#I DO NOT want ANY aziraphale hate on this post

[soni-dragon]

twice aziraphale has gone to heaven while crowley stays behind on earth…

[ID: A drawing of Crowley from Good Omens. The drawing is split in half horizontally. In the top half, he sits on the floor with a hand over his crying face. Plants surround him in front of a grey background, and wine bottles sit at his feet. In the bottom half, Crowley sits upside down on the floor of Aziraphale’s bookshop. The bookshop is in flames, and Crowley looks upward while crying. /End ID]

+ some closeups below cut

[itsclydebitches]

Just finished Good Omens 2 and I'm honestly boggling at the Aziraphale hate because yes, his decision led to the angsty cliffhanger, but it makes SO much sense for his character. Not just in a "Religious brainwashing and sunk-cost fallacy" kinda way but also a "Aziraphale has no reason to believe this isn't the perfect solution" way. That scene among the nebula is crucial because it establishes that Crowley loved being an angel—reveled in his ability to create and allow his creations to grow kinda like plants—and the only problem was that someone else was calling the shots, someone who wouldn't listen to his criticism. Aziraphale has also spent 6,000+ years watching Crowley do good, all the while forced to deny the fact that he's "nice" lest embracing his original nature get him into trouble with hell. Now, Metatron comes along with an offer that fixes everything in one fell swoop. Crowley can be an angel again, be nice without censure, his ideas and criticisms will hold weight because he'll be answering to Aziraphale, and they'll be together.

It strikes me that Aziraphale isn't there when Crowley sees Gabriel's trial, ergo he likewise doesn't see the (non)acknowledgement that there's an institutional problem up in Heaven. There just happen to have been two archangels who called it quits. Same when Gabriel blurts that phrase out to Crowley. Aziraphale has always been more blind to the ways in which Heaven is "toxic" (for very understandable reasons) and this season he's continually sheltered from new evidence of its structural problems. The plot just preaches to the choir: Crowley. He likewise wouldn't see the conflict Gabriel and Beelzebub have caused as evidence of an underlying problem because that's a problem he and Crowley will no longer share. Why would they be worried about Heaven still being unable to accept partnerships between angels and demons when Crowley will no longer be a demon? And that's something he presumably wants based on Aziraphale's memories of him and the ongoing admission that he's lonely.

The way I see it, they got what they thought they wanted at the start of Season 2. Heaven and Hell are keeping an eye on them, but functionally they're left alone. Crowley can spend all the time he wants with Aziraphale and nothing comes of that except that they're both continually named traitors and the higher-ups grumble about it. If Gabriel had never shown up, things should have been perfect based on Crowley's "Let's just run away and have each other's company" standards. Better, even, considering that they get to be together on their beloved Earth, rather than being bored out in Alpha Centauri without any sushi, plants, books, or Bentleys. And yet... Crowley doesn't strike me as particularly happy. Because, you know, based on that kiss he wants to be with Aziraphale, not just literally be with him, but the point of this post is that his "Let's run away and be an 'us'" falls totally flat when he doesn't explain that specific desire to Aziraphale; the desire to change what an 'us' means. From Aziraphale's perspective they're already an 'us.' That was the entire point of "our side" in Season 1 and now they can continue to be 'us' up in Heaven. Plus, Aziraphale likely sees this as a sacrifice on his part. He will give up his bookshop, his Earthly indulgences, take on the responsibilities of leadership (which I don't think he actually wants for a variety of reasons), and spend the rest of eternity in a place where he's felt so small because he thinks that's what Crowley wants. Crowley was happy as an angel. Crowley wanted them to be together without risk of permanent discorporation. They were able to achieve that after not-Armageddon and he still wasn't happy... so surely those two things together will do the trick. Crowley never actually articulates how he wants their relationship to change and the kiss comes much too late, when he's already rejected what Aziraphale must see as a perfect, selfless solution he's secured for them. Even if Crowley wasn't always moving too fast for him, an overture of romance isn't going to go well after that.

Is this crushing and angsty and devastating as a hiatus? Damn straight, my heart it breaking. But it's a good setup. More importantly, it makes perfect sense for their characters, particularly when they're still talking past one another. Aziraphale is someone who has always moved more slowly as a matter of course, as an angel he has remained immersed in the rhetoric of Heaven, his main avenue of breaking free of that (Crowley) has a huge communication problem (to say nothing of his own denial. He only made headway with the help of Nina and Maggie, seconds before Aziraphale shows up), and Metatron (in a no doubt incredibly manipulative manner) has just offered Aziraphale a job that presumably makes him happy AND Crowley happy AND allows him to maintain the moral this-is-how-the-universe-works perspective he's had since he was literally created. Of course he's going to say yes to all that!! And sure, there are problems in Heaven, Aziraphale isn't completely blind, but he can fix them now that he's in charge. How? Well... he'll figure that out later! Kinda like how he's been making plans on the fly this entire season. That seems logical from his perspective, right? It's not like he's gotten a crash-course in the concept of the master's tools never being able to dismantle the master's house...

[actual-changeling]

My own post made me think.

Let's say Aziraphale, the new supreme archangel, returns to earth and his bookshop. With some handwavey plot and explanation, he decides to stay and take it over again, but Muriel is free to stay, and they do.

Crowley has been visiting the bookshop on and off while Aziraphale was gone, and there's no reason to stop now, especially because Aziraphale said he wants to 'talk it out'. He hates that everything inside of him is screaming to be near him again, but he accepts it and does it anyway.

One step into the store, and Crowley flinches back, hard, like he's been burned.

He has been burned, he realises with growing horror, but he tries again with the same result. It feels different once Crowley scrapes together enough brain cells to pay attention to it. It no longer feels the way it did yesterday, familiar and welcoming, but searing hot and blindingly bright, like he will go up in flames if he spends more than a few minutes inside.

Aziraphale, eyes purple, gold on his cheeks, lightning hissing under his skin, stares, confused.

"You can come in, Crowley; I told you I just wanted to-"

"i can't." He grits his teeth and tries again, stumbling back when it stings even worse than before.

Crowley understands it first, eyes squeezed shut behind his shades, hands curling into fists. consecrated ground. and not just any consecrated ground, but the holiest he has ever encountered, including the fucking Vatican itself.

When Aziraphale's brows draw together in confusion, the same gentle wrinkles etched into his skin, he wants nothing more than to reach and smooth them out. Love does not leave easily; a spark of hopeful optimism always remains, no matter how hard he tries to rip it out of his chest.

"Your bookshop," he begins, his voice shaking, and when did that happen? "Your bookshop is consecrated ground your fucking supreme holiness, so no, I cannot 'come in'.

The closest thing he has to his actual heaven is torn away from him once more as he falls further and further from grace.

[dee-morris]

I Promise I'm Not Trying to Start Anything

I know the Golden Rule of Fandom: headcanon and let headcanon, theory and let theory. (Unless you say something ableist or hateful toward Aziraphale, obviously bc fuck you that's why.) So feel free to keep scrolling if this question bothers you.

But I'm a little puzzled, and again this is a good faith question, not passive aggressive, I promise it's not a shit post, *waves hands* ALL THE DISCLAIMERS but anyway why do I keep seeing theories and headcanons that Aziraphale is going to Fall? Or that he should Fall? Like that's a natural next step in his journey, something he needs to do or ought to do so he can be with Crowley.

I considered the possibility myself before seeing season two, but my friends, Falling isn't an option for him. It's off the table. Gabriel's trial made that clear. He WANTED to Fall, and Metatron said, "For one prince of heaven to be cast into the outer darkness makes a good story, but if it happens again it suggests an institutional problem."

As a manager of an unsustainable bureaucracy, the Metatron is kind of stuck. If he gives Aziraphale the boot, first of all he'll be giving Hell the nuclear codes, but also he'll have to admit that heaven isn't perfect and angels can make mistakes. That they can change and make choices and become something other than what they were created for. If he admits that, the whole system crumbles and his control is gone baby gone. He CAN'T make Aziraphale fall any more than he could Gabriel, bc then he'll have to admit things that he cannot admit.

What really bothers me is that people think that this is something Aziraphale needs to do in order to be free of heaven. I get the logic, but I do want to point out that Crowley isn't free either. Falling out of the frying pan and into the fire isn't character development. They need to take down the whole system , and that means joining together from opposite sides.

[bleucalire]

Don t know if i missed any but

Would you mind sharing some headcannons for your ineffable rascals au?

It looks so adorable captivated me immidately 💚💚

Hi! Oh thank you for your interest in them!!

I did throw some stuff in tags on my first post of them, but i kinda changed the settings for their families so here are the current main lines i’m thinking of! (bad english incoming) :

(It is set in the 20’s/30’s)

- Few years ago, Anthony was found with a bleeding head (still has the scar on his right temple), amnesia, and without parents. He’s been living in an orphanage since then. He’s very good at stealing/pickpocketing (which Aziraphale strongly disapproves of), and often brings back snacks and stuff to the other children at the orphanage (where he is liked and respected, but he doesn’t speak much with the other kids). Of course the people in charge hate him and he often gets punished.

- Aziraphale lost his parents, they were doctors. He now lives with a very wealthy relative (the human counterpart for Metatron) who is quite manipulative with little Aziraphale. Human!Metatron gives a lot of money to charities and to orphanages (including the one where Crowley lives), but doesn’t actually care for the children there, and forbids Azi to meet with them (especially Anthony). He gives money because « it is the right thing to do » (and he might have other reasons…)

- They have a secret hideout in the woods that stands between human!Metatron’s manor and Crowley’s orphanage

- Anthony calls Aziraphale « Az » most of the time

I really want to explore more of this AU ! And also maybe animate them a little when i have time !!!

[cobragardens]

The 3 Falls of Anthony J Crowley

So far, Crowley has told three different stories to three different audiences about why he Fell, and there's some important information that can be inferred from them. Let's get nerdy.

(Nb. C. 25% of this is from a previous post I made about Crowley's memory problems.)

Here's Crowley's 1st story (gifs courtesy of Fuck Yeah Good Omens), in 1867:

In Book Omens this line is narration about Crowley, and means that Crowley didn't embrace evil and side with Hell so much as he just wasn't into the whole Heaven shindig.

In Show Omens, this phrase becomes a little more fraught, because Crowley says it about himself, and he says it to Aziraphale.

Aziraphale has just disagreed with Crowley's assertion that the two of them have a lot in common. Az thinks Crowley means their origins as angels, and demurs, "I don't know. We may have both started off as angels, but you are fallen."

But what Crowley means, as we find out in pretty much every other scene the two of them share in S1 and S2, is that that he and Aziraphale have a lot in common now, in their current positions. He wants Aziraphale to see him as a friend--and to be his friend--so he elides the difference his Fallenness makes to Aziraphale, all "Ehhh, it wasn't really a fall kind of Fall, it wasn't that bad."

Also, given the conversation they have in the Final Fifteen, I feel like his phrasing is kind of important here, because falling is not voluntary, but sauntering is. In saying this Crowley is claiming that to some degree he chose to reject Heaven.

It's entirely possible that Crowley may have been lying to Aziraphale in 1867--he is, as he says, a demon, and he's lied to him before to make something bad seem less bad--but maybe not. Remember what the Metatron says about Crowley:

And this is another interesting point: The Metatron knew Crowley as an angel. The Metatron. The being who, after shepherding Aziraphale out of the bookshop, turned back and looked at Crowley with hate.

(And tense music playing, in case you weren't sure.)

So maybe that's it. Maybe Crowley just chose to be on his own side.

But in 2019, and addressing God, Crowley's story of his Fall is slightly different:

I think we can take this as Crowley's sincere belief. It's unlikely that he would lie when speaking to God, because that is Aziraphale's job because he doesn't have any reason to do so: God hasn't been listening to Crowley for 6,000 years at this point, and if She were listening, lying would not work. So Crowley probably believes he's telling the truth here with this story: Crowley believes one reason he Fell is that he asked questions.

But is he right?

Another line from the Metatron:

The Metatron seems to speak of Crowley's habit of asking questions as though he finds it obnoxious rather than damning, so maybe the questions weren't the problem. Then again we know that the Metatron is a lying piece of shit and an authoritarian who doesn't want his regime questioned, willing to erase memories and destroy lives to cover up the 'institutional problem' that Heaven doesn't know what the Plan is and is run by a handful of warmongers who want everyone dead or indentured.

Either way, this is the third time in the series someone has talked about the problem of Crowley asking questions, so my guess is his questions were probably a salient feature of his Fall.

Onward!

Before we look at the 3rd story, remember that we have strong evidence now that Crowley has had his memories erased by Heaven.

But we also know Furfur, another demon, still has his memories. Inference: Heaven don't erase the memories of every angel who Falls. This suggests that Heaven erased Crowley's memories because he had knowledge in those memories Heaven didn't want him to have anymore.

This may not be specific knowledge. We know Crowley has a high security clearance in Heaven and therefore must have been a high-ranking angel, and we know he created a nebula with Saraqael, so presumably there was a lot of stuff in his head Heaven wanted stripped out.

But I think there was something specific, and here's why. Firstly, there's no reason to assume that importance in Heaven is a guarantee of importance in Hell. Furfur could have been a high-ranking angel too before ending up an admin in Hell. (Hell does not seem to be any more of a meritocracy than Heaven does.)

Secondly, it's clear that Crowley doesn't know his memories have been erased. If he knew, then when Furfur says "We were in the same Legion? Just before the Fall? Doing dubious battle on the Plains of Heaven? Remember?" he'd say something like "Don't be stupid, of course I don't remember, Heaven erased my memories."

Instead he says,

Now, maybe Crowley is just being a dick here. Certainly we're supposed to take it that way until he goes up to Heaven with Muriel and doesn't remember Saraqael either.

But what if he's being truthful? If Crowley is being honest (and a dick), that would mean the Fash didn't erase all of Crowley's memories of his time in Heaven. We know this because Furfur says he and Crowley fought together "on the Plains of Heaven," and "just before the Fall" [emphasis added].

This suggests that Maybe Heaven didn't erase time from Crowley's memory. Maybe they erased people.

Okay, now here's Crowley's 3rd story about how he Fell:

It's a cute line, but what if it's not just a throwaway joke referencing what people say about kids who go down the wrong path and become criminals?

Crowley mutters this 3rd story to himself, so we can be confident Crowley believes this to be true. But Crowley doesn't know who the wrong people are. He doesn't know whose company got him thrown out of Heaven, because his memories of all those people have been taken from him.

And taken together, these three stories and Crowley's stolen memories suggest a bigger, more disturbing inference: Crowley doesn't know why he Fell. (Or sauntered vaguely downwards.)

Like Crowley, Job was once a favorite of God. But he has fallen out of that favor and been delivered to demons for reasons God refuses to tell him.

We the audience are meant to draw a parallel between Job and Crowley. We know this not just because of the speech Crowley cathartically gives Job's goats, in which everything he says to the goats can be just as easily applied to Job or himself, but from two other indications. Here's one:

Job is wearing Crowley's color.

The other is the minisode title, "A Companion to Owls." This phrase comes from the Book of Job, specifically Job 30:29. Job, lamenting what has happened to him, says,

 I am a brother to dragons, and a companion to owls.

In Biblical symbolism, dragon=serpent=snake=demon. And in some Mesopotamian beliefs--one of them Judaism--owls were associated with demons as well:

and

and

So the Job of the Bible is saying in this verse the same thing the Job of Good Omens says: God has forsaken me and delivered me to demons. Or even: God has forsaken me and I am now being treated like demons are treated.

And he's also saying something else. In the Bible, owls symbolize loneliness, desolation, and solitude. They're consistently depicted as living in barren, abandoned, isolated places. Seriously. Go search owl(s) in a Biblical concordance and read all 30 entries: it comes up a lot. If you're a companion to owls, you're alone (except for the owls) in the wilderness. You're forsaken.

WHOMST do we know whose signal color is yellow, who's a brother of demons, and who admits at the end of the episode that being alone and forsaken in the wilderness is lonely?

So. Job, a character whose claim to fame is that God punished him and he didn't know why, is a mirror character to Crowley. This on its own isn't enough to say definitely that Crowley doesn't know why he Fell, but combined with the three different stories he tells about his Fall, I think there's enough textual evidence to conclude that Crowley isn't entirely sure why he fell; he only has educated guesses. Either he knew and the memory was erased, or he was never told at all.

My question about Crowley's Fall is this: Who pushed him?

Was Crowley's Fall an act of God Herself, or was it an act of Heaven? What did the fucking Metatron have to do with it? What was Crowley's crime? When Aziraphale takes charge of Heaven and the Second Coming, will he read Crowley's file?

[twilightcitysky]

This post is less Good Omens- related and more personal, but there's been a lot of arguing over "representation" in the fandom the past few days. The strong feelings people express are awesome but ALSO I really want us in the community to appreciate and listen to one another.

People want to KILL queer people. There are still many, many places where it is not safe to have any identity other than cis het. Fighting that means sticking together, not tearing each OTHER apart. Allosexual, asexual, lesbian, gay, cis, trans, nonbinary, gender queer, GNC... we're all part of this community and we're stronger together.

In Good Omens, Neil Gaiman gave us a glimpse of what a world could be if people got to decide for themselves how to present and who to love without the hate and prejudice that inevitably comes along with that in the real world. I know people are questioning exactly what Crowley and Aziraphale are and how they identify, which is fine (honestly I don't know that we'll ever find out for sure. It may be something private between the two of them). But saying things like "it's homophobic" (for them to be ace), or "it's acephobic" (for them to be gay) sort of defeats the purpose of "it's a love story", doesn't it? At the end of the day, maybe it doesn't matter what EXACTLY they are. They're unapologetically QUEER and their story is for and about all of us.

It's okay to disagree. It's okay to ask questions. I mean, that's the moral of Good Omens, isn't it? We don't have to be the same; we SHOULDN'T all be the same... there's strength and beauty in our differences. But even if we don't all agree with one another, let's support each other.

I see them as gay male coded beings who have chosen that identity for themselves and would enjoy sexual pleasure as much as any other earthly pleasure. If YOU see them as agender or nonbinary sexless entities who are QPR or ace or aroace and would never have sex, I SUPPORT THE HELL OUT OF YOUR RIGHT TO DO SO. I'm in your corner and I will fight for you.

Love you all. Love that we love the ineffable love story of Good Omens, whatever form that takes, and let's lift each other up rather than tearing each other down.

[aziraphales-library]

Hi!!! Do you have any fics where aziraphale is famous and crowley's just a "nobody"? preferably without explicit scenes, please :)) thank you so so much <3<3

Hello! We have a #famous aziraphale tag. Here are some fics in which Aziraphale is famous and Crowley is not. I could only find a couple of non-explicit fics, I'm afraid, but I'm pretty sure the smut is minimal/skippable in most of these...

