed on character despite the constant eye contacts he had with you during the play.

and after that, he always comes to see your performances; it never stopped even after you both started dating. he's always there, a flower bouquet sitting on his lap as he intently watches you perform with such elegance and professionalism. sometimes nanami wondered why you haven't tried out to be an actor on tv yet.

"kento, how did i do?" you'd ask him after every performance, sweat dribbling down the side of your head and the male wipes it with his bare fingers.

"amazing. as always. i'm proud of you," he slipped the bouquet into your arms and pressed a brief kiss onto your forehead, "you look beautiful."

nanami makes sure to pamper you after your performance, helping you clean the make up off — spoiling you with the best food, snacks, and anything you want. and when you tell him that it's too much to spend on you, he insisted on it. nanami won't even regret spending much on you.

TOJI FUSHIGURO. the first time he met you was from a cliche fiction type of bump, drop things, apologize and picking up. right outside a theatre where you were practicing a few days before the big performance, toji picked up your script and he asked you if you act — and you said yes.

an odd thing to say, but he admitted that he'd be watching and he's interested on it since it would be his first time watching an act (he didn't have a ticket, he just said that so he could actually come see you act).

and when you told him you'd be happy to see him on the big day — toji was internally telling himself that he screwed up big time since he didn't have a ticket. that day, the both of you exchanged numbers and got to know each other through exchanges of messages.

toji tries hard to find an available ticket, and was so happy when he got one (even if he didn't, i swear he'd force himself inside the theatre to see you). and front row too nonetheless. he tells you about where he was going to be sitting and that he has high hopes from you as a joke.

and when you finished the performance, honestly, he didn't know what to say. frankly, he finds acting a bit boring — but with you on stage, his eyes were intent. every single time you popped onto stage, he finds himself stupidly smiling.

even after you both started dating, he'd always come to your performances. even if he didn't get a ticket, he lies to you and tells you that he's coming — which he did, by letting out some meaningless threats to the security guarding outside.

"hah, knew y'were gonna be great, doll." he approaches you as you were wiping off the eyeshadow gently, and you chuckled, "y'look hot in that dress."

"oh, hush. how did you get in here? this is an actors and actresses only zone," you tell him, not even bothering to kick him out because he'll probably find himself back in anyways.

"i have ways," he stood behind you, watching the mirror, specifically at your reflection. the way your lips parted slightly at every brush of the dirty cotton onto your skin.

he's proud of you. but wouldn't tell you with words, but he will give you a kiss or two to tell you that he is indeed proud of you.

© CHURIPU 2024 , DO NOT COPY OR REPOST ANYWHERE

[apoptoses]

Armand, Haussmann, and Paris:

The thing about Paris that's not really discussed in the VC books themselves is the Haussmann project.

In 1853 Napoleon III commissioned Haussman to completely renovate Paris. The plan was to tear down all of the old structures and rebuild the city; reorganizing the streets and reshaping them to accommodate more green spaces, and replacing smaller buildings with taller apartment blocks in more uniform style.

The Paris Armand knew when he arrived as the coven master and which he came to know as the theater leader would have looked something like this:

Dark, winding streets leading off wide boulevards and short, leaning buildings.

The Haussman project would see all of these places systematically torn down, occupants removed to other areas of the city while new buildings were put in their place. In some areas workers were destroying and rebuilding things 24 hours a day.

At this time Armand would have been living at the theater on the boulevard du Temple, Paris's street of theaters:

This dagguerotype shows the boulevard in 1838. This painting, in 1862, looks much the same:

But by 1863 all but one theater on the street had been destroyed, and that was only because that theater was on the opposite side of the street shown in the painting. How and why it wasn't pulled down, I don't know- no information on it seems to exist, just like no explanation for the very small handful of other old structures that were left untouched.

That theater, the Théâtre Déjazet, still exists today. But it was established in 1770 by Comte de Artois, so while it could have been Anne's inspiration for Armand's theater it's not the 'rickety wooden rat trap' that seats 300 that Lestat describes in TVL.

Anyways, knowing all of this, I think it makes even more sense why Armand so quickly grabbed onto Louis and was ready to run away with him at any cost.

Armand, who'd been kidnapped from the monks, who'd had his palazzo torn out from under him, who'd established something of an existence under Les Innocents and was then ripped out of that world when the cemetery was destroyed. Who was watching the city he'd finally come to know get systematically torn apart. Everything that was familiar to him was being taken again.

So why not let Louis burn the theater? He arrived in Paris in 1870, just as Haussman was dismissed. But the work of destroying and rebuilding Paris was set to carry on. Chances were the Theatre de Vampires would be next, and if that were the case there's no way the crypts beneath the place would remain safe and undiscovered.

And if he'd stayed where would they go during the renovation? What would they do? What would the point be in continuing trying to run a coven he was bored of and a life he didn't care for in a new location?

Armand was going to have to begin again somewhere- better that be with Louis, out in the world, than roaming a now unfamiliar Paris. And even though he didn't burn the theater himself, allowing/instigating Louis to do it still gave him more control than letting a stranger come in at some unpredictable moment to demolish things all over again.

(And what of Lestat, what does he feel about these changes? He never could have shown Louis the Paris he knew and loved, which existed when Louis was still mortal- that Paris was largely gone)

Chances were Anne might not have known most of this at the time she wrote interview or even TVL. But I think it still makes a lot of sense and brings up a point about Armand and immortality that I don't see brought up much- that not only do vampires lose every mortal they've ever known, but with time they also see the destruction of every place they've ever known or loved.

(ps: I'm not an expert on this topic or anything, so if anyone does know why some buildings were unchanged or has any interesting historical info to add by all means please, reblog and add it on!)

[soapoet]

How they'll confess their feelings

requested by anon.

like & rb if it resonates ♡

01.

Shufflemancy: Hands to myself by Selena Gomez

This energy is very open and inviting. Your person is quite bold, and when they know what they want they show persistence, and adapt quickly to changing winds. They are not fazed by much and can weather any storm. They have a bit of a "won't take no for an answer" type of energy to them, but not the toxic kind. They may appear to you as somebody who doesn't take things seriously, or perhaps they are so direct in their affections and intentions you simply take it as something said in jest rather than the honest truth of their heart, something they'd say to just about anybody and therefore not for you to give much merit. They don't take themselves too seriously and have a very uplifting and lighthearted presence, which can so easily be assumed to go hand in hand with non-committal or even player tendencies. In reality, they simply enjoy keeping things light to assure those around them are having a good time and don't sweat the small things, which very well may stem from a childhood in which they served as a mediator or created distractions during rough times, aiming to always find silver lining to avoid dread and loss of hope in their loved ones. They are nurturing and protective by nature and do, in fact, know when to put their serious face on, and then they surprise all with their dependability and their ability to persevere, always coming out of things unscathed and even striving.

Their confession is direct, but places the ball in your court. They are good at marketing themselves and would make a great salesman by their persistence alone. They are confident, but not cocky, though they play on a little bit of arrogance for entertainment value. I'm hearing things such as "you're going to have to eat today anyway, so might as well get fancy with it", which holds that essence of boldness and persistence that I am picking up on so strongly. They show through actions what they have to offer, and whilst they will take a serious rejection, they're playfully pushy in this way where they don't expect anything other than the chance to treat you to a little something like a dinner and that way show you what they're made of. They certainly appreciate and enjoy a little game of cat and mouse to start with, so any initial reluctance from you that is less like rejection and more like a challenge for them to prove themselves to you is not only welcome but encouraged. They're somewhat traditional, but treat you like an equal. A major goal to them is to allow you to have a good time and not worry about things in their presence. There is a lot of laughter involved here as well, and you'll find yourself charmed by them effortlessly. It may be hard to actually pinpoint where exactly a confession occurred because their pursuit of you is ever-present from the start.

