#THEY MAKE ME INSANE FOR NO GOOD REASON

[totaleclipse573]

Thought about Starleon for too long LET ME OUT

[hinamie]

quick itfs sketch page

[trauma-bot]

sin eater

[goldkirk]

I get that everyone wants TikTok back but do we understand how bad it is that it’s happening the way it’s happening. Like we do understand how much of a horrifically choreographed process this is to boost and benefit Trump right. Can we all take a second to pause and go “hey wow something’s been getting fucked up and fishy for days now with Trump being turned into the hero about this even by the TikTok company themselves all of a sudden”?? (more chatter in the tags re tech companies and authoritarian autocrats)

[heynhay]

you're my number one, you're the one i want

[recent-rose]

yknowwww there is something... deeply uncomfortable about the way mel never speaks directly to viktor in the 'build hextech weapons' scene. she really only speaks to jayce. plenty of people have pointed this out already but like the one scene they actually share a meaningful interaction and she treats him like he's beneath her. all this after jayce has emphasized how important viktor is, that hextech is theirs, together. she unequivocally ices him out, there's no other way to interpret this scene. the way it's shot too - from viktor's perspective, looking up at her, as though to reinforce the same belief in him. like he doesn't even bother expecting respect from her - or anyone from the upper echelon of piltover. he's fully accustomed to being dehumanized by everyone around him at this point. sometimes even by jayce, despite the trust they clearly have in each other.

then of course after this scene is viktor experimenting on himself. it's pretty clear that he has internalized his own dehumanization. crazy.

[boarloved-art]

ig ooomfie said i should draw xuanli and i kinda went crazy abt them whoopsydoodle

[vynnyal]

Making content for all 5 tcf fans out there

Bonus:

[falindankovsky]

Can you tell this game has taken over all my thoughts?

[keirientez]

aug - early sep log

[dukeofthomas]

I love goofy jason

there needs to be more jason talkin like a gen z and having a board w red string for his plans and photoshopping joker into various death scenarios. i need jason to have a batman plushie he tortures to cope w his rage. tim breaks into his house and opens the closet door just to discover like 100 pictures of robin with indechiperable rambles on them and random stickers everywhere.

he should have a poster of black mask with a badly drawn on moustache and top hat on his wall. do you get me??

[notbecauseofvictories]

I'm still thinking about it, so---if you're a local, I highly encourage Rough House Theater's "House of the Exquisite Corpse". It's lovely, arresting, from the performances down to the smallest touches. I still can't get over the ripped umbrellas hanging upside down in dreamlike suspension from the ceiling; the way each "station" is wrapped in plywood and decorated in its own meaningful pattern and design.

But first, let me step back. "House of the Exquisite Corpse" takes its name from the old Surrealist parlor game, at the heart of which is the idea that you can collect a disparate group, then smash their ideas together and create something from the smithereens. This is something like what Rough House has done, which is pick a theme ("Superstition") and then let the artistic groups loose to create short scenes built around that theme.

(I want to call them tableaux, because watching the performances I was struck by how it felt like something out of time---as though we were 17th century courtiers in Paris ushered into a candlelit ballroom, or early 20th century farmers in Minnesota, paying our penny to see what the circus brought to town.)

The set-up itself does a wonderful job ushering you into a time-outside-of-time---you step into a space divided from the rest of the space by black sheets, chunky headsets dangling from wooden ladders suspended just over your head. The emcee is carrying a clipboard and speaks into an old-school broadcasting mic---which you can only hear if you're wearing the headsets.

It is, you'll discover, the central conceit of the performance. From there, you're directed from station to station by silent ushers, carrying flashlights so they can point you forward. Unless you are wearing the headphones at each station, you can only listen to the absent, ambient music echoing around the room.

Not only are the stations set up to wrap you in a specific soundscape, but they play with your vision too---most stations have you peer through holes or cracks in the wall, though one station had us line up in front of mirrors and watch the reflection of the performance, while another station placed shards of glass at every peephole, so you watched the scene and the character's experience of the scene in a strange double-vision. A couple of the stations used tricks of the light---strobe effects that made the puppets' movements seem even more uncanny or imply violence; a haze of smoke or fabric to disguise the human "prowling" in the puppet-shape of a tiger.

(I always like when I can tell an artist is reacting to something I've seen before, and the Rousseau "The Dream" vibes in that scene were exquisite.)

I will say that “A White Bird in the House is an Omen of Death” was my favorite, not in the least because it featured a whole choreographed song (feat. a lovely articulated owl puppet, plus some very effective shadowplay work). However, “Through the Looking Glass” was beautifully up my alley, from the unique staging---this was the station where you watched the performance in a mirror---to the creative puppetry, and a meditation on loveliness that had some bite to it. “Broken Mirror” was more traditional in its puppet work, but it also had the most elaborate staging, a fully-realized world in miniature.

I keep going back to how enormously creative so many of these artists were, in ways I simply can't ignore. “Step on a Crack” didn't necessarily work for me, but I can't stop thinking about it---its trippy setup, the inhuman knit masks the creator used; the spines dangling, neon-colored, from the nearest tree as the protagonist recited lines about loving his mother with increasing, feverish and horrible energy. The glimpses I got during “An ill fate befalls those who pluck from fruit in their dreams” of the puppeteer's face---how she shut her eyes and turned away, as though she too was affected by the puppet's horror.

[sallymew4]

kids when they hear that their dad is back in town VS. kids when theyre hanging out with a conman that accidentally stole their wallet once

im not even joking btw

bonus heres me being crazy about them in dms ^^^

[mochinomnoms]

I come with dumb thought: Twisted Wonderland has animals that are extinct or close to extinct in MC's world. If MC is a biology or nature nerd I can see them freaking out and crying tears of joy to know these animals or any other organism is alive in twst.

Also, do you know if zoos exist in twst? And if they do is it like... there's an event in obey me I may be remembering wrong but there was a popular aquarium but all the first were like... I think this was a vacation spot for them or a job I don't remember fully but they had a home they'd return to after a while. I imagine zoos in twst may be like that? Now I'm just imaging an animal getting paid in cash like a wolf or something and taking it to a store to but meat.

This calls in the question about how sentient animals are in TWST and the morality of keeping sentient creature in things like zoos and aquariums.

The main purpose of zoos and aquariums are conservation and rehabilitation, with the added bonus of education for the public. They are also valuable for researching the behaviors and habits of animals that might not be safe to do so in the wild. But like, our animals obviously aren't sentient to the level they are in TWST. Like dolphins and ravens are some of the most intelligent animals, able to use tools to a certain extent, from what I'm aware their interactions with us are the equivalent of interacting with a child. They also don't have senses of morality, and we can't really apply human morality to animals because they're animals and they only truly respond to their instincts and environment.

Like, animals in TWST have to have some level of sentience but is it equivalent to a child? Like, Lucius has some sentience, he asks Ruggie to get him tuna knowing that Trein doesn't let him have any, but is he able to really process why? Also, he's a familiar, so does that mean he's more sentient? Grim is also considered Yuu's familiar, but even with him being able to speak and use magic, he's still regarded the same way you would a child, and we wouldn't consider it ethical to keep him in a zoo.

There's also the fact that the King of Beasts and Simba's pride in Sunset Savana are regarded the same way you would a beastman, but does that mean that those animals that had just the right about of sentience developed into beastmen? The way they're discussedd, they're on the same level as like a god or hero from a myth or religious text (or as religious you can get in twst). This question is incredibly distressing to me and I don't know why it is each time it comes up.

Anyways, to answer your question, I think that there are some animals that are extinct here that are there. The wooly rhino, spix's macaw, and pinta giant tortoise are a few that I can think of that might exist in TWST. To be frank, the reason most of them are extinct are because of climate change, overhunting, deforestation and urbanization, but those issues haven't really come up in TWST I believe? Maybe those aren't issues in TWST? Magic probably negates the need for a lot of our industrialization, so I would say that there are for sure animals that are extinct in our world that still exists in TWST.

Anyways, pls no questions about animals and zoo in twst for a while it distresses me for some reason...

[skitskatdacat63]

"The body and face of this sculpture are in idealized youth, with plump cheeks and round face, and his hair is usually unkempt..his youthful appearance, large eyes, pouting lips, and layered locks of hair over his forehead are some of the iconography that can be used to identify him"

^ this quote is genuinely still fucking plaguing me. THIS IS LITERALLY SEB???? LIKE LITERALLY 2010 SEB SPECIFICALLY????? It is actually fucking me up how it is literally quintessentially Seb. Like big eyes...plump cheeks and round face...unkempt hair...pouty lips...okay okay okay!!!! And that Antinous is basically the peak perfection of pretty boy from that time, I'm like, yeah that's Seb to me 🥹🥹🤧🤧

But god the "youthful appearance, big eyes, pouting lips, and layered locks of hair over his forehead" Does that quote not evoke pictures like these in your head???????

I feel so unwell about it 😭😭 I am going through it 😭😭