First Thing In The Morning by FeralTuxedo (E)

Aziraphale Fell, erstwhile nerd, now successful fantasy author, is signing books at this year’s Heaven and Earth convention when he spots a red-headed man in the crowd. Someone he hasn’t quite been able to forget since his school days. And as luck would have it, Anthony Crowley, former troublemaker, now responsible adult, seems keen to reconnect.

Pride Month and Prejudice by TawnyOwl95 (E)

They say that you should never meet your celebrity crush. Especially when you know what an absolute bastard he is. So, of course, Anthony J. Crowley's participation in a queer adaptation of Pride and Prejudice for Pride Month has nothing to do with the involvement of A-lister A.Z. Fell. Crowley is only doing it so he has some gossip for his column. He didn't mean to get cast as Lizzy Bennet, he certainly didn't mean to be acting opposite Fell's Mr Darcy. And to make matters worse, Fell keeps staring at him...

Veni Vino Vegas (I Came, I Got Drunk, I Got Married) by A_N_D (T)

After a whirlwind drunken evening, author Az Fell came home from Rom-Con without his heirloom pinkie ring – but with a wedding license from a 24-hour Las Vegas chapel. Elsewhere, book fan Tony Crowley woke up with a hangover, vague memories, and a brand new ring he’s only seen in author photos. Mutually attracted, mutually terrified the other one thinks it was all a regrettable mistake, they turn to their dear but anonymous online friend to vent and ask for advice. …Maybe they should tell each other their screennames someday.

and now all of my garden is grown in lavender by ilikeblue (E)

Popular queer romance author, A.Z. Fell, has been lying about having a husband and a happy marriage for years. Longing to escape a string of failed relationships and looking for a fresh start, Aziraphale moves into the cottage left to him by his Great Aunt Agnes. When a TV adaptation of one of his books leads to sudden popularity and throws him into the limelight, his fans (and the press) are eager to catch a glimpse of Aziraphale's own mysterious leading man. Unfortunately, he still has to cast someone for that role. Enter the handsome gardener… Under Crowley's meticulous care the cottage's neglected garden slowly comes back to life, and Aziraphale finds himself writing the most important love story he'll ever write: his own

Once upon a time by elf_on_the_shelf (E)

‘Hello, my dear.’ Crowley bit his lip for a couple of seconds before he took a deep breath and just went with it. ‘Would you like to go for a coffee sometime?’ There was silence at the other end. Oh shit. ‘That was my friend messing around with my phone…?’ ‘You do realise that only works over text.’ ‘Myeah.’ Why was he like this? He had wanted to kill Bea for doing the same thing and yet here he was, doing the thing. At Bea’s behest, mind you. ‘I would love to go for coffee. Oh, and cake!’ Aziraphale is a very rich and successful writer. Crowley is at the worst possible moment of his life - living off Bee's couch and posting his mum's fairy tales on some random sites only to be ignored by everyone except one random person simply called A. This is a story about how both of our main protagonists get over the ghosts of their pasts, learn to work together and maybe - just maybe - fall in love in the process. Not to mention that all of the characters that we love (hate - looking at you, Gabe) make an appearance.

The Infernal Bodyguard by Santillatron (M)

Alistair Zira Fell is a popular author. Loved by everyone he meets. Well, almost everyone. Someone is trying to hurt him, and right now, he needs a bodyguard. Anthony J. Crowley is the best, although he doesn't work with celebrities. He has three rules. He never gets too close, never stays once the job is done, and Never Gets Involved. But this isn't a thriller. This, is a love story.

- Mod D

[di-42]

A post by @makewayforbigcrossducks prompted me to think about a few things.

As a neurotypical person who loves Aziraphale to bits, I wonder if it's true that most neurotypical people hate, dislike or simply don't understand Aziraphale. The consensus from neurodivergent people seem to be that yes, that's the case.

I was also wondering if another factor to whether we identify or love or understand (with) Aziraphale more than (with) Crowley might be age. I tend to think that those of us who are less young empathise with Aziraphale more than those who are younger. Which would explain why sometimes the tumblr fandom seems to be one sided as tumblr users are probably averagely younger than, say, 40. But obviously that's a wild guess and it really doesn't matter.

What I really wanted to talk about is the concept, mentioned in some reblogs of that post and in other Good Omens posts, of unconditional love. My first, instinctive reaction to that post was "interesting! I'm not neurodivergent but I would defend Aziraphale against any attack and I love him unconditionally".

Except, no. Actually, I don't love him unconditionally. I don't love anyone unconditionally, whether they are fictional characters or people in my real life. If I had children probably I would love them unconditionally but I don't and there's no one whom I would love just because they exist.

People in my real life, and fictional characters as well, have had to earn my love, and I theirs. I wouldn't love them no matter what they are and what they do, I love them because of what they are and what they do. If my husband had been a racist, homophobic and misogynistic bastard I wouldn't love him. Same for my friends, siblings and mum. I never loved my father.

Unconditional love is something abusers rely on. Unconditional love is also something oppressive religions rely on because is so similar to faith: you accept everything from those you love unconditionally, don't question anything and keep having faith.

I don't love Aziraphale unconditionally. He's better than that. I love Aziraphale because of who he is. If I thought Aziraphale accepted the offer because he's power-hungry or because he's basically so stupid as not to see the metatron is trying to manipulate him I wouldn't love him. That doesn't mean I think Aziraphale is perfect. I think he's got lots of flaws and faults, which is ok. Like in real life, you can love someone and their faults without loving them unconditionally.

I also don't think Crowley loves Aziraphale unconditionally. He wouldn't love Aziraphale if Aziraphale's behaviour over the millennia had been like Gabriel's for example, or Muchael's. Crowley and Aziraphale love each other because of who they are, because of the choices they've made in their history, because they know the other has lived through their own trauma and because... I don't know. Everything. Because of how they make each other laugh. Because of how the other is always there. Because of the trust they've built. Because they see in the other something that heaven and hell will never see. Everything. But not unconditionally.

Which gives me hope. Because I think Crowley still loves Aziraphale but I also think it's not unconditional love. It's love that comes from a shared history and Crowley will know Aziraphale is not just going to betray him. Crowley will know there's something else going on. Just as soon as he recovers from the initial shock.

And, well, everything will be ok.

