#HE’S ARGUABLY THE MOST SIGNIFICANT TO THE LORE HERE

[the-mercurial-star-o-vesper]

TF2 COMIC THEORY (and Spoilers)

What, did Zephaniah Mann do?

Look, if there's one thing I know about Valve Lore, is that its really hidden, really coded, and TF2 has been fucking TEASING for decades now.

And as far as I'm concerned...

We know who the mystery man in the rip is... That's Gray Mann, the missing brother. Gods knows he's been teased enough over the years.

But here, I'm interested in...

[ Spoilers below ]

... Where the stinger occurs.

Zephy is not an only child.

Because his brother is Silas Mann, the Headless Horseless Mann. Owner of a mansion, haunting that very mansion. Shown in the first picture posted. They ran "Zephaniah Mann and Sons, Quarterly Munitions" Together.

Its a tradition for Mann sons to kill the other siblings. Its why there was such a rivalry between the Mann twins (erm, Triplets).

Our Admin apparently knew already, was already observing the situation...

She was waiting.

What, did Zephaniah Mann do?

Why does the administrator hate him so much?

Does it have something to do with a little girl...

... Who can't remember how her parents died.

The man in the picture wears a Towering Pillar of Hats. While that's just the TF2 Timeline Aesthetic... there is another significant element.

Its in Coal Town, surrounded by Hales. While its the "Booths" hat, it was around, clearly, before Bilious was a baby--in Barnabas Time.

Zephaniah and Sons would become Mann Co, after being given to Barnabas.

What, did Zephaniah Mann do?

Easy.

He murdered the Administrator's father, Silas Mann, and her mother, out of "Tradition", and then claimed that HE was an ONLY CHILD like the selfish self-centered bastard he is.

And Our Administrator ensured, even through vengeance that lasted centuries, to a point where she didn't even remember why she started, that it would Never Continue.

Vengeance of a little girl who lost her parents.

Arguably, in comic lore, the torn picture isn't exactly accurate anymore.

Because that Gray Mann in the center, and our Mann Twins didn't even know there was a Gray Mann, and in fact, most of the people in the picture didn't even know about him. And if they took a picture, then clearly, someone would've known.

So its more than likely, a portrait or lore symbollic only. Only meant for the fans, to know what we're looking for and Who, about the time of the first Halloween Events.

( Look it took decades to get all the comics, mate, its not gonna be a craft masterpiece. We get what we get. )

[hplonesomeart]

Oh boy wonder what’s on the channels tonight-

Huh a gameshow with a totally mentally sane TV head host and not at all captive actors onboard? Seems like a great watch can’t imagine it’ll accumulate into something gone awry :3

Oh yeah and this was the “work in progress” photo taken earlier before SMG4 cast was included. Elusive bonus feature content on the DVD behind the scenes Mr. Puzzles only edition I suppose

[thecoolerliauditore]

I need your thoughts on Martyn.

Jesus Christ in heaven where to start.

I was planning to write massive essay posts about each of the winners sooner or later, I guess Martyn can skip the queue. As a treat.

BAD traffic series martyn analysis post don't read. LONG POST

note: rules I'm operating by are to keep the analysis primarily traffic-based (although this one's kind of an exception because. mr watcher lore) and I'm not rewatching entire POVs so stuff might be wrong so on so forth

Why is he... Like that?

So before I even start talking about 3L I feel the need to address Martyn's background first because, not unlike alot of the other members of the cast, Martyn's previously established relationships from series like Evo have a significant impact on how he behaves.

This is kind of difficult for me to talk about because it breaks my "no material outside of the traffic series" rule for these essays specifically, but I think it's honestly just more fun incorporating Martyn's off-series lore drops and such into his character instead of leaving them out.

So here's the basis I work from -- Martyn is the most unreliable narrator in a full cast of them. His lore is his character's version of events, not an unbiased retelling.

Whether the Watchers exist and whether they're the same entities present in Evo doesn't matter all that much, since all we know is that they are very real to Martyn, at least. Taking the lore as Martyn's POV also helps iron out some of the more awkward creases it creates when viewing the series as a whole (e.g. Grian's involvement with the Watchers surely means he would reference them himself, yet he doesn't) and lays the groundwork for some really interesting things about Martyn himself when you try to put the dots together on how he arrived at these conclusions. I'll be referencing these as they come up chronologically.

So, without over complicating things, here are the rules I'm playing by when it comes to pre-3L Martyn:

Evo did really happen with the same people, however the exact details are muddy.

Martyn knew Jimmy prior to the games and the two already had some sort of personal connection going in.

We're not trusting a word out of his mouth. Especially if he says them on stream. But we are going to acknowledge what those words are.

With those parameters set, let's move on:

Third Life, and the guy who gets a little too into it

Like Grian, Martyn immediately acclimates to the game's survival-based mechanics. Martyn spends a good chunk of the first session of 3L seemingly aimless, but he makes observations and choices throughout that show he has survival at the back of his mind (e.g. him quickly establishing an alliance with Grian and Bigb while sneakily putting them in his debt through the diamonds he finds early -- even if this doesn't end up paying off to anything).

Unlike Grian however, Martyn less desperately clings onto a need for an edge to survive and seems almost comfortable in playing the game. A running theme for him throughout all the seasons will be that he seems to feel most comfortable when he has some amount of unspoken power over others, whether that be something as silly as testing the waters with his creeper soundboard or later when he starts playing 4D chess with himself in regard to his loyalties.

"Power" might be not exactly the right word for what Martyn yearns for, but it's the best word I can find to really describe it. He's always the one with a card up his sleeve or a plan B or, arguably most importantly, the one with control over the situation and responsibility over his own and others' wellbeing.

In my mind, at least, I think it might be a consequence of Martyn actually being quite sensitive in terms of relationships and having this very deep-seeded need to protect his loved ones from harm but lacking the emotional intelligence necessary to allow himself to be vulnerable about those feelings and communicate properly. So instead he finds some way to protect himself emotionally (usually overdramatic and makes him way worse) and treats everyone including himself with a level of un-seriousness that alleviates the tension for him.

If I were to dig deeper into this specific point I must say Martyn seems to have chosen to perform a very specific breed of masculinity, with his constant agonizing need to protect and lead while not having to confront his own perceived weaknesses, and alot of his insecurities and frustrations come from being denied that husband-y role to play.

His interactions with Jimmy early on in 3L portray this side of him quite plainly. After seeing Scott hit him around at Renchanting, Martyn gets Jimmy alone and asks him if he's okay but after Jimmy dodges the question, Martyn quickly becomes frustrated and starts acting very overdramatic (e.g. threatening to cut Jimmy off, "I can't look at you", so on) even as Jimmy keeps insisting they keep talking.

In my humble opinion, it's clear to me from how he speaks to Jimmy in this scene and further on, and from his referencing of their Evo relationship, that this is these two's established dynamic - the way Martyn dramatizes everything feels almost as if he were making a joke of it, teasing Jimmy, almost akin to how an older sibling or very old friend would act. It's possible that Martyn didn't expect Jimmy to take any of his threats seriously (although he definitely was laying on the pressure to try and get him to agree in the moment) and that's why he's so taken aback when Jimmy does act almost afraid of him from this point forward.

Not once does Martyn ever verbalize his own feelings regarding the matter. He never says that he's scared or worried for Jimmy, or even makes any sort of subjective judgment on Scott's character for hitting Jimmy in the first place. He makes it all about Jimmy, never communicating *why* he is doing what he's doing which ends up giving off the impression he thinks he knows what's best for him, which of course never communicates to Jimmy that Martyn cares for or loves him and ends up pushing him away as a result.

Speaking of Scott, despite Martyn clearly not approving of the way he treats Jimmy (judging from the aforementioned conversation and his later lore streams where he essentially calls Scott and Jimmy's marriage a sham), he does not ever act antagonistically towards Scott. Which I think is indicative of another key trait of Martyn's - an almost uncanny ability to push aside his own feelings at least momentarily for the sake of the game.

Martyn does not speak badly to or about Scott. He even explores the nether with him very early on and the two literally joke about trapping the Flower Valley and killing Jimmy together.

I think there's an understanding and perhaps a level of respect, on Martyn's end, towards Scott. One of the first observations he makes about Scott's base, after all, is its defensive location and Scott, like Martyn, values his own competency and likes to pretend he's more emotionally unattached to his partner than he really is (the parallels between Martyn/Ren and Scott/Jimmy are even somewhat lampshaded by Martyn himself when he refers to them as "my red" (Ren) and "your red" (Jimmy) later).

It seems that Martyn doesn't dislike anything innate to Scott's nature, and even has love for his manipulative traits. If it were anyone other than Jimmy Scott was hitting, I'd argue, Martyn wouldn't have raised a fuss about it. Not to mention, there's also a sense of "keeping your enemies closer" when it comes to these two, as both seem acutely aware the other is useful on their side and a threat anywhere else.

I'd argue despite the fact he's able to push his dislike towards Scott aside, he definitely still feels spiteful towards him, as he ends up hunting him down pretty mercilessly come the end of the series (after Jimmy dies too - so perhaps there was also a level there of feeling the need to put up with Scott beforehand as he was Jimmy's only ally, but now that Jimmy's gone there isn't any need to be friendly with Scott anymore.)

Now onto the heavy-hitter Martyn 3L relationship - his dynamic with Ren.

I'll be honest I think most treebark shippers have summed up their relationship way better than I could. You could probably go into the tag and see thirty eight analysis posts more indepth and accurate than mine. However I will say that one thing I see rarely mentioned is this very obviously being Martyn's first time meeting Ren (I'm talking about characters here but here is your acknowledgement this is definitely a result of this literally being the case for the CCs).

He's not used to Ren's mannerisms -- during their first meeting, Ren says his usual "ex-squeeze me" (instead of "excuse me") and Martyn responds "no thankyou, I'm married". Not to get too into it as this is The Martyn Post but Ren's POV would imply the same since he sees Martyn's name in chat and he immediately starts theorizing about what kind of player he is.

I think Ren essentially being a stranger to Martyn at the start of the series makes it easier for him to act manipulatively and keep him at arm's length, as well as be in denial about the whole emotional attachment thing. For so much of their alliance during 3L Martyn is acting, performing to match Ren's vibes, except he's not.

^this quote and the concept of freudian slips informs like 88% of my worldview, if anyone's wondering why I'm. like that.

"The Hand" is very much not how Martyn naturally acts or behaves, down to the change in speaking patterns. It's a persona that I think both Ren and Martyn never take too seriously or mistake for Martyn's authentic self, but it's also something Martyn uses to express his innermost feelings he disallows himself from usually. Yes it's all silly even in-universe but I think there's something special about how he constantly expresses his devotion as The Hand, even if he's doing it with a layer of irony. Plus, I think it says something that, jumping later in the timeline, his flashbacks in LimLife are much more true to the character of The Hand than Martyn himself.

This section is already long enough but I do have to mention Bigb, Grian and Scar or I'll explode.

Earlier on, I touched on Martyn giving Grian and Bigb diamond swords early and it being an attempt to leverage an alliance between them. This I admit might be a slight reach however the reason I say that is Martyn continues to pursue Bigb and Grian as allies throughout the season.

Bigb is cut and dry enough, he ends up floating around the outside of Dogwarts as a not-quite-member after the siege in which pretty much half the sever were antagonized by Grian and Scar. I'm probably not the person to thoroughly dissect Martyn/Bigb but there's something interesting there about how alot of people tend to have this general fondness towards Bigb and Martyn is no exception.

As for Grian, Martyn acknowledges that Grian is responsible for the siege, possible moreso than Scar, but keeps questioning how "gone" he is, worded as if he believes Scar is manipulating him. I've seen people compare this to how he acts towards Jimmy and Scott which I can definitely see the throughline. However, I think while both are an example of Martyn's protector/saviour complex, they are innately different due to Martyn's relationships with both the perceived victim and captor in each case.

Despite Grian also being an ex-Evo member, Martyn does not act towards him with the same familiarity he does with Jimmy. He also brings up Grian's welfare with Bigb and not Grian himself, with Bigb being the other person involved in their earlier established sword alliance. To me, it feels as if Martyn is more testing the waters for if he can still get Grian on his side than out of any genuine concern for Grian, although it is possible he's projecting some of those leftover feelings regarding Jimmy's situations onto Grian and Scar.

The other reason is, I think, Martyn might genuinely be afraid of Scar himself and villainizing him as a result. Everytime Scar shows up in Martyn's POV he's paired with tense music and sporadic editing that makes him appear more unhinged. Martyn has also said on tumblr he found Scar intimidating at the time, which is of course a dubiously canon source but I find it applicable enough.

It makes sense, too. When you compare Martyn's treatment of Scar vs his treatment of Scott. These are both people he has recognized as real threats and he assumes both are manipulating their respective partners, but while he remains friendly (at least outwardly) towards Scott he's constantly wary of Scar, drawing weapons on him pretty much on sight even before the siege.

I think Martyn fears Scar because he doesn't understand Scar. Scott is someone like him who he knows the inner workings of, or at least that's what he believes, so while he doesn't care for him he doesn't feel a need to keep him away. Martyn always assumes a level of coordinated malice from Scar that is more than often either completely unfounded or a result of something originating from Grian (my favourite example of this is, right before the siege, Scar wanders over with his bee on a lead and Martyn starts yelling "he's got a bee! what does that mean?!" as if expecting the bee has some pvp reason behind it. when scar just wanted to have a bee).

That isn't to say that Scar isn't malicious - Martyn is right like 90% of the time that Scar's not-so-subtle friendly hellos have some sinister plan behind them, but he doesn't ever truly get that Scar isn't the evil mastermind he thinks he is.

I'd argue this fear is what also makes Martyn not pick up on the fact that Grian is the more manipulative one out of the two - something that even Scott seems aware of - because he never spends enough time with them on friendly terms to be aware of that dynamic.

Last Life AKA big brother syndrome in full blast

Okay that was a long ass section sorry lmao have to establish everything there. Everything from here on is gonna be a lot cleaner I swear.

The Southlanders could honestly have their own ultra-long post about how they're the perfect disaster team-up lord of the flies esque situation the series has to offer.

Impulse, Grian and Martyn are all similar in that they understand they have to play the game a certain way through keeping their loyalties dubious while Mumbo, as a newcomer, is extremely naive and goes along with whatever the more assertive members of the group say. And Jimmy is Jimmy.

Martyn takes on a leadership role within the group, being the one to constantly spearhead their humour and come up with new often disruptive plans (usually targetting Scott because he totally isn't spiteful still, albeit in a very playful way). After Joel traps their base with tnt minecarts, Martyn is the one to keep everyone else back and disarm them, a huge contrast to 3L's siege.

Their group embraces the rules of the game - if you turn red, as Grian does early on, you are kicked out from the group as a threat. There's this sinking feeling throughout all their spyglass shenanigans and life-trade trust exercises that this is still an alliance in a death game and if you prove yourself to be a detriment, you will be kicked out.

It's no wonder than why Jimmy, who gets his usual bottom of the barrel treatment, tries to run away with Martyn's life during one of their trust exercises. He's been shown at this point he can't fully trust the Southlanders to protect him forever -- how could he, when Martyn, again, never slips in any sign of affection between the teasing?

To Martyn, however, this is a betrayal of his trust. His plea to Jimmy to return sounds a lot like their conversation back in 3L on the snowy mountain regarding Jimmy and Scott, except this time Jimmy accepts Martyn's offer and Martyn tells him he was lying, calling him an idiot for believing him in the first place. This is probably the harshest Martyn acts towards Jimmy in the series, but it's worth mentioning that to Martyn the timeline of events goes he offers Jimmy his protection and alliance--> Jimmy refuses--> Jimmy dies (which Martyn probably sees at least partially due to said refusal) --> he gets Jimmy back and does everything in his power to keep him safe --> Jimmy does the equivalent of *killing him* and tries to get away with it.

Martyn still obviously cares about Jimmy despite being upset at him, as after his usual dramatics and declaring a trial for Jimmy in which each of the Southlanders vote on his fate, Martyn still votes to keep Jimmy in the group (again, something Jimmy is never made aware of).

Possibly partially because of the Jimmy incident and the overall dog-eat-dog culture of the Southlanders, Martyn does to them what he never managed with Dogwarts - betrayal. At least, on some level.

Ironically, it's Ren he betrays them for, forming the Shadow Alliance and even giving the life Jimmy had attempted to steal from him to Ren instead. My read of this has always been that it supported Martyn truly being happy enough for Jimmy or someone else to have his extra life, but Jimmy's act of betraying him itself being what hurt him.

I think now's a good time to start mentioning the Watcher Lore, as here is where it starts kicking into gear. Martyn's claims of emotional bonds not carrying over from previous seasons is not only a very natural progression from his emotional distancing in a coping mechanism sense, but also enables him to betray Ren too later on and not have to confront the guilt that comes with that when he tries to lead him into a tnt trap in the final 1v1v1v1. However, he still cheers for Ren as a ghost and even says that he would be happy to see Ren win, indicating he really does not hold any malice towards him.

I've seen people make jokes about the watcher lore being Martyn schizoposting and I'm sure I've made similar jokes in the past but. Speaking very genuinely here Martyn's questionable sanity is a big part of his character to me.

His Episode 8 of LL literally begins with him acting out the usual running joke of him stealing Mumbo's intro, except Mumbo and Jimmy are dead at this point and he is doing their voices and talking to himself. When the illusion is broken, he panics and the video immediately cuts to him running around obviously distressed with a disembodied voice demanding things from him.

I'm obviously not authorized to diagnose every single one of Martyn's many mental illnesses, but I think mentally breaking down in a timeloop death game is a fairly average thing to happen to someone, and Martyn might be especially susceptible due to his aforementioned need for power and responsibility in every relationship (i.e. I'd like to think he feels some helplessness/guilt over Jimmy and Mumbo's deaths, leading to this sequence).

Not to mention, someone who is emotionally vulnerable coming up with a nebulous Group of Evil People who are the source of all the bad things in a helpless situation of violence is. Something that happens historically quite alot. To try and find reason in the madness is just a human instinct, I think.

One thing I feel like I should mention is his "marriage" with Mumbo which. I honestly don't see as anything more than a gag. Not that Martyn isn't a massive hypocrite but "marrying" Mumbo would be very much contradict what he has to say about Scott/Jimmy's situation. I do think he cares for Mumbo and potentially Mumbo's naivete served as incentive for Martyn to put on the usual assertive/provider role but I don't think there's much more than that (no hate to the shippers, tho, if they knew eachother for like a week longer they would've kissed)

Double Life. Oh no

Double Life Martyn is one of my favourite POVs in the series because it is. Hilarious. Unfortunately.

To start off, he is one of the players who almost immediately accepts the soulbound system as romantic and his views on Cleo/Scott's relationship are heavily based on that (I love that one clip where he mocks them in front of Jimmy).

Him acting flabbergasted at Cleo rejecting him despite pretty much having no relationship with her prior to this season is a really funny contrast to Scott and Pearl, especially when he continues pursuing her like they're recently divorced and Cleo's just like. rolling her eyes. It's all very performative on Martyn's end and why I mentioned his sense of masculinity at the start, because in theme with DL being The Feminism Season TM this is when it comes full throttle in display with the way he treats Cleo.

Martyn keeps referring to himself as a "provider" and refers to Cleo's relationship with Scott as "childish" -- Martyn trying to win over Scott's partner to his side, assuming he knows best for the partner and calling their relationship a sham? Does any of this sound familiar?

Cleo is not like Jimmy, however, and is very clear to Martyn in terms of what she wants from him - which is an apology, no diamond swords or heart-shaped houses, but Martyn in all his emotional denseness can't understand this and keeps assuming there must be some hidden strings attached.

I couldn't find the original meme I had in mind but these are within the same genre. The one I remember had captioned something like "dads don't say "i love you" but they will buy ten boxes worth of the fruit they overheard you say you liked once", which pretty much sums up Martyn's emotional intelligence to me. He would much rather give you way too much of something he thinks you need (e.g. with Jimmy the playful teasing, with Cleo the acts of service) than just say "I love you".

Cleo's blunt honesty serves as a stark contrast to Jimmy and brings something out of Martyn that we rarely ever see -- a genuine, vulnerable interaction in which he has to admit he's hurt. Cleo immediately denies him the role of rescuer he wants to play by telling him directly that she, not Scott, was the one who came up with the idea of teaming up and even gets Martyn to verbalize he's hurt by their actions and cares for her.

Once that illusion is shattered for Martyn and Cleo even admits she's acting manipulatively towards Scott, Martyn realises he and Cleo are more alike than he initially assumed and that he doesn't need to take care of her like he always tries to with his relationships. Ironically, the one relationship he has that is born almost entirely out of government mandated performative romance, is the one that gets him to examine how he views people especially his romantic interests the most.

This is, of course, all said with the fact that following this very heartfelt moment, the next time he speaks to Cleo he pushes her off a fucking cliff and kills her in mind. And the fact that he was very much beating the shit out of her and even called their relationship "toxic" himself early on in the season.

It's kind of hard to gauge Cleo and Martyn's relationship from this point forward but Martyn definitely chills on the namecalling and cooperates with Scott and Cleo for the main part going forward.

I think it's also worth mentioning that, despite Scott once again being the object of his spite, Martyn is once again friendly with Scott all season. When he catches Cleo and Scott mid-axe crit, it's Cleo he starts hitting and not Scott, despite them both being responsible. Behind his back, Martyn will claim Scott is "ruining" Cleo but to his face Martyn is always respectful. He actually even calls Scott "pretty"/"hot" in the last episode, which has some implications I'll talk about more in the Limlife section.

Martyn, like everyone else, is weird about Pearl. Uniquely in his case, Pearl isn't a witch nor demoness, but rather a non-factor he seems to have had written off and her triumph in the end comes as a shock to his system.

He dismisses her concerns over and over in the first episode as they are exploring together and, instead of seeing her as a natural source of allyship, doesn't value her enough to keep her around as an alliance even after Scott and Cleo dump them. In his heart to heart with Cleo, he even very randomly speaks badly of her, although he immediately seems to feel a bit of guilt over it.

He never seems to view Pearl through a sympathetic lens despite the two being in the same circumstance and, again in the same conversation with Cleo, they both agree that she could act as essentially a pawn (an "extra healthbar") for them like Cleo uses Scott.

I feel the need to clarify that while, yes I do believe Martyn is Weird About Women, I also do think he's honestly above average and sees them more as people than some other men in the series (note: my standards are not very high)

He sees most people as nothings that can be manipulated or competition that also can be manipulated, it just so happens that all the women in the series so far land squarely in the former and it took Cleo saying to his face "I'm taking advantage of Scott" for him to realise she wasn't a victim. However, even afterwards, he never treats her with the same competitiveness he has for people like Scott and Scar (albeit it makes enough sense in this season since she's attached to his healthbar, but this remains the same for future seasons). And as a reminder, he holds respect for those he deems as threats, which might have something to do with why he feels comfortable hitting Cleo but not Scott.

As for Ren and the Broken Hearts Club, they didn't get a lot of time together this season since both were preoccupied with their own soulmate dramas and being awful to Pearl but what we do see of them ranges from heartwarmingly nostalgic to a little bit hollow. Martyn saying to Pearl that they're the same at this point doesn't really read to me as him being truly sympathetic since this is post the "you should go use pearl as your second hp bar" conversation and Ren is way too busy to deal with the emotional turmoil of what's going on between himself and Bigb to really pay attention to Martyn.

Ren is still very kind to Martyn, especially considering the last time he saw him in LL Martyn was trying to kill him, but there's an emotional gap between the two that's very noticeable at least to me when compared to 3L and LL.

I think Martyn, at this point, convinced of his own "emotional bonds don't carry over seasons" logic, might be a bit too comfortable on relying on Ren. In both DL and LL he runs to Ren when his current alliance gets shaky and Ren is a source of definite comfort for him (as he said so himself on stream). Ren, as a source of comfort, is not a threat to Martyn aka not someone he needs to keep tabs so when said source of comfort falls through the gaps, you get:

Limited Life. The one where he compares himself to Joffrey from GOT

I don't think I have much to say about LimLife Martyn that hasn't already been said.

I will say I don't necessarily think Majorwood is purely his rebound relationship from Ren, the Mean Gills forming is very much not OOC for either Scott or Martyn (this is pretty much how they acted with eachother at the start of 3L) and their resulting give and take coworker-esque dynamic is a very natural place for them to end up from their previous interactions. Scott, like Martyn, tries to shed his emotional attachments with each new season so they are, in a very literal sense, making eachother worse by reinforcing that habit by normalizing it to eachother.

However, the parallels to their respective 3L partnerships I can't blame people for pointing out, right down to Martyn killing both Ren and Scott in the seaons he was teamed with them and the latter being happy about it.

I think it's time to say what I've been implying with Scott and Martyn throughout this whole thing and that is that they are eachother's ideal ally. They are both aware of the game, play the game, emotionally distant, manipulative and make themselves suffer more for that mindset. I don't think there was ever a moment in their allyship where either assumed the other wasn't going to stab them in the back later, despite the mutual respect they have being very real.

Martyn spends a lot of time this season just wandering around talking to various people, alot like how he acted in 3L before he and Ren became an official thing. It's almost as if, without Ren there, he loses his default go-to guy and is once again sizing up the competition around him.

The one exception I would say would be his interactions with Cleo, who he seems genuinely friendly with, even offering himself up as a "godfather" for the Clockers before the whole server became some form of extended family. You'd think this alliance would also have some basis in the ever present Scott/Cleo alliance but Scott's constant sacrifices for the Clockers are never discussed between him and Martyn, in fact the two of them rarely talk about anything ever past base-building and dolphin-wrangling, and the Clockers seem to treat them as two seperate entities rather than an alliance (e.g. Bdubs seems almost entitled to Scott's life after a certain point, but none of them ever even consider asking Martyn for time).

That, and of course the fact that Martyn kills Scott very unsympathetically towards the end, really point me in the "Martyn is still spiteful towards Scott" direction -- after all, alliance or no alliance, I don't think Martyn would want to be in the conversation with Scott where he tells him about his "love you back" exchange with Jimmy. Martyn certainly respects Scott, loves Scott I'd even say, but I don't know if he actually likes Scott.

I think it's also interesting that it's this season where Martyn's Watcher Lore interludes make a return, just in time for his source of comfort (Ren) to be missing.

Re: the watcher lore the comment Martyn makes about swapping out souls of players who are too "damaged" is very in line with his DL seeing women (and "weaker" men like Jimmy, Mumbo and, of course, Ren) as default victims as, knowingly or not, he implies through this that all the women in the series have souls too weak to withstand the horrors. This also in turn implies that he himself is not broken, which I think he'd like to believe.

Secret Life. It's happy again :D oh wait no

Secret Life starts with Martyn kissing Jimmy. I feel like we moved on from this way too fast in general I mean on the cheek or not he did kiss him he did literally kiss him.

I'll be honest I think the Big Dogs POV is the one I'm least familiar with out of all of these but from what I do remember it's very nice to see Martyn and Jimmy settling back into what seems like their Evo dynamic or even their pre-horrors LL dynamic.

Unfortunately Jimmy is not Cleo and thus cannot get Martyn to be the slightest bit vulnerable, so their dynamic remains stagnant and neither acknowledge the awkwardness that still resides between them.

Jimmy is at least very clearly holding onto some discomforts, judging by his behaviour late in the series when he acts aggressively towards Pearl and celebrates Lizzie dying. He even chases Scott down with a sword on horseback earlier on and, very early in one of Pearl's episodes, he quickly switches between sounding sad and angry.

It's clear to me at least SL Jimmy has reached some sort of breaking point, and this never gets acknowledged by Martyn (I like to think he just lacks the EQ to deal with it). This all cascades into Jimmy attempting to kill Martyn and running away before dying.

SL Martyn feels almost like, to me, the 3L Martyn who successfully convinced Jimmy to team with him and the disaster that comes with that. Martyn certainly has continued to be his survivalist self, not trusting outsiders to the point where when the Wither/Warden combo is unleashed, he immediately assumes they're picking off reds and goes to hide.

Weirdly enough, his protective tendencies towards Jimmy are pretty much gone. It's almost as if when he doesn't see an active threat (e.g. Scott) he assumes things must be good enough and leaves it at that, which also implies he can't comprehend that He might be detrimental to Jimmy himself.

Obligatory. Yes he still misses Ren. Him literally basing his alliance concept off of dogs is. hilarious. I'm so sorry babygirl.

Real Life is, again, non-canon to me but turns up the "dad who buys you 45 mandarins" energy to 11 with him being Ren and Skizz's pseudo-dad. I love Ren having a crisis about his own RP btw it's the funniest thing and he does it like. Everytime.

Uh yeah I hope that's long enough

[fumifooms]

Dungeon lord Chilchuck

What would his wish as a dungeon lord be? What would he be like? Headcanons & speculation post for fun. But I’ll start with analytic lead up because that’s always fun for me, though feel free to skip and skim.

When it comes to what Chilchuck’s dungeon lord desires could/would be like we have mainly 3 hints: His nightmare, his succubus and what the winged lion says to him.

Why: — From what we see nightmares are based on the person’s worst fears and insecurities, both Laios’ and Marcille’s nightmare were closely tied to their dungeon lord wishes (Laios’ dream monster being summoned to crush the ghosts of relationships that represented the pressure to fit in and belong, Marcille seeking control over death and aging through magic to avoid loss), the fuel behind their desire/goal if you will. Fear and deep-seated desires are seemingly closely tied, something also supported by Thistle and Mithrun’s reigns as dungeon lords (Thistle proving his worth through fulfilling his given duty + protecting his loved ones, being listened to instead of having to listen, Mithrun escaping rigid two-faced elven society and living in a wonderland where he has no enemies and he’s loved, free from everyone he knew yet propped up by the person symbolizing his brother being chosen over him, the bastard child).

— I’ve talked about the significance I assign to the succubi often by now, but rundown: What we see of each character is all very telling if you care to listen, it shows not only someone’s "ideal form" but what they want from it. Izutsumi’s is familial, offering a hug and comfort, Marcille’s is romantic with a character she knows and loves, offering a kiss on a hand and a connection regardless of how distant it actually is, and Laios’ is platonic, arguable at first but then Laios’ fear of judgement is placated and he is offered the picture perfect friend group that accepts his interest (if you want my full look at Laios’ succubus go here). They take on the most alluring form, most ideal person of their victim, even uncovering deep subconscious desires, so precisely and effectively to the point it leaves victims physically frozen before the object of their desire. Succubi and the demon are themselves tied in lore and it’s easy to see how similar their core skill are. Succubi don’t give a good idea of what a character would wish for on their own but they certainly give hints on what they crave, regardless of how you want to read it.

— Last bit is self-explanatory. To placate Chilchuck and win his compliance over, the monster that reads your soul like an open book offers to give him something specific. But! It’s also important to remember that the lion isn’t offering to fulfill Chilchuck’s dream world wish here, it’s a second prize, because his goal with what he promised Laios is that they’d stay in this world, away from everyone and everything else. Chilchuck wants to get away but is kept back, and it’s here the lion placates him with "hey it’s okay! You can’t do that but I can still give you this! This is enough right? It’ll make everything easier on you".

What each bit says: — Long version in another post. Tldlr: His daughters and family are obviously important to him, and this reinforces that he takes on the role of protector a lot, he’s constantly worried for his party members’ lives and implicitly his family’s. Safety and stability, both economical and otherwise, are his core values and goals, and he berates both others and himself if someone fails on those fronts. Here, there’s the fear of not being enough, of not having been able to protect, and of course of loss.

— Chil’s succubi are obviously sexual, and not only that but agressively and straightforwardly so. It’s not like Marcille’s where there’s personality involved, all they do is give him sultry looks and pretty smiles before jumping on him. His succubi aren’t like Izutsumi’s, always the same exact person and appearance, so it’s not someone but an appealing general idea. The idea of a sexual being he can regard as simply a gorgeous piece of meat and a good time no strings attached. In my interpretation, especially with my reading of Laios’ succubus where even with deep-seated desires negative emotions can be too intense to effectively freeze a victim, I think this doesn’t contradict his character. Relationships have been painful to him in the past, in the succubus scene when his wife gets mentioned his immediate reaction is to yell "Don’t bring her up now!", like with his habit of drinking and as a tallman liking his senses feeling dulled, it’s about not having to feel emotions with how difficult they are to deal with sometimes and just feeling good, or at least not having to think, for a while. If a succubus showcases someone’s ideal connection with an ideal person, then Chilchuck’s is with a pretty person that doesn’t stir any negative memory or drama, someone low stakes and low maintenance that doesn’t require him to manage or talk out feelings because there’s none involved in the first place.

— Once more, wife and family are important! He does long for his family, not only his wife but his daughters, and vice versa. This suggests not only that he wants good relationships with them but that he wants them to be with him, a family life. Far from the cut communication they all more of less have during canon, and perhaps far from their life pre-canon when he worked away from home a significant amount of time. We’ve seen recreations of people by the winged lion before with doppelgangers and monsters (naga), and though he claims he can make satisfying imitations, what we’ve seen is that they base themselves on the best memories of that person, like with Marcille’s dad, or twist behavior to be more pleasant, like Mithrun’s lover (and possibly twist appearances depending on the person’s view of them, but that’s Mithrun analysis). The line does suggest Chilchuck would want his family members as they are in reality and not idealized versions, but the circumstances are chaotic and urgent enough in the scene (and again the lion isn’t fulfilling Chilchuck’s wish but trying to make him content for Laios’) that it could just be the winged lion saying what he needs to to convince him the fastest possible, and like we see with Laios that can crumble to give way to deeper or more complex desires.

On top of that we just have general info on Chil. How does Chilchuck deal w his issues? What does he like to do? He likes alcohol and ignoring his problems. We have to remember there is a split between what someone would consciously wish for and what their soul uncontrollably irrationally craves. As always with Dunmeshi, there’s a narrative of irrational deep-seated desires vs active wants, what you crave vs what you strive for, what you dream of vs what’s actually good for you, the animal vs the human inside you, heart vs mind. Chilchuck craving a harem of hot babes in his fantasies but wanting his family life & wife back again is not mutually exclusive. You may crave becoming a monster and tasting what humans are like a little but still want to save the world & your friends more.

Btw can we adress the irony of him terrified of being the last one alive, of being left by his daughters and wife, of having left and coming back home one day to see everything gone or rampaged, yet not caring about dying of liver failure himself, knowing every time that he enters a dungeon there’s a real risk he may not come out. Die somewhere I can’t see you. I prefer leaving you than being left behind. He’s selfish and shortsighted like that… Chilchuck is selfless in many ways of course, but perhaps also due to his own relationship with his parents, he often undermines the effects he has on others in his relationships, both the good and the bad (he talks himself down about being cowardly and greedy yes, but never hints at his bad health habits, alcoholism and starving himself, may have affected his loved ones, doesn’t question his wife falling into a bad mood the night before she left, and talks about the possibility of dying here and there very casually, though obviously he tries his best to stay alive when it doesn’t concern his health).

Chilchuck king of "Let me just avoid and ignore my problems surely they’ll go away, things might work out and if they don’t well tough luck I’ll survive and I probably deserve it anyways". If I don’t look at it it will dissapear <3 Why care when you can simply not think about it.

You might not understand Mister "my love will stay strong through months of work travel and also 4 years of separation" and Mister "well idk my siblings and me are kinda strangers and my dad is dead but that’s kinda whatever", but typically relationships need some form of maintenance and emotional availability…

The actual headcanons finally

I kinda have 2 routes in mind for dunlord Chil and both of them are centered on "I care too much, i wish things were easy", so first is a lot like his succubi, it’s full on indulging in his guilty pleasures like alcohol and bodies and it’s to keep him in a constant state of thrill and euphoria and distracted, unfeeling about stuff that really matters. "Nothing matters except that I’m enjoying the moment!" vibe. He gets to live a life worthy of Dionysus, with alcohol and women and debauchery and like— never having to think again, never having to feel anything but pleasure again, never have to feel guilty or shitty or angry or sad. He has a harem and gets everything on a silver platter.

Breaking news demon magic-induced rush of euphoria and power still not enough to cure this man of his self-hatred nor his capacity for thought!! But in his case a state of euphoria is what he seeks I think, to kinda mask or replace the Everything Else.

The other is what I think closer to what canon suggests, with what WL implied too with "I’ll make you a new wife and kids like the originals!! 😊", it’s a (spoilers) Wandavision type thing where it’s a slice of life where he’s never at work and always at home and the family eats lunches at the dinner table together and everything and everyone at any moment is just. Happy. No issues. It was all a dream, this is real and everything is fine and your family is perfect and happy. I like to think the timeline would be wonky, his daughters would fluctuate in age, but he’d want to be there for what he missed, would want them to still rely on him and look up to him like when they were young, would like to forget that they’re now independent adults and the distance that grew between Chilchuck and his siblings is happening between them as well. Chil would want doppelgangers of his family imo, at its core just a general wish for a peaceful happy family life with no drama, no need to compromise, a little paradise of unconditional love and no consequences. It’s for sure straightforward, but Chilchuck is a man with straightforward desires…

But see Chilchuck is a greedy man, and he wants it both ways without having to sacrifice anything or expanding any efforts himself. He wants to have his cake and eat it too. I think playing with these two opposite directions and mixing and matching is most fun. Him leading a life where he indulges in all his worst habits while still having everything he wants… Him getting to have BOTH his wife and any woman he can imagine up, his life like two sides of a coin he can flip at any moment where he’s partying then he’s at home enjoying the quiet and his toddler daughters playing with toys on the carpet. Christ when you remember it’s all an illusion that’s terrifying, the doppelgangers and succubi from the winged lion playing chilchuck ping pong.

A safe little haven both security-stability wise and emotionally. Gets to have both the relaxing and the thrilling in any dose he wants, mixed or separatedly. What I’d argue he had pre-canon too: Can live it up in taverns away from home, stays away from home for long periods of time, and can come back to home aka the symbol of relaxation and safety whenever he decides to. Something he can leave and come back to at will, an anchor he can trust in (until it’s taken from him and his wife leaves. Or in his worse nightmare people rush in and kill his daughters). The ideal of a house and family to a working man, perhaps…

I think it’s fun to think on wether or not these desires would be interesting at all to the winged lion… In canon he seeks out "rare/complex desires", common simple things like I imagine riches, sex, substances and pleasure would be are boring to him, he’s eaten those so many times already. So perhaps he wouldn’t last long as a dunlord, the WL would want to eat him fully quick, can’t keep him interested or waiting long for a meager meal, too much effort raising the cattle and too low quality meat. By making it more twisted or layered Chil’s desire would become more desirable to the demon, it’s part of what’s fun with the third option to me. But whatever. Has he ever eaten a guy with this much repression and self-sabotage... Like trying to get the meat out of a walnut, enrichment…

Other dunlord Chil takes I’ve seen that are fun and good:

@feelo-fick and @pluvio-floret have a dunlord Chilchuck AU project dubbed "tragedy AU" where Chilchuck is said to be "on vacation", in a weird delirious state, only half-there half of the time… From which he doesn’t want to wake up </3 Quoting Feelo, this is why the vacation thing is only a half-joke cause he is 1) letting all his responsibilities go 2) indulging in himself and 3) "spending time with his family" <- lie but you get what i mean. Additional comments that have me vigorously nodding: because changing is hard why cant things just be okay right now without the effort !!! Life is hard he’s so so tired he just wants to feel good… he just wants life to feel nice and easy for a sec while he can learn to breathe again and lose the stress and trauma he’s accumulated…….. spoiler alert yes !!! in fact a depressed person can suck themselves into their job and lock out the world who wouldve thought !!!

And then Cabinette I know posted about his dunlord take once but I don’t have the link, in which Chil has a lot of nosebleeds because of mana overload which is fun and interesting to think about imo~

In dunmeshi, where characters get underground pockets of the world as their playground disconnected from everything outside and the rest of the world, it’s important to remember to face reality even if it has conflict and people with different views and stances from you, it’s something Chilchuck and Marcille and everyone needed to learn, and the thing with a dungeon lord AU is that you imagine a timeline where he fails to <3

A timeline where his dungeon lord wish is to desire nothing bc hope and want has only ever hurt him would also go so hard. Very universal thing though I suppose.

… And this is why a Chilchuck-centric Coraline AU is really really interesting and fitting and topical— Ok that’ll go in a separate reblog/post at @Fumiku I need to let this end

[bullet-and-brain]

here’s a rant abt dan heng’s rating pistol results and why they’re weird (bc they are. there’s no doubt that most of the numbers are pop culture/history/etc., but that’s not to say that they don’t have any significance). so if you’re interested uhh look under the cut (i hope i did that right)

there are currently six playable characters who, upon interacting with the rating pistol, are deemed ‘invalid’:

• acheron

• jing yuan

• feixiao

• luocha

• march

• sampo

it’s a pretty widely-accepted theory that these six characters are emanators, seeing as each one is either outright confirmed (acheron) or hinted at in some way, largely through innate connections with their respective paths.

seeing as herta, another confirmed emanator, isn’t on the list, it would seem as though this theory is false, right?

no!!!!! ! i’ve seen people claim that the pistol wouldn’t be able to give her playable form an accurate rating, due to the puppet body she occupies- it would make sense for the number to be misleading, because her true soul is, arguably, not present within the puppet, especially considering how many clones there are.

i don’t doubt this honestly. dan heng’s 5* form prompts a revelation from the pistol that it didn’t detect from his human form- albeit with the same number, but herta’s case is vastly different, as outlined above.

his 4* form is given 88 points (with a question mark at the end, though i truly don’t remember it being there during those first few patches..). this description is written in the standard format that’s used for most of the playable cast.

when you interact with the curio as imbibitor lunae, you get the exact same number- 88? - however, he is one of the few characters who has unique dialogue following the initial rating. here’s his:

The Rating Pistol gazed at Dan Heng: “88 points?” Feeling puzzled, it moved its eyeballs around and suddenly shut its eyes. It seemed to be sulking for being fooled.

> quickly note that the only other character whose rating is followed with ‘?’ is huohuo (& tail):

The Rating Pistol gazed at Huohuo: “0 points? 5 points?” It sized Huohuo up for a while before it looked away into the distance with a hopeless expression.

> it’s possible that the question marks are due to the uncertainty of there being two people to rate at once, but i doubt it- clara & svarog don’t have the question mark, nor does the pistol look hopeless lol

so, basically:

- the pistol is unsure of how huohuo should be rated for some reason, hence the question mark, and eventually gives up

- the pistol is also initially unsure of how to rate dhil, hence the question mark again. HOWEVER, instead of becoming hopeless, its eyeball moves around and suddenly shuts, and we’re told that it appears to be sulking due to being fooled. to me, this implies a realization that occurred after the 88 points were given, but before it closed its eye, presumably to pout.

that being said, i’d like to point out the similarities that dhil’s prompted dialogue has w/ the ‘invalid’ dialogue, as far-fetched as it may be:

“Rating invalid!” Its eyeball swivels around three times before suddenly widening. After a brief impasse, its eye shuts, wearily.

these are the only times that the pistol is said to move its eyeball and to shut its eye. which could very well mean absolutely nothing, but that + the fact that he is very unique in the origin of his powers (even among his own race, which descended from an aeon) makes me think it could be slightly important . even if unintentional, the hazy parallel to emanators is cool to me, considering that we don’t have a clear answer regarding the extent of his powers lorewise, either.

a lot of this is copium from a total drought of permanence lore ajajdh

anyways. even if this is totally dumb i needed to put it somewhere so i don’t go insane

[keepthedelta]

You might not like ferwis but you can't say there isn't foundation for it. What about the prost to my senna thing?

see the prost to my senna thing IS interesting but only because it's significant lewis lore, not ferwis. the prost to my senna tells us so much about lewis, because it's objectively not true. lewis and fernando have both had f1 careers of about 20 years give or take a few years, most of which has been together, but they've actually spent less than 2-3 years actively battling each other.

you have 2007 obviously, they were both part of the four/five way fight in 2010, and there have been moments here and there, but actually they haven't spent a lot of time fighting each other at all. lewis is not in the top 3 of fernando's rivals, and fernando is not in the top 3 of lewis's rivals. so lewis saying that fernando is the prost to his senna is factually not true.

but what is does tell us is that lewis is still a senna fanboy, still views racing through the lens of an archrival, competition to the death, race as hard as you possible can, drive your competition off the track if you have to and then say you're just racing sennaesque mindset.

it tells us that lewis is still a master of media manipulation. he can say something that is blatantly false if you have a memory that goes more than two years back and the media and public will just eat it up. fans so keen to gasp ferwis! or talk about the respect that two experienced drivers have for each other when they actually do not like each other at all (just look at their other interviews). lewis understands better than almost anyone in the history of motorsport (seriously only valentino rossi has anywhere near this level of media savvy and he's basically got his own religion) of how to manipulate the media and put out a narrative.

you know who used to be his "favourite rival", the person whose battles and driving he rated highest? seb. and arguably seb is much closer to the actual prost to his senna although even then it's still a bullshit media line because their "rivalry" involved him beating seb year after year, but it shows that lewis is completely willing to say whatever is going to get him the best reaction in the moment.

he is very genuinely one of the best media operators in motorsport, and your (and others) reaction to this line is proof of that

[bunnakit]

(please bear with me this is the most convoluted question known to man, but whenever you post for asks I can't help but want to scratch my weird lore theory itch, sorry not sorry)

So, like, the chomer's got fancy magic powers, right? And there were those photoshoots back during Treasure where each member had some kind of prop, right? And we've seen a couple kind of appear in other mv's like the telescope showing up in Answer, or Mingi's lines all coming through the radio in Fireworks when he was the one who had the ham radio as a prop. And, arguably, the candelabra Seonghwa has in the photoset and then the lantern he has in Wonderland. (I personally like to think that there are a couple other magic pirate artifacts already in play and its just that whatever they do hasn't been relevant to mention in the diary lore or the point of the timeline we're currently at yet).

I was just kind of idly thinking about how Hongjoong had a wand in that photoset, which hasn't specifically shown up anywhere again in that exact same form, (and quite frankly how in the heck they would ever work a wand into an mv)

and then I was like 'a wand is basically just a long stick, how would you adapt-... wait a minute'

a cane is also basically just a long stick. That he has in Guerrilla and Don't Stop, (and I know Don't Stop is not part of main canon and its own thing, but I love how they just spin slightly different AU flavours of their own lore as it suits them, and the cane in Don't Stop is.... kind of significant in the mv soooooo)

This was my crazily-roundabout way of asking if you had any thoughts/theories etc about Hongjoong and wands/sticks/canes, normal, magical, or otherwise and the lore

AAH LORE ANON YESS thank you for gracing my inbox its always a treat

so i kind of have weird theories on this? my friend [@pop-off-nabokov] and i were doing some Cromer Silvia conspiracy board theories one night and we realized something really interesting about trends in ATEEZ MVs and their themes in general.

so the captains symbol looks A LOT like like The Wheel tarot, a card that essentially breaks down the alchemical symbols of life (with EIGHT in the outer ring)

and then you have their entire last album theme The World

the wands could either be a reference to a 'of wands' tarot or the wand-like objects shown here in The World

and one of the big themes i noticed throughout Halazia is Hongjoong and Seonghwa play off each other in a theme of 'as above, so below' - Seonghwa is bathed in light and on the surface and we meet Hongjoong as Wooyoung gestures down and the camera pans downwards where Hongjoong, dressed in dark colors, seems to be a figurehead of a different gathering.

as for the lantern in Wonderland, well, i've got something for that too

The Hermit also depicts a lantern!

we also have...

Judgement

and...

The Fool - okay this one is a bit of a stretch but the pose is pretty spot on and the meaning of The Fool feels very lore!San (and really, all of the boys entering their journey in the Z World)

so i don't think it's out of the realm of possibility that ATEEZ features a lot of nods to tarot and perhaps some of the artifacts may be related to them in some way. now if they're magic like the Cromer or not? who is to say. i certainly would love to find out the looking glass allows you to see through the dimensions or something similar, or that the staff/wand has the same abilities as the breakers or who knows.

and if we want to be extra ridiculous about it, well, i hope this is at least good for a laugh

please always come to my inbox with any thoughts or questions. i hope my answers are always at least a little fun to think about.

[salvagevillaintalk]

The Curious Case of Moonfish

When it comes to League of Villains, for the most part you could say that the group was 'usually' handled decently. Sure, not everyone got their due time to super shine, but they at least had a moment to leave a good impact on the story...

All except for, debatably one:

Here's Moonfish - arguably the most 'irrevelent' Villain of the League.

Hold it!

Now when I say that, I mean in a 'least impact' sort of way. Even Moonfish still had his due...kind of. He was the one that allowed us to see Dark Shadow when on a rampage. He got us to learn more of Shoji's quirk mechanics. More lore on how the law system works in MHA - namely death row does exist. So he does have some purpose.

But, the issue lies in if It's truly enough?

Think about the two other members of the defeated 3M trio and their impact on the story.

Muscular is connected to Kota because he orphaned the kid and his defeat signalled the fact that there are people out there that will be his Hero. Muscular, even in defeat, beat Deku to the point that not only could he not help save Bakugo, he had to change up his fighting style to be more leg based. He has a long lasting impact on the trajectory of the manga, and what doors could be opened by Deku now. He was also used to show that, yes, while a good chunkf of Villains are redeemable - Goto is not one of them. (Well, one can argue Deku didn't quite try, but that's another debate down the road).

Mustard also had significant purpose to. His fight showed that, even if it wasn't often, Class B's members would have significant time devoted to them and hold key roles in the plot. He also held a very major role of knocking out the majority of Class B and ensuring the Villains would have reduced numbers to fight overall, alongside his gas being the narratives way of preventing the Villains exit from being readily discovered. So while not on the same scale as Muscular, he's a vital part of the Forest Invasion.

Moonfish...um...he's...not quite the same level as the other two. Sure, we got to know more on Shoji's quirk, but, well, that doesn't really require Moonfish to be the only one to get that info (heck, you could even have Toga be the one to steathily slice Shoji's arms to get his blood to get the same effect).

While Moonfish allowed us to know death row exists, again, it doesn't mean he specifically needed to exist to provide that info either, especially with some focus on Tartarus coming up past Kamino.

But what of his contributions to the Forest arc. Which that is to say...um. Well, Moonfish probably contributed the least to the Vanguard's operations. Even Muscular, who got beat first, went down gravely wounding someone on their kill list. But Moonfish's track record well...

He cut off Shoji's arm...but he could regenerate it so it didn't matter.

He caused Dark Shadow to go berserk, but it only served to get himself taken down next...and again, Moonfish himself didn't need to be the one to cause Dark Shadow to go AWOL in the first place.

He fought Bakugo and Todoroki - but not only stalemated and couldn't really harm them, he was trying to eat Bakugo...you know. The person he was tasked to capture XD Something that would have outright ruined their mission since it was not on the game plan.

It also doesn't help that Moonfish's personality is...really flat as well. He's dedicated to his job, sure, but its constantly overshadowed by his love of flesh and insane nature. He's not a smug loudmouth jerk like Muscular who you just wanna see punched or someone that brings up intrigue like Mustard with his resentment of those with 'one note' Quirks. He's a crazy guy, but its not an interesting crazy that keeps you hooked beyond thinking 'ooh, this guys creepy' for a moment before moving on. As such, it's hard to see Moonfish as human like rest and not unlike a Nomu, which makes it harder for people to really get invested.

So you can see the issue here, Moonfish's contributions either didn't quite need him to really succeed or gain knowledge from, were undermined by the story itself, or were just a detriment to his team overall. He lacks the connection to past characters to really get people to root for his defeat, and he lacks being the opportunity for underused cast to get their time in the sun. He also just doesn't have the personality needed to really get people to think of him beyond just being the brief crazy guy for the League either.

It's a recipe for being the odd one out in a trio that's already underused in the story.

And believe me does his role in the Second War not do him any favors.

Muscular at least had a spotlight as being the one to break other people out of jail and, even if flawed, showed that some Villains don't want to be redeemed or find peace - they just want chaos.

But Moonfish?

All he got was a brief cameo as apart of the Okuto Island Villains, not even mentioned as a League member but 'Jailbreaker'. The disrespect XD! He's been demoted!!! The indignity!!! But, yeah, aside from this cameo in his new spiffy outfit, the story does nothing with him.

He doesn't really reunite or talk with the League of Villains that remain. He doesn't spout anything new or anything that recontexualizes what he already know. He doesn't even get his real name revealed like Goto. He doesn't go down meaningfully, isn't even acknowledged by Toga or Kurogiri. He just...kinda exists? And that's kinda the weird thing about Moonfish that sums him up in story:

He's a Villain that's creepy and kinda exists...that's it. His allies don't care about him (heck Compress REALLY does not give a fuck about him since he left him behind), the Heroes think he's troublesome but not on the same level as the High Ends or Toga, ooc he's not really someone that is given the same level of importance, he's just...kinda the filler villain meant to pad out the story? It's sad but sums him up pretty well.

...And it also doesn't help that in the Yakuza Arc, Horikoshi went about making two characters to 'replace' Moonfish in both Quirk and attitude, respectively XD

The Blade Villain's power under Trigger is essentially a better version of Moonfish attached to a person with a more sympathetic figure (even if he's kind of a dick still XD).

As for the raving lunatic with hunger issues that's also an experience powerhouse, Tabe's also more interesting and likable than Moonfish in that department. He's notable a social outcast due to his Quirk to the point that he legit doesn't care if he dies it it means he can help the one person who accepted him, and has made friends with the Trash Trio to the point that, even in his hungry state, he doesn't want to eat them. Which nets him far better than Moon being showing as uncaring to eating both Villains or Heroes alike.

So ontop of not really being liked or respected in and out of story, the narrative promptly had him replaced twice with one-shot characters who are essentially more positive takes on his power and archetype...

Yeaaaah, its hard being Moonfish. Honestly, had Horikoshi gave him Tabe's whole tribulations, where his Quirk affects him on a dietary, level he could have been received well more...but that also likely steps on Toga's arc. I did suggest back during my League Nemesis post for Moonfish that he could have been abused by his community, likely a cult in this case, to the point it warped his diet and sanity that eating 'meat'/people was his only way out and enhance his love for his job a bit more. It would give him something to stand out on his own two feet instead of just being 'the crazy one'.

But, as of now, Moonfish is pretty much stuck with the most 'irrelevent' League member for a reason

[sergeifyodorov]

Is this a safe space to say mcdrai >>>> mattdrai I mean come on people the yearning!! Is this mostly also because I have an irrational dislike of matchuk? Yes but I maintain that if he didn't have curly hair and daddy issues he wouldn't be nearly as popular he plays dirty as fuck though I admit the lore is compelling... I just think if he had teeth missing and a buzzcut he would not receive this uwuification and leeway

Anyway I kind of drifted but mcdrai supremacy

to be awnest i agree with about half of this (i don't care for mattdrai) and disagree with the other half (i like machuk).

anon i am going to be so serious to you for a second. the reason a Very significant amount of hockey players on this site are popular is that they are conventionally attractive. nolan patrick has 220 career games and will probably never play any more and he's arguably one of the most popular players here. you don't see people blogging about anze kopitar and drew doughty do you? like, this is not a ratthew specific thing lmao. alsoo leon plays dirty too like he is mr. go for the soft spot. all things being equal.

ANYWAY my mtdry antiism is based on like. a) leon is such a teamguy he doesnt care if youre not in oiler orange b) ratthew is such a showman he'll suck dick on the ice if he believes it will get the people to like him/his team to win. he is all about creating that narrative.... all things being equal part 2 though ratthew does have a pre-existing relationship with connor (knights-otters rivalry in the ohl glory days) so mcmattdrai ftw. also im fine w it as a rarepair like we all need 10 fics of a rando ass Two Hot Guys Who Hit Each Other Weird Once but it's like THEE trending hockeyblr ao3 ship right now and i dont like it. go back to sidgeno if you must please god

[ren-shonen]

Returning fire: time to Be Seen friendo

"There's A Lot Going On Actually And It Can Get Messy" is a favorite genre

Likes blue as a motif color (for various symbolic reasons but if I had to pick one, maybe a hint at the ever lingering sense of feeling "blue"/lonely that they just can't shake?)

Very inspired by music, but especially lyrics

Drawn to characters who are "fishes out of water" so to speak, whether they're in a different physical environment from where they grew up, or in a new social circle/status that they're not used to having (shoutout to Rhenbraen for ending up in BOTH types at once)

Also characters who struggle with the balance between maintaining their independence and leaning on others for help/support

Symbolic 👏 Locations 👏 and/or Landmarks 👏👏 (whether for in-game screenshots like FFXIV or fanfic settings for characters to meet up at)

(Much like you did I kinda cheated for some of these since we've talked about favorite themes and motifs before but I can point to your writing entries and go "Right there, Exhibit A")

(Hello! This lovely ask prompted an absolute ramble, but since I intend to reblog this to my FFXIV blog also, I must apologize in advance for not putting this under a readmore)

A Lot Going On: You're SO right. 😅 I do like the layers, and I like peeling them back.

blue: Yes, I sure do end up with a lot of OCs with blue theming, don't I? Also, I had it pointed out once that blue shows up more than once in my BNHA fics, specifically as the color of the sky in the early morning, before sunrise. I promptly went "y'know.... huh" because I associate that time of day with having been up all night and, yeah, with a certain deep loneliness or sometimes solitude (perhaps funnily, my motif color for myself is red!)

lyrics: very yes. Especially lyrics. Almost all of my BNHA fics and FFXIV writings have a song associated with them, and several of the fics have lyric titles (as is tradition XD)

fish out of water: You're on to something here for sure, because this is true of very many of my FFXIV characters!

I suspect this may stem primarily from my enjoyment of Putting Characters in Situations that they then have to deal with, and being far from home and the familiar is a great way to do that. FFXIV's setting also makes it easy (practically necessary) to do this with any character whose lore origins place them outside of Eorzea, since they'd have to have a reason to travel there. As a result, I often employ it as a plot device to "shake things up" — like the most minor version of the isekai trope, perhaps. So I'd say it's less "drawn to" and more "tend to deliberately engineer," lol!

It may amuse you to know that Rhenbraen actually was very firmly embedded in their home environment for a BIG initial chunk of their story, and trying to figure out how to maneuver things so they would leave it was a major undertaking. (They were so stuck. SO stuck.)

...arguably, "being forced out of one's home environment" in my writing is usually a spur toward growth and positive change, even if it comes with significant growing pains.

Relatedly, I do have a personal theme of "you can't go home again" that shows up for almost all of my OCs, even the ones who have literally returned to their home environments.

I'm not sure if this also shows up in my BNHA stuff. I think there, it's more general sense of the world changing around the characters, and changing the characters, too? of time continuing and bringing with it new circumstances and situations, some of which are painful? Like Izuku having to confront being touch-starved for the first time when he moved into the dorms ("Distance and Weight"), which is a not-uncommon teenage/young adult experience. Now that I think about it, that's a good example of the second type you talked about (different social circumstance).

independence/support: oooh that's a fun one to ponder. (I wonder if I have any characters who lean toward the be-supported side? Maybe Renan? Zedyr?) Definitely shows up as a prominent theme in my BNHA stuff, though, at least on the "trouble asking for help" side. *cough*Izuku*cough*

landmarks: ooh interesting one. You know, this one actually is a bit personal/about me as the writer, even if I'm not totally sure it reaches beyond Rhenbraen's symbolic attachment to the Lominsan lighthouse (have to think about that one! but it feels right....) I'll message you to tell you more about the specifics. :D

[munchflix]

HELLRAISER TIER LIST

Munch: This is, I say regrettably, my favorite franchise. That being said, my version of my favorite franchise ends abruptly at the fourth installment.

Biscuits: This your boy??? This your man???

M: Yeah...I know.

B: This one took a while because...we had to watch the movies. I wish we hadn't. I wish I had not watched the movies. I will never forgive me for making me watch ALL OF THESE FUCKING MOVIES. Each one took years off my life span. I'd already seen the first four but...

M: They're bad. They're direct to video bad. They're 3 dollar bin at Walmart bad and I still want my money back. 

B: They'd be walk out of the theatre movie bad but you can't because most of them weren't in theaters. They're turn it off and watch some porn bad.

M: That being said...I am a huge Hellraiser fan. I love the lore, I love the mythology. I own the comics, I own the movies, I love Doug Bradley so much. Pinhead is my absolute favorite boi. But alas....we must review this shit. So here we go. PART THE ONE. A woman discovers the newly resurrected, partially formed, body of her brother-in-law. She starts killing for him to revitalize his body so he can escape the demonic beings that are pursuing him after he escaped their sadistic underworld. That's a weird version of things IMDB. 

B: Those are things that certifiably in the first movie, if you've never seen Hellraiser you're probably confused. 

M: The first, arguably the best, our introduction to the cenobites, to Kirsty, to the entire mythology and the Lament Configuration ( the iconic box ). My only gripe is that like so many of the Hellraiser movies, not enough Pinhead. The special effects, for 1987 are off the fucking chain, and they still hold up, honestly. This movie still looks better than most of the shit we watched. S tier shit.

B: The fx are really impressive for the time it was made and the fact that they didn't have much of a budget. You know what I liked about this movie? Stuff happened in it. There was a plot. The cenobites, the Lament, it was part of the plot. It was significant to the story.

M: Well this one was actually made to be a Hellraiser story, unlike six others in this series. PART THE TWO. Kirsty is brought to an institution after the horrible events of Hellraiser (1987), where the occult-obsessive head doctor resurrects Julia and unleashes the Cenobites and their demonic underworld. This one is probably my favorite, ten times more crazy cenobite shit, way more Pinhead.

B: We get to see their weird liminal space hell and Leviathan, the giant rotating space diamond. It's weird and out there, and that's pretty cool. Clive Barker created such a unique impression and aesthetic of Hell. So weird and distinct.

M: It's amazeballs, some more really iconic lines from our boy Pinhead, and nobody but Doug Bradley could say that shit and make it sound cool. We know, we've heard other people try. It's bad. Also S tier.

B: Yup.

M: PART THE THREE. An investigative reporter must send the newly unbound Pinhead and his legions back to Hell. This starts the eternal trend of fucking detective/investigator/reporter nonsense in this series.

B: Like they couldn't think of ANY other plotlines. This movie is balls out, batshit insane. It's hard for me to delineate in words how bizarre this movie is. There's a guy who looks like Hulk Hogan who gets turned into a cenobite who kills people with his telescoping eyeball lens? There's Pinhead in a statue in a nightclub that just happens to be an art museum?? And Pinhead is just like, hey Nightclub guy you should just kill people.

M: It's fantastic. It's just utter chaos from the moment it starts. Pinhead spends half the movie trapped in a statue, he's so great. Sassy and unhinged Pinhead. The main character is some redhead named Joey who does stuff but we don't care because there's a fucking dude shooting cd's out of his cenobite mouth hole. I love this movie. Tons of Pinhead, tons of cenobites, some of the most iconic lines in the series here. S tier as well.

B: That's understandable. I'm willing to put it in A tier, but I like it an S tier amount. I will acknowledge it's not a great film, but it's fun as hell.

M: PART THE FOUR. In the 22nd century, a scientist attempts to right the wrong his ancestor created: the puzzle box that opens the gates of Hell and unleashes Pinhead and his Cenobite legions.

B: I can't lie...this kind of H.R. Giger shit that happened in the 90's...I fucking hate it. It's so fucking visually boring. Alien movies were good but ugh, I watched Event Horizon and it was BORING. This movie falls into that trap and I don't like it. Compared to the other movies in this franchise after this one, this movie is great. It's high cinema.

M: You're entitled to your wrong opinion about Giger and Event Horizon. I love this movie. It's so stupid. Hellraiser in space, c'mon. Most of the movie is about LeMarchand and we don't really care, but Pinhead has some of the BEST lines in the whole series.

B: " Do I look like someone who cares what God thinks?" I love how Pinhead is this like, very serious Hell priest but then at the same time is very sassy.

M: Sassy Pinhead is the best Pinhead. Unfortunately after this, everything went straight into ass tier. I'm not willing to S tier this. This is at best B tier. Compared to the rest, this is still like...the best movie.

B: B tier is fair.

M: PART THE FIVE. INFERNO. A shady police detective becomes embroiled in a strange world of murder, sadism and madness after being assigned a murder investigation against a madman known only as "The Engineer". This is the first one where they made an entirely different movie and then slapped Pinhead into it. No really, they did that for like four movies. It's also the second movie that centers around a fucking detective.

B: I feel a visceral hatred for this movie. It is a GRUELING experience. At the beginning, I was like, I'll give this a chance. It's not going so bad, it might be alright. But no, it just drags on. It's so, so fucking boring. You stop caring about this detective like a quarter of the way in. And this is the movie that begins the HORRIBLE, AWFUL, I FUCKING HATE IT trend of having fucked up shit happen and then have it be like OH IT DIDN'T HAPPEN. It was a hallucination or something. That's half the movie, stuff that isn't happening!

M: The original movies had a ton of fucked up shit happening, but it was ACTUALLY HAPPENING. That's part of why it was so insane. This movie is....painful. It is blindingly dull. They bring in the chatterer but he's just a torso. They throw in the wire twins and some like...slenderman motherfucker but it's just the detective.

B: They quit making new cenobites after this, they just recycled the same ones. They got rid of chatterer and butterball and female cenobite, kinda rude tbh. There's barely any cenobites in this.

M: Pinhead is here for like...literally two minutes.

B: It's a four course meal of just Saltines. Bland, dry, and unfufilling. Hell tier. Piss hell tier.

M: Whatever the worst, lowest part of hell is, this movie belongs there. PART THE SIX. A shady businessman attempts to piece together the details of the car crash that killed his wife, rendered him an amnesiac, and left him in possession of a sinister puzzle box that summons monsters.

B: At least this time, he's a shady businessman!

M: There are detectives tho. This movie brings back Kirsty, but like....she's a side character. The movie would have been way more interesting if it was about her. She manipulates her husband into the cenobites hands but WE DON'T GET TO SEE ANY OF THAT. It's all told from her stupid husband's point of view.

B: I remember him throwing up a lamprey but that was the only gross thing. If I wanted to watch a white guy lose his grip on reality I'd just go watch Hannibal. Or go look in the mirror.

M: SELF BURN. This movie is so boring. AND - it does the fucking this didn't really happen bullshit hallucination crap even more than inferno. It's slightly, and I'm measuring this is in millimeters, less boring than Inferno.

B: This one does have a lamprey coming out a man's mouth. It's still bad though. I have a hard time putting this is anything but shit tier as well. If I had to choose between this movie and staring at a blank wall for the same duration, i'd pick the wall, because then I could at least imagine a better Hellraiser movie. Still D tier.

M: I agree. It's awful. And now... PART THE SEVEN. Deader. A journalist uncovers an underground group who can bring back the dead and slowly becomes drawn into their world.

B: The cover for this one also looks like ass, look at that fucking photoshop glow around the cube, now just slap that girl's face on it. Who's more dead?

M: Yet another fucking journalist detective and we don't know what's really happening and what's not.

B: This one actually feels shorter than the other ones. The pacing isn't quite that slow but it's better than the other things. There's one or two visually interesting things. The guy on the train was kinda interesting. The scene where she has the knife in her back is compelling, the stark white of the bathroom and the blood. The scene with the dead girl in the bathroom also has tension. That's more than any of the other shit movies in here.

M: You're gonna give a rank up for not feeling eternal??? It's still awful. It is slightly less awful, the plot is really out there, there are holes you could drive a mack truck through. This one, like the past two though was also just another fucking movie that they threw Pinhead into and called it Hellraiser. Like...why does Lemarchand's ancestor have the ability to raise the dead?

B: It has a bit more merit as a piece of cinema than Inferno, which has nothing. It's like that gold star meme that says - not as bad as you could have been.

M: But can we rank it above hell piss tier? I mean really. We have like two rankings here...the first four, which we can't even compare these to, and then the rest against each other.

B: Compared to the originals, it's not good. It could be C tier, I guess.

M: I'm willing to go along with that, but it's still really really bad. PART THE EIGHT. HELLWORLD. Gamers playing a MMORPG based on the "Hellraiser" films find their lives endangered after being invited to a rave, the host of which intends to show them the truth behind the Cenobite mythos.

B: I'm almost willing to move Deader to C tier after remembering this one. This one is piss hell tier. Plot, that word doesn't apply to this movie.

M: The plot is....shaky...at best. This isn't remotely a Hellraiser movie. This is the WORST offender here.

B: The entire movie only has a Hellraiser themed party until the VERY END when Pinhead shows up for like a cameo and cuts a guy to pieces. It has nothing to do with hellraiser. The plot is a dude who's mad at his dead kid's friends because his son killed himself and he's seeking revenge.

M: It's more like a Saw movie tbh. Henry Cavill is here tho. There's a lot of banging and even more of the fucking this didn't really happen trope and also Pinhead is wearing a neck brace.

B: And at the end it's implied that a ghost used a phone to save his friends? There's nothing at all to do with Hellraiser. You could remove all the hellraiser iconography and it would still be the same movie. You could remove Pinhead and it would be the same movie.

M: Piss hell garbage tier. It's irredeemable.

B: These movies feel like being tortured by the cenobites in real life.

M: PART THE FUCKING NINE REVELATIONS JESUS CHRIST. Imdb won't load the synopsis. We already reviewed this one.

B: Jerma cries a lot, the movie.

M: I hate that I have to elevate this absolute piece of shit in the rankings, but it's at least a Hellraiser movie??? It's at least about Hell???

B: This one at least has some moments that are funny bad and not just bad bad. The unnecessary baby murder.

M: That's funny??

B: It's so hamfisted, it's so edgy, it just becomes comical.

M: This movie was made entirely so that they didn't lose the rights to hellraiser. Clive Barker said - and I quote - "I have NOTHING to do with the fuckin' thing. If they claim its from the mind of Clive Barker,it's a lie. It's not even from my butt-hole"

B: The makeup is so bad. He looks tacky, like if I reached out and touched him, he would be sticky. I don't like sticky airbrushed Pinhead.

M: They also messed up his eyes, it's just weird. This movie is laughably atrocious, but at least it's laughable. You can't even laugh at Inferno. You're too busy pulling your hair out. Regrettably, C tier.

B: It's poopy garbage and I don't like it, but compared to the other fecal matter I've had to review, it's slightly better.

M: PART THE FUCKING TEN OH MY GOD. JUDGEMENT. Detectives Sean and David Carter are on the case to find a gruesome serial killer terrorizing the city. Joining forces with Detective Christine Egerton, they dig deeper into a spiraling maze of horror that may not be of this world. Hey guess what? Fucking detectives.

B: This movie is really gross but it just feels way overdone. It loses it's shock value when you're being nasty 24-7. and I would know. A lot of these movies I was like - not nasty enough! This one...maybe build up a little.

M: This is a different kind of nasty tho, like there's barfing. A lot of barfing. And playing in barf. And drooling, and splashing blood on naked chicks and it honestly feels a WEE BIT FETISHY to me.

B: You're talking about Hellraiser, it's always been kinda fetishy.

M: I don't feel like it was Hellraiser fetishy, I feel like it was director fetishy.

B: They blew their load way too early. You can't just come out of the gate swinging like that. It's not as bad as some of the other ones. There's some Hell stuff in it at least.

M: I kinda like the Auditor.

B: I liked the weird butcher guy. The auditor guy is kinda cool but you can tell he can't hardly talk with that makeup on because he can't move his upper lip. I hate all the detective shit. There's no explanation of why this one detective guy went bonkers. I don't like the angel chick, she feel really out of place.

M: The Pinhead is at least better, though I wish they'd never showed the actor without the makeup. He also looks way overdone, like they hit him with some flocking.

B: Way too airbrushed. His lips are kinda blue. Blue lips, pale face, I hate the entire human race.

M: Still...in the grand scheme of things...not the worst. I still can't even go to B tier. I could go C tier.

B: B tier has four, we're not going there. It's still bad and I wouldn't advise that you watch it, but comparatively....it's better.

M: And the bar is SO LOW. Like we got excited that Deader didn't feel six hours long. That's how low the bar is. I will never forgive these people for what they did to my boy, MY BOY! But thank you Doug and Clive for giving me the first four. We are tentatively very excited about the new Hulu version.

B: "Look how they massacred my boy!" - The Godfather, 1972.

[noobsomeexagerjunk]

Big Q’s Big Plans & Big Lore

So, I felt the need to rewatch the stream where Bad tries to get Quackity under the Egg’s influence, just so I could see whether the land Quackity pointed at was being alluded to as the same place where his upcoming lore would be involved

I mean, it was obvious

(That trail isn’t the most accurate but I tried)

I’ve been thinking about Quackity and Bad’s conversation throughout that stream, particularly when Quackity asks Bad to pay particularly close attention to a specific parcel of land

It made me think: what does Quackity have or know that can prove resistant against the Crimson Egg?

Because Quackity gathered sufficient (at the time) information about the Egg’s needs and wants, and considered this “Vegas” (as hinted) plan as a means to get in Bad/the Egg’s way.

Now, since that conversation, we learned a lot more about the Egg that I wager Quackity has no idea about unless he proves otherwise. (Don’t get me started on the implications of the Egg claiming Hannah and Sam, holy shit so many things would go wrong if this happened.)

Based on what we know about the Egg, let’s try to gather what we know about Quackity’s future build (keep in mind that list may be incomplete as apparently Quackity spills shit in his twitter alt and I refuse to get twitter):

• it’s located a particular distance away

• clearly finished enough in construction for it to be considered hidden from the map

• will be used as a means for Quackity to get incredibly rich

• is intended to get in the way of the Eggpire

• is alluded to be akin to a business, like Vegas, and has been referred to as a casino

• may contain a pyramid with a beacon, like the one in the real Las Vegas

• is tied to Awesamdude’s future bank

• has been going on from possibly as early as after Doomsday, which was the 6th of January, and was capable of being revealed as early as March 1 (but was clearly moved due to lore events involving Tommy dying) but has not been revealed yet

• Quackity hired builders for this thing, so it’s clearly huge

Right now, based on what we know, I have absolutely no confidence that this place could resist the Egg’s influence. I wager that it would enhance it, actually. 

My theory is that Quackity is clearly creating a business-esque structure reliant on, from what I gathered from his conversation with Bad, people’s personal attachments. These attachments, however, boil down to personal property. This is money and assets we’re talking about here. If he’s doing all this shit alone, I feel that the Egg will find some way to take advantage of this.

I mean, have you seen the members of the Eggpire? 

• Two (or three, if you count Skeppy despite inactivity) belong to the Badlands, one of the richest factions on the server. 

• Punz, a mercenary who would do literally anything, even get rid of his dignity, for money, is an Egghead. 

• Ponk, who is known for scamming, stealing, pranking, and is involved with a real estate business is also an Egghead. 

• Special mention for Purpled, owner of said real estate business, who is affiliated with the Eggpire by paid service—this same kid, this Technoblade-esque rich, equipped, and skilled child? He has Quackity’s level of negotiation and paranoia around people! They are ideal casino patrons and they all have ties to the Crimson Egg.

It's remembering how the Egg got everyone in the Tale of the Masquerade, taking advantage of everyone’s desire to become rich.

It’s remembering that majority of the server are going through arcs of healing—those who lost significant amounts of property are starting businesses and services (if not new bases, houses, or etc.) to bide time and to recuperate personal losses.

I mean, Bad knows where this is. If Bad knows, then the Egg knows too. Quackity cannot avoid the Egg forever. We all remember what happened to Foolish, right?

If Quackity’s protection is not within his build, or is not directly related from the build, he would need protection via involvement in arcs that he more or less should have involvement in.

The Resurrection Arc is an arc several people are involved in, he himself included. Quackity has expressed desires for Dream’s death, as well as supposed knowledge of resurrection in order to revive Schlatt. This knowledge Dream possesses is why he is in Pandora’s Vault and is why the Prison Arc ties so closely with the Resurrection Arc, not to mention Tommy dying and resurrecting within Dream’s cell.

Jschlatt’s ties to death come from being the source of knowledge on resurrection, hell, he’s the reason Dream has that knowledge. Jschlatt is also dead himself, and Glatt exists. Schlatt’s business with Connor in SMPLive is canon in his and Connor’s arcs, not to mention both individuals in question expressing desires related to business and money. 

Connor is also being hinted as heavily involved with the resurrection arc as well, demonstrating an independent knowledge and attempts at learning necromancy as well as a desire to “cure mortality” and revive Schlatt, for the personal desire to curb his loneliness. Connor has quite the habit associating with dead people as well, namely having interacted with Wilbur/Ghostbur a few times. Some of his most notable moments with Tommy both involve Tommy’s return from the dead, i.e., the hostage situation (presumed death) and the literal exit from Pandora’s Vault (actual death).

Connor’s link to the Prison Arc so far has been expressing beliefs in prison reform (and I know this doesn’t count, but the Nether Portal mishap he had comes to mind, which can count as an argument for in-lore, in-universe prison reform).

Quackity’s relationship with Schlatt is known to be both political and romantic (and depending on how you believe “Quackity gave birth to the Mexican L’Manburg/El Rapids dirt landmass,” as well as “Mpreg exists in the Dream SMP,” also sexual). Schlatt died before the two could have any proper closure. If Eret’s discovery is actually accidentally discovered lore, which I believe to be the case, we may get that closure soon, and it will in some way direct Quackity’s choices concerning the Vegas build.

In regards to Quackity’s relationships are his future husbands Karl Jacobs and Sapnap, both with connections to larger arcs.

Let’s start with Karl and his time traveling through the In-Between. Man created Kinoko to relocate his library and establish a place for him and his friends. The library is in some way a piece of history Karl himself keeps as well.

Karl’s time traveling linked him to the Egg arc via the Masquerade, to arguably the Resurrection arc with Connor (who is presumed a time traveler as well) and Ponk (whose lore contributions tie to The Village that Went Mad and Foolish), and the general overall history of the SMP that ties into the narrative importance of the Prison arc (as demonstrated in The Lost City of Mizu and to some degree The Haunted Mansion). Quackity has no idea what Karl is doing, but is narratively linked to people who would know. *cough* Connor *cough*

Sapnap’s arc so far ties him to Kinoko (and previously El Rapids), reiterating how important his friends and fiances are to him. In light of that is his connection to the Prison Arc as a person who had close relationships with Dream in the past. His prison visits and knowledge of Ranboo’s connections with Dream, as well as any established friendship with Tommy keeps him tied. He and Quackity have shown good friendship with Tommy in canon and would be happy to kill Dream if they had to.

I’m thinking that if Quackity wants to resist the Egg through his own singular efforts, maybe his involvement in other arcs would do things for him first. He’s still mistrusting of others and he is still paranoid. He can benefit from help, most especially from his friend circle and their connections.

[amatchinwater]

Pairing: Steo

Warnings: none

Words: 1100

Prompt: 5 times person A and Person B correct people about their relationship status and the 1 time they just accept it.

Prompt from here

Part 1/6

---

Unsurprisingly, after Scott found out about Stiles killing Donovan, the wolf kicked him out of the pack. It sucked at first, he can’t pretend that it didn’t. Until Theo told him the truth. Told Stiles everything. That the chimera protected him by covering for Stiles with his dad and purposefully lied to Scott. Theo explained that it was his way of proving that he was a better friend than the True Alpha. Because even if it had gone down the way he said, Theo wouldn’t have turned him away.

They became friends. Theo hashed out every detail of his plan: getting his pack, killing Scott, and turning Stiles if he wanted. The teen did want that, didn’t really think twice about it actually, just wanted to wait for a better time. While he didn’t one hundred percent agree with the murder of his ex-best friend, Stiles made no effort to stop him either.

So Theo went after Scott. Successfully stole his Alpha spark and resurrected his pack of chimeras. Sure, killing his ex-best friend didn’t really stick, but he’s a packless wolf now. An Omega. Stiles isn’t the only one that went with Theo. Liam and Mason did too. Turns out that not only bringing their significant others back to life but also looking after Stiles when he needed it most was incentive enough. Stiles took the bite from the Alpha shortly after that. The lore that you take shape from what’s inside you rang true with Stiles. He became a werefox.

That was nearly six months ago. Their pack is functional and like a family. Theo got what he wanted, no more lies or general evil energy was needed anymore. The chimera is a human being. Arguably Stiles’ best friend- just no one tell Josh that. Or Liam...or Mason. Just don’t tell anybody because the fox definitely doesn’t play favorites, okay? They became everything he had wanted the McCall pack to be. A tight knit unit that defeats supernatural monsters and takes care of each other. Most of the pack lives with Theo at his house. Honestly, Stiles spends more time there than his own too. It makes pack nights easier.

But every so often, they’ll decide to go out to dinner or see a movie together rather than stay in. Tonight is one of those times. Josh said that he was going crazy being stuck in the house. So the pack filed into Theo’s truck and Mason’s car to a new restaurant just outside of town. The hostess was super sweet about giving them the banquet table since there were no reservations made for it that night. And most of them still looked like- and are- high school students, so it was a little surprising to Stiles.

Of course Hayden and Liam sat glued at the hip across from Stiles and Theo. Tracy and Josh stuck close to their Alpha with Mason and Corey on the other side of the table. The fox has been staring at his menu for the last ten minutes, stuck between the salmon or the steak. He nodded or grunted at appetizers the pack mulled over to share. Stiles is already having a hard time with not only picking his meal, but having Theo’s leg brushing against his every five seconds to concentrate on another choice.

Eighty percent of his focus is going towards keeping his chemosignals hidden- thank you, Peter- and leveling his stupid heart. Every touch warming his skin and sending tingles through all of his nerves.

“What are you thinking about getting?” Theo nudges him with his elbow while Tracy orders their starters and drinks.

Letting his menu fall to the table, the fox turns to his Alpha, “I have no fucking clue. I’m stuck on steak or salmon. What about you?” Stiles asks, hoping to steal some inspiration from the chimera.

“Well, I was thinking about the steak too,” Theo says. “But now that you mention it, the salmon does sound pretty good.” The chimera hums, pursing his lips at the options, “we could share.”

“What?”

“You get the salmon, I’ll get the steak, and we’ll split it,” the Alpha explains with a shrug. “That way we can actually get you fed at some point tonight and you won’t have to choose.” The fox narrows his eyes at Theo, hearing the blip to his pulse. “Okay, fine, so I don’t have to choose either. But it’s your fault.”

“You asked!” Stiles barks out a laugh, “medium rare, Raeken,” he points at the chimera.

“You got it,” Theo grins.

The appetizers arrive, apparently fried pickles and mozzarella sticks were chosen. Fine by him, that shit’s delicious. It’s also nice to be able to just talk with the pack and share food. He rarely got this with Scott. With Theo it’s a weekly occurrence that never ceases to make his fox purr. Once their meals come out, the conversation falls as everyone digs in. Stiles reaches over to Theo’s place while the Alpha is busy grabbing a bite of salmon.

It took the, “um,” from Mason to realize they were being stared at. His smile is almost confused. No, that doesn’t seem right. More like surprised,” since when are you two together?”

“What?” Hayden and Theo ask, his utensil dangling in his fingers.

“We’re not together,” Stiles mumbles around his bite. All of the packmates have stopped eating to listen. Tracy is beaming alongside Josh who looks absolutely thrilled. Also, where the fuck did this even come from?

“You’re sharing your meals,” Mason scoffs as if that was supposed to help this make sense to him. It doesn’t.

Liam’s face scrunches, “we all just shared food, I don’t understand.” Stiles waves a hand at the wolf, because at least someone else is just as confused.

“That’s not the same thing.”

“Fucking how?” Theo quips, shoving his fork in his mouth. Sure, they’re friends and yes, Stiles likes him. But the fox is pretty sure it’s nothing but platonic from the Alpha. It’s why he hides his feelings.

Mason’s eyes fall to his plate, “it’s different,” he insists pointedly staring at Corey trying to sneak a fry while he was busy talking.

“I couldn’t decide and neither could he,” Stiles rolls his eyes, stabbing his steak a little more forcefully than needed. Theo’s leaning his cheek on his hand, definitely noticing the action. Because of course he would. It’s fucking Theo. At least he doesn’t say anything. “It’s called being smart, Mason.”

“Whatever you say,” Tracy snickers, twirling her pasta with a satisfied smirk.

“We’re not together,” Stiles repeats.

They’re not.

---

Part 2

[ramblingguy54]

Honestly, I haven’t been chatting enough about Owl House Season 2, so I’m gonna make some bullet points here about what I’ve been loving from these first five episodes.

-Lilith & Hooty’s whole friendship dynamic. It’s very nice, ironic, funny, and super cute to see two polar opposites become the most unlikely of friends. Also, it adds a nice change of pace to a side character, like Hooty, who was the guy no one liked to hang around with much as a running gag in Season 1. Now Hooty has someone who enjoys his company and values much of what he has to say, too. Lilith knows what it’s like to not have people enjoy their company, as she made choices that winded up putting her in a place of solitude from actual healthy socializing. For a long time Lilith didn’t have anyone to genuinely consult, until this silly freaking Owl tube came along to give a sense of safety after abandoning her ideals that defined this Witch for a couple of decades.

-Getting me to actually care more about King’s role in this story line. King wasn’t someone who really clicked with me in Season 1′s run time. I liked his episodes centering on the sibling dynamic he had with Luz sure, but not any one of them made me go, “This character is actually very endearing and want to see more of their journey.” , where I took King more as an overall decent member of the cast at best. Echoes of the Past seriously surprised me in how well it executed his backstory showcasing the strong connection he has to Edalyn & Luz in general as a found family. The revelation of how Eda & King met, on top of her dubbing him with that name this little guy cherishes, paints a picture of how much Eda truly cares about the young demon. Edalyn wanted him to feel good about his place in their world, which only ended up being a mistake she’d have to correct afterwards in this episode. Echoes of the Past was such a lovely surprise in how well it succeeded in building upon the lore of this interesting world and giving King’s development more of a dramatic and tragic revelation of characterization. I’d arguably say what they did with King’s may be the best part for me in Season 2, thus far. It really was that much of a shock for me in what they accomplished.

-Amity & Luz, my God where do I even begin with these two cute love birds? If Grom Night was the story’s way of acknowledging Amity has got a crush on Luz, then this episode lit a spark underneath our main heroine’s interest in her romantically. When Amity charged in against her parent’s improved abomination saying like a badass, “Get away from my Luz!”,  anyone could see how mesmerized Luz looked at her actions. Part of me thought they’d continue doing the unaware protagonist trope, where Luz wasn’t aware of Amity’s feelings or even gains a crush of her own, either. Really enjoying how Dana Terrace and her crew have been approaching this representation of LGBTQ through making the whole concept of Lumity romance feel super organic from both ends. It’s no longer a one sided deal with only Amity having feelings for someone, who helped make her once miserable life so much greater. Luz now views her in the same inspiring light Amity did in Grom Night’s story of seeing this person as more than a friend, but a significant individual she wants to share her life and world with back on Earth. This is how you do a romantic representation without beating viewers over the head of how much you’re pushing boundaries. Let the characters actions speak on how they feel about each other.

-Gwendolyn’s introduction the story was a very welcoming one, as it gave more of a complicated shake up to how interesting, yet tragic, Edalyn & Lilith’s lives are when it comes to their relationship with their respective parent. Lilith choosing to curse Eda already put many years of guilt upon herself, but to not get any attention afterward from her mother’s top priority becoming curing her sister’s curse instead? Talk about another way to look it as Lilith feeling more down in the dumps for putting that curse on Eda. Lilith likely felt as if she didn’t deserve to be loved after throwing her sibling under the bus to get into the Emperor’s Coven, which led to a long struggle of trying to makes amends. Bringing their mother into Season 2 was a terrific way to shed more light onto how this crazy family operates and show just how much the curse affected them all emotionally on different levels. Eda had to distance herself from others, Lilith searched to find answers on her own, and Gwendolyn poured so much of her life into wanting to help her youngest child, at the expense of forgetting about Lilith’s needs. A great representation of a flawed, yet still loving, family tree.

-Showing Gus’ magical illusion abilities in a seriously cool, albeit disturbing manner, of how even if he may be limited to using just one type of magic doesn’t mean it’s not powerful. How they went about evolving the strength of illusions being used to even physically fool people into feeling the touch of it, while showing a greater strain on its user casting said spell, adds a new level of awesome to Gus’ abilities. It shows he can become a great asset to his friends in the future of growing events and not just get sidelined unfairly, due to a growing power scale of some kind. That was another one of my favorite parts of the episode, beside that whole deal many are talking about surrounding Lumity’s very great growth in Through The Looking Glass Ruins. Give it up for the future MVP Gus over here, as I can see this stuff coming into play against the Emperor’s Coven conflict possibly in Season 2′s finale when shit gets very real. 

[itsclydebitches]

I just read your crosshair post and I agree with everything you said BUT…

Let me put on my own tin foil hat for a sec and talk about….

The burn mark thats supposed to cover the chip removal scar. Doesn’t it seem to be in a slightly odd position? Every other clone has it straight above the angle of their jaw/before the ear. I get that the burn was “placed” on that side of his head by writers for suspense and so it wouldn’t be apparent that his chip is out(thus showing Hunter checking it). But is the message here “oh he has this burn that’s close enough”? Also the scene where he was getting blasted by that engine could have easily scarred his face or at least affect the area closer to his face. I expected it to be over the temple too. But no it’s only that spot. (Now I know people will say “it’s Disney cartoon” so the scarring is minimal due to that)

Then it just kinda surprised me to hear brad Rau go “oh yeah, chip is definitely out, have you seen the side of that guys’d head? Lol” Followed by Jen’s “the eagle-eyes fans would notice all along”. Because now I feel like a clown for thinking I WAS being eagle-eyed and NOTICED that it was in the wrong place to really hide the chip scar. And if I’m correct to assume she meant that it was after Bracca that makes crosshair’s line “a long time ago” even weirder since there is no way Bracca happened that long ago.

And what was the point in showing Hunter checking the burn mark? We don’t really see his reaction. We don’t ever see him commenting on it later. It seemed like a big deal to him given how shocked he looked and how insistent he was on knowing when exactly was it removed. (“Does it matter?” “YES!”). And then he suddenly doesn’t care and never brought it up again. Even when they got to a relatively safe location or back to their ship.

I don’t think it’s a good sign that we have to rely on an interview to be sure about such an important plot point. I would be disappointed if this matter won’t be addressed at least in some way next season.

We’re all just passing the tin hat back and forth at this point. This is fine and we're handling the hiatus beautifully lol

But YES to all of that. Every detail here has two (or more) possible readings attached to it, which makes it impossible to figure out what we’re meant to be prioritizing. So, to summarize:

Yeah, despite my own claim that the burn scar is “exactly” where the chip scar would be, there is a slight difference. Is that a significant difference then, or just down to the animators not mapping Crosshair's design down to the inch?

Is the burn mark (almost) precisely where the chip would be to show that there’s a chance it’s still there (you can’t see the surgery scar), or to show that enough damage happened there to make the chip’s removal inevitable?

Yet "enough damage happened there to make the chip's removal inevitable" is a pretty big assumption that the show never set up. So are we meant to view the untold number of clones who suffered other head injuries throughout TCW as evidence that the chip must still be there—after all, they weren’t de-chipped due to head trauma, burns, etc.—or are we supposed to ignore that because #Disney cartoon, not everything is gonna have such long-term consistency?

Is the placement of the burn deliberate and the lack of any other facial scaring suspicious, or (again) is that just because #Disney cartoon doesn’t want to disfigure his whole face?

Is the scene where Crosshair has his chip enhanced another clue—the chip appears to be a bit higher up than others’ in his scan—or just an animation inconsistency?

Was enhancing the chip important, or just used for the drama of that particular scene?

Does Hunter think that the burn is somehow evidence of the chip’s removal, or is he just taking Crosshair at his word?

Is Crosshair’s lack of clarification meant to read as him being evil—he doesn’t care what was the Empire and what was him—or another hint that something else is going on?

Finally, most fans agree that, if the chip is out, it had to have happened after Bracca so… yeah, how is that “a long time ago”? Is that line meant to imply that Crosshair has been misled (perhaps with the Empire lying to him, claiming his chip was removed before the season even began), or are we supposed to believe that a significant amount of time has truly passed (making TBB’s lack of a rescue even worse in my eyes…) Even other evidence we might point to is pretty useless. “Well, it could be a long time because there was enough time for him to heal from those burns.” But is that because time actually passed, or did the Empire us SW’s super science fiction magic to heal him up quick? Idk the canonical time it normally takes burns like that to heal with bacta and I doubt that's consistent across the lore either. But regardless, the SF aspect means that a healed face isn't good evidence for a lot of time passing, like it might be in another genre. For all we know, Crosshair was healed in a few days.

So yeah, what in the world are we meant to make of all this? It’s too ambiguous, too confusing, and each answer—chip or no chip—comes with apparent contradictions. None of that reflects the certainty seen in the interviews. In order to reward “eagle-eyed” viewers, you need to be on top of all those details, both in terms of the writing and the animation. Yet it doesn't appear like the writers were. With all of this combined with the confusion I mentioned in another post regarding side-character clones overcoming their chips with ease… I don’t think this is a good sign either. I love TBB and had a blast watching it, but this particular aspect feels like it could unravel into a tangled, contradictory mess very quickly. The sort of situation where many in the fandom will accept the plot and argue strongly that here, Crosshair's canonical chip situation is supported by X, Y, and Z. Whereas others will point out that yeah, that’s true, but it’s also not supported by A, B, and C. Even if we’re willing to ignore those moments of confusion and disjointedness, it’s a big letdown to feel like you’re following along with what the show’s hinting at… only for the show to turn around and go, “Lol nah. None of that was important.” Shows with twists and reveals—which TBB very much is at this point—are built on the fandom’s investment in the details. If you don’t treat those details carefully, the fandom will quickly begin to resent the expectation that you be invested in the mystery... but not so invested that you "read into things."

Intense flashbacks to the later seasons of Sherlock.

BUT right now for me the larger issue is that even if we don't care about these details, the rest of TBB absolutely should. The fact that Hunter doesn't question what's up with the burn, Tech isn't interested in trying a scan, Wrecker's experience under the chip has no impact on how he approaches this, Omega seems to accept that this is the "real" Crosshair, and Echo doesn't push to rescue him like they did for Gregor... all of that is at the emotional heart of the show and arguably more important than getting a perfect resolution to these chip questions. Obviously I'd prefer to get both, but if we can only have one, I'd prioritize tackling the group's reaction to these events, rather than trying to smooth over every potential inconsistency revolving around the chip. Ultimately, I'm more interested in the show explaining why four brothers and a sister didn't fight for Crosshair when, as far as they knew up until he said otherwise, he was a prisoner of the Empire just like everyone else they helped was.

[sterling-silvers]

Star Wars: The High Republic Informal Review

These are my initial thoughts and minutely biased opinion/review of the High Republic.

My basis is primarily founded on the first two issues of the High Republic comic book – written by Cavan Scott – along with a secondary basis, from a secondhand account of the book Light of the Jedi, written by Charles Soule. It is a secondary account because I don’t read books; I am not a book man. My friend loves to read books and he graciously gets on Discord with me basically every day and together we dissect and discern what’s going on in this new period of the galaxy. This evaluation will mainly concentrate on the book portion and while not all encompassing, will give you a significant gist of how I’m feeling about High Republic. Also, there will be SPOILERS – you have been warned.

Overall, the book seems to have a strong first third, gets into a lull in the second third, and somewhat recovers in the last third but, arguably not as strong as that first third. The strengths of the book are definitely world building, the focus on Starlight Beacon, and finally, the introduction to all the new (old) Jedi; the Jedi are the best thing about the book. Plot wise, the book centers on and around Starlight Beacon with hyperspace being the driving force of the conflict.

Starlight Beacon is akin to an amalgam of air traffic control, a mutli-cultural embassy, a Jedi Temple, and a bazaar. At this point, it housed the largest number of Jedi outside of Coruscant and used signals to guide travelers during their interplanetary journeys. It was made in response to the Great Disaster – a hyperspace tragedy that caused starships all across the galaxy to be abruptly launched out of hyperspace leading to several moons in the Trymant system, including Korbatal, to be destroyed. Beacon exists to better calibrate for, identity, and curtail these new anomalies as astromech droids are a rarity in this period of time.

Around the same time, a marauder group – called the Nihil – have found a way to board and raid ships while they are in hyperspace using hyperspace channels termed Paths. Through the use of devices - called Path Engines - Nihil ships are to make short-burst hyperspace jumps, allowing them to appear and disappear in a flash during battle. Their raids have led to deaths, including that of Jedi Jora Malli -  a Togruta Jedi Master that sees the Force as a force – always in competition with itself. She was also very close friends with Sskeer; a Trandoshan Jedi Master that lost an am during the raids. 

In accordance with that last point, hyperspace will be somewhat of the crux contention to fans (and really science fiction enthusiast in general) as this is not how hyperspace has generally been established to work in Star Wars yet, is the lynch pin in how conflicts happen. This even follies with the newly established way hyperspace works in The Last Jedi and The Rise of Skywalker but, I digress…

I knew there were going to be some major plot holes in this super prequel series but, my best hope was that they wouldn’t be too gaping. Just knowing that this application exists, changes many aspects of space travel and what characters going forward should know about it. Canon mechanics aside, Charles Soule makes it clear why was given this duty; he has blatant skill for writing not only characters but, also taking the extra steps of having the individualized power of the character be an extension of them. He did this very well during his run in Uncanny Inhumans and he’s not disappointing here either (he’s had plenty of practice in the Star Wars realm already with books like Star Wars, Poe Dameron, and The Rise of Kylo Ren).

There are a multitude of Jedi brought in, which complements the time period and era of it being the High Republic but, the real asset of the book is Soule taking the needed time to give the reader a look at how each Jedi interprets the Force in their own way. Moreover, the pairings of different Jedi serve as accompaniments to each other in very noteworthy ways.

Jedi Master Loden Greatstorm, sees the Force as an ocean.

His Padawan, Bell Zettifar sees it as a flame – sometimes a raging inferno, sometimes glinting ember. (This is very fascination as usual flames are a motif associated with the Sith yet, here is Bell - a shining example of a Jedi - interpreting fire in a positive light. I also like how view of the Force allowed him to synch with his charhound, Ember).

Wookie Padawan Burryaga Agaburry, perceives it has a tree attached to a leaf of equal size.

Vernestra Rwoh, the one of the youngest Jedi Knight in the order, sees it as a river.

Reath Silas, see it as a spider web – strong in some spots, weak in others.

Elzar Mann, views it as an endless, bottomless sea which was impossible to be used up, not matter for what purpose or however many times it was called upon. (I’m curious to see if there will be a differentiation between how Mann sees the force when compared to Greatstorm; an ocean is deeper than that of a sea.)

Finally, Jedi Master Avar Kriss, hears the Force as a symphony – moreover, she can connect with minds of other Jedi and is able see how other see how they see the Force.

Hot take but, the character of Kriss feels like a Kathleen Kennedy character as Kennedy been prone to interject White, third wave feminism (if you’re not intersectional then you’re not a “feminist” to me) into Star Wars. One of her signatures is to take a White human female and make her the either the main character or a key figure in the narrative. Avar Kriss, a White blonde-haired human woman, is literally depicted as “the brightest, most noble example of Jedi-hood” so, I’m keeping a keen eye on her – doesn’t help that she just got assigned Marshall to Starlight Beacon but, if it’s any consolation (more like mitigation), she was the SECOND pick as the first died.

Ultimately, if you are able to get the major hurdle that is hyperspace Paths, this is a competent and enjoyable start. Soule even goes as far to add some interesting and even practical – yet lore breaking – devices in this age: he’s made a new (old) space ship called “Vectors” that are powered/steered by Force sensitive people with the lightsaber being the key to active it (even cooler, the hub takes the color of the lightsaber that activates it). 

That’s a great idea and makes sense within the universe as whole yet, collapses on itself when you remember what time period, we’re in – the past, so why was this not built upon in the future? It definitely feels like the books are 85% of the story while the comics (more on them in a later post) are – at their prime peak – a mere “intrinsic 15%”. The best part for me has been the characters; hopefully, the plot will come along to accent them justly. Arguably though, the best characters – that of Loden and Bell – should be depicted in the comics based on their gravitating dynamics and instant attachment with readers.