#I have so many thoughts and theories
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tetrakys · 10 months ago
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I just read the whole Caraval series and Once Upon a Broken Heart series back to back and I'M NOT OKAY. Pls send help the withdrawal is strong 😭😭😭
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dreams-of-the-dead · 1 year ago
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I NEED Arthur and John to go on their little trip to England
Because you know what else is England???
The Magnus Archives
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caladamn · 7 months ago
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every time something planymphia happens (directly or indirectly) I come straight to this site because I KNOW that the pn truthers are going nuts and losing their minds just like me
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chemococktailonthehouse · 11 months ago
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Y’all the new episodes go CRAZY!! I’m gonna have so much shit to say tomorrow y’all don’t even know 😤
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hajimedics · 10 months ago
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I'M NOT YOUR DOLL AND I'LL THINK FOR MYSELF AND I'LL LIVE FOR MYSELF
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bree-paints · 5 months ago
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My copium where they all survive and they are an iconic one eyed trio
Also some random sketches because 266-267 have been killing me emotionally thank you
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*tries to organize my thoughts*
*remembers i'm not in school and therefore beholden to neither heaven nor hell nor any man's grading system*
*joyously shredding & tossing all my carefully arranged 3x5 mental notecards into the air like so much beige confetti. raising my arms in victory, cheering raucously until i accidentally inhale bits of homemade confetti*
(*coughing up itty bits of paper like a cat evicting a hairball with a firm understanding of tenants' rights*) wait wat happens next
#i marie kondoed my thoughts and *i* feel great. but now my stream-of-consciousness has escaped containment#so many innocent bystanders at stake#every time i try to organize my thoughts i run out of plastic bins and have to make a trip to the container store where i get even more dis#racted so. you can't just hand me THIS brain and NO catalogue OR library classification system#and expect me to single-handedly sort through all this nonsense? bad form but fucking form not in my job description#aNYways. formal education sure did a FUCKING NUMBER on us huh#(a number i measure not in gpa or dollars of student debt.#but in the number of therapy sessions & medical debt it will take to recover.)#seriously folks. our education systems are...innately traumatizing for a huge number of students. and we NEED to address this.#the fact that it is culturally common for adults to have anxiety nightmares about school/exams...even decades later?#that is not cute. it is Alarming.#no one--much less entire generations--should be spending their developmental years in an environment of chronic stress & pressure & strain#and yet that is the reality for millions and millions of pre-teen and teenage and young adult students#this isn't healthy and it serves and empowers NO ONE#...except of course the many exploitative educational & financial & debt-collecting institutions thriving from the current balance of power#and of course it's a nefarious and powerful way to sabotage/erase the middle class#which billionaires and the wealth-inequality creators they finance couldn't possibly have any noteworthy interest in whatsoever#it's not like there's an elite group of people with huge financial incentives to drain/steal resources from the masses...#anyways sorry for going all Conspiracy Theory on you.#obviously the billionaires who control the vast majority of our resources and news and political campaign funding#are not tied to every single itty bitty social issue and i'm a silly billy to imply it#please tell elon musk to ignore this tweet i am so subservient and acquiescent#mr musky u r so good at inheriting slavery-built mining fortunes & buying other people's companies#& building rocket ships & fancy cars that do NOT explode/catch fire & also NOT running billion dollar companies into the ground#mr musky u r so talented genius billionaire playboy with 10 kids and ex-wives who find you creepy af babe u r basically iron man
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bunnieswithknives · 5 months ago
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hey in ur peri animatic: (https://youtu.be/OCqlRuDaXYU?si=K52WDu_vw9rg7chz) that I have been permanently obsessed over since today and have watched about 20 times by now so much that I have drawn & posted stuff based on it what was that partial bug form peri had?
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I haven’t watched either of the show btw so if it’s explained in the show please tell me plsssss
OK, SO the bug thing is not technically canon to the series. It's based on my own headcanons for fairy biology, but i do have justifications for it!! Fairies have very strong shape-shifting abilities, so it would make sense that the form they show to humans isn't necessarily their true form(not to mention extreme that mimicry is very common in insects). And you want to know the visible traits almost every fairy has in common? Being very small with Insect-like wings.
The fact that their humanoid form isn't their true form in actually confirmed in the show! Cosmo and Wanda are revealed to look like biblically accurate pseudo-angels in the museum episode. (I say pseudo angels because the Flaming Sword of Eden is only debatably sentient and I don't think is considered an angel. Ophanim are also debatably not angels because they don't have wings (sorry for the angel tangent I like angels))
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So wouldn't their true forms be angelic then? Well, yes. But I like bugs so. Also I have more headcanons to justify myself. I like to think that they have both a true-true form (incomprehensible to the human brain, probably exists mostly in a dimension invisible to us, that looks how we imagine biblically accurate angels), and a fairy form (which is visible to humans but is naturally very insect like and tends to scare people). So, in order to interact with humans, they have to learn to shapeshift into a humanoid form but will occasionally slip if they get too relaxed/aren't careful, hence the mandibles coming out when he yawns!
The reason they struggle so much more with human forms than the animals or objects they typically turn into is that, well, they aren't trying to convince those animals or objects. The more human they try to look, the harder it is to keep up convincingly. If you turn into a really uncanny squirrel, only other squirrels will notice. If you turn into a really uncanny human, they form a lynch mob and burn you at the stake.
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jae-in-a-trenchcoat · 6 months ago
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Guys what the actual hell I CANNOT WAIT TILL OCTOBER THAT’S TOO FAR AWAY, anyway screencap redraw of this sick shot from the teaser
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alacants · 3 months ago
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juanki & ferru: the lore
(or, why i am so abnormal about them.)
they've known each other since they were kids in valencia - juanki played youth tennis with ferru's older brother (who was a junior champion) and later ferru spent a year at the academy
"Even when we were little we played together… we have been friends since we were small."
they're self-described best friends + were joined at the hip on the circuit
tennis club unveils a statue of juanki in his hometown? ferru is there. ferru's family throws him a surprise birthday party? juanki is there. holding clinics. going on retreats. traveling to and from tournaments together. coordinating which tournaments they enter so they can travel to and from tournaments together. ← YES, REALLY.
in ferru's own words, "it's always better with him." ok.
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they didn't actually play each other that often - their h2h is 7-2 in ferru's favor. they did famously meet in back to back finals in 2010 - appropriately, juanki won one and ferru won the other. :)
in 2009 juanki was called up to the davis cup team for the first time in 4 years. first he was supposed to be a reserve, then he was supposed to play a dead rubber. then fernando verdasco melted down, the fifth rubber became very live, and he ended up single-handedly saving the day and sending them to the sfs.
so when in the final ferru came back from 1-6 2-6 down to beat radek stepanek he immediately raced over to throw himself in juanki's arms, rip alberto costa who got in the way. then of course he dedicated the win to juanki.
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the davis cup is just… a whole thing with both of them. so it's appropriate that now etc.
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speaking of tournaments that are a whole thing with both of them. after juanki bought the rights to the valencia open, he invited ferru to share them. true love is (checks notes) co-parenting an atp 500 tournament
so when juanki decided to retire he chose valencia as his last tournament 
he went out in the first round. ferru won the entire tournament in his honor. <- they said it, not me.
immediately after ferru's match winner he ran over to find juanki in the stands for a hug so long i had to split it into two gifs
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then he dedicated the title to juanki. ("Este triunfo forma parte de ti, te lo dedico exclusivamente para ti.")
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they also entered for doubles and made it all the way to the semifinals despite the fact that they had never played a doubles match together before
after their first doubles match (and surprise win) there was a big farewell ceremony during which ferru gave a speech about how juanki was destined by the stars to play tennis and visibly fought back tears as juanki stared soulfully into his eyes.
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they got married three months apart, which could mean nothing
when ferru retired in 2019 juanki wrote him a lengthy open letter about his feelings
and threw him a personal tribute celebration. you know, in addition to his actual retirement ceremony.
specifically he held a day long festival of ferru at the jcf academy that included, in decreasing order of normality:
exhibition match feat. some 16 year old kid named carlos alcaraz
juanki/ferru match
unveiling of Pista David Ferrer, aka the new name of center court (and the start of an academy tradition…)
presentation of a PORTRAIT PAINTING juanki SPECIALLY COMMISSIONED of their valencia 2012 embrace
i can actually barely look at it without getting severe secondhand embarrassment but the academy uploaded like a hundred photos to facebook
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to this day when they play each other in legends events ferru is out there saying things like I JUST HOPE I CAN PLAY AS WELL AS YOU <3 never mind the aforementioned 7-2 h2h. this man is down just as bad as carlitos and it's been TWENTY YEARS
meanwhile ferru is constantly dropping by the academy for funsies. and in carlos' box. and at his practice. and that's BEFORE you get to the davis cup. 
in summary: what if the royal spanish tennis federation paid you to co-parent a grand slam winner with your boyfriend <3 that's what we call a happy ending!
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i-am-not-a-who-i-am-a-what · 10 months ago
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so about the header that proceeded today's statement:
Viability as agent: Low
Viability as subject: None
Viability as catalyst: Medium
i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?
the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."
the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."
the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."
so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.
imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?
it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.
and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?
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saltedcaramelchaos · 1 month ago
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new dimension of Riptide Theories unlocked:
We don't know if anyone else has made a deal with Niklaus
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mortispoxi · 11 months ago
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Seeing Twitter users recommending the People Make Games documentary as a good way to get insight on the issue is so….
I know, I’m always extremely disappointed whenever I come across someone who thinks it’s the end all be all explanations regarding the Studio ZA/UM situation.
Recommending that video always comes with a heavy caveat from me that the person needs to stop around the 40 minute mark since the interviewer shows a very clear bias that’s unbecoming of a journalist.
Regardless, now that more people are finding out about these layoffs, which might take out members of the studio that have been there since the beginning, it could finally help smack some sense into those Twitter users that actually thought, FOR SOME REASON, Rostov, Kurvitz, and Hindpere were lying for shits and giggles rather than seeing what's ACTUALLY going on which is that the investors have a very obvious agenda against the real wronged party. Hopefully this'll also open their eyes to how the People Make Games video fed into this twisted narrative that Kurvitz was somehow at fault/responsible for the theft of his own IP, but that might be asking too much from their concrete brains. Here's hoping though!
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theshslpumpkinghost · 3 months ago
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My predictions for the rest of DRDT!
(mostly my general thoughts after this ep)
(Spoilers for Ch2 Ep16!)
Okay so- First off, Levi’s fate!
If he doesn’t die from this, then he’s almost certainly going to die from trying to assists somebody else. As mentioned in the voice trailer, he’s willing to do anything to help his classmates, even if it involves him getting hurt. I can see him dying without anyone specifically targeting him, or someone being targeted because they know Levi will save them. Although that might not be so reliable depending on the recovery time needed…
Okay, next up Arturo- He’ll probably finally leave J alone, busy with making sure Levi doesn’t, y’know, die- Plus the whole breakdown he had in the trial, and his secret being revealed.. He’s gonna need some time, I think-
Teruko! Ohhhh my god where do I even start with her- She won’t die, obviously. She’s told us that multiple times, we’ve seen the proof, there isn’t a way that she can die. And that’s her curse, more than the bad luck is. So she could hypothetically get away with murder, although I don’t think she will actually kill somebody. She could get away with it, since she’s like- one of the only competent people in trials, and all it takes for Charles is for him to either be murdered or witness a murder, and he’s unable to assist. So Teruko is the only one the people here are relying on, which leaves them vulnerable if she is the blackened. Also- Teruko finally broke down and cried! It makes sense, after what she’s seen, and what she’s ended up inadvertently causing- The voice actors for Teruko and Ace (and levi) this ep >>> The new Teruko sprites were so cool, and I’m pretty sure I saw one that mirrored Min-
And now- MonoTV!! I don’t know if my theory about there being no mastermind is accurate, but after this episode- It could be! And so I’ll take that- Wasn’t expecting it to sound like Mai, at all, but that’s really interesting- Pretty sure XF caused this killing game, or at least created MonoTV-
Whit! His new sprite is fascinating considering he has no other serious sprites- And his concern for Charles, too! (..also, more fuel for the time loop theorists?) If Charles dies next chapter.. Whit will either completely break, giving up the happy persona he has, or, he ends up going so far into coping that he ends up going manic in the trial- Either way, fun development for a guy who’s only really made jokes or known a concerning amount of things about hanging-
Charles! He- isn’t doing well right now, since he saw Levi’s injury- Whit did attempt to shield him from that at least, so points towards the Charwhit (platonic or romantic, whatever you prefer) dynamic developing further! If someone like Teruko was going to commit murder, she’d probably go for Charles first. Since he is the only one besides her that really helped in the trial, and if he hadn’t gotten involved after ep11, everyone would have been executed by now. Definitely the biggest threat if Teruko is the blackened. But she might not even want to take him out if she commits a murder, because after all, she won’t die from an execution-
And finally- Ace Markey! The blackened himself! hhhh oh my god where can i start with this- Ace still cares about Levi! He knows that it’s pointless, he was searching for any reason to be mad at him, even if it made him a hypocrite for condemning another murderer. But, even after that was revealed- He was willing to get executed so Levi wouldn’t die. He yelled at Arturo for saying that he couldn’t save Levi, for being a coward, and isn’t that ironic- Also! His friend’s name gets (re)revealed! After the QnA where his name was first revealed was deleted, Taylor’s name makes an appearance on one of the gravestones in Ace’s execution! I loved the fact that his execution was themed around his fears, since he was established as a guy who had, well- a lot of fears, since the first episode he appeared in. Definitely more interesting than the cliche of ‘horses’ (not that there’s anything wrong with that idea at all-) Uh- I have a lot of thoughts about Ace rn but I’m way too tired rn to type them all out- I’ll probably add it to my p2 of this!
Okay so- I’ll probably put the rest of my thoughts in another post, since it’s 2am for me right now-
(i will be so surprised if anyone reads all this im so sorry it’s long-)
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chipistrate · 11 months ago
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An assortment of Sonic doodles while I still try n figure out how to draw these creatures (also as an apology for not posting in like. forever lmao)
Side note but I need Surge and Shadow to fight so badly. Like I NEED them to fight listen to me boy (gender neutral)
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midnight-melancholiaaa · 6 months ago
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‘what the fuck was up with that first sol and mae conversation’ - an acolyte ep6 theory/analysis post
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I think the start of this episode unfortunately put to bed the theories that Sol was aware of Mae’s identity and baited her onto the ship. So that got me thinking — at what point in the conversation did Sol realise he wasn’t speaking to Osha? What tipped him off? And, generally, what the fuck was that conversation??? Sol??? Hello?????
I think all of this can be explained, and the layers of their conversation peeled back in an interesting way, if Sol realised Mae’s identity earlier than I’d first assumed. I now think a few flags early in the conversation tipped him off, and a lot of his later lines are his response to Mae clearly projecting her own feelings onto “Osha”.
Theory/analysis below the cut!
First off, Mae’s lines and behaviour when she emerges from the engine room are dispassionate in a way we don’t expect from Osha. There’s an argument that this could look to Sol like someone numb with grief and putting on a functional face, but I’m going to list this as Red Flag Number 1. When she asks Sol what’s up with him, she sounds more confused and curious than she does concerned, again not something that tracks as Osha.
However, I think the red flag that dooms Mae is in the following exchange.
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“How could I not have sensed that villain’s true intentions when we first met him on Olega”
“I think when you really want something, it can cloud your mind” (Sol looks up) “You see what you want to see. He fooled us all.”
These are some JUICY lines. We’re clearly encouraged to think of their pertinence to Sol, and the Order’s current ignorance of the dark side threat, as well as Sol’s own personal blinders with the Brendok mystery. But this is also the first time we see something key for the rest of this conversation - Mae blatantly projecting her own feelings onto half-hearted mimicry of what she assumes Osha might say.
In her projection, she expresses her own frustration at being misled by the Master, at wanting to believe his structure for Mae’s revenge against the jedi, and hence his shaping of Mae’s life path, was meaningful. I’ve seen Osha’s loneliness discussed a lot by the fandom, but Mae is winning a gold medal in the loneliness contest. She’s spent 16 years desperately searching for someone who understands her in the way she thought Osha did, and whatever kinship she hoped the Master had for her has just shattered. This adds another layer to her too-casual reaction to Sol’s grief. She doesn’t expect a Jedi to feel such love for their padawan, not just because she views the Jedi as dispassionate (which we’ll come back to later), but because her master never felt that way about her. In all these lines, Mae’s betrayal comes across beautifully.
But the mimicry of Osha? Mae failgirls that one. We know Osha to be a straightforward, direct person, rather than someone to speak in riddles, or spout superficially Jedi-style wisdoms with a distinctly-Mae core of cynicism.
This touches on another repeated theme of this scene — Mae clearly doesn’t understand how Osha feels about the Jedi, in a way that speaks to larger issues with understanding her sister as a person separate from herself, with different thought processes and values. When Mae speaks as Osha, it’s hard to tell what’s Mae speaking directly as herself, or Mae as how she thinks Osha thinks, but there isn’t much difference between those two — Mae assumes Osha reacts to situations as Mae would, treating her as a half of the same whole.
Feel free to skip this tangent if you’re just here for the Sol theory!!!!
I think it goes beyond not understanding Osha’s point of view — as the lovely @animazi put it, it’s as if Mae cannot conceive of Osha being a person outside their sisterly relationship and Mae’s coven-derived identity. It’s a complete disconnect of empathy, in that it doesn’t occur to Mae that she should try to empathise.
Mae wants to believe that they are fundamentally the same person. “You see what you want to see.” Mae wants to believe the only reason she and Osha are different is because one has been “corrupted” by the Jedi. She recognises that outside influences and different formative experiences have torn her apart from her sister, but she wants to believe that if Osha was plucked away from the Jedi, if she was taught rather than corrupted (haha I love this episode title), if she knew the ‘truth’ about Brendok, they could revert to a perfect sisterly harmony. A harmony based on Mae’s conception of them.
So of COURSE she doesn’t try to empathise with Osha’s current way of seeing, when she views it as both temporary and fixable, corrupted and false. Mae believes that, as soon as the falsehoods are stripped away, Osha will be herself again, in that Osha will be Mae. Mae believes Osha is simply Mae under a fragile Jedi veneer, explaining why so many of her lines in this scene are essentially Mae talking, with a half-hearted Osha bent.
Apologies for that detour, back to the scene. It’s very striking to me how Sol looks up for the first time in the middle of Mae’s mini-speech. There’s many interpretations for this look, yes, and you could argue he’s having a crisis about the Sol-related clouded vision stuff I mentioned earlier.
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But he seems confused, almost frightened, and then the camera comes back to him after Mae finishes, and I think this is the moment.
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Please look at these shots and tell me that’s not the face of someone for whom a thousand things have just clicked into place. We see him harden into some new realisation, and then…
“You found him.” (meaningful pause) “Your PIP droid.”
This line is such a non-sequitur that it’s actually what drove me to take another look at this scene. I assumed it was some janky prequel-esque dialogue, but now I’m not so sure. Saying “you found him” so soon after some ominous looks from Sol and the discussion of Qimir could, at the very least, be a nod to Mae’s role in everyone’s brush with the dark side. But, even then, Sol’s deflection to the droid doesn’t make full sense. And then I thought ‘oh shit’…………
After rewatching Episode 5, I’m convinced that Sol is aware PIP was sacrificed and really should not be back with “Osha”. For somebody afraid and grieving and running for their life to calmly find and fix their droid is… not Osha. It’s as if Sol raises the incriminating subject right after his realisation, just to confirm it to himself. And Mae, though slightly nervous, hands him that confirmation on a platter.
To bring back the clouded judgement line again, Sol was blinded. He wanted to have saved Osha, because he could not save anyone else. He wanted to have not failed Osha for the third time. Brendok, leaving the Order, now. It’s Sol in that room, looking at the holo. He wanted to have learned from his mistakes.
But now he knows it is NOT Osha, and the conversation gets 5000% more interesting. To me, his next few lines are gently testing Mae, playing along to see if he can evoke a reaction or a slip from her — if she’ll come clean or double down into the lie. It’s fascinating the way he’s half addressing a hypothetical Osha, and half addressing Mae.
So, first the droid lines, to see if Mae notices her mistake, and then…
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“I noticed the way you take care of him, talk to him, love him. Even though he is just a machine.”
This seems like something meant for Osha. It’s something Mae would expect of her sister’s overabundance of compassion, and so something that won’t make her suspicious. But I think the implication of Osha’s loneliness is deliberate, in that we know Mae is also deeply lonely and searching for connection in places it isn’t reciprocated. Down to you if you think the machine allegory is in reference to Mae’s master, and what that might say about Sol’s view of Qimir, or if this is a more take-it-as-written line, but I think it still emotionally resonates with Mae even if she doesn’t want it to. Her expression in this pause does seem to imply as much.
At the end of this speech, Sol moves into that area of shadowy lighting, which I WILL discuss later.
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Mae’s response, “I’ve always been like that. Even when I was little,” is also very telling. It’s her reminiscence of child Osha, as loving the small things, and having more reservations about… force-manipulating space hummingbirds? But, with Sol’s double meaning, this line is true of Mae too. Mae’s tendency to love clingily, desperately, in ways that aren’t “appropriate”, as we see in flashback Mae’s attempts to make her sister stay.
And then Sol’s response, a simple “I know”, fits this double conversation too. There’s a parental exhaustion, a heartache for his padawan, and his own (involuntary?) empathy for Mae, the abandoned sister. I think this’ll hit even harder once we know what happened on Brendok — Sol clearly knows more about Mae than he ‘should’.
The pause after this feels heavy, tense, even disappointed. Sol knows that Mae’s resigned to the act. With all this context and lead-up, Sol’s cagey behaviour in the last part of this scene now makes SO much more sense to me.
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“I had to lose a lot of myself in order to become a Jedi. Even if I didn’t know it at the time.”
I think this is said to provoke Sol into guilt, but speaks to Mae’s false conceptions of the Jedi, and they way they approach love — she assumes Osha must have had to lose her compassion. More importantly, this shows Mae still does not understand Osha’s motivations for joining the Jedi, and remains emotionally raw about it. How could her “compassionate” sister choose to leave the family who loved her? How could she abandon Mae if the Jedi had not “corrupted” her, had not taken that compassion and loyalty away?
She wants to believe in the Jedi as a stealing, malign influence, because she wants to attribute Osha’s departure to anything other than the fact that Osha and Mae are, at their core, different people. In believing they are the same, Mae still cannot fathom why Osha would choose to lose their family, their coven, their grander destiny, and above all their sisterhood, because this is something Mae would never choose. So of course Mae does not see what Osha loved about the Jedi, of course Mae views the Jedi as merely an agent of loss. A false dream that she must “kill” to bring Osha back to her.
(And this is without even going into whatever the hell the Jedi did on Brendok!)
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“I’m sorry if you feel that way.”
All this contextualises Sol’s cagey almost-apology. His body language is SO closed off and suspicious. I don’t think he’s even pretending to speak to Osha at this point — this is directly to Mae. He loves his padawan and supports her decision to join the Order, but regrets the collateral of that decision — a decision he still views as right.
I think that explains a lot about his reaction. He freezes up in the face of Mae’s depth of feeling, and is caught between his empathy and his loyalty to Osha. I’ll agree this is NOT the way to apologise to someone, but what he says is true to Sol — he’s not sorry Osha made the choice she did. But he’s sorry that Mae feels this way, has processed her loss the way she has. The reveal of what happened on Brendok will finalise what level of dickish this is, but it is at least LESS dickish than him saying this to Osha 😭
“How could I feel any other way” is exactly what I’ve said earlier. Mae cannot fathom how Osha could feel any differently than Mae does.
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And Sol avoids her eyes and sighs. I think it’s a mixture of regret, of resignation, and of still struggling to confront his own mistakes. That avoidance comes through in the final part of their conversation — a part I’m still struggling to unpack, though I think next week will reveal all.
We’ve seen Sol make several insistences that he’d tell Osha the truth about Brendok, and even this episode we see him prepared to tell the council. So his avoidance now is intriguing. You could argue that he was always going to quail from telling Osha, the way he kept promising it and then delaying it, but I think there’s something else going on.
I think now he knows it’s Mae, the person most damaged by his actions on Brendok, he falters. Aside from Mae’s specific victimhood, there’s also a difference between facing up to someone you trust and hope will have sympathy for you, and facing up to someone who’s just shown how wedded she is to her own way of seeing. The realisation that this is Mae has come so suddenly that in this moment he freezes and avoids. His coldness here is also notable — you could almost think that he resents Mae a little, for ruining this moment that was supposed to be Osha’s.
But is he really doing this for Osha? Did he want Osha to know for her own sake now she’s an adult and the protection excuse is wearing thin, or did he want to seek absolution from her? Is he hoping for a level of forgiveness that he cannot get from Mae? I guess we’ll find out next week…….
A few more notes on Sol before I finish…
Yes this is finally about the shadow thing. My first reaction to this was “hey leslye, what the fuck, OW.” Aside from the classic symbolism of a character stepping into shadow, this specific barred shadow is super reminiscent of the scene where Anakin speaks to Yoda in Revenge of The Sith. Given the topic of that conversation was about fear, passion and anger as paths to the dark side, a topic that Qimir also brings up this episode, I don’t think this is coincidental.
That said, I don’t think the shadows are straightforward Sol-will-fall symbolism. I think they’re emblematic of the emotions he’s struggling with as soon as he realises Mae’s identity. Fear, of the consequences Mae represents more than any other person. Defensiveness from her anger at him and her challenges to his worldview (and, lest we forget, the fact that she could still try to harm him). Perhaps some anger towards HER, for taking Osha, and this moment with Osha as he’d envisioned it, away from him. Anger for her role in the deaths of the other Jedi, at himself for the role HE had in creating Mae’s revenge. But, warring with these darker impulses, also regret, pity, sorrow for his padawan’s sister. That final remorse, in the way his face just slightly changes before the lights come up and the shadows disappear. Such symbolism Leslye I am eating the walls.
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Don’t get me wrong, Sol is a man on the edge and I’m excited (afraid?) to see which way the narrative takes him. I think he’s written deliberately enigmatic this episode, and his later scenes will make more sense next week. I have no idea why he switched off his comms and hyperspace jumped instead of facing up to the council. Well, that’s a lie, I have a few ideas…
The scene of Mae in restraints is also ambiguous, though I think it links back to Sol’s surprise at Mae’s identity, and initial freezing up when he realises he’s lost control of the Brendok-reveal. That final scene is him grasping for control back, to control some of his fears and put him in a (metanarrative) place where he feels able to monologue on his own terms next episode. I actually have a lot more thoughts on this scene, and the hyperspace jump, AND some predictions for next week, but they won’t fit in this post. Here [part 2] they are instead!
We’re absolutely meant to doubt Sol this episode. I think Teach/Corrupt is, like much of Episode 6, a title of deliberate double meaning. But I’m also struck by the fear and sorrow in his face in that lovely shot where he shoots Mae through the doorway. His fond, regretful tone of voice in “Oh, Mae…” Not to be Star Wars cliche, but I suspect the good in Sol will win out. If it doesn’t then that’s a heartbreaking twist and I’ll probably throw myself into the ocean!
Either way, this is an episodic mystery show and, much as I can unpick some of Sol and Mae’s behaviour, we’ll only know the full story with hindsight. Here’s to hoping at least some of my theory holds up, and thank you for reading!!!!!!
The Sol Patrol shall forge bravely (and perhaps delusionally) onwards! <3
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