class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)
On average, what is the total MONTHLY amount that you spend on dining out*?
*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)
*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)
(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )
(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)
Can't stop thinking of the scenario where y/n leaves the Pizzaplex feeling like Sun honestly wanted them gone, and Sun becomes obsessed with finding them and also leads a robot apocalypse. What would happen if y/n caught wind that Sun is looking specifically for them and seeing all that has happened with the robots takes that as "Oh no, I thought he tolerated me but turns out he dislikes me so much he personally wants to get rid of me himself" so they try extra hard to go into hiding out of fear of what will happen if they're captured and taken to him?
ohhh my goddd nonnie u are so big brained!!!!!!! thank u for sending this in bc honestly i have also been thinking about this au for a while LMAO. if i was strong enough i would write a 50k fic spliced into two arcs (im thinking about it so hard u have no idea!!!!!!) for this but alas.... /stares at my incomplete wips/ i am not </3
(added in from future shay: what have u done nonnie this became so much longer than i'd intended, u basically get the whole fic outline here. cw for death and murder n stuff, typical fnaf. also spoilers for a fic i may or may not write?? like. this is me brainstorming and shoving all my ideas here lol. literally all of them)
okay so... let us set the stage a little bc i can't help myself. arc1 of this hypothetical fic would of course involve the pizzaplex where reader and sun get "closer" over the course of like a year. maybe more. well sun feels close to you. you, on the other hand, do not. why would you? this robot has been so passive aggressive with you and though it seems like he's nice enough to you (in comparison to the other humans), you really don't like how he treats you some days. what he says about humanity as a whole. you can't help it! yeah humanity sucks sometimes and robots were built to be everything that humans aren't, but he can't generalize in the way that he does at times and forget that these are people!! with feelings and ambitions and dreams! 'superiority complex' doesn't even begin to cover his issues, gahh!!
(the fact that he's been treated like absolute shit, working in the daycare does not help whatsoever. the mean parents, the kids who don't listen to him, the staff tht does the bare minimum on him in terms of maintenance because he's the daycare robot and not one of the glamrocks. it grinds his gears)
i imagine the reader in this fic believes that robots are indeed sentient, which is why you try to get sun to recognize and acknowledge his own emotions/feelings (which he vehemently denies, even tho there are literal riots happening worldwide regarding robot sentience. he's lying to you. you know he's lying to you. but you don't know why he denies it so much. ((maybe this is the point where he catches feels for reader and is denying the fact tht he's crushing on a human lol)). the government is not happy about these uprisings, of course, and every day the news shows more and more chaos unfolding as robots get tired of the conditions they are in). but eventually, things boil over and you end up leaving. that, and it's becoming more dangerous, living in this area, with everything going on. maybe your parents are trying to convince you to move elsewhere. maybe there are other external circumstances. in any case, you leave. there is nothing at the pizzaplex for you anymore, sun has made that clear.
(and moon... well, moon has been quiet lately. too quiet. you don't know what happened to him, he won't even look at you when you manage to get some time with him when the lights go out after your shift)
((i imagine this is maybe around when they get infected. that makes everything even more complicated. if you thought sun was obsessive before, then that's nothing compared to a glitched out sun unforch. it just amplifies the more questionable aspects of his entire personality. and like, he doesn't even have vanny/afton commanding him bc as soon as he gets the virus? he kills both of them))
(((also im imagining moon and sun don't really get along in this au bc they have differing ideals/views. like to balance out sun's unhingedness, moon is significantly quieter and softer and deffo does not believe in robot superiority lol. if anything, maybe he has an inferiority complex pfft poor guy. doesn't help when he gets glitchtrap'd and wakes up with blood on his hands)))
okay so you leave, right? and a few weeks later, you see the news on your phone--the pizzaplex has burned down. you don't know how to feel about it. sure you've been friendly to the glamrocks and stuff, but you find yourself thinking about sun and moon. there's a mention of one death--a blond woman, who died from her neck snapping before the flames could reach her. you don't want to think of the implications of that. there's no mention of the glamrocks--of sun or moon or the dj. you're not sure if the news anchors are just excluding robots, but either way, it makes your heart sink. you take a moment to mourn. bc at the end of the day.... you did know sun for over a year.
not even a few days after that, there is a robot uprising in your city. it's... bad. you're at home, watching the news with your apartment half in shambles from your plan on moving back home with your parents. in my head, since utah is home to fazco (a megacorporation with hands in the development of a LOT of the robots seen in society), it also means it's a hotspot for robot riots and the like. fazco vehemently denies robot sentience because it would mean a loss of money in acknowledging their workers are people yk how it is. as such, there are maany protests and riots and stuff, from both humans and robots. it's a shitshow.
ANYWAYS you're at home and it becomes evidently clear that you need to get out of dodge as soon as you can. they were killing people. the robots, built by human hands, were killing. it brings about absolute chaos. in prior riots/protests there were never deaths. injuries, maybe, but never deaths. people start evacuating like crazy.
you catch a glimpse on the news that the violent uprising in utah caused a chainlink reaction to extend all across the nation. maybe even the world. you're scrambling all over your apartment with the tv on the news, doing your best to pack up the essentials. there's live coverage on the tv from a helicopter somewhere not far from your apartment complex. and you're able to catch a glimpse of bright rays and a cheshire, white smile on the screen--leading what looks like an army of robots--before it cuts out.
you don't even know what to think. the image is seared into your eyes, the blood that painted yellow hands and a crescent face.
you get the hell out of your apartment and book it as far as you can. communications are down everywhere--the thing about robots? they know exactly where to hit humans to cause a catastrophe. as such, your phone is useless. they've hijacked the satellites and took down certain powergrids. having a phone on you would only be a detriment, so you ditch it. there's only you now. you must survive.
and then there's a bit of a time skip to start arc2. in this duration, you're long gone from that city in utah, living with a small survival group. if you've read my summer camp au fic, this is where i'll bring in "OCs" such as vincent (a play on 2015 vincent) and jeremy (fitzgerald or the VR guy tht used to work for fazco), maybe michael if i really wanna au fudge everything. you all live day by day, trying to run away from the robots.
at this point, a majority of humanity has either been killed or has gone into hiding. i think while the robots don't want to eradicate humanity completely (after all, there are certain tasks that need humans n such), they definitely want to make them a minority. they are a little more than halfway through their goal.
it's very difficult to evade robot surveillance. there are drones everywhere. all cameras are hijacked. i'm imagining a kind of cyberpunk type world. you have EMPs and tasers that you can use to disable electronics, but they're made from scraps you and your group scavenged. and upon immediately using one, all robots in the area are informed of your presence, so they can only be used in rare and desperate circumstances. they are all connected to the same network, which means they can have a hive mind, at times. life is scary, in this regard. big brother is watching.
you've heard rumors of a human base underground somewhere--a place safe from robots with the proper defenses. accepting to any and all. the only tough thing was finding the damn place, but you've seen the clues in graffiti and hidden messages designed to trick AI (think: captcha). you and your group just wants to get to that damn base and stop living in fear all the time, being out in the open or crawling as stealthily as you can through empty streets.
the one thing sun used to emphasize to you? the way robots are more efficient. and that they are. you see it in the way a new metropolis shines like a beacon on the horizon. they've already built their own kingdom of sorts. and their ruler? you grimace as you think about sharp rays and wide, white eyes. you haven't seen him in ages--not since that initial broadcast. but you hear the whispered rumors and news. how he has created a robot haven--the celestial city. how he scorns humans. you blame yourself sometimes. maybe if you had stayed and tried harder to convince sun that humans aren't all too bad, none of this would have happened.
(a memory comes to you--of your time back at the pizzaplex. of you sitting atop the security desk and kicking your feet lightly as you entertain sun's... uniqueness. ambitions--that you did not take as seriously as you should have.
"okay, i'll bite," you said in amusement. "what would a robot takeover look like for you?"
sun cocked his head, hands fidgeting with a plush. "hmm. well. i suppose it would be a very quick thing, for one. hit hard and fast." he squeezed the plush. "take down comms. strike power sources. go for those in power first, then the weaker ones." he gave you a shrug and an unreadable smile. "from then on, carnage."
and you--silly silly you--just rolled your damn eyes at him like he was joking around with you and asked him about more hypotheticals. picking his brain, in a way. it was exact with how it played out in real time. you thought about this often, at the dead of night.
it was all your fucking fault)
and then, one day, the scout/informant of your little group--jeremy probably--comes back with some news. the celestial ruler--sun--has been taking human hostages. it's been happening for a while now, apparently, almost nearly as long as the uprising. jeremy pulls out some hazy photographs he's gotten from some of the other humans he exchanges info with. you look at them, the hostages.
after a minute or two of staring, you realize something.
they all sort of resemble you.
there's a clear pattern actually. your hair or your face shape or your eyes or your smile. some combination of them. but never actually you. you ask jeremy what it all means, and he hesitatingly says that it looks like sun is looking for someone. it's clear to everyone who it is as they all stare at you.
and you? you're panicking.
he's looking specifically for you. just you. you've never heard of the robots taking hostages, and you have no idea what he's doing with them, but it can't be anything good. especially since he keeps taking more and more of your lookalikes hostage. you think back to your time at the pizzaplex--so distant, now, that it almost feels like a dream.
he wants to kill you himself. you're sure of it.
now you're trying even harder to get to that underground base. you go completely dark, doing your best to evade detection--and i imagine there are quite a few close calls, definitely a few instances where your face is captured on camera or you have to use an EMP. until finally, you and your group manage to integrate into the underground human base.
'base' doesn't even properly describe it. it's a whole city, actually, with unsteady houses made of wood and cloth. it's the perfect place to hide.
you spend a while down there, occasionally venturing up when you're allowed to by the guards (it's rare, very very rare). the city has strict rules that must be followed to ensure it's not found. the ones in charge are constantly looking for news on the actions of sun and the majority of robots. they don't really keep the citizens updated--it would cause too much chaos, you think. but you hear whispers now and then. (the robots have expanded territory. france is completely gone. australia's still holding out. most of china and india have been taken over and their factories have all been transformed to mass produce more robots)
for the first time in a while, you think you can find peace down here. it was only inevitable that this would be ruined one day.
you wake up to chaos.
the underground is under siege. the robots have found you.
you run out of your makeshift house and have to dodge crumbling stone. explosions rock through the air, sending dust and debris everywhere. you're scared for your life--your only instinct is to run run run get out it's not safe! you don't know where your friends are. you don't know if they're alive. for a moment, you hesitate. and then you're bolting to try to find them. they had their own little homes not too far from you. you can find them. no man left behind.
you can hear bullets and the hum of energy everywhere. people are screaming and crying all around you. you see people dying before your eyes, impaled by beams of light or stray bullets. it's all you can do to dodge and weave towards vincent's house.
but before you can get there, something tackles you from behind. you roll across dirt, and find yourself pinned under a robot--a staffbot from the pizzaplex, you realize. except it looks--different. more high tech.
it seems to scan your face. and just before it can finish, you manage to grab a stray metal rod laying on the ground next to you and stab it right through the eye.
you scramble, getting as far away as you can from the thing. but-- you run right into the path of a crumbling building. it buries you halfway under thick wood, and something sears its way through your leg. you're trapped. you're trapped and there's no one around to help you.
and just when you're on the brink of passing out, you see him. standing in front of you a ways away. those same star-patterned pants and dangling cap. but he's different somehow, he looks different. you can't place it, your vision blurring into red and purple.
moon looks at you as though you are the last thing he wants to see. and then you faint.
when you wake up, you're in a bedroom. your leg is in a cast and there are crutches near your bed.
it's... the nicest room you've seen in a while. the windows are covered by thick curtains that let in a sliver of light. you have to blink a bit to let your eyes adjust. and then you get up, noticing you aren't in the same ratty, dirty clothes you'd been wearing for forever.
you try the door first. it's locked. there's a sinking sensation in your gut that gets stronger and stronger the closer you get to the window. and when you pull open the curtains, you gasp at the towering buildings, bright green and blue light, and flying drones.
you are in the middle of the celestial city.
you panic hard. and then you notice the camera in the corner of the room, looking right at you. big brother is definitely watching. you give him the bird.
you wallow around in the bedroom for a bit. you are hungry, you cannot deny. and there is only a glass of water for you set on your nightstand.
but eventually, the door opens of its own accord. an automatic lock, you suppose. and it swings open into a dark hall. you do not have any other choice but to follow. it's clear you are being summoned.
there are no places for you to run or hide. you travel down a long hallway and end up in a wide room with someone tall standing at the far end by the window. it's a scene straight out of a movie. you are not impressed.
the figure turns around, and you do a double take. it's sun--yet it's not.
he looks different. taller, stronger. with clawed fingers and rays that look deadly to the touch. his smile is sharper, his torso has all sorts of compartments and attachments. he was modded to all hell, just like that staffbot you saw earlier. it had to have been self inflicted.
he only stares at you, really. white eyes rake up and down your form, taking you in. you don't say a word, only look back at him. and then you flinch slightly when someone emerges from the shadows next to sun.
it's... moon. looking just as modded as sun. you're confused. when did they become separate? but honestly, you think it makes sense. they never really liked each other. it makes sense that sun would want to be separated as soon as possible--and they had the resources to do so. you just wonder why they're still working together. comfort in the familiarity, maybe.
moon doesn't meet your eye. you notice his is different--the red tinged with purple. sun doesn't look away from you. it makes you uneasy.
you don't know why you're here, but one thing's clear: you are not getting out of here anytime soon.
i'm honestly not sure how to end things, but in my head there's a lot of reconciliation that needs to happen. obv sun is so incredibly down bad for you at this point (and moon), but there are many issues that need to be tackled first.
sun doesn't understand why you're so wary around him. moon keeps avoiding you at every turn. there's still an entire revolution and remaking of society happening. you are constantly being watched by cameras in the building. i can't picture things as returning to normal--post uprising--but i also don't know how to end things on a happy note LOL, though i do want to instead of killing off reader or sun/moon. maybe it'll be a bittersweet sort of end, maybe reader finally gets through to sun. maybe eclipse will make an appearance (jk, idk how i would even do that, this might be an eclipse-less fic).
in any case, the next bit would be a lot of sun and reader connecting better than they had in the pizzaplex, a lot of sun trying to understand humans better cuz he's trying to court you-- and has long come to accept his emotions tbh. tho he's still kind of mad at you for leaving, so there needs to be a conversation of sorts about why you left before sun can really begin to understand how he appears to you. idk!
i also feel like moon isnt nearly fleshed out as sun is?? i dunno, i might have to think some more about him. i just know he's terrified of hurting you, esp with him still having the virus (and sun, but he has better control of it). gonna be a lot of work on your part to get him to be comfortable around you again. also, he doesn't like the fact that society has come to this. he lowkey resents sun, but he doesn't have anyone else. what's a bot to do?
also there may be a scene where your survival group tries to save you lol, maybe with an army that tries to seize control of the celestial city. which may work. this would be a bad end, i think, cuz there's no way sun's getting out of that alive.
anyways yeah. i rambled enough LMAOO whoopsie! i rly just regurgitated all the thoughts in my head. no promises that this will be a fic, i've got enough on my plate as is LOL
Pac: Take care of Ramon, take care of Richas, ok? See you on the other side, big boy.
Fit: [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. [Fit tries to lasso Pac] You're coming with me.
