#I did all my characters someone validate me

[badwolfrose34]

My analysis of River Song (not River friendly)

This essay has been brewing in my mind for awhile. If you don’t want to see anti River content, please keep scrolling. I understand that since Doctor Who is a work of fiction, fans have the right to differing interpretations and to invoking literary license. However, I do want fans who are like me and icked out by River to feel validated. What follows is a pretty unreserved criticism of the character and her relationship with the Doctor.

First, I’m going to break down River from a psychological perspective. Note that I am not a licensed psychologist, but I did graduate with a degree in general psychology. I’m also going to explain some of the many instances that she proves herself to be an incredibly toxic person.

River Song was raised to be a psychopath. That’s an indisputable fact mentioned clearly in the show. Psychopathy is known in the psychology world as Anti Social Personality Disorder (ASPD). ASPD can be managed, but it has no cure. Could it be argued that River sees an off screen therapist? Sure. However, ask yourself if you can see River Song going to therapy?

Not only that, but River has no ordinary case of ASPD. She wasn’t just raised in an abusive or unsafe household, she was cut off from society during her critical formational years. Most cases of ASPD involve people who grew up in challenging households, but they did have interaction with society at large. I don’t know of any case studies surrounding people with ASPD who were cut off from society in their formational years, but doing some research on “feral children” will allow you to read examples of what happens to children raised away from society.

The case I know the most about is that of Oxana Malaya. You can google her for more. She was quite literally raised by dogs. And she required intense inpatient treatment to unlearn her dog like mannerisms. Even then, she always had a level of intellectual impairment.

Because River was specifically raised to have ASPD, she learned language abilities and was socialized on how to BEHAVE like a person capable of love and empathy and friendship, but she never was capable of these things. She was raised to put on an act to be able to get to the doctor and kill him. She was never capable of anything more.

Even if River saw an off screen therapist, she was never institutionalized, as would’ve been required for her to truly function as a healthy person in any possible way. She couldn’t have just shrugged off her programming. Why did she save the Doctor and give up her regenerations? It couldn’t have been guilt or remorse, but she could’ve developed co morbid Narcissistic Personality Disorder (NPD), which is a common disorder to co occur with ASPD. The narcissism would’ve created within her a need for supply. Supply meaning, a boost to the narcissists ego. Narcissists are not capable of genuine empathy and love, but they are capable of seeking supply in the form of impacting other people’s emotions. And what better source of supply for one’s ego than the last known member of one of the most powerful races known to the universe?

When River decided to undo her murder and save the Doctor, it starts off with a completely nonconsensual kiss. This is a pretty fitting start to a relationship that progresses into a forced marriage.

River then continues to force unwanted innuendos on the Doctor. Probably implying they were intimate just to make the Doctor feel obligated to be intimate with her eventually. This is despite Matt Smith confirming in an interview that his Doctor is asexual. He could be demi or grey sexual, I’ll admit that possibility, but River insists on forcing her hyper sexuality on him at any and all stages in his timeline knowing they wouldn’t be welcome. I should note that hyper sexuality can be a symptom of ASPD. It’s not cute or fun. If River was simply a sexually liberated character, she would not be forcing her innuendos on someone who does not want them. Especially not in the earlier parts of his timeline.

River flounces around feeling and acting entitled to the Doctor’s attention if and when she wants it. When she wants it, he’s expected to come running. Then she disappears when she wants to. Creating a masterfully manipulative cycle of hot and cold emotional abuse. When he loses Amy and Rory, she refuses to travel with him. Leaving him emotionally vulnerable and at her beck and call when and if she feels like using him.

Audio dramas are too numerous to declare as universal canon. I think most fans pick and choose which parts of the extended universe count as canon to them. But in the Dalek Universe series, River appears for one episode where she physically abuses the Doctor. She hits him so hard that he is crying out in pain. And then she gaslights him by telling him it was just a little tap. Now, it’s perfectly valid not to count this moment as canon. But it’s extremely consistent with River’s character and I am personally going to use it against her. Especially since I did see another post somewhere bring up the fact that she did the same thing to the fifth Doctor in another audio.

