#george jacques danton
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happy 2nd anniversary to one of the weirdest online experiences I've ever had
do you love the color of the christmas eve fat danton? dec. 24 2021 - dec. 24 2023
#real ones will remember this day#danton#robespierre#pigeon.img#ash lore#frev#french revolution#shitpost#ah those were the days#(jk 2021 was a horrible year for me lmao)#georges jacques danton#maximilien robespierre
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also side note but there may or may not be something in Rousseau's Confessions that almost went down in Venice that would unfortunately make Danton marrying a 16-year-old feel super mild in comparison
yeah, not a great time for (especially lower class) women
It has been haunting me for a while now so just getting it out there I guess
#tw: jj#jean jacques rousseau#rousseau#confessions#frev#frev community#frevblr#1700s#18th century#georges danton#louise danton#french history
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1. A quoi tu danses
2. Ça ira mon amour
3. Au palais royal
#1789 les amants de la bastille#french revolution#frev#frev art#maximilien robespierre#camille desmoulins#georges jacques danton#charlotte#1789 les amants de la bastille charlotte#art
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we can get rather silly at times
#frev#history#french revolution#frev community#history art#maximilien robespierre#georges danton#camille desmoulins#antoine saint just#georges couthon#jacques rené hébert#i drew this in a trance
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Anon [Louis de Champcenetz?], The War of the Districts, or the Flight of Marat, Heroi-comical poem in three cantos (Paris: n.p., July? 1790)
Part 4 (of 5)
Last Canto:
“When the sun that lights our way,
Near SAINT-MANDÉ
Had flooded all of PARIS,
With its quicksilver light:
Five to six large battalions
Followed by two squadrons,
Silently advanced
Into OBSERVANCE.
BAILLY knowing the moment
When the troops would be assembling,
Is chatting with his wife,
Who fancies herself a fine lady,
While pouring out the tea,
With a fair degree of glee.
‘MARAT’, she says, ‘will be captured,
How my heart is enraptured!
He sought out of his own vanity
To tarnish your immortality;
But the die is cast.’
‘Oh! my loyal spouse!’
He says to her so tenderly
Promptly back to Mr Mayor;
‘Your speech is quite delightful,
I want to have a child with you.
I find you quite an eyeful,
How I long for you anew.'
‘Moderate your friendship’,
His chaste half says to he;
‘I'm not some flirting girouette,
Just wait until la FAYETTE
Has the rascal under lock and key;’
BAILLY says, ‘I want it desperately.’
NECKER who shines with virtue,
Between his daughter & his wife,
Tasted at that moment
The best day of his life.
‘We will let the joker rot
In the corner of some cell.
He attacks my writings,
He covers me with spleen;
Me! whose noble role
Shines so brightlyeverywhere:
Me! Minister Supreme,
Getting vexed by MARAT.’
STAËL (1) the proud ambassadress,
Felt a noble wrath,
Which made her jaundice blush,
‘My father, console yourself;
I wish to make a satire [1]
Against all the insolent wretches
Which your great talents censor
And dare to slander you.
My dear NARBONNE LARA (2)
Shall help me with this work.
GUIBERT (3) could have done it,
His pen is quite light,
But he no longer knows how to please me;
And in my daring pamphlets
I shall crush CHAMPCENETZ (4),[2]
This caustic character
Whose teasing I detest.’
Her mother, reacting to her zeal,
Addresses both, ‘My children,
For that is what you are;
And when I look at you;
My heart is like my eyes;
I confuse you with each other.
Reflect well upon our glory;
And use the écritoire; [3]
Because it is by this weapon,
That this great Minister is here.
The patriotic horde
Of the MERCIERS & GUDINS, (5)
Avenge us every morning,
From the famished horde
Who crawl under DESMOULINS (a):
Their pension is not enough;
But to defeat the MARATS,
We have the proud escort
Of the SUARDS & GARATS (6).
And if we need more ducats
For this miserly cohort;
Pay them, it’s no big deal,
Since we are not short.
But let’s consider something else,
Without any mystery.
MARAT is almost in the clink;
So let’s restore ourselves with a dose
Of this frothy cocoa drink.”
However in the meantime.
The Cordeliers District,
Had armed its warriors.
With very many carts,
And those carriages one hails,
The passages are blocked,
And the guns are loaded.
But lest anyone break through
The passage du Commerce,
Two cannons are placed there
With two or three platoons.
By the door, no carriage arch,
To MARAT’S humble dwelling,
Are placed thirty grenadiers,
With fifty riflemen.
Supported fromthe riverside,
The SAINT SEVERIN District
Has prepared its terrain. [4]
When arriving from behind,
The SAINT MARCEL District,
Came to unfurl its banner
In the Place SAINT MICHEL.
NAUDET the great Captain,
Fearing a flanking move
Protected Luxembourg.
D’ANTON, this other TURENNE, [5]
Followed by some warriors,
Visited all the neighbourhoods;
Putting himself out of breath;
Encouraging the soldiery
To defend MARAT well.
Such glory & such fame
Are not acquired without pain!
Father GOD, Cordelier,
Would show no mercy.
But hidden in his attic
Monsieur FABRE D’EGLANTINE
Seeing the civil war
Quivered from head to toe;
More than if he saw the faces
Of the Bailiffs & recorders
Coming to sing his morning prayers.[6]
WASHINGTON’S monkey,
Surrounded by a battalion
And all these subalterns,
Went off prancing,
And nearly grazed in passing
The lampposts & the ropes,
Where he let a treacherous mob
String up poor FOULON. [7]
He sees that canons have been placed
On every avenue;
And that the end of every street
Armed like a bastion,
Contains a large battalion:
This troubles his genius,
And his soul is less bold
BARNAVE is quite astonished;
He was determined
To act like he’d done at Versailles;
But to risk battle and die!
D'AIGUILLON, gasping for air
From his fishwife attire
Flees at the double,
Escorted by the rabble. [8]
Brave like RODOMONT,[9]
Suddenly without any warning,
Henri SALM & Jacques AUMONT (7)
Go off to explore;
Everywhere are large platoons:
So Henri says to Jacques;
‘My dear friend, let’s decamp;
Let's not start the attack;
Don’t you see those big canons?’
‘Well said, let’s retreat’;
Jacques immediately replies;
‘Soldiers! Half turn to the right.
The obedient troops
In such pressing danger,
Turn round to find LA FAYETTE;
Whose stunned expression,
Dismayed the proud AUMONT,
And his brave companion.
Bold like NICOMEDES (b)
VILLETTE (8), finding himself there, [10]
Suggests a remedy for the ill.
‘This is really no big deal;
Trickery is as useful in war,
As in love, thank God!
We must outflank the enemy,
And attack it from behind.
On more than one occasion
FREDERIC (c) did the same.
But the assembled Troops
Keep watch and fall silent:
When at this moment,
The mistress of MARAT,
A sturdy chambermaid
And formerconventgatekeeper(9) [11]
Whose eye sparkles bright,
Addresses this prayer,
To the most unfortunate Lover,
Who is causing all her grief.
‘Do you want to be murdered?
Or even in a prison cell,
Without your JAVOTTE, starving [12]
On a shabby straw mat,
Do you want to be confined?
Take my headscarf, my petticoat,
And my cotton kerchief;
I will wear your breeches,
And followed by your JAVOTTE,
Whom they will mistake for a boy,
We will go far from the city
And find another home.
Do you wish to see Paris burn
For a few worthless lines?’
MARAT did not wish to know
But the clever maid
Crying and sobbing,
Knew how to soften up her beau.
‘I'm not worth that much blood,’
Says MARAT, in sensitive mood;
‘Let’s leave the city calm;
And swop our clothes at once;
We can do anything with love.”
This noble disguise
Was done in a trice.
Descending from their attic, [13]
They pass through the Soldiers
Without any hesitation,
And make their way outside.
Arm in arm, the couple
Lengthened their stride;[14]
When on a street corner
They find brother GRUE (10),
A subaltern, but strongwilled [15]
Who recognizes them at once…
He did not cry out in wonder,
But whispers in their ear:
‘You’re doing well,
Go now, have no fear,
Once you're in the clear
I’ll do what needs to be done.’
MARAT responds at once,
‘It’s to spare the blood
Of a District I revere,
That I’m wearing a white petticoat,
Farewell, my reverend frère.
The subaltern Cordelier,
Fearing some grapeshot
Might start the fight;
Cried out across the neighbourhood
In a loud, booming voice:
‘MARAT has chosen his story,
He fled a long time ago.’
They did not want to believe it;
D’ANTON, wanting all the glory
Sends a detachment,
To thoroughly search
His whole apartment,
And assure their escape.
He knew everything in a flash. [16]
Once peace was resolved.
Brother GRUE was dispatched
Towards the great General,
Who welcomed his Ambassador
In a most friendly manner,
And gave him a warm hug.
Immediately, from both sides
The retreat was rung;
And the delighted Bourgeois,
All cried out, PEACE IS DONE.
But dark CRUELTY,
Indignant & furious
At such a treaty,
Quickly takes flight;
And in her fearsome rage
Hastens to the Châtelet
To ponder some misdeed.
STUPIDITY, now more tranquil
Lingered within the Hotel de Ville.
Thus ended, without a melée,
But not without a dumb display,
The adventure of Marat. [17]
Notes to the Last Canto:
(1) Baroness DE STAËL is not unworthy of her father & her mother, she has as much intelligence as beauty; everyone knows that.
(2) Comte Louis DE NARBONNE had left Mademoiselle CONTAT for Madame de STAËL, but, like ANTHONY, he kept returning to CLEOPATRA & the Actress prevailed over the Ambassadress.[18]
(3) Comte DE GUIBERT had been dumped by Madame de STAËL; such a loss consoled him for all his disgrace. [19]
(4) The Marquis de CHAMPCENETZ is the Ambassadress’s nemesis because of this famous epigram which has been falsely attributed to him, & which he has the candour to disavow: [20]
ARMANDE holds in her mind everything she’s read,
ARMANDE has acquired a scorn for charms;
She fears the mocker whom she constantly inspires,
She avoids the lover who does not seek her.
Since she lacks the art of concealing her face,
And she is eager to display her intellect;
One must challenge her to cease being wise,
And to understand what she says. [21]
(5) Bribed writers.
(6) Ditto. [22]
(7) The Prince of SALM & the DUC D'AUMONT sign their names democratically, just as they are written in the poem, which is quite ridiculous.[23] The poor devils are taking revenge for the contempt they have always inspired in honest people & have mingled effortlessly with the rabble.
(8) All Paris knows about VILLETTE, a retroactive citizen. VOLTAIRE died inconsolable for having praised him. [24]
(9) Indeed, MARAT's mistress was a novice in a convent from where she was taken by our hero. [25]
(10) Brother GRUE, the heavyweight of the adventure, is a jolly good fellow who does not lack common sense, & to whom the Cordeliers district owes a statue; but the multitude is ungrateful.[26]
(a) Antagonist of Mr. Necker
(b) The King of Bithynia
(c) The late King of Prussia.
[1] ‘Satyre’ usually refers to the part human, part goat creature, known for revelry and bad behaviour. Possibly a pun, referring to both ‘satire’ and Mme de Stael’s ‘ugliness’, whose masculine looks were frequently commented on by contemporaries.
[2] Champcenetz often inserted himself in the third person into his own compositions.
[3] “Monsieur de Saint-Ecritoire” was Necker’s nickname for his beloved daughter, Herold (1958), p.66. Ecritoire was a portable, hinged desk set.
[4] Actually, it was the militant Saint-Antoine district that Danton threatened to summons into action as backup. Saint-Severin provided a contingent of National Guards for Lafayette’s expedition. See Babut, pp.284-85.
[5] Henri de la Tour d’Auvergne, vicomte de Turenne was a Marshal General of France from the 17th century, renowned for retaking Paris from the Prince de Condé during the civil wars of the Fronde.
[6] Fabre d’Eglantine had been a target for earlier lampoons by Rivarol & Champcenetz in their Le Petit Almanach de nos grands hommes pour l’année 1788 (1788) and Petit Dictionnaire des grands hommes de la Révolution (Aug 1790). Fabre d’Eglantine, who lived four doors away from Marat on 12 rue de l’Ancienne-Comedie, was Danton’s right-hand man and vice-president of the Cordeliers district assembly at this time. While Paré was president (Danton having served from October to December), the district was still effectively under Danton’s control, and Danton was re-elected president on 31 March.
[7] Joseph Foullon de Doué, who replaced Jacques Necker as Controller-General of finances, was deeply unpopular with the Parisians. He was lynched “à la lanterne” on 22 July 1789, and his head stuck on a pike with his mouth stuffed with straw, following a widespread rumour that he had said, “let them eat hay!”.
[8] Armand de Vignerot du Plessis, duc d’Aiguillon had been the wealthiest man in France after the king before sacrificing his title to all his feudal properties on 4 August 1789 and losing over 100,000 livres in rents. Despite having planned to launch the initiative during the debate on renunciation of noble privileges, the considerably less wealthy vicomte de Noailles beat him to the punch in a bid for popularity! Nevertheless, d’Aiguillon’s gesture had a massive impact, and his gesture became the signal for similar sacrifices, escalating events much further along than anticipated. As a result, disgusted royalists, especially from the Actes des apôtres and Gautier’s Journal general de la Cour et de la Ville, depicted him dressed as a poissarde (fisherwoman) leading a battalion of tough dames from Les Halles during the October Days march. Barnave was depicted in similar fashion. In fact, transvestism was frequently deployed in royalist lampoons, as we shall see in the later description of Marat’s escape.
[9] Rodomonte was a major character, renowned for his bravery and arrogance, in Ludovico Ariosto’s 16th-century romantic, epic poems, Orlando innamorato & Orlando furioso.
[10] While the marquis de Villette was the commandant of the Cordeliers district battalion, he opposed Danton’s wish to defend Marat, and had suggested arresting him themselves. Because of the Cordeliers’ own arreté from 19 January insisting on district autonomy, he explained to Lafyette’s commander, Gonsault de Plainville, that he must remain neutral but later thanked him for ridding the district of a “mauvais sujet”. The other battalion commander present was Carle from the Henri IV district. See Babut, p.285
[11] See later note for likely explanation of the convent reference. At this time Marat had a young assistant, Victoire Nayait, who liaised with local printers. This might also explain the erroneous reference to chambermaid.
[12] Javotte is a fictional archetype who often appears as a maidservant, or, sometimes, a prostitute.
[13] Marat had been staying nearby with Boucher de Saint Saveur as a precautionary measure since 14 January. His rooms were in the hotel Fautrière, 39 rue de l’Ancienne-Comédie, which also housed the permanent barracks (30 men) for the Cordeliers district militia. See Mémoire de Madame Boucher Saint-Sauveur contre Marat (late 1790).
[14] According to Marat’s own account of his escape in the Ami du Peuple #170 (23 July 1790), which was also published some six months later, he donned a disguise and left in the arms of a young lady (“marchant à pas comptés”). This detail that might suggest that the poem was published after this account.
[15] The word ‘Coupechou’, a variant of ‘Coupe-choux’, literally means ‘Cabbage cutter’. It was often used in conjunction with ‘frère’ to mean a novice monk (usually put in charge of the vegetables), and, by extension, a person of no importance, Dictionnaire de la langue française (1873), in Dictionnaires d’autrefois (online). In the slang of Père Duchene, ‘grue’ means a fool, or someone easily tricked, Michel Biard, Parlez-vous sans-culotte? (2009), pp.179-80.
[16] When the National Guard were finally allowed to enter Marat’s rooms, they confiscated all his papers, both presses and his type, effectively ending the newspaper and bankrupting him. Many of the papers, including valuable information on Marat’s subscribers, remain in the Archives Nationales (Pierrefitte). The most important of these were rescued by friends, most notably his detailed evidence against Necker, which he published from London in a follow-up to his original pamphlet, as Nouvelle dénoncation contre Necker (April?). Danton’s relationship with Marat would later be lampooned in a scurrilous libelle that described them having homosexual relations, Bordel patriotique etc. (1791).
[17] It is worth nothing here that as a result of Marat’s escapades, his resulting notoriety led to a considerable increase in his revolutionary profile with other journalists and politicians now paying much closer attention to his writing, especially when he began publishing fiercely hostile pamphlets from London. It also led to his inclusion in David’s sketch for his unfinished paining, Serment du Jeu de Paume (1790/91), where Marat can be seen top-right in the public gallery, wearing a broad-rimmed hat, writing with his back to the viewer. The other inclusion, not there at the time, was the deputy Bertrand Barère, editor of the Point du Jour.
[18] In fact, she appears to have had her first two children by the comte de Narbonne-Lara, born in 1790 (Auguste) and 1792 (Albert), see Herold, p.95.
[19] Guibert was a handsome salon gallant and habitué of the salons run by Madame Necker, Mme de Stael’s mother.
[20] Quite why Madame de Stael merits four uncomplimentary notes remains unclear. If Rivarol and/or the marquis de Champcenetz are the anonymous authors, it is worth noting that they also prefaced their anonymous Petit Dictionnaire des grands hommes de la Révolution (Aug 1790) with a biting (and salacious) dedication to “her excellency Madame la Baronne de Stael”, which mocked, amongst other things, the weight of her “prodige” [genius]. Champcenetz also had a fondness for using the six/seven syllable lines found in this poem.
[21] These lines first appeared in a pamphlet erroneously attributed to Rivarol, Réponse à la réponse de M. de Champcenetz; Au sujet de l'Ouvrage de Madame la B. de S***. sur Rousseau (1789), p.7. It is most likely by Champcenetz, who also wrote the original Réponse aux Lettres sur le caractère et les ouvrages de J.J. Rousseau. Bagatelle que vingt libraires ont refusé de faire imprimer (1789). He had also used the alter ego ‘Armande’ to describe Mme de Stael in the anonymous Petit traité de l’amour des femmes pour les sots (1788). The reference to the mother-worshiping Armande comes from Molière’s play, Les Femmes Savantes. The satire is piquant since Mme de Stael was presented by her adoring family as a child prodigy under the tutelage of her doting mother, described by William Beckford as a “précieuse-ridicule”. Moreover, and it is hard to see how the author knew this unless a salon regular, or informed by one, Mme de Stael had privately acted in Les Femmes Savantes. See Helen Borowitz, ‘The unconfessed Précieuse etc.’, in 19th Century French Studies (1982), p.39.
[22] These names suggest someone with intimate knowledge of Necker’s propaganda ‘factory’. Marat had also accused Mercier, Suard and Gudin of being on Necker’s payroll (check). Paul-Philippe Gudin de la Brenellerie, Beaumarchais’s friend and publisher, would later publish a Supplément au Contrat Social (1792, Maradan), which came with an appendix on the need to breed to keep breeding to secure a steady increase in the population! Garat’s Journal de Paris was openly subsidized by Necker. Amongst the more patriotic writers, Cerutti, later editor of La Feuille Villageoise, was also the only one writer to openly defend him in his Lettre sur Necker (1790).
[23] Probably a reference to Charles Albert Henry (b.1761), ninth son of Philip Joseph, Prince of Salm-Kyrburg.
[24] Charles (the former marquis) de Villette was a noted homosexual frequently attacked in scurrilous pamphlets during this time, including, Vie privée et public du ci-derrière marquis de Villette, citoyen rétroactif (1791) and Les Enfants de Sodome à l’Assemblée Nationale etc. (1790, ‘Chez le Marquis de Villette’). ‘Rétroactif’ here appears to be both a pun on being an ‘active’ citizen (referring to the law passed in Oct 1789, discriminating between active and passive citizens for the purpose of voting and standing for office, and a possible synonym for homosexuality (viz its synonym, ‘posterior’).
[25] This reference to an imaginary, ex-novice lover probably alludes to a recent article in Marat’s paper, describing how his services were regularly sought by readers seeking redress. In this particular issue (Ami du peuple #88, from 5 Jan 1790), he gave the singular example (“aussi piquante par sa singularité qu’elle est intéressante par sa nature”) of a nun called “sister Catherine” (Anne Barbier) who had escaped from Pantémon Abbey after suffering countless abuses due to her patriotic views. She had come to see Marat in the company of her landlady (Mme Lavoire), she had sought his help in securing her liberty and reclaiming her possessions.
[26] While I can find no trace of a ‘brother Grue’ in any of the surviving accounts, the most likely candidate would appear to be the powerfully built butcher, Louis Legendre, co-founder of the Cordeliers Club in April 1790 with Danton. In this context, ‘Lourdis’ probably derives from the figurative use of ‘lourd’ to suggest heavyweight, possibly by association with the other meaning of ‘grue’ as ‘crane’ (both bird and a lifting mechanism for heavy loads). Legendre hid Marat several times in his cellar on the rue de Beaune; see speech to the Jacobins on 24 Jan 1794, in Aulard, op.cit.
Alternatively, a letter from 9 May 1790 describes the arrest of Louis Gruet, a fusilier in the Cordeliers battalion. See Alexandre Tuetey, Répertoire général des sources manuscrites de l’histoire de Paris pendant la Révolution française, Tome 2 (1890), p.420 (3982).
Finally, ‘Grue’ might be a nickname for François Heron (viz ‘crane’), who later acquired notoriety as the main police agent for the Committee of General Security. While I can find no record of his playing any role in these events, he also hid Marat in his home, on 275 rue St Honoré, during 1790, and probably knew him from their time working for the king’s youngest brother, the comte d’Artois.
#la fuite de Marat#Jean-Paul Marat#French Revolution#Georges Danton#General Lafayette#libel#counter-revolutionary#poetry#1790#Jacques Necker#marat
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Audacity, more audacity and always audacity.
Bugs to Buster Bunny
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Saint-Just
Danton
Bonus: Robespierre (with Brount)
I LOVE HORSES
duality
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Some Julius Caesar x The Danton Case Parallels to Celebrate the Ides of March, Frev Style 🔪🥳
Firstly, both Przybyszewska’s Danton Case and Shakespeare’s Julius Caesar are obviously (excellent!) tragedies that are set in a dying republic on the brink of collapse.
Here are some other interesting parallels I was able to trace:
1. Brutus and Robespierre:
Both of them are driven to execute an important figure even though they initially do not want to do it. They are both conflicted but feel like they have no other choice and have to commit the violent act for the good of the republic.
They are also arguably quite alike in terms of character: you have the „noble Brutus“ and then Robespierre, who is consistently referred to as „the Incorruptible“. Both are seen by others as selfless and committed to the good of the state (the people in the crowd very much emphasise this fact in both of the plays, I do have the receipts)
There is even the scene in which Brutus chastises Cassius for taking bribes, which plays into the idea of him as being (literally) “incorruptible” as well. And vice versa, traces of Brutus’ famed stoicism can then certainly be found in Maximilien.
2. Cassius and Saint-Just:
Both are characters who convince the protagonists (Brutus/Robespierre) to go along the violent act while not necessarily being portrayed as antagonists (at least Saint-Just definitely can't be seen as one in Przybyszewska’s play).
There are also parallels in the close relationship between Brutus and Cassius and Robespierre and Saint-Just, where they are very much portrayed as each other’s closest confidants. Of course, this idea can easily be pushed even further if one wishes to read between the lines. (There is no Camille Desmoulins in Shakespeare though)
3. Manipulating the Crowd:
I'm perhaps the most fascinated by how both Brutus and Mark Antony as well as Robespierre and Danton have the necessary rhetorical skills to manipulate the crowd of commoners (Robespierre being able to “play the crowd like an organ” very much came to my mind when I was reading Act 3 Scene 2 of the Shakespeare’s play).
Both Shakespeare and Przybyszewska portray “the court of public opinion” and how it can easily be manipulated - how opinions can be changed in the matter of minutes - in a way that is genuinely fascinating.
Specifically, the similarity between A3S2 in which people first listen to Brutus only to be immediately swayed by Mark Antony’s speech shortly after and the scene in the court in which Danton manipulates the crowd were in fact so similar in some respects that it was borderline uncanny.
The problem arises when looking for a mirror to Danton’s character in Shakespeare’s play.
4. The Case for Danton x Caesar:
It is Caesar who gets killed for being perceived as a danger to the republic
Both Caesar and Danton are portrayed as being very much beloved by the common people
Also, the idea of Danton being immortal is expressed at the end of Przybyszewka’s play, and while he does not come back literally as a ghost like Ceasar does, Robespierre nonetheless explains to Saint-Just that Danton’s spirit never truly dies.
5. The Case for Danton x Mark Antony:
If we see Danton and Robespierre as foils, Mark Antony makes more sense as a parallel to Danton (even though he does not die), since both Robespierre and Brutus as the classic ascetic/stoic archetype while Danton and Mark Antony’s are well-known for their appetite for drinking, women (or, you know, people, in the case of Mark Antony) , and the pleasures of life overall.
Both are also severely underestimated by their enemies at first, yet they prove to be quite cunning and are able to use their words skilfully to win over the public
Overall, reading both of the plays – especially the parts about manipulating the Roman public and the citizens of Paris just with the power of words – really makes me wonder if Przybyszewska read Shakespeare’s play and used it as a source of inspiration. It would make sense, especially given how the parallel between the French Republic and the Roman Republic was well-established long before her time (even, somewhat tragically, by the revolutionaries themselves).
I promise I think about Przybyszewska's and Shakespeare’s play and the Roman Republic along with the French Revolution a totally normal amount of time & that it definitely does not consume my every waking thought that should be very much going towards the exam preparation.
#ides of march#julius caesar#brutus#french revolution#maximilien robespierre#the danton case#stanisława przybyszewska#william shakespeare#mark antony#literature#classic literature#english literature#literary analysis#(attempted)#marcus junius brutus#georges jacques danton#antoine de saint-just#saint just#robespierre#frev#frev community#history#renaissance#tagamemnon#classics#roman republic#ancient rome#classic studies#you can tell this was not AI generated by the fact that it is so chaotic and at times barely coherent#but there is heart in it okay
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#french revolution#frev#maximilien robespierre#camille desmoulins#georges jacques danton#art#louis antoine de saint just
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Brissot posting
#french revolution#frev#frev community#history#jacques pierre brissot#maximilien robespierre#georges danton#george washington#that one time brissot met up with washington and asked him to free his slaves#he was so real for that#lazy art
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Anon [Louis de Champcenetz?], The War of the Districts, or the Flight of Marat, Heroi-comical poem in three cantos (Paris: n.p., July? 1790)
Part 3 (of 5)
Second Canto:
When the croak of the frogs
And the screeching of owls
Had warned the patrols to
Monitor passers-by;
And numerous clocks have
Already struck midnight,
An Allobroges Goddess [1]
Emerged from her dark lair.
Her seat is City hall;
It's there, in an armchair
That she gazes lovingly
At this civilian cohort
From whose pride all Paris suffers.
FAUCHET, this sinister abbé, (1) [2]
Is the lover & minister
Of this Divinity,
Whose eye is completely dulled.
This is where FAUCHET reflects:
And it is she who inspires him,
When he makes those eloquent speeches,
Which, dismaying our monarchy
In Paris, and the Provinces,
Progress so rapidly.
This famous Goddess
Is quite rotund with fat:
She walks heavily,
Laughs & cries at any time,
Without any direct cause.
She used to live in Greece
At a time when its bourgeois
Were performing heroic feats everywhere.
But it was in BOEOTIA* [3]
That she had spent her life:
Since then, having in many places,
Made herself a homeland,
It was Paris she chose.
On a chariot made of donkey skin.
Supported by twenty goslings,
In the air that we breathe,
She glides, she soars.
She walks without pretense,
And her sceptre is a poppy.
At her feet are the works,
And audacious prattle
Of factious writers
Whose foolish pride renders so vain.
The Goddess protects them all,
And her chariot is crammed
With the works of CÉRUTTI. (2)
She enjoys the MANEGE; [4]
The comte de MIRABEAU
Is a true beacon for her.
A thousand college know-it-alls,
Modern-day jackasses, [5]
Like the TARGETS, the PÉTIONS, (3)
The DUPORTS & the DUPONS, [6]
And all their varied retinue,
Like so many antique CICEROS;
For whom the eloquent Goddess,
With all her skill,
Dictated the motions.
But I have to say
Who is this Deity
That has held me back for so long?
She is the sister of STUPIDITY,
And her name is IMBECILITY.
This Queen of bystanders,
Having learned the work
Of the district of OBSERVANCE;* [7]
Enters without a torch,
And slips silently into
The house of the famous MIRABEAU. (4)
She noticed this large man
Who lay in deep slumber.
In his hands a portrait lay,
Where a bookseller's wife, (5)
A loathsome housekeeper,
Was faithfully portrayed.[8]
Under his heavy head,
Nestling beneath the pillow,
COWARDICE could be seen,
His dear Divinity.
Terrified by the slightest sound:
One only has to stare at her
To make her ill at ease.
She is cunning & cautious;
She fears getting involved
In the slightest danger.
Her gait is unsteady.
Her sad & shy voice
Is quite insinuating.
Frog & hare both at once,
Its features are repulsive.
Like a bat,
She has two wings under her arms;
It’s to flee from her enemies
And those who stir up trouble.
She got to know MIRABEAU
When he was in his cradle.
She’s his faithful companion,
He is her strongest support;
And since he is worthy of her,
She is very worthy of him.
But on his broad chest,
In the guise of a nightmare
A haggard monster slept supine,
Whose dreadful & sullen face,
Sends shivers down the spine.
It constantly sharpens a dart,
And in its barbaric joy
Seeks his prey everywhere.
Its claw is sharp & hard;
Its eyes are bloodshot;
An ever burning hunger
Consumes & torments it.
This dreaded monster,
Its name is CRUELTY.
Its usual refuge,
Is the Châtelet’s black lair,
And with a menacing blade,
It strikes the innocent there.* [9]
While speaking in his ear,
STUPIDITY wakes her up.
‘Cousin! How can you sleep?
Soon the hour will come,
Where my darling LA FAYETTE,
Awakened by the trumpet,
Must ride on his horse,
To make a capital blow.
They wish to take the great MARAT,
To lock him away behind bars;
His District wants to defend him
And prepare its cannon [artillery].
The warriors of OBSERVANCE
Have made more than one alliance;
The SAINT-SEVERIN District
Must lend it a hand.
They have other assistance too,
And the Faubourg SAINT-MARCEAU
Is going to use its Flag.
In this terrible affair
Cousin! what should we do?’
Smiling CRUELTY
Said to her: ‘We will have blood’.
Its eye sparkles with joy,
And his fearsome pupil
Lighting up like a torch,
Covers MIRABEAU in light.
Without waking him up,
It warns him in a dream,
About the fight in question;
Here is what the response was,
From this truly great man.
‘The Districts are my friends
And it is through them that I reign;
Above all, I must fear
To make them my enemies.
Such stupid revenge
For this poor La Fayette
Has wonderful charms;
I will not follow in his footsteps.
But I do like fights,
When I’m not running away from them’.
COWARDICE applauds
Such a prudent speech,
Gets up from where she’s sitting;
Admires this great genius,
And says to CRUELTY
Who is not his enemy:
‘Proceed another way.
BARNAVE is full of zeal,
The LAMETHS are not lacking;
D'AIGUILLON (6) the prattler,
And so many other good Soldiers,
Will join you in the battle’.
To these words without rejoinder,
CRUELTY slips out mute,
And STUPIDITY follows suit.
BARNAVE, with his gaunt face,
Was the first to be visited.
By the loathsome couple.
BARNAVE, bloodthirsty heart.
First became the pupil
Of the Philosophe MOUNIER:
He was his tutelary Deity,
Humbly, he sought his protection,
Then he wanted to slit his throat.
He’s the serpent from the fable
Who spewed his dark venom,
Against the charitable man
Who nurtured him in his bosom.
In his odious retreat
The agitated BARNAVE,
Dozed off in guilty fear:
It is the wages of crime.
When dreadful CRUELTY,
Persuades him in a low voice,
Whispering into his chest,
That he must join the fight
In this business of MARAT.
‘Backed up by the rabble,
Show yourself in battle’,
‘Have no fear’, says she;
‘This pike that you see,
I used it to slaughter
The brave ROYAL GUARDS in Versailles:
Now I give it just to you’.
The furious Goddess,
Having said that, continues her round.
She goes to D'AIGUILLON
And brings him a festive decoration.
To his brave comrades in arms
She runs with the same stride:
Conqueror of the ANNONCIADES
You were not forgotten! (7)
She flies into the Church
Where this generous warrior,
Father GOD Cordelier, [10]
The leader of this enterprise,
And Hero of the neighbourhood,
Was snoring like a debt collector. [11]
The Goddess electrifies him
And GOD shall be the first
To do his job well.
Once her round was done
She went to LA FAYETTE;
There she found GOUVION,
DUMAS, his dear companion,
And the military horde
That marches under their banner.
Around a large ham
They drank Burgundy.
STUPIDITY was at the table,
CRUELTY was there too;
It is in this pleasant orgy,
That the night was spent.
Still, the radiance of the stars
Was fading by the daylight;
The night was lowering its sails;
It was time to think of the fight.
Notes to the Second Canto:
(1) Abbé FAUCHE, from the Investigations Committee; a kind of national inquisition. It was he who shouted in the Place de Grève: ‘It was the aristocrats who hanged Jesus Christ’; sublime word which got several aristocrats hanged. This is the humanity of this abbot, who always has a fierce fever, and whose patriotism is nothing more than madness & fury.
(2) CÉRUTTI, Italian ex-Jesuit, irascible and fussy writer. He understands nothing about politics, but he has a policy; it is to always place himself on the strongest side, to abandon one's friends when they are oppressed, & to sow, for money, blame and praise. Mr NECKER complains about him a lot.
(3) ALL DEMAGOGUES, or rather DEMOCRATS, because they let themselves be led by abbé SIEYES & MIRABEAU, who push them to the vice where their heart inclines, and dares them to clear the path with crime.
(4) MIRABEAU, the shame of humanity & the scourge of France. His brother, a loyal knight, is his opposite; one cannot praise him more worthily by adding that he has more intelligence than MIRABEAU, who perhaps has more talent.
(5) Mrs LE JAY, mistress of the previous.
(6) THE DUC OF AIGUILLON, as everyone knows, got mixed up with the fishwives in women's clothing, on the night of October 5 to 6: He wanted to take revenge for the reform that had been made regarding his light cavalry; such is his patriotism.
7) CHARLES LAMETH, raised at the Queen’s expense, who rescued him from poverty and appointed him a colonel.[12] He diligently devotes himself each day, to this verse by CORNEILLE, who says that in public uprisings, ‘The most ungrateful hearts are the most generous’. It was he who made the successful expedition to the Annonciades convent, ‘From where he returned without losing a single man’.[13] His brother ALEXANDER has just as much merit as him.
[1] The Allobroges were an ancient Celtic tribe that lived in the area around present-day Geneva. One of their main goddesses was the Amazon warrior-queen Scathach (‘the shadowy one’) who trained Celtic warriors in the arts of war. This may also be a reference to the Catiline conspiracy when Cicero discovered a plan to bring in the Allobroges to support Catiline’s plot against the Senate.
[2] Abbé Fauchet was one of the founders of the Cercle Social, a radical political and publishing group.
[3] “The Boeotians were the Champenois (from Champagne) of Greece”.
[4] The Salle du Manège was the former royal riding school situated at the north end of the Tuileries Gardens, where the National Assembly installed itself in Paris, before moving to the Salle des Machines in the Tuileries.
[5] Aliboron (perhaps from the name of the Arab scholar Al-Biruni) was the name of the jackass in La Fontaine’s fable, ‘The Thieves and the Donkey’ (I.13), and earlier, that of a devil during the Middle Ages. Thereafter it passed into French as a generic name for a simpleton.
[6] Adrien Duport (xx-xx) was a deputy in the first National Assembly. He formed a group known as the ‘triumvirate’ with Antoine Barnave (xxx-xxx) and Alexandre de Lameth (xxx-xxx). ‘Dupon’ is probably the deputy and economist, Pierre-Samuel du Pont de Nemours (xxx-xxx).
[7] “That is to say, the Cordeliers. Rue de l’Observance adjoins the church”.
[8] Mirabeau was rumoured to be having an affair with his publisher’s wife, Madam Lejay.
[9] “Allusion to the Marquis de Favras”. See introduction for overview of Favras-Besenval affair.
[10] Danton, the district’s former president and de facto leader.
[11] The word here, ‘Maltotier’ denotes an agent of the (hated) tax collectors known as ‘fermiers-généraux’.
[12] Following publication of the Red Book in April 1790, which detailed all royal expenditure, Lameth’s exposure led him to borrow and quickly repay his 60,000 franc ‘debt’ to the Treasury in January 1791. The money had been used to pay for the education of him and his brothers at the royal military academy.
[13] This recalls an incident relating to the Besenval affair, when Lameth, as member of the Comité de recherches, tracked down the Keeper of the Seals (Barentin) in the Annonciades Convent, where he was supposed to have sought refuge with the abbess. When it became known that Lameth had personally conducted the search, the royalist journalists dubbed him, “the victor of Annonciades”, and someone (possibly Charles-François, marquis de Bonnay) anonymously published a mock-heroic poem on this exploit, La Prise des Annonciades (1789).
#la fuite de Marat#French Revolution#Jean-Paul Marat#poetry#counter-revolutionary#1790#General Lafayette#Jacques Necker#libel#Georges Danton#marat
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Okay, I'm obsessed with the 60s, ergo Dylan, ergo Joan, but am I wrong to imagine this as the ghosts of Robespierre and Danton meeting up 200 years later?
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This is incredibly accurate.
#dont think Danton would be quite so awful#but Camille would ABSOLUTELY send Maxime messages like this#also the answer is yes; he would love Camille if Camille was a worm#frev#frev memes#maximilien robespierre#antoine saint just#georges jacques danton#camille desmoulins#joseph fouché#jacques hébert
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Were Danton and Camille really as close as almost every biography/novel/movie, etc. makes them out to be? For a long time I believed they were best friends, but I realize that I don't know much about what really happened (only that Camille mentioned him as a friend several times in his letters).
Sorry if a similar question has already been asked, and thank you for all your wonderful posts. I read each one with great interest.
Thank you! I’m throwing in their wives too for good measure.
As popular as the idea of Danton and Desmoulins being friends already before the revolution is among novelists (A Place of Greater Safety (1992) by Hilary Mantel, The Gods Are Thirsty (1996) by Tanith Lee) and even biographers (Danton (2012) by David Lawday, Georges-Jacques Danton (1987) by Frank Dwyer) I have not been able to discover any evidence indicating this to actually have been the case. The very first connection I’ve found between the two dates to December 12 1789, when Desmoulins for the very first time mentions Danton’s name in his recently founded journal Révolutions de France et de Brabant:
As I do not have the advantage of being from the illustrious Cordeliers District, I am addressing this motion [to make it forbidden to use the term Queen of the French in public acts] to it through this journal. I beg its worthy President M. d'Anton to propose it to the honorable members, to discuss it in their wisdom and address it to the fifty-nine others; I leave my motion on their desks, and I sign it... A Frenchman.
The second time Camille mentions Danton’s name in Révolutions de France et de Brabant is eleven numbers later (March 1 1790). In the number, Camille describes how he on February 24 for the very first time enters the Cordeliers club and enrolls himself as a member. The very same session, he, alongside Danton, Fabre d’Eglantine, Paré and Dufourny de Villiers are named commissioners for the editing of a report by the club requesting the construction of a building ”worthy the National Assembly” on the place of the destroyed Bastille. This is the earliest confirmed meeting between Danton and Desmoulins that I’ve been able to find.
By the end of the same month, in number 17 (March 20) and number 18 (March 29) of Révolutions de France et de Brabant, Camille loudly protests against the fact Danton (”this lustrous president of the Cordeliers district”) has been decreed under arrest by le Châtelet de Paris, accused of having threatened to ring the tocsin in order to mobilize the Faubourg Saint−Antoine for the defense of his district when the National Guard came by:
If you put on trial a citizen who has put forward an extravagant opinion in his district, you will therefore also have to put on trial, with much more reason, the judge who, in his company, has opined in an extravagant manner; it will therefore be necessary to hang the judge who will have sentenced to death an accused whom the majority will have absolved, since this judge will have approved the death of an innocent person, which is much worse than making an extravagant motion in a district.
Desmoulins brings up Danton in Révolutions de France et de Brabant a few more times throughout the rest of 1790, calling him both ”the lustrous Danton” (number 31, June 28, number 35, July 26) as well as the more bombastic ”the most robust athlete of the patriots, the only tribune of the people who could have been heard in the Champ-de-Mars, and with his voice rally the patriots around the tribune, the only man whose veto the aristocracy had to fear, and in whom it could have found both the Gracchi brothers and a Marius.” (number 44, September 27). When Danton in the fall is appointed judge at Saint-Germain, Camille celebrates (number 47, October 18):
The Philoctetes of Hercules, d’Anton, is also appointed judge at Saint-Germain. He is well worthy of sitting next to M. Le Grand de Laleu. Honor to the city of Saint-Germain! Based on these two choices we can only augur well for the others. I would be tempted to believe that our patriarch Robe did so many readings of his poem on the revolution there, that he inflamed all the voters with a patriotism which dictated to them these excellent choices. The Parisians, ungrateful, forgot in the elections Danton, and Abbé Fauchet, and Brissot, and Carra, and Manuel; but it seems that the surrounding districts were responsible for the recognition.
On December 27 1790 Danton, alongside twelve other well known ”patriots,” signed the Desmoulins couple’s wedding contract. He was however not present for the actual wedding ceremony two days later, something which I suppose could be read as implying he and Desmoulins were not that close yet. On the other hand, the way Desmoulins does describe his wedding witnesses in a letter to his father written five days later (”Péthion [sic] and Robespierre, the elite of the National Assembly, M. de Sillery who wanted to be there, and my two colleagues Brissot de Warville and Mercier, the elite among the journalists”), it almost sounds like he’s chosen them less out of friendship and more out of prestige, so maybe this doesn’t have to mean that much either… After the wedding, Camille and Lucile moved to Rue du Théâtre 1 (today Rue de l’Odeon 28) roughly a ten minute walk from the Dantons’ apartment on 20 cour du Commerce-Saint-André (today destroyed). The ease with which they would come and go between these two apartments will be seen through Lucile’s diary 1792-1793.
In number 63 (February 7 1791) of Révolutions de France et de Brabant, Camille celebrates the fact that ”the excellent patriot Danton” has become a member of the department of Paris — ”If there is only one patriot of this caliber in the 83 departments, all the projects of our enemies from within and without will fail against his firmness, his ascendancy, his vigilance and his incorruptibility.” In a letter to La Marck dated March 10 1791, Mirabeau claimed to ”have evidence Danton was behind (a fait faire)the latest number of Camille-Desmoulins,” which, regardless of whether the charge was true, suggests a certain closeness between the two at this point. In number 72 (April 11) Camille exclaims: ”how the true jacobin Danton made blush the adulators that his excellency had already found.” Two numbers after that (April 25), he celebrates Danton’s actions the 18th the same month, the day the royal family tried to leave for Saint-Cloud but was stopped by a mob. In the number, Camille writes that Danton told him how he on the day in question had found himself at the Departemnt when Bailly and La Fayette came there to demand permission to proclaim martial law and order the National Guards to fire on the crowd surrounding the royal family if necessary. Danton had successfully intervened and reduced them to silence. Camille praises this move in the number:
Courage, dear Danton! how much the patriotic writers must congratulate themselves today, who fought with obstinacy to praise you, and constantly nominated you for the votes of the people. By the parallel of your tribunitian eloquence, of your incorruptibility, of your masculine courage, with the academic and lachrymatory sentences of the courtier Bailly and his telescope which would have made us fall into the well with the astronomer in a scarf, continue to cover with shame all the citizens who gave him votes due to your patriotism.
In the same number, Camille also attributed to Danton and Kersaint an address placing the blame on what had happened on the 18th not on the people, but on the king: ”The same day the department of Paris presented the king with an address, the first, perhaps, which was written in the style of a free people. Also, it had been written by Danton and Kersaint: [transcription of the address].” According to Danton (1978) by Normann Hampson, Camille is however mistaken here, as the adress had actually been written by Talleyrand and Pastoret…
In the next number (May 2 1791) Camille writes the following, which I’m not sure how to interpret, but which Hervé Leuwers reads as assassins having been after both Camille, Danton and Fréron when the three were walking home a week earlier: ”I have learned that four assassins waited for me Tuesday evening (April 26), until midnight. Me, D’anton [sic] and the Orator of the People (Fréron).” In number 81 (June 18 1791) he lifts Danton, Garran de Coulon and Manuel as ”the candidates whom I would most strongly recommend to the 83 departments, for the next legislature.”
In number 82 (June 27 1791), Camille writes that, eleven o’clock in the evening of June 20, ”I was walking home from the Jacobins together with Danton and other patriots. We only saw but one patrol the whole way. Paris seemed so abandoned to me that night that I could not help but remark on it. One of us (Fréron according to Leuwers) who had in his pocket a letter which I will speak about, which warned him that the King had to leave that night, wanted to observe the castle, he saw M. Lafayette enter it at 11 o'clock.” The next morning, Paris woke up to the discovery that the royal family had indeed left the capital during the night. The very same day, Camille goes to the Jacobin club and arrives in the middle of Robespierre holding a speech about the current situation which moves him deeply. After him, Danton mounts the rostrum, and about the same time Lafayette enters the club. Danton delivers a speech blaming him for the king’s flight and asking he explains himself that Camille records in the journal. At the end of the speech, Alexandre Lameth rises to support Lafayette, recalling that he has always thought Lafayette would fall at the head of the patriots in case of a counter-revolution.
Danton came back to sit down next to me. Is it possible? I said to him. Yes, [he answered], and rising up, he confirmed that M. Alexandre Lameth had always said this to him about M. La Fayette. My blood boiled. I was tempted to cry out to Alexandre Lameth: you used very different language with me; and I declare that almost everything I wrote at La Fayette, I wrote, if not under your dictation, at least under your guarantee. But Danton held me back.
While all of this was going down, Lucile Desmoulins and Gabrielle Danton was staying at the apartment of the latter, something which we know through a letter Lucile wrote her mother on either June 24 or June 25, when the royal family had been captured and was on their way back to Paris. Unfortunately I have not been able to transcribe it in its entirety, but these are all the places mentioning Gabrielle that I could find:
…Ever since papa came with [warnings?] to us madame Danton and I have not left each other. I would have [gone crazy?] had I remained alone. These three days we have left [her place?] only at 9 o’clock [in the evening?] Sometimes people came to tell us that we were lost, and when we were told good news, madame Danton, her eyes filled with tears, threw herself around my neck. I’ve supped at her place during this time and [with?] all the patriots. […] Oh God o God, I’m going to send your beautiful [p..?] to madame Danton.
On July 15 the Jacobins entrusted Brissot with writing a petition asking for the abdication of Louis XVI. The session was closed at midnight. Afterwards, Camille, Danton, Brune and La Poype all went over to Danton’s house to further discuss the petition (this was revealed by Brune in an interrogation held August 12 1791, published in number 34 (August 26) of the journal Gazette des nouveaux tribunaux). Two days later, the two were there once again, this time together with Fréron, Fabre, Santerre, Brune, Duplain, Momoro and Sergent-Marceau, and discussing the lynching of two men at the Champ-de-Mars the same morning, when, at nine o’clock, Legendre arrived and told the group that two men had come home to him and said: We are charged with warning you to get out of Paris, bring Danton, Camille and Fréron, let them not be seen in the city all day, it is Alexandre Lameth who engages this. Camille, Danton and Fréron follow this advice and leave, and were therefore most likely not present for the demonstration and shootings on Champ-de-Mars the very same day (this information was given more than forty years after the fact by Sergent-Marceau in volume 5 of the journal Revue rétrospective, ou Bibliothèque historique : contenant des mémoires et documens authentiques, inédits et originaux, pour servir à l'histoire proprement dite, à la biographie, à l'histoire de la littérature et des arts (1834)).
In the aftermath of the massacre on Champ de Mars, arrest warrants were issued against people deemed guilty for them. On July 22, the Moniteur reports that the journalists Suleau and Verrières have been arrested, and that the authorities have also fruitlessly gone looking for Fréron, Legendre, Desmoulins and Danton, the latter three, the journal assures, having already left Paris. Camille hid out at Lucile’s parents’ country house in Bourg-la-Reine together with Fréron, while Danton went to Arcis-sur-Aube, where he was sheltered by his friend Courtois, and then to Troyes (it’s also commonly stated he went to England during this period, but Hampson expresses some doubt over it). If Camille’s fellow journalist Louis Marie Prudhomme’s Histoire générale et impartiale des erreurs, des fautes et des crimes commis pendant la Révolution (1797) is to be believed, on August 14, Danton told Camille and Fabre d’Églantine: the ”b.... won't have me; rather they will all be exterminated first.”
The rather flimsy charges against Danton and Camille — Danton was accused of having cheered on a crowd demanding Lafayette’s head on June 21, Camille of having made incendiary remarks at Café Procope café, saying that it was necessary to shoot the national guards — were however dropped after about six weeks, and in September 1791 they were both back in Paris to stand for election to the Legislative Assembly. Neither did however get in. Camille had also had to resign as journalist in the aftermath of the massacre on Champ-de-Mars.
In Histoire des Montagnards (1847) Alphonse Esquiros writes that Albertine Marat had told him that her brother, Danton and Desmoulins ”liked to come together, from time to time, to rest their souls in the sweet serenity of nature”:
In this contrast of the noise of revolutions with the silence, with the serious serenity of a sunset, under the trees, at the water's edge, a league from Paris, the three friends then had before their eyes the two faces eternal aspects of the world, history and nature, God in movement and God at rest. Danton, this eloquent thunderbolt, this large head of a genius on which smallpox had left big marks, Danton ordered dinner. Whatever efforts one agreed to make during the frugal meal, to keep irritating subjects out of the conversation, one was obliged to go there at dessert; because the company was too preoccupied with the dangers of the State not to mix public affairs with their most personal conversations.
When the question of war in December 1791 became the main topic of discussion, both Danton and Desmoulins joined the minority that cautioned against it. Already on December 16, right after Brissot had held his very first speech in favour of the idea, Danton, while praising the speaker as an excellent patriot, objected to the thought of a war right at the moment — ”I want us to have war; it is essential. We must have war. But above all, we have to exhaust the means that could save us from it.” Ten days later, December 26, Desmoulins did him too deliver a speech against war. Four days after that, after Brissot had just finished his second speech on the subject, Danton and Robespierre both demanded a change be made to a passage when it got printed. Following this moment, it would however appear Danton abandons the question. Camille on the other hand released the pamphlet Jean Pierre Brissot démasqué in February 1792, mocking Brissot and painting him as a fool. Danton’s name got mentioned three times throughout, Camille calling him and Robespierre ”the best citizens.” Danton also got mentioned a total of eight times in the journal La Tribune des Patriots Camille and Fréron published from April to June the very same year, but not in any way that could give us more insight into their relationship.
In her memoirs, Manon Roland claims that Danton and Fabre d’Églantine in the summer of 1792 often came home to her. At one point Fabre told her that “We have a newspaper project which we will call Compte rendu au Peuple souverain, and which will present the picture of the last revolution. Camille Desmoulins, Robert, etc, work on it.” Manon suggested they bring it to her husband for him to subsidise it, something which the two apparently never did, and there was no more talk of the journal again.
On June 23 1792 Lucile starts keeping a diary. The first time any of the Dantons show up in it is already on Wednesday June 27 — ”Madame D(anton) came, we played music.” A few days later Lucile gives this rather odd account: ”My head is spinning. I was madame D(anton) after dinner.” The day after that, July 6, she gives birth to her first child, and a week later, Camille writes to tell his father that said child ”was immediately sent to a wetnurse in Isle-Adam, with the little Danton” (François-Georges, born February 2 1792). If Camille and Lucile made a conscious choice of sending their son to the same wetnurse as Georges and Gabrielle’s (perhaps on the suggestion of their friends) one can only speculate in.
A week after Camille wrote his letter, Lucile traveled to her parents’ country house in Bourg-la-Reine. On July 25 Camille writes to tell her that ”I was brought to Chaville this morning by Panis, together with Danton, Fréron, Brune, at Santerre’s” (letter cited within Camille et Lucile Desmoulins: un rêve de république). Lucile returned to Paris on August 8. In a diary entry written four months later she reveals that she, in the afternoon of August 9, together with others went over to the Dantons. ”Her mother was crying, she was sad, her father looked dazed. D(anton) was resolute. As for me, I was laughing like a madwoman! They feared that the affair [the insurrection of August 10] would not take place; although I was not at all sure, I told them, as if I knew it well, that it would take place. “But can we laugh too?” mde D(anton) said to me. ”Alas, I said to her, that presages to me that I will perhaps shed a lot of tears this evening!” At the end of the day, Lucile, Gabrielle (and others?) go home to Gabrielle’s mother to go for a walk and eventually sit down next to a cafe with her. When groups of sans-culottes and troops on horseback pass by, Lucile gets scared and tells Gabrielle that they should go. ”She laughed at my fear, but by dint of telling her, she too became scared and we left. I say to her mother: ”Farewell! You will soon hear the toscin sound!” The two go back to Gabrielle’s apartment, where a scared Lucile eventually admits to Camille she doesn’t want him to get involved in the dangerous insurrection — ”He reassured me by telling me that he would not leave D(anton).” Lucile and Gabrielle are soon left alone in the apartment with Louise de Kéralio-Robert, but after only a little while Danton returns home and goes to bed. This eventually upsets Louise who tells Lucile that if her husband dies in the insurrection she will stick a knife in Danton. ”From that moment on I never left her. What did I know what could happen? To know what she was capable of…” Some additional time later Camille returns to the apartment and falls asleep on Lucile’s shoulder. Louise tells her that “I can’t stay here any longer! Madame D(anton) is unbearable to me, she seems to be calm, her husband does not want to expose himself!” Lucile therefore suggests she come with her and Camille to their apartment to get some rest. When they around noon go back to the Dantons’ place again ”Madame D(anton) ran up to us to see how we were, she was soon informed when she saw the silence of one and the tears of the other. We waited long enough without knowing anything. Finally they came to tell us that we were victorious.” In a letter to her mother penned down the very same day, Lucile, similarly to how she described them during the Flight to Varennes, writes: ”Mme Danton and I do not leave each other, when I would have liked to flee it would have been impossible, the women are kept from going out.” The following night Camille and Lucile sleep over at the Roberts. When Lucile returns home on the 12th she learns that Danton has been appointed minister of justice. ”These news gave me great pleasure, especially when C(amille) came to tell me that he was secretary.” One day later Camille writes a letter revealing the very same news to his father:
My friend Danton has become minister thanks to the canon. This bloody day could only end, for the two of us especially, in being raised or hoisted together. He said to the national assembly: If I had been defeated, I would have been a criminal. The cause of liberty has triumphed, and Danton has associated me to his triumph.
According to Prudhomme’s Histoire générale et impartiale… (1797), it was Camille and Fabre themselves who three o’clock in the morning announced to Danton that he had been named minister of justice, after which they demanded he make them his secretaries:
”But, are you sure that I am appointed minister?” [said Danton]. “Yes,” replied the two midshipmen; and we will not leave you until we have your word for these two places.” ”Right on time,” said Danton. And everything was arranged according to the wishes of the two revolutionary patriots; but all this does not praise their disinterestedness.
After Camille and Danton had gotten their new occupations, both families briefly went to live at Hôtel de Bourvallais. Lucile writes:
I really liked it there, but only one thing bothered me, it was Fréron. Every day I saw new progress and didn’t know what to do about it. I consulted Maman, she approved of my plan to banter and joke about it, and that was the wisest thing to do. Because what to do? Forbid him to come? He and C(amille) dealt with each other every day, we would meet. To tell him to be more circumspect was to confess that I knew everything and that I did not disapprove of him; an explanation would have been needed. I therefore thought myself very prudent to receive him with friendship and reserve as usual, and I see now that I have done well. Soon he left to go on a mission. I was very happy with it, I thought it would change him. But many other cares to be taken… I realized that D(anton)… Oh, of that one, I was suspicious! I had to fear the eyes of his wife with whom I did not want to be hurt. I did so well that one did not know that I had noticed it, and the other that it might be. We spent three months like this quite cheerfully. At the end of this time C(amille) was appointed deputy and we returned to our first home.
Somewhere during Camille and Danton’s time in the ministry we find the following undated letter ”from the minister of justice to citizen Desmoulins, national commissioner in Vervins” (Camille’s father). Charles Vellay, who published the letter in 1792, did however find it more likely for the author of the letter, unlike what the header leads you to believe, was Camille, seeing as it is in a secretary’s handwriting and the letter was found among his and not Danton’s papers:
I am pleased to learn, Citizen, that yielding to the wishes of your compatriots, you have accepted the position of Natal Commissioner at the Vervins District Tribunal. You could undoubtedly desire some rest after the long fatigues you have had and the feeling which invited you to retire was very legitimate; but it was worthy of your good citizenship to still make the sacrifice for your country, and I am convinced that it was not in the midst of the agitations which precede the most beautiful of centuries that you would have left without regret a career where you you still have services to render to public affairs for a long time to come. It is not fair, however, to forget that the more you redouble your efforts, the more it is in your fellow citizens' interest to prescribe reasonable limits for yourself, and it is also your duty to moderate your zeal and not to forbid you these considerations which can be reconciled with public service and the care of your health. Your colleagues will themselves urge you to give nature the moments of relaxation it needs; a few temporary absences can be infinitely useful to you, and certainly they will not harm the interests of business if some attention is given to the circumstances and replacement measures. I will approve the first of wise precautions which I feel the necessity of and sure of my attachment to your duties I will rely with confidence on your respect for this moral responsibility as sacred as the will of the laws to true republicans.
Danton would however not remain minister of justice for a long time, already on August 26 Camille reported to his father that:
It seems that several departments will nominate me and especially Danton [to the National Convention], and he will not hesitate for a moment to leave the ministry to be representative of the people. You can imagine that I would follow an example that I would have given him, if I were in his place. Danton is from Paris no more than I am, and it is a remarkable thing that among all the principal authors of the revolution and among all of our friends, we perhaps do not know a single one who was born in Paris.
However, before the opening of the National Convention, the so called September Massacres took place. In l’Histoire générale et impartiale des erreurs… (1797) Prudhomme attributed big responsibility for the prison killings to both Danton and Desmoulins, portraying them as aware of what was going to happen already on September 2, the day before they began:
September 2, at midday, I go, hearing the noise of the tocsin and the cannon of alarm, to my section de l'Unité. People came to announce that the barriers had been closed. A general consternation was painted on all faces. At the news of the arrival of the Prussians in Paris, as well as of a conspiracy of the prisoners against the patriots (a vague rumor had been circulating about it for fifteen days), a number of citizens questioned me on this subject. ”Your profession as a journalist should enable you to know something,” one said to me. ”I know nothing,” I responded, ”but I’m going to visit someone who could tell me.” As I knew Camille Desmoulins since a long time back, I thought it a good idea to go to his house. I didn’t find him anywhere, one assured me that he was at Danton’s, minister of justice. It was about half past two in the afternoon, I went home to the minister, and told him: ”I have come, in the quality of pure patriotism and in my own name, to ask you what this canon of alarm, this toscin and the arrival of the Prussians to Paris.” ”Calm down, old friend of liberty,” Danton responded, ”it’s the toscin of victory.” ”But,” I told him, ”people talk about slitting throats.” ”Yes,” he told me, ”we were all about to have our throats cut this night, starting with the most patriotic. All those arisocrat rascals, who are in the prisons, had been provided with firearms and daggers. At a specified time next night, the gates were to be opened to them; they would have spread in different quarters to cut the throats of the wives and children of the patriots who will leave to march against the Prussians. We addressed ourselves principally, above all, to those who had demonstrated the principles of freedom.” ”All this comes off as a bit made up to me,” I responded, ”but what means are to be employed to prevent the execution of such a plot?” ”What means?” he said. ”The People, irritated and instructed in time, want to do justice themselves to all the bad subjects inside the prisons.” At these words I was seized with horror; I told him that such a measure appeared to me unworthy of a people who claimed to be free. At this moment, Camille Desmoulins entered. ”Hello there!” Danton said to him. ”Prudhomme just asked me what is to be done. ”Yes,” I said, ”and I am heartbroken after what I have just heard. ”So you (tu) didn’t tell him that one won’t mix up the innocent with the guilty? Camille said to Danton. ”All those who will be claimed by their sections will be returned.” ”Seems to me that we could take a less violent measure,” I responded. ”Spilling blood is an abominable act of which those who govern are responsible. The people will one day make those who make them commit this crime pay dearly. Let Paris march en masse against the Prussians. Send the wives and children of those who are to march at the enemy out of Paris to avoid them getting massacred by the prisoners, let us lock them up in fortified castles.” ”Any kind of moderate measure is useless,” Danton said. ”The anger of the people is at its height, there would even be danger in stopping it.” His first anger assuaged, one could make him listen to reason. ”But,” I say, ”if the Legislative body and the constituted authorities spread themselves through Paris, and harangued the people?” ”No, no,” replied Camille, ”that would be too dangerous; for the people, in their first wrath, might make victims in the person of their dearest friends.” I withdrew filled with pain.
Exiting Danton’s house, Prudhomme adds:
As I passed through the dining room, I saw the wives of Camille, Danton, Robert, etc, Fabre-d'Eglantine, and other guests. I did not know what to think of the tranquility that reigned at the house of the Minister of Justice; everything led me to believe that it was indeed impossible to stop the resentment of the People, at the news of a conspiracy hatched by the nobles and priests.
The next day, Prudhomme also claims that Théophile Mandar went over to Danton’s place, where he saw ”all ministers, with the exception of Roland, Lacroix, president [of the Assembly], Pétion, mayor of Paris, Robespierre, Camille-Desmoulins, Fabre d’Églantine, Manuel and several members of the so-called Commune of August 10. The presidents and commanders from each of the 48 sections had come as well.” Half past seven in the evening everyone sat down in Danton’s salon to discuss the means to save Paris, Danton staying firm in his conviction of what had just happened and was still happening as necessary.
On September 8, two days after the end of the massacres, the time had come for Camille to be elected to the National Convention. He did at first come under question for his friendship with the royalist journalist François Suleau, killed in the Insurrection of August 10. The journal Gazette nationale de France does however report that Camille after this ”was defended with a lot of energy and eloquence by M. Danton and his election was almost unanimous.” With that, Desmoulins became the sixth elected deputy representing Paris (Danton was the second).
In December 1792, Lucile returns to keeping a diary. On the 22nd she writes: ”I went to supper with little Brune at mde D(anton’s). How detestable she is!” It’s hard to tell if it’s Gabrielle or madame Brune she designates as detestable, and even harder to know what she had done in order to get called that… Two days later, December 24, Lucile documents the following:
We had dinner at mde D(anton's), mde R(obert), B(rune) and B(oyer) were there. After dinner the men asked themselves if they should go to the Jacobins. They said yes. We were asked if we would go. We say no. Madame D(anton) said to me: ”do you (vous) want to spend the evening with me?,” I said yes, but soon I did not know what to do. Brune suggested I go to the theater! It was very embarrassing. Madame Brune said aloud: “I have never been to the Jacobins, I would be very happy to go there.” "Well, I'm going with you," I tell her. Finally, here we are, all ready to leave, when I see Mme Brune and Boyer whispering in each other’s ears. I, like a fool, go to ask them what they’re saying to each other. Mde R(obert) told me that she was very embarrassed, that she would like to go with us to the Jacobins. I was very kind, I said a few words to her that meant nothing, then I went into the antechamber. She came there soon and told me to wait for her, that she was going to follow me, she came back near madame D(anton). Brune came and told me “let’s go”. I followed her saying: ”but mde R(obert) who wants to come?” Finally, we are hardly in the middle of the staircase when we hear someone who says “here they are, here they are!”, then we descend with astonishing speed, and when we are in the street we run even harder. We took a fairly long detour. God knows how we laughed! Nothing, too, was more comical.
Throughout the first two halves of January, Lucile goes to the Convention to follow the trial of Louis XVI every single day. If Gabrielle went with her to these sessions is not confirmed, but not disproven either. Danton was absent on a mission in Belgium for most of the trial, but on January 14 he returned to Paris and two days later he voted for death, just like Camille. One day after the execution of the king, January 22 1793, Lucile writes: ”I went to Robert’s. Danton came there. His jokes are as boorish as he is. Despite this, he is a good devil. Madame Ro(bert) seemed jealous of how he teased me…” Two days later she witnesses the funeral procession of the recently assassinated Michel Peletier from the window of Jeanne-Justine Boyer, an event which moves her deeply. Once all her guests have left for the evening ”I felt that I could not be alone and bear the horrible thoughts that were going to besiege me. I ran to D(anton’s). He was moved to see me still pale and defeated. We drank tea, I supped there.” A week later, January 29, Lucile reports that ”we had dinner at D(anton's), where I just laughed, because I was preventing Brune from eating by saying "poa, poa, poa". D(anton) too couldn't keep himself from laughing.” Four days after that, February 3, Lucile writes ”I went to see madame Danton. Sick.” Three days later, she goes back to see her friend — ”I went to see madame Danton… She is very ill.” Yet another three days later Lucile writes ”Madame Danton is ill. She has given birth to a girl.” and at last, the day after that: ”I had dinner with Maman. Madame Danton is dead.” Two days after the death of her friend, Lucile goes to visit Gabrielle’s mother together with madame Brune and Robert. Shortly after that, she and Camille do however leave for Essonne, the latter having been apointed to a mission there, while Georges returned to Paris after another mission in Belgium to receive the sad news. Lucile did however not forget about him, in a letter to her mother Annette dated February 16 she asks her to ”give us news regarding Danton.” Apropos of Annette eventually joining them in Essonne Lucile adds: ”I forgot to mention a facility that could be of use for you, it’s Danton’s carriage. No doubt he could still have it.”
On March 26 1793, Desmoulins and Danton were both elected for the so called Commission of Public Safety, alongside 23 others. The commission, which consisted of both fervent montagnards and fervent girondins, was however off to a rocky start, and already on April 6 it was put to death and replaced by the Committee of Public Safety. A little more than a month later, May 17, Desmoulins announced the release of his new pamphlet l’Histoire des Brissotins to the Jacobins. Danton’s name gets mentioned eleven times in it, but only one can be used to really say something about their relationship, and it’s when Camille on page 54 writes: ”Jérôme Pétion told Danton in confidence that ”what makes poor Roland saddest is the fact people will discover his domestic sorrows and how bitter being a cuckold is to the old man, troubling the serenity of that great soul.” This implies Danton went and shared Roland’s secret with Camille after Pétion had confided it to him. Two weeks later, on June 7, a ”member” is recorded to have voiced suspicion on Danton’s current sentiments — ”This deputy isn’t as revolutionary as he used to. He doesn’t come to the Jacobins anymore. He left me the other day to approach a general.” In response, Camille is recorded to have ”advocated Danton’s good citizenship.” In Lettre de Camille Desmoulins, député de Paris à la Convention, au général Dillon en prison aux Madelonettes released a few months later, Camille calls Robert Lindet, Robespierre and Danton ”the best citizens of the Convention.”
On October 30, 22 girondins were sentenced to death. In Les mysterès de la mère de Dieu dévoilès(1794) Joachim Vilate described a dramatic reaction from Camille’s part upon hearing the final verdict: ”hearing the juror's declaration, he suddenly threw himself into my arms, agitated, tormenting himself:”ah my god, my god, it's me who kills them: my Brissot dévoilé [sic], ah my god, it’s that which kills them.” If Dominique-Joseph Garat’s Memoirs of the revolution; or, an apology for my conduct, in the public employments which I have held (1795) are to be believed, Danton too was deeply moved by the fate of the girondins, to the extent it motivated him to, on October 12, ask for a leave of absence to go to Arcis-sur-Aube in order to recruit his health:
I could not convince myself that among all those who, since May 31, had retained great popularity, there was not one who did not still retain a little humanity, and I went to Danton. He was ill, it only took me two minutes to see that his illness was above all a deep pain and a great dismay at everything that was coming. ”I won't be able to save them (the girondins)”, were the first words out of his mouth, and, as he uttered them, all the strength of this man, who has been compared to an athlete, was defeated, big tears strolled down his face, whose shapes could have been used to represent that of Tartarus. […] When the fate reserved for the twenty-two [girondins] seemed inevitable, Danton already heard, so to speak, his death sentence in theirs. All the strength of this triumphant athlete of democracy succumbed under the feeling of the crimes of democracy and its disorders. He could only talk about the countryside, he was suffocating, he needed to escape from men in order to be able to breathe.
Danton’s absence did not go unnoticed. In a letter from Toulon written October 18, Fréron tells Lucile that ”I have been really worried about Danton. The public papers announce that he is ill. Let me know if he has recovered. Give him 1000 friendships from my part.” Through the next letter Fréron writes Lucile, dated December 11, we learn that Danton had a nickname within this inner circle of friends — ”I would like to have news of Patagon (Brune), Saturne (Duplain) and Marius (Danton).” It can be observed that Camille, as seen above, had likened Danton to Marius in Révolutions de France et de Brabant already in 1790.
Danton was however back in Paris again on November 22, when he is recorded to have spoken of ”the relief to be granted to abdicated priests” at the Convention. Two weeks later, December 5, he was accused of ”moderatism” by Coupé d’Oise for having opposed the suggestion of sending a group with a portable guillotine to Seine-Inférieure in order to deal with rebels fleeing the Vendée. Robespierre did however rise to defend Danton, saying that he had always seen him serve his homeland with zeal and ending by asking that everyone says what he sincerely thinks about Danton. Aside from Merlin de Thionville, who hailed Danton as the saviour of the republic, no one said anything, and Momoro therefore concluded this meant no one had anything to accuse Danton of. The discussion therefore ended with Danton embracing the president of the club amidst loud applause. Just two days later, the first number of Camille’s new journal, the Vieux Cordelier, was released. In the number, Desmoulins designates the session at the Jacobins on the 5th as the event that caused him to return to the journalistic pen:
Victory is with us because, amid the ruins of so many colossal civic reputations, Robespierre’s in unassailed; because he lent a hand to his competitor in patriotism, our perpetual President of the “Old Cordeliers,” our Horatius Cocles, who alone held the bridge against Lafayette and his four thousand Parisians besieging Marat, who now seemed overwhelmed by the foreign party. Already having gained stronger ground during the illness and absence of Danton, this party, domineering insolent in society, in the midst of the most sensitive places, the most compelling justification, in the tribunes, jeering, and in the middle of the meeting, shaking its head and smiling with pity, as in the speech of a man condemned by every vote. We have won, however, because after the crushing speeches of Robespierre, in which it seems that talent grows in pace with the dangers of the Republic, and the profound impression he has left in souls, it was impossible to venture to raise a voice against Danton without giving, so to speak, a public quittance of guineas of Pitt. […] I learned some things yesterday. I saw how many enemies we have. Their multitude tears me from the Hotel des Invalides and returns me to combat. I must write.
If Danton had a bigger role in the Vieux Cordelier than simply being part of the event that caused Camille to start writing it is debated. When Robespierre a little more than three months later was working out the dantonists’ indictment, he claimed that Danton had been the ”president” of the Vieux Cordelier, whose prints he had corrected and made changes to, and that Camille had been his and Fabre’s ”dupe.” In Memoirs of the revolution; or, an apology for my conduct… (1795) Garat claimed that Danton during his stay in Arcis-sur-Aube had been cooking up a ”conspiracy” with a goal to ”restore for the benefit of all the reign of justice and of the laws, and to extend clemency to his enemies,” and to which ”all of his friends,” including Desmoulins, entered into. In Histoire générale et impartiale des erreurs… (1797) Prudhomme claimed that Danton, Lacroix, Camille-Desmoulins and Fabre-d'Églantine made up a secret party wishing to overthrow the Committee of Public Safety, and that Camille, as part of this plan, got charged with a ”moral attack,” leading to the creation of the Vieux Cordelier. Danton’s friend Edme-Bonaventure Courtois wrote in Notes et souvenirs de Courtois de l’Aube, député à la Convention nationale (cited in La Révolution française: revue d’histoire moderne et contemporaine (1887), that ”it was in these painful moments that [Desmoulins] put to paper (in his Vieux Cordelier) the reflections that his indignation could no longer contain, and whose acrimony Danton, through his advice, softened in many places.” Finally, in his Camille Desmoulins And His Wife: Passages From The History Of The Dantonists (1876), Jules Claretie included the following passage:
I know, through information given to me by M. Labat the elder, that one evening in that mournful summer of 1793, Danton and Camille Desmoulins had walked to the Cour du Commerce, along the Seine, by the quay des Lunettes, and, thinking of that 31st of May, which was to end in the events of the 31st of October, Danton pointed out to Camille the great river in which the rays of the sun, setting behind the hill of Passy, were reflected so vividly that the river looked like blood. ”Look,” said Danton — and, like Garat, Camille saw the tribune's eyes fill with tears — ”see, how much blood! The Seine runs blood! Ah! too much blood has been spilt! Come, pick up your pen again; write and demand clemency, I will support you!”
However, considering Robespierre’s notes had an interest in wanting to paint the ”dantonists” as a unified grupp (and perhaps also to absolve Desmoulins of some responsibility), while all the other testimonies were reported after the fact, its hard to be sure of anything.
Danton went unmentioned in the rest of number 1, as well as number 2 (released December 10) of the Vieux Cordelier. When Camille on December 14 passed through the Jacobins ongoing scrutiny test, he regrettingly admitted that ”a well marked fatality willed that, among the sixty [sic] people who signed my wedding contract, I only have two friends left — Danton and Robespierre. All the others have emigrated or been guillotined.” In the Vieux Cordelier’s third number (released December 18), he wrote the following about Danton, apropos of underlining he was not asking for moderation:
In this duel between liberty and servitude, and in the cruel alternative of a defeat a thousand times more bloody than our victory, overruling the revolution therefore had less danger and was even better than remaining behind it, as Danton said, and it is necessary, above all, for the republic to secure the battlefield. […] Despite so many guineas (guinées) said Danton, name for me a single man strongly pronounced in the revolution, and in favor of the republic, who has been condemned to death by the revolutionary tribunal?
Danton went unmentioned again in number 4 (December 21), but in number 5 Camille brings him up seven times, writing that ”I said with Danton, that to outrage the revolution was less dangerous and even better than to remain within it; that, on the course taken by the vessel, it was better to approach the rock of exaggeration, than the sandbar of moderation,” insisting he has never ceased to ”conspire against the tyrants with Danton and Robespierre,” denouncing Hébert for having attacked him, Danton and nine other deputies and claiming to have heard Danton say that ”[Hébert’s] pipe resembles the trumpet of Jericho, when he has smoked three times around a reputation, it must fall of itself.” At one point he also accuses Barère of having discussed the arrest of Danton on June 2.
On January 7, Camille and Robespierre got into a fight at the Jacobin club after the latter had denounced the fifth number of Vieux Cordelier as counter-revolutionary, but insisting that its author had been ”led astray by bad company,” and therefore proposing that the Society forgive him and ”just” burn the latest numbers of the Vieux Cordelier. When Camille refused that ultimatum, exclaiming that ”burning isn’t answering,” the fight worsened until Danton stepped in to act as meditator between the two:
Danton: Camille mustn’t be frightened by the rather severe lessons Robespierre’s friendship has just given him. Citizens, let justice and cold-headedness always preside over our decisions. In judging Camille, be careful to not strike a deadly blow against the liberty of the press.
In a letter to Fréron dated January 13, Lucile regretfully reports that ”Marius is not listened to anymore, he loses courage and vigour.” Around the same time, her father was arrested and locked up in the Carmes prison due to a few objects decorated with fleurs-de-lys having been found in his home. On January 24 Camille protested against his arrest at the Jacobins, gaining the support of Bourdon d’Oise who asked that the Committee of General Security make a report about the case in three days. Danton did however object to this, but did make the more vague suggestion that ”the Convention consider ways to do justice to all the victims of arbitrary measures and arrests, without harming the action of the revolutionary government”:
I oppose the kind of distinction of privilege which would seem to be granted to Desmoulins' father-in-law. I want the Convention to deal only with general affairs. If we want a report for this citizen, we also need one for all the others. […] My colleague's complaint is fair in itself, but it would give rise to a decree unworthy of us. If we were to give priority, it would belong to citizens who do not find in their fortune and in their acquaintance with members of the Convention hopes and resources in the midst of their misfortune: it must be to the unfortunate, to the needy, that you should first hold out your hands. I ask that the Convention consider ways to do justice to all the victims of arbitrary measures and arrests, without harming the action of the revolutionary government. I would be careful not to prescribe the means here. I request the referral of this question to the consideration of the Committee of General Safety, which will consult with the Committee of Public Safety; that a report be made to the Convention, and that it be followed by a broad and in-depth discussion; because all the discussions of the Convention have resulted in the triumph of reason and liberty.
When Robespierre about two months later was preparing the dantonists’ indictment, he wrote that ”during this last visit [to my place], [Danton] spoke of Desmoulins with contempt. He attributed his deviances to a vice that is private and shameful, but absolutely foreign to the crimes of the conspirators to the Revolution. Laignelot was witness.” Robespierre used this as evidence Danton had ”an ungrateful and dark soul,” as he previously had ”highly recommended the last productions of Desmoulins.”
Both Danton and Camille were arrested in the night between March 30 and March 31. They were taken to the Luxembourg prison and placed in solitary confinement. On April 1, in his very last written letter, Camille regrettingly tells Lucile:
How to believe that a few jokes in my writings, against colleagues that had provoked me, have erased the memory of my services! I do not disguise the fact that I die as a victim of these jokes and my friendship with Danton. I thank my assassins for letting me die with him and Philippeaux. And since my colleagues have been cowardly enough to abandon us and listen to calumnies that I don’t know, but must be the most vulgar, I can say that we die as victims of our courage to denounce traitors, and of our love for the truth. We can well carry this testimony with us, that we die as the last republicans.
It would however appear Lucile wanted to do something about the situation. We have the following anecdote published in Histoire de la Révolution française (1850) by Nicolas Villiaumé, which, as far as I’m aware, is the only known connection we have between the Desmoulins couple and Danton’s second wife Louise-Sébastienne Gély (married June 14 1793):
[After the arrest of Danton and Desmoulins] Lucile ran to Madame Danton to suggest that she come with her to go find Robespierre, ask him for an explanation, and recall the feelings of friendship which had attached him to their husbands. Madame Danton refused, saying that she wanted nothing from a man who had showed himself to be the enemy of her husband. (I obtained this particularity from Madame Danton herself, who was then pregnant. She gave birth fifteen days after Danton's death, but her child did not live.)
On April 2, Danton, Desmoulins and seven other deputies were brought from the Luxembourg to the Conciergerie prison. If Mémoires d’un detenu pour servir à l’histoire de la tyrannie de Robespierre(1795) by Honoré Riouffe are to be believed, the accused were kept in seperate cells here as well. He writes:
Danton, placed in a cell next to Westermann, didn’t stop talking, less to be heard by Westermann than by us. […] Here are some phrases I retained: […] ”What proves Robespierre is a Nero, is that he never spoke as kindly to Desmoulins as on the day before his arrest.”
Their trial began the very same day. For three days, the accused defended themselves (or at least tried to) against the charges of ”complicity with d'Orléans and Dumourier, with Fabre d'Eglantine and the enemies of the Republic, of having been involved in the conspiracy tending to re-establish the monarchy, to destroy the national representation and the republican government” side by side. It did however not go that well, and on April 5, Danton, Desmoulins and thirteen others were sentenced to death. The execution took place the very same afternoon. Contrary to the myth of Danton and Camille sitting next to each other in the same tumbril as they were driven to Place de la Révolution, number 561(April 6 1794) of Suite du Journal de Perlet reports that ”they were in three tumbrils: in the first was Danton, next to Delacroix; Fabre near the executioner; Hérault opposite Chabot. In the second, Phelippeaux [sic], Westermann, Camille Desmoulins, Basire and Launai d’Angers [sic]. […] Danton […]seemed to pay little attention to the crowd around him: he was chatting with Lacroix and Fabre. […]Desmoulins spoke almost continually to the people; the courage he affected seemed like a painful effort, he was an actor who was studying to play his last part well.”
After the death of Camille and, eight days later, Lucile, their son Horace was taken in by his maternal grandparents and aunt, who then permanently retired to their country house in Bourg-la-Reine. Danton’s sons Antoine and François-Georges were they too adopted by their maternal grandfather and uncles. In 1805, the two moved from Paris to Arcis-sur-Aube where they instead got looked after by their paternal grandmother. I have not been able to find anything indicating the families stayed in touch to process the grief or let the children come together, something which we on the other hand know Lucile’s mother did with Philippeaux’s widow.
#danton#desmoulins#georges danton#camille desmoulins#frev friendships#lucile desmoulins#gabrielle danton#frev#ask#interesting how it’s to lucile (and albertine) we owe the best information for her husband’s friendship with danton…
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#french revolution#frev#frev art#art#louis antoine de saint just#camille desmoulins#georges jacques danton
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