#as is making an audio drama!

[thelaurenshippen]

this is a genuine question not at all meant as a rude gotcha, but I feel like I've seen lots of people cite the relatively low barrier of entry as a huge advantage of podcasts as a medium, "if you have access to decent audio tech you can make a podcast" etc etc. So where does the need to sell a script come in? Is it a financial thing, and IP thing, something else?

this doesn't read like a rude gotcha at all, it's a really good question! there is a much lower barrier to entry when it comes to podcasts compared to tv, film, theater, etc. (though not as low as writing a book if we're talking about hard resources - you can technically write a book with just a laptop and a dream and then self publish! though as a writer who has written a lot of scripts and four books (3 published) writing a book is a much bigger psychological burden imo lol).

the need to sell a script, for me, is entirely a financial thing. if I had the money to produce podcasts at the level I want to entirely independently, I would! I know how to do it! but, unfortunately, I really only have the funds to produce something like @breakerwhiskey - a single narrator daily podcast that I make entirely on my own.

and that show is actually a great example of just how low the barrier is: I actually record the whole thing on a CB radio I got off of ebay for 30 bucks, my editing software is $50/month (I do a lot of editing, so this is an expense that isn't just for that show) and there are no hosting costs for it. the only thing it truly costs me is time and effort.

not every show I want to make is single narrator. a lot of the shows I've made involve large casts, full sound design, other writers, studio recording, scoring, and sometimes full cast albums (my first show, The Bright Sessions had all of those). I've worked on shows that have had budgets of 100 dollars and worked on shows that cost nearly half a million dollars. if anyone is curious about the nitty gritty of budgets, I made a huge amount of public, free resources about making audio drama earlier this year that has example budgets in these ranges!

back in the beginning of my career, I asked actors to work for free or sound designers to work for a tiny fee, because I was doing it all for free and we were all starting out. I don't like doing that anymore. so even if I'm making a show with only a few actors and a single sound designer...well, if you want an experienced sound designer and to pay everyone fairly (which I do!), it's going to cost you at least a few thousand dollars. when you're already writing something for free, it can be hard to justify spending that kind of money. I've sound designed in the past - and will be doing so again in the near future for another indie show of mine - but I'm not very good at it. that's usually the biggest expense that I want to have covered by an outside budget.

but if I'm being really honest, I want to be paid to write! while I do a lot of things - direct, produce, act, consult, etc. - writing is my main love and I want it to be the majority of my income. I'm really fortunate to be a full-time creative and I still do a lot of work independently for no money, but when I have a show that would be too expensive to produce on my own, ideally I want someone else footing the bill and paying me to write the scripts.

I love that audio fiction has the low barrier to entry it does, because I think hobbyists are incredible - it is a beautiful and generous thing to provide your labor freely to something creative and then share it with the world - but the barrier to being a professional audio drama writer is certainly higher. I'm very lucky to already be there, but, as every creative will tell you, even after you've had several successes and established yourself in the field, it can still be hard to make a living!

anyway, I hope this answers your question! I love talking about this stuff, so if anyone else is curious about this kind of thing, please ask away.

[poorly-drawn-mdzs]

Ghouls night out

[First] Prev <–-> Next

[gaywaren]

changyang’s newest hualian fanarts!

[boombox-fuckboy]

Last-minute podcast Halloween costume ideas (very scary):

Wet mouth sounds (extended cut)

"Content Warning: Mature Themes." [Do not elaborate]

The episode that is twice as long as any before it

The 80 decibel difference in volume between podcast and advertisement

Sound of distant emergency sirens

"This Episode is No Longer Available"