Additional details: new phone, swimming pools, wine, get togethers, stocks, business, airplanes, real estate, steak, gyms, football, wrestling, DJs, white sneakers, movie theatre, necklaces, bouquets, big family, cars/opening car doors, shopping, pranks, instagram, nail salons, entrepreneurship, beaches, pizza, Amazon, cruises, leisure, stand-up comedy, concerts, high-end brands, red, B/D/T/K/J, Libra/Gemini/Cancer/Leo.

02.

Shufflemancy: There till the end by JERUB

Quite jittery, restless energy. Your person is overcome with emotions leading up to this occasion, and the various scenarios they play out in their head trying to find the correct when and where and how make their stomach churn like they're spinning around in a carousel. They want to be bold, but perhaps it would be too risky, so they play it cool, or at least try to, only to find that their approach may actually be much too vague for you to catch on. This person is usually quite open with their emotions and easy to read. To their near and dear they are an open book and they pride themselves in their own ability to read others. They always try to cheer up loved ones and strangers alike, even when they aren't certain what to say or do they try their best. This person always seems to get back on their feet when they're knocked down, and their inner strength may come as a surprise to some because they look rather harmless and have a very bright energy about them, like the sun that so easily could be overcast. It is often said that the brightest smiles are on the faces of those who have known the greatest sorrows, and that appears to ring true with your person. Their optimism is a tool developed for survival, and has gotten them far in life. They often wield this optimism for others too, selflessly rallying behind others and their goals and dreams, and serve as the number one supporter tirelessly and try to make sure nobody feels left out in the cold.

In their attempt to find the balance between delicate and bold, they may find themselves so overcome and frustrated that they simply blurt it out. For some, they may opt for something silly or lighthearted, that is still direct, but does not feel as scary to them. They could confess via a game of hangman, or even write one of those "do you like me? yes/no" notes of bygone playground days and bruised knees. They are endearing, and I see that you two have much in common. There's a strong foundation of friendship, too, which may be their source of unrest as they wish not to ruin what you have. They may very well end up going on a tangent, blabbering on about their feelings nervously to fill the silence so much they don't give you the chance to speak before you shush them and put them at ease with the knowledge that it is mutual and they have no reason to fret and fluster so badly.

Additional details: video games, tabletop games, converse, Fruits basket, Sailor moon, slurpees and milkshakes, youtube, mismatched socks, animals, lofi, indie, grocery stores, parks, band t-shirts, empty playgrounds, bubblegum, mints, cemeteries, mason jars, art, guitars, cotton candy, thrift shops, fishing, bicycles, plushies, scrunchies, friendship bracelets, rodents and birds, small towns, nuggies, venting, Pisces/Leo/Aquarius/Scorpio/Sagittarius,J/V/S/L/N.

03.

Shufflemancy: When we're old by Ieva Zasimauskaitė

Oh dear. This energy feels like a neat and tidy office with loose papers thrown about. What happened here, I could ask, but you did. You happened. This person seemed content in the daily routines, their feet planted on solid ground, until suddenly their foundations were tested by a hurricane. Sweeping in and changing everything, you turned their life upside down. At first they may have been frightened, worried that you will surely be a problem. They could at first wish to solve you like a puzzle, only to find no corner pieces because you are ever-expanding, a fairytale with no end but many twists and turns and many pages still unwritten. They are perplexed, but oh so fascinated. You awaken wonder and awe in them, as though you came in to show them a peek of what's beyond the veil, far away from their mundane, solved, scientific, factual, proven reality. You inspire them, yet your words and ways challenge everything they know. They go through rapid growth triggered by you, and a lot of it not for the faint of heart. They are a rock amidst storms, a lighthouse keeper assuring safe passage for ships at sea, and have never quite known the depths of the sea and the crashing waves that you call home.

If you are observant, which many of you certainly are, you may notice the battles that take place inside their head even when they remain so calm and collected on the outside, and know long before they tell you just how they really feel about you. For many of you, they may find the circumstances iffy, the timing poor and unfortunate, but their feelings are as real and true as they are overwhelming. They experience many sleepless nights, and may argue with themselves, a court case as both the prosecutor and the defendant, whilst you seem to be the judge and jury and hold the key to the inevitable verdict. They may very well need a green light from you, but they will confess their feelings candidly, likely in a place only semi private for the sake of your comfort, thinking you need escape routes as they're convinced what they read off of you is a trick of their own mind and false hope that what they feel is mutual. They are gentle and cautious, try their best not to overstep any real or perceived boundaries between you. Though they hide a romantic behind their exterior, your first talk about something more between you can at first feel like an interview, as they wish to cover their bases and make sure they wouldn't waste your time or you theirs by having different directions and goals in the long-term, because the long-term is what they want. This group is the most likely to see fast engagements and marriage and other such milestones due to this clarity early on.

Additional details: spirituality, churches, meditation, sleep hypnosis or lucid dreaming, tarot, astrology, weddings, moving, soda and energy drinks, nostalgia, piercings and/or tattoos, hiking, travelling, community, helping, third party or recent breakups, to-do lists and planners, glasses, stress, cooking, purple, blue, gyms and sports, metal, journaling, blogs, text messages, tech, Leo/Virgo/Capricorn/Cancer/Pisces, E/T/K/H/A/S.

04.

Shufflemancy: Die for you by The Weeknd

This is very potent energy in comparison to the other piles. It is heavy and deep, almost suffocating but closer to a weighted blanket rather than true smothering. This person feels everything quite deeply and never seems to know how to express themselves or where to even put all these emotions, as though they always find themselves in aisle three struggling to hold all their items and wish they had just grabbed a basket upon entry. Their feelings for you creep in slow and steady like a predator stalking its prey from the tall grass, and before they know it they are met with great fear of abandonment and worry you will be swept up by another, worried that even if you were theirs you could do better. They may very well have history of poor relationships which ended in their demise, leaving their heart broken and full of trust issues. You may not even be aware of their insecurity as they carry themselves with confidence and are at ease with their peers, mix and mingle so effortlessly and appear so carefree. They have a lot of passion and take their work and hobbies very seriously. Their dedication to the things that matter most to them is remarkable and they have tenacity to push onwards regardless of any odds stacked against them, though their energy mostly comes in spurts and they require time to recharge or recompose themselves after all their sudden leaps and efforts. They may confuse you, as their devotion to you as an ally burns so bright, yet they seem to not make any moves to indicate that there is more to it. Perhaps this person is confused too, because for many it is possible that they once chose to not pursue love seriously due to past experiences, yet your presence is so stable and safe they want to so badly take a leap of faith in your direction.

This clash of desire and fear is not easy for them, and they go through a long period of denial from which they constantly find themselves slipping, always saying or doing something more than what your dynamic would call for, acting out the role of a partner out of their ease in your presence, then stepping back and fighting the current that threatens to wash them downstream to unknown territory, only to once again be lulled into this comfort you provide. They catch themselves daydreaming of a proper commited relationship with you often, but just as often they shake their head and wave those thought bubbles away. Their eventual confession is just as tumultuous as the feelings that reside within them. It could occur as a result of a heated argument, or at a time they are convinced you will leave them or hurt them and they simply fail to stop their outburst. Most will put it in a kiss before they put it in words, and there may be a lot of stressful and overwhelming emotions happening all at once for both of you as this strange and quite frankly exhausting push and pull dance reaches ots climax and comes to an end. This revelation fortunately provides instant relief to all this torture as though a kiss and whispered promises serve as morphine.

Additional details: lighters, vinyls, mesh, velvet, Lana Del Rey, Phoebe Bridgers, parties, drinking, shattered glass, bruises and hickeys, astrology and numerology, college, fwb, jealousy, cats, red, d&d, mass effect, social media, tinder, birthdays, plushies and figurines, kdramas, taboo, letters, poetry, reels, LED lights, therapy, pastries, Aries/Scorpio/Capricorn/Virgo, F/B/A/G/D.

05.

Shufflemancy: How you get the girl by Taylor Swift

It may take some time for this person to outright say anything, because their energy is as slow as it is steady. They don't make hasty decisions, and like to take their time to perfect all that they do and say. Despite this meticulous energy, they are quite light and airy. They may be quite critical of themselves, and always strive to do their best and measure up to their own, sometimes near impossible, standards. They are strong and independent, yet may have grown up within a lot of instability, which lead them to solidify into a rock so that turbulent times would not shake them as it did in the past. They have a dominance about them that is neither threatening or demanding. They carry themselves well and do not step on any toes as they go about their life achieving every goal they set for themselves. They try to learn to relax and live a little, and find it easier to do in good company. Their circles may be small and close-knit, as though they wish to keep their life private and managable, quality over quantity. They are incredibly loyal, and though they are difficult to get to know and rarely let down their guard, once you're in, you're truly in, and they would move mountains for you just as they do for everyone they hold close.

They may lack experience or confidence in love, for some they poured all their energy into their studies, careers, hobbies, or other relationships like family and friends, and decided not to force love. With you they feel comfortable and safe and may go out of their way to allocate time to spend with you every day, and they diligently remain at your disposal for anything at all should you need them. The foundation of trust and support they lay down over the course of many months and seasons changed before they dare confess what cards they hold so close to their chest provides promise of longevity and purpose for your relationship. They may confide in their loved ones for advice and encouragement before they come forward. Sitting there shuffling notes, getting up and pacing and wracking their brains for just the right words to say, but in the end their confession is just as light as ever. You may have felt for a long time that the two of you were practically dating, though without the official stamp of exclusivity, and this is what they may allude to in their confession. Words untold always on the tip of their tongue come out gently, but with certainty and with a firm hand for you to grab and hold on to. This occurs in a comfortable routine environment, something safe and predictable. Nothing lavish, nothing big and bold, no fireworks and marching bands. Just amidst your usual day to day, making it somehow unexpected and expected all at once, as though it was inevitable, but still surprising. Their confession may leave you in tears of relief or joy or shock, or a concoction of them all, yet this new chapter feels like freshly baked bread and a good morning text. So simple and sweet and natural in this simple brand of perfection of theirs.

Additional details: classical music, working out, family, wingman, salad, selfcare, psychology, puppies, car problems, 20 questions, countryside, eyeshadow palettes, phone calls or voice memos, LDR, school, lace, divorce, trauma, literature, lgbt+, trains, movie nights, floral, anxiety, politics, medication, doctor's appointments, news, red lipstick, green and beige, nature, baking, giggles, Attack on titan, Leo/Taurus/Libra/Pisces, Y/J/A/E/W.

06.

Shufflemancy: Call my name by Priest

This person will need some encouragement. Some sort of signal that their plane will land safely and is cleared for approach. Their energy is like contained chaos. Their mind is everywhere all at once, yet they appear at peace, relaxed, and so calm on the outside. They aren't surprised by the butterflies in their stomach, but have a tendency to enjoy them while they last without acting upon their feelings. Typically they expect these butterflies to fly away eventually, but it seems with you they've made a permanent home making their heart flutter every day, far beyond the usual expiration date. This surprises them, and makes them a little uneasy. They so often keep to themselves and don't bother others with their feelings or their needs, that they find themselves at a loss when they try to find the right words. Which is peculiar, as they seem to have such a way with them under any other circumstance. Always knowing the right thing to say, providing heartfelt guidance and insight at the drop of a hat when somebody needs it, known by their kindred spirits as both wise and witty. Yet this eloquence becomes a lost artform when it comes to expressing themselves and their feelings, and they feel embarrassed by their tongue-tied stutters and inability to string together a coherent sentence. Perhaps in their youth the key to their survival lied in becoming invisible and minimising their needs and blurring their boundaries. Now they go with the flow of life and may sometimes feel like an intangible being amongst solid mortals with beating hearts that to them sound so loud they couldn't possibly speak loud enough to be heard.

Their approach is careful, like a detective uncovering a crime clue by clue. They plant seeds and nurture them, hoping you will notice the tiny leaves which poke out from the dirt. They have perfected the art of dropping hints, and are looking for a signal that they are allowed and welcome to do and say more. Their pursuit of you can feel like a slowburn persuasion of you to say something first, like they're the puppeteer behind the scenes pulling strings in their favour so that confessing their secrets won't be so scary. You'll come to find the depth of their true feelings shocking. Once their walls come down and they show their vulnerability you will find them so sincere and sweet in their hopes and dreams for the two of you that you may find yourself teary-eyed. They come with the offer of dedication to waking up every day choosing to love you, actively, as a choice, keeping this promise like an oath. It's hard to pinpoint a confession here, as they weave a web, luring you in, coaxing it out of you first, or get close enough to the truth that there can be no doubt in either of you.

Additional details: childhood wounds, cereal, multiple tabs open, mobile games, distractions, true crime of haunted side of youtube/tiktok, horror movies, cold hands, dyed hair, Olivia Rodrigo, kpop, foxes, cats, blue birds, keys and keychains, beanies, venus flytrap, headphones, chips, broccoli, spicy food, books, wikipedia, reddit, ADD/ADHD, flannels, fairy lights, gaming setups, lightsabers, aviation, documentaries, persona games, nighttime, magic, netflix, Gemini/Cancer/Aquarius/Pisces/Sagittarius, K/P/V/Z/M.

[rose-tea-and-strawberries]

Ok Ok since you listen to Epic the Musical hear me out-

What if Epic is a thing in Yuu's world? Like she's a huge fan and decided for a movie night she first introduces all the boys to it and eventually shows it to everyone at the House of Mouse,

There will be gasps, There will be tears shed, etc.

Everyone in the Hercules cast especially will be intrigued by seeing their own selves in a different light. But once they get to the thunder saga (and also gods games), Zeus is sweating bullets meanwhile hades is laughing his butt off from his brother's face,

But at the same time poor Hercules is like "....Dad???" as Meg and Yuu comfort him.

...also for the Vengeance saga everyone (NRC and HoM) especially the couples, Will def cheer after Odysseus says next to my wife.

Okay so first of all, if you want to read a fic where NRC reacts to Epic I highly recommend this because it is truly top tier:

I mean, for the past month I was thinking of a twst reacts to Epic fic (where Yuu acted in EPIC back in her world and the school/RSA reacted to it through some type of magic - it was kind of set in this universe where Yuu was a theatre actress before entering twst. I mentioned once that I had a theatre!Yuu that is friends with RSA and once played Christine Daaé back home. This is that AU) and then I just stumbled across this two days ago and my mind was literally blown! The saying that that there are no original experiences is really true!

Basically Yuu (who's female in this fic) is doing some extra credit work so she asks her friends to act in one of her favourite musicals and NRC reacts to this. Ace plays Ody and Deuce is Telemachus and Yuu plays practically every female character (I'm not going to spoil who plays the other characters). Also this has Aceyuu which is practically my OTP.

I'm also a huge fan of the Disney Princess React series where the Disney Princess, Princes and practically all the good characters from before their movies react to their future so I have been thinking of a Disney characters + Epic cast reacts to Epic fic.

Okay so according to Google, Hercules comes before the Odyssey so none of the Hercules cast would know anything about the Trojan War or Odysseus which would make this even cooler!

Hades: And you guys thought I was bad? Just look at my younger brothers!

Hercules: Dad! (īī ^ īī)

I've never watched the Hercules tv show except for that one crossover it did with Aladdin so I don't really know how the gods/goddesses are portrayed but I do know that the movie took a lot of ... creative liberty to say the least.

But can you imagine the cast of The Little Mermaid/Octavinelle reacting to Suffering/Different Beasts where the sirens come to kill the crew only to get slaughtered. Also, I have a feeling that Triton would be leaving his trident back home in the palace for the next few weeks.

But imagine every sailors' (e.g. Eric, the pirates, etc) reaction to Ruthlessness and the absolute carnage that follows. They'd be gripping onto the tables with white knuckles.

Hades would be having the time of his life (except for the parts where Yuu cheers for the other gods: read Hermes/Athena), especially during the Underworld saga. Like everyone would be looking at river styx in horror and he'd just be like 'ah home :)'. I bet he'd enjoy God Games as well. He'd definitely be munching on popcorn during Ody's and Athena's argument in My Goodbye.

The muses would be watching everything like WRITE THAT DOWN!

I don't think Hercules wants to talk to anyone at this moment :/

Thanks for the ask ‎♡

[turn-my-hollow-purple]

What Clique Stereotype Each AOT Character Is

this is in honor of the fact that the only thing on my mind right now is GENUINELY gothkasa like omfg I need her so bad it's not even funny you guys PLUH EASEEEE-

Eren: you're surprised he's actually passing his classes because he never turns in work, etc. (thanks to Armin and Mikasa); all the girls like him but he just exist you guys.. I will not fall into the Eren frat boy agenda I swear... (I want to so bad) but yeah he kinda bullies other kids and says "no it's just a joke, trust"

Armin: chess club captain! y'all knew this was coming I'm afraid but he's a cutie pie... obviously a brainiac... maybe a band kid too (positive)

Mikasa: she is a part of the alt kids, falling into the goth subculture! goth music, dark clothes, gloomy vibes, and boy oh boy does she pull it off

Jean: he's like... how do I put this... he's the kid who's quarterback on the football team and the lead in the school musical. A man who can do both dare I say

Connie: CLASS CLOWN! But not the kind that thinks he's better than anyone, people actually enjoy Connie's humor. Occasional spit ball at the teacher though... he frequents detention

Sasha: she is the 'leaves class early and shows up to class late' stereotype... except it's not intentional. And when she is in class? She's asleep.

Annie: she's also in the alt scene with Miksasa, but she fits into the grunge, skater kid scene. This means dark clothes as well, but she's got her skateboard, a vape, eyeliner, and emo music (I'm projecting slightly)

Bertholdt: he's giving class vice-president... he's a little goody-two shoes but not popular enough to be the actual class president. People enjoy him though because he's a sweetie

Reiner: That one kid you swear you've never seen without headphones on like are they permanently in your ears or something bitch hello? He's also a band kid (derogatory)

Ymir: she is also a part of the alt scene but she is 100% the queer stoner girl (also drug dealer lmfao); she dresses more boho vibes but always has some form of weed on her and she is your plug... also lowkey an art kid

Historia: my darling theatre kid. She's the lead in all the plays, musicals, performances, etc. She's really talented and pretty and everyone loves her so much. She probably gets homecoming queen

Levi: that one literature teacher that never seems to give 100% no matter how well the work is done... will blatantly tell a student that they're wrong instead of the classic 'oh that's a good try... not exactly what I was looking for though', it's just straight up 'no that's wrong.'

Erwin: this is the male history teacher who everyone's kind of in love with just because he's so attractive and lowkey so fun to learn from, but you also speculate might be kinda gay? He gets super into his lectures and his students love how interactive he is

Hange: OKAY SO- they're the science teacher who lowkey doesn't know wtf is happening but goes with it anyway... sometimes the students have to teach them what they're supposed to be doing and if you're in their class, there's a good chance you're fearing for your life at some point during lecture

[ron456]

AHHHHH- IM SO SICK OF THE BS I SWEAR-

FIRST OF ALL-

He doesn't "act naturally" or "normal" because HE'S AUTISTIC-

Will Roland portrays him as AUTISTIC so he's gonna act AUTISTIC-

ALSOOOO- IT'S BROADWAY, BABE- THEY NEED TO BE OVERDRAMATIC AND VERY EXPRESSIVE OTHERWISE THE PREFORMANCE DOESN'T CARRY THROUGH THE WHOLE THEATRE-

AND ANOTHER THING- Jeremy is supposed to be a "loser"-

he gets bullied and is misunderstood by his peers because he is, well, NOT CHILL-

HE'S "CHALANT" AS HELL-

He gets bullied because he cares about things too much, he's anxious, he's loud-

And in regards to the "can't hold a note for too long"- have you heard Loser, Geek, Whatever? Or More Than Survive? Or Two Player Game??? Song where he holds notes for quite a long time- ALSO- to say that Will Roland can't reach the same notes as Will Connolly is just... not true.

And one of the reasons I think some people think Will Roland is "a worse singer" is because, sometimes, stylistically, Will Roland will use a sort of falsetto/head voice (which I LOVE BTW AND IM SICK OF PEOPLE CALLING OTHER PEOPLE BAD SINGERS BECAUSE THEY USE HEAD VOICE- IT'S BEAUTIFUL, IMPRESSIVE, AND REQUIRES GOOD BREATH CONTROL TO MAKE IT NOT SOUND CRAPPY AND WILL ROLAND DOES IT AMAZINGLY) like when he says "hero" and "Rob Dinero" (idk if that's how you spell it 😭) in More Than Survive.

It's not that he's a bad singer, he is taking the brunt of his voice during those parts and also, given that it's this little solo/soliloquy moment for Jeremy, I think that Will Roland's choice to use a light head voice there is perfectly well-placed. It feels kinda personal, I guess. And I love it <3

Not to say that Will Connolly's way of singing it isn't also great. It's awesome! But like, guys, we can't keep getting pissed when a new actor in a show doesn't have the exact same singing voice as the original 😭 That's just silly, guys. 😭

(LIKE WHEN PEOPLE GOT PISSED AT ELIZABETH TEETER'S LYDIA FOR SOUNDING TOO MUSICAL THEATRE-Y?? LIKE. HUH?!? GUYS, IT'S BROADWAY- WHAT DO YOU MEANNN??? Sorry, I have feelings- Also, Shoutout to Elizabeth Teeter, btw, cuz' she slayed <3)

Anywaysss- back to Will Roland's voice- he is very much capable of hitting the notes that Will Conolly hits- if not higher (IT'S NOT A COMPETION THO, GUYS- PLS DONT COME FOR ME). For example, the acoustic version of Loser, Geek, Whatever on Spotify which, I believe, is a key higher than usual!! This man can belt some high notes when the situation calls for it! And also, (these are not really bmc related but whatever) during the harmony or whatever at the end of "Sincerely, Me", that is none other than WiLL RoLaND (!!!) hitting that high E (I'm pretty sure it's an E. I hope it's an E. But regardless, it's still a SUPER HIGH NOTE) at the end! And in "Amphibian" on Joe Iconis' album titled, well, "Album", Will Roland hits some insanely high notes!!! ( EVEN IF THEY ARE HEAD VOICE. I REPEAT, HEAD VOICE DOES NOT MEAN BAD SINGER!!)