[badaziraphaletakes]

I just want to say that, posting those screenshots, you’re hurting real people who feel bullied and harassed by you. Some has already left the fandom for good and I know many that stay away from the fandom because it has a reputation for being toxic. I haven't featured in your blog - I actually defended Aziraphale a lot when season 2 just aired and everyone was against him - but seeing what's going on in the fandom has made me lose my love for the show. It has become synonymous of discourse and harassment. I was bullied in real life, I have no interest in repeating the experience online. I see that many users like and comment on your posts, with some of them I had interacted and even had fun chats with, and it makes me sad to see that they support harassing behavior. I’ll step back and move on to other fandoms, as some of my friends here have already done; in the end there will only be you from the defense squad left and I suppose you will be happy then. I see you're really proud of your blog and you believe you've made it bigtime (I assume you were serious; if you were being ironic I didn't get it because I easily misread tones), so congratulations. Don't be so surprised that you haven't had any negative reactions before, since your anon asks were closed. I expect you to not give a shit about my message and I fully expect to be mocked for it. I just wanted to give my two cents. Take care.

We do not support harassing behavior. Quite the contrary, we are opposed to ableism, harassment, bigotry, victim-blaming, and misogyny and that is why this blog was started. There is a lot of the above in the fandom and that is, quite rightly, why it has a reputation for being toxic. It made me lose my love for the fandom for a long time.

And we're not an Aziraphale defense blog. It says that right at the top of the blog in the pinned post. I don't want everyone who's not an "Aziraphale defender" to leave. I'm not an Aziraphale defender. I could care less what people think about him as long as they can express their negative opinions without being bigoted or hateful. However, I would like people who malign him as a thinly-veiled way to air their ableism, victim-blaming, and the like to think about how their words might hurt other people.

If being called out for bigotry feels hurtful to someone, then they might want to think about why.

I assure you, seeing all the anti-Autistic hate (and so forth) in the fandom is FAR more hurtful than having someone critique your opinion about a television character. If us doing the latter is making someone lose their love for the fandom, well, I don't really know what to say to that. But our right to feel safe trumps other people's right not to have their takes criticized. It just does.

[drconstellation]

Taking Things At Face Value

This post is dedicated to all those Ninas out there, who are "just enjoying the show."

I have been pondering an problem that had come up for a second time in another meta I'm writing (I left it out of an earlier one for clarity) regarding acknowledgement of identity and faces in S2, but when you keep running into the same road-block, you have to tackle it head on. Then I ran into the exact same problem a third time here, and the beginnings of this meta has sat in my drafts file staring at me for several weeks while I've been doing other things. But finally, finally, the answer has come to me, while being kept awake by a passing thunderstorm at 1.30am.

MRS SANDWICH: You're a good lad. CROWLEY: I'm not actually, either. But thank you.

Let's start with this exchange between Crowley and Mrs Sandwich, after Crowley has led all the Whickber St shopkeepers out of the ball to apparent safety. She calls him a "good lad," and he denies it, but thanks her anyway, and gives her a charming smile. We all know Crowley hates being called 'nice' and the last time he did something 'good' he got dragged down to Hell for punishment, so it seems like an odd thing to happen.

But the thing is, while Mrs Sandwich is complimenting his actions, he is responding about his appearance - that is neither 'good' (i.e. he is a demon) or a male human (i.e. he is an supernatural non-gendered entity.)

At this point you might be going "yeah, yeah, we know, we get that! Move along op..." but this matters, as you soon will see. We should also note that neither Crowley or Aziraphale judge Mrs Sandwich for being a brothel madame (how Aziraphale does not know this when her shop is just over the road from his I will never fathom, but there you go) and Crowley is actually quite charming all-round to his parallel character (prostitution and demons going hand-in-hand - er, not literally. But they went out the door as the vanguard arm-in-arm, though.)

The Metatron turning up at the bookshop in person is the next scene on the cards. Firstly, archangel Michael doesn't recognize him, but Saraqael obviously does.

Now, I know I'm guilty of saying that Michael may have had their memory adjusted at some time, but I'm going to suggest something else at this point. Saraqael knows who this is, because they have just had a fresh reminder from watching the recordings of Gabriel with Crowley and Muriel. And Saraqael is a pretty smart angel, so lets give them some leeway on this one. But for Michael, well, they are in the same situation as Aziraphale. They have only seen the Metatron as giant floating head without a body, so don't associate him with this appearance before them, and also because he has a beard.

Just before you jump on me and say "But he had one in the recordings!" yes, yes, I know. Two things, though, I want to bring to your attention: angels are not supposed to have facial hair,* and he doesn't have any in S1 (I checked!) and he also makes the comment "This calls for much less attention, though." Yeah, well a giant head floating through the streets of Soho would be quite a sight, wouldn't it, even though they had already been treated to the view of Gabriel's royal rear-end. Aziraphale had only met him once before, as a giant floating head in S1E4 who had had to introduce himself, so we could surmise this is Michael's problem as well, even though they were at Gabriel's trial. This is backed up by a tumblr ask/answer from NG as well, where he said "I think because they normally see him as a giant floating head, and not as a little man in a raincoat."

MICHAEL: Um, and who are you? METATRON: For Heaven's sake. And I mean that most literally. You don't know me? Well, uh, what about you? Demon? Do you know me?

Demon. That is what the Metatron chooses to call Crowley in that company, and we know in hindsight that he knows Crowley's name - as does Uriel, and Gabriel. Even Muriel learns it. But they don't use it, at least not in S2.

Even more notable is that the archangels don't deign to him give the respect of using his chosen name at all. He's not not even their enemy at this point - he's beneath their notice altogether, even though they are in the same room. Only Aziraphale seems to acknowledge his existence, instinctively trying to reach out to him as he passes by.

To Nina, people are coffee preferences.

To Mrs Sandwich, they are desires that need servicing.

So then question I had, and that stopped me, was why did both Crowley and Gabriel question Beelzebub about their new face?

It stood out to me because you don't normally make an obvious comment about the change of actor for a character, and to do it twice - !! You can't ignore that. No meta writer should ignore that. There is a trope term for this, actually, called "lampshading," which means to intentionally call attention to an incongruent situation within a story before moving on, but in a show where nothing is an accident, this seems a bit trite to me. Eventually I realized that this was the whole crux of the problem to me - that while we all too readily take things at face value, its not the faces that really influence us, its our internal values.

In the case of Beelzebub, Crowley recognizes the demon, their power, and their identity via the flies without any doubt; he merely comments on the change of exterior appearance. In terms of value, he knows straight away he's dealing with someone dangerous, no matter what they look like. Gabriel, on the other hand, is judging the book by its cover, and because he doesn't recognize the new cover, he needs proof of which demon he's dealing with, or maybe if they are even a demon at all.

