#He just wants to do his own thing

[ryhmus]

About My take on OMORI...the character

OMORI...who doesn't know him? He's the manifestation of Sunny's guilt and trauma, the eternally twelve-year old black and white kid who likes knives.

Most adaptions of OMORI usually is seen as 'evil' or as the 'out of control coping mechanism' and go to demonize him. In a sense, they aren't entirely wrong.

(OMORI is a blank slate that which Sunny's negative thoughts just speak through him. It's not necessarily OMORI'S doing on his own, but Sunny's inner turmoil.)

After OMORI is beaten, he's gone and that's it.

That's where I think about it a little differently in a slightly different direction with Noli Mei Oblivisci.

OMORI in Noli Mei Oblivisci is more of a neutral force, from him being ejected into Sunny's old house after his defeat is a bit of a jarring experience for him. He's confused to why he's alive, he's unprepared for this world. But he's not afraid to go and plan ahead anyways. He interacts with the people in Sunny's real friend group with mostly mistrust and bitterness, he knows they had some part in Sunny beating him and destroying HEADSPACE, his home.

His intentions are nowhere near malevolent or benevolent, he can come off as cold or uncaring, but sentience, emotions and feelings are something that-while he is loathe to admit-his friends have adapted to far better than he did. Ironic really.

As for his seemingly random antics throughout the early acts of the story, like stealing a bunch of computer equipment or buying enough Mcdonalds to choke a whale. That's just it really, OMORI has lost his purpose of protecting Sunny, he's trying out new things, experimenting with the real world while attempting to etch out an existence for himself.

OMORI is just ready to go full hermit and planned to live in that room for the rest of his life...

...That is until HEADSPACE'S denizens start to appear shortly after he and his friends arrive. He gets involved with everyone else when he realizes Sunny is in danger. And thus kicks off the plot. Driven by a new mission.

Save Sunny...

Once I post the final chapter I'll start posting more information about characters in the au. First I'll do the main cast.

[heavenbarnes]

thinking about your older bf!simon that cannot cope with being far from you.

when you’re in the shower, he’s sat on the lid of the toilet on his phone (watching those rug cleaning videos) enjoying your faint singing under the stream of water, the smell of your body wash on the cloud of steam- ready to pass you a towel or get your back.

when you’re at your desk, working from home or studying, he’s just on the other side of it reading the paper with one outstretched leg tangled with both of yours. he’s dead quiet when you’re on a call, just happy to be around.

when you’re doing laundry, collecting the clothes in the hamper and crouching to stuff them into the washer- turning around and accidentally colliding with a thick wall of muscle.

“sorry, love”

he steps aside but you can hear his soft footfalls as he continues to follow you throughout your home.

when you’re both watching something on the couch, what starts as his pinky locked with yours turns into his arm around your waist. that turns into your head on his chest, which culminates with you falling asleep in his lap with his cheek on your head and soft snores emanating from his lips.

when you grocery shop, you push the trolley but his chest is to your back, arms either side of you and hands clasped over yours on the handle. you can thank his military training for his uncanny ability to tell exactly when you’ll stop walking.

when he wakes up in the middle of the night, on a rare occasion when you’ve managed to slip out of bed without him realising, he’s immediately in a panic calling your name.

“in here, my love”

as soon as his heart settles, he realises the bathroom light was probably a dead giveaway. you’re taking a wee, you’ll be back in a minute.

that doesn’t stop a sleepy simon from leaning in the doorframe, shielding his eyes from the big light as he waits for you to finish up.

even on the short walk back to bed, you can feel fingers twisted in the back of your shirt- almost like you’re leading the way.

minute you’re both on the mattress, you’re being wrapped up in his arms, slotting you perfectly into the curve of his front- almost like you’re made for him.

(and you are)

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

[First] Prev <–-> Next

[shepscapades]

X isn’t big on hugs, but Doc does what he can. It’s the little things that help.

[mysticruinedme]

I like the idea of Sonic being just as heroic as he is selfish - cuz the core motivation for half of what he does when in regards to Eggman and the world or whatever is going on at the time is cuz he himself enjoys those adventures, and not because he feels some sort of selfless obligation over his natural abilities to do anything that he does.

[puppppppppy]

act 4 :(

@chipper-smol and i came to a realization

[magic-worms]

so like i did not expect at all for my tf2 baboon post to get so popular or to see a ton of new followers from it. but that’s what happened. i can’t believe you guys like isa so much

you like her?? my little baby monkey?? my seven year old sweet little baby typing monkey??? well you’re in luck because i like her too and i haven’t been able to stop drawing her. here’s some family doodles

+ a couple scoutlings ^_^

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[consultingfujoshi]

some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:

it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.

irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.

and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.

but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.

he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.

and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.

it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it

[canisalbus]

Happy non chocolate cake day.

.

[sunny-knight]

MERRY CHRISTMAS!!! HAPPY HOLIDAYS TO ALL!!!

WRONG TIMELINE, UNDYNE-

Saw this image, got the idea, and knew what I had to do.

Rare Undyne and Wingdings interaction! im curious of what she thinks of him with the little information she has, like he is technically her coworker, both being co-runners of the underground below KING ASGORE

And yet at meetings hes either a no show, or his brother is there on behalf of him (I assume, at least)

Either way I had fun making this cause ITS JUST SO FUNNYCDHHBDE and I adore Papyrus and Undynes relationship I really gotta draw something between em. ITS SO UNDERRATED! And a lot of the content I see is really flanderizing both of them so :(

Bonus non blurred version plus some work in progress’

This is why Wingdings doesn’t go outside much…

I wonder what hes thinking about

[fisherrprince]

Instead of writing a fanfic like a normal person this oneshot turned into two separate, contextless things,

[starry-bi-sky]

do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

[musubiki]

.🖤🔄🤍.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will