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french revolution dashboard simulator
🐀 ami-du-peuple Follow
uh actually man has the right to deal with his oppressors by devouring their beating hearts. hope this helps.
🎩 departicle Follow
Hold up. Okay. Actually, fuck this. This sort of violent rhetoric should not be tolerated on here. Do you seriously think this sort of thing is going to make the nobility give you more rights???? You must be out of your minds! Reported.
🧵 seamstressproud Follow
reblog to devour this guy's beating heart
#username checks out lmao #politics #everybody point and laugh #common adp w
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organt-deactivated06151792
update: new canto out now!!! go check it out 😈😏🥀 (remember don't like don't read <3)
📜 sacredhostreceipts Follow
@centuriesandskies this you?? not such a great look for a convention rep ngl
🌄 centuriesandskies Follow
listen. I wrote this a long time ago, before I went into serious politics. the account is deactivated for a reason.
I was twenty. I did poorly. I can do better.
#sj.txt #if this is the worst dirt you can dig up on me #i'm way less corrupt than half the people in the convention these days #at least i'm not doing fucking. embezzlement. #also sacredhostreceipts if you're who i think you are #don't you have better things to do rn?
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🌎 landscape-showdown Follow
🌎 landscape-showdown Follow
why the fuck is everyone tagging this with french??? political figures?
#what the hell is going on over there #also maybe cool it with the death threats #I don't want this blog to get taken down #what's a girondin #is this some joke I'm not french enough to understand #showdown update
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⛪ progressivepriest Follow
Unpopular opinion but why is everyone so up in arms about the new Civil Oath? Literally all it's asking is for you to promise not to commit treason just because the Pope tells you to? I can see where people are coming from with the whole violation-of-religion deal, but can you blame the Assembly for trying to make sure the people aren't forcibly subjugated by the wealth of the nobility?
faith-first-alwaysdeactivated03011791
Sounds like something a heretic would say. To betray the Pope and king is to betray the will of God and your eternal soul! You should pray for forgiveness and pledge loyalty to the monarchy or have fun burning in hell. Sorry not sorry.
⛪ progressivepriest Follow
L + ratio + iirc the Bible says "it is easier for a rope to go through the eye of a needle than for a rich man to enter heaven" (Matthew 19:24)
🎻 lacarmagn01e Follow
occasional based catholic moment, go off OP!
🌊 sea-of-revolution Follow
looked the faith-first-always guy's blog, he's like a massive anti-huguenot too 🙄 why is it always the prot-exclusive radical catholics smh
🌊 sea-of-revolution Follow
LMAOOOOO HE DEACTIVATED
#religion tag #percs fuck off #anyways op makes a valid point #reblog #percs dni
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🛌 virtuous-bedtime Follow
she committee on my safety til I can't go public
🍊 springtimeofgovernment Follow
I don't understand the joke, can someone explain please?? 🙂 Thank you!
🧵 seamstressproud Follow
is that fucking MAXIMILIEN ROBESPIERRE?!!?!?!?
🛌 virtuous-bedtime Follow
oh my god citizen robespierre I'm so sorry this was not meant to break containment lol I didn't even know you were on this site please forget you saw this
#this is the most embarassing moment of my life #literally sobbing rn #the original post is /j i prommy #i cannot be known as the citizen who had to explain this to the government
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🪓 indulgentsfuckoff Follow
fabre d'eglantine is NOT your poor little meow meow citizens he literally falsified decrees from the national convention and embezzled money to line his own pockets. I don't care how uwu babygirl you think he is he is a CRIMINAL who should be ARRESTED
💛 i-give-people-bread Follow
🥖🍞🥐
#baguette #loaf #croissant #i-give-people-bread #indulgentsfuckoff #silly
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🧱 comic-sans-culotte Follow
fucking fed up with the constant threat of the swiss guard, I think it's time we got some gunpowder and weapons and took things into our own hands yknow what I'm saying
🧱 comic-sans-culotte Follow
I'm no longer joking about this btw
🧱 comic-sans-culotte Follow
update:
hopital
🧱 comic-sans-culotte Follow
ok bc I've gotten like 50 asks about this: I am not injured and I am not in need of medical care. the punchline was that we stormed the fucking hotel des invalides to get guns and powder. didn't want to clarify the joke before now for security reasons but everyone knows about that and the bastille thing by now. please direct your money to people who actually need it.
#shouldve clarified the last post was /j #however I assumed yall knew this joke already #anyways #revolution #personal #500 #1k
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🌾 nopain-nograin Follow
got so high at the festivial 2day i thnk i saw hte suapreme being
#robespiere speech was prboably 🔥 #unforntuately i camt rember any of it #grainposting #oipum ehre is somtehing else thes days #memes
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🎨 jldavid-real-moved Follow
incredible speech from @springtimeofgovernment today at the jacobin club. nobody should be permitted to use their positions as civic leaders to commit crimes against the people, even under the guise of revolutionary fervor. if it comes to it, I too will drink the hemlock with him. for france. 🤝🤝
🍊 springtimeofgovernment Follow
Thanks for your support, @jldavid-real
The situation over here is deteriorating really quickly, the representatives are getting violent and abandoning due process entirely. Anything you can do to stand with us now would be very appreciated. You do a lot of great work for the revolution, and I trust you completely.
🍊 springtimeofgovernment Follow
@jldavid-real are you still there? We could really use your help right now.
🌄 centuriesandskies Follow
boosting @springtimeofgovernment here, can confirm he's been injured in a skirmish at the hotel de ville, they're passing summary death sentences without trial, @jldavid-real where is the help you promised us??? the people of paris are our only hope now.
edit: of course he moved blogs. coward.
#sj.txt #disappointed yet unsurprised #marat would be ashamed of you #9 thermidor #update
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🎻 lacarmagn01e Follow
DNI if you support any of these groups/people or their actions: m0narchists, f3uillants, br1ssotins/g1rondins, th3rmidorians, b0napart1sts, h3nri du v3rgier (also goes by c0mte de r0chjacquelin), charl0tte c0rday, or lafay3tte
(h3bertists and dant0nists you're on thin ice. behave.)
#censored so they dont show up in the tags #dni #get your nasty ass ideologies off my page #won't hesitate to block and/or report any violators #pinned
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gracchus-babeufdeactivated05271797
reblog to make the directoire choke to death on their stupid fucking outfits
🌊 sea-of-revolution Follow
hey staff. yeah you. where did this blog go?? notfishgoujon and prairial-95 are gone as well?? cowards too afraid to show your faces lmao especially after the fucking mess the directoire's made of the country. bet you anything that staff are on their fucking payroll too iykwim at least the republic didn't tolerate fucking bribery
#this site's gone to the dogs since thermidor yr 2 #following the trend of the rest of the country tbh #i'll probably get nuked for posting this #if so i'm not making a new account #i'll just make a paleocities or smth #politics tag #reblog #don't play with me ik full well gb didn't delete his blog of his own free will #they also zero note glitched it #just when you think they can't stoop lower
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📕 spectrehauntingeurope Follow
it's been 50 fucking years since gracchus-babeuf (and the other CoE blogs) were deleted without warning and still no response from staff, the govt, or anything. the site's gone through a fuckton of ownership changes and still nothing.
we're working on a bit of a project (some of you might know abt it already), it's gonna be out prob in the next year or so. remember '89. remember '93 and '94. remember '97.
the people will rise again. it's only a matter of time. 🚩
-mod karl
#french revolution#pigeon.txt#shitpost#frev#frevblr#robespierre#saint just#marat#oof this was. a project.#dashboard simulator#funny#meme#unreality#just to be safe
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some pics i took at the carnavalet..
#frev#french revolution#robespierre#paris#musee carnavalet#marat#fun#saint just#18th century#napoleon
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Marat is definitely not easy for me to draw
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Exhibition 1793-1794 at the Carnavalet Museum (Part I)
For anyone interested in the French Revolution, a visit to the Carnavalet Museum is essential. Though the museum covers the history of Paris from its very beginnings to the present, it’s also home to the world’s largest collection of revolutionary artefacts. Which makes sense, given that Paris was the epicentre of it all.
Frankly, if you plan to explore it all, you’ll want to set aside a good 3–4 hours. For those focused solely on the French Revolution, head straight to the second floor, where you can get through the collection in under an hour. Best of all, the permanent collection is free, making it a brilliant way to spend an afternoon in the city on a budget.
Currently, though, there’s a special treat on offer. Running from 16 October 2024 to 16 February 2025, the museum is hosting an exhibition dedicated to my favourite (and arguably the most chaotic) year of the revolution: Year II (1).
Now, since the family and I were in Reims for a long weekend, I somehow managed (possibly after too much Champagne) to convince my husband to drive 150 kilometres to Paris just so I could see Robespierre’s unfinished signature. It helped that the kids were on board, too. Yes, the four-year-old fully recognises Robespierre by portrait. The one-year-old is, predictably, indifferent.
So, slightly worse for wear after a ridiculous amount of Champagne tastings, off we went to the museum.
1. Why Year II?
Because it was a catastrophe. No. Really. Let me explain, in a very overly-simplified summary:
In Year II, France was plunged into an unparalleled storm of internal and external crises that would define the Revolution’s most radical year and ultimately mark its turning point.
Internally, the government was riven by factional divides, economic collapse, and civil war. The Jacobins (2) took control of the Convention, sidelining the federalist Girondins (3), aligning themselves with the sans-culottes (4), and arguing that only extreme measures could preserve the Revolution. Meanwhile, the more radical Enragés (5) demanded harsh economic policies to shield the poor from spiralling inflation and food shortages. The Convention introduced the Maximum Général (6) to placate them, which capped essential prices; however, enforcement was haphazard, fuelling discontent across the country. At the same time, the Indulgents (7) called for a reduction in violence and a return to clemency.
Externally, France’s situation was equally dire, encircled by the First Coalition—a formidable alliance of Britain, Austria, Prussia, Spain, and the Dutch Republic, all intent on crushing the Revolution before it spread further. With the execution of Louis XVI, France found itself diplomatically isolated, and the army was, frankly, a shambles. Most officers were either nobles or incompetent (8), and the soldiers were inadequately trained and equipped. In a desperate bid to defend the Republic, the Convention issued the Levée en Masse (9) in August 1793, sparking revolts in many cities and outright civil war in the West.
Confronted with this barrage of existential threats, the Convention dialled up its response in spectacular fashion, unleashing what we now know as the Terror—a period of sweeping repression backed by some rather questionable legislation. As you can likely guess from the name alone, this was a brilliant idea…
Put simply: by the end of Year II, nearly all the key figures who had spearheaded the Revolution up to that point were dead. And no, they didn’t slip away peacefully in their sleep from some ordinary epidemic. They met their end at the guillotine.
In short, Year II wasn’t just the Revolution's most radical and defining phase—it was also the year the Revolution itself died. Yes, the Revolution, in its truest, purest, most uncompromising form, met its end the moment the guillotine's blade struck Robespierre’s neck.
2. Overview of the exhibition
The visit opens with the destruction of the 1791 Constitution and closes with Liberty, an allegorical figure of the Republic depicted as a woman holding the Declaration of the Rights of Man in her right hand. In between, the experience is structured around five main themes:
A New Regime: The Republic
Paris: Revolution in Daily Life
Justice: From Ordinary to Exceptional
Prisons and Execution Sites
Beyond Legends
More than 250 artefacts are featured, including paintings, sculptures, decorative arts, historical items, wallpapers, posters, and furniture. The layout is carefully structured around these themes, with a distinct use of colour to set the tone: the first three sections have a neutral palette, while the final two glow in vivid red, creating a very nice change in atmosphere.
What I appreciated most was how the descriptions handle the messy legacy of Year II. The texts actually admit that, while some Parisians saw this year as a bold step towards equality and utopia, for others it was an absolute nightmare. This balance is refreshing, even if things are a bit simplified (because how could they not be?), and it gives a well-rounded view of a wildly complicated time.
In this first part, I'll focus on the first two sections, as the latter three fit together neatly and deserve a deep dive of their own. Besides, there's so much to unpack that I'll likely exceed Tumblr's word limit (and the patience of anyone reading this).
3. A New Regime: The Republic
The first section covers the shift from the Ancien Régime to the First Republic, and, fittingly, it starts with a smashed relic of the old order: the Constitution of 1791. After the monarchy’s fall and the republic’s proclamation in September 1792, the old constitution was meaningless. Though it technically remained in force for a few months, it was replaced by the Constitution of Year I in 1793, marking the end of France’s brief experiment with a constitutional monarchy. In May 1793, the old document was ceremonially obliterated with the “national sledgehammer”—a bit dramatic, perhaps, but Year II was nothing if not dramatic.
This section zeroes in on the governance of the new republic, featuring the Constitution of Year I, portraits of convention members, objects from the Committee of Public Safety and the National Convention (including a folder for Robespierre’s correspondence), and national holiday memorabilia. There’s even a nice nod to Hérault de Séchelles (10) as a principal author of the republican constitution.
3.1 Martyrdom as a political tool
Interestingly, the exhibition places a heavy emphasis on the concept of martyrdom. A significant portion of this first area is dedicated to the Death of Marat (11) and, to a lesser extent, the assassination of Le Peletier (12). It’s a clever angle since martyrs—whether well-known figures or nameless soldiers—have always been handy for rallying public opinion. The revolutionary government of Year II understood this all too well and wielded the concept to its full advantage.
In this spirit, the middle of this section features a reproduction of David’s Death of Marat, several drawings from Marat’s funeral, Marat’s mortuary mask, a supposed piece of his jaw, and more. Notably absent are any issues of L’Ami du Peuple, as though the display suggests Marat’s death was more impactful to the Republic’s narrative than his actual writings. I’d agree with that—the moment he died, he was elevated to a mythic status, and his legacy as a martyr of Year II took on a life of its own.
4. Paris: Revolution in Daily Life
While the first section focuses on the workings of governance, this part delves into Year II’s impact on ordinary Parisians. This period stands out for two reasons: France was in economic and political turmoil (wars, both internal and external, aren’t exactly budget-friendly), yet it also managed to introduce some remarkably forward-thinking legislation aimed at improving the lives of the common people.
4.1 The Paris Commune & Paranoia
To understand life in Paris during Year II, we can’t overlook the role of the Paris Commune (13). Rooted in the revolutionary spirit of the Estates General of 1789 and officially formalised by the law of 19 October 1792, the Commune was the governing body responsible for Paris. Divided into forty-eight sections, each with its own assembly, it gave citizens a strong voice in electing representatives and local officials. Led by a mayor, a general council, and a municipal body, the Commune handled essential civic matters like public works, subsistence, and policing.
From 2 June 1793 to 27 July 1794 (the height of Year II), the Commune implemented the policies of the Montagnard (14) Convention, which aimed to build a social structure grounded in the natural rights of man and citizen, reaffirmed on 24 June 1793. This social programme sought to guarantee basic rights such as subsistence (covering food, lighting, heating, clothing, and shelter), work (including access to tools, raw materials, and goods), assistance (support for children, the elderly, and the sick; rights to housing and healthcare), and education (fostering knowledge and preserving arts and sciences).
All this unfolded in an atmosphere thick with paranoia and intense policing; enemies were believed to lurk everywhere. The display does a solid job of capturing this side of the Paris Commune, featuring various illustrations that urged people to conform to new revolutionary norms—wear the cockade, play your part in the social order, fight for and celebrate the motherland, and so on.
One of my favourite pieces was the record of cartes de sûreté (safety cards) from one of the 48 Parisian sections. Made compulsory for Parisians in April 1793, these cards were meant to confirm that their holders weren’t considered “suspects” in a climate thick with paranoia. This small, seemingly random document—issued or revoked at the discretion of an equally random Revolutionary Committee—had the power to decide a person’s freedom or the lack of it.