"Bravo," says Nina, "Just enjoying the show." She's already seen a few that week, not to mention just in the general flow of life as a shop owner involved with customer service. If you've had any sort of life in a customer service role I'm sure you've got a few stories you could tell of things you've seen or experienced as well! I know I can.

The conversation between Nina and Crowley after Aziraphale walks away is amusing for all the assumptions Nina makes about them based on what she's observed that week, but also because Crowley tells the truth every in every reply to Nina, and yet she still has no idea what he's really saying. But her judgements, based on her experience and values, still manage to drop the proverbial ton of bricks on his head so badly he slinks off to sooth himself with some alcohol while he thinks about it instead of catching up with Aziraphale to continue being the angel's nameless shadow.

This problem with judging people on previous experience and not on who they actually are is everywhere in S2.

It's Ennon treating Aziraphale, an angel he's never met before, as a slut.

It's Elspeth judging Aziraphale on his accent.

It's Mrs H. giving a powerful demon a blistering tongue-lashing because she thinks he's a just simple human black marketeer.

It's Crowley refusing to call Gabriel "Jim" because he believes Gabriel is faking it.

...and so on. These are just a few examples. I'm sure you can spot a few more.

Which brings us back around to the meeting of the supernatural Councils in the bookshop in S2E6 and Crowley's "invisibility" to the other angels and demons gathered there. A demon to the archangels, an arch-traitor to the demons, why would they want to acknowledge him? Once he restores Gabriel, he becomes rank-less and faceless to them because they don't need him any more - its basically an act of celestial racism.

Nina and Maggie don't really know any better, they still think Mr Crowley and Mr Fell are just, well, "partners." OK, so maybe they've been doing some weird shit the last few days manipulating things in the neighbourhood but they're still obviously a couple a group of the two of them in their human eyes - and neither do they seem to care that they seem to be mlm, either. No judgement there.

A number of times I've seen ops say they've been watching GO with family members who are seeing it for the first time, and the family member thinks they are just "close friends." Why? Because they haven't seen S2 and the kiss? Because they haven't verbally said "I love you" to each other? Do they really need to say that to prove their feelings for each other? Is that just your values creeping to the fore?

And where did you get your values from?

Sometimes you need to stop and question why you think what you think. I'm not just talking about religious indoctrination. Some expectations put on us by by society at large can be insidious. Expectations around how gender should act, the life purpose of a gender, your worth to society if you don't meet certain unspoken standards, age-related behaviour, social norms around alcohol consumption, the way they dress, what someone eats, the way they eat it, that you must be seen to be productive, or busy...take your pick for whatever is prevalent around you at the moment and for your culture. Just start by noticing, and being aware.

Yes, it is pointless, because demons and angels all come from the same angelic stock. There was a bit of a disagreement at one point and they split into two groups, and judgemental labels got applied to them. They are both still bureaucratic horrors. Which ever side wins the final battle, humans still lose.

Mortal humans all look the same inside, too, if you take their face and skin away and take the societal labels off them. We forget that about ourselves all the time.

There doesn't have to be any wibbly-wobbly timeline stuff going on to explain things. What ever happened to the concept of Occam's Razor? The simplest answer is usually the correct one. And that was what I realized in the middle of the night - the cliche I had used to title this was the answer. It's about being aware of those ingrained, instinctive, judgmental values that you don't realize you've learnt, and looking past the faces that you meet.

*oh lawdy, I'm giving strength to all of you who want to believe he is a demon then, aren't I? But do demons have facial hair either?

[actual-changeling]

Welcome back to Alex's unhinged meta corner - although today it is less unhinged and more of a watertight analysis.

What I am about to present you is something most people have probably already noticed, but it has been three months and I still lose my mind while going through the final fifteen frame by frame (which is a normal thing normal people like us do, right? right).

You literally cannot convince me my following meta is wrong, and the only person whose criticism I will accept on this post is Michael Sheen and Michael Sheen ONLY. If you're not Michael Sheen (hi Michael Sheen who probably has a secret tumblr account) then your guess is as good as mine, though again, I think mine is solid.

So.

We all love and hate Aziraphale's "I forgive you", but what I find even more painful is the fact that before that he almost said "I love you". Then he stops himself and changes it, and the amount of micro-expressions on his face as he makes that decision is my current cause of death.

Here's the clip as evidence #1, and while it can definitely support itself, let's dive into the pain a little more, shall we?

One important thing I noticed is that Aziraphale doesn't look at Crowley while he stutters his way through his initial reaction. He blinks up at him for a few frames before averting his eyes again and only holds eye contact after the almost-confession (from here on referred to as IL-).

This is Aziraphale holding eye contact with Crowley (left) vs. him looking away (right):

The frame on the left is from the I forgive you (IFY) part of the scene, the other one from right before IL-. If we go through the above clip little by little we will find that he avoids Crowley's face the entire time and his gaze slips further and further down, which I interpret as him overthinking/trying to come up with something to respond to this entire situation.

He is overwhelmed and surprised, caught between his two main desires: Crowley and being a Good Angel.

Combing through the frames, we can actually nail down exactly when Aziraphale first makes eye contact before the IL- and when he stops. Keep the above comparison in mind! The angle is slightly different because his chin is lower and he straightens up throughout the scene.

So! This is where he starts looking at Crowley:

And this is where he stops:

Hard to see? Let's zoom in on his eyes (numbers are the file names):

Now, you might ask me "Alex, this is all fine, although a bit insane, but why is any of this important?"

Because, fellow tumblr user and good omens enthusiast, I think that looking at Crowley is what changes his mind about what to say.

He doesn't look at him -> about to confess his feelings.

He looks at him -> says the absolutely worst possible thing.

Partly to hurt him because they're both lashing out at each other during this argument, but he looks at Crowley, looks at the person that just kissed him, that told him they could have been an us, that wants him and has always wanted him, screw everyone else.

He looks at Crowley and he wants to say l love you but then what? Once he says those words, he can't leave. He just can't.

We have to remember that they have existed within a complicated dance, a game that they have been playing for centuries without ever telling each other what that game actually is, what the rules are - because they couldn't. It was based entirely on trust and knowing the other person well enough to play it safe.

Crowley just flipped the playing board. Nothing is the way it should be, he is refusing to do their dance, refusing to play. He is looking at him and daring him to stop trying to put the pieces back on the board. The only thing neither of them has done yet is actually say I love you out loud.

