#I can't agree to disagree

[bread-wizards]

I actually think Dorian and Orym should fight more.

Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.

The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.

[rebo-chan]

Hello, everyone. To today's episode of Tumblr user Rebo-chan loses her mind and assigns each and every Vongola guardian a flower that I have painstakingly searched high and low for (I wish I was being dramatic, I got too invested in this as I worked on it). Is this done in a state of mania? Perhaps, but I am diseased by COVID-19 as we speak and this is what I will do with the time I am meant to be resting with. Nonetheless we must get started. Content under the cut, because I can NEVER make a short post. It's against my core beliefs clearly.

Sawada Tsunayoshi:

The European Orange Lily (Lilium bulbiferum)

My reasoning for this starts with the fact that the "lily" itself has a lot of different meanings, but the important aspect of the lily is that its considered the spring flower and represents often meanings of renewal and rebirth. The very messaging for our sweet boy, a life restarted after he meets his mentor. An orange lily specifically has meanings dipped into warmth, joy, passion (In regards to his devotion to those he loves), 'welcoming' to new opportunities in your life (lol), and most importantly - confidence and pride. Something that he grows to be over the course of his renewal, pride in his friends. Confidence in his strength to protect them. KHR is a story about a nobody becoming somebody strong enough to protect them, even and especially when they falter themselves. It should also be noted that in Hanakotoba (Japanese flower language), orange lilies represent 'revenge and hatred'. Which I think is a factor of Tsuna we can't ignore, as sweet as he is, TYL Tsuna's actions become darker the more you think about them. Tsuna can and has killed when a villain has overstepped too far, and never forget that he just wanted to know "who" Yamamoto's attacker was. For no reason, just to look at him, maybe shake his hand lol. Fr though, that boy's made of fire, both to keep his loved ones warm and to burn their enemies. I think the orange lily fits him nicely.

Also yes, I'll do my best to color-code these flowers~

Gokudera Hayato:

A Red Fressia

So, its quite hard actually to find any sort of 'red' flowers that aren't about some sort of romantic-esque devotion. Just being a red flower inherently puts you in that category of 'passion, love, marriage' meanings when it comes to flowers. It's a real struggle, but luckily he's our only red character amongst the Vongola kids. Okay, so the Freesia is represented by the concept of friendship and ultimate trust. I think it was easier for me to find a flower that represents devotion or duty and tack it on to Gokudera, but I think that's just looking at him on the surface. The story behind the freesia is that the botanist who found them in South Africa decided to name it after his friend as a symbol of their friendship. Very lovely :)<3 For all of Gokudera's dutiful affection for Tsuna, a lot of it is based on the fact that Tsuna was his first friend and the person who he trusted first. His eventual character growth and bonding with the other guardians came as he allowed himself to trust them, when he realized that his 'duty' that he believed to be absolute was above his bonds. Rather, it's his bonds that strengthen his resolve to be the perfect right hand man. Due to the intense representation of friendship and trust, freesias are given to a loved one to represent commitment to them, not unlike Gokudera's commitment to Tsuna and therefore the Vongola family unit. It should also be noted that in Hanakotoba, freesias also have a negative meaning which is childishness and immaturity which I do feel is something that Gokudera has to work through in order to become the best version of himself and has done quite well at by the end of the series. He's our little friendship blossom :)<3 Yamamoto Takeshi: Himalayan Blue Poppy