Also, as a little additional statement to my "Jeremy is autistic/ autistic-coded so Will Roland played him as autistic"; this is not to say that Will Conolly didn't add some "autistic flare", if you will, to Jeremy. I mean, just yesterday I was freaking out with my friend about a gif of Will Conolly's Jeremy doing the autistic flappy hands :))). And I think that he was a good baseline for other Jeremy's to build off of!

Also, I feel like the people that are saying that Will Roland's portrayal of autism/neurodiversity is "ableist" or "incorrect" or "too dramatic" are sorta failing to understand/acknowledge that autism/neurodiversity is a spectrum. Not every person with autism or another kind of Neurodiversity is gonna act the same. And I think that's something really beautiful that we should all cherish. It is GREAT that we are all different but also, in many ways, the same!

And to see myself and my uncontrolled speaking voice and weird noises and such represented by Will Roland on stage is such a beautiful thing that I think 'ought to be cherished.

[themultifandomgal]

Tommy Shelby- His Ballet Girl

I had the idea of Tommy dating someone who is a ballet dancer and one of my followers gave me the idea of Tommy cheating on his wife. This does not represent my beliefs, cheating is horrible

Warnings- Tommy cheating on his wife and reader not caring.

YN has been dancing since she could walk, she feel in love with ballet when her parents took her to her first theatre show. From that moment on YN begged her parents for ballet shoes and lessons.

Now being 29 years old she is now dancing in the same show she first saw, The Nutcracker.

YN sits in the garrison with the Shelby's, who she's known for many years. Even though she was from a different social class she always got on with the brothers and Ada, but she's specifically close with Tommy... very close to Tommy.

YN walks through the garrison to their room. Not knocking she walks in and sits next to Arthur 

"Whisky?"

"No thanks Arthur. Have rehearsal early tomorrow"

"How is it going?" Lizzie asks sitting on Tommys lap. Although YN feels a little jealous, she knows that tonight Tommy will be warming her bed not theirs which puts a smile on YNs face

"Good thank you. Are you guys coming to the first show?" YN asks looking around

"Actually I wanted to ask you for a favour" YN looks at Lizzie "I'm not sure if you know this, but Tommy is throwing me a huge party for my birthday" YN did know because Tommy was in her bed moaning about having to throw this party "and I was wondering if you would perform"

"Of course. Tommy can let me know the date" Tommy sits quietly, he's not uncomfortable with this situation, his wife and his mistress talking

"So YN how's your mystery man?" Esme asks

"He's great. Bought me this" YN shows off her necklace

"When are we meeting this mystery man?" Lizzie asks, oh if she only knew

"Not sure. He needs to leave his wife first" Tommy coughs nudging Lizzie off his lap

"I have to get going if I want to get to London at a decent time"

"Ok. I'll miss you" she leans down and kisses his lips

"Yeah you too" he replies leaving the room

"Well I'm going to head off home" Lizzie says saying goodbye to everyone

"You sure you don't want a drink?" Arthur asks

"No I'm good thank you. I probably should also go home, go to bed early. I'll see you all tomorrow".

"When are you telling her?" YN asks Tommy lying in bed

"Soon. I want to get her birthday out of the way" YN groans "I know your having fun messing with her though. Showing off your necklace"

"Yes but she's sitting on you lap, asking me to dance at her birthday, it's a bit fucked"

"You agreed to do it" Tommy chuckles making YN smile

"Yes because I wasn't going to get invited else and I would love to sneak off with you at some point during the day"

"I'm sure you would" YN yawns interrupting Tommy "tired?"

"Mmm" YN hums

"Go to sleep. I'll be here in the morning" Tommy kisses her forehead.

Weeks later and it's Lizzie's birthday, she's going around bragging about how amazing Tommy is for making this party possible. YN is stretching before performing when Esme walks over to her

"I know who the mystery man is"

"I'm guessing you spoke to the spirits" YN jokes standing up

"Don't be stupid YN. How long have have you and Arthur been sleeping with each other?"

"Arthur!" YN yells getting you "you think I've been sleeping with Arthur?"

"Well you sit next to him every time we're at the garrison, he's always getting you a drink, taking you home"

"I promise you it's not Arthur" YN watches as Tommy walks into the house without Lizzie "I'll be back later Esme" YN follows Tommy into the house looking for him. Suddenly she's pulled into another room by Tommy locking the door behind him. His lips are immediately on YN's smudging her lipstick.

"Who the hell is it Thomas?" Lizzie whisper yells at Tommy while YN is performing. After Tommy and YN's rendezvous Tommy went back to his wife, not knowing their was lipstick on his shirt

"I'm not doing this now Lizzie"

"Not doing... it's my birthday and you've been fucking someone?"

"Lizzie" Tommy sighs rubbing the temples of his head "just enjoy your birthday and we will talk about this tomorrow" Lizzie crosses her arms in a huff and turns to look at YN who's dancing. She notices YN glances in their direction, she looks at Tommy and notices him staring at her. That's when it clicks

"It's her. You fucking bastard Thomas Shelby" Lizzie storms off but Tommy doesn't go after her. He stays to watch YN.

[leslutdepointedulac]

Did Nicki really love Lestat?

I feel like there's sometimes a question in this fandom as to whether or not Nicki truly loved Lestat, or if it was all a 'ruse' of sorts. Some people will say that there was no love there, either at points, or just overall. But personally, I'm inclined to disagree. The way I see it, Nicki did genuinely love Lestat, especially at the beginning of their relationship.

They knew each other as children and, to an extent, they grew up together. This already puts them in a relatively close relationship with each other. This relationship between them starts out as just a friendship, but of course this evolves into something more.

When Nicki presents Lestat with the cloak, it's him who is acting rather flirty towards Lestat, not the other way around with him leaning into him and saying

"Only the impossible can do the impossible."

A week later when they're in the room at the inn, Nicki is the one who leans in and initiates that first show of intimacy, by kissing Lestat. Granted they were drunk at the time, but Nicki doesn't give me the impression he goes around kissing just anyone, even while intoxicated. I think the fact that they were drunk was just the perfect excuse/opportunity for Nicki to act on his feelings towards Lestat.

Further down the line, when they're in Paris - and at this point have been together for several months - Lestat returns to the theatre after his 'disappearance'. One of the first things the other actors do when Lestat initially arrives, is call Nicki to tell him that Lestat is back. And once he turns up to join the others in greeting Lestat, the actors immediately part to make way for Nicki to come through. I think they all knew there was a deeper level of connection between them. They share a very long and tender moment together, which the troupe allows without disturbance. Personally, I see that hug between them as coming from a place of love, heartbreak that they had been separated, and relief that they're back together again. Yes, Nicki had previously been, and still was angry and hurt that Lestat had supposedly left him, and without any warning. Especially considering Lestat was - as far as everyone else was concerned - perfectly fine during that time, only for him to turn up out of the blue with little to no explanation as to his whereabouts. I think Nicki's anger at this was partially down to Nicki being terrified at the thought he had lost his lover, and he couldn't hold his upset in.