Saying those words would mean stepping away from the playing board and acknowledging the room they have been playing in. It would mean saying fuck you to heaven, yes, but it would also force Aziraphale to finally define himself outside of the role he has been playing for both Crowley and heaven, and he isn't ready for that yet.

Additionally, there is the fear and/or knowledge (depending on what else the Metatron might have said or done that we did not see) that heaven will retaliate against him and Crowley if he disobeys them now, and he does not want to risk that either.

All that is what, in my opinion, happens in his head when he averts his eyes and interrupts himself. I do kinda what to make a whole different post about his facial expressions leading up to the IFY, so I will end this one with one more bit of pain.

Ready?

Firstly, the face he makes when he makes his decision.

Look at the tight line of his lips, the pain etched into his face, the pure pain in his eyes.

This is the face of someone who knows exactly how badly he is going to hurt Crowley and himself. This is an apology, an I'm sorry for what I'm about to do, this hurts me as much as it hurts you. I'm sorry but I have to.

And then he winces afterwards. I don't know about you, but this is exactly the kind of face I make when I'm emotionally torturing myself with my own thoughts. For the final blow, please look at the picture very, very closely, especially the last frame, because Aziraphale isn't just sorry and he isn't just in pain.

Aziraphale is scared because he knows* that he might lose Crowley over this. He knows that saying I forgive you is (almost) unforgivable. He KNOWS.

He does it anyway because he will lose Crowley either way but he'd rather have him alive and hating him than dead.

With that I am concluding today's unhinged meta corner, thank you for your attention and you're welcome for the pain.

Also: If you want to call me a 'tin hatter' or insane or otherwise make fun of me - this is very much a girl, what were YOU doing at the devil's sacrament moment because you read my meta post all the way to the end. <3

-

*authors note: what Aziraphale thinks he knows and what is actually real is not the same thing but that's a different post

[o-uncle-newt]

A guide to John Finnemore (in particular his Double Acts) for the Good Omens S2 lovers, haters, and everyone in between (I promise, there's something for all of you!)

Found this in my drafts recently and honestly, I feel this is evergreen, so here y'all go:

As I mentioned semi-facetiously in my previous post, I don't care whether you loved or hated Good Omens S2- you're probably sleeping on John Finnemore. He's a super talented writer and while he's collaborated with other writers like Mitchell and Webb and Armando Iannucci before, I still think his best stuff is his solo stuff.

But where to start? Behold! I shall now recommend a different Double Act (that is, a different episode of his radio series of excellent half-hour two-hander comedies) for every kind of person who has reacted in literally any kind of way to Good Omens.

If you love stories about two people working on opposite sides in a conflict who over time break down each other's defenses to become valued friends despite the continued conflict between their sides, with some queer undertones: Unquestionably you want S2 E4, Penguin Diplomacy

If you loved Good Omens S2 because it's quiet, gentle, and romantic: S1 E6, Hot Desk

If you like quiet, gentle and romantic in principle but wish there was a bit more plot structure: Still Hot Desk

If you like quiet, gentle and romantic but watched Good Omens S2 and were like "this is quiet, gentle and romantic?!?!": DEFINITELY still Hot Desk

If you hate quiet, gentle and romantic and want something darker and more cynical: S1 E3, Red Handed

If you were meh on S2 but did find yourself enjoying the Job minisode: FREE ROLL! You can choose any Double Act at random and will probably enjoy it.

If you loved Good Omens S2 because you love characters who give off vibes of being dim yet helpful: Well, really you want to meet Arthur in Cabin Pressure, but from Double Acts you'll do great with S2 E5, Here's What We Do, and in a very different way S2 E2, Mercy Dash

If you loved Good Omens S2 because lesbians: S2 E3, The Rebel Alliance

If you like lesbians in theory but wish that Good Omens S2 had maybe sketched out theirs a bit more: Still try Rebel Alliance

If you were annoyed by the minisodes because there wasn't enough old-timey dialogue in the olden-day bits: S1 E4, The Goliath Window

If you like the Victorian minisode because you like the era: check out S2 E1, The Queen's Speech, which literally has Queen Victoria in it

If you think that Crowley making gentle fun of Aziraphale's magic tricks is entertaining: try S2 E6, The Wroxton Box

If you like relationship dynamics where one half is trying/pretending to be cool and the other one has absolutely no interest in it and likes the first half just how they are: try Here's What We Do

If you enjoy the whole corporate-nonsense aspect of Good Omens: give S1 E2, WYSINNWYG a whirl

If you think that one of the main flaws of S2 was that it didn't have Mr Young in it anymore: S1 E1, A Flock of Tigers

If you like Good Omens because you like fandom and fanfic: S1 E5, English for Pony Lovers

And, if you love the idea of a cliffhanger but also want the satisfaction of knowing there's an amazing ending coming: Wait on Double Acts and just listen to Cabin Pressure. And when you get to the end of Yverdon-les-Bains, before you move on to Zurich just take a moment to remember all of us who nearly died for two years waiting for the finale.

Anyway, happy listening!

[crowleysgirl56]

Concerning the reactions to the comment David made to a young woman about the ending of Good Omens season 3 (including mine).

Firstly let me start by saying that most of my posts are to be taken a jokes. They are written to be mostly tongue in cheek, sarcastic and (what I think) are hilarious. So even though my previous post about freaking out about what David said might seem like I was legitimately panicking I just want to say that it was a joke and please don’t take it too seriously. Honestly I hope it just made you laugh, and you continued scrolling. If my post caused anyone to further their own anxiety or freak out, I apologise. If my post contributed to the fandom as a whole slightly losing their minds, I also apologise.

For those of you who took your reactions to David’s comment a step further and threatened that poor girl, insulted her, or were just generally mean to her, stop it! Don’t do that! Don’t be awful. Please be kind. Go and apologise!

With that out of the way, I did want to do a quick* analysis of the comment and perhaps address why people (and to a little extend myself) are feeling nervous.

To begin with, Neil has previously said (and this is a really good point), David was speaking directly to a fan, and was unaware he was being filmed. So when he says “maybe it’s not the ending you want”, he’s speaking directly to the person who asked him. We don’t know the context of their interaction beforehand and maybe she (or anyone else) had already expressed what their desire for the ending is, so this was his response. However taken out of context, the fandom has put themselves in the shoes of the person asking the question and therefore inserted themselves into the you part. The ending might not be want we want or expect. And considering the number of discussions the fandom participates in, the number of headcanons the fandom throw around, and the number of fanfics being written and read, whatever ending Neil has written is not going to satisfy everyone. It’s impossible to. But that is the same of any fandom really.

Speaking of fandoms, yes we are collectively nervous for a few reasons. One, for a good month there, we were convinced that the ending of season 2 was what the end of that story was going to be. Then when it was announced there’s still one more story to tell, there was another four months before it was finally confirmed that we were going to get that story. Two, case in point Game of Thrones. I don’t think I need to explain anymore than that. We have been burned before and now we’re worried it could happen again (though I will point out here, Neil has a better handle of storytelling and the love, devotion, and desire to finish a story that is beloved to him and is effectively a love letter to his best friend, compared to two TV producers who got bored and wanted to move onto other projects…). Three, filming is still 6 months away, and the premiere likely another year after that. A lot can happen in that time. So after these experiences, I can appreciate why people get nervous and a little in their heads about things.

In terms of the immediate reaction to what this could mean for the ending itself, I honestly cannot fathom how some people have managed to draw a straight line from “It might not be the ending you want” to “Terry would absolutely hate it”. Like, that just boggles my mind. HOW do you extrapolate that? David then immediately said “It’s a good ending”. So I think it’s safe to say that it will be good.

So let’s talk about endings and what people are mostly worried about.

1) Crowley and Aziraphale become human. This isn’t going to happen. Mainly because Neil has joked multiple times that this is the ending. Therefore if he says “this is what will happen” I’m pretty confident that this is what definitely won’t happen. You know after season 2, I ended up writing my own little fan fiction about them becoming human. I thought it was sweet and cute. Then I saw a lot of people absolutely hate that idea, so I never published it anywhere. Oh well.

2) Either one or both of them will die. Also not going to happen. Something tells me that Neil would not participate in the “bury your gays” trope. I do think that maybe there might be a non-permanent death or near death in the climax. But both will live, I’m positive of this.

3) Sex. I’ve spoken about this before. We’re not getting hardcore sexual activity. This is not the show for that. Neil has said before he’s not into writing that kind of thing. Do I think we’ll get more kissing? Yes. Do I think there will be implied sex? Maybe, hopefully, I’m wishing for it. But there is not going to be actual sex folks. Please make your way to AO3 for your reading pleasure.

4) The South Downs. And now we get to what I’m most worried about. That we won’t get what everyone assumes the ending will actually be. Crowley and Aziraphale retired and living in the South Downs. Will I be disappointed if this doesn’t happen? Absolutely. Will I lament here about it? Sure, probably. Will I send Neil abusive messages about how he destroyed and ruined the ending? NO! ABSOLUTELY NOT! AND DON’T ANYONE ELSE DO THAT EITHER!

So, will the ending be what we want? There is every chance that it will be, but always a possibility that it won’t be. This is the nature of storytelling. You will never satisfy everyone. Will the ending be good? I have no doubt in my mind that it will be. David says it’s a good. I trust him. Neil says it will be good. I very much trust him.

This is a comedy, first and foremost. Comedies have happy endings. Let’s just take a collective breath and believe it to be so.

*by “quick” I actually meant “really long”. Sorry about that.

[mrghostrat]

is the infedelity fic in your fic ideas post flawless? or is there a second infedelity au potentially in the works? also if you want to expand on any/all of the fic ideas you posted, i’m sure people would love to hear about them!! (me. i’d love to hear about them.) no pressure tho!!!

yes that one’s flawless!

i’ve shared a couple before.. u’ll have to hunt thru the #ratwips tag to find them ;) people had a lot of fun with “you’re MARRIED?!” in particular

tho i did forgot to mention Lighthouse in that soft and sweet ask, if i ever write it. the idea for that one is taking my latest original story and writing a gomens version of it. still haven’t decided which version id rather do first (#my cowboys)

original: (south australia, 1891) christian, a 19yo city socialite, is suddenly orphaned, and his inheritance is to be held by his aunt until he turns 21. a spinster with no heir of her own, aunt evie asks him to stay with her and learn to run their lighthouse, so she can pass the duty to someone when she dies. christian hates the small town and the isolation, and especially hates the local drover (cowboy) that delivere their groceries and helps evie around the property. for daniel brown, its love at first sight.

christian learns to love the town, hard work, his family, and himself.

gomens: this is hard bc aziraphale would make an equally good lighthouse keeper and drover. the drover is a cheeky golden retriever with a good heart who loves lending a helping hand. but he’s also a restless nomadic who can’t settle on a single thing and keeps popping up everywhere, just like crowley. he’s also a head-over-heels romantic who teases and tugs the pigtails of his little crush bc the light keeper is so startled by genuine affection

i like the idea of aziraphale giving up whatever dull life he leads and taking up the lighthouse job, for the desire to get away from the annoying clamour of the city, but completely romanticising what it’ll be like. thankfully the local cowboy, crowley, is happy to teach him how to fend for himself, keep the garden alive, and maybe even keep him company when the big storm hits

[50shadesofoctarine]

GO Fics I want to write once QE is finished:

Crowley and Aziraphale having bird-like (angel/demon) instincts but no clue wtf is happening to them. Ranging from cute stuff like their wings popping out when they're flustered/enamoured as a mating display (they have no idea why their wings are spontaneously appearing, nor why it is so important they must be IMPECCABLY GROOMED AT ALL TIMES). To more crack-ish stuff like a stupid mating dance (e.g. the apology dance. Cue the 'why am I horny about this?' thoughts) or nesting. Idk, I just like the idea that they're cared for even at the basest level. Plus I'm a sucker for "IDK WHAT IS HAPPENING TO ME" fantasy tropes.

The bentley x the bookshop, post season 2. This would be a forced proximity fic for A/C through the medium of their sentient houses (I mean technically Crowley lived in the bentley). This one is currently sitting in my WIP folder.

BAMF Aziraphale going apeshit, post season 2. I've talked about it before. Click here to read more.

Streamer!au. A & C are competing channels with a rivalry that the viewers think is more real than it is. C & A are just like "haha, I'm being funny, making jokes about my friend." but they never clarify that they don't actually hate each other, so their fandoms are at war. Half way through, someone in the fandom make an enemies to lovers joke and so A/C becomes a crack ship, much to the mortification of C & A who are working through very real feelings.

Feel free to steal any of these. QE is about halfway done... ish? So I won't be getting to them in a while.

(I've already told @mrghostrat that I'll be doing the streamer!au first, but I'm still mighty curious what you'll want next.)

Link to QE: