#I could use the money lol

[comfortstars]

gonna participate in a contest where I need to make a video and spent the afternoon doing the script and storyboard. I had so much fun but I am TIRED now

[heirofnepeta]

My fursona has been reborn!

Meet Gali, she's a protogen who specializes in rocks!

I originally made Gali a few years back when I joined the furry fandom and back then Gali was a guy. But now with me realizing I'm not a guy, Gali isn't either.

Her name comes from the metal gallium, an interesting metal that melts at just above room temperature. I had learned about the metal back when she was made, and decided on the geology profession right then and there.

I originally planned for this to be done yesterday, but I fell asleep after getting home from school... but she's done now!

Since they asked to be tagged: @amingethia

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[gazkamurocho]

Help I can't stop putting Goromi in horror game situations Inspired by this

[aardvaark]

the leverage team would have had a games night… once. everyone cheated so much and in such increasingly extreme ways that all mentions of monopoly are banned in their headquarters (this makes talking about marks who monopolize the market very confusing)

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[iizuumi]

Side effects of wearing your Kaiju suit too often ,,,, Part 2

[cuntstable]

was talking about this with a mutual just now but it really is so funny how dio was such a failure in his god complex at the end of the day that arguably the best lesson he ever taught pucci as his evil mentour was ”ok dont do what i did which basically was just fuck around and do drugs and have sex in my mansion because i got nothing done vis a vis Heaven Plan and ultimately got killed by the joestars” and pucci took that to heart so strongly that instead of becoming another fail slut he turned into a straight edge celibate priest and ended up doing 99.9% of the heaven plan and sucessfully killing all his enemies like LOL

[humming-fly]

I’m being SO normal about these leaked ling and lan fan alts for the fma mobile game definitely am not completely obsessed loosing my shit over these no siree

[giantkillerjack]

the average person doesn't expect you to be a perfect ethical consumer, that's not possible for the vast majority of us. but what youre saying is it's better to do nothing at all and choose the worst possible options (sweat shops, overseas shipping waste, idea/product theft, all wrapped up in SHEIN) than to put even the tiniest effort in where you can.

[they are referring to this post]

What I said was "some people are doing literally everything they can to survive and have no extra bandwidth to spend extra time and money on their purchases, and it is cruel and therefore un-punk to gatekeep punkness and add additional shame to these people's lives based on that fact."

I think it's still a good thing to try to ethically consume; I literally never said it wasn't. I had never even heard of SHEIN before. Rather, I am much more concerned about what I saw as arbitrary gatekeeping based on ability and income.

And frankly how dare you claim that I am supporting sweatshops and abuse by saying that this additional work you are demanding (in this case, presumably, vetting every clothing company you buy from) is not always possible for people. It is not a light accusation to accuse me of supporting abuse.

"How dare you say we piss on the poor", Etc. 🙄 this isn't Twitter. You are determined to enforce moral purity, but you are failing to see the nuance.

Because when I say "no extra bandwidth," I mean no extra bandwidth. This is not the "car shows it's on E but actually secretly it has a lot of gas left" situation that abled people constantly assume disabled people mean when they say they are at their limit.

This is "the car has stopped moving, and to move it I'd have to break my body pushing it." This is "at a certain point, people will hit a wall in terms of money and time and energy, and any energy spent after that comes directly out of their life force."

So the argument "okay but just spend a little more time money and energy actually" is not a valid one.

And the argument "if you are not able to do this specific task, then it means you're not doing anything else to make the world a better place" doesn't exactly impress me either. You said yourself that it is impossible to be a perfectly ethical consumer for most people.

How do you know what else people are doing to resist oppression? How many hours per week until your standards are met?What if someone works 3 jobs? Does that mean it's harder to be a good person if you're poor?? Why do you get to decide what specific avenue of bettering the world is the most morally repugnant or acceptable? What kind of proof of goodness and effort would make you satisfied enough to lay off on the shame?? Who are you helping??

Clothing is a fundamental human need, and some of us have to buy cheap fucking clothes quickly. Billionaires are buying their seventh yacht this month. The people who own fast fashion companies are abusing their workers and putting local affordable clothing stores out of business - and this applies for basically every company with price points that low because governments are failing to regulate corporations to enforce basic human rights.

I have $300 to spend on a new wardrobe as my old clothes have fallen apart or become too small. Do you have a way for me to get a new winter coat, 3 flannels, 10 shirts, 3 dress shirts, new sandals, 10 pairs of pants, 5 bras, 12 pairs of socks, and 10 pairs of underwear within that budget and also definitely 100% ethically sourced, with free returns in case it doesn't fit? Or will I simply have to use the cheap stores?

I have about an hour to spend on this per week. Many mainstream stores doesn't make clothes in my size, and I am now in *year 5* of needing an electric wheelchair and being unable to get one; plus I live up a flight of stairs, so I can't even bring my walker out with me - so thrift shopping is not gonna cover this. Should I continue to wear small and tattered clothing until I have the time, money, and energy to meet your standards?

Did you know there are more empty homes in this country than homeless people? If I decide to splurge on only 100% ethically-produced products, and I can't make rent, and I become homeless, are YOU going to be there for me?? Or are you too busy litigating the endless tiny shames of poverty in your own community?

So I ask you again, are you SURE this is where you want to direct your punk energy?

Because there are a whole lot of rich people relying on people like us punching down and to the side instead of looking up to see where the money is going.

Because energy and time, as it turns out, are limited resources. And I would never expect you to secretly have more than you claim to have.

[samarecharm]

A lack of a Hold-Up mechanic in strikers means that Zenkichi has never witnessed these kids corner and mug shadows for every little penny theyre worth. I think he would lose his mind. Hes trotting around the metaverse w teenagers that have too much experience holding shadows at gunpoint to get what they want. When did this become his life. Neko shogun throws out a snuff soul as an offering and Akira doesnt remove the gun from its face. ‘You can do better than that.’ What the hell do u mean??? Its a fucking cat! It throws another snuff soul on the ground in fear before Akira decides to finally lower the gun and let the cat run off. At least they arent killing the damn things w their backs turned.

[akkivee]

idk if i ever got around to just commenting how strange it was that juto and rei swapped palettes in their bp outfits but it’s strange that they did lol and now we got juto straight up wearing his blazer the way rei wears his fur coat in the mtc album art

and now i’m really wondering if there was more to those duos in the block party lol

[thelaurenshippen]

this is a genuine question not at all meant as a rude gotcha, but I feel like I've seen lots of people cite the relatively low barrier of entry as a huge advantage of podcasts as a medium, "if you have access to decent audio tech you can make a podcast" etc etc. So where does the need to sell a script come in? Is it a financial thing, and IP thing, something else?

this doesn't read like a rude gotcha at all, it's a really good question! there is a much lower barrier to entry when it comes to podcasts compared to tv, film, theater, etc. (though not as low as writing a book if we're talking about hard resources - you can technically write a book with just a laptop and a dream and then self publish! though as a writer who has written a lot of scripts and four books (3 published) writing a book is a much bigger psychological burden imo lol).

the need to sell a script, for me, is entirely a financial thing. if I had the money to produce podcasts at the level I want to entirely independently, I would! I know how to do it! but, unfortunately, I really only have the funds to produce something like @breakerwhiskey - a single narrator daily podcast that I make entirely on my own.

and that show is actually a great example of just how low the barrier is: I actually record the whole thing on a CB radio I got off of ebay for 30 bucks, my editing software is $50/month (I do a lot of editing, so this is an expense that isn't just for that show) and there are no hosting costs for it. the only thing it truly costs me is time and effort.

not every show I want to make is single narrator. a lot of the shows I've made involve large casts, full sound design, other writers, studio recording, scoring, and sometimes full cast albums (my first show, The Bright Sessions had all of those). I've worked on shows that have had budgets of 100 dollars and worked on shows that cost nearly half a million dollars. if anyone is curious about the nitty gritty of budgets, I made a huge amount of public, free resources about making audio drama earlier this year that has example budgets in these ranges!

back in the beginning of my career, I asked actors to work for free or sound designers to work for a tiny fee, because I was doing it all for free and we were all starting out. I don't like doing that anymore. so even if I'm making a show with only a few actors and a single sound designer...well, if you want an experienced sound designer and to pay everyone fairly (which I do!), it's going to cost you at least a few thousand dollars. when you're already writing something for free, it can be hard to justify spending that kind of money. I've sound designed in the past - and will be doing so again in the near future for another indie show of mine - but I'm not very good at it. that's usually the biggest expense that I want to have covered by an outside budget.

but if I'm being really honest, I want to be paid to write! while I do a lot of things - direct, produce, act, consult, etc. - writing is my main love and I want it to be the majority of my income. I'm really fortunate to be a full-time creative and I still do a lot of work independently for no money, but when I have a show that would be too expensive to produce on my own, ideally I want someone else footing the bill and paying me to write the scripts.

I love that audio fiction has the low barrier to entry it does, because I think hobbyists are incredible - it is a beautiful and generous thing to provide your labor freely to something creative and then share it with the world - but the barrier to being a professional audio drama writer is certainly higher. I'm very lucky to already be there, but, as every creative will tell you, even after you've had several successes and established yourself in the field, it can still be hard to make a living!

anyway, I hope this answers your question! I love talking about this stuff, so if anyone else is curious about this kind of thing, please ask away.

[jrueships]

PEOPLE WHO WORK THE TOLL BOOTHES CAN HEAR U?????

[chiimeramanticore]

I've got time today to take on 1-2 doodle commissions! cheap + quick turnaround, DM me if you're interested!

[icewindandboringhorror]

Some fantasy traveler inventory details (like what they would carry in their bags), based on two of the recent costumes I did.. love finding random little scraps and items and putting them together lol