Let me start this by complaining that 'blue' flowers are so fucking rare, it took me forever to find something matched and was also color-coded with Yamamoto, that didn't dip into too indigo, because of the rarity of a nicely blue flower. To start, blue as a color has all those lovely Yamamoto vibes of being calming, easy on the mind, tranquility, all that beautiful stuff we know Yamamoto to be. (It's almost like Amano color-coded her characters guys..) Poppies themselves got a bit of cultural significance in the West, being the flowers given to WW1 soldiers after they'd passed as a way of remembrance. They're also known for growing in desolate war-torn areas, just a patch of poppies as well as having many soldiers buried with a poppy with them in honor. With that the poppy itself has themes of death, honor, lessons, tradition and remembrance. With Yamamoto’s connection to the Poppy flower, Yamamoto himself is..pretty death-coded. HEAR ME OUT. HEAR !! ME OUT!!!! Varia arc, Squalo ‘dies’ against Yamamoto. Future arc, Tsuyoshi is killed for Yamamoto being involved with the Vongola, Shimon with Yamamoto himself getting nearly killed and then that big moment where he offers to kill Daemon in retaliation for what was done to Kaoru. While not canon as well, the primo fillers are about Yamamoto dealing with the fact he DIDNT kill daisy and how he felt he had to be less easy-natured and actually go for the kills from now on. And of course, his attempt during daily life when he could not do what he loved anymore. He’s VERY death-coded y’all. But the poppy itself isn’t just some omen of death, but the lessons one can gather from those who have passed. Yamamoto’s own battle style is about taking the lessons of those before him who carried Shigure Soen Ryu and then growing upon that to carve a new and improved future for himself and those he cares about. He adapts to their lessons, what Squalo and Tsuyoshi have to teach him. On the fly, continuing the Shigure legacy and creating more moves to eventually pass on to the one that succeeds him. In general, he carries any lessons he has up until the end of the series and tries to never make the same mistake again. Whether that’s his lessons against the Mists he’s battled, his loss against Squalo for not having a proper sword style, and though he doesn’t get a chance against Gamma again, he’s always understood the importance of teamwork. That being said, he’s not just a poppy. He’s a Himalayan Blue Poppy. You see the himalayan blue poppy has a different meaning outside that of the ones that the other poppies do. With its rarity, it also represents success, potential, pursuit of dreams, and possibility.  Yamamoto is the Vongola family’s prodigy, a natural born hitman, the star baseball player on his team. Stuck at a crossroads between his dream and being able to be in a position to protect the ones he loves. An impossibly difficult choice to make, yet Yamamoto handles it with ease. He just won’t choose! He’ll do both! Which fights very nicely with the Hanakatoba meaning of the poppy. “Fun-loving” “A reminder to remember happiness.” Along with general blue color meanings of tranquility, that is Yamamoto to his core, I believe. When things get their worst, he is there to remind everyone that it is never as bad as it feels. To wash away the blood spilled, that is the role of the Vongola Rain Guardian. His crossroad isn’t an issue to him, because that’s not what he fights for! He fights to make things easier for everyone, so they may remember happiness. That sort of thing doesn’t exactly need him to make a choice on his path. Now, does it? If he’s forced to choose, he will just carve out new possibilities for himself and the ones that he loves with the lessons he’s learnt. 

Lambo Bovino: Green Envy Zinnia

Contrary to the title, the green envy zinnia has nothing to do with envy. Quite the opposite, actually. The zinnia itself represents endurance (HEAR. ME. OUT LOL), lasting affection, joy, and various other things. So, the zinnia is super fucking tough, again hear me OUTTTT. They bloom all the way from springtime to autumn, something pretty unheard of from flowers which gave them their meaning. A green envy Zinnia specifically represents growth or a journey. Wishes of a healthy and successful growth. And I believe that is the hope for Lambo, as he progresses through the series. He is quite literally a child, both himself and TYL. But that’s just the thing for him, to the one that chose the guardians (Iemitsu, it’s very implied that it was Iemitsu), Lambo is an INVESTMENT. And a correct one if twenty years old Lambo was anything to go by. Not only that, the zinnia represents a joyous endurance. This doesn’t have to be painful for him, and it’s not as he’s allowed to both be a kid in Tsuna’s care while also holding on tight when told to stay out of the fight. (“You have to take the younger me wherever you go, he wants to go with you.”). And as a bit of an angsty little hehe on my part, the zinnia also represents missing those who have passed, that you remember someone and love them even now that they’re not with you. (“Seeing you all again, I thought the day would never happen. It’s making me emotional.”) Honestly, judging by how Lambo fights when he gets the opportunity to properly do it, he just isn’t weak. Destroying Kikyo’s box animal, fighting against Ooyama, and of course against Levi too. In Hanakotoba, the Zinnia represents loyalty. He is their youngest blossom, enjoying being around the one he considers a brother with hidden potentials to grow into someone with the ability to be Vongola’s shield. If the ones he loves ever make it to see that sight, of course. 

Ryohei Sasagawa: Yarrow (Achillea millefolium) 

Okay, so the yarrow is first of all a funky flower. If you’ve never seen OTHER colors of the yarrow flower, I implore you to google it. Especially the red ones? Why are you so pretty? Lucky enough for this flower (and me I’m starting to lose my mind here, this was a much bigger task than I thought it would be) the different colors don’t change the meaning of the flower here which is neat. It also unfortunately has no hanakotoba meaning either. So, anyway. The yarrow. It represents a warrior’s bravery, protection, and healing. The healing comes from the fact that its a commonly used herb for bruises, cuts, and sprains. There’s also huge folklore around it which affects its scientific name, as Achilles used yarrow to take care of the men he was in charge of. This flower was also used as a ward against evil, where people would hang this outside of their homes in order to protect them from evil getting inside. A superstition developed around this leading to Yarrow to be named the devil’s nettle to refer to the belief that the devil would come around and shake the yarrow that people hung up due to wanting to curse them. This flower also represents strong everlasting love, to the point where a little tradition propped up where people would shove this flower up their nostrils whenever they had a nosebleed so if they dreamt about their crush it meant that they liked them back lol. Yall there was so much rich lore on this flower, it’s super neat. More than I could fit in here. Anyway, I’m sure yall see the connection with Ryohei acting as the group older brother, being the motivating factor for them. He was the first to go up during Varia arc and set the tone for the rest of the battles, that the Vongola would win. Last to show up during future, representing that all of them had finally been reunited. A draw against Aoba, again the very first battle, almost symbolizing HOW shimon would end. He’s the strength in their arms, acting as the last person to leave in future arc until they were ready to go. Taught them and helped lead them to make decisions during that arc. It’s almost his duty to protect the younger ones, even getting up on Hibari’s case in the fillers for not helping out his younger classmen. We can’t even dismiss the way he would prefer to shield Kyoko from everything that they go through, and getting aggressive with Tsuna when Tsuna broke something he thought both of them saw eye to eye on.  Not much rattles him, honestly if you pay attention to his scenes, only getting the most nervous and agitated TRULY when he fears he won’t be able to protect someone (Asking Tsuna how Kyoko reacted to the news, Tozaru getting on his case about Lambo coming to the battle) Otherwise, he’s his happy loud confident self ready to tackle on anything for the sake of the family. Destroying the misfortune that attacks the family with their own body, the yarrow represents that duty well. For every bruise the younger one gets, Ryohei has the ability to heal it. For every fear, Ryohei tackles it first. Acting as a ward and protector for his family. Hibari Kyoya

Clematis (Etoile Violette)

Clematis is a climbing flower, to start with. One of those flowers that grow along walls and vines. It’s a very adaptable flower, able to work with various environments and thrive amongst them. They’re known as the traveler’s joy, meant to wish travelers good luck and act as protection to those who pass by them. While also having a more negative reputation, having “killed” other plants by outcompeting them considered having done the devil’s work. (The plant is actually considered invasive aha oops) The clematis though, itself represents mental fortitude, cleverness, and the ability to find hope in perilous situations. Hibari himself, I mean just that back and forth reputation is just him, no? Acting as Namimori’s protector, keeping a watchful eye on the town while also being utterly terrifying for Namimori students and almost overwhelming to those competing with him. (Dino will only find escape from Hibari in death, Mukuro is the same) But, he is also undoubtedly Vongola’s wall. Similar to Ryohei, not once throughout the series really and truly faltering. The clematis itself with its representation in mental fortitude can be given to someone when they need mental strength. I think the best way to represent this is directing you to that moment in Shimon arc when Tsuna, while not physical beaten, had been mentally tormented by everything that had happened and Hibari came to his battle to Adel. A simple, but strong “Little animal, your face right now is dull. Watch my fight.” It’s in that fight Tsuna gets his mental strength back, being given a hint to answer the question he’s been stressing and faltering over. Then there’s future arc, having been the only one TYL Tsuna trusted with the plan. Kokuyo Arc, Gokudera seeing an already defeated Hibari and taking him to the battle. Varia arc, the gang realizing that if Hibari is fighting next then they may have already won it and refusing to succumb to the poison in the sky battle. Rainbow arc, Tsuna considering them in that list of people he “just expects to help him.” He has the ability to be their hope, to be another factor of their strength. Where Ryohei is holding them up on the physical aspect, Hibari is absolutely their mental strength. (Isn’t it charming that the two eldest are the pillars of their group? I think it is). Also, in Hanakotoba, the clematis represents moral beauty and order. And that’s just the kinda man who could run something like the discipline committee, isn’t? The special thing, finally is that the etoile violette represents a sense of freedom from troubles. A free man, unchained himself and choosing to help those younger than him. Sometimes for the thrill of a battle, sometimes to actually help them with the reputation of a devil. Unpredictable, but still trusted.  It’s the sky that allows the clouds to roam freely, but even someday that sky will be beaten to death. 

Chrome Dokuro

Lupine (Blue Bonnet)

The Lupine flower is before anything else, a second chance at life. A recovery from one’s trauma and the admiration that comes from that. Its gratitude and kindness put into one. There’s a legend around the lupine flower about a land full of drought where Native Americans had believed would be saved by selflessness and yet no one had come forward to do anything, until a young girl came forward and offered the last of her possessions. The rain came to fall at her sacrifice, and hundreds of lupines had blossomed from the ground saving the tribe from drought and hunger as the seeds of the Lupine could be harvested to be eaten. The Lupine represents that the world will always give back if you are willing to help. Chrome, from her introduction, is told to be a girl who has nothing. With two parents who want nothing to do with her and no friends by her side. She runs forward to save a kitten and is gravely injured. With neither of her parents willing to help her, Chrome wonders if she is going to die here but is offered a deal by Mukuro. It’s here that Chrome is offered her second chance and she spends the whole series trying to return the favor to Mukuro. All while healing from her own trauma, the type of trauma that “no one could care about her”, as she is offered food and bonds from Tsuna, Kyoko, Haru, I-pin, Bianchi, Hibari, and so many others. It's in her second chance that she gets to experience what life truly had to offer her, as thank you for her continued selflessness. It’s that gratitude that she represents and the never-ending desire to give when she doesn’t accept Mukuro’s assistance anymore with her organs because she can no longer give him anything now that he’s out of Vindice Prison. She resolves that she will become someone who can protect the people she and Mukuro like. Her confidence isn’t perfect and she falters quite a bit, not believing that her powers are as great as those around her. But, that’s okay, because her goodness has brought her to people who have got her back until she can figure herself out. She has Mammon to correct her when her illusions are seen through that they are well made, but she’s just dealing with professionals and that’s why they’re seen through. There’s Tsuna who relies on her blindly, never doubting her strength to protect them as he asks her to act as defense during Shimon arc and protect Enma from his attack. Alongside with Fran, she is trusted to protect Yamamoto and Gokudera in the final battle against Vindice and taken with Tsuna against Jaegar. She has a lot of space to continue growing, but Lupin also represents voracity and happiness in Hanakotoba. She has her second chance to learn all about that, or as Mukuro put it to her, “An ending is merely the beginning of another cycle.”

Rokudo Mukuro

Aconitum (Wolfsbane)

Wolfsbane is also referred to as Monkshood. This is another one with pretty rich lore with its connection to werewolves. It’s referred to as “queens of the poisons” and has a pretty negative message to it on the outside. First of all, this thing’s poison? TOUGH AS HELL. Delirium, frothing at the mouth, vision impairment, and of course the classic coma<3 It’s got an uncanny resemblance to what rabies actually looks like. Fun, right? Okay, fr though onto its meaning. Wolfsbane is an omen that danger is nearby, not unlike the unnerving feeling Tsuna gets whenever he senses Mukuro nearby. Said to have come from Hell itself, the saliva that has dripped down from Cerberus himself. Not unlike our sweet boy. But, being an omen does not always represent something bad. Is he bringing the danger to you, or is he warning you of the true danger that lies past him? It’s a little bit of both. Aconitum represents concealed wisdom and caution in decision-making. But it also DOES represent protection, a proper and true warning of the dangers of the wild. That beauty does not always mean safe. For his twisted sense of vengeance and believing that taking over the world is the only way to destroy it for the sake of what was done to him, he isn’t necessarily wrong for being enraged about what happened to him. Yet, despite his hate, he doesn’t drag those who he cares about further down into it than he has to. He sends Ken and Chikusa away when they are going to get caught, he never uses Chrome for anything besides as a vessel to help her, and he says during Rainbow arc that if he forced Fran to continue past his limits he’d be no better than those nasty adults of his past. Aconitum balances sweetly between light and darkness, similar to Mukuro. He won’t admit it, but he cares for those amongst the Vongola. He infiltrates the Millefiore and sends the Vongola information after Tsuna’s death, he helps Chrome form a barrier around Enma so he could be safe from Tsuna’s X-Burner. And, of course he teams up with Vongola’s team during the rainbow arc. These are undoubtedly kind actions,  but when Tsuna gets angry at Mukuro during Rainbow claiming that he didn’t believe that Mukuro was the type to abandon his allies, Mukuro says that that was just his idea of him. Even though it was Chrome ultimately rejecting him, he instead pretended that he really was some big bad heartless person. Definitely, Mukuro is no angel, but also he’s no demon either. He’s.. just a human at the end. The aconitum’s dance with both light and dark, a flower that tries to warn, can be read both good and bad depending on how you look at it. His rejection of his ‘official’ position as part of the Mafia, yet acting as the Vongola Mist Guardian when their goals align. He’s as confusing as the duty he embodies, but he succeeds nonetheless in ensuring the family is untouchable in his deceptions. After all, the best way to fool your enemies is to fool your allies first.

[flagellant]

please stop being wrong on my posts btw it gets very frustrating not letting myself respond to you about how wrong you are

[meowmeowuchiha]

I have decided that Zane Flynt from Borderlands is the mysterious handsome rogue type but he fits the "mysterious" part in an atypical way.

He's mysterious not in the sense that you know nothing about him and he refuses to talk about it

But mysterious in the way that he talks about himself a LOT and you have a LOT of information about him and his past but everything he shares leaves you with far more questions than answers and idk I think that's wonderful

[incorrect-ikevamp-quotes]

Dazai: If you water water, it grows.

Mozart: ...What.

Isaac: He's got a point.

[pocketgalaxies]

hi! seeing you during all this ep95 mess has been a breath of fresh air. you seem to have a really firm grasp of canon so I wanted to ask what you think of the recent discord message from Liam where he says Orym didn't know that Laudna was under Delilah's influence when she killed Bor'dor? I watched the clip from 4SD, & it's pretty clear that Liam says Orym understood Laudna was opening the door for Delilah when he encouraged her to kill Bor'dor & even says "we'll need that." But the Discord message seems to walk that back. It's been super frustrating being accused of vilifying Orym or infantilizing Laudna for repeating what Liam himself said. I just don't really know how to reconcile these two statements from Liam & it has me a bit confused on Orym's character.

hi anon, thank you!

this turned into a much longer one than i was expecting dfksjdkfs

so last week i posted this Really Long Ask about the whole discussion, if you want to take a look. but i intentionally didn't bring up liam's discord message because you're right! it seemed contradictory to something that was stated in the past, which was confusing

honestly i think the most realistic answer is that liam probably didn't mean for what he said on 4SD to be understood as such a strong and maybe even polarizing character choice. i think a lot of us heard it as "orym sees delilah as a useful/necessary asset that outweighs what might happen to laudna afterward." particularly because he framed it as something that made the whole situation "even creepier," and during that same convo, marisha was emphasizing the psychological impact that killing bor'dor had on laudna. it's a strong stance and it reflects what orym is doing to himself (handing his endgame over to the questionably fickle nana morri to increase their chances of success against ludinus)

but i suppose liam's clarification suggests that he meant it in a softer, more practically level-headed way, like "orym knew he couldn't do a whole lot about delilah's return but he also thought it could have benefits," or something along those lines. they're obviously two hugely different interpretations with pretty big implications on how we understand orym's relationship with laudna

i'm not a connoisseur of orym's character by ANY means so i can't confidently tell you what the change might mean from a narrative perspective, but i personally still prefer the former stronger stance. because i think it raises interesting questions about how orym views his own place in this war and whether or not it's valid for him to (intentionally or subconsciously) project that placement onto the other party members. is it okay for orym to expect the same level of personal sacrifice from laudna, or imogen with predathos (a whole separate can of worms), or anyone else? is it safe? etc etc. but maybe liam doesn't want to go in that direction, or maybe he does but just not in the way we expect, i don't know! only time will tell!

also regardless of what he meant, i think it's important to acknowledge that it's really easy and completely understandable to feel like he was walking something back. that episode of 4SD was almost a whole year ago! many of us built that statement into our perception and understanding of orym's character for a long time, so it's totally valid to go "wait what the fuck???" when liam suddenly pops into the discord to say that's not what he meant. those feelings are valid and real! especially when discourse can already make you question your own intelligence and your personal interpretations of a story, having that pillar, as big or small as it might've been in your mind, knocked over can be really jarring. you are very much not alone in that, and it's okay!!

[geeky-nightphilosopher]

Okay, okay. You all are probably ANNOYED about my Leverage posts- and I was on the fence about posting this one because I'm only on season 3. However, I just have SO many thoughts and I need to process them. So- here it goes;

*takes a deep breath*

Leverage is home. Like, I don't- I don't know to explain it. In another post I said the show was intoxicating and that's still true. But it's also- it's also home. Maybe I'm the only one, but when I watch it- I feel like I belong. Which is ridiculous. I'm not talented at all- but Leverage is almost like a security blanket. It's- it's safe and warm... it's home.

The only thing I can think of why it's home is because of them. Because they make it feel like home. They make feel safe and like your being cared for. Like your not alone. Even if you don't think your good at something- Leverage has your back. It gives you a sense of security. Which is weird because their criminals. But- like they said; Sometimes the bad guys are the only good guys you get.

I mean- you have Nate Ford who is always two to three spaces in front of the bad guy. Who sits there and listens to victims and gives them hope. Who talks to his team and bounces ideas off of them- instead of talking down to them. He's the kinda guy that watches from the background and sees all sorts of angles. Gets into the minds of both the victim and assailant. And if the con goes wrong- he has a second one ready to cover. Whose weakness is an empty bottle in an occupied barstool.

You have Sophie. A terrible actress whose good at acting. She can play any part. Be unseen- while being seen. Whose brave, kind, and gentle- but can kick butt when needed. She's not a damsel in distress- but she'll play the part. And the thing about that part is; it's so convincing- even she believes it too. Despite that- she's honest and sincere, she'll tell you what she thinks. Her heart is gold. Her trust is thin. She's like a snake- hypnotizing. Her weakness is the love she gave to a man who thinks too much and feels too little.

You have Eliot. A man that- if you just look at him- you'll just shrug him off. He's like any other brute. Big and brawny. And that's why you shouldn't ever judge a book by it's cover. He's so much more than that. Yes. He's brawn. A real southern charmer. But he has a brain and a heart. He's that big brother and gives you hugs and you can't help but melt into the security of that feeling. That feeling of safety that you just know has an ocean of anger underneath. But your not scared, you can't be scared. Not of him. He's the kinda guy you run towards- because you know he'll keep you safe. And yeah- maybe he'll use his brawn to keep you safe, but he'll also use his brain and his heart. He'll get you out of the situation in one piece with a grumble and a growl. His weakness is his kindness and that's why doesn't let it show.

You have Alec. The brainiac. The hacker- who isn't all that much to look at (compared to Eliot,) at least not at first glance. Yet, there's something about him that screams safe. Just as much as Eliot. He's outgoing and kind. Smart and funny. And the way that he's got everyone's back- even when it doesn't seem like it. He's your go to- to find any kind of internet mistakes and he's a good shoulder to cry on. He's that brother who is dorky, awkward, and nerdy- but he's honest and sincere. His weakness is not being able to be there when it really matters.

And- and you have Parker. The thief. The master thief- that didn't belong anywhere. Nimble and lean as she flips and slinks through vents. She's the little sister the family didn't know they even wanted. Until finally they realized she was what they needed. She's bright and cheerful despite how she grew up. Her life wasn't easy foster care and street living is a rough life- but she still believes in good things; Santa clause, Nate, Sophie, and Eliot. Most importantly she believed in Hardison. She was on her own until she was found and working with a team. Then she belonged to them. Everything she had done- was so that they knew she loved them. Her weakness is having the ability to not get caught.

To end this; Leverage is an amazing shoe- because it reminds us that no matter our background. No matter how many times we've messed up and haven't belonged- we are all human. It tells us that we will find our home, our tribe, our safety. That no matter our weakness- we'll always have somebody who can take our weakness and become our strength.

I'm only on season 3. I'll more than likely have more thoughts come by season 4/ season 5. (If you agree or disagree- don't hesitate to message me!

[justworthlessreblogs]

society if kirakira acknowledged noir's backstory as being kinda lame instead of trying to make you feel bad for him

[britneyshakespeare]

Had the extremely upsetting experience of a mutual of like 6 years going off on me for occasionally making posts about supporting Harris because apparently that makes me a g n cide denier who refuses to learn and grow, with all of my views just being assumed not even from what I've told them I believe or what I've posted before, but just because I DON'T post particularly the kind of things they THINK I should be. When I pointed out how much they were just completely assuming about stuff I'd never talked to them about, I was told it doesn't matter what I do in real life or "care" about if I simply disagree with their conclusion and vote for her anyway. Like they were absolutely not sorry for the level of maliciousness they not just assumed of my character, but for some reason thought appropriate to bring directly to me before unfollowing me. No apology whatsoever for how discomforting or upsetting that might be and certainly no acknowledgment that I could disagree with them and still be a good person. I just got another even longer rant about how they fundamentally can't fuck with me because of this one thing, no matter WHAT else I do in my real life (which I pointed out that they do not know), and how I'm directly supporting fascism.

Like seriously what is it about Tumblr that makes people think they know someone based off of occasional posts? There were just such DEEP assumptions they were making of me and going off of very little or absolutely nothing. Around the time I first became mutuals with that person I used to express my personality and beliefs and talk about what was going on in my life a lot more openly, but I've significantly scaled back on doing that in many ways for many reasons. One of my major ones is privacy and the way I've had strangers outside my followers and following circles just find random things I say and dogpile me for it. I was fundamentally changed after some T Fs did that to me like 3 years ago. I also just didn't have many conversations w that person anymore (I message people in general on here like 10x less than I did circa 2018-2019, which I'm somewhat sorry about!). My point is to say I think this person felt comfortable assuming that they knew me, especially who I am in 2024 at the age of 25, much better than they actually did.

One of the specific things they accused me of was being afraid of learning and growing (because I don't perform social media activism on here like they think I should). Like AFRAID to take criticism. When again I've never received criticism from them or had to respond to any criticism on here before as pertaining to my views on... well, absolutely any of the issues they accused me of not caring about. They essentially treated it as if the only thing in the world I cared about was the US election and characterized me as the most out-of-touch liberal they could possibly imagine, because I'm not "pushing" Kamala Harris to be better (Oh?? Should I do that on here?? Does she read my blog??).

And most hypocritically what they said was that I only *sometimes* *vaguely* post pro-Harris things (I often post like 5 or fewer things in a day though?). But here's the kicker. "Because I know I'll get shit for it. And rightfully so."

Really????? Not a single person, anon or not, in my messages or in a tagged post or anything, has ever given me shit before for saying who I'm voting for. I'm actually NOT afraid of "getting shit" for that opinion, I just don't start fights with people who are anti-voting. And why should I??? I genuinely don't believe in trying to change the minds of strangers on the internet about that sort of thing. I'm just not confrontational about it; that is so not the same thing as being "afraid of getting shit." I'm not posting ENOUGH about my support for Harris, therefore I'm afraid. But therefore they can also make all these assumptions about me being their strawman for an ignorant Harris supporter.

I'm afraid of getting shit but I still post anyway? But if I weren't afraid of getting shit I'd be posting a lot more?? This is ALL based on their assumptions of what my blog *should* look like, based on what I really and truly believe. My level of posting every now and then is an accurate gauge of my feelings on complex, sensitive, global issues. Because I'm voting for the Democratic presidential candidate and I'm ok sharing pretty much just that little glimpse of myself.

I really don't think that person knows just how inappropriate and insulting that is to just say all of that to me. Like they really know what's going on in my head. Their first message began and ended with like "I'm sorry I love you I just can't take it anymore" but they clearly weren't sorry enough to try and be more respectful to me, and they didn't love me enough not to default to extremely ungenerous assumptions and attacking me based off of those instead of any actual words I've said that they take issue with.

Online radicalization is real and it's not necessarily bad because your political views can start to fall well out of the contemporary Overton window. The way you find it appropriate to treat people whose views, however common, seem to fundamentally misalign with yours... that does matter. You can't just assume the worst of everyone and then act on that in how you approach them as individuals. And then be shocked that you don't stay friends with them. You can't be confrontational with someone about an issue you've never had an honest conversation about, and then expect them to take your bad faith in them as reasonable well-meaning criticism.

I'm afraid of criticism??? I'm afraid of criticism. No I'm not. This person and I have never had an issue before where they criticized me and I got harshly defensive. It was ALL projection. The entire tone of their messages was as if all their anti-voting posts recently were somehow in communication with the occasional go-vote-for-Harris posts that I make. That's not a conversation. I don't post for your satisfaction. I don't post in "response" to my mutuals I disagree with. I just post what's on my mind, sometimes, about some things. I really again can't stress enough how baffled I am by this

[thatswhatsushesaid]

the "things i sometimes feel compelled to do 🤝 things i am never going to do because it is just too much fucking work" venn diagram with this in its middle: revisit my old nmj meta with ~updated thoughts~ now that my general feelings towards him have mellowed

[comite-de-salut-public]

What do you mean 'ghost problem again'???? Did Marat haunt your asses or...???

Well if anyone else is causing problems with the sewer, we'd be happy to investigate alternative explanations. Although that's not even getting into the grumbling about non-Newtonian physics that I've heard down the hall when nobody else is there. Either Citizen Prieur-Duvernois is a talented ventriloquist arguing with himself, or he's having scientific debates with the supernatural, but that's not really my business, is it?

[milksnake-tea]

Why did ppl hate topaz?

it was back in the aetherium wars event over in belobog, tldr she comes in to retrieve an age old debt that belobog has to the ipc, does the typical ipc thing of offering to assist (aka turning belobog into one of the ipc's planets or smth along those lines) with the eternal freeze; however she doesn't really mention that the thing only has a 66% success rate.

people didn't like her because of the colonizer (i think? i don't remember exactly) vibes she was bringing and to be fair she was an antagonist in that event, but in the end she does agree to hold the ipc off after seeing belobog put itself together, and even takes a demotion as a hit so i wouldn't say she's that bad, she's just morally grey and very misguided (she sees the ipc lowkey in rose tinted glasses) and sometimes people don't like that and categorize characters in good and evil - and topaz got stuck with evil

[isekyaaa]

i feel like there is 2 ways to write about your trauma. or, many ways that can be categorised under 2 broad umbrellas.

the first is expression. expressing your traumas and pent up emotions—which can be cathartic if suppressed. there may be comfort in this, there may not. but you can feel the vent in the fic.

the second is processing. processing is… basically doing a character study of yourself? of pitching your own ideas against something else. or simply exploring the source or why you may feel a certain way in a situation and if that is a reasonable feeling or not.

i personally feel i am in some middle ground between the two, but i’m not quite sure from an outsider’s perspectives where my fic lies. maybe to some it’s more expression, and maybe to others it’s less raw/emotional so they’ll park is under the second. — @milkstore

I think the thing is that, for me, I'm not a self-regulator. I can't self-regulate my feelings, thoughts, or emotions. So for your first point, expression only matters to me when I know that it is received by someone else. I need to be seen. I need someone to bounce off of. Simply expressing my feelings in a fic does nothing for me. Instead, I feel it's a bit more humiliating? Because people that I don't know will see me in my most pathetic state. I dislike the thought of that.

As for processing, processing emotions in that way just sounds like.... a pain in the butt. LOL You gotta write down a whole ass story just to process something. I'd rather just go on a long drive and introspect a bit. And then talk to someone else about it. LOL

The vibe I'm getting is that people who process things through writing fiction prefer to be more.... independent in their emotional introspection. They're people who are able to self-regulate, and that is an ability I do not possess, hence I will never be able to understand. Interesting. 🤔

[nacrelysis]

grasshoppers if you're looking for an svsss fic that has identity problems, heaps of angst, break-up + make-up, absolutely terrible executions of communication, pushy yet well-meaning aunties, sassy children, and dramatic irony that is neither shocking nor immediate but urgent in the way it slowly, slowly builds with the audience's tension -

lost and found in limitless clarity, by TGP.

you will be biting your nails with every update. you will be cheering shang qinghua on. you may want to shake luo binghe viciously and rapidly and with great intent.

come suffer with me.

[thedreadvampy]

btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.

having said which

as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"

which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.

like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.

like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer

and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.

but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.

personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.

idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.

[grinchwrapsupreme]

being super normal about White calling Billy "a dreamer"after the events of Maybe No Go