At the risk of sounding sentimental, in the study of history, we often focus on broad events and overlook the "little guy" who lived through them. But here, this record reminds us that behind each document was, in fact, a real person. And that this very real person was trying to make their way through a reality that, 230 years ago, must have felt stifling and, at times, terrifying.
4.2 Education
A significant spotlight is rightly placed on education in this exhibition section, given the sweeping changes it underwent during the Revolution.
Before 1789, Paris was well-supplied with educational institutions. Eleven historic colleges and a semi-subsidised university offered prestigious studies in theology, law, medicine, and the arts, drawing students from across France. Inspired by Enlightenment ideals, boarding schools and specialised courses in subjects like science and mathematics had sprung up, mainly catering to the middle class, while working-class children attended charity schools. Private adult education also provided technical and scientific training. The catch? Most of these were church-operated.
Revolutionary policies targeting the Church caused a mass departure of teachers, financial difficulties, and restrictions on hiring unsalaried educators. Military demands, economic turmoil, and protests added to the strain on schools. Even the Sorbonne (15) was shut down in 1792, and by late 1793, nearly all Parisian colleges were closed except for Louis-le-Grand (16), which was renamed École Égalité. With the teacher shortage and soaring inflation, a handful of institutions struggled on.
This left the Convention and the Paris Commune scrambling to find new ways to educate the young, and they rose (or at least attempted to rise) to the occasion. On 19 December 1793, the Bouquier Decree aimed to establish free, secular, and mandatory primary education—a remarkable move, though it never fully materialised due to lack of funding.
With France at war, the Convention turned public education towards the needs of a nation in crisis. Throughout 1793 and 1794, new scientific and technical programmes sprang up to meet urgent demands, combat food shortages, and push social progress. Thousands of students were trained in saltpetre refinement (vital for gunpowder), and scientific knowledge spread beyond chemists to artisans and tin workers. In the final months of Year II, a saltpetre refinement zone was set up, the École de Mars was founded to rapidly train young men in military techniques, and the École Centrale des Travaux Publics (future École Polytechnique) was established to develop engineers in military-technical fields.
The education display features a fascinating array of educational degrees, lists of primary school students, and instructor rosters. Although a bit more context on the educational upheaval would have been helpful, the artefacts themselves are intriguing. Placed in the context of the rest of the exhibit, it’s clear that the new educational system wasn’t just about breaking away from the Ancien Régime; it was also very deliberately and openly crafted to instil republican ideals. Nothing illustrates this better than the way Joseph Barra(17) was promoted as a model for students at the École de Mars.
And, of course, this section also showcases one of the most enduring legacies of the Revolution: the introduction of the metric system and modern standardised measurements.
4.3 The (lack of) Women in Year II
The women of Year II were not real women. They were symbols—or so the imagery from the era would have us believe. There is shockingly little about the actual experiences of women in the collective memory of Year II.
Women played active roles in the Revolution. They filled the Assembly’s tribunes as spectators, mobilised in the sections, founded clubs, joined public debates, signed petitions, and even participated in mixed societies. In many cases, they worked side by side with men to bring about the Republic of Year II. So where are they?
Well, they’re certainly not prominent in this exhibition—but that’s not the fault of the organisers. It’s a reflection of how the time chose to represent them. In revolutionary imagery, women became allegories: symbols of Liberty, wisdom, the Republic, or the ideal mother raising citizens for the state, often reduced to stereotypes and caricatures. Rarely were they depicted as part of the public sphere.
The absence of a serious discourse on women’s rights in this part of the exhibition speaks volumes and is true to the period itself. At the time, there was no cohesive movement for women’s rights, and while specific individuals pushed for aspects of female citizenship, these efforts lacked unity or a common cause. Eventually, being perceived as too radical, all women's clubs were closed in 1973.
4.4 Dechristianisation
In my view, dechristianisation was perhaps the greatest misstep of the various governments from 1789 onwards. Not because I think religion should be central to people’s lives—not at all—but because, in 18th-century France, it simply was essential for most. The reasoning behind this attack on religion was sound enough: no government wants to be beholden to a pope in Rome who had heavily supported the deposed king. But in practice, the application of this principle was far from effective.
By Year II, Parisian authorities were still grappling with the fallout from the Civil Constitution of the Clergy (1790), which had left Catholics split between two competing churches: the constitutional church, loyal to the Revolution, and the refractory church, loyal to Rome. Patriotic priests suspected refractory priests of using their influence to fuel counter-revolutionary sentiment—a suspicion that only intensified the general atmosphere of paranoia.
As tension mounted, it devolved, as these things often do, into outright destruction. On 23 October 1793, the Commune of Paris ordered the removal of all monuments that "encouraged religious superstitions or reminded the public of past kings." Religious statues were removed, replaced by images of revolutionary martyrs like Le Peletier, Marat, and Chalier (19), in an effort to supplant the cult of saints with the cult of republican heroes.
The exhibition presents this wave of destruction with artefacts from ruined religious statues, the most striking being the head of one of the Kings of Judah from Notre-Dame’s facade. These 28 statues were dragged down and mutilated in a frenzy against royalist symbols in 1793. . Ironically, they weren’t even French kings; they were Old Testament kings, supposedly ancestors of Christ—a fact that most people at the time were probably blissfully unaware of. But hey, destruction in the name of ignorance is nothing new, is it?
Many in the Convention and the Commune were atheists and enthusiastically supported the secularisation of public life. Unfortunately, they didn’t represent the majority of the French population. To bridge this gap, Robespierre proposed a "moral religion" without clergy, a way for citizens to unite and celebrate a shared, secularised liberty. In December 1793, the Convention passed a decree granting "unlimited liberty of worship," leading to the Festival of the Supreme Being, held in Paris and throughout France on 8 June 1794.
As with so much in Year II, the "Supreme Being" affair was a logical solution to a pressing problem that ended up blowing up in Robespierre’s face—by now, you might detect a pattern. But that’s a story for Part II of this already very long post.
5. Conclusion to Part 1
Overall, the exhibition presents the first two themes—A New Regime: The Republic and Paris: Revolution in Daily Life—in a balanced way, which I really appreciate. I was expecting a bit more sensationalism, given that Year II is known for its brutality, but instead, it provides a thoughtful overview of how the Republic was structured and the impact this had on Parisians.
The range of media and text offers a good dive into key points, especially on everyday life during the period. I didn’t listen to everything, but from what I saw, the explanations were well done. Naturally, since the exhibition is aimed at the general public, many aspects are simplified.
For younger audiences (pre-teens, perhaps?), the exhibit includes 11 watercolour illustrations by Florent Grouazel and Younn Locard. These two artists attempt to fill the gaps by depicting events from the period that lack contemporary representation (like the destruction of the Constitution with the “national sledgehammer” on 5 May 1793—an event documented but unillustrated at the time). For each scene, they created a young character as an actor or observer, sometimes just a witness to history, to make the scene more immersive. It’s a nice touch, though easy to overlook if you’re not paying close attention.
In Part II, I’ll share my thoughts on the remaining themes: Justice, Prisons and Execution Sites, and Beyond Legends. And yes, a lot of that will involve Thermidor—how could it not?
In the meantime, if you made it this far… well, I’m impressed!
Notes
(1) Year II: Refers to the period from 22 September 1793 to 21 September 1794 in the French Revolutionary calendar.
(2) Jacobins: A political group advocating social reform and, by 1793, strongly promoting Republican ideals. Most revolutionaries were, or had once been, members of the Jacobin club, though by Year II, Robespierre stood out as its most prominent figure.
(3) Girondins: A conservative faction within the National Convention, representing provincial interests and, to some extent, supporting constitutional monarchy. Key figures included Brissot and Roland.
(4) Sans-culottes: Working-class Parisians who championed radical changes and economic reforms to support the poor. The name “sans-culottes” (meaning "without knee breeches") symbolised their rejection of aristocratic dress in favour of working-class trousers.
(5) Enragés: An ultra-radical group demanding strict economic controls, such as price caps on essentials, to benefit the poor. Led by figures like Jacques Roux and, to some extent, Jacques Hébert, the Enragés urged the Convention to fully break from the Ancien Régime.
(6) Maximum Général: A 1793 law imposing price caps on essential goods to curb inflation and aid the poor. Though well-intended, it was difficult to enforce and stirred resentment among merchants.
(7) Indulgents: A faction led by Danton and Desmoulins advocating a relaxation of the severe repressive measures introduced in Year II, calling instead for clemency and a return to more moderate governance.
(8) Incompetence: At the Revolution’s outset, military positions were primarily held by nobles. By Year II, these noble officers were often dismissed due to mistrust, and their replacements—particularly in the civil conflict in the West—were frequently inexperienced, and some, quite frankly, incompetent.
(9) Levée en Masse: A mass conscription decree of 1793 requiring all able-bodied, unmarried men aged 18 to 25 to enlist. This unprecedented mobilisation extended to the wider population, with men of other ages filling support roles, women making uniforms and tending to the wounded, and children gathering supplies.
(10) Hérault de Séchelles: A lawyer, politician, and member of the Committee of Public Safety during Year II, known primarily for helping to draft the Constitution of 1793.
(11) Jean-Paul Marat: A radical journalist and politician, fiercely supportive of the sans-culottes and advocating revolutionary violence in his publication L’Ami du Peuple. Assassinated in 1793, he became the Revolution’s most famous martyr.
(12) Louis-Michel Le Peletier de Saint-Fargeau: A politician and revolutionary who voted in favour of the king’s execution and was assassinated in 1793 shortly after casting his vote, becoming a symbol of revolutionary sacrifice.
(13) Paris Commune: Not to be confused with the better-known Paris Commune of 1871, this Commune was the governing body of Paris during the Revolution, responsible for administering the city and playing a key role in revolutionary events.
(14) Montagnard Convention: The left-wing faction of the National Convention, dominated by Jacobins, which held power during the Revolution’s most radical phase and implemented the Reign of Terror.
(15) Sorbonne: Founded in the 13th century by Robert de Sorbon as a theological college, the Sorbonne evolved into one of Europe’s most respected centres for higher learning, particularly known for theology, philosophy, and the liberal arts. It was closed during the Revolution due to anti-clerical reforms.
(16) Louis-Le-Grand: A prestigious secondary school in Paris, temporarily renamed École Égalité during the Revolution. Notable alumni include Maximilien Robespierre and Camille Desmoulins.
(17) Joseph Barra: A young soldier killed in 1793 during the War in the Vendée, whose death was used as revolutionary propaganda to inspire loyalty and martyrdom among French youth.
(18) Civil Constitution of the Clergy: A 1790 law that brought the Catholic Church in France under state control, requiring clergy to swear allegiance to the government. This split Catholics between “constitutional” and “refractory” priests, heightening religious tensions.
(19) Joseph Chalier: A revolutionary leader in Lyon who supported radical policies. He was executed in 1793 after attempting to enforce these policies, later becoming a martyr for the revolutionary cause.
#history#frev#french revolution#paris#marat#carnavalet#museum#robespierre#saint just#amateurvoltaire’s travel diary
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Short film I made in 48hr, the theme was "rat"....so.......here he is
Music: Vivaldi - Violin Concerto in A Minor RV356
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Rest in peace yall
#voltaire#rousseau#jean jacques rousseau#robespierre#maximillien robespierre#camille desmoulins#marat#frev#frev community#frev shitposting#frevblr#french rev#french revolution
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sadly couldn’t manage to make anything on time for halloween, so have this silly Marat as a rat doodle from class today ^^
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self care this self care that what about the patented marat method. ALWAYS eat stale bread and black coffee only NEVER sleep NEVER stop for any pain or illness suffering is virtuous and shows your devotion to the cause don't even THINK about jerking off.
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this is probably one of my favorite paintings at the moment, but woah good lord... that marat depiction......
#could stare at it for hours probably#marat in art is always a favorite#frev#art#jean paul marat#marat
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The Persecution and assassination of jean Paul Marat performed by the Inmates of the Asylum - 1969. Photo by Joaquin for the Underground Press Syndicate.
#60s art#underground theatre#marat#1969#revolution#Joaquin#Underground Press Syndicate#1960s#the Inmates of the Asylum
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Enter the Festival of Supreme Being Raffle!
Instructions:
Spin the Wheel here (feel free to skip it if you don't want to rely on the whims of Fortune)
Reblog and add the name of the item you got in the tag!
Congrats! You have just gifted a Festival of Supreme Being gift to prev!
bonus: guillotine earrings can be found here
#festival of supreme being#fête de l'Être suprême#frev#frev community#frevblr#french revolution#tag game#reblog game#assign prev#moots game#history memes#maximilien robespierre#joseph fouché#saint-just#louis antoine de saint just#robespierre#marat#jean paul marat#cult of the supreme being#history#history shitposting#french history#1700s
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Best room in le musée Carnavalet.
It's a pity that Robespierre could not see Rousseau's entrance in the Panthéon.
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"Nothing out of the ordinary has happened here, and it is to be hoped that the evil-doers will not succeed in their maneuvers this time. Panic terror is gripping many minds, and the crowds at the bakers' are considerable. Marat's death will probably be useful to the Republic because of the circumstances surrounding it. It's a cy-devant from Caen, deliberately sent by Barbaroux and other scoundrels, addressed first to a member of the right wing in Paris, that fanatic Duperrey who twice drew the saber in the Assembly and repeatedly threatened Marat. We have indicted him as an accomplice to the assassination. You will see the details of this affair in the newspapers, and it will not be difficult for you to judge the men we were dealing with. The Minister of the Interior had, it seems, been singled out for the dagger of this monstrous woman who brought Marat down under her blows; Danton and Maximilien are still threatened; one remarkable thing is the means this infernal female used to gain access to our colleague's home. While Marat was being painted as a monster, in such a terrible way that the whole of France was fooled into believing that there was no cannibal comparable to that citizen, that woman nevertheless begged for his commiseration by writing to him: "It's enough to be unhappy to be heard". This circumstance is well suited to demaratizing Marat and opening the eyes of those who see us as bloodthirsty men. You should know that Marat lived like a Spartan and gave everything he had to those who came to him. On several occasions he said to me and my colleagues: "I can no longer satisfy the wretched crowd that comes to me, I will send some of them to you", and he did so on many times. Judge our political situation, a situation brought about by slander. Ardent but unenlightened patriots are currently agreeing with the conspirators to Pantheonize Marat. Such are the circumstances, that this proposal may eternalize the calumnies, that the hatred which seems to abandon a corpse will attach itself to Marat in the grave, and that the system of the enemies of liberty will resume with greater force than if our colleague were still among us. The most astute observer must be astonished that the most terrible weapon of the enemies of liberty is slander, and must groan at the ignorance and credulity of a people who constantly disregard it. A slander, no matter how absurd, cannot be erased, and Paris, which sees its most ardent defenders slaughtered and is content to shed tears over their graves, will still have to defend itself for centuries to come against its detractors, while Evreux, Caen, Lyon and Marseille will enjoy an almost immortal glory, because these cities will have the most skilful of conspirators and the most wicked of men as their defenders."
Augustin Robespierre in a letter to Antoine-Joseph Buissart, July 15th, 1793. From Maximilien et Augustin Robespierre, Correspondance recueillie et publiée par M. Georges Michon [p. 174-175].
#marat#jean paul marat#my translation !!#marat assassiné#frev#french revolution#the death of marat#la mort de marat#my posts
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Glenda Jackson as Charlotte Corday in The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis De Sade, 1967, 1986
#art#theater#glenda jackson#charlotte corday#black and white#max waldman#1960s#1980s#nuns#plays#vintage#marat#jean-paul marat#marquis de sade#royal shakespeare company#marat/sade
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Click for better quality!!!
Marat and Robespierre's very awkward lunch date. A drawing requested by good citizen, @maratsbathtub !!!!!!!!!
jfjadjsjdksk this was really fun to draw
Have a good evening everyone
#tea art 🎨#marat#robespierre#maximilien robespierre#jean paul marat#frev#frev community#french revolution#oklo makes a post
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