#I could write an essay here with all the things I like so much about him but we have a tag limit so :))

[emilija04acer]

Jayvik fics list (pt 1)

(+ some Jayvikmel)

They are soulmates, Your Honor, whether platonic or romantic is irrelevant.

Firstly, here is an essay by isdisorigionale. Yes, they apparently wanted to write about a brotherly relationship. But it doesn't really read like that, in my opinion.

An Aroace Analysis of Jayvik—Not Necessarily Romance, Absolutely Not “Bros”

Their summary>

An essay I wrote in 90 minutes 2 hours after finishing Season 2 Act 3. Notably, those two hours were spent screaming to my friends on how fucking generational that Jayvik was.

Or: They obviously didn't need to make them make out to show how much they love each other, but I’m also pissed at how apparently this is being called a bromance like ?????

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Now onto the fanfics >

Green is my thoughts on the fics.

Those are shorter fics that I read...After the finale, fanfiction is helping me cope. I'll make a separate list with older and longer fics.

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You're Dreaming by Skullsz_Writes

Viktor & Jayce are researching in the library, but Jayce falls asleep...

Short and sweet fic about Viktor crushing on Jayce in season 1

An Epilogue by GwenEani

In the countryside of Demacia two men arrive one day, no one knows anything about them, no one even knows their names for certain. But they know one thing: they are partners and are here to stay.

What if Jayce and Viktor didn't die in each other's arms but were teleported away and were living domestic lives? There are a lot of these here, and rightfully so. They deserve some happiness.

to rot and ruin by ember360

The first words Viktor says to Jayce are immortalised on Jayce's wrist. The first words Jayce says to Viktor... are not what he thinks.

Soulmate AU for these two was a need. I love Soul Mark fanfictions.

Fortune Kooky by setbet

“And you end up with… a beard!” she exclaimed pointing at Jayce’s face.

Viktor rolled his eyes while Jayce looked on, amazed at her prophecy.

“And then…” she turned her gaze to Viktor. “You turn into a robot!” cried out the fortune teller, falling back in fear. “A terrifying robot bent on taking over the world!”

“Eh, sounds fake,” said Viktor.

“Viktor, don't be rude!” said Jayce, but starting to feel a bit doubtful at this point.

A fic about two academy boys visiting a completely accurate fortune teller.

Universal Constants. by Azurita25

“Yes, well… there is also the idea of constants, no? Universal constants. Gravity is always present, the Earth always spins around the sun–”

“And we always end up doing laundry together?”

“I do not think the laundry is the part that’s important,” Viktor stressed.

“So what is?” Jayce replied, making Viktor laugh, shake his head.

“You are.”

--Or, a glimpse into all the universes where Jayce and Viktor find each other.

wrong bedroom by a1sher

“Wait a minute, this isn’t my bedroom.” Viktor and Jayce tries to break into Heimerdinger’s lab only to end up in Viktor’s bedroom;)

What if Mel accepted Vik's excuse?

…And They Were Roommates! by draconabraxas

Mel Medarda never thought she’d go on a date with a taken man; homewrecking was beneath a woman of her standing.

In her defense, nobody in their circle seemed to know if Jayce and Viktor were together, either. So, how was she supposed to know?

Miscomunication and more miscomunication! Mel isn't a sidepeace!

Why Love Songs Exist by Slither

"All these timelines at our fingertips." Viktor pauses. He smirks in such a way that Jayce knows he has a silly idea. "It would be funny if I were a worm in an alternate universe," he says.

"I think you would be a cute worm," says Jayce—his Jayce—without hesitation, and then he shrugs. "I would put you in the best garden I could find and feed you the freshest fruits," he adds casually.

Giopara is silently mouthing the phrase "what the fuck" behind them, as Viktor's mouth falls open. "Oh."

Oh, he says, as if that did not remind him of everything Jayce revealed before they sacrificed their souls to contain the Arcane. Oh, that he was beautiful. Oh, that he was...

Desired?

Or Jayce basically confessed his love, but the specifics remained unclear to Viktor.

Kiss me like one of your Zaun Boys by setbet

“They’re making out in the lab.”

“Yeah, they do that a lot.”

“But they’re not boyfriends?”

“We don’t talk about it.”

The first time Viktor kissed Jayce, it was a quick peck on the cheek, followed by a casual conversation. The next time it's on the lips, but then it's back to talk about formulas. Jayce concludes it must be a cultural thing, and also starts to kiss Viktor back. Everybody else is confused.

A story of two friends kissing each other, who are definitely not boyfriends.

only you by babybirb

Jayce and Viktor don't quite cease to exist. Instead, they are side by side in each breath, in each droplet of blood, in each wave of sound and light. What seems to be the end, is only the beginning for them. And together, they pave their way forth.

An ethereal alternate after-ending to Jayce and Viktor and the love they hold for each other. With it, they exist within all possibilities.

not to me, not if it's you by brewstersbru

They were supposed to die, then, a better ending than Viktor expected. Far sweeter than he deserved. Jayce’s hand warm and broad against his neck, foreheads tipped together, breaths fanning over skin. It was neat. It was nice.

And then he woke up, splayed in a field, draped in the tatters of Jayce’s blanket. A groan rose from his left, then some pitiful shuffling before a final, loud thump, accompanied by a slight warble.

perfect imperfections by bbgghost

In his dying moments, Jayce revisits some important moments he has shared with Viktor. And makes some new memories along the way.

i knew you in another life (you had that same look in your eyes) by coefemi

Jayce shakes his head. “You don’t need to thank me. I’d do it for you. I’d do anything.” He sounds so earnest too, and Viktor believes him. He is safe with this boy, he decides. Jayce’s smile makes him feel like he can eat the world raw, and Viktor wants to hold onto it forever.

 When Viktor and Jayce's foreheads touch, all the infinite what-could-have-beens spill through their minds.

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2x7 AU\No Hextech AU

I'd love to see more of this AU and will also write fanfiction about it.

Quiet Resonance by Qakk281

Jayce rarely wakes up before Viktor, but on the rare mornings he does, he savors every second.

After the events of Act 3, Jayce and Viktor found themselves in a different timeline, where Hextech doesn't exist.

what could've been, would've been (what should've been you) by ghostlyecho

They got married in this universe.

Jayce grabs Viktor’s left hand, examining it. He looks at his own.

Twin rings adorn their fingers, Viktor’s golden, Jayce’s silver, both holding a fragment of blue crystal in the middle.

They’re married. They vowed their life to the other, they promised themselves to one another, they actually acted upon the deep-rooted emotions that coursed through the garden that was their relationship, that stubborn weed called love, that always came back no matter how many times you plucked it.

What if it was Jayce who got to see his life in an alternate universe

What Could Have Been by TheUnknownGoose

When Jayce woke up he nearly leaped out of bed when he realized bed? Why am I in bed? His heart was pounding against his rib cage as he looked around. He was in a bedroom, not his though.

Or Jayce sees what could have been if one thing had gone differently.

In Every Universe, It's You by AniresNevil

In an Alternate Universe, a young scientist Jayce loses his hopes and dreams when an explosion in his studyroom takes a life of an young girl. Dean's assistant Viktor still seems to find him in every lifetime, and together they accomplish something once again with the power of their partnership. And maybe with something more.

What happened to Jayce and Viktor in the Universe where Ekko traveled to in season 2?

Both arms cradle you now by Alexthestarlover

They're meant to be. In every timeline of any universe, throughout all the endless possibilities of actions and worlds. Their souls are intertwined. But is it possible that they're together in death too? 

there was something about you, but now i cant remember by DipitinPuddinggg

He held out a hand for a shake, "I'm Jayce."

At the edges of his mind, a familiar voice echoed through the walls of his skull. A voice that was the same but also not. A face that was so familiar, but too smooth at this point in time, not yet marred by years of labour and hardship that not even the strongest person in Runeterra could survive on his own.

"I don't even know your name."

Viktor smiled and shook it, "Viktor."

After getting sucked into the rune, Jayce and Viktor get transported to a different timeline without the memories of their previous life. Except, some things start seeping in.

you'll never shine if you don't glow by hexcorehomos

Viktor woke up, his fact was hot, sweat dripping down it. Where was he?

He looked around, it looked like Piltover. He slowly tried to get up, still confused. He should be dead, he exploded with the Arcane. That's when he figured out that his leg was back to normal. He groaned, falling face down into the grass. He wondered if Jayce was here too, oh, Jayce. What would Viktor do without him?

He saw a few people pass, but he got the courage to speak up when he saw familiar blue hair, almost like Jinx's. "Uh, miss.." he got her attention, turning towards him.

"Hello, sir?" she responded. She had gorgeous blue eyes. "I need- I need help. My cane is gone, and I cant walk without it." he lied, desperate for help.

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The Poly relationship>

Radical Violence Theory by begaydocrimes10001

When Mel Medarda realizes that she's completely ignored Viktor's potential as a scientist, as an academic, she quickly seeks to remedy that. He may not be Jayce Talis, but he has his own brain, and he seems to be far more useful than most think. She's a practical woman, after all- it would be useful to have another genius on her side.

And when she realizes Viktor is also in love with Jayce Talis, and Jayce loves them both? She's still practical, after all-- she sees an opportunity.

(Or, Mel and Viktor are more similar than one might think. That applies to who they love, but it applies to how they love too.)

Mel and Vik are platonic in this one, and I love it. Sadly, the positive interaction between them in Cannon is non-existent.

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Explicit> (some are 2x8 specific)

Wild Like a March hare by crow_brain

Wild are the glimpses of their life, hot coals burning the soles of their feet. They dance like animals, trying to close the gap between.

(Or the body worship Viktor's always should've gotten)

Cosmic Coitus by Wink_Wonk_Wank_Wenk

Now that there’s nothing but space around them, they can do whatever they want.

Inevitable Change by magisterpavus

Viktor isn’t the same when he comes back.

Jayce is determined to make it work anyway.

convince you by spectacularorange

after being rejected once, viktor must find a way to convince jayce to join him.

2x8

Partners. by lw192

Taking place during the fight scene in the councilor's room, Jayce and Viktor reconcile and realize just how much they need each other.

(Jayce and Viktor fuck on the councilor's table.)

Can I hold you? (Even if its just pretend?) by Issavandra

“My partner died in this room,” he ground out.

“Do I seem dead to you Jayce?” Viktor asked. Jayce could feel him moving closer, he swore he felt something brush his nose. “I have never been more alive.”

A cool, metallic finger passed over his bottom lip in a featherlight touch. It felt almost reverent. “Do you want me to show you just how alive I am?”

[atlantis-area]

#HappyKeyDay 🥳🔑🦊

[somegrumpynerd]

HEY. POINTS FINGER… any thoughts on how everyone reacted when the other joined the team? as in how did killer react when dust came, how did he and dust react when horror came, how did they all react when cross came, etc. i love love LOVE your bad sanses thoughts way too much they make me so happy. if i write hurt you write comfort and it’s awesome. also how do you think they slowly started to get closer? just.. bah give me your thoughts on them!!!! any thoughts!!!!!!!!!

You fool!! You’ve given me a chance to ramble about my special little guys and now this post will stretch on forever!! Mwahahahahah >:3c

No but seriously this is probably gonna be wicked long cause I have 1 million thoughts about these guys joining and meeting each other so uh, readmore for everybody’s safety and sanity

(^ I wrote that in the document before I started typing out my actual thoughts and uh

yeah no kidding, this is like a fucking essay so proceed with caution)

OKAY SO

I’ve said before that Nightmare got Dust for two reasons; one being that Dream had just recently started working with Ink (and soon Blue) so he and Killer were no longer able to gang up on Dream. He wanted somebody else to bulk up their numbers and give Killer a little back up. He also was starting to realise that Killer didn’t handle being alone very well, since this was when he most often got worked up and broke things around the castle (and sometimes tipped over into stage 3). Dust would be a perfect fit since he had the same amount of lvl and fighting experience as Killer, and since they were so close in circumstance they would be practically like brothers right?

The irony that he thought this about a guy he was recruiting to help kill his brother was apparently lost on him.

They absolutely hated each other. Like, it was instant. Killer saw him as a replacement, why would boss go out and get another sans - one with almost the same backstory as me - when I’m right here? Does he think I’m not good enough? Am I disposable and this is the backup for when I die in combat? He didn’t take it well. He took it all out on Dust too, not cooperating in battle, trying to start fights in the castle, etc. He couldn’t outright kill him because Nightmare had given him strict orders not to, but Killer loves a loophole. If he roughed Dust up down to 1hp and something else happened to finish him off, technically he’d followed orders.

Dust just straight up didn’t want to be there. Nightmare just showing up and yoinking him had worked fine with Killer, but Dust had wanted to sit in his empty au and die, he had no intention of joining a team or doing work of any kind - good or bad. The only reason he didn’t just lie down and refuse the entire time was that he had to fight back against Killer, as much as he wanted to die he refused to give this ass the satisfaction or lvl. He didn’t intend to be any help out in the field either, but again, Killer was making sure he got fired at so he had to retaliate to stay alive.

Eventually it got bad enough that Nightmare had to pull Killer aside and demand answers. In the year or so of knowing him Killer had never willfully disobeyed orders before, so Nightmare needed to know what had gotten into him. He dispelled the replacement rumour right away, he still wasn’t quite softened up enough to be sappy about it but he made sure Killer understood what a good worker he was and that Nightmare had no intention of losing him. It didn’t help a lot, they still hated each other for other reasons, but it eased a little.

Killer still had pretty frequent dips into stage 3, except now he would go straight for Dust usually. Nightmare had tried to explain what he’d learned about it to Dust, but he didn’t really believe that it wasn’t just Killer deciding to try and kill him for funsies. He only accepted it after a particular episode where he attacked Nightmare instead, which Dust knew Killer wouldn’t try in his right mind.

After he came back to his senses he sought Dust out. The air around Killer was very different after a stage 3, sort of sombre and almost calm, so Dust let them sit together and Killer apologised for giving him such a hard time. They actually talked for the first time in months while Killer was still calm (or tolerable, as Dust describes it), and it didn’t magically fix everything but, things were a little better. They still fought and argued and bothered each other but it wasn’t as sharp, there was a lack of real murderous intent in it all, and sometimes after an episode they would talk a little bit. It was the best Nightmare was going to get for now, so he took it.

They were still completely incompetent about taking care of themselves though. Neither of them would eat unless prompted and Nightmare didn’t have good enough knowledge of mortals to know when that should be to stop them passing out from hunger on the job. Not to mention the stars were now a full team, and with the way Killer and Dust would sometimes rather target each other on the field he could do with more backup.

Horror was the first of the group to get a choice in joining. Nightmare had taken note of how much Dust didn’t want to be part of things, and while it was in his best interests in the long run given his situation, Horror’s au was still mostly intact - though a little in disrepair. Horror was also the first in the group to have a good (and ongoing) relationship with his brother, so Nightmare knew he couldn’t just pop in and steal him, he had to be a bit more diplomatic with this one and offer a deal.

He gave Horror some time to think on his proposal - he would set up regular deliveries of food to Horror’s au in exchange for him joining their team - and was quite surprised when Horror agreed, with some stipulations. Horror was equally surprised when Nightmare agreed so easily to his terms (that he didn’t want his brother to know what he’d be doing, and that he wouldn’t kill). A little down the line the terms were altered to add that he would also be left to visit his au every week or so.

Horror was not impressed meeting the other two. He didn’t need his power as judge anymore to sense the lvl coming off them both, and given who they were working for he was instantly distrustful of them both (the uh, brother situation did not help). He was also in a place that had an abundance of food for the first time in probably years, so he was doing a lot of going hog wild in the kitchen and then getting very sick as a result.

Dust didn’t particularly feel anything for him. This guy hated him, sure, but it wasn’t forward and slashy like with Killer, it was just quiet loathing which was fine. That’s how Dust felt about himself so, y’know, mood. He did kind of feel sorry for him though, not just because of the whole famine and everything, but also because he was watching this guy eat like his life depended on it and then get sick and undo it day after day. He was the one who suggested Horror getting his food in moderation to Nightmare, which did help but was an absolute ordeal to enforce. Y’know how some people get hangry? Imagine that but you haven’t had a proper meal in years and now these people give you tiny amounts of food and don’t let you eat more for hours. The hunger mood swings were a sight to behold, you would never have guessed in those days that Horror specified not wanting to kill.

When his ability to eat had evened out and he was in better shape, Horror made a point of apologising to Dust for being aggressive with him. Over time he’d kind of softened up on him from his initial impression, since he could see plainly how wracked with guilt Dust was over his situation. It was a little easier to imagine that whatever he’d done was truly out of desperation and not just for fun, as Horror had assumed at first sight. 

They also both retained that classic sans laziness, so it was easy for them to share a space while saying and doing nothing. It made Horror the first person that Dust willingly spent time around in the castle (and vice versa since Horror was still largely suspicious of Nightmare and Killer - the deal seemed too good to be true and the stage 3 episodes didn’t help). As time went on, Horror kind of became Dust’s emotional support skeleton in a way. Dust had become quite averse to touch in his solitude and Horror very slowly brought him back out with casual gentle touches, until not only did he no longer freeze or stiffen at being grabbed but Dust would seek him out to flop next to on the couch. Horror claimed it was just returning the favour for helping with his eating situation, but really it was nice to have something resembling a friend here.

Killer, for his part, was going through This is My Replacement 2: Electric Boogaloo. Not to the same degree as with Dust, since Horror was quite a bit different, but Killer was still wary of this new addition. He didn’t really instigate anything though since, to be honest, Horror had the intimidation factor. He was like a foot taller than both of them, he had a cracked skull and completely different magic and it seemed like every time Killer saw him he was eating bread like a wolf eats a deer. So while he was going through his food moderating, Killer mostly just stayed quiet and kept his distance.

Horror had not softened on him like he had with Dust, since Killer didn’t openly show remorse. He still watched him with distrust, especially after seeing the way he scrapped with Dust for seemingly no reason other than for violence’s sake. Killer was still mostly targeting Dust in his stage 3s, but Horror had to be careful to stay out of his way since he was still working with much lower hp than the other two. What did start to convince him was seeing how similar Killer and Dust were after a stage 3 episode. Once Killer was slightly more composed (ie stopped crying), he became so tired and quiet and blunt about things he normally joked his way around. It was a little startling, but also started to bring Horror around to the idea that Killer might regret his actions too, just buried under several layers of whatever the hell is also wrong with him at any given time.

Killer and Horror only really started interacting after talking about Dust. Killer was asking how he got Dust to like him since he seems to hate everyone and everything else, Horror told him very pointedly it was because he wasn’t trying to kill Dust. Killer admitted he wasn’t trying to kill Dust, at least not anymore, he just wanted to fight for fun. It opened up a better channel of understanding, knowing that Killer did not actually have murderous intent behind his swings (stage 3 notwithstanding). It made it easier for Horror to occasionally get involved in the roughhousing which Killer delighted in, knowing that the other two knew how to hold back enough to keep him from dusting.

Speaking of stage 3, it was around this time that Killer and Dust made a very important deal. After a particularly rough episode with a little too close of a call, Killer showed up in Dust’s room and begged him shakily to make a promise - that if he ever got too out of control during one of his stages, Dust would kill him. He’d been told over and over by Nightmare that it was impossible for Killer to hurt him since he was immortal, but now there were more people around him where that wasn’t the case, and he wouldn’t be able to live with himself if he came out of a stage and found himself alone. Dust promised.

It’s also worth mentioning that, once they were all close enough to be on speaking terms, Horror started bullying the shit out of these two about eating. Now that Horror knew neither of them were going to kill him, he felt safe enough to pick them up by the scruff and set them at the table to say they weren’t leaving until they had at least a snack. He let them pick what they would eat - he wasn’t that cruel about it - but he had to see them eat at least 3 times a day or they would hear about it.

It was by no means perfect or regular, but after about half a year Nightmare finally had henchmen who ate food and worked together (mostly).

Now here’s the problem… I still haven’t really figured out how or why Cross joined the team. Like, obviously there’s some kind of point in the events of underverse where it splits off into an alternate timeline, but I haven’t really figured out where yet so. Leave that one with me just a little longer. Cross joins.

Nightmare really truly didn’t intend to take anyone else in. They were (mostly) getting along, they were pretty well matched to fight the stars, he had no need of more mortals.

…but he was also pretty soft at this point. Every one of them had taken a blow to his I’m immortal I’m an island I don’t get attached to others persona and he’d gotten pretty damn fond of them all. This was why when he felt the sheer weight of loneliness radiating off of Cross, he just couldn’t bring himself to leave him.

So Cross entered the castle. 

He did not particularly intend to stay or make friends, he was trying to get his world back and nothing more. He even revealed a little down the line that he outright refused to kill, and was quite surprised to find that Nightmare was fine with that. At the start he was polite but not friendly with the others and mostly kept to himself.

Dust, as is often the case, did not really have an opinion. Another new guy, this one was self sufficient and didn’t bother him so he had no reason to get involved. He was content to be in the same room as Cross but didn’t start up any conversations.

Horror felt the need to speak to Cross, since Dust would happily stay silent for years and Killer was, well, Killer. Horror was somehow the closest thing to normal they had, so he was the one that made small talk. Mostly asking what Cross would like for meals and encouraging him to pick something he liked when he got the answer of “anything is fine”. As Cross settled in a bit more and actually opened up, they bonded over being the only two to enjoy food. Horror made a point of adding chocolate to the stock they kept in the kitchen and making tacos here and there for Cross.

Horror was also the first Cross kind of warmed to, mostly because he was the one devoid of lvl and Nightmare had mentioned he’d also said he wouldn’t kill. Learning a little about his au’s situation only softened Cross to him more, especially seeing that he still cared a lot for his brother and was trying to protect his home (even if Cross found it unthinkable that he lived away from it). It was through Horror that he also got accustomed to Dust, how being quiet and distant was kind of his default and that he also felt deeply haunted by the loss of his world. They weren’t exactly friends, but it was comfortable enough.

So now boss had taken in another new person, someone who takes orders like a soldier and fights with knives and ruthless precision and aims to be his righthand man, and Killer was ecstatic. By now he’d mostly put his fears of being disposable behind him, Nightmare had gotten a bit less subtle in showing how important they all were to him and Killer felt confident he wouldn’t be replaced. Which was a little bit funny, because the only guy he didn’t feel threatened by was the one who absolutely competed for his spot.

Cross needed to prove he was useful, he had to feel like he earned his keep and that all the training and suffering he’d done was for a reason. When Nightmare sent them on missions, Cross aimed to be the fastest and the most efficient and to report to Nightmare without question. Horror and Dust looking on would have expected Killer to see this 100% as a threat to his position as (self proclaimed) Nightmare’s second in command, and to go for this guy’s throat when nobody else was around.

But Killer was fascinated. Cross was completely different from any of them, bar Nightmare whose au is a whole different kettle of fish, so he had a certain element of unpredictability to him. Horror and Dust were both based on classic sans just like him, so to a certain degree he knew how they would feel about most things and what they might say, the only differences being in what they had experienced through their own timelines. Cross was based on a swap sans and his au had taken wild twists and turns away from usual events, so Killer had to learn everything about him by poking and prodding for answers or observing from a distance, much like back when it was just him and Nightmare. Cross was something new to be studied and Killer loved taking notes.

Cross did not see this as friendly. He was competing with Killer for approval, not realising Killer was playing their contest like a game. When he saw Cross training he would jump in to spar for fun, but Cross saw his rival trying to get a jump on him and take him out of the running. When Killer would hang around and pester Cross in their off time with questions, it didn’t seem like someone taking interest, it seemed like someone being nosy and looking for weaknesses to exploit. When Horror mentioned that Killer was being surprisingly contained and friendly, Cross really thought he was fucking with him.

The first time Cross was willing to even consider this was the case was when his locket came loose on the field and Killer ran back to find it, since one of the notes he’d taken was how the locket wasn’t something Cross would play about (the same as Horror with food). It didn’t make sense for someone who was seriously competing to have him kicked out to just hand his necklace back, no ransoms or attempts to crush it to upset him, just some vague remark about “owing him one” and then right back to Nightmare for orders.

Cross had to give him something of a chance after that, Horror helped a lot by telling him “he doesn’t want to hurt you, he just doesn’t know how to be normal”. It was mostly a playful jab at Killer, but reframing their interactions changed it significantly for Cross. Now they were sparring playfully and having friendly competition on jobs. He wasn’t as put off when Killer went into stage 3 because he knew he could match him in combat and the others were always on hand to help restrain or distract him. Cross also took note of how Killer calmed down a lot for physical touch, not unlike how Dust had warmed up to Horror. It went a long way into not only making him a little less combative for attention every day, but it seemed to put longer stretches between his episodes (which Cross had also started tracking so they wouldn’t be caught out by them as much).

For his part, Killer has disobeyed instructions in the past to benefit Cross, usually ignoring the task to help him if he’s hurt. He’s also given Nightmare nudges towards praising him because he’s noted that that’s what Cross needs in the same way he needs touch (not that Nightmare doesn’t praise them normally, but when Cross is going through it and needs something). He also doesn’t particularly like chocolate but has made a point of not admitting this to Horror so he can give his chocolate to Cross.

(It’s also worth noting that Cross is the only one, besides Nightmare, that has been to Horror’s au. He offered to help out during the food delivery and got to meet Horror’s Papyrus (who he is a little intimidated by but ultimately friendly with, even though it’s a little weird since he’s a good bit different from his own Papyrus). Dust and Killer can’t really visit for a few reasons, mostly because everyone will notice their lvl immediately and know what they’ve done. Dust especially doesn’t know how he would react to having a Papyrus in front of him again and doesn’t want to put Horror's family at risk to find out. Whenever he visits, his Papyrus asks about Cross now and sometimes tries to make tacos for him (key word tries, he’s still a Papyrus after all). He may have joked that seeing Cross sometimes is “like having another brother but younger and less lazy” and when Horror told him this Cross may or may not have cried.)

And that’s where we are now!

They’re a very strange group who’ve been through some inexplicable events and have all changed each other in one way or another. And whether or not it can be admitted, they are a family c:

Now onto how Nightmare was made emotionally open by each of them!! In this essay I will no just kidding could you imagine this is already like 7 pages long

If you got to the end of this post please drink some water and get yourself a snack

[thevegetablewhichnoonedaresname]

I'm starting Mission to Zyxx Season 5 now, and I have feelings about that.

First, it generally scares me when people hype anything up at all because there is no guarantee that anyone values the exact same thing I do to the same degree. Even if I trust the creators of a thing to value something and try to do right by it, that doesn't always necessarily mean it will be successful, especially if that involves doing something wildly different than what made it good in the first place (I have been burned this way before). I guess I'm just hoping they continue the format of goofy improv shenanigans for the majority of it with something more planned and emotional in the finale if they want, like they've been doing all along. I'd think they would, and I've heard nothing bad about the ending, but I guess it still makes me nervous because I'm so close to the end and I want it so badly to stick the landing. I'm setting my expectations on the floor so I can be surprised instead of disappointed, but honestly, I don't need it to be better, I just need it to be on par with the rest.

Second, and more briefly, I'm happy it's (hopefully) ending before it has a chance to decline. I am so on board with that philosophy. But on the other hand, finishing a thing that I really, really like and knowing there's not another one out there gives me a special kind of heartache. Like, I know there will be other good media, and stuff that's good and unique in other ways, but I know for a fact that there are no other podcasts out there that have the same mix of a balance of off-the-wall improv and structured narrative, quality comedy, fantastical sci-fi setting and loveable characters, and high quality production. There are other things out there with many of those qualities, but nothing that checks every one of those boxes. It's a lightning-in-a-bottle thing that very much feels like the right people had to be in the right place at the right time to do it. Attempts to do it again would feel hollow because it had to be born out of necessity and passion and the talents of the people involved, so if you switch out the people it loses the reasons it's great, and if the same people tried to do it again it'd feel tired. That makes me so, so grateful it exists, but also so, so sad that it doesn't, and I'm 80% of the way done. When it's over, it's over.

Anyway. Now that that's all out there, I'm just gonna finish listening and have fun. Wish me luck.

[mobius-m-mobius]

I find it so funny that Owen's creative process really is just: 1. Be handed a sandbox, sometimes already good, sometimes subpar. 2. Say, I can make this little guy so much better. 2.5. Actor's prayer. 3. Ad-lib on set and blow everyone away. 4. Refuse to elaborate. 5. Leave. What do you mean he has to explain his """acting choices"""? They all come to him in a moment of brilliant improv, isn't that enough? Aren't you having fun? You should be! *bikes away*

Anon you've summed up his entire dynamic in a way that's about to make it impossible for the entire world not to fall desperately in love with him as we speak, but hopefully for his peace of mind and probably ours too things don't get that far 😂💖

Honestly his mind and approach to acting amaze me more and more each day and after becoming a fan and learning more about him I was genuinely shocked there isn't more general discussion about how naturally talented and hardworking he is?? Which probably has a lot to do with him being the type who doesn't like to call attention to himself or play the press game but I always find myself hoping he really does know how incredible he is since everyone who interacts with him on and off camera is left in awe of what he brings to a production and makes a point of mentioning his unique perspective is responsible for the best parts of everything he works on.

Also can I just add it's not only his improv in the moment that impresses me but how carefully he crafts a backstory for his characters?? This goes back to him constantly improving the sandbox and we don't get to hear as many details as I'd like but it's often mentioned he shows up with scripts noted with novels his characters could like/relate to, past jobs that suit them, literary passages relating to their state of mind, etc, and so on which is so cool and again not mentioned enough that he seriously puts time and effort into expanding the universes his characters live in simply because he loves telling stories and is one of the best to ever do so in my opinion 🥰

Then on top of all that he wraps then rides his bike into the sunset while the sound of radio silence echos until we inevitably see him weeks later picking flowers or grabbing a newspaper or some green juice in some random town like the example of living your best life that he is, truly couldn't ask for anyone better!

[fluxweeed]

hey. hope this message doesn't bother you. I love you. I love your work. you are one of my favorite fic authors, I am absolutely obsessed with everything you write. reread everything ten times over, drarry or not, fluffy or angsty - even when it absolutely shatters my heart (e.g. for lack of wanting, SUCH a great fic btw i'm so obsessed with it). the four doors? life changing. two to lie and one to listen? engraved into my brain for eternity. what's mine is yours? what a ride holy shit, im VERY normal about it. wrapped? my comfort read. and so it goes.

if I could aggressively smother you with kudos and love I WOULD!!!

awhile ago you said that there's no such thing as "big deals" in fandom and I 100% agree but at the same time you are a big deal TO ME!!! not in the sense of any kind of hierarchy but purely based on the fact that I think you are such a cool person and your writing is amazing and poignant and your presence in fandom makes it so much better. it's been a pleasure following you here on tumblr and just reading your tags and posts.

idk I just think you rule. that's it. thank you for hanging with us. MWAH 💛

ahhhh anon sorry for leaving this message sitting in my inbox for a couple of days but !! i have zero idea how to react to this!! you're so kind!! thank you!! please discard any and all inclinations u have that i am a cool person bc i can assure you i am NOT!!

[ocdhuacheng]

I have… lots of thoughts on milsiril and kabru and the commentary on mixed-race family/adoption, in particular white parents with children of color. I think it’s really cool kui incorporated this into the story because lots of (particularly white) people just think adoption is this pure altruistic thing and don’t think about the negative affects it has on kids (again, kids of color) to not have people of their own culture to grow up with.

[will-o-wips]

It is 4 am. I'm staring at the ceiling of my bedroom, coincidentally having my phone right in my line of sight, and write this with the exasperation and intense focus that I probably won't ever have again. I'm about to attempt to make any sort of sense of the latest Hayao Miyazaki movie, The Boy and the Heron (or rather, How do you live? in Japanese), that I watched for the first time in theatres a day ago.

I cannot claim to be right, or to know everything about this movie. Actually acclaimed critics and people with obviously more braincells than me have probably better takes than I do. But I must speak, lest the insanity truly take over my brain, lest I really end up combusting because of how much I want to talk about this.

Prepare yourselves for the most incoherent train of thought and line of consciousness you will ever experience.

FILLED WITH SPOILERS READ AT YOUR OWN RISK. YOU WILL NOT UNDERSTAND UNLESS YOU HAVE SEEN THE MOVIE.

Before I start with my actual thoughts, however, I'll state my personal feelings about the movie, because I feel that matters too, and this is my post anyway so! But I personally left the cinema feeling somewhat mellow. I was not insane about it yet. It was,,, "meh". The impression of the ride was great; I was giggling along with the funny and even sometimes not purposefully funny moments, I enjoyed the animation to the point I would genuinely flap my hands in excitement at how good it was, I understood the story in great lines by noticing small details and going "oh so does this mean x?". But I did not cry. Not a single tear during or after or before the movie. I did not waver with my opinion on it as I rambled about it to my friends online and irl, much to their annoyance. I did not hesitate when I put it in my silly little Studio Ghibli movie tierlist maker that I update whenever I watch another one of these films together with my friends, categorized (in)discreetly under "all vibes no plot but there's a witch/wizard". I still don't, in fact.

So, given all of this, you'd probably say that I disliked the movie. That I would not have so much to say about it, after doing my mandatory ramble and update. Wrong. I still have more to say, somehow.

Despite that, I didn't rewatch the movie itself. I read an entirety of one (1) review of it, together with one (1) random video essay of 8 or so minutes, covering the basics of it. I reblogged one (1) post about its protagonist on tumblr and otherwise kinda read through the rest of the posts on here. I did not re-experience or re-examine this movie again. I cannot (again) accurately reference anything besides that what I vaguely remember from watching it a day or two ago. It's not playing anywhere near me anymore/not out anywhere else yet, so really, I don't even know what possessed me to write about this, or even say anything. The most fascinating thing (to probably all of us here) is; what made me change my mind about it?

It might've been the review on IndieWire. David Ehrlich and his well-written review, bringing things into much needed context as to why this movie was created. It could've been the fact that I've actively processed the movie better, now a little bit of time has passed. [Honestly it deserves a second watch/view for something more concrete, but I'm repeating myself with this, you get it.]

But I don't even really understand it myself. I felt and still feel so detached from this movie in a sense. I appreciate the artistry that went into it, and I adore the way it simply tells the story and leaves it up to interpretation. It references every single film Hayao Miyazaki has ever made before, and elements of other Ghibli films can probably be found in there too, if you looked hard enough. The vibes were similar to those of Spirited Away, and Howl's Moving Castle, given how inexplicably fantastical the world was. It just existed and breathed, and we as the audience jumped straight into it. We never got more exposition than what was needed; honestly I have a feeling that the second half of the movie was the vaguest piece of media I have ever consumed in my life. But it also had this perfect balance of the more drama-focused Ghibli films. The Boy and the Heron, in my opinion, is like the golden middle between reality and fantasy, both in terms of its narrative as well as comparison between other Ghibli movies.

This might also be the reason why I felt confused. The lines between reality and fantasy were so effortlessly blurred, that you could only process a singular picture. And when things are vague to me, I constantly need to pick them apart and analyse them, simply to satisfy my own curiosity.

The moment before I stepped into the movie theatre, my friend who watched along with me told me they heard it was a film about grief. I nodded along and said "yeah, okay, that just means it's another one of many Hayao Miyazaki and Ghibli films. Most of them are about some kind of loss, and dealing with it, either way." I sat down together with them; row 9, chairs 17 and 18, with my two bottles of water (one carbonated, one stilled) and the bag of terribly sour packaged chocolate pretzels I bought at the theatre itself. Horribly overpriced for the quality, I must say. My friend held onto the popcorn, and we sat through the ads, talking and laughing, anticipating something that was supposed to blow us away.

I cannot speak for my friend, but I think they really liked the movie regardless. They didn't cry at it either, even though we both know of each other that we always cry at such things. Somehow this movie evoked a certain stillness in us both; a stalemate between emotions and confusion. Maybe delayed processing. Maybe something else entirely. We both, or at least I, hid it until later.

It was midnight, and right before we stepped on our train home, I was excitedly going on about the references and animation, the things I did appreciate. I bragged a bit about how I recognized Kenshi Yonezu's voice in the final credit song that we didn't get to listen to entirely, because it was so late and we had to rush to get home. They laughed at me and told me to take some time to actively formulate any coherent thoughts on it. I disagreed (lovingly and jokingly of course), and we left it at that.

In the train itself, the same high dimmed into a simmer, the excitement replaced with contemplation, and I kept talking.

I told them: "I believe that this truly is his last film. This felt like a goodbye." And in return, they replied: "It's crazy how this is the last time we'll ever get to live in such a moment. The release of the final Ghibli movie in theatres.

"I'm glad we got to go."

I was too.

I got home, rambled about the intrinsic way The Boy and the Heron referenced other Ghibli movies to my online friends who had yet to see it. Followed by a heated tangent about how When Marnie Was There truly could have had better direction in regards to the narrative, as well as how Only Yesterday was the most boring out of all Ghibli movies. It was a nice night. I didn't think about the movie again.

The following morning, I contacted other friends, who told me about how Robert Pattison voiced the Heron in the English dub, which I hadn't seen or heard at all. He did a great job, judging by the trailer. This led me to another opinion, namely the video essay (I will try to find it and put it in the notes later if you are curious), which claimed something similar to this (of course, paraphrased):

"This is a farewell. The one true movie to tie such an expansive career. It is another movie where you are allowed to explore the magical together with the main character, while sticking close to the processing of it all."

The review I read said it was a swan-song, that it was the question and title of the movie in Japanese, posed at us, after The Wind Rises left it open to interpretation at the end of its run. That this was a story about the legacy that Miyazaki is leaving behind, how reality and fantasy coexist together, possibly influencing each other (not explicitly said but what I interpreted that review saying, so no this is also not completely like this).

Other tumblr posts I've seen on here say it was a film most likely dedicated to his son, Goro Miyazaki. That it was a gentle "I'm sorry, the shadow I leave behind is huge. I know that you will try and fail to fill it. It's okay; you don't have to. You can leave it behind. It's alright if this legacy dies with me."

Some other sources I've seen compare the main protagonist to Miyazaki himself, trying to grapple with the ending.

Yet somehow, all of these interpretations seem to fail to explain the entirety of this movie. The bigger picture if you will. These themes and moments and interpretations are not wrong, but to me, they're not satisfying enough.

Because maybe I am the only one who actually was insane about this moment, but I will never forget the delivery room scene between Mahito and Natsuko. How Himi addresses the magic stone, pleading to let the two go, saying "Natsuko and the boy who is to be her son". (Again, paraphrased, I cannot remember the exact line.) Maybe I am the only one who witnessed the whimsical fire witch and the going back in time plots and the fact that a younger Kiriko and Himi were there, already part of an ecosystem. How we already know from the other grannies in the house that Mahito's mother disappeared once for a whole year into the tower, and then came back the same as before. How the pelicans were BROUGHT there, that they did not belong there, and yet were forgetting how to fly. How they ate the Warawara, these creatures that were rising above to be born in the upper world. How the Heron's weakness was his 7th tail feather (or something along those lines), and how the fish and the frogs chanted for Mahito to join them in the tower. That the great-great-uncle was hoping for Mahito to succeed him and build a new tower, yet the king of the parakeets butted in and haphazardly did the job, resulting in it immediately toppling over, as well as the stones getting cut.

I think about the final scene where the Heron says "It's best to forget. Do you have any keepsakes?" And Mahito shows not only older Kiriko's figure, but also a piece of the stone paths they walked upon in order to get to the centre, the beating heart, the magic stone and his great-great-uncle.

How this is taking place during a war, that the timeline goes from his mothers death that Mahito cannot get over, to the welcoming of his stepmother and his new younger sibling. Them moving back to Tokyo. The way the tower completely collapsed. Completely and utterly collapsed and perished; not even a trace of it left behind. The way that older Kiriko keeps yelling it is a trap to Mahito in the beginning, but that both he and the Heron know. That it is inevitable to tread this specific path. That he must see for himself, whether his mother is truly alive. The way she both was and wasn't; first a mirage of her older self disappearing into a puddle of water, and second a firey spirit of her younger self coming to help Mahito. The way that he reads and cries at the book she left him, the way he hits himself with a rock after his big fight with his classmates; the way Mahito in general drowns consistently in the beginning of the film. He drowns in the fire that he lost his mother in. He drowns in the mud and the dust when he tries to enter the tower at first. He drowns in his dreams, in his tears, drowns right into his quest to find Natsuko (straight through the floor, by behest of his great-great-uncle), drowns in pelicans trying to eat him, nearly drowns in the actual sea until younger Kiriko fishes him out.

Now these things may seem like me just randomly naming shit that happens in the movie. Hopefully in a slightly poetic way, possibly. I could go on and on about the imagery, truly. But my point is, this movie may have been Miyazaki's last movie, his way of closure, his way of speaking to his son about his legacy, his way of describing the grief of losing his mother (idk if this is autobiographical or not. It very well may have been), yet...

Even so, it doesn't really fit the entire picture. It feels incomplete. The analyses always focus on the true meaning behind this movie, what happens behind the scenes, this one key climactic moment between Mahito and his great-great-uncle. But that's as if you would ignore the rest of the movie in general. As if the fantastical aspects weren't there to abstractly tell a story besides just being a symbol of closure for the person that directed it.

Personally, this is a tale of rebirth. Of losing yourself, and then rediscovering yourself in a way. I associate it with my own personal loss of my grandfather; the family member I felt closest to out of everyone.

The way you look back at such a traumatic stage in your life, something that irrevocably changed you for good, something that you probably don't ever want to relive again, but also mustn't forget. The way you instinctively are afraid to learn about who the person you love and grieve was, before you were in their life.

To this day, I still cannot speak to my mother about whether my grandfather had a favourite song before me forcing him to sing along with my favourites. A favourite book before he read out bedtime stories to me tirelessly. Who the boy in him was, and what wisdom and life lessons he carried on, into his grave, into the hearts of his children.

This movie depicts so much more than just grief, it's so much more than just legacy, even. It directly reflects the way I know I would have felt had I dared to actually see things for myself. If I actually dared to go through my grandfather's old things; the books he wrote and dedicated to me, the books he read when he was young. This movie depicts not how to live, but how to live on.

And the only way to live on is to move forward. To look at the foundations upon which it was built, to evaluate whether you truly want to have this be your burden to carry for the rest of your life. Mahito's abstract grief in regards to his mother, and the solace he finds in the fact that he at least knew who she was; that he at least had her in his life as both his mother and the girl that his stepmother knew, that at the very least he knows his mother would do it all over again, if she could. That despite everything, she did not regret a thing, and that she was not afraid. That somewhere, in the past, she lives on, happily marching toward this fate, because she knows that Mahito will be there to meet her again in the future.

And Natsuko, god, she worries relentlessly about whether Mahito will accept her. She worries to the point she yells at him, telling him that she hates him and his existence, because he rejects her so coldly and yet still bothers to show up in front of her during her most vulnerable moments. That he only takes and takes and takes; he steals her cigarettes in order to learn how to sharpen a knife from one of the servants. He uses those techniques to create a bow and arrow, a weapon. He gets into fights at school, he gets gravely injured on the side of his head, leaving a lasting scar.

If I were in her shoes, I would be furious at him too. Especially if he walked straight into the delivery room, trying to drag me out of bed while I was doing my damn best to keep the other child in my belly alive.

That scene, that sheer rage, and the way it ALL FUCKING SUBSIDES the MOMENT Mahito accepts her and calls her mother. The moment Mahito understands that through the literal whirlwind of plasters, things used to tend to wounds, none of those pleasantries/guards will truly allow him to reach her. The way he tries to nurse his own wounds, as well as try to nurse hers, over the loss of their shared connection (Natsuko's older sister, Mahito's biological mother), will NEVER allow him to make a connection with her. By being careful, by being polite, he will never get to be her son.

And he realizes, in that moment, that he wants to.

The magic stone tries to stop this. The magic stone dislikes disruption; dislikes things changing, dislikes breaking traditions (the taboo of entering the delivery room). The parakeets in the tower flourish because they follow the magic stone's whims more or less. They agree to follow its rules, even if it means they are prone to its abuse, because it gives them an advantage, a place to stay. The pelicans have to eat the Warawara, because there is no other food available to them.

The way younger Kiriko says "you reek of death", and how they establish this place is mostly made up of death and dead people. Dead people, or dying people, creatures that are begging to survive another day. Creatures that are begging to be reborn. That want to change, that wish to fly once more.

My mother once gave me a poem dearest to her heart. We have always been a family filled with literature and stories, but my mother was always the best at both writing them and reciting them. She used to read them out to me, back when I was in a particularly bad spot mentally, to the point I could not get out of bed for weeks on end, to try and reach me. She read with the sincerest passion in her voice, a small plea to get me back to the girl I was before.

I cannot explain or remember the poem by heart, but once I was at my true rock bottom, she told me to look it up. A Serbian poem, written by Miroslav Antić (I will add the name of it later), that was about growing up and growing into your own person. It made me weep, for it had a phrase I think I can only translate to this:

"Run and don't look back."

Somehow, whenever I look at all of these birds and creatures in this fantasy world, trying to fly desperately, trying to get to the skies, trying to get to even live, and think about the fact that the only way they can is by leaving this place. That the only way they can fly and survive as themselves is by leaving this tower, this stone, this foundation. By leaving and being born, by leaving and being reborn.

And, after all of this. Somehow I'm not even done yet. I haven't talked about the great-great-uncle in depth, nor the king of the parakeets, nor the heron whatsoever. I have not yet even touched upon what I might think the magic stone is, and the sheer amount of like symbolism I picked apart in my brain because of my insanity.

I'm probably not the only one who noticed these things. But so far I haven't seen anyone actively share these things, so, I will do my best to continue and genuinely wrap it up as best as I can. So that this can also bring the same amount of closure as the movie does.

The magic stone is like a shooting star that came onto the earth. It realizes dreams and worlds of whoever dares to walk into it and claim to own it; like how Mahito's great-great-uncle got obsessed and built a tower around it, caging it, taming it. And yet he still had to play to its whims, consistently making sure his own tower of blocks did not fall, that all of his work did not amount to nothing. Personally, I do believe the great-great-uncle could represent Miyazaki himself. That Miyazaki is trying to express how he built Ghibli and that now it has been going on for so long, and it has become unmanageable to continue upholding it. That it is time to retire.

A thing I find interesting and remember pretty well is the conversation between the parakeet king and the great-great-uncle. How they talked about Mahito's transgression, breaking into the delivery room (side note: he broke in and broke through to Natsuko with his mother's spirit. Mahito became Natsuko's son with the blessing of his mother; with the sheer love she had for him being carried on and through), and how the great-great-uncle says something akin to this:

"It is why I wish for him [Mahito] to succeed me."

"I cannot overlook such a transgression."

I feel this is important. It is key to how the great-great-uncle views Mahito in this. Because Mahito was not sent out on this quest to find Natsuko out of pure selfishness. Sure, his uncle would have wanted him to succeed him, but the entire reason WHY he believed in Mahito to begin with, is the fact that this boy was able to break the foundation and the traditions in the first place. Mahito inherently disobeys from the chosen path. Mahito inherently does not believe the Heron when he says that all herons lie. Mahito doesn't waver when the heron flies straight at him, he doesn't sway when the frogs or the pelicans overwhelm him. Mahito stands firm in who he is, even if he is trying to deal with new circumstances. Mahito inherently goes to places he should not be in (his curiosity for the tower). Mahito has enough power on his own to create a new tower, but only by rebuilding it from scratch.

This ready acceptance that the great-great-uncle has towards Mahito's decision NOT to inherit his legacy, is what makes me believe this is what this movie is supposed to represent. Break away from the old, off into the new. Closure. Moving on.

This is also reflected in the sentiment that Mahito truly DOES move on. He goes back to his family, his father, school, he goes back with Natsuko as his mother and a new younger sibling to Tokyo. He returns there where he came from, but he is not the same anymore. He is reborn into a new Mahito.

And god I feel like I'm repeating myself to death here; I really should have thought about the structure of this, but give me some slack okay. It's like 6:30 am already and I'm still not done, despite continuously writing and labouring at this.

So, the tower that immediately falls apart by someone who always follows the whims of a dream (the parakeet king and the stone respectively). God it is just such a momentTM. Because in the end even this shows that the parakeets, too, even though they by far had it the best in that goddamn tower, had to leave. For they could not build something on their own without learning who they were outside of the already established. Outside of just following the rules and all.

They had to leave, my GODDDDD.

As I'm getting progressively more unhinged, we shall move onto the most unhinged character in this entire fucking movie. The Heron himself. God there's too much to unpack here, really, but the truth is, the Heron was supposed to be the guide to Mahito. The Heron was supposed to be Mahito's biggest, most aggressive enemy, the direct antagonist to Mahito's protagonist. The Heron doesn't want change. The Heron tries to bribe Mahito with the fact that his mother is still alive, that he need only enter the tower, and lose himself to illusions and dreams. That fantasizing about his mother being alive won't only drown him more, that it won't just let Mahito sink into the deepest pits of his despair and anguish about such a death, that losing yourself to the belief that something is there when it is not wouldn't only be counterproductive. The Heron masks himself consistently; he says that all herons lie. He says that he only has one weakness, his own feather, that allows the arrow to automatically target him. In essence, the Heron shot himself in the foot beak. He himself slipped up in his mirage world, and came out to be who he truly was, this weird little man with a huge nose and a conniving demeanour. He adamantly cannot disobey the dream, for then his true nature comes peaking out (a small detail I absolutely love is the fact that the Heron's feathers also disappear out of Mahito's hands when Mahito is called back to reality by the grannies. The grannies protect him in the dream world too, by being his tether and support system while he gets over himself and starts trusting Natsuko). The Heron doesn't WANT to be a guide, for in order to be a guide, you must tell the truth. You'd need to know some facts about the world around you and share this information with the ones seeking guidance. This is how I believe Mahito understood the Heron before we did.

It's not that all herons lie; it's just that this particular one does not want to face the truth/reality.

Another interesting detail: the whole reason why only Mahito was able to cover up the hole in the Heron's beak was reminiscent about how only those that called you out can really patch up your old image. Only those that have poked holes in your false narrative are able to fill them back up again, and even then it is not the same, and even then it will not always be comfortable/reliable.

Either way, the Heron, after this wings partially turn into hands, his true nature, is unable to fly all that well for a while. He relies on Mahito's corkscrew thing in order to relish in his comfort zone of lies again. But throughout the movie, the Heron slowly starts to ignore the corkscrew completely; simply opting to stay in his (frankly, freakish) half gremlin man half heron costume form. The Heron changes because Mahito inspired him to change. Even though his image used to be spotless before, and he tried to deceive Mahito, after a while, he stopped doing that. The mutual trust both Mahito and the Heron had grew. The Heron became a person, although his heron-ness would never go away.

The Heron thus warns Mahito that he should want to forget. That he will forget, either way. That this struggle of his to grapple with the reality of his situation, and the fantasy that he was delving into, will become a far-off memory that Mahito should not revisit. The Heron, I believe, is genuinely trying to look out for Mahito.

"Don't dwell in what you have already overcome. Don't revisit the things you have already outgrown."

And this is where the movie more or less ends. Mahito still keeps that stone, and his mother's book, and he goes back to Tokyo; the only crucial difference is that he has overcome his own grief.

Now, I've said this like a billion times now, but this is the rebirth. This is what I think this movie stands for. What it means, at its core. This is what it means to live; to move on and to cut ties with that what has no place in your life anymore. Miyazaki, I think, is trying to give us closure, a final farewell to Ghibli altogether.

Now I don't know about any speculation that he might come back again, and personally, I don't think it really matters. If he does come back, good for him. I just don't know enough to say anything for sure, so I'll just say I cannot say.

Either way, I think, even though Miyazaki conveyed the need for a new start/a rebirth, he didn't really end on the complete abolishment of all that used to be. You are allowed to keep mementos of it; even though the Heron advises not to. Mahito is allowed to reflect upon this experience, to see it as another stone in his foundation/formation, to say that, yes, the spirit of this change will always stay with me, although it has passed.

Just like how Mahito's mom was someone who returned to the past without regrets. She never came back. She was a spirit that pushed Mahito forward, and he will always remember her, but it's better that she stay a memory than become a fantasy.

This is why I'm so impressed by this movie in general. I'm so thankful that I was able to witness this with a friend of mine. I'm glad that I was able to see this, even though my insanity knows no bounds, and the fact that I didn't even think about any of this until I really sat down to look through the options of interpretations.

I'm so glad I got to go. Now it's time to run towards the future, and never look back.

[cream-and-tea]

yknow i talk a lot of shit about pallas but i WILL say that everything they add to the character relationship web is absolute GOLD truly no one is doing it like them. mutual dependence and obsession and maybe even tenderness forming w their narrative foil/fellow protagonist until their character arcs become inextricably linked. hamlet n hortatio dynamic w their deadbestfriend. You’re Just Like Me For Real (derogatory) gayass rivalry constantly happening in the background. You’re Just Like Me For Real (affectionate) tragic attempted mentorship also happening the background. they have mommy issues from a character that isn’t even technically related to them.

[otrtbs]

I want your heavy detail... give it

I'll give mine first though

Since you haven't read the book I'm not gonna like hold that against the debate because YES this is a debate now all in good fun of course and I'll just like talk about the movie.

Jo and Laurie in my opinion are WAY to similar for a romantic relationship to work and MAYBE it's just me and how weird I am about best friends to lovers like friends to lovers I adore it but when there's like platonic soulmates for some reason I can't cross that barrier like they are friends and nothing else.

But Jo and Laurie are one in the same, right? And I think they would've killed each other for one. But also I think as much as a relationship is about compromise and supporting each other I think Jo needs a relationship where she's truly pushed to be better IF she's in one at all. Of course in a perfect world she would be marrying no one BUT we're not in that world. I think she needs someone just as ambitious as her someone who will respect her and view her as an equal. And as much as a love Laurie that's not him.

He wouldn't push her to do better he would praise her and that's all. He would treat her right. But he wouldn't be perfect for her. AMY however, yes we're getting into her pushes LAURIE to be better. She argues with him and kinda influences him to be better. And I don't think Jo would do that either, I think Jo would be too busy with her own things.

I think they work on paper. But in the end I think Jo and Laurie need MORE than each other, and I think they compliment each other a bit too much to be romantically involved.

AND also since we're here I want to add that in the 2019 movie it seems like Jo regrets not saying yes to Laurie, but that's just not what happens at all. Like she's missing her best friend and she's missing Beth and her childhood. She's not in love with him, she just misses whaat used to be and wants to go back. No matter if she has to give up all her dreams and become a trophy wife.

I don't even know if you wouldn't mentioned it but I had to because I hate when that's people's argument like they're just completely viewing the movie wrong, they don't get the point. Jo and Beth's relationship is much more important to me than any romantic one so I'm VERY passionate about it.

Um lastly I am VERY sorry that I just gave you an essay to read over I didn't mean to... but this is my favorite movie and I just love talking about it... a lot apparently.

okay wait!! i have read the book !! i have totally read the book!!! please!! (dare i say the book builds a stronger case for jolaurie?? hmm) im rambly under the cut!!

please you are always welcome to come in here and talk about little women things to me !! i love the movie and the book so much !!! i'm right there with you !

i think that the similarities are good in this relationship!! i think they work and compliment each other well!! as far as pushing each other to be better, i think i disagree. when jo submits her writing for the papers (in the novel), it's laurie who encourages her and believes in her and laurie is the first person she tells!! he encourages her to write, he encourages her 'boyish' mannerisms and he accepts her for who she is!! but he's always encouraged her and supported her pursuits. n turn, when laurie is hanging out in disreputable places w boys of ill repute, it is jo who encourages him to stop and be better and laurie listens (this is also in the novel) but movie scene imagine when laurie is like 'i gave up billiards ,, i'm happy i did' i think they are both slightly indulgent to each others follies, jo with her temper and laurie with his grandiose 'castle in the clouds' temperament, but when it really counts they push each other to be better and they accept each other for who they are!!

i do agree that in a perfect world she wouldn't marry at all though!! i also agree that beth and jo's relationship is more important, or even, jo's relationship to her family is paramount and really what the novel and movie is about!

i also want to say that the letter jo writes laurie is not in the book so im gonna not consider that for the sake of the argument but marrying laurie wouldn't make jo a trophy wife!! he has done nothing but encourage her to write and publish her works, he's never asked for her to change who she is, or anything. i think that while jo was yearning for the past, for a time when beth was alive and healthy and all her sisters were under one roof and together, and she and laurie were closer than ever, i think her love and regret for tuning laurie down is real, and can't all be attributed to an attempt to recreate the past.

i think jo has told herself her entire life that being a wife meant compromising yourself and giving up your autonomy and individuality, because that's what she saw in the world around her and that's not what she wanted. so she swore off marriage because she didn't want to change. but the thing is, laurie never wanted her to change and didn't ask her to change. it took a while for jo to realise this and it took loss and loneliness which gave way to growth and maturity and the realisation that laurie and jo could work in a way where she could still be herself. but by then it was too late. bc, yk, amy. which as established before, family is more important to jo than anything, so of course that put an end to it.

idk when i think about laurie who was often described as devoted to jo, supporting her and loving her unconditionally while encouraging her to become and author,, when jo makes him feel most comfortable and most like himself when he was a shy boy just back from europe and helps him with his relationship with his grandfather and his vices,,, they help each other grow and i think they would really work together!!

[serpentinegraphite]

OP is absolutely correct on all counts (I mean, it's not that uncommon irl for two siblings to have drastically different opinions of their parents), but I want to add another angle. An excerpt from prev tags by @ragnarokhound that really highlight something important in the good/bad dad Bruce debate:

#whether bruce is wrong or not often depends on who we're supposed to be in the shoes of#but regardless of all that op is making a great point about how a man can do both#he can be a great dad in some ways but a shit dad in others. one hug doesnt outweigh all the bullshit but it also happened#and i really think the point about comic writers thinking its okay to hit adult sons is just#oigh. oufgh. ouch#like you can make excuses for the genre. its a beat em up superhero bang pow wham. these are men of action and thusly talk with their FISTS#but thats fucking bullshit lmao and always has been. even in this genre there is a distinct difference#between using a sparring match to add action to a scene and oomph to an argument#and striking someone out of anger.#and like. you cant have it both ways. if you tell me bruce and dick are father and son then when bruce hits him--#he is hitting his son. just because they are violent people that does not erase the weight of that action#batman as a franchise is so interesting to me because it exists in this strange limbo between wanting to be for adults but also for kids

I cannot emphasize enough: I really think the genre and intended audience of the Batman work in question is huge in determining how good/bad of a dad we're supposed to see Bruce as.

E.g., a lot of the campy older Batman stuff is aimed at families/kids. The Animated series also obviously targeted at children. So these are eras of works more likely to handwave Robin getting into fights because Robin is the audience expy. Children are meant to relate to Robin, and Batman is set up to be a Hero first and foremost.

In contrast, darker eras of comics and movie adaptations emphasize what kind of adult lets a children do vigilante crimes and fight strangers in a mask? and takes that question to its logical conclusion. (I think it's also relevant to point out that a lot of the edgiest Batmedia came out in the 90s-00s, an era of media that really leaned into edginess overall for a while.)

The baseline genre conventions of one's preferred canon drastically impact how good/bad of a dad Bruce seems! (WFA and BTAS being at the top of the Very Dad scale and UTRH era and esp some of the Tim comics being at the other end of the Very Bad scale).

Reading Bruce as a flawed but nuanced character is kind of the only way to meaningfully reconcile such drastically different readings of the character.

There are vast amounts of people on the good batdad/ bad batdad debate completely lacking nuance because no one seems able to grasp the idea that a parent can be loving and protective of their children and still do other shit that is questionable or straight up unacceptable. On one half you have like tiktokkers or whatever who take “bad dad Bruce” and run with it and act like he’s the devil incarnate and make up scenarios where he’s like selling Tim to one direction or some shit. And then on the other half you have people who see that and go “no you’re wrong he’s a great dad” and show a panel of him being nice one time as if that negates all of the numerous canon instances of Bruce’s being certifiably insane to kids. He isn’t awful all the time but that doesn’t mean he’s never been awful. Another thing this conversation neglects to take into account is that they don’t all get the same dad. Dick’s experience is different from Jason’s/Tim’s/Cass’s/Damian’s. Bruce has never hit Damian because comic book writers think it’s only acceptable for him to hit his adult sons!!

[carolinanadeau]

Embarrassing, ridiculous TMI under the readmore (not gross! just way too personal!)

I do not have PTSD and I don't want to be a part of the "flippantly using the word 'trigger'" problem at all, but I think I finally found a proper name for this harmful behavior I've wrestled with since at least high school, and it's called self-triggering.

Again, I don't have trauma... well, everybody has some trauma, but that's not the thing I'm triggering myself about here. And if I explained what I had actually been doing to myself (which may be obvious to someone who's reading between the lines but I don't want to talk about it for reasons I've stated before), it would sound laughably, mockably trivial. But the results are still an acute increase in depression and obsessive negative/angry thinking and distress and alienation from something that usually gives me joy... so it's still harmful to me, no matter how stupid and frivolous it sounds. Perhaps it's an OCD/depression self-triggering instead of a PTSD self-triggering.

I reiterate, what I'm discussing is not trauma, not EVER claiming it is, but:

In a similar vein, one set of case studies (De Young, 1984) conceptualized approaching situations reminiscent of the trauma as “counterphobic behavior” (i.e., an attempt to master anxiety by repeatedly approaching its source, resulting in a greater sense of control).  

I understand this, the "maybe if I keep looking I'll become desensitized", and "I need more information so I can better avoid this thing and people associated!" Or even "well maybe it wasn't really that bad, maybe I'm remembering it as worse than it was" (I'm not, if anything I've forgotten just how bad it was!)

Likewise, if trauma survivors perceive reexperiencing symptoms as inevitable, they may wish to decide the time and place of their occurrence, affording them a sense of control.

...is that the irrational "gotta get it over with" compulsion??  

Alarmingly, many users also report being unable to stop this behavior once they have begun despite the dysregulation and distress that it causes.

This is how it goes: I will read or even just skim through something that causes me serious emotional distress, whether that is a fanfiction with something horrible happening to characters I find comfort in, or a really nasty article full of harsh, baseless criticisms of something I love so much. (Again, these things sound laughable but to the way my mind works, it is not. Though I also do something similar with actual bad memories from my life [I think everyone does], well, you can't "reread" or refresh those. And I also have the power to delete/destroy any physical records I have of those.)

So, I will vow to never ever let this wretched thing enter my eyeballs again. I will ruminate about it and quietly seethe about the fact that it exists, and that some people even like/agree with it! I won't be able to get certain upsetting phrases out of my head and I will obsess and it will ruin my enjoyment of related things whenever I get reminded of it.

Maybe I will find ways to block or blacklist to lower my chances of seeing it. And I will be very vigilant about this for a long time and will successfully avoid it, even if I see reminders here and there that make me mad. Slowly, I'll only remember a few specific sentences from the thing, and even those may be unclear.

And then I'll suddenly develop the belief that I "have to" look at it again for some reason, and my heart will start pounding as I start bracing myself for this "inevitability".  And eventually the irrational, self-destructive side will win out and I'll do it, believing that it's like ripping a bandaid off for the greater good. Gotta get it over with, you see. I'll only glance over it, of course, because this time I already know how bad it is - I'll just read a few sentences here and there on my way to do something "sensible" like block the url or check who liked it so I know it wasn't my friends - but it will be enough to make me feel like absolute shit for days again, and now I have these fresh memories in my head to contend with and the cycle of trying to forget these bad bad thoughts and be able to freely enjoy the thing I love starts all over again.

and that's what you missed on Glee!

[koobiie]

bestowing my highest honor as an artist to ffxv (drawing the characters in fun outfits)

thoughts under the cut

RREAAAGHHHH SO EXCITED TO BE DONE WITH THIS!!!!! it took me forevarrrr but i soldiered through as an act of love. now excuse me. yap time

OKAY SO the concept behind this was originally specific fashion subcultures for everyone!l ike noct emo ignis dark academia etc. but then decided i didnt want to pigeonhole it all and just freestyled outfits i thought would look nice on everyone

noct - i do think noct would still be emo-ish but also opt for comfy baggy stuff a lot. something you could just fall asleep in on the spot. note the details of bass pro shop shirt (of course) XV necklace, little moon + stars accents, carbuncle + fish keychains. i also wanted his metal band logo shirt to spell LUCIS but i forgor some letters but its not very readable anyways

ignis - ignit ooohghh ignos ignaurs. sorry i made him serve so much cunt it will happen again. i drew him first cause that kind of inspired this whole thing i love him so bad if i didnt draw it id explode. not much detail to note except his collar pins are like his double blade thingies

luna - lunaaa the concept was “clean girl aesthetic” idk if that happened but im actually really happy with how it came out! might be my favorite of the bunch just because she looks so pretty and happy. your honor she should have been able to just be a normal girl and just. chill

prompto - prompotoooo i had trouble picking his vibe!!! my first thought was techwear?? because weeheeeehee he loves tech and well... you know... but then i realized i didnt really like the look of anything i saw + it was so bulky and dark and serious for him! ending up going with some more youthful and baggy. i was considering something more loud and colorful but ended up not going with it. i feel like in canon he'd be too nervous to have such a flashy fit and would want to just look "cool" to fit in with the boys lol. itty bitty details here - chocobo keychain, pompompurin and bi miku buttons, and his lanyard is kings knight themed! i also thought it was funny to write LUCIS on his shirt like you know those shirts that just say BROOKLYN or TOKYO or SAN FRANCISCO and thats it. thats what its like

gladio - okay i know this is going to sound like a lie but im not horny for gladio like at all, hes my least favorite, i think he's just alright. but also i KNOW in my heart of hearts that he would LOVE being a leather daddy and so i had to make it happen. main detail to note here is that his tank top has the motifs of a cup noodle! i didnt know what else to add cause you know.. hes the cup noodle guy.. but also i didnt want it to be so in your face about it with a big as logo so kept it subtle!

(side note the leather daddy gave me an idea for a post where its like noct and prom go to a gay bar all nervous but then they run into gladio and its like "p: GLADIO YOURE GAY?" "n: nevermind that PLEASE dont tell ignis we snuck out" and then ignis walks up and theyre all like WHAT THE FUCK!!!! caption would be "the gang finds out theyre all bisexual." probably wont draw it but i think its very funny lol)

iris - iris my sweetheart.... definitely leaned into the scene vibes here and also that one image of the blonde emo anime girl. details here - of course the moogle big ass backpack and keychain (can you tell i love keychains), but also her buttons are an iris (the flower) and also a crown with hearts (haha symbolism)

anyways oh god i didnt mean to write an essay down here. usually i keep this in the tags but this time i just had Too Much To Say. can you tell i put a lot of thought and love into this . anwyays. *walks off into the sunset and fuckig dies*

[nereidprinc3ss]

relax

in which spencer helps university student reader de-stress after a particularly exhausting assignment

18+ (smut) warnings: fingering, overstimulation, happy crying, lowkey softdom spencer, slight d/s dynamics, reader is referred to as a girl, ????idk i've never had to tag for smut before lols wc: 2624 a/n: been doing some insane literary cooking. lots of smut AND more fluff in the works (all uni reader... lol... ). idk if i love this but again need to fucking get it out of my word doc so here u go, PLEASE lmk if you like it!!

You don’t even realize the room has gone completely dark until Spencer comes in the front door and flicks on the light. 

“Why did you do that?” you snap immediately, looking up from your laptop screen for the first time in potentially hours, blinking hard as your eyes painfully adjust. Your boyfriend gives you an odd look. 

“Hello to you too...” 

“I’m sorry. Hi. How was dinner?” 

“It was good,” he says, crossing the room to the couch that has been your entire world for the past five hours. You sigh, releasing some of the tension in your shoulders when he leans down to kiss your head and set down a to-go box on the coffee table. “Have you moved since I left?” 

“...no,” you admit, moving your eyes dejectedly to the keyboard.  

“You made progress,” he appeases, leaning over you to angle the laptop upward. Immediately you wrench it away, holding it protectively against your chest. 

“Stop! I don’t want you to read it yet!” 

“I could help you with it though,” he pleads, bracing a hand on the arm of the couch. You look up into his hazel eyes, where he’s definitely playing up the puppy dog factor. His tie brushes your stomach, and he smells like lavender and clove and-- 

“You need to go away,” you realize, snapping back to reality and shrinking into the couch, away from him—trying to escape his all-encompassing sensory presence.  

“Wh- I just got back!” he scoffs, straightening. 

“You’re distracting me,” you accuse, throwing him a baleful look. 

“I’m literally offering to help you.” 

“And I’m respectfully declining because I care too much about your opinion to show you this essay until it’s less terrible. I really just need a couple more hours to finish it, please?” 

Spencer sighs, regarding your pitiful state before moving to sit down next to you. Automatically you move your legs out of the way before settling them in his lap and damn it he’s supposed to be going away. Your iron grip on the laptop involuntarily loosens a little as his hands begin to run back and forth over your legs. No—you must stay focused.  

“Spencer,” you whine, flopping your head back. You let the implied complaint hang in the air. 

“You’ve been writing all day. Your brain is exhausted, and your synapses aren’t firing at a rate that is intellectually productive.” 

“What is the point of having a brain if I can’t even use it half the time!” you almost-shout, pressing the palms of your hands into your eyes until you see fireworks.  

The couch shifts and you feel the warm, robotic weight of the laptop unpin you as Spencer lifts it from your lap. “Don’t read it,” you beg, watching through parted fingers as he sets it on the coffee table, and relaxing slightly when he settles back into the couch.  

“Come here,” he says, holding out an arm. Too mentally exhausted to do anything but comply, you pull yourself up just enough to fall into him. Immediately he wraps his arms around you, one hand slipping under your shirt to rub your back in hypnotizing passes. “I think you burnt yourself out,” he mutters. 

You nod into his shoulder, surrendering yourself to his warmth, letting yourself sink into a lavender-clove fog, wanting nothing more than to dissolve into it. The darkness behind your eyes glows an inviting amber, threatening to pull you under...  

But the essay... 

“Stop thinking about the essay,” he demands. 

“But I have so much to do,” you sigh against his jacket, the words coming out muffled. 

“The best thing you can do now is give your brain a rest. I promise you you’re not making that paper any better if you’re exhausted.” 

“I am not exhausted,” you insist, although your eyes are still closed, “I’m just really stressed.”  

Spencer hums, continuing to rub your back.  

“Do you need me to help you relax?” he says innocently. 

Oh? 

One of your eyes opens to peer up at him suspiciously. He sweeps some of your hair out of your face. 

“Because I would be happy to.” A moment passes—him looking down at you fondly; you wondering if you’re picking up what he’s putting down. 

“And how would you go about doing that?” you ask suspiciously. 

“Orgasms reduce tension and stress and improve brain function.” 

Damn. Why did the nerdiest, most un-sexy pickup line ever just turn you on?

You groan, burying your face further into his shirt—mostly to hide any trace of a blush. 

“You know what else would reduce stress and improve brain functioning? Taking an Adderall and finishing my fucking essay.”  

“Angel, you're such a smart girl, and you are fully capable of doing whatever you set your mind to—but I will lock your laptop in my gun safe before I let you look at that essay again tonight.” He speaks so softly, and his fingers are still gently combing through your messy hair... all in all, you put up a good fight, right? Maybe you should just listen to him...

“... fine.” you say eventually, reluctant to give in too quickly even though the idea quickly has filled your stomach with butterflies. 

“Fine?” he says, pausing his motions as you turn your head just enough to look up at him. “Sounds like you don’t really want it, baby. Maybe we should just go to sleep. Or I could take you back to your-” 

“Spence,” you whine, gently grabbing the front of his shirt. Now he’s going to make you beg? As if it wasn’t his idea? Those puppy dog eyes of his are deceiving. 

“You’re gonna have to do better than that,” he sighs, hand moving from your hair to your outer thigh. 

“Please?” you whisper, dignity forgotten as you look up at him imploringly. 

“Lean back, sweet girl,” he says, helping you adjust your position til you’re lying against his chest, legs sprawled across the couch. Your head lolls on his shoulder, intoxicated by his close proximity. “Perfect. Such a good listener.” 

Normally, you’d be quick to make a defensive remark, but with the way he’s slowly hiking your shirt up, running his hands over your sides so lightly it gives you goosebumps—you're really in no position to argue. Your eyes flutter shut as his hands grow bolder in their explorations, crossing your stomach, fingers just slipping under the waistband of your shorts and skimming over your hipbones before coming back up. 

“Does that feel good?” he murmurs, and you nod lazily, apparently losing access to your language facilities after running them dry all day. Unfortunately, that doesn’t seem good enough for your boyfriend. “Do you remember when the last time I touched you like this was?” 

Through the hazy blur of your exhaustion, you try to think back. Was it... two days ago? Three? More? 

“Almost a week ago,” he supplies the answer for you when you take too long. What? That can’t be right. 

But when you think about it harder... it is right. It was right before finals week started.  

An errant hand straying up your torso distracts you. “Do you remember what I did?” 

You flush. 

“You... yeah,” is the best you can offer, too flustered to say exactly what he did to your body. That stray hand moves over your breast. Your back arches just slightly at the stimulation through the thin fabric of your bra.  

Thankfully, he lets you off the hook.  

“I made you cum three times, right?” 

“Mhm,” you hum through closed lips, tense with anticipation as he finally slides both hands down to your shorts and wordlessly directs you to lift your hips so he can pull them all the way off along with your underwear. 

“You’ve been so busy lately, huh. Working so hard.” 

You unconsciously drop your bent legs open, brain too foggy to be insecure about how utterly bare you are—allowing him to slowly rub up and down your inner thigh. 

“I’m gonna make you feel good, honey. I don’t think three times was enough for such a stressful week.” 

You gasp when his fingers finally brush your clit, whimpering slightly when they just barely skim your entrance before tracing the wetness back up.  

“Give me your hand,” Spencer says, taking his own from between your legs and holding it up. You don’t even think about it, releasing your grip on the arm he now has wrapped around you and holding it out for him. At this point, you’d do anything he tells you to without hesitation.  

He takes the proffered hand, gently guiding it back between your legs. Your fingers meet slick, soft warmth. “Do you feel how wet you are?” 

“Yeah,” you breathe, seeing how your fingers glisten when you pull them away. His remain, running slowly up and down your clit. Your brain seems to be vibrating in your skull as warmth spreads throughout your body. 

“Who’s that for?” 

“You, Spencer,” you whimper. He hums in approval before the room falls into silence as you both watch his teasing intently, your breath baited as you try to be patient. But your body isn’t with the program, you keep twisting slightly, your hips cant upward. “Please, please,” the words escape on a held exhalation as you finally break, arching your back against him as your search for more friction.  

Without warning, he sinks two fingers inside you. The slight stretch after not having taken anything in a week scratches an itch you didn’t even know you had, and you let out a broken moan. 

“I know, honey. You’re so good, I know.” Spencer kisses your head as he speaks over your cry, barely moving his fingers for a few moments while you get comfortable. 

Still you’re not ready for it when he withdraws and pushes back in. 

“Look at that,” he breathes. 

“Oh, fuck,” you choke, watching how your arousal completely coats his fingers as he slowly, slowly begins to fuck you with them. 

Again you feel the vibrations in his chest as he laughs slightly—probably at your earlier insistence that you didn’t desperately want this. The laughter fades as you both become entranced by the sight of his fingers disappearing into you, and your stomach twists with pleasure. His pace remains languid, and he seems to delight in the filthy, wet sounds his hand is producing between your legs.  

“You okay, baby?” he asks after a moment, seemingly snapping out of some trance. 

“Uh huh,” you whimper. One particular drag of his fingers at just the right angle has you dizzy, and then he’s speeding up. Your jaw drops at the change in pace and your hips chase his hand, wanting even more. 

“So pretty,” he mutters as his other hand moves to spread you open.  

You attempt to shut your legs around his wrist, but instead he just ruts his fingers deeper into you, palm pressed against your clit. You attempt to twist away from the extreme stimulation, but he doesn’t allow it. 

“Too much,” you squeak, bucking your hips inadvertently. 

“No it’s not,” he states, like you’re talking about the weather. 

“Spencer, I really c- ah- can't!” 

“It feels like a lot, huh?” he asks soothingly, not letting up one bit. 

“Yes!” you cry, eyes stinging as tears begin to well. 

“You’re okay, angel. It’s just been a while.” 

You are so completely fucked. Each stroke of his hand feels like an electric jolt through your whole body. It is too much, but at the same time, pleasure is pooling deep in your stomach and at the base of your spine and you never want him to stop. You throw your head back onto Spencer’s shoulder, eyes screwed shut.  

“Relax,” he mutters, carefully bearing down the pressure across your waist with his arm to try and keep you from squirming. 

A rhythmic whine breaks through the barrier of your sealed lips as you focus all your energy into taking it, when the all-consuming need to kiss him hits you. You twist your neck to look up at him, observing the furrow of his brow and the way he’s tucked his bottom lip into a bite. Thankfully he notices your movement—his eyes dart from your own half-lidded gaze to your lips and he understands what you want. 

The kiss is messy and the angle is awkward and you’re moaning into his mouth half the time anyway, but it feels so good to have his lips moving on yours that you don’t care about any of it.  

“I—ah,” you cry into him, unable to form a coherent thought as your stomach drops like you’re mounting the peak of a roller coaster. 

His fingers again change their angle and he finds the spot inside you that makes your legs spasm. Attempting to hold in whatever noises you were making is now futile—the whimpers and pants turn to full-fledged keening moans interspersed with taut silences as you fail to breathe properly.  

Your wrench your gaze and lips away from Spencer to watch through a blurry haze the rapid movement of his hand between your bare legs, the way your hips buck and twist and the way your leg bends as he hooks his free hand under your knee and hoists it toward your chest. 

“You’re doing so well, honey. Being so good for me.” 

Moisture spills over from your eyes, tracing down your cheeks and down your neck as you begin to come with no warning and a desperate, broken cry. 

A string of praise from Spencer underscores your pleading moans, but you can’t focus on anything other than the buzzing warmth emanating from your core, the bright, pulsing white that blinds you and the feeling of stardust flowing through your veins. 

Your boyfriend continues pumping his fingers slowly in and out of you for a blissful few moments, before sensing the tail-end of your orgasm and bringing his fingers up to rub lazy circles over your clit. Aftershocks resonate from the hypersensitive area and make you clamp your legs shut around his hand as your toes curl and you attempt to squirm out of his grip. 

“Done! I’m done,” you squeak, rocking your hips back and forth to try and escape his toying. 

“Okay, okay,” he soothes, relieving the pressure of his hand between your legs and moving it to run over your stomach as you come down. 

You lie in silence for a minute, enjoying the liquid sensation weighing down your muscles and basking in the warm afterglow of your orgasm.  

“Shit,” you breathe shakily after a moment. Spencer chuckles. You manage to turn yourself over, laying your cheek on his shoulder and slipping your arms under his waist. He looks down at you as he moves on to massaging your back and bare hips, eyes full of warm adoration.  

“Feel better?” 

You hum an affirmation, wiping your eyes on his shirt. 

“Oh, honey, did I make you cry?” 

You laugh into his chest and nod, a few stray tears leaking from your shut eyes. “It’s okay. Not sad tears.” 

“What kind of tears?” 

“Orgasm tears,” you mumble, a tidal wave of exhaustion you’d been fighting all day finally washing over you. 

“That makes sense. Orgasms can be cathartic or even therapeutic depending on your head space. Major losses and life changes are often associated with sexual dysfunction but the opposite is actually just as if not more common. A spike in libido can—” 

Spencer pauses, looking down to see that you’re either asleep or close to it, and smiles to himself. You’ll probably be mad about it when you wake up, but he had to get you to stop thinking about that paper somehow. 

[wreckofawriter]

Only If You Catch Me

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pairing: fred weasley x fem!reader

summary: fred had always been frustrated by your endeavors with other men, especially other men that always looked quite a bit like him. after a disastrous mistake during quidditch practice you find yourself wondering how you had never seen fred Weasley in the light you saw him in now

word count: 4.4k

warnings: jealousy, language (maybe?), only proof read once so sorry for any mistakes!

a/n: this is my first big piece in ages, I hope you guys enjoy and im so sorry for my prolonged absence i fell off on writing for a while and im just now getting back to it

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Some things were just facts, plain and simple; the sky is blue, two and two is four and you had a type.

“Another ginger I see.” Alicia murmured as you sat down across from her, pints of butter beer clinking together. Your eyes were locked with a pretty freckled boy by the bar. 

You huffed even though she was quite right, this must have been the third redhead that you set sights on this year. “Well William got boring and,” You paused wrinkling your nose, “-pushy” 

The Three Broomsticks was packed, the sounds of chatter and warmth guarding you from the icy cold of the blizzard that had swept through Hogsmeade. You and Alicia had joined the dozens of students seeking cover in the popular pub and quickly snagged a small table near a large fireplace where you now looked out on the sea of flushed faces and smiles. 

“With your type it's a wonder your last name isn’t Weasley.” Your friend chuckled and you laughed. 

“If I could have gotten my hands on Charlie, it would be.” You replied, your silly crush on the older Weasley brother lasting from your first year to what you were sure would be your last. 

Alicia giggled, taking a large swig from her pint, licking the foam off her top lip. “Why not one of the twins then?”

“What twins?” A voice asked from behind you.

“She couldn’t be talking about us now could she, Georgie?” Fred jested.

“No no,” The other replied, “I mean what could Spinnet possibly want from us?”

Alicia rolled her eyes with great effort, “Trust me when I say I want nothing to do with you. As for my friend here, I don't know if I can say the same.” she said with a smug grin and you sent her a furious look.

Fred smirked, leaning over the back of your chair, his large palms ghosting your shoulders, “Is that true? Do you need something from us?” He leaned in even further, his nose brushing your hair, “from me?”

You began to look a bit red as he pulled away, “Please Weasley,” you managed to scoff “since when do I need things from you? In fact, I believe you still have my Charms notes.”

Fred had come to stand in front of you now, George joining his side, “It's just that your notes are so much better for writing Flitwick’s essay. ” He argued. 

“You don’t even take notes.” You said, exasperated. 

“Exactly” The twins replied in unison. 

Alicia snickered beside you.

Chairs appeared and Fred and George sat. The table seemed half the size it was before as Fred's elbow knocked against yours.

“Made yourselves at home have you?” You spoke, wincing.

Fred just grinned and leaned purposefully closer, thighs now brushing.

You slid towards Alicia who was turning a laugh into a cough and set your eyes back on the boy with freckles. 

“You headed to the Slytherin match next weekend?” Alicia asked absently.

“Of course.” George replied, “I’ve bet Lee a galleon that Malfoy catches a bludger with his nose.” he chuckled,  “He reckons it’ll be his gut.” 

You all smiled at the idea, no one hated Malfoy more than those on the Gryffindor quidditch team. 

“We also have business to do.” Fred said, wiggling his eyebrows mischievously.

“You don't have any more of those nosebleed nougats do you?” You asked, eyes still across the room, “I’ve got to get out of Binns’ class tomorrow.” 

Alicia's eyebrows shot up, you hardly missed History of Magic, or as you liked to call it, nap hour. “Why's that?”. 

“No reason.” You mumbled, intently staring into your butterbeer. 

Fred’s eyes darted between the two of you. 

“Of course we’ve got some.” grinned George, oblivious, “2 sickles a pei-.”

“Or for free if you tell us what you're up to.” Fred interrupted, catching a strange look from his brother. 

“I'm not up to anything!” You gasped with a bit too much enthusiasm. 

Alicias eyes had narrowed to slits and Fred had never looked more unconvinced. 

Your face began to grow hot and you found yourself wishing you had more grace in the act of lying.

“Oh come off it,” George said, “If she wants to snog Murphy instead of hearing about the seventh generation of goblin rebellions, who are we to judge?” 

You were glowing pink now, sending a vicious look at George who had taken to sipping his drink innocently. 

Fred looked appalled, his face contorted like he had just caught a whiff of something horrible, “Murphy!” 

“Keep your voice down.” You hissed angrily, glazing across the room again to be sure he hadn’t heard, “I'm trying to keep it quiet.” 

Fred was fuming, “Who wouldn’t, swapping spit with a git like that.” 

You scoffed, pulling out a small coin purse, “Can I just have some nougat?”

“Nope.” Fred responded, voice suddenly ferocious, “We’re out.”

You were beginning to grow frustrated, “George just said you had some.”

Fred glared at you, “We’re out.” he repeated his nose high in the air.

You turned to George looking for help but he threw you an I’m-not-getting-into-this look and you were forced to round back on Fred. 

You glared at each other for a moment before Fred caved, "Fine we’ve got some,” He huffed, “Three Galleons.” 

Your mouth dropped, “George said 2 sickles!”

He crossed his arms, “They’re in high demand.”

You stood, chair flying back into the wall with a loud crack, “You’re a complete prick.” you said sharply snatching your bag and sweeping past Fred and over to meet Finn Murphy  who was now standing to leave the pub. 

“Well I think you handled that well.” Alicia said, grinning at Fred who looked as though he had been slapped. 

George, who looked all too happy with himself for instigating such an interesting conversation, helped himself to the remains of your butterbeer as you and Murphy bowed out into the flurry of white followed closely by Fred’s glare.

“Looks as though she's gonna snog every redhead at school before you.” Alicia snicked. 

“Yeah,” George snorted, “You might want to keep an eye on Ginny.”

Alicia giggled even harder, pressing a hand to her lips in an attempt to keep her drink in her mouth. 

Fred could hardly hear them, too busy envisioning your latest with large boils all over his face or perhaps vomiting indefinitely. 

Alicia managed to contain herself and shot Fred a sympathetic glance, “I've been trying you know, I keep bringing you up but she seems far more interested in Charlie.” 

“Charlie!” He guffawed, “But he's been gone for ages!”

“Well he seemed to have made quite the impression.” Alicia chuckled. 

“He was captain when she was appointed to the team.” George pointed out. 

“Yeah when she was TWELVE” Fred gasped. 

Alicia couldn’t help it, she had started laughing again, “Relax,” She spoke between breaths, “It’s just a silly school girl crush.” 

Fred looked unconvinced and began to tap his heel incessantly against the floor.

“Take it as a complement!” She continued, “Charlie looks quite a bit like you, I mean you are related after all.” 

Fred was not taking it as pleasantly as she suggested and began to rap his foot on the ground even faster, “We’ve got to do something.” 

“We?” George snorted, “This is all you mate. I’m not the one in love with her.” 

Freds ears grew pink, “I’m not in love with her!” he sputtered. 

“Whatever you say.” Alicia spoke rolling her eyes.

The truth was that if Fred wasn't in love with you, he was so close he may as well have been. At the very least he had been pining after you for years and he had never been particularly quiet about it. In fact he was the opposite of quiet about it. His flirtatious remarks and dazzling complements were quite consistent. Unfortunately so was his coursing jealousy as you paraded around with boy after boy who was not him.  Every year he swore would be the year. The year where you finally realized it was him you needed and all would be right in Fred's world. But time and time again he failed as you walked out the door with a different redhead. He was growing nervous, his seventh year was upon him and this may be his last chance before you were all carted off in different directions never to see each other again. The frustration of it all was turning him bitter.

That night Fred lay awake on his four-poster, staring at the ceiling venomously. What was it? He wondered, What was it that he didn't have that every other ginger you knew seemed to possess? Why was it never him pulling you into broom closets and meeting you after classes? What was he doing wrong? His thoughts spun until he drifted into an uneasy slumber. 

By the time he arrived at the quidditch pitch for practice the next morning, the rest of the team was already changing into their robes as Angilina scribbled vigorously on the chalkboard in front of them, already changed and ready. 

“Fred!” She shouted watching him try to sneak his way into the bustle of the team unnoticed, “What took so long? I was beginning to think I would have to send George back up to wake you.” 

He shrugged, “Sorry Cap, I didn’t get much sleep last night if you know what I mean.” he winked at her and she looked sorely unamused. 

You on the other hand perked up at the insinuation, finally looking at the twin who, in protest of his behavior the day before, you had been ignoring. 

“She gets what I mean,” He smirked nodding towards you, “Up late with Murphy boy last night?” He asked viciously. 

You flushed as the changing room filled with chuckles. 

“Murphy?” Angelina asked, turning to you, “Isn’t he a bit,” She paused, “dim?” 

You scowled at Fred silently before snatching your broom from the rack and marching so quickly out onto the pitch that you hadn’t even noticed you had hit Harry in the temple with its handle. 

As Potter groaned in pain and fixed his askew glasses Fred looked over to Alicia who was shaking her head slightly. As the rest of the team slowly followed you out onto the field she and George made their way towards him. 

“You’re an idiot.” Alicia groaned, “No wonder she won’t go out with you.”  

George chuckled.

Fred glared at the pair, “It’s not my fault she insists on only snogging boys who are 'a bit dim.'" he spoke, mocking Angelina.

“I know that this may be hard to wrap your head around,” Alicia spoke sharply, “But maybe she went out with Murphy because he was, ya know, nice to her.” She then shouldered past the twins leaving Fred gapping at his brother desperately. 

The day was crisp, the heavy licks of winter drawn in by a bitter wind. But the sky was clear and the sun was out, much to everyone’s appreciation. 

Fred mounted his broom still angry, feeling foolish for upsetting you yet again as you stood with your back to him defiantly. 

The whistle blew and the balls were released as the team kicked off, snow flying in all directions as you did so. 

Fred's head was not in practice as it should have been but instead on you, watching you speed towards the goal posts with the quaffle already under your arm. You scored easily on Ron with a feign left.

Fred was so absorbed in you that he had completely forgotten about the bludgers, one of which was hurtling at him with frightening speed. With little time to react he swung his bat wildly and pitched the bludger in the opposite direction, which with a sickening feeling he realized was right at you. 

He tried to shout but you must not have heard him over the howling of wind in your ears. Because when the bludger struck you heavily between the shoulder blades you were completely unprepared. Your vision danced as the air was knocked from your lungs. You were flung from your broom with a shriek and began to plummet.

Fred streamed after you, urging his broom towards the ground with a frightening speed. His Cleansweep shuttered under the immense pressure he suddenly held it in and never before had Fred wished so badly for Potters Firebolt. 

He managed to get beneath you mere feet from the ground. The force at which you hit him knocked you both into the snow with a heavy thud, and there was a sickening sound as his broom snapped in two. 

Neither of you moved for a moment, the snow settling around you and beginning to melt through your robes. 

“Are you alright?” Fred asked and was struck with panic when you did not respond. He sat up quickly pulling you with him, your legs tangled together in the snow. He called your name desperately, hands holding your face as you lay limp in his arms. 

Angelina landed beside the pair followed closely by George and Alicia both of whom were wearing nervous expressions. 

“Y/n!” Fred shouted again, tears stinging his eyes, fear gripping his throat like a vice. He was moments away from shaking you when your eyes slowly peeled open. 

“Fred?” You mumbled, confused. 

The boy let out a barking laugh of relief and then dove into a hug, almost knocking you back to the ground. 

Bewildered, you returned his embrace and realized quite suddenly how much larger than you Fred really was. You practically disappeared into his chest, his broad shoulders shielding you from the wind that whipped across the pitch. You felt frighteningly warm listening to his heart beat quickly beneath his robes. Your cheeks were hot as he pulled away from you and began to search for any look of pain or damage on your face. 

“Are you alright love?” He asked again and was washed with relief when you nodded. 

As you fully realized what was going on around you, you gasped, pulling the handle of Fred's broom out of the snow.

“Your broom!” You looked horrified, “Fred, your broom broke!” 

Fred on the other hand brushed it off helping you to your feet and beginning to pat the snow off your robes, “It’s alright, I’m sure it's fixable.” he shrugged, “Listen, I am so s-”

But before Fred could finish his apology George burst between the two of you, “I am so sorry!” He spoke hurriedly, “The bludger caught me off guard. I swear I wasn’t aiming for you.” 

You chuckled, giving George a pat on the shoulder, “I sure hope not, but 's not me you should be apologizing to anyway.” You said, “It's Fred’s broom that broke.”  

George did not issue his brother any regrets and instead sent him a wink, whipping his wand out of robes and shouting “Repairo!”

The broom snapped back together and Angelina, who was desperate to get back in the air, looked to you, “You alright then?” 

You nodded with a grin and turned back to Fred who was testing the strength of his brother's repair. 

“Thank you so much Fred,” You gushed, looking up at him through your lashes. 

The boy's heart skipped a beat, stomach lurching, “It was no problem really.” He breathed and miraculously found you in his arms for the second time as you lunged towards him.

“Thank you.” You murmured into his robes before disconnecting and swiftly boarding your broom again. 

Fred watched you leave struck for a moment. Alicia shot him a thumbs up and a grin before he was able to clumsily climb onto his own broom and follow you back up into the air. 

By dinner the story of your fall had been told and retold so many times that you were now said to have plummeted upwards of a hundred meters before Fred had heroically scooped you onto his own broom, saving what was sure to be your life. 

In the great hall you kept getting asked if you were okay as down the table Fred got clapped on the shoulder and congratulated for his great save. He seemed to be enjoying the new story a fair bit more than you were. 

Finn had come over to ask about you halfway through dinner but you found suddenly that he was no less than boring and he returned to the Hufflepuff table after a few short minutes with a look of disappointment on his face. 

Fred watched this with such delight he was sure he was glowing. George -who he had been applauding as the best wingman one could ask for all day- poked him hard in the side and pointed down the table to where you sat. Fred turned to catch your eyes already on him. He winked exuberantly and you turned away with a scoff, but your cheeks had taken a rather deep shade of red. 

He grinned so wide at George he thought his lips might split, “I mean this is some real progress!” He cheered, “Did you see that? She was staring at me!” 

Down the hall you turned to Alicia, cheeks still pink, “Have you ever noticed how tall Fred is?” You asked so suddenly she choked on her pumpkin juice. 

You stared at her curiously as she wiped her mouth with her sleeve smiling, “Oh yeah very tall.”

You hummed looking back down the table at the elder twin who was now laughing wildly at something Lee had said, “I guess I never really thought about it before.” 

Angilina shot Alicia a glance as you were distracted and the two of them broke out into giggles. 

“What?” You demanded though you were still smiling. 

“Oh nothing.” Angilina grinned and you huffed turning back to your dinner. 

You found yourself wishing Fred had chosen to sit a bit closer to you as you watched a group of girls across from him break out into giggles at something he said, “There's no way he's that funny.” You muttered knowing he in fact was. 

�� Yet you couldn’t find yourself being all that jealous as he kept glancing up at you, as if checking to make sure you were still watching him and much to his delight you always were. His shoulders, you noticed from where you sat picking at plum pudding, were quite wide, his arms toned. It was no wonder that he had engulfed you completely out on the pitch. 

How had I never noticed this before? You found yourself wondering. How had he managed to escape your list of potential suitors when he was so obviously perfect for you?

The thought struck you rather abruptly and while you would have liked to have sat with it for a minute, Alicia was standing and you knew it was time to head back to the common room. 

As students began to flood from the hall you fiddled with the sleeves of your robes, thoughts full of brown eyes and freckles . 

As if summoned, Fred appeared at your side grinning widely, “Hello.”

“Hey Fred,” replied Alicia. 

“Have you guys heard the news?” He asked, throwing an arm around your shoulder. You tried hard not to blush and instead shook your head, staring at the floor. “Apparently, you owe me your life.” He was beaming down at you now and you found it hard to look away. 

“Oh yeah?” You smirked, “And I heard it was actually you who hit me with that bludger.” 

His smile disappeared only momentarily and you were happy to see it recover so quickly. 

“Ah well, I figured Angelina wouldn’t keep her mouth shut.” He shrugged, “Though I swear if I had a choice I would have knocked her off her broom instead.” 

And for the first time that evening jealousy took you strongly, “Oh yeah? I suppose she would have been a bit more fun to catch then?” 

Fred looked startled by your bristly reaction, “Nah,” He responded, “That would have been Georgie’s job.” 

You were satisfied with this answer and felt yourself leaning against him as you began up towards the tower.

George was delighted to see you still tucked beneath his brother's arm when you reached the common room. He called you over to where he sat and you placed yourself in a large squishy armchair as Fred perched himself beside you on an ottoman. 

You spent your evening rather uneventfully, finishing an essay for Snape as the Gryffindors slowly filtered off to bed in pairs. When George rose to take himself to the dormitory you expected Fred to follow but instead he stayed rooted by your feet where he now sat cross legged on the carpet looking over what looked like an extensive order form. 

Hours later you yawned, stretching when you finally finished your work. It was now well past midnight and only a few fifth years remained, cramming for a quiz in transfiguration the next day. You turned to look at Fred who had long since sprawled himself across the couch before the fire and found him snoring softly. 

A jolt of infatuation made your stomach flip. His messy hair glowed shockingly bright in the fire light, his pink lips slightly agape. You gathered your things slowly, sure not to wake him before you stood beside him.

You knew you should wake him, you were the reason he had not retreated to bed after all. But he looked so peaceful like this, so soft. Instead you found yourself slowly counting the freckles that sprawled across his cheeks, leaning close to brush a strand of his bright red hair out of his face. He woke immediately at your touch, large brown eyes locking with your own.

You felt your cheeks go hot, “You should go up to bed.” You mumbled beginning to pull away. 

He snatched your wrist with such haste it took you by surprise, “Do that again.” he spoke.

You furrowed your brow, “What?” 

“With my hair,” It was his turn to blush now, “Touch my hair again.” 

It felt as though the air was sucked from your lungs yet you found yourself obeying, fingers coming to comb through the soft waves that spread across his forehead. 

He hummed, leaning into your touch slowly, gaze still locked with yours. The two of you stayed there for a moment, you kneeling beside him fingers in his hair, his hand still loosely wrapped around your wrist. 

“I’m sorry.” He murmured and you looked at him confused. 

“For what?” 

“Hitting you with a bludger.” he responded remorsefully. 

You laughed softly, your head thrown back, “It's okay Fred.” you grinned. You were close now, so close Fred could feel the tickle of your breath on his cheek, “I forgive you. You made up for it after all.” 

He smirked in spite of himself, “I suppose I did, saving your life and all.” 

You were giggling again and Fred was sure he was in some beautiful dream where all he could ever hear or see was your joy. 

“I wouldn’t push your luck if I were you.” You grinned, “I may just chuck the quaffle at your head when you're not looking.” 

“Only if you catch me when I fall.” Fred whispered, leaning closer still. 

You let him, your lips connecting slowly. You were pleased to find he was a fantastic kisser, his lips soft and plush, eager to please. His free hand cupped your cheek as he pulled you closer still until you were practically on top of him.

One of the alarm clocks the fifth years had been attempting to turn to roosters burst to life and you pulled away abruptly remembering bitterly that you and him were not the only ones in the room. Fred chased after your lips with his own desperate for even a moment more with your mouth.

“You should get to bed.” You repeated standing now, knees a bit shaky. 

Fred was disappointed by your departure but grinned wildly nonetheless as you gathered your books into your arms and turned back to him. 

“I’ll see you tomorrow Fred.” You yawned and began up the stairs to your dormitory determined not to let him see the childish glee that had spread across your face. 

“Wait!” He called after you, lurching from the couch and stopping at the bottom of the steps. 

You turned back to him taking in the wonderful sight of him staring lovingly up at you. He looked delightfully disheveled, his hair a mess and his lips swollen from your touch. You took two steps down now only one above where he stood on the hardwood floor.

You looked down at him expectantly as his eyes bore into your own. 

He lifted himself onto his toes and grabbed your shoulders forcinging you forward where you connected for a second time. 

This time his breath was hot and heavy on your lips, his earnest intensifying to a level that you could only describe as hunger. Your feet dangled momentarily in the air as he lifted you fervently into his embrace. You were suddenly engulfed in Fred again, he was all you could smell sweet and cinnamon, all you could hear were his pants in your ear, all you could feel was him, his arms around your middle, his thigh pressed between your legs and his lips and tongue working so well together that it was you who chased after him this time, whining in protest when he pulled back.

You stared at him, out of breath and stunned to silence. 

Fred looked as though he had just won something very expensive the way he was grinning with triumph, his eyes dark with lust. 

 “Sweet dreams love.” He murmured leaning down to give you one final kiss, his lips moving sickeningly slow against your own, wet and warm. He hovered inches form your lips for a moment, as if debating diving back in, before he backed away tucking his hands casually into his robes.

“You should go to bed, love.” He smirked, “We’ve got an early practice tomorrow and I do believe you made me a promise about knocking me off my broom.” 

You bit your lip to keep from breaking into girlish giggles. Your heart was still pounding as though you had just run a long race. 

“Only if you swear to catch me though.” He added with a wink.

“I’ll always catch you Freddie.” you assured him before turning and hurrying back up the stairs, grinning so wide your cheeks had begun to ache.

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taglist: @accio-rogers @roslea @k3nz-dood13 @theseuscmander @sleepingalaska @chloe-geoghegan1 @coldlilheart @the-natureofme @trickylittlewitch @layaa-layaaa @sarcasticallywitty @rosieweasley @dracosgoodgirl @inglourious-imagines @princess-jules47 @daedreamss @d22malfoys @evyiione

m.list

[ramblingautisticman]

So, I haven't stopped thinking about the dyslexic Wade headcannon- like at all- so here is the second part/expansive of this post!

I really like the idea of him being really insecure about it but slowly accepting it more and being more open about it.

I also wrote from my experience, and I'm not officially diagnosed don't come at me, but I struggle alot with reading and writing so yeah!

Anyway, enjoy. Please. I hope everyone likes this as much as I do!

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It isn't that Wade can't read- or that he doesn't want to- it's more that it's a massive fucking struggle. Most of the time anyway.

He's always had trouble reading (and spelling, but he can avoid that with emojis now! How technology grows!) ever since he was a kid.

And maybe it's because he didn't grow up in a great environment, or maybe it's because he was never really encouraged, but Wade never ever mentions it. Not to anyone.

He never told anyone when he was in school that sometimes words didn't really make sense to him, and that he was behind in work because of it, not because he would sit and talk (though he did that too). He never told anyone that he preferred art over english because it was easier to understand a picture to him than it was words. He never told anyone that he struggled to spell simple words like "bakery" and "shopping" but could spell "because" and "beautiful" because of a stupid rhyme he had heard once.

It was just something he had grown up with- something he had assumed other kids dealt with- u til he got to high school. Suddenly, he was surrounded by people writing 3000 word essays like they were nothing and people reading 200 page books during lunch, all while Wade still hadn't finished a single book he owned. While Wade still struggled to understand words that weren't in a specific font or colour- something he had realised shortly after turning 10- and everyone around him could just do it. They didn't take 10 minutes to finish a page of a book. They didn't get headaches from the concentration he had to use while staring at a page trying to figure out if the word "wandering" was spelt correctly. They didn't struggle to read the teachers writing because of the cursive writing. They could all just do it and Wade had to just sit and try.

Naturally, people noticed that he would read slowly and awkwardly when they read aloud in class, or that his work always came back covered in red pen from where he had misspelled simple words. He quickly became a target for bullying. Honestly, he probably wouldn't feel as self conscious as he does if that hadn't happened. If teachers had just stepped in and helped- noticed that something was wrong- he would've gotten some help and grown up with accommodations that would've helped him succeed. But he didn't get any of that. He got bullied for reading slowly and being dumb. He got kicked and punched because he had been spotted reading a book meant for younger kids (big mistake).

Wade tried. He did. He read books as often as he could to try and make his brain click- and it never worked. He would try and spell random words- and sometimes he got them and sometimes he didnt- and eventually he gave up. Eventually he succumbed to the voice in his head telling him he was stupid and that he was just going to have to go through life suffering.

And as he got older, he figured out stuff that helped and stuff that didn't. He managed to find a few fonts that helped, a few overlays that made it easier, and a few things to remind him how to spell certain words he usually struggled with.

He also got better at hiding it. Wade would tell people he preferred calls over text. He would open birthday cards and smile at the writing even if he couldn't quiet make out what it said. He would avoid anything that involved him reading in public.

And again, not because he couldn't read, but because it might take him alittle longer than it should, and the idea people would notice made his stomach fill with anxiety, sending him right back to being that scrawny kid I high-school who got beaten up every lunch time.

All of that only got worse after his accident. Well, the cancer and the torture and the murders, but ya know.

Now people were staring at him anyway. People would look and gasp and gawk as he walked down the street or went to the store to get groceries. Everywhere he went people stared. Everywhere.

So instead of being slightly worried people would notice him focusing too hard on reading, he was fully aware people were staring at him constantly because of his skin, and he liked to avoid giving them anymore reasons to stare.

To his suprise though, moving in with Al had helped. She was the only person he had told, and she was the only person who seemed to understand, telling him about something called dyslexia and telling him that his brain just worked alittle different than his. Then proceeded to pass out after using the last of her cocaine- but the thought was still there.

And she didn't seem to mind that he read alittle slower sometimes, because she still asked him to read her mail to her, and sometimes write letters or cards. Wade would have to ask her how to spell the words, but she never seemed to get angry about it, and she always seemed to know how to spell them. Plus, if anyone noticed it wasn't spelt right, they could blame it on her being blind (how was the recipient to know this letter hadn't been writing by Al? She could probably write stuff if she wanted. She's blind, not stupid.).

When he started to gain friends and family- somehow gaining a little group of them- he didn't feel as bad about them noticing. He still didn't say anything- didn't make it obvious- but he wanted them to know he read there cards. Make sure they knew he read the group chat messages. Make sure they knew he did care (and for some reason, probably because the writer loves this headcannon, it seemed like alot of him showing his cared had to do with reading and spelling), writing them birthday cards and Christmas cards, and responding to every single message.

He found a quick way around the messages. That was easy. Emojis, memes and gifs quickly became his best friend. They were easy to dichiper most of the time, and Wade loved them, so it was a win win! He did write things too, and auto correct usually helped if he was struggling that day, but he was getting better thanks to Al and her bossing about of writing letters to her grandkids.

Writing cards took a little longer, but he spent alot of time on each one, making sure everything look neat and was spelt well. It always made him proud giving someone a card that he knew he spent so much time on, perfecting every last word.

When Logan moved in, it was a topic Wade was trying to avoid. He knew he should tell him- they were getting closer and closer each passing day- but he always felt so stupid trying to explain it. It made him feel stupid, even if he knew he wasn't. Most of the time.

Luckily, it doesn't actually come up for awhile, not until they have moved into their own place and Wade is handing Logan a birthday card with a huge grin on his face, practically bouncing on his feet.

And Logan opens it and reads it, and smirks a little because "I don't think the word awesome is spelt like that" and suddenly Wade's smile is wiped off his face.

He really had tried- maybe he didn't read the word properly off his phone or something- because Wade is taking the card and trying his best to quickly read it but can't, and he let's out a grunt of frustration because rambling at Logan apologetically. "I really tried to fucking spell everything right- I'm the idiot for fucking trying to read the word to spell it- I mean, who does that when you can't even read properly? I can re-do it- gimme like an hour and a half to go get a new card and get Al on the phone to just ask her how to spell it and then I can give you one that isn't fucked up-"

And Logan shuts him up with a small kiss to the forehead, telling him that he "likes this one just fine, has more charm" and Wade wants that to feel reassuring but it somehow doesn't, and it just makes him more annoyed.

So after a small melt down and a good cry in the shower for fucking up Logan's birthday, he explains it to Logan. Tells him about how he sometimes struggles with reading and spelling, but he really did try with the card. He really does try to read and write properly but some days it's hard and some days he can do it easier, and that he never really told anyone until he met Al. He messily rambles about everything- including the bullying- and Wade expects to be met with some laugh or ridicule. Though, this is Logan- and somehow this man loves every other part of him- so why wouldn't he love this part too?

And Logan just apologises to Wade that he made him feel bad about misspelling the word awesome- makes a joke about how it's a hard word to spell- and that Wade shouldn't have been bullied for something he couldn't help. Tells him that it's nothing to be ashamed off, and that he shouldn't let it hold him back. Tells him that if he ever needs help with spelling something he can ask Logan, that if he ever can't figure out a word that he can ask Logan, asks if there are any accommodations he uses to help him.

And Wade tells him the things that help, the things that don't, thanks him for the offer of help, and suddenly it doesn't seem so terrifying that Logan knows. Suddenly he feels better about it. Sure, Al had helped, but hearing this from Logan made him feel less afraid to hide it. Made him feel better about telling his friends so they knew.

And Logan stays true to his words. He helps him when he is struggling with a word- never jumps in a reads stuff or spells things without being asked first- and even uses some of the accommodations. He has his phone set to a font Wade can read easier, and his next birthday card is in big bold writing (Logan's writing is normally really scribbly and hard to read) and on a colour that helps him focus on the words more.

And he tells his friends and they understand, they do the same. They help if asked, they don't rush him in reading their cards or messages- Yukio starts to use more emojis and Collosus tries his best to give Wade mission debriefs in person or voice messages- and it helps him immensely. He gets more confident about his reading and writing, and he starts to work on ut even more. And yeah, he can't get rid of his dyslexia, but he can try and find new ways that help him. He can find books in safe fonts and listen to the audio book as he reads to help (Though, he does prefer listening to Logan read to him, because his voice is so smooth and gruff somehow, and he could listen to it for hours).

Wade hated that stupid part of himself for so long, but now- even if he is 47- he doesn't really mind it anymore. He makes jokes about his spelling errors or words he missreads, and he works on finding new things to help with Logan, and everything is alittle bit easier knowing he isn't going to be ridiculed and judged.

(People who said they wanted this, I hope you enjoy! @wadewnstonwilson @logictoinsanity @zerotoqueero @superbattrash @spoopderman @klszkas @ohitsthemindstuffagain @mangoob @dis-plus-fanfic-reblog-writes (tagging yall who said you wanted to read it!))