Skipping forward to Nicki's turning, in my opinion, his very recently experienced trauma, combined with his already fragile mental state, were both amped up x100 by said turning.

The way I see it, Nicki got overwhelmed by the recent events and his mental condition clouded his mind causing him to lash out at the one person who he loved the most. Lestat. The reasoning for him lashing out at Lestat specifically, being because he was so immensely hurt by Lestat's disappearance, with him returning acting as though nothing had happened. This understandably angered Nicki, and mixed with his strong feelings for Lestat, it all bubbled up and exploded in their faces.

I think Nicki said what he said to Lestat during their last proper interaction, because he was deeply hurt and quite frankly, he just wasn't well. I don't think he was seeing/thinking clearly, and was probably also confused by the very sudden and drastic changes in his life. This led to him taking it all out on Lestat out of a need to blame someone for everything that had happened. Lestat just so happened to be the easiest and most obvious target for Nicki to let his anger out on.

Eleni tells Lestat in her letters to him, that even the mention of his name in Nicki's presence is enough to send Nicki over the edge. But I think this was down to his mental instability, along with his lingering hurt that had festered in his mind for so many years at that point; he wasn't in his right mind and so wasn't able to give appropriate reactions to his former lover.

Before Nicki goes into the fire, he gives his violin to Eleni, with the instruction to send it to Lestat. He also says how he had originally intended to give it to him the last time they saw each other, before Lestat left Paris. In my opinion, I don't see why Nicki would've had his violin that Lestat bought him, sent to Lestat, right before taking his own life. And there is a chance that he did this with malicious intent, as a way to taunt Lestat, but in my mind, I feel as though there was some lingering care left for him. I don't know that there was any love remaining on Nicki's part, I'll be honest, but I do there was some semblance of care left in him. I don't think this is something Nicki would admit to anyone, even himself, and I also don't know that he was aware of this - that it was more of a subconscious feeling. But I still think, regardless, there was something still in Nicki that cared even just a little bit for Lestat, albeit buried beneath the darkness in his mind.

Re: Nicki's interest in the violin and his comment about wanting to 'go down' in Paris, I think his initial interest in the violin was genuine. But when people around him *cough his father cough* told him to abandon the idea, that's when it turned into a thing of spite. However, I do believe there was still an honest love for playing. Even after Nicki had gone mad, playing the violin was something he turned to as a source of familiar comfort through his dark times.

As for Paris, it was Nicki's idea in the first place for both him and Lestat to run off (although, yes, it was more of a joke when he said it.) But I think he genuinely wanted him and Lestat to get away from the village that had been suffocating them both for so many years. When Nicki said he wanted them to 'go down', I think that was also as a result of his unstable mind, and his hurt at the recent events being taken out on Lestat. There may very well have been elements of truth in what he said, but overall, I think it's just yet another example of his inability to contain his pain.

Of course, none of this excuses the way Nicki treated Lestat in the end, but I think to simply say it was all because he didn't love Lestat is missing out on taking a deeper look into the reasons why he did and said those things. To denounce the love Nicki felt for Lestat seems unfair to me given his situation.

[jayswritings13]

Pink goes well with Green

Summary: Going to see Wicked 💚🧹🩷🫧

Included: Leo (ROTMNT), Stanley Pines (Gravity Falls), Rapunzel & Eugene (Tangled), Verosika Mayday (Helluva Boss), Justin Russo (Wizards of Waverly Place), Captain Hook (Peter Pan), and Gwen (Total Drama)

💗Masterlist | AO3

Captain Hook (Peter Pan)

He was not excited about it. Sure, he enjoyed musicals, but not about witches and animals losing rights. He only agreed to go because: one, he wasn't entirely sure what it was at first and two, you had asked so nicely. He thought it was okay, but you find him humming the tunes here and there.

Favorite song: One Short Day - enjoyed the look at the new world, though he would be lying if he didn't enjoy Something Bad as well.

Leo (ROTMNT)

He did not need any convincing to come with you because he already bought pre-sale tickets before he even thought of asking you to join him. He will bring all the snacks into the theatre as it's the only thing that will stop him from singing along to ALL the songs. He cried during like 60% of the movie along with you.

Favorite song: Dancing through life (bc Fiyero)

Verosika Mayday (Helluva Boss)

She wasn't going to go with you unless you dressed up. And she means DRESSED up --- none of this just wearing pink or green shit. Verosika expects you to show up with her dressed up as Elphaba. She's Galina, of course. If you refuse, she will NOT see the movie with you and will go by herself or with someone else.

Favorite song: Says that it's Popular, but you found her singing I'm not that girl even since watching it.

Rapunzel & Eugene (Tangled)

Rapunzel has been preparing and singing the songs for months leading up to the movie. Eugene was happy to come along after seeing more about the movie, especially when he caught wind of Fiyero. They both have been singing the songs around the palace. You even caught both of them trying to master some of the dance moves.

Favorite song: Rapunzel has been trying to hit the high notes in No one mourns the wicked for weeks. Meanwhile, Eugene is rather partial to A Sentimental Man, surprisingly.

Justin Russo (Wizards of Waverly Place)

Of course, he's gonna tell you any inconsistencies with the magic in the movie. Though, he's made a promise not to do so at the theater, but rather during dinner afterwards. He wasn't against dressing up, especially since you've done so for his movies, but preferred to just stick to wearing the colors pink or green. Which was fine with you because you got to be the Elphaba to his Galinda. He is PISSED about it ending in a cliff hanger and having to wait a year until Part 2.

Favorite song: The wizard and I (Justin deeply understands Elphaba's desire to be seen as powerful and important. Not that he has admitted that to you. He also just finds the belts to be crazy).

Gwen (Total Drama)

She is not as excited to go, as she's not a huge fan of musicals, but is onboard to go with you since you want to see this. She isn't huge on dressing up for the movie, but agreed to wear black with some green to oppose your pink attire. Even though it was long as fuck, Gwen didn't hate it. And you will NOT let her live that down, blasting the soundtrack.

Favorite song: She thought that the final part in Defying Gravity was metal as fuck and wishes so badly that she could hit those notes tbh.

Stanley Pines (Gravity Falls)

He didn't see the big deal in two witches singing for 3 hours, but agreed to go along with you if you got the tickets and if you allowed him to sneak in food. While you two almost got caught by staff, Stan had to admit that he did enjoy the movie, crying at a part here and there. Plus it didn't hurt that it earned him some cool grunkle points with Mabel for knowing the songs.

Favorite song: What is this feeling? - Stan has so many people that he loathes, but none that he would sing this with (Though, he did get an offer from Gideon).

