#I have SO many things I want to tell you about this comic

[msbunnat]

sorry if you’ve been asked this before but how do you interpret Zeus in Greek mythology?

I know you like to keep the details of your comic a secret but can you at least elaborate on your perspective about his canon?

Like me personally, I see Zeus as kind of a force of nature, probably cuz he kind of is. He’s the man made character created in order to further understand that which man did not know, like all the gods. And also like the other gods his actions are hard to rationalize cuz they’re so dam inconsistent. One moment he’s treating women as disposable then the next he’s giving Hestia the respect and permission to never marry without any question.

sorry for the Yap sesh lol, love ur art and ur comic btw!

I think this is the first time someone has asked this and I am very happy to answer!

*THIS IS TO BIG SORRY!! ;-;

First, I need to make it clear that the Zeus of ancient myths and my Zeus will be different, even though its based on mythology. I am just contributing with my two cents to this range of fanfics that have existed since ancient times.

I truly believe that all the myths we love and explore are basically fanfics based on a religion and that people in the past used them to spread knowledge, comedies, tragedies and just to have fun while keeping the image of their gods alive. That is why the gods are so inconsistent in mythology, since we have many variations even of a single myth and it will always depend on who is telling the story (I wish it were easier to make fics like this about my religion, but I am afraid of the reaction of extremists).

I interpret Zeus in mythology like all the other gods, I no longer make a distinction based on the prejudice of him being a compulsive pervert, he has many sides. As all gods re natural forces, natural as in animal and plants, but also human feelings and urges.

Zeus has some basic pillars that myths tend to respect: He is THE father, he is the fairest one, he is the executioner, he is seductive, he is good-humored (sometimes he makes some bad jokes kkkkkk), he defends natural balance more than anything and he respects the will of others (this seems ironic, but calm down!!). After reading more myths about him and different interpretations, I understood that this modern view of him as a player is completely distorted and ignores all the other myths he participates (I understand that it became his joke, but… some people take it to seriously). So I started to form my own view of his myths.

Most of his adulteries are consensual and when they are not, they remain in that confusing area of ​​what was once consensual, since it is always mentioned that he seduces (for example, how he turned into an bull or a shower of gold because he knew that his potential partners really liked those things - and I find it hilarious that it seems like he didn't even intend to get Danae pregnant kkkkkk, but it ended up happening). This doesn't mean we can't understand that some of these seductions are abusive (like taking the form of a husband to have a night with Persephone or Alcmena), but saying that he discarded them doesn't seem right either. He often protected his lovers and bastards in the most intelligent way possible and sometimes he just walked away too for the good of others. And in a way, as the father and lord of the sky, he is always watching. I also hate how we take away any woman agency when it comes to Zeus, like, there re myths that they wanted a casual nigth with a god... stop ignoring that!! (the bad thing is that Zeus is also a pilar for fertility ;w; so if he sleep with someone with a uterus... they will get pregnant).

Going to the non-literal side, we have to remember that Zeus is a god and his adultery should not be seen as the same as that of mortal men. He cant acuatlly be with a mortal on the mortal realm and be a husband there... I also want to say: Hera wasn't that jealousy (I think she herself knew that Zeus needed to spread his blood/goodness in the world - yes, a strong interpretation is that Zeus' affairs are a metaphor for spreading goodness). On the contrary, she respected the bastards who faced their challenges and thus deserved to be close to them on Olympus. Hera tested the heroes for two reasons: So they understood that she and Zeus were in charge (so that no one would think they could usurp the throne, and she protected both her and Zeus, as well as Zeus do his best to also prevent the bastards to die and have some help - both Zeus and Hera do all this from a distance, they want to be fair with eachother) and to see if they deserved to be with the immortals.

It seems ironic today, but Zeus respected everyone's will, but it was in the Greek terms (more of in atenians terms, bc we don't have much of the other states). He accepted the decisions of Hestia, Athena, Artemis… I don't remember seeing him laying a finger on them or wanting them to get married. On the other hand, we have versions of him as father of Persephone, 'selling' her (but the myth was about an arranged marriage and I think it makes sense that it's Zeus, since the focus ends up being Demeter's suffering and this encompasses more complex feelings when losing her daughter because her 'husband' gave her away, while he is still respected and loved socially).

Now the bad side of Zeus in how fair he is. He punishes Apollo in some situations, even though I understand why he needed to do it… But he is not shallow enough to be evil for the sake of evil… It left a impression on me when he killed Asclepius and hurt Apollo (obviously), it is sad and I doubt he enjoyed killing his grandson, but if he didn't do it… the balance of the cycle of death would collapse and he is the one who sustains this cycle with the greatest respect. In fact, my theory is that he doesn't face Nyx, not because he fears her, but because no matter who wins the fight, the world will end (if Nyx dies, the night and everything that comes from the night, for the Greeks like sleep and death, will be disturbed / if Zeus dies the throne will be empty and no other god would do what he does, maybe Athena, but the world was too sexist back then to let her become sovereign and I also think she would be colder than Zeus when making decisions and would have no descendants…). But sometimes he just wanted to prank and have fun! So like, no straight answer here.

In the case of Ganymede, I believe that his myth is more one of those in which Zeus is merely a narrative tool, more than an active role. People just started shipping them and that's when the pederasty boom happened, but before that Ganymede was just a boy who was handsome and got a 'dream job' (poor thing…).

[yukiwhitetm]

5 Tim Drake-centric Must Reads

I like Tim Drake-centric fanfictions for two main reasons, although Dick Grayson is actually my favourite Robin. Firstly, Tim reminds me a lot of Peter Parker (a genius, photographer, teenage superhero with a billionaire superhero mentor who is also a father-figure to them), who is probably my favourite superhero of all time. Secondly, the big thing I love about the Batman fandom is the Bat Family (aka BatFam). I adore the sibling relationship between the characters, always just want to them be close brothers/sisters. That is why my Batman fic recommendations are Tim Drake-centric. Because during and after Tim's time as Robin we have a larger BatFam. It's the family element.

1.

A Meditation on Railroading by eggmacguffin

Fandoms: Batman - All Media Types  

Teen And Up Audiences, No Archive Warnings Apply, Gen, Complete Work

13 Jan 2022

Tags:

No Archive Warnings Apply

Tim Drake & Jason Todd, Tim Drake & Dick Grayson, Tim Drake & Bruce Wayne

Tim Drake, Jack Drake, Jason Todd, Dick Grayson, Bruce Wayne

Bad Parent Jack Drake, Child Abuse, Trains, Implied/Referenced Homophobia, Crying, Gaslighting, Coming Out, Hurt/Comfort, Family

Summary:

When he ends up ditched in Atlanta after a fight with his dad, Tim decides to do the only sensible thing: Tell no one and make the 800 mile journey back to Gotham on his own.

Because the "call Batman when you're in trouble" rule only applies when he's Robin, right?

Language: English Words: 24,696 Chapters: 5/5

Yuki Note:

If you only ever read two Batman fanfictions, then let this be the second one (The Long Way Home being the first). This is an excellent representation of gaslighting, manipulation and mental and emotional child abuse (by Jack Drake to Tim Drake) and how it can effect an adolescent child. This is such a brilliant fanfiction – highly recommended!

2.

The Long Way Home by itsnatalie

Fandoms:Batman - All Media Types, Batman (Comics)  

Not Rated, Choose Not To Use Archive Warnings, Gen, Complete Work

25 Jun 2023

Tags:

Creator Chose Not To Use Archive Warnings

Tim Drake & Jason Todd, Tim Drake & Dick Grayson & Jason Todd & Bruce Wayne & Damian Wayne

Tim Drake, Jason Todd, Bruce Wayne, Batfamily Members

Bruce Wayne is a Good Parent, Reconciliation, Hurt/Comfort, Lazarus Pit Madness (not current. Mentioned in the past)

Summary:

With Jason tentatively back in the Batfamily, things are going pretty well for him--except for the whole thing with Tim. But who gives a shit about Tim Drake?

But when Jason and Tim are pulled into a frightening race for their lives inside a labyrinth that's out to kill them, they may have to look past their differences just to stay alive. Maybe along the way, they'll discover they aren't as different as they thought, and family comes in many different forms.

Language: English Words: 111,685 Chapters: 13/13

Yuki Note:

This is one of the best fanfictions I have ever read. This is written so well that it could be a published novel. However, before reading this please be aware of the horror elements throughout the story as well as the canon typical injuries, near death experiences and past mentioned child abuse in here (not by Bruce). If you only ever read one Batman fanfiction, then let it be this one.

3.

Scientific Method by vogon_poet

Fandoms: DCU, Batman - All Media Types, Harry Potter - J. K. Rowling  

General Audiences, Choose Not To Use Archive Warnings, Gen, Complete Work

04 Jul 2021

Tags:

Creator Chose Not To Use Archive Warnings

Tim Drake & Bruce Wayne, Tim Drake & Jason Todd, Tim Drake & Hermione Granger, Tim Drake & Severus Snape, Tim Drake & Fred & George Weasley, Tim Drake & Tom Riddle

Tim Drake, Hermione Granger, Harry Potter, Severus Snape, Draco Malfoy, Hogwarts cast, Bruce Wayne, Dick Grayson, Jason Todd, Tom Riddle

Alternate Universe - Hogwarts, BAMF Tim Drake, Tim Drake is a Wizard, Tim Drake is Not Red Robin, Jack and Janet Drake's A+ Parenting, Slytherin Tim Drake, Everyone from Gotham is lowkey scary, Magical Theory, Bigotry & Prejudice, Tim Drake Gets a Hug, Tim Drake looks like a cinammon roll and is a cinammon roll, but will hurt you if you're racist, Activist Hermione Granger

Summary:

It’s not like he’s surprised a magic school exists— that’s probably only a seven on the scale of “crazy things Tim Drake has seen”. No, Tim’s just surprised he’s enrolled.

Part 1 of Scientific Method

Language: English Words: 133,507 Chapters: 46/46

Yuki Note:

A really fun read! Ever wanted a brilliantly clever and magical Tim Drake who is also able to see the future? Well, then this one is for you! This story covers Tim’s first and second year (he skips a year so if I recall correctly he skips to third year after his first year) and is a Fix It Fic for A Death In The Family. There is also a sequel fic in the works. Recommended!

4.

cards on the table by wesslan

Fandoms:Batman - All Media Types  

Not Rated, Choose Not To Use Archive Warnings, Gen, Complete Work

10 Jan 2024

Tags:

Creator Chose Not To Use Archive Warnings

Tim Drake & Dick Grayson & Jason Todd & Bruce Wayne & Damian Wayne, Tim Drake & Bruce Wayne, Tim Drake & Dick Grayson, Tim Drake & Jason Todd, Tim Drake & Damian Wayne, Stephanie Brown & Tim Drake

Tim Drake, Bruce Wayne, Dick Grayson, Jason Todd, Damian Wayne, Stephanie Brown, Alfred Pennyworth

Not Canon Compliant, Alternate Universe - Canon Divergence, Tim Drake is Not a Batfamily Member, Fortune Telling, Tarot, Found Family, Tim Drake-centric, Tim Drake Needs a Hug, Doesn't he always, tim is a fortune teller, Tim Drake Joins the Batfamily Late, Author Is Sleep Deprived, Divination, tim drake is a hustler, author saw ghost (1990) and somehow here we are???, Absent Parents, Stalker Tim Drake, Underage Drinking, Stephanie Brown Appreciation, Murder and violence, just a little bit, Hypothermia, Light Angst, Lies, like so much lying, Unreliable Narrator

Summary:

Tim's parents faked their deaths and fled the country years ago, but neglected to take him with them. He spent some time on the streets, and now at 16, he makes a living as a fortune teller, stalking and hustling the shit out of Gotham's elite by telling them eerily accurate fortunes based on the information he gathers about them.

His life is peculiar but he wouldn't change a thing. When he gets booked for the big Wayne Halloween party, however, he finds himself getting all tangled up with the Waynes, and the more fortunes he tells, the tighter the snare becomes.

or: Tim just wanted to scam Gotham's elite, not end up on the Batfamily's watchlist. But it seems they just won't leave him alone..

Language: English Words: 69,788 Chapters: 30/30

Yuki Note:

This has been on a lot of BatFam rec lists lately and for good reason! This is a fantastic read, a very fun and smart idea of how Tim could join the BatFam late. I really like that this Tim is a bit more down and out whilst still remaining quintessentially him (I just think it’s great that he and Jason and Steph have more to relate to one another to). I am here for all the sibling content so I love this! Highly recommended!

OK. I am disabled and am becoming very fatigued so I’m only going to recommend one more in this post, however I have a full list of 72 Batman fandom recommendations on my AO3 account here. (Please note that three of these are JayTim, however that is under the caveat that they are set in AUs where they were never adopted brothers and are great fanfictions.)

5.

The Ruination Of Responsibility by Moxibustion (RyuuzaKochou)

Fandoms: Batman - All Media Types, Red Robin (Comics)  

Teen And Up Audiences, No Archive Warnings Apply, Gen, Complete Work

26 Apr 2020

Tags:

No Archive Warnings Apply

Tim Drake & Bruce Wayne, Tim Drake & Dick Grayson, Tim Drake & Jason Todd, Tim Drake & Damian Wayne, Cassandra Cain & Tim Drake, Stephanie Brown & Tim Drake, Tim Drake & Barbara Gordon

Tim Drake, Bruce Wayne, Dick Grayson, Jason Todd, Damian Wayne, Stephanie Brown, Cassandra Cain, Kon-El | Conner Kent, Alfred Pennyworth, Barbara Gordon

Fluff, Hurt/Comfort, Family Bonding, Bruce Wayne is a Good Parent, Past Tim Drake/Kon-El | Conner Kent, Pre-Tim Drake/Jason Todd, If You Squint - Freeform, Protective Dick Grayson, Protective Jason Todd, Reconciliation, Extravaganza Week At The Wayne Manor, Female Tim Drake, TW: Mention Of An Offscreen Past Sexual Assault, Hijinks & Shenanigans, Non-Linear Narrative, Hurt Tim Drake

Summary:

It's Extravaganza Week at the Manor. Anything you want, anything you can dream of, as long as it's fun, fun, fun!

Timianna Drake has a somewhat fabulously complicated relationship with fun.

Language: English Words: 89,433 Chapters: 23/23

Bookmarker's Tags: Minor Character Death, Suicide

Yuki Note (from original bookmark):

I was hesitant when I went into this story, mostly because of the gender change for Tim/Timi. I am not against gender changes in stories but I find they need a point, a purpose, a reason for the change. But there is a point to Timi being a woman in this story, as it deals with the challenges, discrimination and sexism that she has to deal with in the corporate and hero world.

I really enjoyed the corporate storyline since few stories actually deal with Timi's work and the challenges therein. The family storyline is great too and I love how everything comes to a head and forces Bruce and Dick to face their failures and finally, finally do something about them. Highly recommended!

P.S. Don't worry about the Pre-Jason/Tim tag on this story. There is literally no Jason/Tim at all, in fact they don't even interact any more than Tim interacts with Cass, Steph or Dick. This is 100% Jason&Tim, a close sibling bond.

Trigger Warning: This is presently not tagged on the story but should be. It is mentioned that a minor recurring character commits suicide in the story. You don't see it, it is only mentioned. To those who find suicide triggering, be aware of this.

Enjoy! And feel free to explore my full AO3 rec list here.

[stormandforge]

Raw reactions to X-Force #5

Yup, someone dies.

MASSIVE spoilers (and controversial opinions) below.

It's Nori. There'd been so much foreshadowing in the comic - and so much fan discussion about the upcoming character death - that I had started believing it wouldn't be her. But no, it was always going to be her. When you consider the way she joined the team, her post-Krakoa trauma, her selflessness and her relationship with Forge, it makes complete sense.

That death scene goes hard. We actually see her burned-up corpse, we hear her farewell words - oof, my heart. Rest in power, little blue-haired hero.

This said, everyone attacking Geoff Thorne over Nori's death needs to calm down. I would understand this amount of upset if he'd done her dirty, but he really hasn't. He's consistently written her with respect, gave her as much spotlight as he could in a team book, and gave her a heroic death. Stories kill characters, people. That's just the way it is.

Also: Nori's coming back, maybe even in this run. We just don't know yet. And don't give me nonsense about the resurrection protocols being gone - mutants came back from the dead before Krakoa, they will continue to do so.

"Forge always has a plan." YES. Nothing to do with his power; he's just always up to something. That's Forge 101. Fuck me, it's so good to have a writer who understands him. And because Thorne has done his homework, I believe what we're witnessing is a typical Forge plan: something that he believes will benefit the greater good, but that is also misguided and full of hubris and will repeatedly backfire in his face.

Forge can be cold, but this is subzero. He loves Nori, he wouldn't act that way if he was fully himself. Something's going on. Someone needs to shake him real hard - beat him to a pulp, really - and realign his neurons. The two most qualified people to do that are showing up in the next issue, so I'm thinking this is what will happen.

Why does he take her gauntlets? It can't just be for the sake of getting his tech back. As i said he's not that cold, and also he can probably make those again in his sleep.

FORGE ALMOST KILLED AN ALT VERSION OF STORM IN COLD BLOOD. The man is not well, I'm telling you.

There's a theme of Forge hurting the women he cares about in this issue. Trust Sage to see the pattern and get the hell out before anything can happen- the hurting or the caring.

OK, now he's hovering above the ground with a big shiny triangle around his body. That's magic, isn't it? For a second I started thinking the Analog must be magic after all, but then I remembered Sage loves staring into it too, so it can't be. Mmm...still processing.

Thorne understands Forge's power better than any writer I've seen (yup that includes Claremont), and I appreciate that he mentions his need for materials to build anything. It should be obvious, but most writers have him make things out of thin air. There's only so much he can fit in that utility belt.

So many people, so many things! Poor Marcus To.

Marcus To is still doing excellent though. Do I need to tell you that Forge is hot? I think I've been clear on that already, but let me reiterate: FORGE IS HOT.

"Slippery as ice": oh, that made me hap-py. Such an evocative, accurate way of describing Sage.

No, Forge's power doesn't let him see what will happen. But you know whose power can see every eventuality? Sage's. This was highlighted in the very first issue, and Forge repeats the exact same words from this moment in this issue. THERE'S SOMETHING TO THAT.

I continue to dig the dynamic between Forge and Sage, curses and all. The little cerebral push and pull they have going on is very interesting.

Also continue to adore Tessa herself. The way she challenges Forge at every opportunity, the way she always asks the right questions *chef's kiss*. Everyone obviously wants to murder Forge on that last page, but I love that she's the one who tells him to go fuck himself, even though she's been the person closest to him on the team. She's my girl. I'm this close to opening a side blog entirely devoted to her awesomeness. (I see what Geoff Thorne means when he says she tries to steal the show. She does!)

OK, so, there's no way Forge has a team anymore at this point, so I assume the next issue will be a downtime one. I imagine he'll go home, have an existential crisis featuring his two exes (as you do) and then get back on the road. Or something? Also, the next issue has a Sage variant cover, which could imply she plays an important part in it. One can only hope. If it's the issue of Forge getting his ass kicked by awesome women, she should take part.

[muppenthings]

An event that took place in mid 1700's. Gorm was summoned by the islander's ship as usual, but things took an unexpected turn. After this he didn't return to the surface for hundreds of years. Never understanding why they acted like that.

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[ninjasmudge]

people really will say shit like 'the fic i found hasn't updated in a whole month so i think its been abandoned which is a shame, i wanted to read more' like where do you even get the nerve

[48787]

New Transmission The fucking Scientific Instrument Class Pseudocons apparently developed what they're calling "Hetero Sapience" and are corrupting the brainmodules of the non-Pseudo 'cons around them by using annoying xenophilosophy words. Soundwave tells me they're 'Greek' and 'Latin' words, apparently. Cool, I guess? Anyway, if you see any SI Class 'cons causing... issues, just try your hardest to turn your brainmodule off before you start getting infected with their weird lingo, alongside all the other issues pertaining to letting the SI Pseudocons transmit data into your brainmodule in their own weird ways. Thundercracker, on a bet with Starscream, tried to get into an argument with one of them and his head literally exploded when it started talking about Alpha Trion's "Mythological Origins" in its weird dialect. He's mostly fine, CR Pods are working at 'peak' efficiency, but the facial reconstruction is apparently impossible due to some kind of corruption. I thought it was just some weird prank but there weren't even any scorch marks or anything. Just exploded. So yeah, just avoid optical contact and auditory contact to the best of your ability and you should be fine. Otherwise, try to force-shutdown your brainmodule if you can. Shockwave is working on a cure right now, mostly because I know he had something to do with this in the first place so he's going to be the one to fix it. He probably wanted a greater justification to do that weird data-transfer idea he mentioned previously. But it also explains the weird Thunderwing hypotheticals he's been asking me lately... Can I go one fucking cycle without someone trying to "Perfect Thunderwing's Work" or whatever other idiotic drivel that I keep finding our limited energon reserves siphoned into?? It's not even a Shockwave thing, it's like every damn Cybertronian these days thinks they have the "Missing piece of the puzzle" or whatever. In fact, Shockwave might be doing this as a weird threat against the other R&D 'cons to cement himself as the one and only Decepticon "Allowed" to have resources wasted on projects like that. Ugh, now that I think about it, that's probably a correct assumption and he's probably gonna expect me to thank him for it later. Ugh, and he's probably literally right. Ugh. At least his repairs both to himself and to his lab seem to be mostly complete so further research into the SI project should hopefully come along a little faster. Both Shockwave and Soundwave think the SIs could potentially be used as some kind of specialty weapon, but we'll have to see how they work on sparkless lifeforms, like biological lifeforms or xenomechanical lifeforms. The SIs don't seem to corrupt each other, but Shockwave keeps reaffirming that they're not "Sparkless Lifeforms" because they "were never lifeforms to begin with"... but I think he's trying to hide something. Usually Soundwave is the one to pick up on that kind of technological obfuscation, but he actually agreed with Shockwave and offered to send Ratbat to try to work out exactly what each "sapient" SI is now capable of on a personal level. We could have just had regular Cybertronians aboard to fill the role SIs fill. I would've preferred K Class to fill any role an SI could fill in all honesty!! But no, constructing cold wasn't enough, we just had to try to learn how to "Construct Frozen" and the "Absolute Zeroes" just had to be put on my ship. Whatever. I've probably said too much already. This was supposed to be a warning for my ship crew, but it's looking like it'll end up being transcribed on the golden disk as well so when this new Scientific Instruments of Destruction project backfires in some absurdly bombastic way there will at least be something remaining that says I was right. End of Transmission

New Transmission Okay so I was right, but so was Shockwave and Soundwave. Or, well, they were right just enough to make sure the backfire is postponed for at least another handful of cycles. Ratbat is still in CR from the investigation, but the cure Shockwave developed seems to be effective and Thundercracker is out and aiding the repair effort. Shockwave is now in contact with one of the SIs digitally and the other few are... integrating due to the personal efforts of Soundwave. I suppose now would be pertinent to mention not all the SIs developed the "Hetero Sapience" condition, many of them are safe for interaction. Soundwave is also currently monitoring their presence, Ravage is tasked with the regular SIs and Laserbeak is tasked with the "Sapient" SIs. Shockwave probably knows exactly what caused this event but he is preoccupied with the one he no doubt is either indoctrinating or ruthlessly interrogating. Report to Soundwave if you see any suspicious behavior, he has been working very hard to ensure the SIs have their purpose clearly defined (And closely monitored). And, Starscream, stop trying to convince the SIs that you are the leader of this ship. Not only have the majority of your efforts been wasted on subsentient automata, the only one you have actually found who possesses the ability to truly listen to you immediately came to the bridge to complain about you. They were the first sapient SI I communicated with directly and it was because they felt the need to complain about you. I almost feel embarrassed for you. Come back to the bridge so you can apologize to it or so I can teach it how to laugh at you. It's practicing right now actually! This moment of chaos should hopefully be largely under control now, the actual "population" of Scientific Instrument Class Pseudocons was actually quite fewer than initially expected due to an indexing error incorrectly labeling certain shells as SI class. At the very least, we have some more specialty warriors because of it all. End of Transmission EOF

[pyrriax]

hi tumblr im pyrr pyrriax and im in my trimonthly artist arc, lord help me and all the projects that are currently sitting in my drafts while i am lured in by the siren song of drawing

[lord-squiggletits]

Like I'm not one of those story "critics" who will nitpick the smallest inconsistency and call it a plot hole that ruins the whole story. I'm okay with inconsistencies and even the occasional plot hole if it ends up producing a story that's interesting, gripping, and brings up interesting things.

The problem is that suspension of disbelief only stretches so far. And secondly, stuff like character drama and themes are only as strong as the plot that supports them. If the plot is full of contrivances, plot holes, and really stupid things that make it feel like the author is just forcing something to happen to move the story along, then the themes and character drama become much less convincing.

[hiiragi7]

Not my usual content, but I made something I wanted to share...

Edit: Now with an ID from @a-captions-blog! Thank you for writing it!

[Art description: A Pokémon-themed comic featuring OP as a Pikachu. Long description follows.

1. The tips of Pikachu’s ears are shown with text that says, ‘I’m a Pikachu / My world is filled with lots of cool stuff. Sometimes it feels like anything is possible!’ Under this is a collage showing a Charizard, a Pidgeotto, a Nidoking, an Eevee, and an Ivysaur, all in the background as the Pikachu looks up in wonder. Text reads, ‘All sorts of types, all sorts of attacks, all sorts of Pokemon.’

2. Text says, ‘But...only two ways a Pikachu’s tail could look.’ Two boxes in the upper corners show the male and female Pikachu tails, respectively. The male has a rectangular end to his tale, and the female has a heart-shaped end to hers. Text continues, ‘So then, what am I?’ A large drawing of the narrator Pikachu is shown, with an arrow pointing to their tail, whose end is split somewhat like scissors and doesn’t match either the male or female drawing above.

3. Text says, ‘Too pointy to be [female], too much of a V-shape to be [male]. I thought there was something wrong with me.’ Under this are three cascading panels showing the Pikachu from below at an angle emphasizing their tail. The second panel shows mel further away, and in the final panel she have disappeared entirely. Text on the panels reads, ‘I felt / very, very, very / alone.’

4. Text says, ‘But then, something happened. I found others like me.’ The art shows the narrator reaching out to another Pikachu. Under this are three other Pikachu. One has a rounded tail, one has a tail that has been stitched up to be rectangular, and one has a tail with a slight spike at the tip.

5. Closeups are shown of each of the tails from the previous panel, with text that says, ‘Round tails, scarred tails, spiky tails.’ Under this is a drawing of the Pikachu all hugging with lightning coming from their cheeks. Text reads, ‘They told me nothing was wrong with me, and I wasn´t alone anymore.’

6. Text says, ‘There are many ways a Pikachu’s tail can look. I’ve heard there’s at least over 30 different variations.’ Under this are two panels. The first panel shows the narrator lying on their back on a background of male and female symbols. Text reads, ‘Some days are still hard.’ In the second panel, the Pikachu with the scarred tail is shown with text that says, ‘My friend tells me her tail used to look just like mine. It was taken from her.’

8. The narrator is shown sitting and looking upwards. Text reads, ‘Some trainers won’t accept Pikachu that aren’t [male] or [female]. They alter our tails without our consent. But things are getting better. We are making change. We’re fighting so that our tails will be left alone.’ Under this is a panel showing the four Pikachu running happily towards the right. Text reads, ‘We’re all on a spectrum. Every tail looks different; anything is possible.’

The final text reads, ‘This is a comic about intersex people.’ The watermark in the lower right says @ PostManic. \End descriptions

[theunderthecover]

(hi its the anon from earlier, now clearly not an anon. im sending this before I fold into myself. <3)

Scar has been tempted to fold the towel for the past half hour, no matter how safe and lucrative this scheme is. 

Doing anything in front of a crowd for 5 hours nonstop is a tiring task by itself, but singing on top of that could make the most experienced performer want to keel over.

But, a group of powerful and wealthy adventurers entered the tavern 30 minutes ago, and Grian's eyes narrowed in their direction. It's a look the Aarakocra only has when a bigger fish (a bigger prize) unexpectedly appears on the job. It's a look that leads to some of their biggest catches. So, Scar will sing and entertain the party til they're blackout drunk and his throat dies so Grian can snatch whatever caught his eye. 

The energy in the tavern has long since died down, as most rowdy tavern goers are either off to bed or too tired to be loud anymore. The only thing that fills the room now is quiet chatter, the barkeep's everlasting service, Scar's continued performance. He concludes yet another song and basks in another round of faint applause. 

From the corner of his eye, he can see a faint bird-like footprint appear in a small puddle of cheap alcohol near the extremely drunk targets.

With Grian so close, Scar needs to have an iron grip on the room's attention again despite the itch in his throat and the room's energy being at an all-time low. There are too many drifting eyes that could see something being stolen. 

After staring at the puddle for a moment too long, he gets an idea. 

"You've been a delight tonight, kind folks! It'll be just one more song to wrap up the night." Scar declares to the whole tavern from his stage, "Though I'll be sure to leave you all filled with wonder and awe! As a treat, for being such an Amazin' audience tonight." He finishes the segway with an exaggerated wink, causing some patrons to giggle. 

He casts minor illusions with a flourish, making the sound of soft instruments echo around the room. As a viol begins to play, the quiet conversation amongst patrons lulls as every eye--curious, confused, excited--turns to the stage once more.

Scar's eyes close, and he relaxes as he takes in the music the magic creates. He thinks of the song with intent, pulls upon vivid memories to inspire emotion, and lets the feeling consume every movement. He takes one more breath, then, at the cue, begins to sing with a slightly rough voice.

"In a perfect world… one we’ve never known…” 

The tone is jarringly different from the previous songs of the night.

"We would never need to face the world alone…."

The instrument choice, low soothing energy, a soft romantic sway, and the bard's renewed life- all combined- make a near-perfect hook for everyone within the tavern. 

"They can have the world…" 

All Scar has to do is follow through with the catch and reel in the hook enough to let Grian catch the fish before anyone in the pond suspects a thing.

"We'll create our own."

He opens his eyes slightly, half-lidded to obscure where he looks but wide enough to see one of the wealthy adventurer's satchels be swiped off the table and quickly replaced by an identical copy. A bit of panic wells up inside him at the precarious move, but he swallows and trusts his partner knows what he's doing.

"I may not be brave, strong, or smart, but somewhere in my secret heart-" His voice slightly cracks at the rise, but he breathes through it and tries not to let it go completely off-pitch. Scar looks at the ceiling and tries to force his movements make it look intentional, stretching out the ache in his throat. 

"I know, love will find a way… anywhere I go…" Scar lowers his head in time to catch a now visible Grian acting like he just walked in the room, "I'm home if you are there beside me…"

He lets the music breathe, in a tune he knows by heart, as he watches his partner-in-crime casually head for the exit.  

Grian turns around and leans against the wall by the door, a stolen bag tucked under a wing. He signals to leave. They make eye contact.

The warm tavern lights again, and Aarakocra's red tones make Grian look like a painted sunrise. Scar, despite knowing he should be focused on finishing this scheme, doesn't look away. Doesn't stop to think about causing glorious chaos in their victorious exit.

Scar continues to sing, holding Grian's eyes within his own all the while. 

"Like dark, turning into day…"

Grian subtly pauses, confused but suddenly seeming as spellbound as the partner-in-crime in the metaphorical spotlight.

Still, their eyes hold.

 "… somehow we'll come through…"

Grian's incredulously mouthed words, which he fondly knows are along the lines of 'Scar, what are you doing?!'

Still, their eyes hold. 

"… now that I've found you..."

Scar's posture slightly sags with the exhaustion of this performance. He feels the cantrip near its minute end, but the violins swell into an off-script crescendo anyway.

Their eyes still hold.

"… love will find a way..."

The music cuts off abruptly as the spell ends.

He sees Grian suddenly look rather lost, but Scar is not sure why.

The whole tavern is bathed in silence.

He feels compelled to make the song at least sound finished. So…

"Now that I've found you..."

… he repeats himself, even with nothing else to support the song. 

(Scar doesn't admit that, at that moment, as he and his partner swim in each other's eyes, he didn't only repeat it for the performance.)

"… love will find a way."

The room roars into one of the loudest applause at night despite the smaller number of people.

And their eyes still hold.

bard scar singing a little love song at the crastle tavern and making direct eye contact with warlock grian

i think i just got murdered by my own thought what the fuck

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[eyes-like-the-night]

I spent the past few years trying to have a better relationship with my dad and it’s currently absolutely in shambles

(My mom is kinda thriving though because she hates my dad and I get it now so when I’m really frustrated she listens and reminds me that yeah he hasn’t changed since she divorced him)

[art]

Creator Spotlight: @mimimar

Hi! I’m Michelle (Mimimar), an illustrator born and raised in Venezuela, currently based in Italy. I enjoy making colorful illustrations that reflect the things I love: fairy tales, fantasy, tenderness and queer (especially sapphic) stories. Occasionally, I also make paper dolls, comics and animatics. I have a lot of interest in book illustration and I’m currently developing my own stories that I hope to share as an author-illustrator someday!

Check out our interview with Michelle below!

Did you originally have a background in art? If not, how did you start?

I always enjoyed drawing when I was a kid, but it only became a hobby that I did almost every day when I was around 11. At first I only used traditional mediums, but I decided to make a serious effort to learn how to draw digitally when I was 15, and once I got the hang of it I never stopped!

I didn’t go to art school so all of my learning was done through studying the tutorials and resources that other artists generously share on the internet and lots of practice / trial and error.

How do you want to evolve as a creator?

I want to do many things but what I want to do the most right now is work on books! I want to make art for other authors’ stories and also my own stories as an author-illustrator. I want to grow as a storyteller and create art and stories that will really resonate with people emotionally. I’m always striving to improve my skills as well.

I also really love dolls, so working on doll box art or as a doll designer is something I would love to do someday. I actually have been designing paper dolls on my Patreon for the past few months, it’s been a fun project that is still ongoing right now!

What is one habit you find yourself doing a lot as an artist?

Probably using a lot of purple! It’s my favorite color so I find myself using it a lot. If I can find a way to sneak a little bit of purple into an illustration or a character design then I will.

Congratulations on finishing your Ivy Comic! Did the outcome turn out like how you expected or were there some unexpected bumps along the way?

Thank you! It’s a project that I worked on very slowly in between other art because I wanted to really take my time with every spread and make each of them a fully detailed illustration. I thumbnailed the full comic before starting but I kept changing the sketch for the final spread until the very end! Overall I’m really proud of the end result. I sprinkled a lot of hidden details in every page that I hope some of the readers will notice. For example: the meanings of the flowers in each page represent what the characters are feeling in that moment, and the colors of their wardrobe become gradually lighter as the story progresses to represent their emotions, as well as the changing of seasons.

We’ve noticed that you have created some amazing cover art for TGCF. Is there another series you would like to do something similar with? 

That was another passion project that took some time to complete. Initially, I didn’t intend for them to be specifically covers, it was just a series of illustrations based on the 5 books/main arcs of TGCF. But since they were well-received and I had people telling me they wish they could use them as covers for their books, I decided to rework them into dust jackets for the english translation of TGCF!

I haven’t thought of any other specific series but I love doing cover art so maybe I’ll do something similar again in the future!

What’s your favorite part of your style? Why?

I’ve heard from other people that there’s a delicate quality to my art, this is something that I like a lot! I like pretty things, fairytales and vibrant colors. I think all of these things probably reflect in the art I make as well.

If there is one thing you want your audience to remember about your work, what would it be?

I hope that they remember how it made them feel. Feelings and colors are the two things I give priority to in my work. Most of the time I like depicting tenderness, softness and emotional intimacy. If that could reach the viewer and stay with them it would make me very happy. 

I make a lot of art with queer (mainly sapphic) themes because they’re the kind of stories I personally like and want to see more of, so whenever people tell me that my art has helped them in their journey to discover and accept themselves, or that they see themselves and their partner in my art, it is always extremely meaningful to me. When art that I made to give myself comfort can provide comfort for others, no matter how small, it reminds me once again that despite any hardships art is genuinely worth pursuing.

Who on Tumblr inspires you and why?

So many artists! To name a few:  I love @sakizo’s amazing eye for fashion and detail,  @paneeps’ gorgeous style and striking colors,  the sweetness of @bevsi’s art,  @vickisigh’s pretty colors and concepts,  @idledee’s warm and heartfelt art,  @littlestpersimmon’s dreamy wonderful art,  and @loish has been an inspiration for as long as I can remember.

Thank you so much for stopping by and sharing, Michelle! Be sure to check out their Tumblr blog over at @mimimar.

[loserlvrss]

꒰ 𝐍𝐎 𝐎𝐍𝐄 𝐁𝐔𝐓 𝐘𝐎𝐔 ꒱ 이민형

summary : one thing about your boyfriend, mark, is that he would always take care of you — even if you were annoyingly drunk — and he was embarrassingly in love

genre : fluff, mark x afab!reader, slice of life tws : language, kissing, mentions of alcohol, pet names author notes : oh he’d be a good boyfriend i just know it word count : 1k

it’s a good thing the elevator in your apartment hadn’t gone out yet, otherwise the man on your arm would’ve been upset—though he’d never let you know that.

he just loved you too much for that. and you kept telling him about how much of a good night it was for you; he’d never dream of ruining that.

��baby,” he stated quietly, pulling your arm around his waist higher, as it kept slipping. “hold on, just a little longer… why’d you have to live on the 10th floor? thank god the elevator isn’t out. is the view really worth it though?” he watched the numbers climb, illuminated electronically above the door.

your eyebrows furrowed, and though you were hunched against him, you willed your head up. deadpanning, you replied. “duh.” to which he just laughed at. “you just don’t get it mark! have you seen it? it’s beautiful! not more than you, but you know.”

“many times—actually, i helped you move in, baby.”

you giggled, head falling into his side. “y-yeah, you did… do you remember haechan falling up the stairs? he wasn’t even carrying anything heavy! oh my god, it was so funny i swear i peed my pants!”

mark thought that, for a drunk girl, you were very good at not sounding slurred with your words. however, standing or walking in a straight line were two very different tasks for you to accomplish in this state. but he thought it was cute that you thought of him to pick you up and make sure you got home safely. he loved that you loved him so much; shared so many memories with him and were still willing to make more. and truthfully, he loved you more.

the elevator dinged, the voice telling you that the doors were now opening. mark braced his arm around you tighter, hiking you up to be, at least a little, straighter.

you trudged along, holding him back with his attempts to keep a steady pace. you knew it was difficult to move on your own accord in your current state but, honestly you could’ve just fallen asleep on the floor if you fell.

“work—with—me—here, y/n. please,” he gritted, practically dragging your giggling figure. “do you even want to sleep in your own bed?”

your eyes narrowed soberly. “are you staying?”

“will that make you walk faster?”

as if possessed, the thought alone was enough to make you straighten your back and begin willing your legs to move—clumsily, but you knew your boyfriend was still a crutch to make sure you didn’t hit the floor.

he laughed in disbelief, then relief once you two finally had made it to your numbered door; mark putting in the passcode and it chiming with satisfaction.

“you scare me sometimes, baby.”

you hopped in place, the door swinging open with the length of his arm. you slumped against the wall, unhooking the strap of your heels and kicking them off.

“let’s go to bed!” and when you were about take off down the hall, a hand grabbed yours and stopped you—your feet comically still stomping in place. your eyebrows furrowed, and you looked over your shoulder in confusion.

“first,” he started, leading you down the hall; for a moment you thought he just didn’t want you to run, but he turned off into your bathroom. he hit the switch and illuminated the room, your eyes shutting instinctively. “your makeup.”

you whined, trying to get out of his grip. “no.”

“you’ll kill me in the morning, babe,” he grabbed your waist, hoisting you onto the counter and trapping you with his body. “it won’t take long.”

your pinky swung from the porcelain and into his view, “promise.” you weren’t asking, and that made him laugh.

his pinky connected with yours. “promise.” he replied adamantly, mimicking your movement and kissing the end of his balled fist.

he got to work, grabbing the remover and a couple cotton rounds. he gently swiped your skin, and you swear your head kept drifting to the side with tiredness. you couldn’t help that your boyfriend was the sole reason you could get a good-nights sleep. instead of trying to keep you up, he grabbed it, huffing out another laugh at your antics, but letting you fully fall asleep in his hand.

mark admired you as he tried his best to get the mascara off, smudging it and making you look a little foolish. he thought you were cute; the way your lips were parted, small snores leaving them. the slight crease of your brows as he put your moisturizer and serums on. he swears he could feel his heart swell, knowing you were just that comfortable around him—so adamant to have him by your side—to have him love you.

and he did.

he loved you so fucking much. his future was you. if he was your world, you were his sun. you were his lifeline. you were the one person he knew he could rely on without contest. if he was a producer, you were his muse. everything revolved around you. even if his thoughts weren’t originally for you, they’d eventually make their way back to you. he was excited to talk to you about anything and everything. he was blindsided by a love as strong as this mutual one. he’d die for you, and that’s why he lives.

honestly, he was so embarrassingly emotional right now for you, he could feel the tears welling up.

he swallowed the lump in his throat, grabbing the other side of your head and watching as you blinked blearily.

you smiled sleepily. “when’d you get here, baby?”

he could feel your arms climb to be around his neck, pulling him and simultaneously pushing yourself to get body-to-body. you always craved the warmth (even without thinking) like you were cold-blooded.

“i’m always here.” he kissed the side of your mouth, whispering against your lips. “now, let’s go to bed?”

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