Finally, the worst part of River’s abuse is the forced marriage. The first time the Doctor meets her, she convinces him that he eventually marries her. But he clearly can’t stand her. He doesn’t want anything to do with her. But now he feels as though he’s obligated to marry her. At first he hopes it’s something that can be changed. Saying that time can be rewritten when Amy asks if he marries River. Right up until the forced wedding he tells River he doesn’t want to marry her. But because she convinced him he does marry her in the library, and because nothing else is convincing River to save the universe, he gives in and gives her what she wants. Assuming it’s the only way to keep the universe from falling apart.

Now, I do understand that anyone who loved the Doctor would not want to bring back a timeline where he died. But River was already willing to start considering it just because he agreed to marry her. Because she got what she wanted and because she got the satisfaction of seeing her manipulations succeed. The Doctor couldn’t even get close enough to her to tell her his plan at first, but she was willing to let him come close to her just because he married her. River valued marriage to the Doctor more than the Doctor’s life.

I know it’s commonly believed among River fans that he only kept his distance because he saw her die. But Remember he couldn’t stand her long before that. He never liked her until he thought he was supposed to. No doubt seeing her die cemented his desire to keep a distance from her. But the point is he did keep a distance from her. He never got close to her and he never wanted to. But River always refused to respect this. She saved him so he could belong to her. So he could be her property.

No doubt the Doctor did develop a level of care and responsibility for her. Because he was a person capable of empathy and remorse. And any target of this kind of emotional abuse will develop some sort of attachment. But he was never in love with her. River herself knew this, but she had to convince herself he never loved anyone. But he did. We know for a fact he was in love with Rose. We know he loved friends like Donna platonically. But he didn’t love River. Nor should he have.

[xxplastic-cubexx]

adding onto the size difference thing they had to make james wear heels in first class to make him taller 😭

chat quick who has that fuckin promo pic for dofp where james is wearing wedges and he's next to michael because i've been reminded of it and imvl eavkjalkjvlwkvj

[best-enemies]

I've reached season 5 on my CSI rewatch and I'm a few episodes past "Swap Meet", where a woman is murdered after attending a swing party with other couples from the neighbourhood. Near the end of the episode there's a moment that made me jump from my seat:

(Grissom walks up to Sara and takes the seat next to her. He's holding two cups. He hands her a cup of tea.)

[INT. POLICE DEPARTMENT - BRASS' OFFICE]

Erin Brady: Everybody fantasizes about other people. (She glances at Grissom.)

Even you, Mr. Grissom. A neighbor, a friend ... girl at the office.

[INT. POLICE DEPARTMENT - HALLWAY]

(The door opens. Paul Brady walks out of the hallway. Erin Brady walks out into the hallway. Sara is sitting in the hallway chair watching them. She watches as they meet and kiss.)

(Grissom walks up to Sara and takes the seat next to her. He's holding two culps. He hands her a cup of tea.)

LIKE!!!!!!!

Right after Erin ends her sentence with 'girl at the office', the first time Sara and Grissom meet again, he brings her tea. This might be an innocent interaction but to me it seemed like a nod to this relationship they have where both are into each other, know about the other's feelings, but can't/won't do anything about it (although Sara has kind of given Grissom an ultimatum). I don't know if it was intentional - I'm guessing it is, because I picked it up immediately. I might or might not have squealed in delight.

[emmavakarian-theirin]

🧂

[lewyn-martell]

.

[lemongrablothbrok]

I don't know what I'd consider to be the number one most irksome common vocabulary blunder in the English language, but the misuse of the word "penultimate" would have to be number two.

[fate-defiant]

'kay so I doodled another thing before bed, just to test the tool further. I wanted to see what I could do if I went beyond just a sketch with a bit of color slapped onto it. Not gonna lie after fiddling witth the brushes further I was a bit dissapointed - they're not unworkable, but the limitations are frustrating nonetheless. I ended up doing the lineart as though I was working with a mechanical pencil - set the brush size to being as thin as possible(i worked on a 800x600 pixel canvas here, for the record) and then just sorta went over the parts I wanted to be bolder several times. It didn't turn out great but that's more of a skill issue on my part.

All this isn't to say that's it's bad, for the record, the main goal of the people making this was clearly to make something for people to have fun together with and not a perfect clone of [insert your preffered drawing program here]. If I experimented further I could definitely figure out plenty of interesting things that can be done with just the free features, I just don't have the time or the patience tonight.

[prentissluvr]

tw long rant and swearing!

hey!! if you don't like something i wrote! shut the fuck up and move on!! thanks bye!! no hate is tolerated on this blog :)))

i don't care if you don't like the way i characterized someone in my story!! shut up and get a better hobby than hating on something someone has spent hours creating and pouring love into and accusing them of hating one of their favorite characters because you think that the fic they wrote FOR FUN and NOT FOR YOU is bad characterization/makes the character flawed in a way that you don't like because you have a poor understanding of what makes fanfiction fanfiction (and also humans human tbh lol). sure, they're maybe more flawed than in the actual show, but THATS THE FUCKING POINT OF FANFICTION!!! IS THAT ITS NOT A REAL PART OF THE SHOW!!! AND ITS WRITTEN!!! FOR FUNNNNN!!!!! AND NOT FUCKING FOR YOU AND YOUR FUCK ASS OPINIONS SPECIFICALLY!!!!!!!! and if you think it sucks, i don't care!! you are entitled to your opinion!!!! hate it so so so much but get the fuck over yourself if you think that telling me it's horrible and unrealistic and somehow creating a bad wrap FOR MY FAVORITE CHARACTER IN THIS SHOW is somehow a meaningful usage of your time or gonna get me to delete the fic or stop liking it or stop promoting my own hard work !!!! i'm proud of the things i write and nothing will ever change that. i hope you know what a shitty shitty shitty (and embarrassing) thing it is to do to leave a whole paragraph of hate under someone's hard work just because they interpret a fictional fucking character in a way that you don't like. genuinely genuinely get the fuck over yourself and find a better way to spend your time than caring more about fictional characters than real life people.

[little-laurance]

Not to stir up trouble, but the Aphmau fandom can be so hard to be in sometimes cause all of us have increasingly strong parasocial relationships with characters who kinda sucked

[jacksintention]

I really can't stand Gil

[steddieme]

in most fics i've read robin is grossed out when steve talks about his sex life, which is probably far more in character for her, but hear me out

imagine them discussing literally everything. like having no boundaries whatsoever.

one day robin mentions she's never seen a dick and she's curious what all the fuss is about.

robin: you have one

steve: yeah...?

robin: so show me

steve: ??

steve: sure, why not

when steve pulls down his pants, robin just stares at him with a blank face

robin: that's... it?

steve: what do you mean that's it??

robin: it looks sad

steve: ??? well, it's not hard rn, obviously???

robin: ugh, boring

steve: you want me to show you my hard dick?? is that what's happening rn?

robin: i mean yeah?

steve: your judgemental face is forever burned into my mind. i don't think i'll ever be able to get hard again.

then robin bursts into his room like a week later

robin: steve, you're a slut-

steve: hey!

robin: so you know your way around a vagina, right?? i need you to tell me if i have a rash or not

steve: do you not own a handheld mirror?

robin: i'm freaking out so much, i can't make a sound observation rn

steve: *sigh* alright

turns out robin does indeed have a rash and steve takes her to the doctor

at one point they lose all shame. steve regularly air dries while robin hangs out in his room. robin makes steve do her monthly breast self-exam. they check each other for ticks.

when steve and eddie start dating steve tells robin literally everything. robin knows way too much about eddie and she loves it.

robin comes over for movie night, eddie is already there

robin: how was your day?

steve: we slept in, then eddie fucked me, it was great-

eddie: *chokes*

steve: then we cooked lunch, there are some leftovers in the fridge, go ahead and eat. yours?

eddie: ???

robin: ugh, don't get me started-

eddie: wait wait wait, how did you just say that so casually?

stobin: ???

eddie: that i fucked you??

steve: i tell robin everything. i told you that. you said that's fine.

eddie: i didn't know that included our sex life?

steve: why wouldn't it? ... wait, oh no, are you not okay with that?? i'm sorry, i thought you knew??

eddie: oh no, it's fine! it just surprised me is all. y'all are real freaks, carry on

stobin: okay then

robin freaks out before her first date with a girl

robin: what if my vagina looks weird???

steve: are you planning to fuck her on the first date, buckley? and how many times do i have to tell you your vagina looks absolutely normal??

robin: no, i'm not, but it's still a valid concern!!! what if my vagina looks hideous to girls??