[manchestereyes]

I had kinda dipped out of the phandom during the was era (sorry) so I would to hear how that era led to them being so connected in this one

oh that is so valid, friend! 🧡 i kinda did too since it was announced right when i got my first full time job and suddenly i didn't have time to engage with phandom stuff anymore 😭 but things are a lot chiller now, so let's dive in! (under the cut because this is gonna be loooong--dnp please do not read if you happen to stumble across this!)

i think to get a full perspective on this journey, we really need to look at the full history of dan and phil. how they forged such a deep connection in 2009 and did whatever they could to be together. how they were blowing up more and more in the early 2010s and seeing more opportunities come from this youtube business. and how one youtube glitch could've ruined those opportunities forever.

i'm sure we all know by now how big of a deal the vday video was but if you don't... it was a huge deal. suddenly this very private piece of their lives was out in the open, long before either of them were ready to publicly address it. and it changed everything. yes, their love story was basically documented already, but they never expected those posts would be seen by millions of people one day, potentially even by people who could give them jobs. so they shut down. they insisted they were separate people and made completely different videos while also showing us the family sized box of shreddies they'd bought for the two of them.

and this is where wad comes in. yes i know i'm jumping really far into the future here, but hear me out--in a way, i believe wad is directly connected to everything that went down in 2012. see, phil's told us that he's always been happy doing amazingphil and dan and phil things. but dan's different.

SPECULATION TIME -- IF YOU ARE DAN AND PHIL, PLEASE CLICK AWAY NOW. THIS IS YOUR FINAL WARNING.

dan grew up desperate for validation from parents who never had time for him and from peers who constantly bullied him. he's always had a voice in the back of his head telling him he's not good enough, and even when phil tells him his videos are great, he still wants them to appeal to all the people who dismissed him growing up. he wants to be his full self, yet he's also terrified of acknowledging that he could be the very thing he was tormented for. meanwhile, phil (as far as i can tell) had that validation growing up. his parents were older and had more money and therefore, more energy to devote to phil and martyn. phil's always been super close with his whole family, whereas dan (from what we know) has only ever been close with his nana and popsie, and now with his mum too. phil had a whole group of friends growing up, whereas dan flitted from group to group, never quite fitting in, and even had no friends for a while. this is why he developed the cynical, sarcastic persona he's worn for so long. it was his battle armor. every time he'd shown his real self growing up, he'd been rejected. but once he saw how lovely we all are, that battle armor was quickly becoming restricting. but he'd spent so long wearing it that now dan didn't know who he was now.

so we got the hiatus, while dan worked out who he was and how he wanted to present himself and threw himself into different projects that did and didn't see the light (rip dinok our strongest soldier 💔)--one of those projects being wad. suddenly dan, theatre kid extraordinaire, who'd spent two tours working with his favorite person onstage, was now facing the prospect of carrying an entire stage show on his own. on one hand, that was terrifying as fuck, but on the other, it was a culmination of all the work dan had done on himself. and he did it. he spent months physically apart from phil only to find that we loved him for who he is. and that was deeply healing for him.

however, being apart for several months was SO hard on him and phil. phil said he was having a lot of trouble with his migraines around that time and i have to wonder if that could have partly been from the stress of not having dan around for long periods of time. and we know dan had plenty of crises on the road that he frantically texted phil about--enough to have him credited as "remote crisis manager" in the wad recording. and that's the thing, isn't it? i think dan especially needed that time apart to realize that he and phil are truly magical together. and with all the pressure he puts on himself for solo content, he knew it would take a herculean effort to put anything out on his main channel. but phil's been working with a really cool editor for his main channel. and the gaming channel has never had that content threshold.

so they finally both dropped the masks (for the most part) and dove into this new version of dan and phil that emphasizes their connection. because it's okay for them to be this close now. they've already worked with some hugely powerful people (and been accepted by their families) and now all they need is us. and we've not only accepted them for it, we've celebrated it--all the way to the finals of the rpf tourney. and i think that acceptance means more to dnp than we will ever know.

tl;dr: dan and phil had to be apart for a while to see just how much they needed each other. and now that they've experienced that, they know they can never let each other go--and that their connection is just as special to us as it is to them, so there's no harm in showing it off every chance they get.

[mirai-e-jump]

TV Guide Dan Vol.51, April 2024 Issue ft. Sakai Taisei x Higuchi Kouhei Interview (translations below)

Publication: April 5, 2024

UNIQUE

"Could you please introduce the role the other plays in the V-Cinext films King-Ohger VS Donbrothers and King-Ohger VS Kyoryuger?"

Higuchi: Gira Husty, played by Taisei, is a character that has the right characteristics of being a so called main character, and I thought he was a completely different Red from the one in Donbrothers. The atmosphere Gira created was one you couldn't find in Donbrothers.

Sakai: Gira and Higuchi-kun's role of Momoi Tarou are the exact opposite in terms of character design. Tarou is an absolute ruler who brings everyone together, which is different from King-Ohger, where everyone has their own individuality but are still able to keep up with each other. In a way, I also feel "jealous."

Higuchi: Still, I think all Super Sentai members feel "jealous." The Producers and Scriptwriters give other Sentai "colors" we don't have, so it's only natural for us to think, "I like those colors."

Sakai: That's why the history of Super Sentai continues, and the fans enjoy it every year. I definitely wanted a "color" I don't have. That's why I'm happy to have the opportunity to be involved with other Super Sentai members like this!

"What were your impressions of each other before you met? Did your impressions change after meeting?"

Sakai: At first, I thought he was a cool guy, but on set, all the two of us would do was talk!

Higuchi: I felt the same way, and thought Taisei was a quiet guy (laughs). Actually, that wasn't the case at all, as I was surprised and happy to find that we were compatible when we talked in the dressing room. During this shoot, even though I had my own dressing room, I would go to Taisei's dressing room instead.

Sakai: I thought Kouhei was cool and manly, and my impression of his manliness is probably the same as it was before we met. We're similar in that we both get carried away.

"How would you describe your relationship?"

Higuchi: This is just my opinion, but in the context of our relationship in Super Sentai, I'm his senior Red, but in terms of our age, I'm his junior. In my case, regardless of age, as long as there's mutual respect, I want our relationship to be that we're like friends. That's why I unconsciously treated Taisei like he was already my friend. I'm sorry!

Sakai: It was also easier to say things like, "Let's go out to eat." I'm the same as Kouhei, I think it's easier that way. It makes me happier if you come to me without hesitation, rather than be cautious because I'm older than you, I think it makes it easier to talk about the performance and acting.

"Have you seen each other's shows, King-Ohger and Donbrothers? Please tell us about any episodes that were most memorable for you."

Higuchi: I remember very well when the first episode of King-Ohger aired while we were performing at Theatre G-Rosso. We saw it on the TV backstage at G-Rosso, and everyone was envious of it, saying, "It's really cool!" (laughs). I still love the first episode.

Sakai: For me it has to be the final episode, I thought it was really great that it ended with the very memorable, "We've formed a bond." I thought it was nice that it started and ended with those words. It's also easy to use at things like events! It's hard to find a place to say, "I'm going to rule the world!" (laughs). I like the fact that the first episode established the bond, and while the ending came, it was also a beginning.

"Were there any challenging or fun parts during filming?"

Higuchi: Speaking of challenges, the filming location was at the King-Ohger's studio, and it was my first time using a green screen that covered all sides. So, on my first day in the studio, I was surprised and thought to myself, "How do we do this?!" Once you get a feel for it though, you get used to it.

Sakai: Donbrothers was shot entirely on location. On the other hand, we had the pleasure of filming on a set. As for difficult scenes, Kouhei seemed to have a hard time in the scene where Gira choked on some mochi. It's because he had to put his hand firmly in my mouth (laughs).

Higuchi: It was harder for Taisei, wasn't it?! Wouldn't it have been easier to simply put it in? If it were the other way around, I think I would've felt awkward afterwards (laughs).

