#I had never seen this so

[ineed-to-sleep]

Collection of bg3 sketches I've been nibbling at over the month. teehee

[bliss-in-the-void]

Satoru’s eyes literally any other time in the anime:

bright, shiny, controlled

Satoru’s eyes the moment Suguru was leaving:

dark, dull, panicked

[inkskinned]

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

[knifknightkorner]

Jazz's parents have gotten worse, their passion has turned into an obsession. Her parents don't even know that they are hunting their son every day. Jazz makes a tough call and rings up her uncle-in-law whom she has not had contact with in years.

Commissioner Gordon was not expecting to get a phone call at three in the morning; especially not from an estranged niece that he had seen a handful of times. The last time he seen that side of the family was before his wife had died.

Now he's driving halfway across the country with a confused daughter to meet up with the said estranged family.

[shushmal]

tw: for implied past emotional abuse, im in my feels today

"What the fuck were you thinking?" Hopper growls. He's not quite shouting, but he's still loud, raised voice echoing through the living room. "She's not ready to drive yet, I forbade it, and what? You two decided that you knew better?"

Eddie rolls his eyes, but gamely keeps quiet. He knows Hopper's less upset with Ellie taking a spin through the parking lot and more upset about the property damage. Eddie's on her side though, that phone pole came out of nowhere. Must have been pretty rotted out too, to fall over that easily after a little love tap.

Ellie had done a damn good job fixing the huge dent in the bumper.

But if Hopper wants to be dramatic and chew everyone involved out, Eddie's not going to stop him. Whatever gets the guy's blood pressure back down.

"You're supposed to be responsible adults! Especially you, Steve!"

Rolling his eyes again, Eddie glances over, hoping to share a commiserating look with Steve.

Except Steve isn't looking anywhere but down, shoulders and spine ruler straight. Eddie stalls there, stuck on the way Steve's standing, tense from jaw down to his ankles, his hands balled into tight fists flat at his side, knuckles white. Hopper keeps ranting, pacing a wide circle in front of them, but Steve doesn't flinch, doesn't look up, doesn't react. It's like all the color has washed from him.

"Are you even listening?!"

"Yes, sir," Steve says tightly. He doesn't look up. Hopper keeps going.

Eddie watches as Steve's throat works to swallow, like he's choking. Like he can't breathe.

"Hopper," Eddie snaps. "Shut the fuck up."

Hopper whirls on him, livid, but Eddie's not looking at him, fixed on Steve as he reaches out. Tries to take Steve's hand, just holds his wrist when Steve can't unclench his fist, gentle as he touches him. Steve is tightly wound and trembling under his fingers.

When he looks, Eddie finds Hopper with deep regret on his face, struck silent. He doesn't say anything when Eddie leads Steve away, back out onto the porch. They sit on the swing, Eddie's arm around Steve's shoulders, rocking back and forth until the muscles loosen and Steve slumps, strings cut, into Eddie's side. They'll sit like that for a while more, watching the woods as the sun sets and listening to the dusk settle, crickets and cicadas and chats calling the moon up, filling their silence with nighttime music.

Later, Hopper will come out, temper cooled, and sit on Steve's other side. Will ruffle Steve's hair when Steve starts to stiffen. Will apologize when Steve eyes him warily.

Later, Eddie will scowl and glare, but ultimately keep quiet, unwilling to make the whole thing worse for Steve, another fight, another shouting match. Will stiltedly tell Hopper good night and take Steve home, wait patiently until Steve finally speaks, when he finally tells Eddie a little more and a little more, until Eddie's holding him tight.

That's later though. For now, he digs his heel into the porch, rocking them back and forth, and waits for Steve to breathe.

[nipuni]

THE DOCTOR We had a pact, him and me. Every star in the universe, we were going to see them all.

My version of The Master and The Doctor in their Academy days 😊

A speedpaint video of this will be available at my Patreon on april 1st!

[mobius-m-mobius]

Lokius in Loki 2x01 - "Ouroboros"

[spielzeugkaiser]

How it started-

How it's going!! They are a family and I am!!! also draw the hug you want to see in the show but they are forgiven because them meeting in brokilon was still soooo tender my HEART-

[eatingsomegreeneggos]

My uh- My hand slipped 🌟

[slushglow]

where are my edward elric fans in the crowd tonight

[slavhew]

charmed, i'm sure

[ruporas]

opla inspired!

[killjoy-prince]

House M.D. but it's when Wilson says House's name

[priceofreedom]

Of course, he was just playing along for a dumb kid. And once I realized that, I was pissed. I couldn't stop thinkin' about him. I swore to myself that one day I'd blast that jerk for real! Did some hardcore training so I could give him a beatdown. But eventually, it dawned on me: he was just being nice. Like, he was a really nice guy! And the more I thought about it, the more I realized -wow- I liked him. FF7 Rebirth 5 / ?

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[forecast0ctopus]

i get it now these guys are cool