#I am having too much fun here

[loveinamystery]

I just think he is great

I never used to ship Ren much and then I made new friends who were Renthusiasts and now look at me...

I enjoy hoping from ship to ship. Hyping up my friends and enjoying their beautiful works.

So many fun dynamics!

(Please don't use this post as an opportunity to bash ships. I'm an old lady now and I'm so tired)

[pineapple-frenzy]

Book 2 au doodles

It's just a bunch of random moments with Zuko looking grumpy for most of them,,, he can be happy for at least one drawing tho

[tshortik]

Cryptic visions of space and time...

[isthatacalzone]

me: *seeing people yell about how they did Glintshore & Percy's death in the show*

also me: ..................anyway

[splickedylit]

You can't fight the role the Mother had in store for you

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡

[turtleblogatlast]

Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.

His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).

Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.

[anomura]

so. i've been thinking probably way much about bucky's attachment/abandonment issues bc they're soooo loud to me like he clings to people so hard!!! he wants to be chosen!!! him asking gale "did you miss me?" after spending objectively not that much time apart half joking but half sincere bc he's used to people getting tired of him and leaving so he has to make sure.

And it makes gale saying no to london even more of a Big Deal. and paulina leaving him the morning after even when he asked her to stay!!! and lil kissing him but getting with dye!! and once again feeling rejected in the stalag when gale won't leave with him, won't even entertain the thought of it !! andddd not having anyone writing him letters, possibly not even his family for reasons we don't get to know but probably are a big part of why he has attachment issues

i've already said this but i'll say it again even though he's confident/cocky at times he doesn't... like himself . or has a lot of regard for his own life which we literally see in the show. he was Capital S Suicidal – bc of the stalag obviously but come on he drinks like crazy and gambles and smokes even before things get Really Bad. and the plane wing sceneeeee you don't goad your friend !! not even a random person but a Friend into hitting you if you're a well adjusted individual. And he was ready to give up fr when gale went down. he did not want to bail out with brady!!! AND him risking his eye to get gale a bike (which while yeah crazy yaoi moment . to me also ties into him needing to be wanted/needed so people won't leave him) so yeah clearly not huge on self preservation which at least in my perception is something that stems from self hatred

all of these rejections (even if justified at times) are probably a series of blows to his perception of himself/sense of self and just reaffirm to him in his head that he's not good enough and he is right to expect to be left by the people he loves. and he tries to stop that by clinging as hard as he can and not being expendable/replaceable. but if they do leave he can rationalize it because if everyone leaves him clearly it's his fault, he's the one lacking – which feeds his recklessness and self destructive coping mechanisms even more

[aatroxskitten]

other tes fans around me at any given time: so here's all the reasons why this particular elder scrolls game sucks and my preferred elder scrolls game is good. i have a long detailed list of reasons as to why Game 1 sucks and Game 2 is good. don't talk to me about Game 1 or I will derail every discussion about how you are dumb for liking it.

me, a silly little guy: oh boy i get to be in tamriel in this game :) i am having so much fun :) this is so great :)

[dawnthefluffyduck]

feeling of being watched

[spaghetticat3899]

When you absolutely despise something a lot of people like, and no matter what way you look at it you cannot see the appeal, but you know you can’t talk about it in public or else you’ll get dogpiled to hell and back, so you just kinda sit there frothing at the mouth like this

[corrodedcoughin]

This might be the second worst thing that’s ever happened to Gareth while wearing these stupid shorts, or in general he guesses. The first being when he was in gym class and the got caught on the fence he tried to hop in order to skip said class, successfully exposing his lemon yellow carebear boxers, the only pair he had left because everything else was in the wash. Luckily it was only the gym teacher, Mr Carrey, and Linda Stern, a girl that kept to herself so unlikely to share such scandal. Neither brought it up again but that doesn’t mean Gareth was free of the memory, or free of reliving it whenever he opened his drawer to pull out some underwear.

But it’s not just the shorts that tie Gareth’s ‘most embarrassing and traumatising events of my life so far’ memories together. No, the instigator of both of these events also keeps them joined in Gareth’s mind. Edward Munson. It was Eddie who insisted that skipping class while in said class would be the smartest move to make ‘think of it Gareth, imagine it, skipping right under Mr Carrey's nose? He'd never expect it! High class rogue moves for sure!’

So of course Gareth was convinced by Eddie’s manic eyes and excitement and successfully flashed his gym teacher while the mastermind was laughing and pulling him down off the fence. Mr Carrey must have felt sorry enough for Gareth to let him run and isn’t that a fun addition to an already horrific memory?

Anyway, back to Eddie Munson; worst person to enter Gareth’s life. Because now? Now Gareth is stood outside a stupidly big and stupidly fancy house, in the offensive (now repaired, thanks Granny) gym shorts, and a pair of plastic and bent out of shape fairy wings. Originally he was supposed to be in a white vest too but he drew the line there, adamant he’d be wearing his Iron Maiden shirt to save some sort of dignity. And to top it all off it’s a beautiful day so of course people are out mowing their lawns, families are walking their dogs, children are playing in the streets and just enjoying the surprisingly mild february weather. All of them staring, quite obviously, at what they see as a strange teenager in wings being shouted at by an equally strange kid hiding behind a, not nearly big enouhg, bush for ‘stealth reasons’ apparently. 

‘RING THE DOORBELL MAN, COME ON!’

Gareth slowly turns to look over his shoulder to glare at Eddie who is peaking around the shrubbery. 

‘YOU RING THE FUCKING DOORBELL!’

‘GARETH YOU PROMISED! DON’T BE A DICK’

‘YEAH, BECAUSE YOU TRICKED ME!’