"What did you feel after watching each other's performance?"

Higuchi: I thought Taisei always took his acting seriously. Also, his eyes are incredibly pretty and distinct. I think he's got alot of strong points.

Sakai: I thought Kouhei was a stoic person in his performance. He spent alot of time thinking on his own, doing things like sorting out his emotions abit before the cameras started rolling. Even after he was given the OK, he studied things from the side the moment after and thought, "I could've done this better," so I respect that stoicism.

"Please tell us some of the highlights this time."

Sakai: They're both Super Sentai with tons of personality that rival each other for first and second place of this generation, so I think it'll be a highlight to see how they'll unite and how the story will progress. Also, this time, both Reds are characters that laugh out loud. Within the battle scene is a scene where the two of us are laughing loudly, and it was pretty difficult to film, so I want you to see it. It was a long scene, about 30 seconds, and we were laughing the whole time (laughs).

Higuchi: It's as if two Super Sentai were combined to form a new Sentai, and I think this is a movie where each member has their own highlights. Also, the King-Ohger's costumes are really cool, so it's worth seeing. Among us, Jiro, the Noto, and Inuzuka's costumes might be as good as the Kings. The other four are in ordinary clothing (laughs).

"You both have experience playing soccer, and you kicked a ball around during the photoshoot, so what are your thoughts on each other's skills?"

Sakai: I think this is probably common in soccer clubs, but I can tell just from the ball rolling alittle bit if someone is "good."

Higuchi: I get that! The moment someone kicks a ball and stops it with their foot, an experienced player can tell that, "This guy's good." However, I'm sure this is a feeling that baseball and basketball teams also have.

"Did you talk about soccer during filming?"

Higuchi: If I'm remembering right, after filming finished for Donbrothers and King-Ohger was about to start, Taisei said to me, "You used to play soccer, didn't you? Let's play futsal!"

Sakai: Right, I just thought since you had experience playing soccer. Futsal is fun, so I'd love to do it again!

"This issue also features Iuchi Haruhi-kun and Hayama Yuki-kun from the currently airing Bakuage Sentai Boonboomger. As their seniors in the Super Sentai series, please give them a message."

Higuchi: The quality of Super Sentai is really different each generation, but I think the one thing they all have in common is that they're "very challenging." That's why, when it comes to acting, I can never say, "It's better like this." The only thing I can think of to say is, "Please have fun in Oizumigakuen, where the filming studio is located." I enjoyed it tremendously (laughs).

Sakai: Right! Depending on whether or not you have fun in Oizumigakuen and at the filming studio, the story could change. The more favorite places and stores you have, the better, and you can go out to eat with ease. As Kouhei said, it's challenging to film every day, so I think it's good to find a place you can "rely on." It'd be nice if after enjoying Oizumigakuen, you go to a different site for another job and end up thinking, "I want to come back here someday."

"And finally, when speaking of Donbrothers, oden may come to mind, so please tell us what both of your favorite ingredients are."

Higuchi: Chikuwa!

Sakai: I love eggs, and I also love daikon radishes!

Higuchi: In the end, which one's the very best?! (laughs).

[the-irrelevant-trumpeter]

hello mischief fandom. as you may have seen, we got the very exciting news that the play that goes wrong is coming back to new zealand. however, because of the new tour, the play that goes wrong australia/new zealand instagram account has wiped all of their old posts from the previous tour, which means that all of those videos are gone forever.

as you all know, i am a dedicated lore collector, and i had previously been through every post and written down any and all lore from it, so even though i didn't have the videos themselves saved, i do still have a list of all of the lore we received from the account. so, in memory of the previous aus/nz tour, i am going to share all of the lore i have written down from the account. enjoy!

in melbourne, chris had tried to book the princess theatre, but they were put in the comedy theatre instead. when he asked trevor about it, trevor said that the mormons were at the princess (aka book of mormon). chris didn't understand what he meant by this. this implies that chris might not have heard of the book of mormon.

robert described the drama society as "a rich tapestry, just like the carpet"

trevor and annie said that when you join something like this, you expect the actors to be really cool people, but once you get there, it’s not like that at all.

annie has described sandra as "hot" mean.

trevor said that sandra's not a great actress, and "wouldn't get a start on neighbours" (a famous australian soap opera that launched the careers of actors like margot robbie, kylie minogue and natalie imbruglia). it's also worth noting that brooke satchwell, who played sandra in the tour, was in neighbours for four years.

max said his dream role would be one of the ones from jurassic park, specifically the sick triceratops.

sandra tried to insist that the drama society is like family (probably not genuinely) and one of the asm's (called maggie) disagreed.

max does a gag where he puts tissues on his eyebrows to look like an owl. he called this an "intervowl", a rare owl that only appears during the interval.

jonathan's family has been involved in the film business for a long time, but he'd mostly done modelling up to haversham manor. he thought doing the show would be a good chance to learn transferable skills, and he described it as "really eye-opening and a really wonderful learning curve". he said "anything to get more experience", and he thinks he's really developed and has come a long way. he thinks the next step would be a part with more lines (foreshadowing ppgw).

max said that his uncle gave the company quite a lot of money and then asked if max could be in the show. (this goes against regular canon, as this is more of the backstory of ppgw rather than tptgw).

sandra wants to get paid to do promotional videos, which someone off camera agrees to do, although the caption clarifies that she is not getting paid for it.

sandra claimed she got offered a lot of money to be on i'm a celebrity (presumably the australian version, but there is a british version so this still works).

robert had never heard of canberra and annie had to explain to him that it was the capital of australia. when he asked "what's there", annie didn't know.

max convinced trevor to go up the sydney harbour bridge with him (i didn't clarify whether they walked the path or actually climbed it. up to interpretation i guess). trevor claimed it "wasn't much to look at" and said it wasn't very good, saying it's just high up. max said that it was "so much fun" and that they should do it again, and he likes it when he jumps up and down on the wood they're standing on (which trevor immediately stops him from doing). they took heaps of photos together and somehow max's eyes were closed in every single one.

when chris was trying to film a video, annie and trevor tried to tell him that there was a fire, and chris told them to take care of it and go away. trevor also tells him that dennis is hurt, and chris once again tells him to leave. once he's finished filming his video, he runs off to deal with it, complaining about this happening "every five minutes".

during a promotional video, sandra tries to claim that haversham manor is a one woman show where she plays 8 different characters. she says that if you want to see any images or her showreel, to go to www.sandra.lee.com. (i'm not 100% certain that 'lee' was the word used, as chris interupts her, and this could also be spelled differently, such as 'leigh', so take this one with an open mind).

annie has a mini series involving a unicorn pillow pet, named penelope. she documents penelope's journey through getting ready for the show. these next dot points will be from that series.

jonathan “calms penelope down” on gala night. annie says that jonathan has a lot of experience with galas due to his modelling career, and he shares this knowledge with annie/penelope. annie also calls him a gentleman.

penelope “helps” trevor before the show. trevor looks disgusted/annoyed about this.

dennis likes to have interval naps, and will hug penelope during these. these naps are apparently on the floor

penelope “gives chris some last minute tips”. chris apparently insists that penelope can’t talk, which annie claims is wrong.

annie says that "even tough guys need hugs", while showing a picture of robert hugging penelope.

i have to put the rest of this in a reblog, because tumblr has a character limit, so check the notes for the rest of it (some big ones in there!)