#way too suspicious

[demodraws0606]

Guys...I think Whit is the culprit.

Sorry guys this is gonna be a long one

You know I'm a big believe of Whit mastermind theory and depending on how the trial goes he could still be the mastermind despite being the culprit but uhm...

Mf has like an 80 pourcent chance of being the culprit

My theory of Levi being the culprit kinda has went down the drain though i'm not really that upset about it because it was admitidely the most generic route.

I still do not buy for a second Eden is the culprit mainly because it contradicts a lot of her behaviors and also is only really based on one piece of evidence that could be explained by something else.

I think the most credible option to me right now, is Whit, especially because with how certain things are laid out for us we can actually make out a concrete motive for why Whit would do this.

I'm gonna write down what I think and explain why I believe Whit is most likely the culprit (also i'll deal with a couple of holes and explain why the theory still works alongside them) and also i'll use a couple of speculations made by other people as well

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I think it's known by everyone that the way Whit's secret was revealed is extremely strange, for like two reasons.

One, it means that it's impossible for anyone (including Whit himself, we'll get into that later) to have known what Whit's secret was, or to confirm it with certainty in the trial. We only have Whit's word for it.

Second, Whit takes a very strange amount of time until saying what secret he has, like right after Hu denied to say which secret she has. Which is extremely weird because if his life was so uneventful wouldn't he have managed to pick out a secret as blatant as this.

I thought this would be meant as a red herring to put suspicions on Whit however with Levi revealing his secret and this loose thread still not being addressed, I think it has to be important to the case at hand.

Now, despite people pointing this out every analysis that tries to handle this kinda goes into a brick wall because it immediatly assumes that Whit is lying about the dead mother secret being his. However there's too much pointing towards Whit having the dead mom secret.

No, I think we're going about this the wrong way. It's not about us not knowing what Whit's secret was, it's that Whit had no idea what secret actually was his

In fact that's mentionned before trial on how Whit just didn't know WHAT his secret even was, and no one could really tell him what it was because Rose threw it away

But that's weird right ? You would think Whit would know that his dead mother would be the likely secret, you could argue he just didn't want to share with everyone but that still doesn't explain the strange amount of time until he revealed he had Rose's secret.

And if he didn't want to share that his mom was dead, why did he let everyone the opportunity to say if they had his secret and to spill the beans...

Unless things are more complicated than just Whit having a dead mom, after all if it was just that wouldn't he have known immediatly that was his secret ? After all Teruko had the same issue as well as she didn't know what her secret could actually even be.

You could argue that I put my back against the wall here. If Whit not knowing his secret was his motive as to why he commited the murder then why did he let a bunch of people the opportunity to air out a potentially incriminating secret. Wouldn't that mean he wasn't worried about it ?

However, you have to keep in mind Whit had no idea how bad the secrets were, the only secrets that was revealed was J's which in retrospect of other secrets seemed like a much lighter one.

You could argue "Well Whit had David's secret which was pretty bad" however despite how bad that secret was it was also very vague and since Whit didn't know how much about David it doesn't really mean much on how deep the secrets were.

Considering Whit's personality as well, it was possible he was in denial or some deeper reason as to why he wasn't thinking about it. "Bitter things need to go down the drain" and all that.

In fact Whit was one of the first ones to say they shouldn't reveal their secret before J's secret was immediatly revealed.

I also don't think Whit being in denial has to be rooted in logic either (especially with how inconcistent he seems to be about the secrets), the murder was commited right before the deadline and although there was planning behind it, it was still a last minute decision (aka not done immediatly during the day of the motive reveal). You could argue pressure got to him or he overthought it as it became increasingly clear how much deeper the secrets went and how much the people who set this game up knew about them (something Whit investigated himself).

I think the way Whit acted about the secrets is too contradictory to really use any of what he says as actual evidence against the secrets not being his motive basically.

Now, let's go into the other point and how it works with the potential motive, the speculation that Arei was waterboarded.

Yeah, this seems to hint heavily that this is what happened and Arei's actual cause of death would be by drowning instead of strangulation like expected.

