#I am committing murder .

[puppetmaster13u]

Prompt 104

 Danny finds himself reincarnating, giving it a try so to say. A new start of sorts, though he knows that Tucker will also be somewhere in the world and Sam will be keeping an eye whenever she’s not working on her uh, internship with Overgrowth. 

 He somehow, despite being in a world of heroes and villains, ends up reincarnating into some sort of assassin cult. Apparently he is keeping the Fenton luck despite a new life. Along with his white hair from his ghost form. Which is understandable with how there’s an ecto-pool in the room over. 

 He’s pretty sure his father is a fruitloop too, maybe. Well, technically he was a fruitloop for a human, but again. Ecto-pool that he was apparently taking dips in. At least this time he has some baby sisters- even if the toddler one keeps trying to stab him. 

 Honestly, feels like home. 

[grandwretch]

i do think peak comedy is a steve who is absolutely aware of the effect he has on people, but has never felt that way towards anyone else-- the closest he got was with nancy and robin, because he loved them both in different ways, and sometimes he felt like he was going to go insane if he didn't talk to them or touch them right now, but it was never like he had seen other people act about him. robin and nancy made him a better person. they didn't drive him to ridiculous levels of violence and obsession. maybe people in hawkins were just fucking weird.

and then he meets eddie, falls in love with eddie, and he's like... yeah, okay. alright. no, i get it. if anything happened to this guy i would steal the nuclear launch codes.

[spampai]

As they say, “An artist can draw a n y t h i n g.”

50 likes and I’ll draw them again idfk

Got inspiration from a FNF song (Catfight)

[demodraws0606]

Guys...I think Whit is the culprit.

Sorry guys this is gonna be a long one

You know I'm a big believe of Whit mastermind theory and depending on how the trial goes he could still be the mastermind despite being the culprit but uhm...

Mf has like an 80 pourcent chance of being the culprit

My theory of Levi being the culprit kinda has went down the drain though i'm not really that upset about it because it was admitidely the most generic route.

I still do not buy for a second Eden is the culprit mainly because it contradicts a lot of her behaviors and also is only really based on one piece of evidence that could be explained by something else.

I think the most credible option to me right now, is Whit, especially because with how certain things are laid out for us we can actually make out a concrete motive for why Whit would do this.

I'm gonna write down what I think and explain why I believe Whit is most likely the culprit (also i'll deal with a couple of holes and explain why the theory still works alongside them) and also i'll use a couple of speculations made by other people as well

-----------------------------------------------------------------------------

I think it's known by everyone that the way Whit's secret was revealed is extremely strange, for like two reasons.

One, it means that it's impossible for anyone (including Whit himself, we'll get into that later) to have known what Whit's secret was, or to confirm it with certainty in the trial. We only have Whit's word for it.

Second, Whit takes a very strange amount of time until saying what secret he has, like right after Hu denied to say which secret she has. Which is extremely weird because if his life was so uneventful wouldn't he have managed to pick out a secret as blatant as this.

I thought this would be meant as a red herring to put suspicions on Whit however with Levi revealing his secret and this loose thread still not being addressed, I think it has to be important to the case at hand.

Now, despite people pointing this out every analysis that tries to handle this kinda goes into a brick wall because it immediatly assumes that Whit is lying about the dead mother secret being his. However there's too much pointing towards Whit having the dead mom secret.

No, I think we're going about this the wrong way. It's not about us not knowing what Whit's secret was, it's that Whit had no idea what secret actually was his

In fact that's mentionned before trial on how Whit just didn't know WHAT his secret even was, and no one could really tell him what it was because Rose threw it away

But that's weird right ? You would think Whit would know that his dead mother would be the likely secret, you could argue he just didn't want to share with everyone but that still doesn't explain the strange amount of time until he revealed he had Rose's secret.

And if he didn't want to share that his mom was dead, why did he let everyone the opportunity to say if they had his secret and to spill the beans...

Unless things are more complicated than just Whit having a dead mom, after all if it was just that wouldn't he have known immediatly that was his secret ? After all Teruko had the same issue as well as she didn't know what her secret could actually even be.

You could argue that I put my back against the wall here. If Whit not knowing his secret was his motive as to why he commited the murder then why did he let a bunch of people the opportunity to air out a potentially incriminating secret. Wouldn't that mean he wasn't worried about it ?