eddie, the silent observer: lol

steve: what are you even talking about... a vagina is a vagina, vagina lovers love all vaginas

robin: stop saying vagina

steve: vagina vagina vagina-

robin tackles him and they end up wrestling until steve yields

steve: okay okay,, as someone who's seen his fair share of coochies

robin: that's even worse

steve: yours looks perfectly fine.

eddie: wait, you've seen it?

stobin, staring at him: ...

eddie: right, dumb question

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[jaehaeryshater]

Gilly, Ygritte, and Monster in Winterfell

art by @shebsart, commissioned by me

Shebsart came through once again guys!!! I’m so excited ^_^

For about a year and a half, since I got into ASOIAF, I have admired Shebsart’s work. Their Theon in particular is the closest I’ve ever found to my vision of him, I adore his hooked nose (Asha’s too!). They also have such an amazing Barbrey design and the Starks, including Jon, are amazing. I have paid for some Ygritte commissions before with other artists, and I have liked all three of them, but when it comes to the closest look of what I think of when I imagine her book counterpart is some of Shebsart’s old pieces of her (and Jon). I was looking for someone to draw Gilly and Ygritte and there was nobody whose opinion that I held in higher regard than Shebsart, as they were my favorite ASOIAF artist, so I asked them if they had any recommendations of who had their commissions open. They told me they actually considering opening their commissions and I have been working with them ever since, even though as far as I know they have not formally opened commissions. Shebsart has been really great to work with and patient, even though there’s been some trouble with payment barriers since we live in very different parts of the world. They’ve been professional and worked hard.

I have long imagined the possibility of Gilly and Ygritte as friends; I thought it was high time I got it depicted in some way. I think it would really benefit Gilly if she had some female influences that weren’t family members. Of course, she does receive this to some extent, but I think it would be very interesting for her to find companionship with a girl around her age that shared the general Freefolk culture, although of course her upbringing was wildly different than Ygritte’s. We know that Ygritte has some sort of soft spot for young children, or at least some sort of moral code that keeps her from killing them. This is one trait shown in both the books and the show. In the show, while I don’t consider anything that happened to it as canon, she specifically spared Gilly and Monster knowing that the others around her would not. I don’t think it would be much of a stretch that Ygritte would grow attached to Monster and have a soft spot there, even though we know she hates incest and would therefore consider his conception an abomination. Everyone in ASOIAF is misogynistic to some extent and some of the things Ygritte says about women are toxic, but I would like to think she wouldn’t victim blame Gilly or call her a whore as Stannis did. I definitely see Ygritte as a strong woman who would want to protect and stand up for someone like Gilly. And Gilly has great compassion and is all around a good person, so I think a friendship would be good for the both of them.

In the depiction above, Ygritte is Queen in the North, consort to Jon. This fits in the same AU as my previous Jon and Ygritte commission by shripscapi. I’ve said this many times, I respect people who hate Jon x Ygritte and they have very valid reasons, but knowing Jon’s character, as long as Ygritte lives, which she would have in this AU as the Battle of Castle Black does not happen, there’s no other choice in Jon’s mind for consort for him as King Beyond the Wall. For the timeline of this art, Jon was first crowned King Beyond the Wall and he went South with his people to get away from and prepare to battle the Others, seeking help from other rulers. His men battle the Boltons and because neither Rickon or Bran have been found yet, he is declared King in the North as well for the time being. His residence is temporarily taken up in Winterfell and the Freefolk settle nearby in close quarters. Jon goes towards the Vale as he’s heard word about Sansa, but Ygritte stays behind with some of the Freefolk. This is when Gilly is her lady-in-waiting. I wanted to show that Ygritte’s clothes are nicer than Gilly’s, but I still wanted both outfits to be respectable. I wanted the fashion to be reasonable for a Northern climate, so that meant furs. Besides, they are both Freefolk and furs mean a lot to them culturally. I sent references for clothing and Shebsart went from there. Some people say Ygritte would never wear a dress but I disagree if it was comfortable enough and she was able to boss people around and be smug, I think she’d wear it as long as it was advantageous for her. And besides, I imagine that Jon designed the dress herself and that’s flattering enough for her to like it. What I did like to show is that Gilly is taking more towards traditional “ladylike” activities like embroidery, while Ygritte isn’t interested. She’d rather sit around and talk and laugh.

Oh, and isn’t baby Monster precious????

Edit: I’ve seen someone say they think Ygritte would hate her life if this is what it was like, and I’m not mad at it or anything, but I don’t agree!!! To clarify more about this AU, Jon becomes King Beyond the Wall because the Freefolk believe that only someone with Stark blood would be able to negotiate with the Others, so they’d be doomed without him. So therefore it’s not just about her feelings for Jon, she’s married to the person she believes will be able to save her people. The influence she has on him is also major and a source of pride for her. In the art above, she is living in Winterfell and yes she’s wearing a dress, but that isn’t her life forever. The reason she stays and doesn’t go with Jon to the Vale is not because she’s a woman and he refuses to let her fight, but because in the main timeline she has a child already (this art has a bit of a fudged timeline, if I were to write a fic on this idea she’d already have had a child before they breached the Wall) and if Jon were to die, the child still has Stark blood and would still be the only hope against the Others. If she had been South and had died with Jon (Jon doesn’t die at this point, but the prospect is why she stays behind), the child would have a regent with their own motivations and wouldn’t have its interests at heart like Ygritte would. This is an important role that I do think at the end of the day, despite Ygritte not being the smartest person, she would take pride and be protective over. It’s not simply that motherhood has changed her and is a role that took over her previous personality, because that’s not true. It’s that there are greater things at play and she’s a key part of protecting the source of the realm’s salvation, so to say. She doesn’t live at Winterfell forever and when at Winterfell, she does boss around some Lords but doesn’t do any chores that she would find tedious. The most she does is sew together a wolf plushie for her child, which was incredibly poorly done. When Bran and Rickon are eventually found and thus Jon doesn’t have the title of Winterfell, they settle in lands previously ruled by the Umbers and she doesn’t wear a dress anymore, I have another commission by shripscapi that shows her usual attire but it is furs, she does hunt, she teaches her children to hunt and falconry. Her traditions are not stomped out in favor of Southron traditions. Her home is not a castle, but a small home slightly more impressive than the huts of the rest of her people, inspired by architecture during the Norman invasion. All in all, she’s really happy. The most important thing to her is that her people are safe, the Others are going to be defeated, and they’ve gotten past the Wall, a goal of her people for a long time. I guess I’ve just had a different view of Ygritte and the Freefolk than majority opinion. I think the Freefolk are more adaptable than people in the South generally are, and it’s impressive how they rallied together despite their differences when faced with the Others. I don’t think the Seven Kingdoms would be able to do that. So I feel as if she, as well as most of her people, would be very happy and feel a sense of accomplishment for being able to live on and live among people that, before the threat of the Others, would never be able to tolerate them and vice versa.

[ordinaryschmuck]

With Gooseworx all but confirming that the Jax being an AI thing is bullshit, I personally want to talk about an interesting part about Jax that a lot of theorists used as "evidence" that validates the theory:

Jax's fourth wall breaks are a common topic brought up amongst the "Jax is an NPC" theory. After all, Caine broke the fourth wall in the pilot, knowing full well that the world of The Amazing Digital Circus isn't real and is talking to some unseen viewer as he introduces the Circus Crew.

There's also this bit of official art surrounding Jax's pin:

Where everyone else is inside their room, Jax is outside as pieces of the circus fall apart around him and all of reality to crash. Certainly lends itself to this idea that Jax knows he's not a real person and that his presence could cause great disruption to this world. And he doesn't care because none of it is real. Might as well have fun and cause chaos in a world that doesn't exist.

And I'll admit, all of this seems like valid claims for how the theory could be true. I saw it all and thought that it surely COULD be possible...but there are some things that stop me from being convinced.

Firstly, Caine breaking the fourth wall in the pilot doesn't really seem like an AI talking to the audience. It looks more like an AI programmed to talk to a player as a game boots up. What we saw in the opening could be more like a morning routine that he has to do at least once a day. Plus, we've yet to see any other NPC talk to the audience like Jax has. He explicitly called out the viewers in episode three, knowing full well he's being watched by SOMEONE. Or, at the very least, acting like he is. What do I mean by that? Well, to explain, I'd like to use one of my favorite fourth wall breakers as an example:

Deadpool, in most adaptations, knows fully well that he's a fictional character. He'll talk to the readers/viewers, move the camera around, and constantly talk shit to the writers/studio for occasionally screwing him over. It's all in good (Sometimes bloody) fun...but there's a canonical reason for this. It's not like She-Hulk where the fourth wall breaks are a way to tell HER stories HER way. You see, Deadpool...is just fucking insane.

No, really, that's the reason. Due to the trauma of gaining his powers, Deadpool's mind breaks and he's led to believe that he MUST be a fictional character. In comics, he actually gets voices in his head that makes him think he must be some comic book superhero, and the movies implied that something similar happened given how he never broke the fourth wall ONCE before getting his powers. This means him breaking the fourth wall could be seen as a coping mechanism. After all, it's better to believe you're a fictional character designed to entertain some invisible audience than believe that all of the shitty things that happened to you and people close to you is just a cruel joke from the universe.

Sound familiar?

Going back to the pilot, remember how Pomni's first instinct was to say that the Circus was all just a dream? To her, it's better to live in a lie that everything around her isn't real than to accept the reality that she's stuck in digital purgatory. Jax very well could be going through something similar, but unlike Pomni who seemed to just accept her reality, Jax never did. The trauma of being stuck in the Circus had led to his mind breaking just like Pomni's, Kinger's, and anyone else's. It's just that, for him, he thinks he's coping with it better because he discovered the secret that no one else did: None of this is real.

They're not actually people trapped in some hellscape while an AI unintentionally tortures them. They're all just fictional characters whose tragedies and silly antics are used to entertain viewers. I mean, it's either that or they're real people forever trapped in the circus with the closest thing to death being a full, psychotic break as they give up their sanity because they no longer want to exist in this hell anymore...But that possibly can't be true. Because if that IS true, then Jax has to face that he's a real person stuck in a real, awful situation that he can't joke his way out of. So, it's best to think nothing is real and nothing they do matter. So, might as well have fun with it.

Going back to the pin...

I don't think this is damning evidence about Jax being an NPC. Actually, it perfectly captures who he is as a character. He knows the circus isn't real. He even thinks HE isn't real. So instead of grappling with that, Jax lets himself believe that if nothing is real than nothing he does matters. He can break things, ruin lives, and assist in torturing the others in the circus. It's what he thinks will make the show more entertaining, even though all he's really entertaining is himself so his mind doesn't break more than it does.

Now, could the same apply if he's an NPC? Well...maybe. Gumigoo definitely proves how far someone could fall when they're told their world is fake. He was about ready to give up on life because he didn't think he had one. If Jax was an NPC, I could see him having a similar break, but going in the far opposite direction where, instead of giving up on life, he chooses to live the way HE wants it. Instead of being some one-off NPC for a lame adventure, he could go off on adventures of his own and ruin the lives of others now that his is thoroughly ruined.

However, Gooseworx makes a good point: "...a lot of people come up with theories based on how unexpected they'd be, and not because they make sense or align with the show's themes."

If Jax is an NPC, it would harm the overall message of the show. That there's meaning to be found in a stagnant life, and you find that meaning with people close to you who make that life worth living. Jax represents a sort of foil to that idea, with his way of coping with the madness being pure chaos and breaking others. It's his coping mechanism, and it works because it shows how human Jax really is. They're ALL human and they have human desires and wants, with the Circus pretty much stripping that away and leaving them...as they are now. They're emotionally broken, their sanity is decreasing, and some of them are losing all sense of self. By making Jax an NPC, it would definitely be surprising, but it would take away from that idea. It no longer makes him a human facing his own tragedy but instead an AI that's just as broken as Gummigoo. More than that, it gives the others an easy out. All the crew has to do is tell Caine that Jax is an NPC and POOF! No more annoyance. So making him someone who HAS to stay with the others and they're forever forced to deal with him also adds more to THEIR tragedy and torture.

Jax being an NPC is an interesting theory, but I don't think it's one that SHOULD be true. To me, it's more fascinating watching Jax treat the world around him as meaningless knowing he's a human instead of a rogue NPC breaking everything. And Gooseworx made it clear how they feel about it. Now, could it potentially be a mislead to get fans off the trail? Genuinely...I don't think so. That sounded very "I don't like this idea so it's not gonna happen" type of response. Still, we won't know until the show wraps up. Anything can happen, but don't get your hopes up if a character who does bad things to people that don't deserve it is more human than you think.

[kg-day]

I'm so tired of people telling those of us who are upset about the LA atla remake that we are "being too dramatic" or are just "finding things to be upset about". We are allowed to be upset that something that we love so dearly has been butchered, AGAIN. If you liked it, then that's your personal opinion, but don't sit here and tell those of us who didn't that we're the problem.

I personally think the CGI, costumes, and sets all look terrible. None of it is immersive. Sure, it LOOKS like atla, but it doesn't FEEL like atla. The heart of the og is gone, and people are allowed to be upset about this. They've altered characters to the point that they aren't the character anymore (looking at you Aang and Katara), which is a huge upset for me personally because Katara is one of my favorite characters ever. So watching her be turned into someone meek and docile is more than a slap to the face. Not to mention them removing her as the narrator as if Bryke themselves didn't state that Katara is the person the story is being told through. And before you start telling me that Aang is the same. No, he isn't. Major parts of his development through season 1 (him coming to terms with the fact that he's the avatar and embracing that role, and him also accepting the fact that he RAN AWAY and how he is never going to do that again, which is also pivotal to his character later on) are completely removed. And don't even get me started on what they did to Kataang. Regardless of whether you ship them or not, those 2 are deeply connected to one another from the start, and their relationship is a big part of the show, so to see that butchered is heartbreaking for me.

This isn't just about them "making some changes" or it not being a 1:1 adaptation. I'm fine with adaptations that aren't 1:1. What I'm upset about is that the changes they are making are VITAL changes to characters and dynamics between characters. They're rushing through the plot and condensing the story (and I will scream if I hear one more person say that it's because they couldn't fit it all in with their runtime. The runtime is an HOUR LONGER than the og, so yes, they did have the time). The changes they are making make it evident that they do not understand the og show, and if you don't feel like that, fine, once again, that's YOUR opinion, just as this is MY opinion. So stop telling us we have no right to be upset and that we just want to hate everything. That's not true. What is true is that we are expressing valid complaints about another bad adaptation of something dear to us.

Edit: If you also come at people who are upset bc they were expecting a faithful adaptation and didn't get it bc "its not supposed to be the cartoon," you're missing the whole point. An adaptation is ADAPTING SOMETHING from one medium to the other, not rewriting it. "Yall expected it to be just like the cartoon." No, I expected a FAITHFUL ADAPTATION and was met with poorly written fanfiction.

[tocomplainfriend]

Vivziepop is still Transphobic 10 years later!

(I'm writing this as a trans non-binary person btw)

Basically: "Transmen are only depressed females who are ashamed of being women" In other screenshots, she has another pfp, which people already knew she had a Blitz pfp, people thought it was fake cause of the moe pfp. But right here there was proved it was her. Dates match up and all. This is all in 2023!

This is directly from Ken btw, who they were friends with- and worked on Hazbin. Also wrote a most of the fucking pilot and got ""additional writing" credits... plus the Cherry bomb thing too!

"I honestly believe it's incredibly rare, VALID as hell, but rare"

Based on this few messages alone, you should realize her ""acceptance"" of trans-people is selective as fuck. She also NEEDED to state the trans people are rare, so bad here too. I as a trans person, I have always considered this a BIG red flag! Because people who say that are ready to invalidate others on the idea of "trans people are rare, you must not be trans because you don't fit my standard!"

Here she is using She/Her on Ken who uses only They/Them. She already knew Ken as a friend, so the misgendering here is just rotten.

All of this is recent as fuck! Since Hazbin was getting made until 2023! This one below, of Salem, shows xe experienced the same thing during the start of Helluva Boss. (Below there is a link to a threat talking about Viv being terrible to xem!)

Here also seems to be another trans character, from millie's siblings! Designed to be transmasc?

Oh fuck me, never mind! They changed his design to be a cis male imp.

I have already talked about how I personally feel about how Sallie may is treated! Viv treats all trans characters and people terrible, and she has something against transmasc people specially. -And for someone so selectively transphobic, with all of her comments-she is transphobic against Non-binary people! I mean, she already didn't respect the usage of them/they pronouns, so... She can not go around saying this shit of telling queer stories and people who critique me are being homophobic WHEN SHE IS LIKE THIS.

This is older, too! Viv has being transphobic back then and still is! Drawing a caricature of a transman you don't like -like this!?

This is a meme video that Vivziepop did too. This is rotten. People sure can change, but this woman has being transphobic over 10 years, like... I don't know how old is this character but- you can search fan art of this character since 2015...

Again please read: