heres the thing abt kairi. i don't think she's poorly written, i think she's poorly executed. like there's a conflict/lack of cohesive vision for her and they're trying to shoehorn her into a role she does not fit.
nomura, from kh1, has clearly always wanted kairi to remain a link to the past/manifestation of fond memories of childhood/like a bittersweet hometown that isn't quite the same when you come back as an adult. that's the role he has consistently, persistently assigned to her. and there's nothing wrong with that. not every character ever has to take an active role and be a hero and do Things. sometimes characters exist to embody an allegory, or symbolism, or an idea. that was kairi, initially. embodiment of home, safety, comfort, childhood. for that matter, riku was the future, the unknown, growing up and letting childhood go. sora, of course, a boy coming of age and being torn between the two.
so consequently i've never understand the choice to make her a keyblade wielder when she's already a princess of heart twice over. like it or not the princesses of heart have an established role in the story and it's not fighting on the front lines. she could have been a leader and taken an active role in her own way if they really wanted, without ever needing to hold a keyblade and be a Chosen One, Also!(tm). in this way she also would have maintained a cohesive narrative role in the story. her path would still be diverging from sora's, and it would be as bittersweet and nostalgic as it was in kh1 without the clownery than her involvement in endgame kh2 onward has been mired in.
what clownery, you ask? kairi literally cannot grow as a person while in sora's orbit. we've seen it happen again and again, any growth she gets is away from sora and any time she's near him she regresses as a character. this is because, again, she is absolutely cemented in the minds of the writers as The Nostalgic Past that sora is holding onto. in the context of the kh narrative, she can literally be nothing else to him. there's no more growth to be had between them. hence, every time their relationship ends up the focus in a scene you can't help but feel the rapidly growing distance between where they once were vs where they now are as individuals. this relationship can, imo, ONLY be regressive to both of them in the context of kh's overarching narrative where kairi is constantly (and overtly) being framed as Sora's Idealized Childhood. or, as a prize he 'wins' when the story ends. the two are fairly connected in kh.
back on track, having kairi remain a princess of heart and not a keyblade wielder also would've solved the problem of the writing team having to shelve/fridge her every time they want riku+sora to go on another romantic getawa - uhhh adventure together. like she was asleep for a year post kh3? and now she's going to train with aqua while riku goes to rescue the love of his l - i mean bestest best boy friend again? you're joking.
it just stinks of trying to girlbossify a character so she can 'keep up' with her male counterparts in the eyes of media illiterate consumers who associate a lack of a weapon with a lack of power. dawg we're past that. female characters can be relevant, important, interesting and powerful without following in the exact footsteps of their male counterparts. and this is to say nothing of kairi's keyblade bequeathing being a relative accident and how it creates a pretty glaring plot hole because somehow xion and roxas, sora's nobodies, can wield keyblades at will but namine can't? okay. yes, perhaps we just haven't been 'shown' her wielding a keyblade. maybe. but i think it seriously indicates that they had no intention of making kairi a keyblade wielder in the first place.
and don't get me wrong, if they intended on changing/overhauling her role going forward i would understand making her not just a wielder but a guardian of light. problem is, they have already established she's not going to be fighting/active in the next game. she is, yet again, the home they are returning to and not the future they're moving towards. this, consequently, will continue causing some major tonal dissonance among those who either consciously or unconsciously recognize that kairi is not meant to be where she is currently placed in the narrative. she's SHOWN to be just a regular girl who still to this day does not particularly want to go adventuring, and yet we're TOLD again and again that she's a warrior now, riding on sora and riku's coattails regrettably. it's just so tonally off.
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I'm not a religious person whatsoever but I really wish the story of jesus and the resurrection wasn't told as god sending his son to earth to die and so absolve the sins of humanity (whatever that means or however that works)
But as a story of an indifferent, often cruel, unfair god that after years of doing it's thing got bored and finally sent a piece of itself to live as human amongst it's creation just to see what it was like, and that piece not knowing it was anything but human discovered love, pain, empathy and tried it's best to live his life with kindness and clung unto that life as much as he could until it ended, and that when that piece finally returned to the god it made them also more kind and empathetic, because now it was also more human
And that that would be the explanation of why old testament god was a psycho maniac and new testament seems more mellow and kind, and that the story of jesus wouldn't be one of a martyr that embraces his death and changed humanity but of a man who embraced life and changed a god
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ok. ok. i think im finally (mostly) settled on elspeth's ending and her handling of the landsmeet in particular. illegible hysteria below
i spent like 20 hours of this game hyping up an alistair/anora alliance but i dont think i can do it in practice im too weak Lol. BUT i do like the idea of trying it anyway and it falling apart bc everything always falls apart in this universe. so yeah, alistair does do the dual in the end, despite what i said the other day (he's the one who at this point wants to be king. so why not) much to ella's horror. the detail i mentioned about loghain being the only person to defeat her in her tourney days still carries symbolic weight, because it was ELLA who trained and mentored and levelled alistair up through the blight. shes like babe if i cant beat him you shouldnt risk it !! and so him then BEATING loghain regardless is a nice lil "student surpasses the teacher" moment and also drives home that ella is a good commander and theyre both stronger than they were.
ofc this means alistair obviously goes rogue and does what he does at the end of the fight — regardless of the promises of mercy ella made to anora and their attempts at an alliance lol. which sucks and its not as neat a solution, but emotions were high and its understandable and also L + ratio + loghain sold elves into slavery. ella got her vengeance over howe earlier so shes like sigh ok anyways. SO. the alliance is a bust, but alistair is hardened anyway so its not the end of the world. he rules alone post canon with ella still as adviser and his mistress, BUT :) im thinking about him refusing to take a wife in this path, specifically because he's trying to convince ELLA to marry him and make it official. she always rejects him but its in an ahaha.... unless 👀 kinda way that encourages him to keep trying. i mean the only reason she doesnt feel like she can is bc Duty and Responsibilities and Obligations blah blah blah..... ALL of which she could still honor while being queen. so yeah. completing her story and having her reaffirm her grey warden duty + alistair's king duty, and their mutual dark ritual sacrifice, but with the open ended possibility that a happier ending IS possible at some point ! when she's ready ! maybe after she cures the taint :) who knows
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A fun way imo to develop characters is to look at them and ask, "what does this imply?" This unfortunately only works if you already have a character concept in mind, but it's always been useful for me when I need to create some interiority for a character who feels a little flat.
As previously stated, literally all you're doing is looking at a character and performing a rudimentary analysis of them based on what you've already developed. A good example of this is my character Mordred, who early on in his development was conceived of as a sickly looking teenager wearing a full suit and bowtie. This is because I thought there was a lot of potential in this image. "What kind of teenager goes to school everyday wearing a full suit and bowtie?" Probably a kid who takes himself very seriously and has some interest in looking "polished" -- perhaps he even views himself above his peers for how he dresses. And, how might this visual extend to other aspects of him? Is he always someone who goes against the grain? Does he actually have an interest in men's wear, or is this a symbolic image for how he stands against his peers? I bet he has strong opinions on society. Did he buy the suit himself, or did his mom buy it, because one or the other also implies some stuff about the nature of their relationship, if his mother is supportive of his oddness or not, etc. etc. etc. A lot of stuff that you can find out, just from looking at one small aspect of a character! The same kind of process can spiral from anything - a character's actions, a character's thoughts, their beliefs, a line they say, a face they make, a hobby they have... all can be a good starting point for developing them further and figuring out more about them.
In a similar vein, I know that people recommend filling out character charts and stuff, but usually I find it more useful to think of a character in terms of a "scenario" or a "description" than in terms of their traits. "This character is smart" vs. "This characters complains to the teacher when the test has a question that isn't in the book" ; "This person is stubborn" vs. "This is the kind of person who'd rather starve than order food if they said they weren't hungry." Figuring out a character through something like this gives me a specific image of how they might act in a story as opposed to more broadly-described traits. Being as I tend to think up characters with story ideas and scenarios, it's much more helpful for me! "Ah, but how do you do this, Gert?" Easy: you stare at a wall for multiple hours until you have a revelation about a character. This is surely what everyone is capable of [nodding sagely]
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People always talk about how Laios is a character who gives fat vibes even if he isn't technically fat in canon which is very true, and I have some thoughts on that!! (this will be a long post lol sorry)
There's a lot of material in the dunmeshi extras that show how fatness factors into dungeon exploration, which shows that only the most skilled adventurers are able to keep weight on while in the dungeon (thank you to @savaralyn2 for the translations! links to the individual posts these panels come from are added on the pics):
So we know, at the very least, that most of the characters are kept thinner than they would be naturally through the strain of death/revivification in the main dungeon. We also see that Laios has some fat on him, which through the text means that he's skilled enough to at least keep some of his weight (which makes sense, he doesn't die very often in canon).
(to be clear this ^ doesn't constitute as "fat," he is built as fuck here he just has some fat on his body which shows his prowess as a fighter in this universe)
HOWEVER my personal little pet theory/headcanon is that Laios actually has a difficult relationship with food! I know that doesn't make much sense at first since he's shown to eat a lot in canon, but hear me out.
In pre-canon, before he reunited with Falin, he's shown to be extremely gaunt:
But after partnering up with Falin, he gains weight and looks much more healthy very quickly. Part of this is definitely because of his unstable living situation/mental illness, but he and Falin still live in very poor conditions after this and he still manages to gain weight/get healthier, so I believe it's mainly due to her making sure he eats enough.
We also know that Laios is. most certainly autistic. Nobody argue with me on that it's like pretty much widely accepted as canon for a lot of reasons lmao. So my theory is that he's actually food sensitive. He's shown to not really care about food that isn't monster-related. Even when he eats regular food, he's usually imagining it being a monster instead.
He has never eaten squid before, which is totally normal, but could also support my theory in a way :P it being a monster still can't save it from the autistic sensory bad experience in this case, though.
So I think that his adventurous eating during the course of the story isn't because he's actually an adventurous eater normally, it's purely because of his special interest (monsters, duh). During his journey to recover Falin, he's able to build up a healthier relationship with food through Senshi's guidance and the involvement of his special interest.
By the end of the story, after he's retired from dungeon exploration and living in comfort/safety, and with his newly healthy diet, he's finally able to gain a lot more weight. Imo, his is a story of someone who's naturally meant to be fat, but is only able to reach that point when in a stable and healthy environment.
(for the record I know he's not that fat in this post canon comic, but this is only a year and a bit after the end of the story so there's still time lol)
alright I'm goin back to drawing now just had to infodump for a minute ✌️ keep it sleazy
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