However, you have to keep in mind Whit had no idea how bad the secrets were, the only secrets that was revealed was J's which in retrospect of other secrets seemed like a much lighter one.

You could argue "Well Whit had David's secret which was pretty bad" however despite how bad that secret was it was also very vague and since Whit didn't know how much about David it doesn't really mean much on how deep the secrets were.

Considering Whit's personality as well, it was possible he was in denial or some deeper reason as to why he wasn't thinking about it. "Bitter things need to go down the drain" and all that.

In fact Whit was one of the first ones to say they shouldn't reveal their secret before J's secret was immediatly revealed.

I also don't think Whit being in denial has to be rooted in logic either (especially with how inconcistent he seems to be about the secrets), the murder was commited right before the deadline and although there was planning behind it, it was still a last minute decision (aka not done immediatly during the day of the motive reveal). You could argue pressure got to him or he overthought it as it became increasingly clear how much deeper the secrets went and how much the people who set this game up knew about them (something Whit investigated himself).

I think the way Whit acted about the secrets is too contradictory to really use any of what he says as actual evidence against the secrets not being his motive basically.

Now, let's go into the other point and how it works with the potential motive, the speculation that Arei was waterboarded.

Yeah, this seems to hint heavily that this is what happened and Arei's actual cause of death would be by drowning instead of strangulation like expected.

But why not strangulation ?? Why do a technique that is much harder to kill Arei, unless they were trying to get something out of drowning her. I mean we don't technically know if it was actual waterboarding but considering how planned this murder was and how we do actually have pieces of clothing that would serve for waterboarding, it seems to be likely.

(I'm not exactly sure how it stuck together with the starch afterwards but considering how the playground's ventilation works it's possible it dried up quickly) (There's also Arei's missing glove if you don't believe Teruko and Hu's clothing where used for it)

There's also no reason to drown her instead of strangling her with the rope unless there was another justification for it. But the episode actively goes out of it's way to say that there probably wasn't an attempt at tricking people into thinking the murder happened during 7:30 PM.

Anyways, why would the culprit waterboard Arei then ??? Clearly this means they were trying to get information out of her...

Which makes 0 sense unless it was Whit who would at least have a small justification for it, aka him not knowing what his secret is. I do admit it is a bit blurry on what type of information Whit would've truly wanted or why he did this before just killing her. However out of anyone (that already isn't pretty much confirmed innocent) it would only make sense for it to be him.

Now onto other stuff unrelated to the secret thing, like how unhelpful Whit has been this trial to a suspicious degree. AKA :

-Trying to distract away from the letter framing Eden and then just throwing her under the bus immediatly when he's questioned about it.

-Refusing to reveal David's secret

-Coincidentally having an excuse for not seeing Arei's body swaying

Now all of these could be argued to be in character reasons, after all didn't he do something like that chapter 1 with Charles (kind of). However this is a new level of trial interferance that really isn't justifiable at a certain point.

You could argue "well wouldn't talking about the note and David's secret be useful to make them seem guilty"' and while that'd be right to an extent. However everytime Whit witholds something like with Eden and David, he seems to cave eventually so the only thing he has achieved in this trial so far is to stall for time. Which could potentially be intentional if he's the culprit.

Now that I've kinda covered the major points, here are a list of suspicious things, mostly things that Whit knew before I get to my final point (how this would fit the narrative this chapter).

(I do wanna say most of this things isn't technically necessary info that the culprit needed to know but it definitely helps).

Whit was present during Teruko and Hu changing, meaning he would have known about their old clothes and could have found out where to get them.

Whit was present during the fight in the cafeteria, which is when Arei demanded to have her rope thrown away leading to Mono-TV putting it in storage

(Eden was busy helping J and Arturo so only Teruko, Charles and Whit could've known this information by listening in)

Whit also is the reason David is in the relaxation room leading to his conversation with Arei although idk how much of that would even possibly be planned or how that would help him, still important to note though.

There is probably more I could say however I want to get to my last point, I do think Whit being the culprit fits this case more than anyone else.

I know the question of the tape is still unanswered, if Eden did take it wouldn't that mean she is the culprit ? Well I don't think so but overall I just don't think this one singular piece of evidence is enough to say Eden's the culprit especially if we look at the bigger picture.

I'm probably just repeating the same things people probably have heard already but Eden committing such a gruesome murder for pratically no motive at all (outside getting out but it would make the secret motive useless) just doesn't really make sense.

However it is true that from what the title of this chapter suggests "all that glitters (is not gold)", it would mean a character isn't as innocent/good as they seem.

But wouldn't that title make more sense with Whit ?

Eden and Whit both are seemingly the positive vibes character of the cast, both being seemingly "normal". However Whit's positivity is a lot more toxic than Eden's, cracking jokes at innapropriate time and seeming to not let himself show even negative emotions (contrary to Eden who has let herself be upset multiple times).

Narratively speaking, Whit being the culprit, would put Charles in a similar situation to Teruko perhaps deepening their bond further without having Teruko going through a regression arc (she was way closer to Eden than she was with Whit).

It would allow Eden's message to not be lost/contradicted while also going with the apparent theme of the chapter that things aren't as they seem.

And also "all that glitters is not gold" would be a very smart saying for Whit, the one who died his hair blond (would be a very fun double meaning)

[moistvonlipwig]

root & harold truly The toxic codependent platonic situationship of all time...remember when root was going to poison a random woman to save harold's life so he chugged the poison himself instead to stop her...king and queen of having something deeply wrong with them <3

[lovesickeros]

☆ decadence divine [ act I ]

{☆} characters arlecchino, neuvillette, furina {☆} notes yandere, drabble, gender neutral reader {☆} warnings yandere content, stalking (implied), kidnapping (implied) {☆} word count 2.3k

ARLECCHINO

Arlecchino was wont to leave social gatherings to her subordinates– the private meetings were where she thrived. It was so much easier to lure your prey into a trap when you didn't have prying eyes and ears waiting for the barest hint of blackmail.

She clicked her tongue in distaste, her eyes narrowing beneath the mask of the fox as she set down her cup sharply. It was difficult as it was to draw them from the safety of their bubble– at the slightest hint of danger, her quarry would run. A chase would be fun, but she couldn't risk getting caught here. The political nightmare it would cause..it already gave her a headache. She had to be discreet.

They weren't making it easy, however.

Which is why she never liked crowds. But this chance didn't come by every day. She wasn't going to simply let it pass by because of a little danger. She'd have them eventually, it was just a matter of how. There were already numerous of her own lingering in the crowds, hidden beneath the masks that every patron bore. It was difficult to stand out amongst the flurry of masked patrons constantly shifting around the room, moving from one conversation to another, gliding from one dance partner to another.

Her heeled boots clicked sharply against the tile as she stalked through the crowds, keeping a wide berth yet always lingering nearby– she was sure they could feel the vague sense of being watched, but with the huge crowds..her lips quirked into a grin with the barest flash of teeth. There were a great many ways to break them in– she'd spent a great amount of time and mora to get anything she could for blackmail, if she so wished. She had the backing of the Fatui as well if she played her cards right– it wouldn't be difficult to convince them that they were a valuable target, and none of them would dare to question just what she did with them afterwards.

Perhaps a bit of play, first. Test the waters. She was familiar with playing the polite gentleman, despite her status as a Fatui Harbinger. Stage something for her to intervene, perhaps, to look the hero. The look of shock when she revealed the wolf beneath the wool..she could see it already. That wide, doe-eyed look as they realized the monster they've followed blindly like a lost lamb..she was beginning to see the appeal.

All it took was a few hushed words and subtle signals before the tiles started to fall in place, her hand gliding along their lower back as she leaned over their shoulder with a thin, predatory smile. She'd have to organize for the agent to be released later, her eyes following as the Gardes dragged him out of the room in a flurry of curses, but for now..she tilted her head to peer down at them, polite and almost apologetic.

"You aren't too startled, are you? Now now, there's no need to look so..scared, poor thing. I won't let another lay a hand on you," She cooed in a sickly sweet tone, the husky rasp of her voice whispered in their ear like dripping honey. "You have my word. Now, why don't we get you some fresh air? Come. Allow me to escort you."

Her lips pulled into a jagged grin at the relief in their eyes– the blind lamb following the shepherd as it led them into it's maw. Just a little longer, and she could finally have her own caged bird– a pretty thing to admire, to protect, to possess.

Something no one else would ever touch again. Something hers.

NEUVILLETTE

Neuvillette was not one for parties. The intricacies and delicate handling of public relations he oft left in the capable hands of Furina, rather then himself. It was only at her behest he even attended at all, but he still felt rather..out of place amongst the bodies constantly shifting through the ballroom like a constant rush of water from one end to the other, no rhyme nor reason to the flow. The only thing that kept him afloat among the tides was the mask of the deer obscuring his face– even if it was exceedingly difficult to truly hide himself among the crowds, most passed over him without second thought.

Though he had to be honest with himself, even if he couldn't bring himself to admit it to Furina despite her insistence that his attendance was mandatory. He had his own reasons for coming– selfishness that left a sour taste in his mouth. It was purely by chance he'd seen the briefest glimpse of them prior, and he..was intrigued, that was all.

He refused to let his thoughts linger on the sleepless nights he spent prying every piece of information he could from loose tongues and obscure documents, every moment he managed to squeeze in between trials spent lingering in their most favored locations– cafes, stores, restaurants, the like.

Now a masquerade.

He tried not to let the guilt gnaw at his conscious, but it lingered like an age old scar that still ached.

So he relegated himself to simply residing in the further corner, nursing a goblet of water like a fine wine, trying not to let his eyes stray to the brief glimpses of them through the ever moving bodies filling the center of the room, dancing like puppets in music boxes.

Still, his hand twitched in an instinctual desire– a need to clasp his hand in their own, to touch his lips upon their knuckles, to indulge in a moment of reprieve and unshackle himself from the mantle that bears heavy upon his shoulders. He seeks reverence, worship, but not of himself– but towards the one who had drawn the eye of the dragon amongst the waves of humans he'd seen come and go for a great many years.

No one could compare, he is certain. None have left him as breathless, as hopelessly infatuated, as the one who made him wish only to kneel at their feet in senseless reverence until he could no longer speak. A hopeless man, indeed, if he has never even truly met them.

Instead he's spent his time prying into their life from the shadows. Caution, or simple cowardice?

He dares not ponder.

Yet in his ceaseless pondering he'd blocked out the world without, failing to notice the figure stepping up beside him until their hand brushed against his elbow– just the briefest touch, but it had his pupils narrowing and his entire body tensing like a coiled spring. That touch..bliss. It left him breathless and lightheaded as he tilted his head to regard them, his lips parting in a shaky sigh. They are as beautiful as he remembers– even with their face obscured beneath the mask, he would never forget them.

"Greetings, Monsieur– I hope I didn't frighten you too much." Their laugh made him feel rather faint, just the sound of their voice making his hand tighten around his cane. "..Not at all. I was simply lost in thought." He admitted apologetically, trying to reign in the urge to cup their face between his palms. A dangerous thought. He didn't want to scare them off when they'd provided him a priceless opportunity.

"My apologies, you must have needed something. It was rude of me to have been so absorbed in my thoughts to have ignored you." He continued, gently turning to set his goblet down– offer them his full attention, be a gentleman. The words rang in his skull like a ceaseless alarm, blaring and rattling his thoughts as he gently took their hand in his own. It was a split second decision– an indulgence, but he could simply not help himself. Even with his gloves between them, he felt like he was going to lose his composure just from such a brief touch..

He truly was a hopeless man before an altar, praying for a salvation he intends to bury deep beneath the waves– to keep it hidden in the darkness of the depths that only he can reach. A selfish man, he must be, to even think of it, but it is an itch that he cannot scratch. A need that must be satisfied. He cannot allow any hands but his own to tend to them, to know what it feels to touch them, to hear their voice and see their eyes as he prays– prays like a man starved, devotion born of desperation.

"I hope I did not make you wait too long." He smiles, soft and affectionate, like the bloom of spring beneath the winters chill– yet just as deadly, only masked by the sweet fragrance of flowers.

He had waited too long.

No longer.

FURINA

Furina was right at home amongst the crowds– where the masks obscured the identities of most, it was impossible to not recognize the charming banter of the Hydro Archon beneath the mask of the lamb as she graced the masquerade with her presence, speaking with a silver tongue to any who would listen. A truly enthralled audience fitting for the grandest of performers in Fontaine.

But her eyes lingered not on the people who's praise dripped from their lips like honey– yet so very bitter upon her tongue. Even the mask obscuring her expression did little to hide the longing that had her visibly deflating like a popped balloon. She hated all the eyes on her, really– it was suffocating. She was only putting on a show in the foolish hope that they'd finally pay attention to her. Just her luck, she supposes, that instead she's had to throw herself straight into the role of Archon without a pay off..

They hadn't even spared her a glance! It would be infuriating if not for the fact she couldn't even keep her composure just seeing them across the room. They didn't even have to look at her and she could feel the heat rush to her ears as she forced another smile at the crowd gathered around her. It was unfair how easily they could fluster her without even knowing it– her heart was thumping so hard against her ribcage she felt like it might burst.

Her only solace was the fact none of the patrons seemed to realize she'd clocked out of the conversation, her thoughts and eyes lingering on the distant figure– what a lovestruck fool she makes..it was a chance encounter she'd seen them during one of her outings. That was all it took to enthrall her, evidentially, try as she might to have ignore it for months.

They never left her mind for longer then a day, in the end, and she had to face the fact they had managed to enrapture her so deeply she felt like a newborn lamb learning to walk whenever she so much as thought of them. What an embarrassment! She..she was the Archon, she had a reputation to maintain, she couldn't be seen fawning over a human.

But oh, she still longed for it, beneath the veneer of a God. She'd watched them more times then she'd admit even to herself, wishing to find herself in place of those who'd hands were cradled so casually in their own– to hear their voice, their laughter, as often as she pleased..like a fine delicacy she so badly wished to taste, yet so far from her reach.

Would they think her pathetic for her infatuation? She pursed her lips at the thought, trying to bury the sour mood beneath her faux image of the Archon. Yet it lingered, and with only the quietest of excuses, she slipped into the crowd like a ghost– she needed to leave before she did something..stupid. Neuvillette would surely have a few choice words with her if she did, and she was inclined to avoid such a fate.

She..she just needed a moment to collect herself was all. That was it. She could go back to playing Archon for a little longer, she just needed a moment to herself. At the very least, the balcony had been regarded as off limits so late into the party– which gave her an opportunity to slip out of the public view for the briefest of moments. A welcome reprieve– she was starting to feel suffocated amongst the crowds.

Perhaps on instinct, she reached for the mask, lifting ever so slightly away..only to let out a startled yelp at the touch of a hand on her shoulder, the mask slipping back into place far too easily. It made her lightheaded, even now, but she dared not to dwell on it.

But when she turned sharply on her heel to chew out the person who'd followed her and had the gall to scare her..oh, she was done for, her ears flush with heat. The brief glimpse of their eyes beneath the mask, the curl of their lips as they smiled– her heart stuttered in her chest, and she was certain it had stopped all together when they clasped her hand.

"Y–you.." She wanted to be angry, to brush them off and leave with her rationality in tact, but the warmth of their hands on her skin rendered her speechless. She was no better then a fish on land, struggling to fill her lungs with air as she drew in a shaky breath. "Ahem, you caught me off guard. That's all. Surely you do not make it a habit to sneak up on people?" She huffed in indignation, trying to mask the fluster that threatened to break through her carefully crafted facade.

Ah, what a cruel twist of fate..she'd slipped away to escape their allure, but here they were, dragging her back into their orbit without even knowing how deep her infatuation ran. They were alone, too..it was a chance she wasn't sure she'd ever get again.

Maybe, just this once, she could do something for herself rather then everyone else.

She buried her guilt, the fear– buried it beneath the need to be seen.

"But if you want to make it up to me.."

[d4rk-x-w0lf-17]

genuinely want to know what's going on in sakura's personal life and if he has a family

just to. y'know. have a reason to hate who turned sakura into who he is

[fiend-shaped]

Emotionally stunted refuses to deal with grief won't say the name of the person most important to them betrayed by their situationship Captain of a ship that was meant to be a promise, a promise that will never be fullfilled

[dykedvonte]

My post about Anya is making like a little ruckus on Twitter and I think it’s crazy how many people like have a problem with it.

Like you don’t have to agree with how I characterize Anya and her actions but it’s more like, why are you focused on only one aspect of her character? Why are you removing nuance from the situation? I don’t see it as giving Curly the benefit of the doubt when it comes to doing better for Anya, but as exploring his character and hers relationship with a the very little authentic facts we get about them. In truth, there’s a lot more I wish Curly did, even if it wasn’t pragmatic but I realize the issue there.

The first psychological horror game in a while that’s real intricate in its storytelling and makes you need to really need to address the morality of intentions and its already getting torn asunder smh 😔

[puppetmaster13u]

A rule to go by if you're a goon in Gotham lol

Possessed Doll Au belongs to @phoenixcatch7 go check her out!

[moeblob]

son boy raccoon trash can man suffering in a dnd au as a cleric bc his warlock will not stop committing murders and he has to keep coming up with reasons murder is valid to convince the gm its fine and under control

[shoku-and-awe]

A while back, I went to a tiny restaurant in a tiny alley full of tiny restaurants. It was good! At one point, I asked for the bathroom.

“Go outside,” they said, “and face left.”

“You’ll see two shops with paper lanterns in front.”

“Go down the narrow alley between the lanterns.”

“It’s a little dingy, I know…”

“But after a few twists…….”

“…you’ll find it!”

And I did! And I didn’t get serial killed (or regular killed), and I did pee successfully, and later I even got to meet the cat that lives at the restaurant. And he hated every second of it!

He is called Chāchu, named (I can only assume) after Church from Pet Sematary. And it is his literal unending waking nightmare to live in a restaurant. All the customers adore him and coo at him and try to win his favor with toys and treats, while he just hides under the chairs or on the molding and dreams very obviously of grisly and gory murder. Poor Chāchu. I get it, man. It sucks to be a cute introvert in an extrovert’s world.

[boundinblueleather]

Listen, I just think everyone currently invested in Agatha All Along should rewatch the WandaVision finale. Reasons: The dynamic between Agatha and Wanda is so interesting and reflects directly in the last scene with Agatha and Billy in episode five. Agatha figures out what Wanda is (the Scarlet Witch), but when looking at her, sees this new young witch who doesn't/shouldn't know how to use her powers. They fight, and she is stripped of her magic. As she realizes what this means and especially when she realizes Wanda's going to turn her back into Agnes, she pleads frantically. (Side note: it says something about her character how quickly she can switch from acting on top of the world and invincible to completely helpless. I'm not going to get more into that, but it's something to ponder.) With Teen, he was this young wiccan whom she felt protective of, mostly because he reminded her of Nicholas. When she learned that he for sure wasn't hers at the end of episode four, I think she had already known but was just holding out on the only hope she could. Then, she still cares for him but starts analyzing who he could be. The pajamas are a dead giveaway but not concrete evidence. It's his attitude, mainly, in which she sees his mother. The woman she had mostly wanted power from, true, but unusually for Agatha, there were lots of times when she wanted to be her friend as well. In Teen who is now Billy, now not only not her own but disgustingly hers, she sees a teenager who is so naïve and hopeful that he thinks he can use magic without hurting people. (He probably can, but Agatha has grown up her entire life being told she was evil, only being able to take more power by killing others, and then making it into her personality because what else could she do? She is evil, everyone says so - even her mother, and when they don't give her a chance to prove them wrong, she decides to prove them right. It's a game now, a joke. Of course you can't be a witch without being evil to some degree. Magic is taken from the weak, the undeserving, and given to her. If she finds people she cares about, she is loathe to admit it, even to herself, because love is always a weakness. They always stab her in the back. Her struggle with this is a focal point of the show.) So, when Billy says he won't hurt people, it's like when Wanda thought she could take the Darkhold and become some other, good version of the Scarlet Witch. It's ridiculous, and he really is just like his mother. Then, when Billy gets really angry and finally snaps, finally demands respect, and Agatha is still near powerlessness (and might not even want to use Alice's powers, even though they feel like a drug, because they belonged to her?), she realizes he can destroy her, and all she can do is plead mercy - the same thing she had claimed was overrated an hour ago. I could probably go on, especially about Billy's side of the story, but this is mostly what I needed to get out.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[oscarpiastriwdc]

carcar x past lives

[amazing-dan]

dan letting phil go first. sigh.