Live action adaptation

[radiationsaint]

i’m catching up on tsv, i think something that eskew prod does extremely well is using horror absurdism to capture the absurd horror of capitalism. it’s clear in eskew too, but i think it’s especially fantastic in the silt verses. the casualness with which sacrifice is discussed. how red lobster has a god that has and continues to take human sacrifice, and so do cereal companies, cops, and the grueling start up that has a “fun room”. it captures EXTREMELY well how it feels to live under capitalism, that you’re constantly bombarded with horrible things, discussed cheerily in a nice tone. the way it’s simultaneously numbing, hysterical, and horrifying. i think i was especially fond of how in ep 39, protest against sacrifice was taken as radical, a propostorus, idealistic thing that’s just so SILLY it’s not even worth considering, something that feels very real to revolutionary organizing/protest irl. i also liked how despite the face, when everything gets down to it, when everything is about profit, all people come down to are bodies. all capitalism is a gaping maw, and it eats the poor and marginalized first, but doesn’t STOP eating just there. the very literalized version of this, where the profit wheel (and all that includes— war mongering, the prison industrial complex, wage labor, etc) is given a very real literal set of teeth, but the body count is the same. so the electric company has a god, and so it takes humans sacrifice. do real electric companies not have a very real human cost? overworked and underpaid labors looking to make rent, or well off comfortable employees no less likely to get the axe under profit margins, or the blood shed when colonizing in the first place, in clearing the space for the electric company to move in. is that not also a very real human sacrifice? the commercial aimed at elderly people talking about “back in my day, we would just talk about all this human sacrifice and find a compromise :)” is so bleakly hysterical, but is that not very accurate? that you can put a good face on it, but in the end what it comes down to is that you’re being sold the chance to be human fodder? that there is no glory or honor on a battlefield or in working yourself to death, just mud and shit and bodies to throw at problems. idk! i’m rambling but it’s a deeply engaging podcast.

[lesbian-jack-barnabas]

hey again audio drama tumblr. I’m a fucking nerd and I’m doing a thing rn

i am a science nerd at heart and as such I’m making a list of podcast recs based on different branches of science (If you like physics/chemistry/astronomy/zoology/etc you should listen to [podcast] type of deal). If anybody wants to drop shows that either a) features a scientist character or b) has a general plotline/themes that line up with some branch of science or other I’ll be indebted to you forever 🙏 I’ll be using it half for the list and half as recs for myself. Tbh. Because I love myself a good podcast scientist

[therukurals]

No boy can diss me or my mother Round here ain't safe, everybody need armour .

Blossom 九重紫 (2024)

[castingpods]

Listening to stuff from the audio drama renaissance is so funny. why were there only like 5 voice actors and how were they all in each others shows

[c-rowlesdraws]

I’ve started listening to The Magnus Protocol after dropping off TMA during the last season, and it’s fun so far, but that deliberately-awful-quality “characters talking in another room” part at the very end of episode three made me crank the volume on my phone all the way up to understand anything (I’m listening while tidying my room), and the transition from then to the SUPER LOUD MUSICAL SPOT that plays at the end took about five years off of my life

[newtzii]

IM GONNA FUCKING BARFF IVE BEEN NEGLECTING THEM SO MUCH… kicking myself in the head PLEASE CORRUPT MY MIND ONCE MORE ABACELSUS!!!

bloodsucking more like erhh… kiss me onnthe mmout….

[tellnotalespod]

List: Queer creatives to spend your money on instead half-arsed pride merch from Target 🏳️‍🌈🏳️‍⚧️

We're all aware by now that when you buy pride merch from one of Those Companies, your money is just going to a CEO who half-heartedly told someone to slap a rainbow on it and call it a day. So why not use that money to support an actual queer person who’s working hard to make art?

I've collected a(n incomplete) list of queer creatives who would benefit from your support this Pride Month - this is fairly limited in scope, as it only includes creators who responded to my call for links (or whose links were sent by friends & fans). It is also, for that reason, fairly audio-drama-heavy, but not exclusively so! It includes sections for crowdfunds, online stores, ttrpgs, and ko-fis and patreons for creators of a variety of different art forms.

The list is long, but worth a look through. Have a browse, see if anything appeals, and if you'd like to add any links, please do! Share the list around, shout out your friends and peers, boost your favourite artist, and vitally, self-promo is strongly encouraged!

Crowdfund campaigns:

Starting off strong with Forged Bonds @forgedbondspod — A queer, myth-bending audio drama retelling of Aphrodite and Hephaestus's love story.

This one takes pride of place as the inspiration for this post. Pine is working SO hard to make sure their cast gets paid regardless of crowdfunding outcomes, even if that means paying out-of-pocket. Help them avoid having to do that by supporting a truly kind and wonderful creator. (Crowdfund ends in a little over two weeks!)

We've also got a tight time-sensitive crowdfund for Waiting For October @monkeymanproductions — an upcoming queer supernatural audio drama series from the creators of Moonbase Theta, Out.

At the time of posting, they only have 13 hours left on their crowdfund, but they're 93% there! Help them cross the threshold and tell what I'm sure will be another gorgeous and wild story.

And for the horror lovers, a new crowdfund from The Morbid Forest — a deep dive into all things grusesome!

They are hoping to fund their fifth season, and it's looking to be their biggest yet. A lot of what they're asking for will be used to pay guest authors they're bringing in for the new season, allowing platforms for up-and-coming writers. Help them make this a reality!

All three of these creators also have Patreons you can subscribe to instead of (or in addition to!) their crowdfund: Pine Tree Pods, Monkeyman Productions, Morbid Forest

Buy yourself a little treat:

Saph the Something creates ethically handmade clothes made with vintage materials by a non-binary queer individual, with an emphasis on non-default clothes for non-default people.

You can find Saph's physical goods on xaer ko-fi (including a GORGEOUS loose-knit subtle trans flag tee)! Or support xem on Patreon for early access to content, behind-the-scenes updates, and more

For prints and pins of some truly stunning art, visit Survival of the Artist's ko-fi!

If you love gorgeous, unsettling underwater horror, you're going to absolutely love these prints

Eeler's Choice @eelerschoice is offering their season 1 soundtrack on Bandcamp!

Eeler’s Choice is a maritime horror fantasy podcast that serves as a reminder that the ocean never gives back what it takes unchanged. The music is GORGEOUS and if you love sea shanties, folk music, and eerie ambient instrumentals, you'll love this album.

They also have merch on sale, the logo sweatshirt is one of the best things I own

Pyon is an afro-latino freelance artist, writer, designer, and indie game developer

He is currently working on a visual novel magical girl project, @magicalwarriordiamondheart and you can buy prints, plushies, apparrel, charms and more from their store (or support him on Ko-fi!)

Xan Larson is an Illustrator, Comic Artist and Content Creator with a specialty and marked enthusiasm for mythological creatures of all kinds and all cultures.

She offers a huge range of treats on her website, including art prints (& original paintings), resin art, and books

Dylan Birtolo is a writer, a gamer, and a professional sword-swinger

Dylan has a huge number of books on offer, primarily fantasy, including anthologies, novellas, and novels.

TTRPGs galore:

(these also fall under the little treat category, but there were so many that I felt they needed their own section)

Sunken Rust are a game company run by married couple Dave Eisinger and Jazz Eisinger, and they offer a range of absolutely delightful TTRPGs, ranging from a wholesome GBBO-inspired micro RPG, to a solo journaling game about exploring an abandoned mansion.

Tea Witch Games is run by Anna Landin, a queer Swedish illustrator, comic artist and game designer. She offers games that run the gamut from sweet and cozy to weird, sad and spooky.

K. Petker offers games from wonderfully unique perspecitves including heroines of the princess council, children facing the apocalypse, and cats protecting their humans from the supernatural.

Christine Prevas is a writer, designer, PhD student & erstwhile librarian offering TTRPGs that range from two-player steamy horror to theatrical tragedy, and more.

Unseeliejess is a game designer and social worker, and my personal favourites from her offerings include Oops! All Draculas! and multiple sapphic-focused TTRPGs

Thoughty is run by Beau Jágr Sheldon, including innovative TTRPGs in a range of formats, as well as some games that break away from the table entirely.

Riverhouse Games includes a ton of fun concepts, including a micro-game about cleaning your kitchen and a game about telling your hot gay (dragon) boyfriend you love him. They also offer a guide to writing your own RPG!

E. Chris Garrison is the proprietor of Chris's Compendium of Free RPGs, one of the oldest game repositories on the web. They are also the designer of Saving People / Hunting Things, a TTRPG inspired by monster-of-the-week style television shows such as Buffy the Vampire Slayer, Angel, and Supernatural. They also have a ton of fantasy, supernatural, and sci-fi books on offer

Handsofblue offers a campy horror game about awful people and a serial killer, and a solo knitting game

Drazillion is an award-winning narrative designer, writer, and artist, offering a huge portfolio of games with a strong focus on queer narratives and themes. You can also support her on Patreon

Patreons & Ko-Fis:

Finally we have some ways to directly support the creators you love or their ongoing projects!

Soul Operator @souloperatorpod is a multi-genre fiction podcast, created to highlight solo ttrpgs.

If you haven't listened yet, you absolutely should - this show will rip out your heart and you'll be grateful for it. Support them for behind-the-scenes content, exclusive short stories, and more

Divine Rodentia Studios @divinerodentiastudios is releasing a new fiction anthology audio drama, Sixth Door to the Left

This is some truly intriguing and wonderful storytelling, and you can support them through the development of their upcoming project, The Loser's Game.

YamiKakyuu @yamikakyuu is a writer, photographer, amateur digital artist, and horror podcast enthusiast.

Supporting them will help an up-and-coming voice actor invest in decent equipment (a huge barrier to so many incredibly talented VAs breaking into the industry!)

Daisy McNamara is an *incredibly prolific* podcaster, the co-creator of Eeler's Choice and Waterlogged, and has contributed his talents to so many more

Daisy has made such a huge contribution to the audio drama world, so if you've listened to any podcasts to speak of, you've probably enjoyed some of her work. Your support can help him make ends meet and continue creating!

And finally (because I fave a few pals who'd kill me dead if I didn't do a bit of self-promo), I'm Leanne Egan, the creator of Tell No Tales, an audio drama about ghosts and the people who refuse to hunt them. While there is currently no way to support the show financially, my debut novel, Lover Birds, releases soon!

As a bonus, if you're in the UK, you can pre-order it from a North-West-based queer indie bookshop too!

[thelaurenshippen]

you there! do you want to make audio drama? well have I got a deal for you!

hi, I'm Lauren, I made a handbook that walks you through how to make an audio drama and you can have it for free, plus it now comes with bonus! tumblr guide and I'd love for y'all to read that and then drag me on how I'm using tumblr wrong, okay love you bye

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[desertskiespodcast]

Mental illness does not care about your creative endeavors. It doesn't care about...well, anything. It just is. And what "it" is, is sometimes (most often) not conducive to a consistently productive artistic life. And damn. It sucks. Because all I wanna do is make and make and make. Create and create and build and craft and..yeah. And sometimes I can't make and make because of depression. You might know what that feels like. My particular brand of neurodivergancy means I'll spend seasons incredibly over the top productive in my creative pursuits (though those seasons have become fewer since I began pursuing mental health recovery) and other seasons when I'm too low to be productive (and those seasons are fewer too, but maybe not as infrequent as I'd like). And maybe you too are sometimes inhibited by the sudden worsening of your symptoms. You draw less, you write less, you act less, you...get the picture. The thing I wish I'd known when I was younger is this; the inability to produce art as consistently as I'd like is a really shitty reason to not make the art I love when I'm able to. I do not think that living with a mental illness automatically means a person is more creative. I do believe that I like the art a person suffering from a mental illness makes more than I would otherwise. I think the reason is this. Those who live with depression, anxiety, OCD and the like, they're more likely to embody the human condition in its extremes than those who live relatively symptom free (I'm so thankful that some of you live symptom free). It can be difficult to communicate emotions in art, it's always comes across just a little bit muted. That's not to say art isn't emotionally powerful. We know it can be! But what's in the head almost never gets completely out. What with all that bone and everything. But the person who feels the real big feelings is going to make something that, though slightly muted as it may be, will nevertheless come across extremely human. And as a human, I enjoy stuff that feels very human. Most people do. Human people that is. So, if you suffer as many do, with the symptoms of a mental illness, please make your art as your symptoms allow. There's no rush. We need what you make because it's going to make us feel what you feel because what you feel is amplified human emotion. It speaks to us. I feel the need to add this: Do not avoid the pursuit of mental health because you think being free of, or experiencing less of, your symptoms will ruin your art. It can't. You never forget the big feelings. Even when they're not there anymore. You never forget them. So do something with them.

[boombox-fuckboy]

Hi!

I have been following this blog for a while now and I love using it to find new podcasts. I was wondering, if you have time, what you think is the scariest podcast you've listened to or what your favorite horror podcasts might be? Thank you, and I hope you have a great day :)

I'm so glad to have helped you find new shows!

I don't really get scared by horror podcasts (not sure why. It isn't some "I'm tough" thing, I get startled by the toaster, and it's not like I never feel unsettled or concerned or icked out at podcasts, just not scared) so I'm not sure I can give you a good answer on that one, but I'll gladly give you ten of my personal favourites instead:

Alice Isn't Dead: The podcast that got me into podcasts. A truck driver travels the USA looking for her wife, who until recently, she had thought was dead. Along the way she has all manner of strange encounters, and sees a side to the world that few truely comprehend.

Archive 81: A young archivist takes a job at a remote outpost organising and digitising a collection of tapes. On the tapes is a series of interviews and investigations made by a social worker in the 90s as she becomes familiar with a bizzare apartment building. The archivist, naturally, has an increasingly bad time. Each season is part of the same story, but they're all a bit different.

Ghost Wax: Recorded interviews conducted by the last surviving necromancer, and various people who died under seemingly otherworldly circumstances.

Hello From The Hallowoods: Supernatural and cosmic horror. A powerful and dramatic entity visits your nightmares to relay stories of the people (to varying degrees of both human and alive) who inhabit the beautiful and deadly Hallowoods. What start off as individual stories quickly connect to a larger narrative.

Hi Nay: A supernatural horror following a young woman named Mari, who's babaylan (shaman) family background draws her into helping people with various horrific supernatural problems around Toronto. Formatted as phone calls to her mother telling her what's happened.

I Am In Eskew: Often-horrific stories from a man living in something that very much wishes to be a city, and a private investigator who was, in her words, hired to kill a ghost. Many people seem to agree this one is scary.

Janus Descending: A xenoarcheologist and a xenopaleontologist are sent to investigate and sample the ruins of a long-dead alien city, and discover more than they anticipated. The format for this one is really clever: you hear her audio logs first to last, and his last to first, and the story is all the more heartbreaking for it. I'd recommend listening to the supercut.

The Lost Cat Podcast: A man befriends strange entities, loses bits of himself and drinks an awful lot of wine while looking for his cat. Soft and cosmic horror.

The Moon Crown: The shortest on this list, but also one of the most fascinating. A disgraced scribe living in a city of humans, beasts, and other bizzare entities, begins to recount recent happenings, and actions she has a hard time explaining, on broadcast. But the people she's hoping to reach might not be the ones listening.

The Silt Verses: In a modern world where gods are plentiful, both illicit and commercialised, two disciples of an outlawed river god go on a pilgrimage.

Although, maybe some other listeners can help me out and share what scared them?

[yo-yo-yoshiko]

Kenzaki rolling up in Zi-O looking like he's been lying face down in the toku quarry for ten something years just letting current series film stunts over him...