Pac: No, I need to leave!
Fit: You're coming with me. You are not dying today! You are not dying today!
Pac: I need to leave, Fit! I'm sorry, I'm sorry!
Ironmouse: Are you guys like, having sexy time?
Fit: There's homosexual activity going on Mouse, don't worry about us, ok?
Ironmouse: You guys, we don't have time to be gay right now.
[ Full Transcript ↓ ]
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Pac: I'm just here to say goodbye to you, Fit.
Fit: Goodbye? We're not– we're gonna be fine, we're going to get out of here, don't worry.
Aypierre: Yeah, don't worry!
Pac: I know, but like– I will sleep until the end, you know? I will pass through this moment sleeping, man. I won't be able to be awake for the moment.
Fit: [Laughs] You know, it's– I mean, if that's how you wanna go, but– I mean, that- I mean, isn't that bed kind of like.... I don't know, it's–
Pac: No no, I will be staying on the sofa, you know, I will be staying on the sofa.
Fit: Oh the sofa. Ok, that's a nice sofa! Yeah, that is a pretty nice sofa.
Pac: Yeah, it's a nice sofa right? No, yeah– I'm going to stay on the sofa, you know? So, since I will be going Fit... [Pac starts tossing Fit all his items]
Aypierre: [Not paying attention to their conversation] Is that bigger cell? I don't think it's a bigger- biggest one.
Fit: Oh... Thank you Pac, thank you.
Pac: Everything you need to survive, ok?
Fit: Wow.
Aypierre: Wow.
Pac: And if you need this one also, maybe, who knows? [Throws him more items]
Fit: Ohhh, well hey– just take this to remember me by, ok? [Tosses him a photo of himself – the same one Aypierre was carrying all day yesterday]
Pac: [Laughs] Ok, I will sleep holding the picture you know, like this. You know, I will dream about you, Fit. And I hope this is gonna be good dreams. I see you in the other side. Good luck, my friend.
Fit: The other side... Yeah, you know, yeah, we– we– you know? It's been an honor, Pac. It's been an honor, you know?
Pac: Yeah, for me too, you know? Take care of Ramon, take care of Richas, ok?
Fit: Ok.
Pac: See you on the other side, big boy.
Fit: I will sing your praise– Oh yeah, hey– [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. You're coming with me.
Pac: No, I need to leave!
Fit: You're coming with me. You are not dying today! You are not dying today!
Pac: I need to leave, Fit! I'm sorry, I'm sorry!
Fit: Sorry, there's–
Pac: I'm sorry!
Ironmouse: Are you guys like, having sexy time?
Fit: There's homosexual activity going on Mouse, don't worry about us, ok?
Ironmouse: You guys, you guys– we don't have time to be gay right now, come on. There's no time.
Pac: No, there's no time! Oh, goodbye Fit...
Fit: Ok, c'mon, no no no, come on, we got this we got this!
bound to want (part two) /// part one
rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues, "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you." The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
Shockingly underrated thing about Leo is that he’s legitimately charming when he wants to be?
He’s the Faceman! He’s persuasive! That’s not just some random title he gave himself with no backing to it. People will listen to him. Even if they think he’s being annoying or if they’re upset at him, people listen to him anyway! There’s a reason his bros push him out front to talk to people, and when this happens, that talking nearly always works.
Moreover, Leo knows people. He looks at them and takes into account how they act and what they’re like as he makes his way through the conversations. It’s easy to forget this aspect of Leo’s character because he only brings it out when he really needs (read: wants) to, but it really is a notable part of him that always love to see.
And I say charm in particular because he has a knack for not only getting people to pay attention, but for getting people to stay and listen to what he has to say.
🍿 NOW PLAYING 🍿
Immortal in the Code: A Cyberpunk 2077 Series
Compelled by a desperation that only Night City can incite, two Arasaka veterans become unlikely partners in a quest for atonement and salvation. Just renewed for a fourth season!
I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :
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(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )