#I didn’t want any of this to happen

[outofbinaryspace]

It’s fine I’m fine everything’s fine

[mushramoo]

I been talking to a lot of ppl w cats lately (I volunteer at an animal shelter) and I didn’t know this needed to be said but

PLEASE FOR THE LOVE OF GOD DO NOT DECLAW YOUR CAT.

Declawing sounds very normal to people who aren’t educated on it so let me show you what it actually is.

As you might notice from the diagram, the claw is attached to a small bone at the very end of a cat’s paw. They are fused to this bone, which on a human hand would be where your last knuckle is (the one right before your nail). When someone gets a cat declawed, they aren’t just removing the claw.

The entire last digit of the cat’s paw is removed. (See below)

This severely impedes the cat’s ability to balance itself, is extremely painful for them, and can make the cat extremely aggressive because it no longer has one of its main defense mechanisms! It can also cause many other medical issues down the line including infection, necrosis, and some cats are never able to walk correctly again. Most cats that have this done never fully recover from the procedure and are in constant chronic pain.

It is extremely inhumane and is illegal in only two states at the time I’m writing this!!!! (Maryland and New York) Cats should only have this procedure if it is a life or death situation, never just because someone finds a cat being a cat inconvenient for them. Don’t get a cat if you don’t want to be scratched or have some ruined furniture. If you want more information on this topic, I’d recommend Jackson Galaxy’s YouTube video on it, and to read up on some articles I will link in the comments.

I know I don’t usually post about these types of things, but it’s made me extremely angry to hear people mention getting their cats declawed so flippantly as if it doesn’t ruin the cat’s life, and always for an asinine reason like “they scratched my couch” or “they scratch my kids” THOSE ARE YOUR RESPONSIBILITIES AS A CAT OWNER. Treat your kids and peers to treat animals with respect, or don’t get a cat.

[asteriskemily]

The fact that Ruben doesn’t remember what happened is absolutely sending me.

Like, imagine your name is Ruben Hopclap. You wake up in front of a ruined school gym wearing clothes you don’t recognize and missing your favorite necklace. You don’t remember falling asleep. Your chest hurts.

Uncle Henry is there talking to principal Auegfort over scraps of a robot. For a moment he looks at you like you’re a ghost before wrapping you in a tight hug. He asks what you remember. You tell him you remember packing your bag to go to the mountains of chaos for your spring break quest. You don’t remember anything after that. He hugs you again.

Your party’s there too. Most of them at least. Along with another party that you recognize as the Bad Kids, the most infamous party in your grade, maybe in the whole school. You tamp down any jealousy you might feel about that when you see the way that Mary Ann Almost-but-not-quite smiles at their barbarian. Instead you go to where Oisin and Ivy are huddle together, speaking softly to each other.

You ask where Kipperlily is. They look uncomfortable. For a moment you think about asking after Buddy, but then you realize you don’t know who that is. They keep avoiding answering the question, so you walk away. You almost go to talk to Lucy, but you see how uncomfortable she looks, how she flinches away when you start to move towards her. You decide to leave her alone.

Eventually Henry takes you home. On the drive home he turns on the radio and you hear yourself singing a song you’ve never heard. It’s loud and chaotic and so so angry. The sound of it makes you want to throw up. You turn it off and ride in silence back to the house.

The walls of your bedroom have been painted a deep, bloody red. There’s an electric guitar that you don’t know how to play leaning against the wall. Your desk is covered in notes and plans, some of it written in codes you can’t decipher. That doesn’t really matter because you don’t understand the stuff that’s not in code either.

Your parents look almost scared of you when you ask where your normal clothes are. They tell you that you got rid of them. They keep apologizing, like they think you’ll get mad at them. You tell them it’s okay, but still search your closet for something a bit more your style. You find a box shoved into a corner, under some clothes. Inside is your puka shell necklace and your ukulele. The string on the necklace is broken like it had been ripped off. The body of the ukulele is cracked like it had been thrown to the ground. You decide to deal with that in the morning.

You fall asleep and you dream of a girl. She’s a tiefling with red and black raccoon streaks in her hair. She smiles at you with lips painted black. If you stare at her for too long you can see blood dripping out of those lips and a crossbow bolt lodged in her side. You look at her and feel longing, feel grief, feel betrayal. You want to stop dreaming of her, but some part of you knows that any other dream would be filled with blood and crystals and rage. You accept that you are doomed to Wanda.

[royaltea000]

Got so mad seeing a forced marriage plot for the 20th time that I got up to draw a design specifically to put a veil on him

[bruciemilf]

Couldn’t defeat the rapist cheeto through votes? Kay. Murder it is!

[silverhalla]

Back at it again with another theory: What if Lucanis’ betrayal wasn’t a betrayal at all?

(obviously, spoilers below the cut)

During The Wigmaker Job, we have some dialogue between Illario and Lucanis about their position within both the Crows and the Dellamorte family. Illario wants Caterina to step down so he can take the coveted First Talon spot. Lucanis reassures him that his time is coming, to which Illario makes a snide comment about whether his cousin would ever go against their grandmother’s wishes. When they continue the conversation after the job, Illario states that Lucanis is the potential heir, that he’s her favorite, and that he’s unlikely to say no to her. Lucanis doesn’t argue, only insists that he doesn’t want to be First Talon, and that he hopes she’ll see reason before that. It’s mentioned again in Eight Little Talons - Caterina favors Lucanis. It’s well-known enough among the Crows that Viago and Teia discuss it in front of her (not on purpose, but she doesn’t deny it). He’s her prodigy through and through.

In the opening scene for the Lucanis quest in Veilguard, Caterina is poised, as you’d expect of the First Talon. She’s certain that the body they buried wasn’t her grandson, that it had been altered with blood magic. She doesn’t pose it as a theory, though: she poses it as a fact. It could, of course, merely be her confidence, but there’s another very unusual aspect to the scene – everyone else discusses how Lucanis was clearly betrayed, that someone must have sold him out in order for the Venatori to capture him. Caterina is the only one in that room who never speaks on it. She doesn’t ask for justice, doesn’t mention vengeance, never acknowledges that her grandson was sold out by someone he trusted – perhaps because he wasn’t. 

What if, when Caterina comes to him with a plan, with an impossible request, he’s still her favorite prodigal grandchild, and he still does whatever she asks? She’s had him tortured before as a child, has tortured and starved and beaten him herself before, because it makes him stronger and more resistant to it in the future. He says in The Wigmaker Job that he used to hate her for it, but now he understands. He justifies it. All Crows justify it, because they have to - if they don’t, then the cruelty wasn’t for survival’s sake, and their suffering meant nothing. Perhaps he doesn’t even question it. When Caterina tells him that she has a job for him, he takes it. 

What if the contract has a caveat? Sure, Calivan must die by his hand by the end of it, a little treat for a job well done, but what if his primary mission is reconnaissance, is discovery? The Venatori are using blood magic to torture and corrupt prisoners. It would behoove the Crows to find out what it entails and how to resist it, before it’s turned back on them. It would have to be someone so deeply, unabashedly loyal to her that when she asked them to infiltrate a Venatori prison, expecting torture at best, their own death at worst, they’d take the job anyway, no questions asked - someone Caterina can trust, certainly, but also someone who has never once said no to her.

And Lucanis has always been a loyal grandson. 

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[throwawayasoiafaccount]

Why do you think the tides have slightly turned from "Elia deserves better than Rhaegar" to shipping her and Rhaegar together? Like what is the psychology behind these people because I've seen some of them like/reblog anti Rhaegar posts while also shipping Rhaegar x Elia at the same time.

hey anon! my thoughts are a bit messy, but i’ve done my best to explain them coherently :)

so, rhaegar was the best man anyone could have when elia was alive, and most people want the best for their favs. he was considered the most handsome, didn’t have a bad personality, and he was crown prince—meaning elia was almost queen, which is often seen as the greatest role a woman can have. the narrative also treats rhaegar as a beautiful, tragic, haunting figure, and elia actually had this very aesthetically pleasing man all to herself at one point! she was married to him, had children with him, and her life was so close to perfect! but rhaegar just had to go and ruin it. 😠

for many elia stans, if rhaegar hadn’t fallen in love with another woman (they want him to have been a completely different character), then everything would’ve been perfect, and elia would’ve had the best, most desirable life. however, that’s not what happened—elia met a very tragic end, and as a result, these stans feel double the bitterness. because of this bitterness, they blame rhaegar for everything (even though it’s not logical to do so), but he’s just too ‘perfect’ to let go of. so, for years these stans have made rhaegar revolve around elia, filling his tag with posts about her out of bitterness. so, i do believe that this obsession with rhaegar x elia has always been there, but i think it’s become a more favorable stance on the elia stan side of the fandom because of a mix of reasons.

plus, rhaegar is one of the few canon relationships we know elia had, since she’s not much of a character. because of this, and the fact that most people don’t like to stray too far from canon, most elia stans are forced to focus on rhaegar, which has created an echo chamber. basically, if a sentiment about elia and rhaegar’s relationship becomes popular, then the whole elia stan side of the fandom will likely regurgitate the sentiment. (also, this desire to stick close to canon is likely why the elia x arthur ship was so popular. while it’s a total crack ship, it had good aesthetics, and since elia and arthur at least knew each other, it allowed the stans to create their perfect fanfiction whilst sticking it to rhaegar. but remember, elia was actually married to rhaegar and had children with him, so while arthur is cool, rhaegar was always ‘top dog,’ meaning arthur would never be able to match up to rhaegar to most elia stans. also, the arthur x elia crack ship is likely her second most popular ship, which just shows how little elia stans have to work with, so they’re always forced to eventually return back to rhaegar for a lot of things.)

however, even if the elia x rhaegar ship gains more popularity, these stans will never stop hating rhaegar because he wasn’t ‘perfect’—and he wasn’t perfect because he didn’t love elia. plus, rhaegar loving another woman and supposedly kidnapping her is what began the war that led to elia’s tragic death. that’s bitterness times 1000. and while i don’t actually blame rhaegar for the war, i do think that this is how an elia stan sees it. i also don’t view rhaegar’s complex relationship with elia as a bad thing—it’s actually a very realistic take on an arranged marriage between two decent people. but most elia stans will never be able to get over the fact that they almost had everything, which is why many have it out for lyanna, as they consider her a thief who ruined their ‘perfection.’

tbh, that might be why so many elia stans are so obsessed with the idea that rhaegar only got with lyanna because of the prophecy—they don’t want to believe that rhaegar actually loved a different woman and not their perfect self insert elia. that’s a bit mean of me… but i don’t know what else one would call the ‘elia’ elia stans have created.

now that i’ve laid all those thoughts out, i’ll try to explain why the tides seem to be turning… i think it may have something to do with the ‘targaryens are all evil and bad’ sentiment losing popularity. i think this shift has occurred due to a mix of factors, such as years of fandom fights and fandom cycles leading to the targs being more liked now than before. it helps that canon doesn’t actually condemn the targs/favors them quite a bit, and the influx of new targ fans from HOTD has also contributed. this combination of reasons seems to have shifted the way the mainstream fandom discusses all the targaryen characters, including rhaegar. so, with this shift, it’s only natural that some elia stans/elia x rhaegar shippers—who’ve always been there—are using this opportunity to push their agenda. while these stans still hate rhaegar and see him as the bad guy, they just can’t let go of him. and as the mainstream fandom moves away from the anti targaryen sentiment, these smaller corners of the fandom, which tend to be echo chambers, are also affected, which has therefore led to a rise in rhaegar x elia shippers and the ‘shifting tide’ that you’ve also noticed.

[tennessoui]

it’s like baby gorl there’s no way I, the author who wrote the fic you’re commenting on and who is the intended audience for this comment, am gonna agree with you 😿🙏 some things can just stay on your chest 🙏

[valewritessss]

When people say Annabeth was an unreliable narrator and her stepmom was actually nice to her…

[gatoburr0]

Hi Callie Splatoon I drew with my blood

[rozugold]

Deleted scenes time!!! He made them pancakes. Presumably really bad pancakes since they don’t have any eggs.

[sainamoonshine]

My unpopular opinion is that in languages with grammatical gender like french, it does make sense for Murderbot to be referred to by whatever pronoun is usually used for robots or constructs. (In french, therefore, grammatical masculine.) Because there are no traditional « it » pronouns in these languages for objects, and while there are neo-pronouns, they are things one must choose for themselves. Do you honestly think MB actually spent time thinking about its pronouns?! No it didn’t. On forms it picks « non-applicable ». When people ask it what pronouns they should use, its honest opinion is « why do you even need to talk about me. Just don’t fucking do that. Don’t think about me either. Just fucking stop perceiving me altogether! »

Thinking about what pronouns to use probably makes it way more uncomfortable than letting people call it what they’ve already been calling it. Making a conscious choice about its identity? And telling other people about it??? No thanks bye, it’s just gonna walk into the ocean now, see you never.

Lbr it probably thinks the only bots that get fancy pronouns are comfort units, and the pronouns are probably shoved into them by humans same as everything else. MB would meet a bot using a neopronoun and it would wish it could barf. Because in a language like french, he/him and she/her, when applied to objects, ARE fulfilling the function of the english « it ». Nobody is saying the table is a woman or related to feminity in any way outside of stand-up comedy; when it comes to objects grammatical gender really has fuckall to do with human gender even if we use the same words. Even animal species names have grammatical gender and everyone gets that there are male and female turtles even if the word « turtle » is a female word, it’s not that confusing.

(I know this is strange when your language has different pronouns for people and for objects, but understand that english uses the same word to indicate if I’m addressing one or many people, and that is confusing to me.)

TL;DR; stop harassing international fans for not getting the correct MB pronoun in english right off the bat. Yes in english calling it « he » or « her » or « them » is upsetting because it’s projecting an identity unto it. But same goes for trying to get a foreign language translation to use a pronoun intended to express or showcase an identity (or even a lack of one!). Murderbot has not thought about it this hard, refuses to think about it this hard -> and that is its only canon accurate gender identity.

[musicalmoritz]

Defending Hakubo online isn’t enough, I need boxing gloves

[ghostradiodylan]

I really love that I've now been called misogynist AND racist for shipping Rylan, in subtweets (subtumbls?) from people I've never even interacted with. I genuinely do find it hilarious because, to paraphrase the immortal words of Fall Out Boy, I typically don't care what you think as long as it's about me. :3

But this is getting kinda weird and personal and if you think I won't hear what you say about me just because you've blocked me specifically then you must be new.

I'm sorry, who was unnecessarily nasty? Because I haven't seen anyone be nasty in this very oblique conversation until now.

For what it's worth, in case anyone with two braincells to rub together was confused (not that they would be), I don't 'have a fetish for gay men' (which is something I feel like only a homophobe would say, but I tend to try not to call names until someone does it to me). I just feel the chemistry between those two characters that's very clearly intended in the script and performances. The arc of their relationship is deeply wholesome and sweet, and that kiss at the campfire is one of the cutest things I've ever seen in a video game. Also Dylan and Ryan sparked something in me that I honestly thought was dead, reminded me that I was full of stories when I was in a very, very dark place in my life and I will love them for that forever. And I've already promised another 100k of fic about them so anyone who has a problem with that can die mad I guess stay tuned for that.

This is a silly thing to fight about and I should be above getting heated over internet shipping wars and responding to insults from unserious people. But when they turn into personal attacks for no good reason? I guess I'm not. I don't want anyone to change what they ship or what they write, I only want them to stop being so smug and superior while willfully misinterpreting the canon and accusing others of the same and so much worse.

[lesbianturrets]

A little training before the real deal.