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#I did have a tag for this setting
mountainashfae · 9 months
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first finished art piece of the year! Got into an inspiration vacuum that got quickly filled by some of my original setting's OCs.
Godfrey Ainsworth, a leading researcher on the divine's effects on biology, in combat against the very thing he researches gone wrong. Surely Orraen hasn't actually decayed and released a plague upon the world, right?
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basslinegrave · 2 months
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pin-up
b&w originals
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You ever have those moments where an idea just... won't leave your head?
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I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.
#at the risk of getting put on a list there is something tragic & relatable in nightmare#someone who desperately wants to make connections but just can't understand how#anyway wraith is one of my favorite princesses for stuff like this (and bc tragedy aside her route is a riot)#also im sorry if she doesn't say that line if you got there via nightmare#that's how i got her and i could've sworn she did? But i only found footage of her saying it in spectre#slay the princess#stp#stp wraith#the wraith#stp spectre#stp nightmare#side note archetypal/heart#(slash so i don't accidentally tag them)#pointed out on another post of mine that you get wraith via nightmare by killing her and via spectre by leaving her in the basement#in both cases its a rejection of her (rejection being one of wraith's main themes)#which makes me speculate on spectre's ch 3 (which i think we currently have very little info on?)#Trying to run from Nightmare should technically be a 'rejection' as well#but you get MOC from that (and from choosing to stay with her)#imo bc you're just repeating the same inaction which got you into this situation in the first place#you don't want to slay her. you don't want to set her free. So you just leave her there (again)#and so you get MOC where things have only gotten worse and you have no choice left. Because you chose *not* to take action again#So I wonder if spectre 3 will be a similar 'repeating your past mistakes' type of deal#i was skeptical about it coming from stabbing yourself while she possesses you or trying to crush her bones#but it does make sense with that in mind#im curious if it'll parallel MOC#except instead of having no choice but to free the princess you have no choice but to obey the narrator again#maybe you both end up stuck in the cabin forever again?#idk#sorry i probably should've put all of that tag in the post lmao
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tomaturtles · 6 months
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Happy Campus Apocalypse volume 1 16th anniversary here's something to celebrate
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briankang · 7 months
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Magic, madness, heaven, sin
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sandushengshou · 2 years
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Pushing Daisies | 2x04 “Frescorts”
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foxett · 3 months
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The 5 rw group making flower crowns post game ? :3
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Hey guys i bring the
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ryllen · 10 months
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x
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static-radio-ao3 · 4 months
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@jegulus-microfic // may 22 // prompt: control // words: 1169
“We should eat soon. Do you have any preference?” James asks as he glances into his rearview mirror.
“No, I'm easy,” Regulus replies. He swipes at his phone again, mindlessly opening the calculator before closing it again. He's been alternating between the calculator and the weather app for the better part of an hour now, nothing else to do on his phone and a deep reluctance to have an actual conversation with James.
He looks up at James when there’s no response. It takes a second for his own words to register and with a sigh he adds, “I meant easy to please.”
Again, the double meaning snatches James’ attention. “I'm just not picky,” Regulus grounds out.
“Yeah,” James scoffs. “I can tell.”
Regulus drops his phone on his lap, turning his head to give James his full attention. “What’s that supposed to mean?”
“Nothing.” But evidently it is not nothing, because James waits barely a second before continuing with, “It’s just that you barely waited for the bed to get cold.”
“Excuse me?” Incredulity bleeds into his voice.
“I heard that you went out a lot.”
“With my friends.” Late nights wallowing on the couch were only accepted for so long until they started tugging at him with impatient hands, dragging him out of the house and into this club, then that one.
They told him that the best way to get over someone was to get under someone else, but Regulus never did take anyone home. Any pair of hands that didn't belong to James made his skin crawl.
“And we all know how your friends feel about you,” James says harshly.
“Okay, seriously, what the fuck is your damage, James?” Regulus twists in his seat, staring holes into James’ side profile. His messy hair and wire-frame glasses. His cheeks are flushed with anger, but Regulus doesn’t think James has anything to be angry about.
“What's my damage?” James asks, eyes flitting over to Regulus. “What are you, twelve?”
“You know what I mean.”
“Do I?”
Regulus laughs, short and joyless, before dropping back into his seat. His eyes fall shut as he lets his head thud against the headrest. “And I remember, suddenly, why this didn’t work.”
“Yeah? Was it your incessant need to be in control?”
“No, actually. It was your complete and utter inability to listen.”
“Oh, I think I hear you loud and clear,” James scoffs, and Regulus resists the urge to just crawl out the car window. He’s slight enough, he thinks he could fit. As a matter of fact —
“Stop the car.”
“What?”
“You heard me, stop the fucking car.”
“Regulus, you're not walking all the way to Sirius' house. We still have three hours to go.”
“I don't care. Stop. The. Car.”
“What's your damage?”
“My damage is that I'm stuck in a car with you with nowhere else to go!”
It's silent for a beat. Then two.
“Well, I'm sorry you feel that way,” James says eventually, before harshly twisting the dial to turn up the volume.
They drive to the roadside restaurant in silence. Or well, as silent as can be with the music playing loud enough that Regulus can’t hear himself think. Just as well. He wasn’t thinking anything nice.
James makes the executive decision to pass by a drive-through, probably to prevent having to spend more time in each other’s company than strictly necessary. Regulus can’t say that he minds.
No words are exchanged as they eat, but when Regulus reaches for his drink in the cupholder, James speaks again.
“Do you still like vanilla milkshakes?” He inclines his head toward the cup in Regulus’ hand. James always teased him about choosing the most boring flavor, but vanilla is a classic and Regulus stands by it.
Regulus has the urge to make a snide comment, but he swallows it down. Glances over at James, tense in his seat, both hands on the steering wheel. It unnerves Regulus a little, seeing James like this. He is supposed to be loose limbs and easy smiles. Not… this.
“Yeah, do— do you still like those cherries?” Regulus asks, holding out his cup for James in case he wants the maraschino cherry that sits on top of the whipped cream. James plucks it out of the swirl with ease, like they never stopped doing this.
“Do you still go to the diner down the street?”
They used to go often. The 24/7 diner, red and white tiles on the walls, cracked leather in the booths. They spent late nights there, when studying took priority over cooking and everything else was closed. Appearing again on a Saturday morning, soaking up the alcohol that still lingered in their systems. Salty and sweet kisses shared next to the jukebox.
“No, it—” Regulus catches himself before he says something embarrassing like it hasn’t been the same without you. “It’s been a while,” he says instead.
“I see.”
Regulus squeezes his eyes shut, black spots swimming in his vision. Then, before he can chicken out, he asks the first thing that comes to mind.
“Does your mom still collect those novelty plates?”
James laughs at that, the sound of it comforting and familiar, and he seems to relax in his seat. Even if just a little.
“She’s actually moved on to novelty shot glasses. My dad had to get rid of five plates he’d bought in advance. I still have them, though. I just know she’ll return to the plate thing soon enough.”
They pass the time like that, dragging up memories and habits, questions flowing between them. Regulus finds that he likes it. He’d missed James’ easy nature, his way of telling stories. He also finds that he is secretly relieved that James hasn’t changed a lot in the time they spent away from each other.
Do you still? Say yes, say yes.
Do you still forget to clean your glasses? Do you still keep a picture of you dad in your wallet? Do you still like your coffee the same way? Do you still—
Say yes, say yes.
“I got the internship, by the way,” Regulus says at some point. He’s not sure how much time has passed, but stretching fields of green are slowly giving way to houses again. “The—”
“—one at the publishing house?” James cuts in excitedly. His head whips to the side to look at Regulus, joy evident in the little crinkles around his eyes. “No way!”
Regulus’ heart stalls and stutters. A heavy beat in his chest. Say yes, say yes.
“I can’t believe you remember that,” he breathes.
Silence stretches between them and for a moment, Regulus thinks the conversation has died down again. It was nice while it lasted.
But then, so soft like he hoped Regulus might not hear, “I remember everything about you.”
Do you still? Say yes, say yes.
“James. Stop the car.”
“What?”
“Stop the car.”
Say yes, say yes.
Thankfully, James doesn’t need to be told a third time.
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chiropteracupola · 4 months
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"Are you finished with my portrait yet? Show me!" "Cipacton, I can't draw you if you keep moving!"
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katabay · 7 months
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original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
#if i had a laptop and the skillset i would attempt a story mod because the thief modders who create whole mission stories#are GENIUS and also somewhat terrifying. love them! xoxox#anyway im actually kind of obsessed with parts of thi4f but its also like. not at that sweet spot of almost good enough to be fun#to talk about. which. for the record. has not stopped me from talking about it at length to people#the city itself actually fucking fascinates me. its almost alive and im SO mad that not a single part of that game is actually terrifying#it should be gnarlier and instead it feels a bit like it doesn't quite want to be trapped in the story it has to tell?#but between the level that has the bodies on the meathooks#and the scene with the bodies hanging from the rafters or whatever that was and garrett living in a clock tower#because the game is very much ALMOST about changing times and authoritarian violence and capitalism#(like. by virtue of how the story sort of spins out i think it misses it's mark on a lot of stuff here#in the sense that i dont feel like it actually wants to tell that story. it wants to. go in a different direction. or at least walk on top#of those themes instead of through it)#ANYWAY between all of those things. it does kind of live in my head rent free. they did create a compelling setting#SHAME THEY DIDNT WANT TO ACTUALLY EAT ANY OF IT#unrelated but i would've given thi4f a 10/10 if they kept garrett's fucking nail polish from the concept art. cowards. unforgivable#thief the dark project#i still have no idea how to tag the game series as a whole RIP#sorry for the dedicated dark project fans. if you know what the general series tag is. please let me know#garrett thief#basso thief
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khaotunq · 7 months
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TYPECAST: First Kanaphan edition
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thelassoway · 1 year
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Jason Sudeikis as Ted Lasso Seasons 1-3 » T-shirts
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wistfulwatcher · 5 months
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7.04 Painless | 5.02 Haunted
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plutos134340 · 8 months
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After 6.75 hours of this i finally finished
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I really like the mask thats my favorite part of this
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