#I hate the actions they do but it’s all in good fun

[linkspooky]

GOOD SIBLING, BAD SIBLING: THE FIRE SIBLINGS VS. STARFIRE AND BLACKFIRE

What could two siblings born in a royal family where one is scapegoated and the other treated like a golden child possibly have in common? More than you think.

This post is making the rounds again and I thought it would be fun to make a longer post going into depth why I think Starfire and Blackfire avert the common trope of good sibling bad sibling, by comparing it to something that fails to avoid that trope. If you like doomed siblings or bad victims then click the readmore.

Good Sibling, Bad Sibling

To start off with I'm going to explain what I mean when I use the words Good Sibling, Bad Sibling. It's a trope that's an extention of what I call Good Victim, Bad Victim. It's when a story compares two victims of abuse, and one victim is a more acceptable victim while the other is a bad victim because they're not perfect suffering Cinderellas.

Victims of course still have agency in their responses, they're still culpable if their actions go on to hurt someone, they don't have a right to hurt others, but I think it's also true most people are quick to judge victims for not being strong enough to endure abuse when they haven't been in the same situation.

It's easy from an outsider's perspective to be "I wouldn't do that". It comes from a pretty shallow view that villainizes abusers and renders them as inhuman monsters when the truth is all abusers are still humans and anyone can fall into patterns of abuse whether they mean to or not.

One reason I hate this trope besides like, the fact characters that aren't perfect victims are often considered "too far gone" and murdered by the narrative, it's also just really shallow. In the end it usually comes down to the victim getting love and support healing and the victim who didn't have support getting worse. Which is like, a no duh of a situation. A person without friends or a support system or love in their life tends to not get better? Who woulda guessed.

Good Sibling, Bad Sibling shows up when two siblings are raised under the same house, sometimes even in the same abusive circumstances and one is a hero and the other is a villain. Another version of this tropes is the fact that if there are twins one of them is usually going to be a good twin and the other is an evil twin.

I can understand where this trope comes from because like siblings are a naturally close relationship, so it makes it a deeply personal conflict when a character's sibling turns against them. I don't even think it's a necessarily bad trope, if both characters are humanized equally which almost never happens.

Examples of this trope: Gammorra and Nebula, Mai and Maki, Shoto and Toya, Dick Grayson and Jason Todd, Itachi and Sasuke.

And of course, Starfire and Blackfire, and Zuko and Azula.

My goal is to show by breaking the source material, New Teen Titans and the Avatar Cartoon down the former averts the trope and the latter plays it straight.

The Golden Child and the Scapegoat

A common trope used in dysfuctional families is dividing children between a golden child, and a scapegoat. The parent often projects all of their positive qualities on a golden child, along with high expectations. While the Scapegoat has all their negative qualities projected on them, and is often blamed unfairly for the dysfunction in the house. They are scapegoated so to speak, and constantly the victim of things like shifting goalposts.

It's like a more extreme version of playing favorites with an extra dollop of abuse on top. Also to be clear, this is an abusive dynamic where both sides are abused. They're not being seen as parents by their parents, and they are essentially being pitted against each other. There are plenty of parents who will be just as harsh on their perceived favorite. Being the golden child doesn't really safeguard you from abuse, even if it seems to be the more favorable position to be in.

Also in general when discussing abuse, arguing over who has it worse is kind of a pointless argument.

Also sometimes the playing favorites is intentional. By splitting up siblings and putting them against each other, the parent gets more control over each of them like a divide and conquer strategy. After all an abusers primary objective is to maintain control over someone by patterns of abusive behavior meant to wear down their sense of resistance.

With that being established, comparing the two royal families is interesting because the "hero" sibling is the golden child in one version, and the "villain" sibling is the scapegoat in another. If anything this proves that both forms of abuse can be the reason for a villain's tragic backstory.

STARFIRE AND AZULA THE PERFECT PRINCESS

Starfire might appear at first to be the total opposite of Azula. One of them is a hero who's like entire character is built around her overflowing emotions and the love she feels for people. While Azula is cold, calculating, and often treats her own friends like pawns instead of people. Starfire also doesn't repeat the cycle of abuse, while Azula does.

If you look past that there's a lot of comparisons to draw between the two of them. They are both raised in warrior, war-like cultures. The Tamaraneans may be all about that peace and love but like, an early conflict with Starfire's is that because she was raised on a planet as a warrior she doesn't understand why other heroes have a no-kill rule.

Azula is also a product of her culture. To begin with she's raised as a child soldier, of a nationalist and imperialist nation who are actively colonizing half the war. Azula also contributes significantly to the war effort, and never shows any doubt to the values of her culture.

As a brief summary of their early characters, Azula is princess of the fire nation which went to war with the world. She's the daughter of the Fire Nation's absolute ruler. She's however, the second born and not ever expected to inherit the throne. She is introduced in season one when Zuko vents to an unconscious Aang about how everything has always been easy for his sister. In Season two she becomes the main antagonist, first tasked with retrieving her brother, and then decides to try to capture the avatar on her own. I'd also be remiss to mention that Azula is the most personal antagonist the heroes face, because Ozai is more of a final boss. Starfire is an alien that was sold by her sister into slavery essentially (Blackfire is not a good person). She escaped to earth and became a member of the Teen Titans where she found a new family and worked as a hero. She's basically an immigrant to earth and there's a lot of culture shock. Starfire eventually returns home to her planet when it's in danger, and faces her sister as an antagonist.

This is another way in which they differ, Azula is the primary antagonist and negative foil to Zuko, and Blackfire is the primary antagonist and negative foil to Starfire.

While both basically have the tentative position of the favorite, while their sibling is demonized, it's made clear to them that they're not actually "safe" with their parents. Both sets of parents are awful and the origin of all abuse within the household. These characters also receive a slap in the face after being in denial for a long time that these parents will even mistreat their "favorite" child and treat them like an object.

Though, I would argue that Starfire is more in denial about her parent's abuse and will still see them as loving parents, while Azula is aware that her father could turn on her and strives for perfection to keep herself "safe".

Note Starfire is still saying this stuff after her parent's sold her into a political marriage.

Ozai: My decision is final. Azula: You ... you can't treat me like this! You can't treat me like Zuko! Ozai: Azula, silence yourself. Azula: But it was my idea to burn everything to the ground! I deserve to be by your side!

I've seen some people's unsympathetic readings of this line that Azula throws Zuko under the bus, but like... Azula doesn't want to be abused like her brother. What a monster. Let's see how you react when the father you thought was safe turns on you, I think most people would say or do anything not to get hurt.

I don't want to sound too critical of Starfire because she has her reasons (Blackfire abused her severely) but both Starfire and Azula seem to justify their parent's abuse to themselves by saying Blackfire or Zuko did something to cause the abuse. Sliding the blame from the abuser to the abuse victim. They participate in the parent's scapegoating of the the least favorite child.

I'd like to point out though that the ultimate cause of the situation is the parents themselves. The abuse started when they are children, and expecting Starfire and Azula as children to like, go out of their way to protect their abused siblings is expecting a lot out of them.

Like Azula is afraid to lose her position as the favorite because Ozai has demonstrated before that he'll horribly mutilate his children. Who would have guessed. Blackfire severely abused Starfire in their childhood, so she sees Blackfire as her enemy and not her parents who would have guessed.

In general too, expecting Starfire and Azula to be perfect siblings in an abusive household, and always protect their siblings, is once again a lot to expect from literal children who don't have fully developed brains.

However, I would say in both cases, they both try harder to connect with their sibling. This is where I get angry anons in my inbox, yes I'm going to make the argument that Azula was a better sibling than Zuko was to her. No I also don't expect Zuko to be a perfect big brother when actively being abused by Ozai. No I don't think Zuko owes Azula anything because she too prioritized her own well being over him that's what abuse victims do.

I'm just making the argument with in text examples that Azula does more things to help Zuko, and Starfire actively tried to befriend Blackfire before the sibling abuse started. In fact I think that's what makes both relationships incredibly tragic. It's not really two siblings who love each other on opposite sides of a conflict. It's that Blackfire and Zuko can't see past their own abuse, and can't love their siblings.

Once again I'm not blaming Zuko for priotizing himself, but I also think it's unfair to critcize Azula for taking care of herself and not sticking her neck out for Zuko when they were both being abused. Wow why are people extra harsh on Azula and extra forgiving on Zuko. It's almost like women are always expected to be perfect nurturers, and when they're not allowed to be complex human beings with flaws. My old enemy the Madonna Whore complex you strike again!

Anyway onto the examples. The big one is that Azula invited Zuko back after Ba Sing Se, seemed genuine about wanting to help resstore his honor. This is also a sacrifice on her part, because as I said even when he was banished Zuko didn't lose the title of crown prince. His status as the heir was never in question and like, letting Zuko stay a prisoner in Ba Sing Se would have ensured his inheritance would fall to her.

Why don't you let him decide, Uncle? [To Zuko.] I need you, Zuko. I've plotted every move of this day, [Makes a fist.] this glorious day in Fire Nation history, and the only way we win is together. At the end of this day, you will have your honor back. You will have Father's love. You will have everything you want.

Now common criticisms people use to argue that Azula has good intentions.

1) Azula needed Zuko to turn the tides in battle. While Azula was kind of in a corner in the fight where Zuko turned she also had Mai and Ty Lee and the entire Dai Li on her side so I don't think she'd really assume she needed Zuko to defeat the avatar. Also she starts getting backed into a corner long after she made the offer to Zuko so she had no way of knowing that ahead of time. Also, also, she might have just been backed into a corner for the sake of drama, making it more impactful when Zuko shows up and turns the tide.

2) Azula somehow knew she might not kill the avatar and needed Zuko to take the fall. This one doesn't make sense because Azula doesn't have any idea that Aang didn't die, until Zuko hints at it. After that point, Zuko kept it a secret from her and refused to tell her even though the truth being revealed would impact both of them. Like for Azula to know ahead of time she'd fail to kill the avatar when she made her offer to Zuko, and then bring him back to take the fall would require some 4d chess on her end.

Two more examples are Azula goes out of her way to warn Zuko that he might get in trouble for visint Iroh so often. On the Beach she's the one who comforts him and retrieves him from their old vacation house. When they're in front of the fire and Zuko is troubled she asks him what's wrong and even asks if she's the one at fault. Whereas Zuko mocks her for not having problems when Azula confesses her mother thought she was a monster he doesn't say anything in response.

In Tales of the New Teen Titans we get a closer look at Starfire and Blackfire's childhood, and we're shown Starfire tried hard at first to get along with her sister. Starfire also, in spite of being a victim of Blackfire's abuse went out of her way to save her life twice.

Something Blackfire responded with by immediately trying to kill her. Blackfire, you are a piece of work. In both cases, I'd argue Starfire and Azula try at least to have a positive relationship with their siblings. Attempts that are almost completely one-sided. I don't want to demonize Zuko too much though, because as I said when you're actively being abused it's number one easy to see the other sibling as being better off, and only natural you would prioritize yourself.

Also, Blackfire was an adult and continued the abuse later on in life when she had more agency, whereas Zuko for most of the tv show was a minor and you shouldn't hold minors to adult standards. If I judge characters for having an imperfect reaction to abuse, or not being perfect siblings I can no longer call myself a bad victim enjoyer.

Both Starefire and Azula as I said, participate in the scapegoating. In both cases it's out of a desire to maintain their spot as the golden child, because they want to assume they're safe.

Starfire actively defends her aprents all the time, while insisting that Blackfire was evil to begin with. Which is understandable again because Blackfire's abuse is just so much worse than anything Azula does to Zuko. It's expecting a little too much for Starfire to see the humanity in her abuser when she's a lifelong victim.

Like little blackfire things: Killing her sister's pet.

Phsyical abuse, actively trying to kill her even before they were on opposite sides of a war.

Selling her into Slavery (where Starfire was sexually abused).

It's extra tragic because both are essentially blaming the other for their parent's abuse. Blackfire takes out her pain on Starfire as revenge for her parent's favoritism, even though it's not her fault. Starfire demonizes Blackfire because she refuses to confront the fact that her parent's are abusive.

This is behavior Azula engages in as well. If you read into her actions, you can tell she blames Zuko for his abuse, you can't treat me like Zuko, while also believing that if she can just make Zuko act more like a prince he won't provoke his father anymore. Once again, sliding the blame on the abused rather than the abuser makes Azula feel more safe, because she also believes if she's perfect Ozai will leave her alone.

Zuko and Blackfire: The Banished Prince and the DIsowned Princess

This is another pair of seeming opposites. Blackfire is essentially Starfire's most personal arch enemy, occupying the same spot as Azula. Zuko is a villain for awhile, but honestly he's bad at it, and until the end of Season 1 he's so ineffectual he's more comic relief. Blackfire like Azula is insanely competent and causes a lot of genuine harm to the protagonists, and is far far worse than Zuko or even Azula obviously. I mean I've already listed some of the things she did above, but she also let her planet be conquered by aliens, orchestrated not one but two cues, and tried to have her parents blown up on live television.

However, both characters are effectively disowned and banished from their country for their inability to fit in. Both are banished and excessively punished.

Blackfire is the first born princess of Tamaran and she should have been heir to her family, but she was stripped of her inheritance because she was born disabled. Every Tamaranean can fly except her because of a sickness that nearly killed her when she was younger.

That's right everyone, the disabled representation you've been waiting for the sibling abuser and war-mongerer.

I think Blackfire's abuse covers a common way parent's treat their disabled children, where they don't want to make accomodations and make it clear they' don't want to take care of a disabled child and spend all their attention on their abled children instead. This trope is often called "Better dead than disabled."

Also I'd be remiss to point out that Tamaraneas have access to hover technology so Blackfire's disability doesn't inhibit her in any way. Like damn, parents will do anything but try to accomondate their disabled child.

Zuko is punished needlessly for a small offense of speaking out of turn in a meeting for not wanting to sacrifice young soldiers, and then refusing to fight back against his father in an angi kai. At which point he's banished and sent on a fool's errand of hunting the avatar.

Blackfire's reason for being banished is uhhh, because she tried to kill her sister in combat training, but also she was stripped of her inheritance just before being born disabled. She awas punished for things she couldn't control before she did anything wrong.

Both siblings also try to make up for their trauma and perceived deficiencies by constantly projecting violence. Blackfire is like, obsesed with war, Zuko's definition of honor is more focused around glory gained by combat more particularly killing the avatar in the first season. Both of them actively participated in colonization, Blackfire helped colonize her home planet, Zuko burned Kyoshi village and helped Azula with Ba Sing Se. Blackfire brought back an army to colonize her home planet, then attempts a military coup of a rather peaceful reign her parents secured not once but twice.

Both are blamed for their parent's abuse, it's Blackfire's fault because she was a violent and unlikable child she made it impossible to love her. It's Zuko's fault, he just didn't try hard enough to please his father and fit in as a prince.

While I may sound overly critical of Avatar's writing I do like how they gave Zukio a lot of chances to make mistakes and screw up, and instead of condemning him or dismissing him as too far gone they kept reinforcing that he always had a chance to better himself.

Both characters are really jealous and tend to blame the other sibling who's treated as the favorite for their abuse.

Zuko: "You're like my sister. Everything always came easy to her. She is a firebending prodigy and everyone adores her. My father says she was born lucky. He says I was lucky to be born... I don't need luck though - I don't want it. I've always had to struggle and fight and that's made me strong. It's made me who I am".

Though to give credit to Blackfire, while as a child she blamed Starfire for everything and used her as a punching bag, as an adult she seems to understand that the cause of their conflict was their parents and in fact tries to explain this to Starfire multiple times. So she's matured enough to see that Starfire is ultimately a victim too.

As I said too, Zuko is a child, he's also like still actively being victimized by Ozai while at the same time under the notion that if he does the right thing he can earn Ozai's love for 3/4ths of the show it's easy to understand why he'd blame Azula for his position as the scapegoat instead of Ozai.

Zuko never attempts to convince Azula to change sides with him, or considers that an option. When Azula is like, falling through the air about to die he doesn't tell his friends piloting the bison to try to save her. His stated goal when fighting Azula in the fignal agni kai is to put her in her place. That's literally a line he says.

Zuko, the empath when noticing she's having a total mental breakdown says "She's kind of off" and decides to take advantage of that to win the fight. When Azula finally breaks down and is screaming and crying, he just kind of sits there looking bored.

I'm not arguing that Zuko owes her anything that's a personal opinion, just that it's inconsistent with Zuko's writing. Zuko is presented to us as a character revolving around redemption, that learns that love and forgiveness are key to growth and healing and then just... doesn't apply those same lessons he learned to his sister.

That same kind of hypocrisy is present in Starfire, but it's like intentional. Starfire's inability to empathize with her sister, when her entire character revolves around empathy and love shows just how damaged her relationship with her sister is. Even then Starfire like, saves her life twice and was never able to kill her. With far more reason to not empathize with her sister, while blatantly hating her, Starfire still has that tiny bit of empathy for her. It's also like, Tamaraneans are a violent warrior people, and they're also extremely emotional and full of love, Starfire embodies both sides of that.

It's not just Blackfire either, it takes Starfire a long time to learn that she can't just kill criminals (again understandable, a cultural thing, in fact people like Dick are a little bit too harsh on her for this instead of trying to explain and understand where she's coming from). It is consistent with Starfire's writing, she is openly loving, but she's not the team mom that's Donna.

Zuko like, not even trying to redeem Azula or just like, not really caring is inconsistent with the writing that's trying to tell us that deep down Zuko is a caring person that is going to help heal the fire nation by showing them a better path forward. Zuko's double standards towards his sister, and his unfairly blaming her for his father's abuse is not written as a flaw. Blackfire unfairy blaming Starfire for her parent's abuse is a flaw. Blackfire's abuse of Starfire is her own fault, which is something she continues to do well into adulthood.

Which is why it's kind of all the more baffling, that Blackfire is way worse, is humanized a lot more by her narrative than Azula is. Now we reach the final part.

The Final Agni Kai

Now to trash on everyone's favorite scene that I absolutely despise as the end to Zuko and Azula's arc, while praising what is my favorite arc in the whole New Teen Titans manga. In the series finale of Avatar, Zuko after reuniting with Iroh is tasked with challenging Azula for the throne in the Agni Kai. They fight, and Zuko comes out on top.

In what is essentially the final fight between Starfire and Blackfire, Starfire is alerted by her brother that things are going down on her planet. She leaves earth with the Teen Titans and returns to her planet for a second time. Where she learns that she is being sold by her parents into an arranged marriage, as a part of a peace agreement with the invading force of her planet. Something that Starfire does not take well too, because she's currently in love with her longtime boyfriend Dick Grayson.

I'm going to skip over the Soap opera that is Starfire and Dick, because it's soon revealed that Blackfire too has returned in order to orchestrate a coup to overthrow her parents once more.

In the end Blackfire reveals her plan that she's set up an ion bomb to hold the whole planet hostage unless her parents abdicate and declare her ruler. At which point, Blackfire succeeds.

Both plots involve the scapegoat finally reclaiming their heritage and beating their sibling for the first time, one is the hero, the other is the villain... or are they?

There's a reason I love one arc and hate the other. It's that Blackfire is eventually allowed to be her own seperate character from Starfire, whereas Azula is ultimately just a plot object to strengthen Zuko's arc. This is shown in just, the amount of focus Zuko and his inner world are compared to Azula, how he has one of the most lovingly tailored redemption arcs shown throughout the entire show whereas Azula's mental breakdown is rushed through the entire end.

However, to further illustrate this let me show how well the New Teen Titans humanizes Koriand'r. To begin with, we see their childhood from both perspectives, to show both are biased narrators. Starfire represents her sister as being born evil, while Blackfire believes Starfire being the favorite took all her parent's love away from her.

Blackfire also gets, sympathetic motivations that demonstrate she's also capable of love and craves it deep down but suppresses it because she believes she needs to be a weapon of war. Something that is directly stated by the comics and only like implied by offhand by the avatar show.

In fact Blackfire gets to star in her own comic which tells a story where she is temporarily blinded after her first defeat to Starfire. After feeling helpess she feels like she's lost the will to fight, the will to kill, the will to rule which is how she defines herself.

Blackfire survives with one of her soldiers who doesn't abandon her, and helps teach with her rehabilitation teaching her how to fight while blind. Their relationship grows so close that Dorion feels like the first person that ever took care of Blackfire, and she breaks down and admits how much she wants to be loved. She almost seems willing to give up her conquest.

However, Blackfire misses out on the chance to be loved because her fanatically devoted soldier tricks her into killing him in order to show her that she still has the edge to kill.

This also clues us into more complex motivations for Blackfire. She is actively a patriot who believes that her father's rule is weak (she turns out to be right) and believes that conquering her planet is in effect her way of saving it. She has to put on this persona because the cause is more important than anything in her life, even love.

(This also contrasts Starfire who has no interest in being a ruler and runs away to live on earth with her love).

Also I'd be remiss to mention at the end of this particular arc Starfire doesn't forgive her sister or reconcile with her. I've never believed she owed her that. The arc just shows that Blackfire a human being (or a tamaranean I guess) who is capable of both good and evil. That her motivations are more complex than being a power hungry usurper and she actually can have good intentions. She's more of an example of the 'Well-intentioned Extremist" trope.

It's the complete opposite of Azula who's reduced to the mad queen stereotype in the end. Which is another knock against Avatar, Blackfire might not be the best disabled representation in the world but as I said parent's only treating their disabled child as a burden and that disabled child watching their parents take care of and love their abled children is a real thing that happens all the time. The comic also goes to show how competent Blackfire is in sipte of her disability.

Whereas, I can't imagine what it feels like to see yourself in Azula's mental breakdown, only to watch her last moment on the show have her offered no support, and not even a single sign that she might recover one day. Blackfire's motivations are tied to her abuse, but she's not demonized for being disabled in fact she's fantastically competent. Azula's like, readuced to an inhuman, ugly monster, and her mental illness takes all of her agency away and once again we're shown no hope for recovery.

Azula is reduced to a screaming incoherent mess. She has basically no agency in the end. Not only does Blackfire have agency, but like she has acutal points to make? The story values her point of view and gives credence to it? Myand'r is a weak ruler. She's not wrong when she says that their parents are the source of abuse for both of them. In fact, the narrative directly states the ones who started the abuse are their parents while it only implies it again with Azula and Zuko. Maybe the reason so many people deny that Azula is an abuse victim is because we only see the abuse from Zuko's perspective not Azula's. Whereas we get both conflicting accounts of Blackfire and Starfire's childhood and the narrative trusts us to judge things with nuance rather than needing it fed to us.

The planet has been invaded twice now. She's also, like, more popular with her father's weak rule?

Also like the story shows us why Blackfire will make a better ruler than Starfire. The narrative doesn't really illustrate how Zuko will be a better ruler, it just follows the "good king" trope.

I mean it's a fun little parallel that both Zuko and Blackfire are both an exiled prince and princess respectively, who return home to take back their throne. On one hand though, it feels like Zuko does it out of like, wanting to reclaim his birthright, or his feeling that the throne is his destiny. That's part of Blackfire's motivation too, but as I said, Zuko never states onscreen how he plans to improve the fire nation, Blackfire's got like actual policies.

Which is where the difference ultimately lies, Blackfire and Starfire are ultimately characterized as two sides of the same coin who need to come together to save the planet. Killing blackfire or putting her down won't fix shit or end the cycle of abuse on Tamaran. Blackfire and Starfire are much like Tamaran defined by love and war, and there's love and war in Starfire, and love and war in Blackfire and they both need to find a balance between the two.

This is in contrast to Zuko and Azula who's final conflict is just putting Azula down like a mad dog, quite literally. Blackfire is allowed to be human, with good and bad traits, and like actual points to make whereas Zuko's narrative only cares about Zuko's thoughts, and in general instead of coming together the narrative seems to think the only way that Zuko can triumph is if Azula is dragged down into the mud.

Blackfire is a character, and Azula is ultimately just a plot obstacle.

So that's my long ramble on a sibling relationship I absolutely love, and a sibling relationship I can't love no matter how much I like Zuko and Azula individually.

[keepmycandleburning]

IDK if this little section of the internet is just uncharacteristically hateful and negative and miserable lately or what. I've been lurking for like a year and posting since like 2 months ago, and it seems recent. I don't really feel like inserting myself into it anymore because it's not fun.

I loved HP as a kid probably like 9-12 y/o, at which time I picked up on something between Bellatrix & Voldemort due to the be quiet, Bella and the no higher pleasure lines. I reread the series for the first time as an adult in Oct-Nov 2023, and I was astonished at how much more I am able to pull from this text now. I came away with a much greater understanding of several things I'd missed as a kid. One of these is that it was very clear to me that Bellatrix & Voldemort were written to be at least sleeping together. VERY CLEAR. It was AFTER this point that I started being part of the fandom, and way after that I've seen people claiming their relationship ISN'T in the books. To me, this is really surprising, because when I've read the books as an adult, it's quite clear. Once I got into the fandom, I found that there are a huge number of people that agree with this interpretation of the text and find is equally obvious as I do.

However, despite the fact that I've seen a number of claims that they DON'T have any relationship in the books, I don't see people using text evidence to support this interpretation. In my personal opinion, this is probably because this is a very difficult argument to make based on the text. But if you think it can be done, instead of submitting negative anon messages without any text support, why don't you write a meta? If anyone would like to make a post going through all of the things people say are text evidence for Bellatrix/Voldemort and explaining why they're not the case, I would gladly read that out of genuine interest. Or, simply going through all the excerpts on their interpersonal relationship and explaining based on the text what sort of relationship you think they DO have.

I have seen countless people over the years analyze sections of text, lines between different characters, their attitudes toward each other, their various actions, and so on, and explain why this adds up to Bellatrix & Voldemort having some sort of relationship. I have NEVER yet seen someone who DOESN'T believe they had a relationship write a text analysis of their opinion. So I sincerely invite you to go through all the bits of text that Bellamort shippers say are canon evidence and explain why they're not—in individual instances and in total. Explain why = not just 'this is my alternative interpretation without text analysis' but *how you justify this being the case based on the text*. How do you justify ignoring how countless bits of the text can be interpreted all in this one way (Bellamort) and instead interpreting them all different ways? How do you explain what JKR was intending to say about Bellatrix & Voldemort's interpersonal relationship considering all their interactions both on- & off-page? WHY are they written the way they are if they don't have an intimate relationship? Or if you believe they're not written that way, again how can you justify this based on the text? If you need a list of text moments and existing 'Bellamort is canon' metas I can compile one.

I'm curious to see what you come up with, because I've never once seen this done—and because, as I've said, it's not an opinion that I personally believe to be supported by the text. If you can explain why it is supported by the text please do that and I'll consume it in good faith.

[cherlockgomes]

Uncle Rick: Beloved Children's Author Turned Capitalist Sellout

TW: Controversial opinion.

Discussing the show and the new Percy Jackson novel.

Welcome to my rant about the way the PJO universe is going. First of all- the show. Yes, a lot of people (not excluding me) were upset about the casting. I loved the picture I had in my head of Annabeth and Percy, Luke and Grover, etc. However, the arguments made on behalf of the casting- how they look isn't crucial to their story like how Hazel's might be, and how Rick Riordan assured us they were perfect for their roles because they fully embody them, made sense. I realized I was still wrapped up in the 5th-grade mindset that was clinging to the concept of a character that had nothing to do with their essence. Thus, I was convinced to approach the show with an open mind.

After watching all the interviews leading up to the show, I was convinced. These three fully embodied their characters. I could see Percy in Walker's sarcastic wit, Annabeth in Leah's demeanour, and Grover in Aryan's chemistry. My inner child was excited for a book to screen redemption of one of my favourite series.

It had the premise for a great show—a good cast, the author working closely, and what seemed to be a good set design. How miserably it failed. It was so...soulless. There's no other way to put it. It lacked depth and the magic that made the books so special. They rushed through the scenes, not giving the actors enough time to shine. I'd describe it as spreading their light too thin, making everything flat and one-dimensional.

Take the scene where Percy gets claimed, for example. In the books, it was this paramount moment where the entire camp, including people like Clarrise, were forced to bow down to him- showcasing how powerful he was. Even a person like Annabeth, who was supposed to hate any of Poseidon's descendants because of their parental fued had to bow, showing how the Olympian hierarchy forced you to show your respect. It was the moment Luke saw Percy's potential.

Now, in the show, this moment seemed to be brushed past. Yes, it was there, but as I mentioned, it lacked depth. Walker looked tiny when he was meant to tower over them.

This brings me to my other point. Recently, Riordan released a book called Percy Jackson and The Chalice of Gods. It was meant to show Percy, Annabeth and Grover as college students and their lives after the battle. But, like the show, it lacked that magic. Moreover, it felt like the characters were merely half-baked. Yes, their original characteristics were there, but it felt like they hadn't grown. They were meant to be in college, but it felt like they were just entering high school. Certain places felt redundant and average.

I couldn't help but feel disappointed by the show. What was meant to be a redemption felt like a broken promise. Conversely, the book felt like a cash grab playing on our nostalgia, disguised by a fun quest with the original three. It's only a step up from what Disney accomplishes with their live-action remakes. Not to mention, it feels very JK Rowling-coded.

Not cool.

[requiemism]

maybe its just because jinx is bpd (or, at least, HEAVILY coded as such) and i have a mood disorder but i truly cannot help but be bewildered by the lack of understanding and empathy towards her character both in the show and in the fandom. shes essentially a broken, manipulated, desperate child- even if shes "grown" now, shes so severely traumatized i sincerely doubt her brain developed properly and she certainly didnt and doesnt have the help required to become a well adjusted stable individual. i dont say this to take away her agency or infantilize her- her actions ARE her choice, and she DOES understand what she is doing. however, despite this, a majority of what shes done has NEVER been in a moment of rational thinking. she only did what she did as powder due to desperation; she threw the bag in the water because she was cornered, she accidentally caused the deaths she did because she didnt understand the tech she had and she was desperate to save her family. everything she does after as jinx is largely due to silcos manipulation, being severely disordered, traumatized, and abandoned, and literally every single person in her life telling her all shes good for is destruction and causing pain. she spends almost her ENTIRE life being told by EVERYONE but the person actively manipulating her that she is incompetent, annoying, destructive and batshit. OBVIOUSLY SHES NOT GOING TO BE NORMAL. OBVIOUSLY SHES GOING TO LOSE IT WHEN THE O N E PERSON SHE HAS LEFT FUCKING DIES BECAUSE SHE ACCIDENTALLY SHOT HIM DURING A PTSD DRIVEN BREAKDOWN CAUSED BY HER GODDAMN SISTER. O B V I O U S L Y SHES GOING TO DO SOMETHING RASH AND IMPULSIVE IN HER MANIC, BROKEN STATE. because now, she has nothing left. she has nothing to lose. shes a jinx, and she ruins everything that she touches, and maybe, just maybe, she can use that to honor her fathers lifelong goal. obviously this goes horribly and backfires on everyone, putting a target on the entire undercitys back, but she ABSOLUTELY wasnt thinking about that when she bombed the goddamn capitol mid breakdown. in season 2, after making this impulsive (and frankly idiotic but thats neither here nor there) decision she lays low, avoiding causing any damage unless necessary (although it IS overkill whenever she does harm people, thats what shes been taught is normal. she literally grew up in the undercity where people are murdered and mugged on a daily basis.) and using every opportunity to scourge her own existence. she VERY clearly hates herself for what shes done, and she certainly doesnt seem to be proud of any of it. i think this is best displayed in the discussion she has with isha when they first meet. when vi and the enforcer squad come after her, shes literally minding her business, making a GIFT for the woman who has repeatedly hurt her because "it was something (she) could fix." she cant even shoot vi when shes actively gassing her, literally CRYING at the thought. the only reason she actively begins attempting to kill her and caitlyn is because THEY'RE DOING THE SAME DAMN THING, and once again she very clearly cant bring herself to do so to vi. even in s1, during the tea party scene, its pretty evident that she doesnt intend to kill vi in my opinion? to make matters worse, when vi tries to kill HER, she practically BEGS her to do it.

i understand that jinx is objectively NOT a good person!!! she has literally killed tens of maybe hundreds of people and yes, she did kill caitlyns mom (although very honestly i could care less about that ngl caitlyn is absolutely a good character but i dont like her as a person for reasons largely unrelated to jinx 😓). she literally builds bombs and guns and whatever the fuck for fun. she enjoys watching people be beaten and killed. but i think the absolute lack of any empathy or understanding towards her a lot of people exhibit is a little ridiculous and it infuriates me to no end 😭 thank you for coming to my autistic ted talk!!!!

[frau-wilhelm-klink]

Well, I finally got around to doing these! It's a little long – and some of my takes may be unpopular – but these are still my headcanons🤷🏻‍♀️ (Had to make a few minor edits to 'em now that I'm properly awake, though.) So without further ado, buckle up and take a peek under the cut!

The Germans

Schultz:

1) Is definitely not a Nazi! Cases can be made for him being both neutral and pro-Allied, but I like to think of him as neutral. He isn't a man who's into politics or anything like that, he just wants his toy factory back.

2) Low-key thinks of Hogan and his team as additional nephews, so does his best to be somewhat responsible while still being the fun uncle.

3) Has privately asked Hogan off screen to make sure he, his family and Klink aren't blamed and/or arrested for crimes they didn't commit after the war. Schultz doesn't think that would happen...but given everything that went down after World War I with the Treaty of Versailles, he isn't taking any chances.

______

Hochstetter:

1) Is a hardcore, unapologetic Nazi who hates the Geneva Convention's very existence. Only tolerates it because of Klink's insistence that his prisoners be treated humanely, and despite the disrespect he shows the kommandant, Hochstetter is aware he's outranked.

2) Has gotten to the point where he's obsessed about Hogan more than a teenager with a celebrity crush. Like, he's just a legitimate stalker at this point🤣 Hochstetter is determined to prove Hogan is Papa Bear at any cost, if for no other reason then so his superiors will stop assuming he's not mentally all the way there.

3) Is very good at his job, surprisingly enough! Hochstetter makes a damned fine detective when he's not dealing with anything involving - or potentially involving - Stalag 13. Fortunately for the boys, he tends to let his hatred and obsession with Hogan blind him to a lot of things, resulting in him dropping the ball on more than one occasion. (Most notably, the episode with Group Captain Roberts.) Of course, Hogan being able to play him like a fiddle doesn't help Hochstetter's case either.

______

Gertrude Linkmeyer:

1) Knows in her heart of hearts that her husband Otto is probably dead. As Burkhalter once told her, that's usually what 'missing in action' at the Russian Front means. But Gertrude won't ever admit that out loud because as long as she keeps denying it, she can hold on to the fragile hope that he might still be alive. Is still internally grieving for him nonetheless, though.

2) Contrary to popular belief, doesn't actually want a romantic relationship with Klink. She likes him and thinks he's cute, but she's mature enough to know you need more than that to be happy in a relationship. However, Gertrude is going along with her brother's attempts to force the pair into marriage for two reasons.

She can see Klink appears to be somewhat naïve in a few ways, and she wants to protect him from women who would use him...of which there have been a few. As stated above, Gertrude genuinely does like him as a person in his own right, so she figures a platonic marriage of convenience would be the best way to accomplish that goal. (He would also be much safer too - nobody in their right mind is gonna risk Burkhalter raining his wrath down on them because they messed with his sister's husband.) But Klink keep pushing her away because he doesn't realize what she's trying to do. It's very much a 'I'm trying to help you here, dummkopf!' kinda vibe.

Gertrude knows Burkhalter (supposedly) barely tolerates Klink, and it baffles her as to why he would constantly try to shove them together at all in that case. The tension alone would make the holidays a living hell. But she says nothing, choosing to obey his wishes like a dutiful sister should. Gertrude is smart enough to see the grave error in judgment Burkhalter's made for himself; she's just waiting for her brother to figure it out after it's too late so she can have the last laugh.

3) Actively 'wears Burkhalter's rank' (aka uses the 'My brother is a general' card) to get things done if she really wants to. Has also used her relationship with Burkhalter behind the scenes to keep him from sending Klink off to the Front on several occasions for the reasons listed above.

******

The POWs/Allies

Kinch:

1) Is the majority brain cell holder, and therefore the only one who has a hope in hell of stopping Hogan when he gets on a roll.

2) Is on a first-name basis with Hogan in private because the two of them are friends. Nevertheless, Kinch only uses that privilege when he really needs to get Hogan's attention...usually for something critical.

3) Is utterly fascinated by all types of communicative technology. Radios, telephones, TVs...you name it, Kinch is interested in learning more about how it works.

______

LeBeau:

1) Is a mother hen whenever anyone is sick - especially Newkirk and Hogan - because he knows they don't take proper care of themselves. Will deliberately wait until Newkirk is too sick to protest, then shove foods that are extra French down his throat as part of their friendly ongoing French-English rivalry.

2) Is perpetually miffed by Hogan's blatant refusal to let him and Newkirk go on Nazi-killing sprees. Legitimately wonders if Hogan has actually lost his mind on occasion as well.

3) Gets frustrated sometimes because he doesn't understand all the references (such as sayings, terms, etc) to American culture in the barracks. Relies heavily on Kinch (and to an extent, Hogan) to explain them to him.

______

Newkirk:

1) Hates any and all authority figures with a passion, due to having had all of them treat him like dirt because he's poor. Hogan is the one exception to that rule - Newkirk would do anything for his CO if asked. He appreciates how Hogan sees him as a person and values him for his skills, as opposed to his financial status.

2) Will never admit it out loud, but is a serious worrywart, especially when it comes to Carter or LeBeau.

3) Would rather die than ever admit he needs help. Newkirk was raised to believe every bit of help comes with a price, which is why he's extremely hesitant to ever ask for even the smallest thing.

______

Wilson:

1) Dearly wishes Hogan would give him some advance warning whenever the team goes out on missions so he can go to bed earlier. That would be much appreciated, considering he often gets dragged out of bed to patch up one or more of them at all hours of the night. It's one of the reasons he's a grumpy, salty medic. (The other part is because everyone always gives him lip and he's sick of it.) He's trying to help them stay healthy; the least they could do is be grateful!

2) Would absolutely sedate Newkirk and/or Hogan - and in his CO's case, has threatened to do so more than once - if need be. Literally keeps two small containers of makeshift anesthesia he had Carter whip up set aside with Hogan and Newkirk's names on it, just in case.

3) Has zero qualms about taking advantage of the fact that a medic's orders override anyone else's, including Hogan's. Every time the colonel gets sick, the two go through a similar song and dance.

Hogan insists he's "perfectly fine" (even if he sounds like death warmed over) and tries to leave to take care of his men.

Wilson tells him to stay put.

Hogan declines and says he's leaving.

Wilson tells him to stay put again, followed by threatening to have Schultz hold him down on the infirmary bed while he (Wilson) ties him to it.

Hogan indignantly squawks something to the effect of, "You wouldn't dare!"

Wilson - who has an evil little smile by this point - replies, "With all due respect, sir, try me. Either you can willingly stay put until I clear you to leave, or you'll be doing it involuntarily. Medic's orders. So, what's it gonna be, Colonel?"

Hogan reluctantly gives in.

Wilson chalks up another win, all while questioning his life choices and mentally bemoaning the fact he has the world's worst patient for a commanding officer.

______

Crittendon:

1) Isn't as stupid as he appears to be. Didn't buy his rank - that would imply he's not talented enough to earn it on his own, and he would see that as an insult. Even if he had, Crittendon would be hard-pressed to keep it if he was truly that big a screw up. Nepotism only gets you so far. Plays the fool on purpose so people will let their guard down around him, thereby enabling him to make multiple escape attempts. Unfortunately, he's pretty lousy at escapes, so he always gets recaptured.

2) Genuinely means well, but still manages to mess things up. Part of it is because he's too into his role of the idiot officer; the other part of it is being easily distracted. Has deliberately interfered with Hogan's plans more than once as well. Crittendon is a veteran of WWI, so he feels he's the only one of the POWs who knows how to fight a war properly. He sees it as his duty to educate them how things should be done.

3) Was still mentally stuck in WWI the first time he was captured. At some point between his transfer out of Stalag 13 and his next appearance there, Crittendon realized the Nazis have no honor, and that the rules of WWI have all but been chucked out the window. This explains why he did a 180° shift in attitude regarding Hogan's operation. Went from a 'Oh dear, you poor, misguided Yank...you really have no clue how to fight a war properly, do you? Let me teach you how the game is played' vibe to a 'Right, Jerry may not have any honor now, but I still know better than you, old boy. More war experience and all that, wot wot?' one.

______

Marya:

1) Is, essentially, the female version of Hogan. She's just as smart as he is. But in a era where a woman's opinion holds less weight, she has to get creative with her scheming. Plus, Marya likes keeping Hogan on his toes. Not only does it ensure her wits stay sharp, it gives her great joy to frustrate him to no end solely for the entertainment value.

2) Also enjoys making over-complicated plans, same as Hogan does. Sure, she could level with him about what she wants to do from the start, but where's the fun in that?😂 She wouldn't tell him everything anyway; she's smart enough to know you should never put all your eggs in one basket. Marya is well aware Hogan is a great leader, but she also knows firsthand from life in the USSR that even the strongest leaders can fall, and she doesn't want to be caught in the backlash if that happens.

3) Is hardcore crushing on Hogan. (Can't blame her for that; he is very handsome.) Tries to let him know - and thereby enable him to make the first move - by flirting with him constantly. When that doesn't work, Marya begins doing the same thing with LeBeau, trying to make Hogan jealous enough to kiss her and mark her as his woman...which eventually works. Persistence for the win!

The rest of my headcanons about Schultz and Newkirk can be found on this document, along with my ones of Klink, Burkhalter, Hogan and Carter.

Also, if anyone is interested, I did write out Klink’s experiences in both wars. It's told via flashback, however, which is why it abruptly jumps from World War I to World War II.

What are your top 3 headcanons for Hogan's Heroes in general?

What are your top 3 headcanons for each character?

[jadienjaystoriesandart]

Reminding people that the reason Grian’s POV didn’t show him being mean to Jimmy is that every character is an Unreliable Narrator.

They project themselves as something else.

For instance Scar likes to show his ‘audience’ that he is jsut a silly guy who is doing silly deals.

But watch him from say Ren’s POV and Scar is unhinged and always causing problems. And low key terrifying.

Grian’s character likes to show himself as a daring person who has a stubborn need to uphold his ends of bargains. Like he’s a good guy.

But watch Jimmy’s POV or Scott’s POV and you get to see Grian do some deplorable things for a win. To even him being kind of mean to characters to stir up drama.

Each character has a persona they put on when you are Watching Them.

But see them through the eyes of another and you get a diffident face all together.

[iraprince]

Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow

hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.

like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.

anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better

[good-beanswrites]

A little something featuring Fuuta and Es after talking about their criminal lack of interaction in fanworks with @waivyjellyfish ! You had such awesome ideas (a few of which I'm still bouncing around in my head to post at some point,) but this one ended up taking over my brain -- I hope you enjoy 😅 Attempting to answer the widely-debated question:

“Oi, why didn’t you hit me?”

Es looked up from their paperwork.

“Prisoner number three. Most people are glad when they’re not struck.”

“Well, I’m not.” 

Es usually left the door open at this hour, in case anyone had any last-minute complaints before curfew. No one usually took them up on the offer. They figured that if there was any prisoner they could count on to complain, it would be Fuuta marching through their door.

“You hit all the other guys. You even hit some of the girls that were giving you trouble. So what? You think I’m too weak? You think I can’t take it?” Fuuta spread his arms. “I can, so show me what you’ve got!”

Es sighed. They put down their pen. They folded their gloved hands together, resting their chin on top. “Fuuta, I’m not going to hit you.”

“Why not?”

“As of right now, I have no reason to. If you’re referring to the interrogations…”

They reflected on the first one they'd shared with him. To be fair, the thought had crossed their mind. It would have been satisfying to give this rowdy prisoner a taste of his own medicine – striking him after such a dramatic charge at them. But Es was always good at reading people. It didn’t take them long to understand Fuuta was the type to lash out first and ask questions later. In fact, that was likely what had landed him in Milgram in the first place. 

Although Es knew they weren’t here to do any reformation, they wanted to try to show these prisoners where they’d gone wrong. So, they resolved to act as the bigger person. They’d prove that senseless violence was just that. By keeping their composure, they’d show Fuuta just how childish he was being. 

That wasn’t my only reason. I guess that's true, my actions weren’t all purely righteous. I still spent the entire time looking for ways to make him squirm… But it wasn’t all cruelty. I really did want to understand. I wanted to help. That counts for something, right?

Es never struck the prisoners out of anger, or as a petty show of power. It was a way to force the prisoner to mind their ego. When they’d gotten a bit too full of themselves, a bit too comfortable with the awful deed they’d committed, Es’ blow encouraged them to feel a bit more humility and guilt. 

By the time the second trial arrived, Fuuta oozed guilt. 

The moment Es entered the interrogation room, it was clear that he needed no lesson in humility. He hugged his arms to his chest. His remaining eye darted around the room in thinly-veiled hysteria. His voice trembled when he spoke. It didn’t require any people-reading skills to hear the remorse that underlaid all of his accusations and threats.

Hitting the others felt like giving a dog a tap on the nose after breaking a rule. Meanwhile, Fuuta snapped and snarled like a stray who’d been kicked time and time again.

Of course, he could never know any of this. Any way Es phrased it, Fuuta would misunderstand it as pity.

Well, wasn’t it? I thought he looked like a kicked puppy – that sounds a lot like pity. No, it was out of respect. Does that mean I didn’t respect the prisoners I did hit? No. I respected them too. Then, what’s the difference?

Fuuta was still staring at them, asking the very same question. What’s the difference?

“Each of Milgram’s prisoners is unique.” 

They were met with an unimpressed glare.

Es chose their words carefully. “Each one responds best to a variety of treatments. Some need attention to be comfortable, while others need time. Some need validation in order to confess. Others, a bit of debate does the trick. Some need a show of force. You –” remind me too much of myself  “– require something else. I’ve learned to change my approach depending on the person I’m dealing with.”

Fuuta’s features flashed with confusion, then shame, then his usual mask of anger. “Tch. How pathetic.”

“Excuse me?”

“So you just change your personality when it’s convenient? You put up fake smiles and fake attitude? Have some balls and just be yourself.”

Es was caught by surprise. “... I am. Those are all pieces of myself. I choose to bring out different parts when it would be most helpful.” 

“Sounds manipulative as hell to me.” 

It makes sense he doesn’t understand. He’s a very clear-cut person, with every aspect of his personality lining up in a way that makes sense. I find that predictability fun. Or, is it something that I envy? Could it be both?

They had no time to dwell on it, as Fuuta was struck with an idea. “Though, if you can do it on command, why don’t you give me the ‘you’ that wants to hit someone?” 

He spread his arms once more, hands gesturing to his chest. Es pretended not to notice him wince. They remained in their seat. 

“What are you waiting for? Hit me!” 

“I will not.”

“You just said you can change your personality on a whim, so let’s see it!” 

“That is not what I said.”

His good eye began to look frenzied. He raised his voice. “You scared? The big bad warden of Milgram, nothing but a big coward!”

“Stop this. You’re acting childish.”

“No! You’re treating me childishly! Let me see the Es that kicked Shidou! The one that slapped Kazui! Treat me like you treated them!”

“I hit them because they said something stupid. They deserved it.”

“Are you fucking kidding? I deserve it too! I deserve it! Come on!”

At the last word, his voice broke. He stumbled to his knees. He let his head drop. He sucked in strained breath after strained breath. Shidou would surely give him a lecture about getting so worked up with his injuries. 

Es finally stood.

They made their way around the desk. They knelt on the floor in front of him. 

“Why?” he wheezed. “Tell me…”

“Fuuta.” 

Should I just go ahead and do it, just to make him happy? No, I want to talk it out. But what do even I say? I'll tell him that I care. I can’t. None of the prisoners understand that I care. Why? Why is it so hard for them to see? I’m trying my best, why can’t they see? 

Es extended their hand carefully. They didn’t know what they hoped to accomplish, but in that moment their thoughts were too loud and conflicting. They needed to do something.

Fuuta saw the gentle intention, and immediately raised his own hand to strike. It froze midair, though whether it was from Milgram’s restrictions or his own hesitation, Es would never know.

Neither of their gestures connected.

Footsteps. Then Yuno’s voice, hesitantly from the doorway. “We heard shouting, is everything alright in here?”

Es retracted their hand.  A beat. Fuuta dropped his, too. 

“Yuno. Yes, we’re fine. Fuuta was just heading to bed. I’m going to walk him to his cell.”

“I can handle myself.”

“I said, I’m going to walk him to his cell.” 

Es stood, nodding to Yuno. When she’d gone, they turned their attention back to the prisoner crumpled on the ground. They made an effort to quiet their ever-racing thoughts. 

“Listen. I know you can handle yourself. I’m not doing this because I think you’re weak. You’re strong. Don’t think for a moment that I don’t see that.”

They held out their arm to help him up. He didn’t move.

“Sometimes you are a bit too strong, if you ask me. I mean, picking fights with your prison warden, really?” They clicked their tongue. “You should be grateful for a superior that gives you second chances.”

At last, Fuuta  took their hand. He avoided meeting their eyes, but his voice had softened considerably from his rant. “The only thing you give me is a headache.”

Es offered a dry smile as they pulled him to his feet. “The feeling is mutual.”

[starlooove]

No bc fuck tim but it really really bothers me how people ignore his growth like he used to be an asshole and I’ll give tim Stans one thing: now he’s so so so stale but what I disagree with is that this staleness is bc nobody likes him like it’s in fact the exact opposite where everyone likes him so much they dont want to do anything. Even when it’s him surface level challenging Bruce it’s when everyone else is doing it too; but he’s still the backbone of the fam! Etc. and it’s so irritating bc him gaining more compassion and empathy even for people he doesn’t fw is so fun to watch and that’s why the captain boomerang thing was so out of character! (Not in a from the author way but in a tim wouldn’t do that and he and Bruce both knew it which is why it went down like it did. Same way dick killing joker was ooc; not in fanon sense but in a he would hate himself forever for this sense) and speaking of that it’s such an interesting mirror to Bruce who genuinely believes that everyone can grow vs Tim’s it doesn’t matter if they grow it’s not my decision to make like it’s the same but it’s not AND WITH CASS’ IT DOESNT MATTER IF THEY CHOOSE NOT TO GROW I WONT DO IT! like ugh. And anyways even when people acknowledge it they boil it down to “Janet and Jack taught him that the capitalist pigs that they are” like no. This is who tim was. Tim was the kind of guy who’d blame a dead kid for dying. That’s ok. Also Janet and Jack? Please reread anything involving them that’s not a fic like Jack had anger issues and they were both aloof at worst like relax.

[sonknuxadow]

my feelings on sonic boom (the show to be specific, im not really familiar with the games. #fakefanalert) are so complicated these days like there are things i like about sonic boom. i wouldnt revisit it every time i cant find anything else to watch if i hated it . but sometimes the characterizations in boom really bother me . like i dont think their personalities being a bit different is an inherently bad thing i understand its an alternate universe where the characters have been living completely different lives, and its also a comedy show so things are often gonna be exaggerated for the joke. but i hate how some of these characterizations that do not work well for the mainline characters impact peoples view of those versions of the characters anyway and sometimes even bleed into the games themselves

basically every time i see someone call knuckles a himbo or amy a girlboss mom friend i look at sonic boom and go THIS IS YOUR FAULT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[im-still-a-robot]

Terrible opinions in the vc tonight 😔

[pinkopalina]

I love excusing any and all of batmans behavior by saying "no he doesn't really mean that he's just playing the long game to manipulate you for your own good because if you knew how he really felt then he would have to navigate a path that would be even more painful but actually he thrives on pain because he thinks he deserves it because nothing makes sense unless he deserves it and so when he makes sure he can stay in his role as batman by sabotaging everything around him it's not actually sabotage because he's doing the correct and right thing in his mind by causing just enough pain to be able to fix it and keep the cycle of pain and healing going"

[heatmiiiiser]

Ggrrr I wish disenchantment was better. I binged it all because I'm sick somebody talk to me about this.

[totaleclipse573]

Thought about Starleon for too long LET ME OUT

[jakowskis]

if i ever finish my one 5 times fic about owen in dresses its OVAH

[pa-pa-plasma]

I feel like too many people don't understand that a bad person having normal human traits does not suddenly make them a good person