#I did all my characters someone validate me

[xxplastic-cubexx]

adding onto the size difference thing they had to make james wear heels in first class to make him taller 😭

chat quick who has that fuckin promo pic for dofp where james is wearing wedges and he's next to michael because i've been reminded of it and imvl eavkjalkjvlwkvj

[moeblob]

Deacon loves two things: Ymber and digging himself a grave.

Fulj hates one thing: Deacon.

[best-enemies]

I've reached season 5 on my CSI rewatch and I'm a few episodes past "Swap Meet", where a woman is murdered after attending a swing party with other couples from the neighbourhood. Near the end of the episode there's a moment that made me jump from my seat:

(Grissom walks up to Sara and takes the seat next to her. He's holding two cups. He hands her a cup of tea.)

[INT. POLICE DEPARTMENT - BRASS' OFFICE]

Erin Brady: Everybody fantasizes about other people. (She glances at Grissom.)

Even you, Mr. Grissom. A neighbor, a friend ... girl at the office.

[INT. POLICE DEPARTMENT - HALLWAY]

(The door opens. Paul Brady walks out of the hallway. Erin Brady walks out into the hallway. Sara is sitting in the hallway chair watching them. She watches as they meet and kiss.)

(Grissom walks up to Sara and takes the seat next to her. He's holding two culps. He hands her a cup of tea.)

LIKE!!!!!!!

Right after Erin ends her sentence with 'girl at the office', the first time Sara and Grissom meet again, he brings her tea. This might be an innocent interaction but to me it seemed like a nod to this relationship they have where both are into each other, know about the other's feelings, but can't/won't do anything about it (although Sara has kind of given Grissom an ultimatum). I don't know if it was intentional - I'm guessing it is, because I picked it up immediately. I might or might not have squealed in delight.

[lemongrablothbrok]

I don't know what I'd consider to be the number one most irksome common vocabulary blunder in the English language, but the misuse of the word "penultimate" would have to be number two.

[fate-defiant]

'kay so I doodled another thing before bed, just to test the tool further. I wanted to see what I could do if I went beyond just a sketch with a bit of color slapped onto it. Not gonna lie after fiddling witth the brushes further I was a bit dissapointed - they're not unworkable, but the limitations are frustrating nonetheless. I ended up doing the lineart as though I was working with a mechanical pencil - set the brush size to being as thin as possible(i worked on a 800x600 pixel canvas here, for the record) and then just sorta went over the parts I wanted to be bolder several times. It didn't turn out great but that's more of a skill issue on my part.

All this isn't to say that's it's bad, for the record, the main goal of the people making this was clearly to make something for people to have fun together with and not a perfect clone of [insert your preffered drawing program here]. If I experimented further I could definitely figure out plenty of interesting things that can be done with just the free features, I just don't have the time or the patience tonight.

[prentissluvr]

tw long rant and swearing!

hey!! if you don't like something i wrote! shut the fuck up and move on!! thanks bye!! no hate is tolerated on this blog :)))

i don't care if you don't like the way i characterized someone in my story!! shut up and get a better hobby than hating on something someone has spent hours creating and pouring love into and accusing them of hating one of their favorite characters because you think that the fic they wrote FOR FUN and NOT FOR YOU is bad characterization/makes the character flawed in a way that you don't like because you have a poor understanding of what makes fanfiction fanfiction (and also humans human tbh lol). sure, they're maybe more flawed than in the actual show, but THATS THE FUCKING POINT OF FANFICTION!!! IS THAT ITS NOT A REAL PART OF THE SHOW!!! AND ITS WRITTEN!!! FOR FUNNNNN!!!!! AND NOT FUCKING FOR YOU AND YOUR FUCK ASS OPINIONS SPECIFICALLY!!!!!!!! and if you think it sucks, i don't care!! you are entitled to your opinion!!!! hate it so so so much but get the fuck over yourself if you think that telling me it's horrible and unrealistic and somehow creating a bad wrap FOR MY FAVORITE CHARACTER IN THIS SHOW is somehow a meaningful usage of your time or gonna get me to delete the fic or stop liking it or stop promoting my own hard work !!!! i'm proud of the things i write and nothing will ever change that. i hope you know what a shitty shitty shitty (and embarrassing) thing it is to do to leave a whole paragraph of hate under someone's hard work just because they interpret a fictional fucking character in a way that you don't like. genuinely genuinely get the fuck over yourself and find a better way to spend your time than caring more about fictional characters than real life people.

[juusasu4evagrrl]

Genuine question, does anyone want to hear about naruto from the prospective of a Liberian person grappling with the generational trauma of a brutal civil war or is that too heavy??

Like there's, I like sasuke cause he's a cool dude, very wholesome do tell, and then there's, I like sasuke cause the government also tried to eradicate my people group that one time and holding empathy for that dumbass kid teaches me to examine a my own experiences with compassion, honestly what a downer like who cares.

I don't know thoughts???

[little-laurance]

Not to stir up trouble, but the Aphmau fandom can be so hard to be in sometimes cause all of us have increasingly strong parasocial relationships with characters who kinda sucked

[jacksintention]

I really can't stand Gil

[quiescentdestiny]

.

[steddieme]

in most fics i've read robin is grossed out when steve talks about his sex life, which is probably far more in character for her, but hear me out

imagine them discussing literally everything. like having no boundaries whatsoever.

one day robin mentions she's never seen a dick and she's curious what all the fuss is about.

robin: you have one

steve: yeah...?

robin: so show me

steve: ??

steve: sure, why not

when steve pulls down his pants, robin just stares at him with a blank face

robin: that's... it?

steve: what do you mean that's it??

robin: it looks sad

steve: ??? well, it's not hard rn, obviously???

robin: ugh, boring

steve: you want me to show you my hard dick?? is that what's happening rn?

robin: i mean yeah?

steve: your judgemental face is forever burned into my mind. i don't think i'll ever be able to get hard again.

then robin bursts into his room like a week later

robin: steve, you're a slut-

steve: hey!

robin: so you know your way around a vagina, right?? i need you to tell me if i have a rash or not

steve: do you not own a handheld mirror?

robin: i'm freaking out so much, i can't make a sound observation rn

steve: *sigh* alright

turns out robin does indeed have a rash and steve takes her to the doctor

at one point they lose all shame. steve regularly air dries while robin hangs out in his room. robin makes steve do her monthly breast self-exam. they check each other for ticks.

when steve and eddie start dating steve tells robin literally everything. robin knows way too much about eddie and she loves it.

robin comes over for movie night, eddie is already there

robin: how was your day?

steve: we slept in, then eddie fucked me, it was great-

eddie: *chokes*

steve: then we cooked lunch, there are some leftovers in the fridge, go ahead and eat. yours?

eddie: ???

robin: ugh, don't get me started-

eddie: wait wait wait, how did you just say that so casually?

stobin: ???

eddie: that i fucked you??

steve: i tell robin everything. i told you that. you said that's fine.

eddie: i didn't know that included our sex life?

steve: why wouldn't it? ... wait, oh no, are you not okay with that?? i'm sorry, i thought you knew??

eddie: oh no, it's fine! it just surprised me is all. y'all are real freaks, carry on

stobin: okay then

robin freaks out before her first date with a girl

robin: what if my vagina looks weird???

steve: are you planning to fuck her on the first date, buckley? and how many times do i have to tell you your vagina looks absolutely normal??

robin: no, i'm not, but it's still a valid concern!!! what if my vagina looks hideous to girls??

eddie, the silent observer: lol

steve: what are you even talking about... a vagina is a vagina, vagina lovers love all vaginas

robin: stop saying vagina

steve: vagina vagina vagina-

robin tackles him and they end up wrestling until steve yields

steve: okay okay,, as someone who's seen his fair share of coochies

robin: that's even worse

steve: yours looks perfectly fine.

eddie: wait, you've seen it?

stobin, staring at him: ...

eddie: right, dumb question

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[k8lynjoy]

I'm so tired of people telling those of us who are upset about the LA atla remake that we are "being too dramatic" or are just "finding things to be upset about". We are allowed to be upset that something that we love so dearly has been butchered, AGAIN. If you liked it, then that's your personal opinion, but don't sit here and tell those of us who didn't that we're the problem.

I personally think the CGI, costumes, and sets all look terrible. None of it is immersive. Sure, it LOOKS like atla, but it doesn't FEEL like atla. The heart of the og is gone, and people are allowed to be upset about this. They've altered characters to the point that they aren't the character anymore (looking at you Aang and Katara), which is a huge upset for me personally because Katara is one of my favorite characters ever. So watching her be turned into someone meek and docile is more than a slap to the face. Not to mention them removing her as the narrator as if Bryke themselves didn't state that Katara is the person the story is being told through. And before you start telling me that Aang is the same. No, he isn't. Major parts of his development through season 1 (him coming to terms with the fact that he's the avatar and embracing that role, and him also accepting the fact that he RAN AWAY and how he is never going to do that again, which is also pivotal to his character later on) are completely removed. And don't even get me started on what they did to Kataang. Regardless of whether you ship them or not, those 2 are deeply connected to one another from the start, and their relationship is a big part of the show, so to see that butchered is heartbreaking for me.

This isn't just about them "making some changes" or it not being a 1:1 adaptation. I'm fine with adaptations that aren't 1:1. What I'm upset about is that the changes they are making are VITAL changes to characters and dynamics between characters. They're rushing through the plot and condensing the story (and I will scream if I hear one more person say that it's because they couldn't fit it all in with their runtime. The runtime is an HOUR LONGER than the og, so yes, they did have the time). The changes they are making make it evident that they do not understand the og show, and if you don't feel like that, fine, once again, that's YOUR opinion, just as this is MY opinion. So stop telling us we have no right to be upset and that we just want to hate everything. That's not true. What is true is that we are expressing valid complaints about another bad adaptation of something dear to us.

Edit: If you also come at people who are upset bc they were expecting a faithful adaptation and didn't get it bc "its not supposed to be the cartoon," you're missing the whole point. An adaptation is ADAPTING SOMETHING from one medium to the other, not rewriting it. "Yall expected it to be just like the cartoon." No, I expected a FAITHFUL ADAPTATION and was met with poorly written fanfiction.

[ordinaryschmuck]

With Gooseworx all but confirming that the Jax being an AI thing is bullshit, I personally want to talk about an interesting part about Jax that a lot of theorists used as "evidence" that validates the theory:

Jax's fourth wall breaks are a common topic brought up amongst the "Jax is an NPC" theory. After all, Caine broke the fourth wall in the pilot, knowing full well that the world of The Amazing Digital Circus isn't real and is talking to some unseen viewer as he introduces the Circus Crew.

There's also this bit of official art surrounding Jax's pin:

Where everyone else is inside their room, Jax is outside as pieces of the circus fall apart around him and all of reality to crash. Certainly lends itself to this idea that Jax knows he's not a real person and that his presence could cause great disruption to this world. And he doesn't care because none of it is real. Might as well have fun and cause chaos in a world that doesn't exist.

And I'll admit, all of this seems like valid claims for how the theory could be true. I saw it all and thought that it surely COULD be possible...but there are some things that stop me from being convinced.

Firstly, Caine breaking the fourth wall in the pilot doesn't really seem like an AI talking to the audience. It looks more like an AI programmed to talk to a player as a game boots up. What we saw in the opening could be more like a morning routine that he has to do at least once a day. Plus, we've yet to see any other NPC talk to the audience like Jax has. He explicitly called out the viewers in episode three, knowing full well he's being watched by SOMEONE. Or, at the very least, acting like he is. What do I mean by that? Well, to explain, I'd like to use one of my favorite fourth wall breakers as an example:

Deadpool, in most adaptations, knows fully well that he's a fictional character. He'll talk to the readers/viewers, move the camera around, and constantly talk shit to the writers/studio for occasionally screwing him over. It's all in good (Sometimes bloody) fun...but there's a canonical reason for this. It's not like She-Hulk where the fourth wall breaks are a way to tell HER stories HER way. You see, Deadpool...is just fucking insane.

No, really, that's the reason. Due to the trauma of gaining his powers, Deadpool's mind breaks and he's led to believe that he MUST be a fictional character. In comics, he actually gets voices in his head that makes him think he must be some comic book superhero, and the movies implied that something similar happened given how he never broke the fourth wall ONCE before getting his powers. This means him breaking the fourth wall could be seen as a coping mechanism. After all, it's better to believe you're a fictional character designed to entertain some invisible audience than believe that all of the shitty things that happened to you and people close to you is just a cruel joke from the universe.

Sound familiar?

Going back to the pilot, remember how Pomni's first instinct was to say that the Circus was all just a dream? To her, it's better to live in a lie that everything around her isn't real than to accept the reality that she's stuck in digital purgatory. Jax very well could be going through something similar, but unlike Pomni who seemed to just accept her reality, Jax never did. The trauma of being stuck in the Circus had led to his mind breaking just like Pomni's, Kinger's, and anyone else's. It's just that, for him, he thinks he's coping with it better because he discovered the secret that no one else did: None of this is real.

They're not actually people trapped in some hellscape while an AI unintentionally tortures them. They're all just fictional characters whose tragedies and silly antics are used to entertain viewers. I mean, it's either that or they're real people forever trapped in the circus with the closest thing to death being a full, psychotic break as they give up their sanity because they no longer want to exist in this hell anymore...But that possibly can't be true. Because if that IS true, then Jax has to face that he's a real person stuck in a real, awful situation that he can't joke his way out of. So, it's best to think nothing is real and nothing they do matter. So, might as well have fun with it.

Going back to the pin...

I don't think this is damning evidence about Jax being an NPC. Actually, it perfectly captures who he is as a character. He knows the circus isn't real. He even thinks HE isn't real. So instead of grappling with that, Jax lets himself believe that if nothing is real than nothing he does matters. He can break things, ruin lives, and assist in torturing the others in the circus. It's what he thinks will make the show more entertaining, even though all he's really entertaining is himself so his mind doesn't break more than it does.

Now, could the same apply if he's an NPC? Well...maybe. Gumigoo definitely proves how far someone could fall when they're told their world is fake. He was about ready to give up on life because he didn't think he had one. If Jax was an NPC, I could see him having a similar break, but going in the far opposite direction where, instead of giving up on life, he chooses to live the way HE wants it. Instead of being some one-off NPC for a lame adventure, he could go off on adventures of his own and ruin the lives of others now that his is thoroughly ruined.

However, Gooseworx makes a good point: "...a lot of people come up with theories based on how unexpected they'd be, and not because they make sense or align with the show's themes."

If Jax is an NPC, it would harm the overall message of the show. That there's meaning to be found in a stagnant life, and you find that meaning with people close to you who make that life worth living. Jax represents a sort of foil to that idea, with his way of coping with the madness being pure chaos and breaking others. It's his coping mechanism, and it works because it shows how human Jax really is. They're ALL human and they have human desires and wants, with the Circus pretty much stripping that away and leaving them...as they are now. They're emotionally broken, their sanity is decreasing, and some of them are losing all sense of self. By making Jax an NPC, it would definitely be surprising, but it would take away from that idea. It no longer makes him a human facing his own tragedy but instead an AI that's just as broken as Gummigoo. More than that, it gives the others an easy out. All the crew has to do is tell Caine that Jax is an NPC and POOF! No more annoyance. So making him someone who HAS to stay with the others and they're forever forced to deal with him also adds more to THEIR tragedy and torture.

Jax being an NPC is an interesting theory, but I don't think it's one that SHOULD be true. To me, it's more fascinating watching Jax treat the world around him as meaningless knowing he's a human instead of a rogue NPC breaking everything. And Gooseworx made it clear how they feel about it. Now, could it potentially be a mislead to get fans off the trail? Genuinely...I don't think so. That sounded very "I don't like this idea so it's not gonna happen" type of response. Still, we won't know until the show wraps up. Anything can happen, but don't get your hopes up if a character who does bad things to people that don't deserve it is more human than you think.

[phddyke]

Hazbin Hotel is actually healing my inner ex-Christian so hard.

No joke, I nearly started cheering when Lute called Charlie and Vaggie’s love “vile and blasphemous” (and then burst out laughing when Adam immediately followed it up with “Hot as fuck though”). I know that may sound weird considering that I am, in fact, a lesbian, but here me out:

Seeing Christians being explicitly homophobic onscreen? It validates me. It makes me think “Oh yeah, I’m not crazy, Christians are that hateful!” And, call me crazy, but I think homophobia being tied in with villainy is a good thing. Neither Adam or Lute are supposed to be good people; they are very obviously the villain, and that establishes their behavior as bad. Someone on Twitter said that Lute gave them religious fanatic vibes and I couldn’t agree more.

And here’s the thing, too: it’s explicit homophobia, not some dumb metaphor. There’s no way to take it as anything else. And I really need that. I need to see Christians being explicitly homophobic onscreen in the same way that other people need and create worlds where homophobia doesn’t exist.

But me? I want my pain and suffering acknowledged. I want the harm that Christianity does acknowledged. Homophobia is real and the religious kind doubly so. I related to Vaggie so much in that episode; I felt her trepidation about going back to Heaven. Felt like a good metaphor for escaping a fundamentalist church only to be forced to visit again.

And Viv is not afraid to explicitly point this out and criticize them. Like, yes! Say it! They are hypocrites! They don’t care about people being better, they only care about punishment! They maimed one of their own and left her to die because she spared a child! They’re homophobic freaks! They would never see the good that Angel does and how he’s improved and is wonderful, they only see that he’s a drug addict and a sex worker and think he’s worthless for that even though Jesus broke bread with sex workers and people considered the dregs of society. (And of course Angel is gay on top of that.)

And another thing: not only did the Adam line make me laugh, but the second homophobic Lute line about “he blew his shot like the cocks in his mouth” cracked me up too. It reminded me of the pilot where Katie Killjoy said “I don’t touch the gays” to Charlie, which is a line that made me laugh for 4+ years straight. When I told my brother that was the funniest homophobia I’d ever heard in media, he very wisely said, “All homophobia is funny if you think about it.” And you know what? He’s right. It is funny, because it’s so fundamentally goddamn stupid, so let’s give characters ridiculous lines so everyone can laugh at how idiotic they and their beliefs sound.

[james-bucky-barnackle]

Froyo

Synopsis: During a premiere red carpet with Drew, an interviewer’s question accidentally reveals that a seemingly ordinary dinner was actually Drew’s attempt at a first date covered by two random tiktoks. Pairing: Drew Starkey x Actress!Reader Word Count: IDK I'm too sleep deprived to count A/N: I know I still owe you guys a Gwayne Hightower fanfic, but the chokehold Drew fucking Starkey has on me is insane. btw, I realized this is the second time I've created a fic based on real people vs the normal Marvel character thingy I do. And to be honest, there's gonna be a lot more... so maybe I should make this a series considering they're all triggered by an interview and Y/N's always an actress lol. ALSO at the end, there's a poll on what you think should happen next, and best believe I'll do my best to write that.

There’s an edit circulating on TikTok of you and your co-star Drew Starkey from your red carpet interview together. You’re both starring in an Amazon limited series about college classmates who become close after witnessing your professor’s murder and are now on a shared mission to solve the crime. You’ve known him closely for a year now, but have been following his career even before that. I mean, who wouldn’t? The man is gorgeous. But of course, you couldn’t let him know that.

As shooting began, the two of you grew closer, and you decided to be professional and put that whole fascination aside. You’ve both even dated other actors and celebrities, which have also been topics for gossip channels and paparazzi photos. Despite all that, you’ve hung out plenty, mostly in groups but also during breaks in filming—often grabbing lunch and coffee together.

Today, you and Drew are laughing as you finally see the edit that’s been at the top of both your PR’s nightmare list.

You’re dressed in an elegant beige gown, skin-tight and slightly sheer, which Carrie Bradshaw would definitely call the naked dress. Your hair is pulled back in a low bun, bangs effortlessly framing your face. You’ve just arrived at the red carpet, taking your time to chat with interviewers. The first few questions are light, mostly about how fun it was working on set and, of course, what you're wearing.

After a few minutes, Drew catches up to you. He’s in a baby blue suit, sepia shades covering his eyes, smelling incredible. His presence is like a tight, warm hug—well, a little tighter on your chest. His voice sends tingles down your spine as he whispers, one hand casually placed on the small of your back.

“What did I miss?” He smiles at you and the interviewer.

“Oh, nothing much, I was just telling Amelia how you’re always late to everything.” You smirk, shooting a playful look at the camera. Amelia, your interviewer, raises her eyebrows dramatically, playing along. Both of you laugh as Drew backs away, feigning offense.

“I’ve been here since like—” He starts to defend himself.

“Like five minutes ago,” you say, rolling your eyes.

“Valid,” he agrees with a shrug, laughing.

Amelia continues her interview, moving on to ask about the possibility of a second season.

“I mean, yeah, I’d love to do a second season, for sure,” you nod, glancing at Drew, who’s nodding along, letting you take the lead. “But I’m not sure if it makes sense, since it was originally written as a one-season story. For that to happen, someone might have to die again so Kelsea and James can investigate something new.”

Kelsea and James are the names of the characters you play—who, of course, end up dating on the show.

“So you’re saying someone has to die for the two of you to get back together on set?” Amelia jokes, her deadpan delivery only making it funnier.

“I mean, I don’t know!” You laugh. “You’re twisting my words, Amelia!”

“I honestly think you just don’t want to hang out with me anymore, Y/N,” Drew chimes in, a playful pout on his face. “I’m hurt.”

“Is that why there wasn’t a second date?” Amelia asks, teasingly. Her tone is light, but the question lands hard. Drew’s eyes widen in surprise, his smile freezing as if even he didn’t see that one coming. He covers his mouth, trying not to laugh while you stand there, looking utterly confused.

“Second date? What?” You laugh, trying to figure out if this is some sort of red carpet joke you weren’t briefed on. You glance at Drew, who’s just shaking his head, still grinning but not offering any explanations.

You lower your voice, leaning towards him, “What is she—what date?” You chuckle awkwardly, trying to maintain your cool, though the confusion is clearly written all over your face. Drew glances at Amelia, then back at you, and you can tell he feels a little bad now.

Finally, after what feels like an eternity of awkward silence, Drew admits, “When we got dinner and froyo.” He says it so nonchalantly that it takes you a second to process.

“That was a date?!” you whisper-yell, smacking his arm, your jaw practically hitting the floor. “You said it was just dinner!”

“I know!” Drew laughs, his cheeks turning a little pink. “I said that because I thought you didn’t like me back! I was sending out signals!”

“What signals?” you ask, still reeling from the shock. “That’s unfair, you said it was just dinner! I feel so bad—I didn’t know!” You place your hand on his arm, squeezing it apologetically. You’re both laughing now, but you’re also genuinely flustered.

“I did tell you!” Drew protests. “I said, ‘Do you want to have dinner with me?’ And you were like, ‘Are we bringing Madz along?’ And when I said no, you were like, ‘Why?’”

“That is not enough, Drew!” You laugh, cheeks burning with embarrassment. Your PR team is probably dying, but at least this little moment might boost some publicity for the show. You actually remember the video Amelia might be referring to; your assistant had sent it to you a few months back. You found it interesting and even funny because you honestly thought it was just a fan shipping the two of you together—cutting together videos and photos of you and Drew when you were out to eat. You try to recall what that day was like and pick apart whatever signals Drew was referring to, but you really can’t remember anything different from the way he’s interacted with you since you two first met.

You realize the gag has gone on long enough and decide to wrap it up before the awkwardness can escalate further.

“Amelia, I’m so sorry about this,” you say with a dramatic sigh, trying to regain your composure. “Even while confessing his undying love for me, he’s still late. Men, what can you do?”

Drew, still chuckling, wraps an arm around you and presses a soft kiss to your forehead, his way of apologizing. You feel a warmth settle over you, even as your mind is still catching up to everything.

The camera flashes pop around you, and suddenly, those TikTok edits of you looking perpetually confused start to make a little more sense.

When the premiere starts, halfway through the screening, you excuse yourself to the bathroom. You check your makeup, but instead of heading straight back to the theater, you decide to take a moment. The whole "date reveal" situation has thrown you off more than you realized, and you need a second to process it. You stare at your reflection in the mirror, replaying the interview in your head. You haven't had the chance to talk to Drew about it since, and the thought lingers in the back of your mind. You don’t want another clueless moment to make it into the tabloids.

You wash your hands, fix your makeup, and prepare to head back out. But as you step through the door, you see Drew standing there, waiting.

“Well, look who it is—the jokester,” you say, crossing your arms with a mock grin. “Here to ask me out on another one-sided date?”

Drew smirks, stepping closer. “Huh? What are you talking about? I’m just here to pee,” he teases, nudging your shoulder.

“Not funny,” you mutter, rolling your eyes but feeling a smile tug at the corner of your mouth.

“Hey, I’m sorry.” His smile softens, and for the first time since the red carpet, you can tell he actually feels a little guilty. “I really am.”

“You should be!” You huff, but your tone is playful now, your annoyance melting away as you meet his eyes. "That was so long ago."

Drew takes a step closer, and you suddenly become very aware of the quietness around you. It’s just the two of you now, the noise of the premiere distant, almost forgotten. His gaze flickers to your lips for just a second, and your heart skips a beat.

“Y/N…” He hesitates, like he’s trying to find the right words. “About that second date…”

“You mean actual first date?” you correct him, raising an eyebrow, trying to keep your cool.

Drew pauses, then chuckles softly. “Yeah,” he admits, rubbing the back of his neck. “Actual first date. What do you think?”

You stare at him, caught off guard. You weren’t expecting him to just put it out there like that. His easygoing nature usually means he hides behind jokes or avoids direct confrontation. But now, with no cameras, no noise—just you and him—he’s being sincere.

“You know,” you say, your voice quieter now, “if you made it clear the first time, I still would’ve said yes.”

Drew’s eyes widen slightly, and a smile slowly spreads across his face. “Really?”

“Yeah,” you nod, feeling a mix of relief and excitement. “Really.”

His grin widens, and there’s something boyishly excited about it, like you’ve just given him the best news of the day. “No froyo this time, I promise.”

“Good,” you laugh. “Because that wasn’t a date.”

“Duly noted.” He steps closer, his hand brushing yours, and this time it doesn’t feel accidental. His fingers curl around yours lightly, the touch sending a spark through you.

“You know, we could leave early,” he suggests, glancing back towards the theater. “Skip the rest of the screening, maybe grab some dinner… somewhere where I make it clear it’s a date.”

You bite your lip, considering it, but your eyes narrow playfully. “And deal with the wrath of our PR teams later? You must love living dangerously.”

He chuckles, shaking his head. “You make a good point. But I promise, after all the photos, after all the interviews... we’ll do this right.”

You nod, smiling at him. “I’ll hold you to that.”

With that, you both walk back into the theater. His hand lingers on yours for a moment longer before he finally lets go, and even as you take your seats for the rest of the screening, the air between you has changed.

You glance at him once more, feeling that familiar warmth return, only this time, it’s not confusing or awkward.

The noise of the film dims around you, though you’re still hyper-aware of the room, the hundreds of eyes on the screen, and the occasional flash from the press in the back. Drew leans back in his seat, arms crossed loosely, but he’s not watching the movie either. Instead, he looks over at you, catching your eye.

You feel the heat rise in your cheeks, and you quickly face forward, pretending to focus on the movie. But then, from the corner of your vision, you feel him move slightly closer. The tension that was always there, that you’d pushed aside so many times, is undeniable now.

After the premiere ends, there’s the usual round of applause and the hum of people slowly rising to leave. Drew stands up first, offering you his hand, and even though you can stand up just fine on your own, you take it. There’s something about that gesture that feels significant—like you’ve crossed a line you didn’t realize you were approaching until now.

You’re both still in work mode, nodding and smiling at the industry people you pass, but the moment you’re outside, the cool night air hitting your face, Drew turns to you, a glint of mischief in his eyes.

“Alright,” he says, running a hand through his hair. “How do you feel about grabbing that dinner tonight?”

You blink, caught off guard by how fast he’s moving. “Tonight? We just got out of the premiere,” you laugh, though there’s excitement bubbling under the surface. “I know, but if I wait any longer, who knows what crazy schedules we’ll get caught up in again.” He steps closer, his smile genuine, warm. “I’ve waited this long to actually do it right. What’s a few more hours?"

“Alright,” you say, a grin breaking through. “Let’s do it. Dinner—our actual first date.”

His eyes light up. “Great. I know a place.”

The restaurant Drew takes you to is tucked away, quiet and intimate, and you laugh at how quaint it is, most of the other diners are old enough to be your grandparents. You feel comfort knowing most of them don't have phones let alone know who the both of you are. For all they care, you could be two kids coming home from a costume party just ending the night with a bite.

“So,” you say as you both sit down, menus in hand but neither of you really looking at them. “This is what a proper date feels like, huh?”

Drew leans back in his chair, grinning. “Better than froyo, right?”

You laugh, rolling your eyes. “Significantly better.”

There’s a moment of comfortable silence, the kind where you both just look at each other and realize this is happening—really happening. You’re on a date with Drew, and it’s not some PR stunt or a casual hangout. It’s real. And for the first time, you’re letting yourself want it. "You think they're wondering why we're over dressed?" You hide behind a menu. "Overdressed? Excuse me? This is what I wear everyday." Drew retorts, making you chortle.

“So,” you say, resting your chin on your hand, “What’s the plan after this? Froyo?”

Drew chuckles, shaking his head. “You’re never going to let me live that down, are you?”

“Not a chance.”

He grins, eyes glinting with that same playful energy you’ve always liked. “Well, I’ll make sure tonight’s memorable enough that it overshadows that.”

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