‘NO I DIDN’T, YOU SAID YES NOW RING TH-’

Of course that’s exactly when the door to the stupid house opens and the reason Gareth is here steps into the doorway. 

Gareth grits his teeth and begins to recite his lines ‘Steve, o steve. You are beauty that has to be seen to be believed. Wont you be mine until the end of time?’ He finishes and stands glaring over Steve fucking Harrington’s shoulder

‘DO THE FUCKING REST GARETH’ Eddie’s voice emanates from somewhere to the back of Gareth, probably still hiding behind the stupid bush. So Gareth ‘does the rest’ he does a very slow and deliberate 360 spin before crouching down to one knee and shooting a plastic bow and arrow at Steve’s chest. Of course the arrow just rattles to the floor, sad and pathetic, just like it’s shooter Gareth thinks to himself. 

‘Gareth? Why…umm, are you okay?’ Steve is obviously trying to hold back laughter and doing a terrible job of it. His face is convulsing like he’s just eaten a whole lemon, rind and all. And well, who knows, maybe he has, maybe it's a secret trick for keeping his hair so big, Gareth isn’t here to judge, he just wants to leave. 

‘Dude please just answer the question and put me out of my misery’ He’s still half on the ground and his knee hurts and it’s hot and he’s kneeling at Steve Harrington’s fucking door dressed as a fucking cupid because he couldn’t say no to his fucking stupid fucking best friend. Gareth pulls himself away from thoughts of despair when he sees Steve’s mouth open to speak. He’s got one hand on the door frame, the other on the back of his neck

‘Oh, uh, yeah? I mean, yes? This is for Eddie right?’ Gareth stopped listening after the initial ‘yeah’, instead standing and turning to the, very small, hedge Eddie was doing an awful job of concealing himself behind 

‘HE SAID YES. CAN I GO HOME NOW?’

Suddenly there's a whoop and an air punching Eddie Munson who realises he’s exposed his ‘perfect’ (shitty) hiding spot and is in full view of Steve. The idiot even tries to play off the air punch by combing his hand through his hair which obviously gets stuck on his rings and then tries to play that off by just keeping his hand in his hair while waving with the other, not trapped hand. With a violent yank he manages to free the entangled fingers with only a small whine.

‘Uhh…Hi Steve’ Eddie says with a dopey smile and somehow, somehow he’s got an equally lovesick looking Steve smiling right back at him ‘Hi Eddie’. At this point, Gareth has quite frankly had enough, Eddie and Steve are slowly walking towards each other like some romcom end of the movie scene and he’ll be dammed if he’s watching those two tragically flirt at each other. So he grabs the van keys out of Eddie’s pocket as he passes, resigning himself to an hour of shooting Eddie’s empty cans in the back of the van while he waits. Gareth is almost off the lawn when Eddie must get brave

‘NICE SHORTS BY THE WAY CUPID’

‘FUCK YOU!’ Gareth snaps the arrow in two trudges off, wings flapping behind him.

—---

Three weeks ago

Gareth was at his desk, he was trying to practice some drum rhythms when Eddie flounced in and dramatically dropped onto his bed. For the past half hour Gareth had been regaled with yet more ‘reasons why Steve Harrington is my dream man’ from Eddie 

‘You don’t understand man. He was just driving and the Eagles came on. Don’t look at me like that, I know it’s the eagles, but it was life in the fast lane and he was singing along to it dude. The line! You know the one! I swear it was an instant hard on, thought I’d came by the end’

‘DUDE STOP. STOP. I’ll do whatever you want just please never talk to me about your Steve related dick events again’ Listen, Gareth loved Eddie, he did. But there's only so much a man can withstand and Eddie could monolgue for hours if given the chance.

‘Whatever I want?’ There was no obvious devious tone here but Gareth still should have known better than to agree. If he had clocked Eddie's face he would have seen an expression so devious that he'd be running out the door.

‘Yes! Fuck, just no more. My ears are never going to feel clean again’

[leanned-too-hard]

Nevermind I regret watching dnp now WHAT DO U MEAN I HAVE 18 YEARS OF LORE TO CATCH UP TO. Being a phannie is not even a job anymore its a full career plus retirement

[thedeadthree]

𝐃𝐑𝐀𝐆𝐎𝐍 𝐀𝐆𝐄: 𝐓𝐇𝐄 𝐕𝐄𝐈𝐋𝐆𝐔𝐀𝐑𝐃 ➸ irulanne . the rook .

𝐌𝐎𝐔𝐑𝐍 𝐖𝐀𝐓𝐂𝐇𝐄𝐑𝐒 . 𝐄𝐋𝐅 . 𝐃𝐄𝐀𝐓𝐇 𝐂𝐀𝐋𝐋𝐄𝐑 𝐌𝐀𝐆𝐄 .

-`. template by @kanos . coloring . icons .

✧ ― 𝐓𝐀𝐆𝐋𝐈𝐒𝐓 (ask to be added or removed or interact 𝐡𝐞𝐫𝐞!!):

@pavus, @wlwaerith, @shadowsofrose, @grapecaseschoices, @nokstella

@queennymeria, @risingsh0t, @carrionsflower, @leviiackrman, @griffin-wood

@confidentandgood, @aceghosts, @tommyarashikage, @shadowglens, @yharnams

@anoras, @theelderhazelnut, @florbelles, @celticwoman, @pinkfey

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@lavampira, @capelizabeth, @socially-awkward-skeleton, @statichvm, @unholymilf

@aezyrraeshh, @imogenkol, @aceghosts, @full---ofstarlight, @ellierenae

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.