But why not strangulation ?? Why do a technique that is much harder to kill Arei, unless they were trying to get something out of drowning her. I mean we don't technically know if it was actual waterboarding but considering how planned this murder was and how we do actually have pieces of clothing that would serve for waterboarding, it seems to be likely.

(I'm not exactly sure how it stuck together with the starch afterwards but considering how the playground's ventilation works it's possible it dried up quickly) (There's also Arei's missing glove if you don't believe Teruko and Hu's clothing where used for it)

There's also no reason to drown her instead of strangling her with the rope unless there was another justification for it. But the episode actively goes out of it's way to say that there probably wasn't an attempt at tricking people into thinking the murder happened during 7:30 PM.

Anyways, why would the culprit waterboard Arei then ??? Clearly this means they were trying to get information out of her...

Which makes 0 sense unless it was Whit who would at least have a small justification for it, aka him not knowing what his secret is. I do admit it is a bit blurry on what type of information Whit would've truly wanted or why he did this before just killing her. However out of anyone (that already isn't pretty much confirmed innocent) it would only make sense for it to be him.

Now onto other stuff unrelated to the secret thing, like how unhelpful Whit has been this trial to a suspicious degree. AKA :

-Trying to distract away from the letter framing Eden and then just throwing her under the bus immediatly when he's questioned about it.

-Refusing to reveal David's secret

-Coincidentally having an excuse for not seeing Arei's body swaying

Now all of these could be argued to be in character reasons, after all didn't he do something like that chapter 1 with Charles (kind of). However this is a new level of trial interferance that really isn't justifiable at a certain point.

You could argue "well wouldn't talking about the note and David's secret be useful to make them seem guilty"' and while that'd be right to an extent. However everytime Whit witholds something like with Eden and David, he seems to cave eventually so the only thing he has achieved in this trial so far is to stall for time. Which could potentially be intentional if he's the culprit.

Now that I've kinda covered the major points, here are a list of suspicious things, mostly things that Whit knew before I get to my final point (how this would fit the narrative this chapter).

(I do wanna say most of this things isn't technically necessary info that the culprit needed to know but it definitely helps).

Whit was present during Teruko and Hu changing, meaning he would have known about their old clothes and could have found out where to get them.

Whit was present during the fight in the cafeteria, which is when Arei demanded to have her rope thrown away leading to Mono-TV putting it in storage

(Eden was busy helping J and Arturo so only Teruko, Charles and Whit could've known this information by listening in)

Whit also is the reason David is in the relaxation room leading to his conversation with Arei although idk how much of that would even possibly be planned or how that would help him, still important to note though.

There is probably more I could say however I want to get to my last point, I do think Whit being the culprit fits this case more than anyone else.

I know the question of the tape is still unanswered, if Eden did take it wouldn't that mean she is the culprit ? Well I don't think so but overall I just don't think this one singular piece of evidence is enough to say Eden's the culprit especially if we look at the bigger picture.

I'm probably just repeating the same things people probably have heard already but Eden committing such a gruesome murder for pratically no motive at all (outside getting out but it would make the secret motive useless) just doesn't really make sense.

However it is true that from what the title of this chapter suggests "all that glitters (is not gold)", it would mean a character isn't as innocent/good as they seem.

But wouldn't that title make more sense with Whit ?

Eden and Whit both are seemingly the positive vibes character of the cast, both being seemingly "normal". However Whit's positivity is a lot more toxic than Eden's, cracking jokes at innapropriate time and seeming to not let himself show even negative emotions (contrary to Eden who has let herself be upset multiple times).

Narratively speaking, Whit being the culprit, would put Charles in a similar situation to Teruko perhaps deepening their bond further without having Teruko going through a regression arc (she was way closer to Eden than she was with Whit).

It would allow Eden's message to not be lost/contradicted while also going with the apparent theme of the chapter that things aren't as they seem.

And also "all that glitters is not gold" would be a very smart saying for Whit, the one who died his hair blond (would be a very fun double meaning)

[bet-on-me-13]

Danny dies every night.

So! Danny's secret Ghost Powers remained a secret for about 6 Hours.

After turning back into a Human, he had immediately gone back to his room and tried to fall asleep, pretending none of it was even real, that it was just a dream. The idea that he had just died was understandably hard to swallow, not to mention the fact he had somehow come back.

All he wanted to do was rest and figure it out later. It was a problem for Future Danny.

Except when he woke up, something was wrong.

He felt Cold, Colder than he had ever been before. It was as if he had a chunk of pure Ice stuck in his Chest, the cold spreading across every part of his body. With a start he realized that his chest wasn't moving at all, either from the beating of his heart or the breaths he was supposed to be taking.

He wasn't breathing. His heart wasn't pumping. The Ice in his chest was the feeling of his heart not pumping, still and unnaturally cold. At that realization, he felt his Heart begin beating again.

He ran downstairs, hoping to get his parents help. He didn't know what was going on exactly, but they must be able to help him right?! They were the leading experts on Undead Biology, they must know how to help him!

When he reached the kitchen, he saw his parents and Jazz huddled together at the table, crying together for some reason.

"Mom! Dad! Jazz! Somethings wrong! I don't know what happened, but last night I-"

He stopped when he saw their faces. Their cheeks were tear-streaked, eyes bloodshot, but the thing he noticed first was the grief and absolutely confusion in their eyes. They were staring at him as if they had seen a Ghost, figuratively of course, and they seemed to he trying to connect the dots in their heads.

"Danny?" Jazz asked in a shaky voice. "Is that you?"

"Jazz?" He asked in return, "What do you mean, of course it's me?"

She looked hopeful for a moment, before his mom stood up.

"No." She said, her voice held a hard edge. "It's not."

Danny almost fell over when she said that. "W-what?" He asked, "What are you talking about Mo-"

"DON'T CALL ME THAT!" She yelled. She gripped the Blaster in her hand tighter, aiming it at him. "I checked everything when we found Danny's body! He had no Pulse, no Brain Activity, and his Ecto Levels were far higher than normal! Danny is Dead! And you killed him!"

"What?!" Danny yelled in shock, "I didn't kill hi-I mean, I didn't kill me-I mean-What are you talking about!?"

This time his dad answered, getting up from the table himself. In his hand was another Blaster. "Danny's Ecto Levels could only have been that high if killed by something with a large amount of Ectoplasm, enough to leave such a mark. The Portal was open for hours last night before we found it and sealed it up, and that's when you got through isn't it!?"

His Dad leveled the Blaster to him.

"No! I'm not a Ghost, it's me! It's Danny!?" He pleaded, "Mom, I always baked you a cake on mother's day! Dad, I helped you clean up the lab the last time you blew it up! It's me!"

"Nice try." His mother said, "Die again, Ecto Scum."

That day, Danny ran away from home.

...

Ever since that day, Danny had been running as far as he could from Amity Park.

After he got out of the house, he tried to find any place he could hide as he figured everything out. His first try was Tucker, but his parents had anticipated that and beat him to the Punch. The same happened when he tried to go to Sam's, he barely escaped that situation alive(?).

At first he tried to stay in Amity, hoping he would eventually find a way to convince his parents of his true identity, so everything could go back to normal.

He abandoned that hope about a week later, when his parents got the local authorities on their side and issued a public service announcement stating he was a Murderer who killed their son, and to contact the Police if anybody saw him. The mindless Ghost they captured and presented on the Local News cemented the publics view on him.

So he ran from Amity.

The first few weeks on the Run were the worst. He wasn't used to surviving on the street, much less evading the Law Enforcement that seemed to keep finding him. He had to constantly stay on the move to keep away from the pursuit of his Parents, the Police, and the weird guys in white suits who had shown up once he passed the State Border.

His new Ghost Powers were the only thing that had let him get away most of those times. He could turn into a Full Ghost whenever he wanted, unlocking all of his powers for the time being, but also seemingly sending up a Beacon to whoever was looking for him. He found it was much easier to use their weakened versions in his Human Form.

As for his Undead-ness, he had mostly figured it out. His body was lying to him. He was Dead, but his Body was just pretending to be alive for his own sake. He didn't need to breath anymore, and his heart didn't need to pump, but they did because he felt that they needed to. He probably didn't even need to eat anymore.

The problem was that it couldn't keep it up when he was asleep. No matter what, every time he fell asleep his Body would die again, and when he woke up he would have to make it Live again.

One of the main reasons he kept getting caught recently was because well-meaning civilians would report to the Police that there was a Dead Teenager under a Bridge, or on a Park Bench, or on one memorable occasion in a Ditch. He would wake up in a Body Bag, escape, and be reported to his Pursuers.

At least his pattern of movement was untraceable so far.

Turns out, the Portal's opening had much more of an effect than his parents had anticipated. The Shockwave in the fabric of Reality when they punched a hole through it (and him), had caused dozens of Natural Portals to form across the Country, opening and closing in random places, soaking the area of Ectoplasm.

As an apparent Ghost, Danny was somehow drawn to these places. Whenever he got to one he felt rejuvenated, as if the stress of the past few days had never happened to him. He could only assume that he was Absorbing the Ectoplasm in the area to feed himself, based on a few of the things he remembered from his parents constant ramblings.

Whenever he would go to one of these places, he would find a bunch of Ghosts. Some were friendly, defying all of his expectations, while others were...less so.

They seemed to resent the fact that he was still half-alive, some simply jabbing insults at him, others straight up attacking him. It seemed that Life was a sore subject among those guys. Or maybe it was him stopping them whenever they attacked humans...that was probably more accurate.

Sometimes the Ghosts he would meet were in the middle of attacking humans to fulfill what they called their "Obsessions". He learned that all Undead, and basically all Immortal Beings, have Obsessions. They are their Sole Purpose in existence, a built in defense mechanism against insanity by giving them something to dedicate Eternity to.

He didn't know if he had an Obsession, but if he did he hoped it was easier to manage than theirs seemed to be. One of them was obsessed with attention, but got it by hypnotizing humans into adoring her. She chilled out after a while. Another loved the thrill of the Hunt, but only wanted rare game. He chased after Danny a lot in pursuit of his "One of a Kind Pelt".

He fought then off and saved people whenever he could, although sometimes it was risky. Many of them were older and more experienced than him, so he was forced to use his Ghost Form against some of them, sacrificing his hiding spot to save the people being terrorized.

He sort of enjoyed it. Whenever he helped people, saved them from danger, he felt better about his situation. As if he was making the best out of the horrible situation his life had turned into by helping as many people as he could. He always felt a bit more motivated to keep going every time he helped anybody.

Maybe that was his Obsession? Helping others? He didn't really think so, he was nowhere near altruistic enough to consider that a possibility. Maybe it was Space? He always felt that same relief when he would camp out away from the Cities. Eh, he'll probably never know.

This cycle of finding a new hiding spot, getting discovered, and running away again continued for a while. Years even.

Danny had Died at 14. He was now 17, and had been homeless for 3 years.

He hoped this next hiding spot would last a bit longer than the previous ones. This one felt different, the Ectoplasm he was wandering towards felt older than the other places he had gone. His previous hiding spots had always been the site of a recent Natural Portal, and the Ectoplasm in the atmosphere would feel Fresh and Wild.

But the Ectoplasm where he was going tasted Older, Stronger, more Set in Stone than the others had. Wherever he wad headed to next, it had been soaking in Ectoplasm for far longer than any other place he had ever been, even in Amity.

He walked up the the Sign at the side of the road, introducing the City to newcomers.

"Welcome to Gotham City" it said.

[fandom-geek]

btw, the violinist in tmp 4? he's probably james smithson, of "founder of the smithsonian institute" fame

so what do we know about our violinist? he grew up in alnwick abbey, he was illegitimate and had legitimate full siblings, a father "certain of his celestial significance", and he has a nephew to whom he leaves his violin

and smithson? well, his father restored alnwick abbey in the 1750s, which was in ruins up until then. smithson was the only illegitimate child of any of the dukes there in the 1700s, which is when the statement is set

smithson also left his estate to his nephew after his death, with the condition that his fortune would establish the smithsonian institute if his nephew died without any children.

here's a point of divergence, however. in our timeline, smithson was a chemist and mineralogist. in tmagp's timeline, he was a violinist. however, as u/New_Helicopter836 pointed out to me on reddit, when smithson's body was disinterred by andrew graham bell, his right little finger was such that it suggests he played "the harpsichord, the piano, or a stringed instrument such as a violin"

looking at smithson's life, he left for university in 1782, so it's likely that tmagp 4 is set around the same time. it might be a bit earlier since the royal court orchestra moved from mannheim to munich in 1778 (putting smithson at about 13), it might be another point of divergence, or smithson is describing it this way to call back to its earlier significance. i'm not sure, but it's weird either way.

all that said, i'm not terribly sure why smithson describes his father (sir hugh smithson/percy, duke of northumberland) as "certain of his celestial significance", especially when the only other time he says celestial is to describe the violin's music. the user i mentioned before found that sir hugh, a major patron of architectural projects, had an observatory built, but i find smithson's language too specific. is his father an avatar too? mannheim is only a bit north of schwartzwald, after all, and this is about thirty years before tmag 23 where albrecht writes to jonah magnus.

let's look a little at smithson's bequest to found the smithsonian institute in the first place. smithson asked for it to be "an establishment for the increase and diffusion of knowledge among men". the magnus institute, notably, is described in the arg as a place of education, and it was founded in 1818. although smithson died in 1829 and his nephew in 1835, the original smithsonian (the columbian institute) was granted a charter by the us government in 1818.

the letter is strangely absent of any names for the violinist or his family, and i can't help but wonder if this is why. and if it is because this is smithson - is this related to why the magnus institute exists instead of the magnus archives? the smithsonian, before it was renamed, was originally granted a charter by the us govt in 1818 - the same year that the magnus institute was founded in tmagp.

this is set 30 years before we know anything of jonah magnus, at least in tmag, so is it possible that he persuaded smithson to fund his educational institute focusing on the supernatural? the changed course of smithson's life from scientist to supernatural violinist would certainly be conducive for that, not least to mention the strange absence of his fortune from his letter to his nephew.

[an-established-butt-dent]

Dragon age inquisition: Solas

I wonder how long it took the companions to notice Solas wields magic just a bit... differently?

Surely an apostate knows magic beyond the boundaries of a Circle? But even Dorian doesn't recognize some of his techniques, and the ones that he does are only described in ancient Tevene tomes.

Hmm... strange.

Acrylic ink, fineliner and gouache on paper.

[feroluce]

I love the fact that the Silvermane Guards are essentially just a very devoted "We Love Gepard Landau" fanclub, and I desperately need for all of them to get into ship wars about it behind their Captain's back. The soldiers are all split into several factions:

Some of them ship him with Sampo 🛡💣 (enemies to lovers/hateship enjoyers; this does not necessarily mean they like Sampo- in fact it's more like most of them want to sic their Captain on him skzjsmdm)

Some of them ship him with Bronya 👑🛡 (knight and princess trope enjoyers and also a sorta-kinda "that is our mom and dad" type of deal; this faction gets riled up and ridiculously hypes Gepard up to Bronya every time she comes down to the frontlines mskdkxmd)

Some of them ship him with the trailblazer 🛡💫 (the smallest and newest faction, but steadily gaining!)

Some of them ship him with Pela ❄🛡 (workplace romance enjoyers; Gepard once charged out into the Fragmentum alone to save Pela from an expedition gone horribly wrong, and when this faction saw Gepard carrying Pela back princess style they threw a whole party)

Some of them ship him with Dunn 🛡🗡 (also workplace romance; Dunn is very flattered by this because yeah wrong Landau, but wow, the troops really think he's good enough to woo the Captain, what an honor)

And some of them ship themselves with the Captain 🛡❤ (yumejoshi enjoyers; this faction throws a massive group effort every Valentine's Day and are also all very supportive of each other)

The final faction is an odd one, because they're defined not by who they ship their beloved Captain Gepard with, but rather by who they don't ship him with. Their name is generally shortened to the A.B.S. Group- Anybody BUT Sampo 🚫💣 DKSZJJSMSOZ

[mewtwo24]

Not to be That Guy but like.

Am I the only one that can't stop thinking about how Tianlang-Jun says about Luo Binghe that he pretends to be cold-hearted like his mother. The hint of fondness there, the heartache in that utterance.

Like it drives me absolutely insane. Imagining her putting on a front of strength, cold and driven and unrelenting. Why does TLJ say that about her. Did she secretly look for solutions that meant reconciling with demons instead of hurting them when her sect wasn't looking? (I wonder this because I feel like his weird fondness for SQQ would lowkey track if it's connected to the woman he once loved.) Did he mean that she was tasked with basically assassinating him and she fell in love with him instead (re: failed step one)? Did he mean that she was fond and doting in her own way (e.g. conceding he was attractive, paying for his exploits and humoring him)? Did he mean that, like LBH, she thought that power would be the thing to protect her--and that it was disguising a person who was deeply and privately wounded? All four????? I don't need sleep I need a n s w e r s

Did she know about the Huanhua Palace Master's skeevy ass intentions before she met TLJ? Or did those only come to significant light after she fell in love with TLJ? Is that why she never anticipated that level of betrayal, because initially she had no intention of being with anyone romantically? And HHPM just assumed she would be under his thumb forever?? Was she furious at her own indiscretion or did she try to use the pregnancy as a bargaining chip, a way to try to stop the immortals of Cang Qiong Mountain from attacking TLJ (plus the bonus of marriage entrapment no takesies backsies this is where LBH gets it from)? Did she try to use that claim on her to dissuade HHPM from his covetous advances, framing herself as tainted so that she could finally escape? Did she dream of a life by TLJ's side, far away from Cang Qiong Mountain?

Like. Literally every single permutation of what this could mean guts me to hell. Do you ever just cry about tianxi because I--[loud bawling noises]

[pixlokita]

Y’all I called the insurance market place and explained my situation and they actually told me I qualify for free health insurance ??? And I’ll be getting it in three days??? And everything is so much more affordable now ???? ;-; I won’t be doing the go fund me ;w; but I appreciate everyone so much and like ? I’m so shocked ahsjbdkdnf 🙏💖 thank you for the good vibes now I can check my brain without worrying too much about the cost yipee ✨🦅💖

[adinelleggreeo]

I'm honestly surprised that Gaiman isn't being talked about as much on here.

No, actually I'm not. He's on here isn't he? So he probably has a fan mob here as well.

I'm not on Twitter, so I have no idea what's happening there. I found out through a random video popping up on my YouTube.

I'm not surprised tbh. Wasn't he a male feminist? An oxymoron if I ever heard one. A man that truly supports women won't put a label on it, because it's called 'being a decent human being'.

This has me side eyeing other well known/popular white male authors 👀 👀👀👀👀

[gottaarc]

General students of Darkwick + Jin theory

Clarification: What's up with the general student populace at Darkwick? I'm pretty sure the answer is that they aren't ghouls in any way based on the fact sorting of new ghoul students is a big deal and 'sways power' in the beginning, and there's also this huge plot-point about the discrimination ghoul students face. But going back and reading some of the prologue chapters where the PC is first learning about Darkwick made me sort of curious about it. Reading the newest Mortkranken chapter, it's clear that there are general populace students going out to deal with anomalies frequently enough that they might need treatment for injuries and curses. But if they aren't ghouls, are they just recon? How are general education students allowed in? It's said Darkwick is super 'competitive' at one point but with what we know about Darkwick in general that's at best a loose-truth. Also, looking specifically at Frostheim for this- a lot of them are upper echelon students. Fair enough that there are plenty who come from different backgrounds, but isn't it funny that so many of them come from families in places of power and privilege? Are these families directly funding anomaly research?

Another point, less related to general students: isn't it crazy that Jin, the son of the guy running the whole Darkwick branch in Japan, just happens to have become a ghoul? I mean, maybe it's just a coincidence (because if Yuri's explanation of demon compatibility is to be believed, he just happened to not be allergic to demon dust) but that's pretty fucked up circumstantially speaking. They're already in a position of power, but what if it was something they wanted to make concrete? His mother died of mental illness, and his relationship with his father is strained. Was his father using his own family as test subjects for anomalous research? Did Jin make a deal with a demon because his father was pressuring it, or because maybe he wanted to save his mother (though he ultimately failed). If the stigma each ghoul gets is based off a desire they had, and Jin's stigma is the authority to force commands, what's more desirable to the heir of a powerful institution? How old was he when he even made the pact? Was he a kid who just wanted control, or was it a want drilled into him from a young age?

[seiwas]

there is a very specific image in my head of early-mid 20’s iwaizumi hajime

[front-facing-pokemon]

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[shesmore-shoebill]

gal who briefly thought her being the soldier meant she could still get killed by the demon (she cant be) + gal who briefly thought she still had to use her powers to save the soldier (soldier cant be killed at night). amangela match made in heaven.

[sageofthestarz]

Some sad kinda fucked Ifrit thoughts because I woke up and they came

Cw; Substance Abuse, Sex as a coping mechanism, and just kinda general sads.

Nothing graphic said but still putting those ^

Ifrit

Big, Strong, oh so stupid Ifrit.

That's what was thought of him. A muscle head who fucked hard, partied hard, and got fucked up without a care.

An easy fuck and go without connections, without having to stick around after sorta thing

That isn't who he was though.

This was all learned behavior because it's what got him the attention he craved, any sense of being useful, cared about even if it was only because his body was useful

He loved and hated every single second of every single hookup, high, and any other thing that got him out of his head

If he wasn't happy he wasn't useful, if he didn't stay the persona they all knew he wouldn't be liked, if she showed just how broken inside he truly was he'd lose everything and everyone he had, no matter how superficial he needed the attention

It didn't matter if it was a vicious cycle of regrets, and horrible sleepless night, bad highs and.. thoughts he shouldn't have. Couldn't have

It was all he had now

His pack was broken.

His pack hated him after he left.

He never bothered to try and reconnect, why would he.

Aether, Mountain, and Dew stayed with the band, Zephyr never spoke to him, Mist was long gone to be with the lake.

He couldn't bother any of them with this.

With him.

He left the pack, he left the band, that was his choice. He left the only people who cared about him and for what? To go and be whatever he was now?

Yes.

Even when he knew he could possibly rekindle something he didn't. Shoved those feelings down and shoved more substance down his throat.

He didn't deserve it.

Didn't deserve to have that happiness.

That comfort.

Ifrit used to be the most caring, lovable golden retriever there was.

Always following someone's trail, loving on them, and doing every favor he could

His pack loved him

He loved his pack

Now a days he's nothing more then an old dog owned by a family long since grown.

One that's waiting for the first excuse to be put down despite all the love it has left to give.

He thinks it's what he deserves.

A life of misery, and pain without comfort.

He watches his old pack in longing, the only happiness coming from seeing how happy and healthy they are

He'd do anything for them even now

He's so happy to see them thrive and love each other

Even if it also breaks his heart.

[happyandticklish]

My friend, late at night, joking around because we're both tired: So, what's your deepest, darkest secret?

My mind immediately: Tickles tickle tickling I enjoy it doing it getting it talking about it thinking about it I love tickling so fucking much-

Me: Eh, I don't think I have one

[radioroxx]

What do you think Odile does for a living? She feels teacher like to me. What do you think she would do post canon?

HMMMM THIS IS GOOD QUESTION…

ive seen a lot of people hc her as a teacher / professor so i!! think that suits her pretty well. specifically as someone who studies + specializes in different types of craft (that would be why shes so proficient in multiple craft spells. also how she was able to figure out the loops stuff, AND to find something that could prevent siffrin from looping back).

post canon i am not sure… i am always torn between how the party would handle things post canon. obviously they would keep travelling for a bit, odile alongside her family without the stress of. constant sadness encounters + a king to kill lol. i think maybe she would get to take her time, reeaally get to know vauguardian culture when not within. a crisis. as was her original intention.

eventually. EVENTUALLY. when the family settles down somewhere (i am a “they all get a big house together” believer lol) she would get back into craft stuff. maybe go back into teaching too—surely people would be eager to hire a saviour. especially though i think it would be neat of her to try looking into wish craft etc, as a long forgotten form of craft. to satisfy her own curiosity, for siffrins sake, or just as a way of preserving the countries culture in whatever ways possible.